02-09-1861: Tarrengower Victoria. John Lamb Lyon stained glass.

The Argus, Melbourne, Monday 2nd September 1861, page 5.

“Amongst the contributions which Tarrengower will forward to the forthcoming Exhibition will be a stained-glass window, in the Early English style, the work of Mr. John Lyon, of Maldon”.

There is obviously insufficient detail in the article to distinguish the description of this window from many other windows described as of “Early English style” and there have been no other articles of the time to associate it by dates.  The only other extant window from the same period of late 1861,  is the Ferguson & Urie two light chancel window of St Margaret’s Church in Eltham which is the earliest known extant window by the firm with evidence of communication with Ferguson & Urie and the church in November 1861.

Lyon is not known to have joined Ferguson & Urie until late 1861, making this ‘Tarrengower’ window his own work, but collaboration is possible. If he had created the window completely of his own accord it could only have been done on a very small scale, assuming he did not have any commercial sized kiln for firing the glass in the tiny township of Maldon. Interestingly the exhibition list of awards published in December 1861, mentions Lyon’s entry as a ‘design for stained glass’ and not actually a window!

The English stained glass artist David Relph Drape is known to have been in Maldon at the exact same time as Lyon and they are both likely to have collaborated in the design and manufacture of the two light west window of the Holy Trinity church in Maldon in 1863. Drape was also the architect of Holy Trinity and commenced work with Ferguson & Urie as a stained glass artist on the 8th November 1863.

Related posts:

John Lamb Lyon, Stained Glass Artist, (1835-1916)

External links:

Biography: John Lamb Lyon (1835–1916)


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07-12-1861: The 1861 Melbourne Industrial Exhibition.

The 1861 Melbourne Industrial Exhibition is recognised as the event that changed the course of the Ferguson & Urie Company history. This exhibition is where the Scottish Stained Glass Artist, John Lamb Lyon would have undoubtedly been convinced to join the firm in late 1861.

Ferguson & Urie received an honorable mention for ornamental glazing, and John Lamb Lyon, for a design for stained glass. Lyon joined the firm a short time after this exhibition and between 1866-1873 was installed as a partner in the firm.

The 1861 Exhibition was almost exclusively Victorian. The poorly constructed exhibition building was erected in William Street and was prone to leaking. The glass roof, supposedy copied from the London’s Crystal Palace, was painted white during 1857–58. The Exhibition Building was the main concert venue for the Melbourne Philharmonic Society from 1854 to 1866 and also served as an interim lecture theatre for the university (1855) and as the venue for Temperance League rallies in 1857. The last function to be held there was Governor Darling’s Vice-Regal Ball of 1864 and it was demolished in the late 1860s, and the existing Mint building erected on the site during 1871–72. [1]

The Argus, Melbourne, Saturday 7th December 1861, page 7.

“THE EXHIBITION. LIST OF AWARDS”.

“The following completes the list of awards in connexion with the Industrial Exhibition …”.

“HONOURABLE MENTION …”

“Fergusson [sic] and Urie – Ornamental glazing”

“Lyon, J.N [sic] – Design for stained glass …”

Exhibition building 1861 latrobe-56-009a

Melbourne’s first exhibition building photographed during the
1861 Melbourne Exhibition (Source SLV I.TAF 451)

The 1872 Mint Building which now stands on the site of the first Exhibition Building

The Mint Building built in 1872 in William Street, which now stands on the site of the first Exhibition Building

Foot notes:

[1] The Latrobe Journal, No 56, Spring 1995.

22-11-1861: St Margaret’s Eltham, Church Archives

St Margaret’s Eltham, Church Archives, 22nd November 1861.

St Margaret’s Church at Eltham has a letter in their archives from the Ferguson and Urie stained glass company dated the 22 November 1861, addressed to the Church Committee on the progress of the window. It mentions specifically the production of imitation ancient glass for the small end window as being the first in the colony. The window was reported to have cost £1 (one pound). This is the oldest extant stained glass window by the firm and whilst there were reports that this may have been done by James Urie and James Ferguson, this is highly unlikely. The artist John Lamb Lyon (1835-1916) joined the firm officially in late 1861 as a result of his encounter with Ferguson & Urie at the . This is definitely his work and would be amongst the earliest windows made at the Ferguson & Urie workshops in Curzon Street North Melbourne.  The Artist David Relph Drape (1821-1882) officially joined the firm on the 8th November 1863.

Advertiser, Hurstbridge, Friday 22 July 1932, page 2.

‘Early History of the Church of St. Margaret’.

St Margaret’s Church Eltham awarded contracts for building the church and Ferguson & Urie were awarded the contract for windows and varnishing seats at £41.

( The reference to varnishing seats I believe to be incorrect).

ABOUT ST MARGARET’S:

The foundation stone for St Margaret’s was laid on the 4th of April 1861 and was built by George Stebbings to the designs of architect Nathaniel Billing. The Church was opened and dedicated on the 12 December 1861 and consecrated by the Rt.Rev. Bishop Thornton of Ballarat on the 16th of May 1876.

In 2000, St Margaret’s received a grant of $12,000 from Heritage Victoria  to restore all the windows in the church and during the renovations, a Dossal erected behind the altar in 1935, was removed to reveal the historic Ferguson & Urie stained glass window which no one had seen for over 65 years.

As at 2012, the Ferguson & Urie window at St Mararet’s, Eltham, is the earliest known extant stained glass window by the company.

Photos taken 2nd January 2011.

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St Margaret’s Eltham [summary 20110117]


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