Herbert Moesbury Smyrk (1861โ€“1947)

Stained Glass Artist – Herbert Moesbury Smyrk (1861โ€“1947)

Herbert Moesbury Smyrk was a stained-glass artist with Ferguson & Urie in the mid-1890’s. He was nomadic, and his stained-glass work can be traced across nearly every major Australian studio from the 1880’s to 1947.

Overview

Herbert Mosebury/Moesbury Smyrk was a widely travelled stained-glass artist and designer who worked across England, the United States, Australia and the Pacific. Though he never ran a studio under his own name for long, he supplied designs and glasswork to many of the leading stained-glass firms of his era, and later in life turned to writing and illustration under the pen name “Herbert Moesbury.”

Early Life and Training

  • Born 1 December 1861 at “Brontรจ Villa,” Guildford, Surrey, England, the seventh child of Charles Frederick Smyrk (a surveyor/auctioneer) and Sarah Ann Miller.
  • Baptised 22 June 1862 as “Herbert Mosebury Smyrk” โ€” the unusual middle name came from his grandmother, Elisabeth Mosebury, but he adapted it to the spelling Moesbury.
  • Trained with leading London stained-glass firms including Heaton, Butler & Bayne; Lavers, Barraud & Westlake; and Gibbs & Moore. A 1935 press profile states he was apprenticed around age 14 to Powell and Shellard after being selected from the Lambeth Schools of Art.
  • The 1881 England census lists him, age 19, as a “Glass Draughtsman” lodging in Elswick, Newcastle-upon-Tyne.
  • By his own later account, he stowed away on a ship bound for America, worked in New York and then California (Judson Studios, San Francisco) before heading to Australia.

Melbourne (1884โ€“1891)

  • Arrived in Victoria aboard the Chimborazo, reaching Melbourne 23 February 1885, and joined Brooks, Robinson & Co.
  • By 1886 he had partnered with Charles Rogers to form Smyrk & Rogers, 166 Little Collins Street. The firm undercut rival Ferguson & Urie to win the glazing contract for St Mary’s Anglican Church, and exhibited at the 1887 Adelaide International Jubilee Exhibition.
  • Married Laura Elizabeth Davies in Melbourne on 9 July 1888; they had two sons, Rowland Herbert (1888โ€“1953) and Harold Nelson (1889โ€“1956).
  • The Smyrk & Rogers partnership was dissolved by mutual consent in September 1888; Rogers continued the business alone. Smyrk & Rogers completed the stained glass for St Mary’s, North Melbourne, that October.
  • A separate 1888 source (of disputed fit with the timeline) links him to Adelaide and the Adelaide Easel Club around this period, including a window for the original St Augustine’s Church, Unley.
  • Travelled to London and back with his family (1891โ€“92).

Ferguson & Urie, Melbourne (c. 1894โ€“96)

  • Worked as stained-glass artist for Ferguson & Urie, 100 Franklin Street, Melbourne.
  • Attributed works from this period include the C. H. Armytage memorial window at St Mary’s, Balmoral (c. Jan 1895) and the Cr. William Ievers memorial window at St George’s, Carlton (Feb 1896, destroyed by fire in 1924).
  • Also associated with decorative glass for a private residence (“Watersdale”) in North Melbourne (1895) and a Last Supper window for St Andrew’s Presbyterian Church, Werribee (1896).
  • Contemporary press consistently praised his liberal use of silver stain and his lighter, less heavily painted treatment of glass compared with the norm at Ferguson & Urie.

Adelaide, with E. F. Troy (1896โ€“1898)

  • Engaged by decorative firm E. F. Troy, Flinders Street, Adelaide, as chief designer. Notable commissions include:
  • The “Good Shepherd” memorial window for Father Joseph Peters, St Ignatius’ Church, Norwood (1896).
  • Windows for private clients (C. H. De Rose’s Medindie residence; Delano and Eickhoff commissions).
  • The Ascension and Resurrection windows, St Margaret’s Church, Woodville (1897), memorialising John Bristow Hughes and the Harrison family respectively.
  • A three-light east window (Ascension, Good Shepherd, Light of the World) for St George’s Church, Gawler, in memory of Canon Coombs (1897โ€“98) โ€” reportedly the largest stained-glass window made in South Australia at the time, at a contract price of ยฃ200.
  • Windows for the Kent Town Wesleyan Church.
  • Active in the Adelaide Easel Club, exhibiting alongside artists such as Hans Heysen; served as the club’s honorary treasurer until resigning in February 1898 ahead of his return to England.

Perth, with Barnett Bros (1899โ€“1900)

  • Emigrated with his family to Western Australia in 1899 to join Barnett Bros, Hay Street, Perth.
  • Designed “The Good Shepherd,” described locally as the first stained-glass window made in the colony.
  • The same design, exhibited by the WA Commission at the 1900 Paris Exposition Universelle, won a bronze medal โ€” a career highlight.

Sydney and Personal Loss (1901โ€“c.1906)

  • Living in Sydney by 1901.
  • His wife, Laura Elizabeth, died on 7 October 1902 at their Sydney home, aged 33.
  • Returned to England afterwards, joining William Morris & Co. (Ruskin House), Westminster, as a principal glass-painting artist for roughly a decade (sources vary between about 9 and 10 years).

Return to the Pacific, America and Later Career

  • Around 1916 he travelled again to the United States, working extensively in Los Angeles at the Judson Studios, including a major commission (reported as a $50,000 contract for 16 windows in a $1,250,000 church) executed with four assistants over about a year.
  • Spent significant time in Tahiti, an experience he later wrote about at length.
  • By 1914 he was associated with James Sandy & Co., Sydney, as head of their new stained-glass and mural decoration department.
  • Returned to Australia by 1935, joining Frank G. O’Brien Ltd., Waterloo, Sydney, undertaking new commissions including windows and an altarpiece for St Francis’ Church, Paddington.
  • Other firms associated with his work over the decades include R. S. Exton (Brisbane).

Writing and Illustration

  • Adopted the shortened pen name “Herbert Moesbury” for his literary and artistic work.
  • Published The Trader’s Story (Radcliffe Press, Sydney, 1922), an illustrated narrative poem set in the Pacific islands, noted for its restrained, melodic verse; described as the first in a planned series.
  • Contributed illustrated poems to the Weekly Times (December 1922).
  • Wrote “The Scapegoat,” a short story of betrayal and reconciliation set partly in Tahiti, published in The Australian Women’s Weekly (March 1939).
  • In November 1925, two Adelaide papers (The News and The Mail) published his reminiscences of years lived in Tahiti โ€” covering the island’s history (including the Bounty mutiny), Tahitian hospitality and physical vigour (with lengthy quotation of Captain Cook’s 1769 journal), the monotony of the local diet, the prevalence of elephantiasis among long-term white settlers, and his eventual homesickness and departure for San Francisco.

Family Notes

  • Sons Rowland Herbert (1888โ€“1953) and Harold Nelson (1889โ€“1956); Harold later represented Great Britain in diving at the Olympics.
  • A separate Smyrk relative, Leopold Charles “Charlie” Smyrk (1876โ€“1956), was a decorated British Army veteran (Boer War and WWI) and long-serving licensee of the Dolphin Hotel, Guildford โ€” connected to Herbert through their shared Guildford-based family (their fathers/grandfather, Charles Frederick Smyrk, was a Guildford auctioneer and surveyor).

Death and Legacy

  • Died at Woollahra, Sydney, in 1947, aged 85.
  • Never established a lasting studio under his own name, but is credited with designing for numerous major Australian firms (Brooks Robinson, Smyrk & Rogers, Ferguson & Urie, E. F. Troy, Barnett Bros, James Sandy & Co., Frank G. O’Brien Ltd.) across Melbourne, Adelaide, Perth and Sydney, as well as work in England (William Morris & Co.) and the USA (Judson Studios).
  • His stylistic hallmarks are noted as refined figure drawing, expressive painted faces, English Gothic composition, luminous colour, and a distinctive lightness achieved through silver stain rather than heavy overpainting.
  • Because studio-made windows were typically credited to the manufacturing firm rather than the individual designer, many of his works remain only tentatively attributed, and researchers note his career is still not widely recognised despite its scope.

Compiled from my research collection of newspaper clippings, genealogical records, and museum catalogue entries, with dates and sources as noted in the original clippings from the National Library of Australia’s Trove, Sydney Living Museums, and others.


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1894: St Mary’s Anglican Church, Balmoral, Victoria.

After 1894, finding extant stained-glass windows created by the historic stained-glass firm Ferguson & Urie of North Melbourne is rare. A mention of one of their windows at St Maryโ€™s Anglican Church in the tiny township of Balmoral is a significant bonus for my research of the company.

Balmoral is a tiny town 73km northeast of Casterton and 80km South of Horsham in Western Victoria. It was settled in the early 1850s and today its population is under 300.

Caroline Armytage[1], the wife of Charles Henry Armytage laid the foundation stone of St Maryโ€™s Anglican Church at Balmoral on the 27th of September 1894 [2] and the Bishop of Ballarat officially opened it on the 24th of January 1895. An account of the church furnishings and fittings was chronicled in detail but there was only a brief mention of the stained-glass window in the chancel;

โ€œโ€ฆ a chancel in early English style, with handsome triple east window (presented by the Armytage family in memory of the late C. Armytage, Esq., of Fulham), by Ferguson and Urieโ€ฆโ€ [3]

There was no indication of what the window depicted so that just left me a mystery and enough curiosity to undertake a 260-kilometer trip to see if it still existed and if so, what was in it?

The date of the tabloid article indicates the window was likely made in late 1894. The Ferguson & Urie company closed in late December 1899, so finding extant examples of their stained glass in this period their final decade is rare.

At the time the Balmoral window was made, the original founders of the company had died. James Urie, in 1890 and James Ferguson, in 1894. The company was then in the hands of their sons, James Ferguson Jnr and William Urie. Neither founders nor their sons were stained-glass artists in the company, so at this late stage in the company’s history, identifying which of the firmโ€™s remaining stained-glass artists who may have had a hand in the design and painting of the windows becomes vague.

We visited Balmoral in August 2017 to see the window at St Maryโ€™s. The three-light window is the only stained glass in the church, others are generic lead-light.

From left to right the window depicts St Peter, Christ, and St Andrew. There is no doubt it was a Ferguson & Urie window, but the figurative depictions of St Peter, Christ, and St Andrew were very different.  

The companyโ€™s early figurative style is easily recognisable in the period of their first two stained-glass artists with the company, John Lamb Lyon [4] (from 1861 to 1873), and David Relph Drape [5] (from 1863 until his death 1882). Windows made after Drapeโ€™s death in 1882 leave some mystery as to who the artists may have been.

Dr. Bronwyn Hughes OAM proposed that the Balmoral window could be the work of stained glass artist Herbert Moesbury Smyrk [6].

Whilst many parts of the window are typical of Ferguson & Urieโ€™s company style, the figurative work in the faces of St Peter, Christ, and St Andrew are quite different. Smyrkโ€™s painting style is very delicate and he was quite prolific at using the traditional silver stain to create varying shades from light yellow to deep gold. Some parts of his figurative images let through a lot of light which wasnโ€™t prevalent in early Ferguson & Urie windows created in the Lyon and Drape era. A further study of my photo collection of stained glass windows in this same period has now revealed more of Smyrkโ€™s style under the guise of Ferguson & Urie, and many other windows created during his time with Ferguson & Urie are now attributed to him. 

Positive evidence of Smyrkโ€™s association with Ferguson & Urie is revealed in February 1896 when a memorial stained-glass window, dedicated to Councillor William Ievers MLA, was erected in St George’s church (now part of Corpus Christie) at Carlton. The window was executed by Ferguson & Urie and Smyrk was named as the designer [7]. The church was gutted by fire in 1924 and none of the original windows survived [8]

An obscure article in May 1896 provides further evidence of Smyrk’s connection to Ferguson & Urie when he writes to the editor of The Herald about the rules of Cricket. He signs off as; “H. Smyrk. 100 Franklin Street, 2nd May”. That address was the Ferguson & Urie Franklin Street Warehouse which they occupied in mid-1891.[9]

The window at St Maryโ€™s, Balmoral has no memorial inscription on it but a nearby brass plaque records that it is dedicated to Charles Henry Armytage:

“In Loving Memory of Charles Henry Armytage, Died 26th April 1876”.

The Armytage family name is probably more well known to Melburnians for their period of ownership of the heritage-listed โ€œComo Houseโ€ in South Yarra where Charles died in 1876 [10]. Itโ€™s likely that his wife Caroline would have been the instigator for the erection of the stained-glass window at St Maryโ€™s at Balmoral. It was also the first church to be built in the district.

Charlesโ€™ estate of ยฃ120,000 was left to his wife Caroline[11] with other complex divisions and trusts for his children. As was usual of the time, his will included archaic conditions that if Caroline remarried, her future husband could have no control of any of her estate, and nor would Caroline be liable for any future husbandโ€™s debts.

Image gallery:

Stained Glass Artists – Herbert Moesbury Smyrk 1861-1947:

Smyrk, seems to have passed through nearly every major Stained glass company in Australia between 1884 and 1947. His prolific association with so many companies makes attribution to his work very difficult.

Smyrk was born in Guildford, Surrey, England. At the age of fourteen was selected from hundreds of art students to be apprenticed to Powell and Shellard[12] as a stained glass artist and designer. [13]

On completion of his apprenticeship circa 1881, Smyrk stowed away on the ship ‘Queen’ at St Catherine’s docks in London which was bound for America. He began designing and painting windows for firms in New York and San Francisco. In 1884 he came out to Australia where he joined Brooks, Robinson & Co., in Melbourne.[14]

By March 1886 he was a partner of the Smyrk & Rogers stained glass company in Melbourne with Charles Rogers. That partnership was dissolved in September 1888 [15] and he returned to London to work with William Morris & Co.[16]

In later years, between many trips back to England, and America, and some years living a nomadic life in Tahiti, he returned to Australia where he designed and painted for Australian firms such as Ferguson & Urie in North Melbourne, E. F. Troy in Adelaide, Barnett Bros in Perth, R. S. Exton in Brisbane, James Sandy & Co in Sydney, and Frank G. O’Brien Ltd., at Waterloo in Sydney.

Herbert Moesbury Smyrk died at Woollahra, Sydney, in 1947 at the age of 85.

A more extensive biography of Herbert Moesbury Smyrk is in progress.

Acknowledgements:

My thanks to Helen Curkpatrick, the human history dynamo from the Wimmera National Trust, Ross & Pam from Longerenong, Denize Raggatt from the Balmoral Historical Society, Bronwyn & David Hughes for joining me on the Hamilton & Balmoral trip, and ABC Radio Horsham.

Footnotes:


[1] Caroline Morrell (nee Tuckwell), whom he married in 1856.

[2] Hamilton Spectator, Vic, Saturday 22nd September 1894, page 3.

[3] Hamilton Spectator, Vic, Saturday 26th January 1895, page 3.

[4] Biography: John Lamb Lyon (1835-1916)

[5] Biography: David Relph Drape (1821-1882)

[6] News, Adelaide, SA, Tuesday 3rd November 1925, page 8.

[7] Advocate, Melbourne, Vic, Saturday 15th February 1896, page 16.

[8] St. Georgeโ€™s Church, Carlton, Victoria 1896

[9] The Herald, Melbourne, Vic, Monday 4th May 1896, page 3.

[10] The Argus, Melbourne, Vic, Thursday 27th April 1876, page 1.

[11] Biography: Charles Henry Armytage (1824-1876)

[12] I believe this to be incorrect. The name of โ€œShellard & Powellโ€ doesnโ€™t exist.

[13] The Catholic Press, Sydney, NSW, Thursday 28th February 1935, page 24.

[14] News, Adelaide, SA, Tuesday 3rd November 1925, page 8.

[15] The Argus, Melbourne, Vic, Friday 21st September 1888, page 5.

[16] Building & Real Estate, Vol 15, No 86. 12th October 1914, page 3.


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1891: James Ferguson Williams (1877-1959)

James Ferguson Williams (1877-1959), Stained Glass Artist and former member of the Ferguson & Urie stained glass company of North Melbourne circa 1891-1898.

James Ferguson Williams is recognised as a member of the historic Ferguson & Urie stained glass company of North Melbourne circa 1891 – 1898.

In my early research of South Australian stained glass I had seen many references to a stained-glass artist named โ€œJ. F. Williamsโ€ in relation to the H. L. Vosz and later the Clarkson Ltd stained-glass company, but it never occurred to me at the time that he was the grandson of James Ferguson (1918-1894) from the historic North Melbourne stained-glass firm Ferguson & Urie.

The key to this family history revelation was found by pure chance in the guest book of St Georgeโ€™s Anglican Church at Queenscliff in Victoria. I had taken an Aunt & Uncle there to see the magnificent cycle of stained glass windows by our ancestor James Ferguson of the Colonial Victorian stained glass company Ferguson & Urie 1853-1899.

I had been to St Georges many times, and also signed the guest book. On this occasion, my aunt had been looking at the names further back in the book and found a vital clue. On the 13th of March 2014 there was an entry by visitors named Marion Ferguson Cullen and Gavin MacSwiney from London:

“…we were tracing James Ferguson my great-great grandfathersโ€™ history, knowing about his stained glass window business & were incredibly fortunate that Wendy gave us access to this magnificent church with the best exposition if his windows. Stunning beauty – & wonderful to have this link with my g-g-gfa. Marion F. Cullen”[1]

My first question was, who is this? I have been researching the family tree for more than a decade and this name hadnโ€™t been revealed to me in any branch. Could this visitor hold some more clues to the Ferguson & Urie company?

A snail mail address was supplied in the guest book but no email and so I began the long slow process of written communication via the traditional post. By the time I had packaged up my parcel for the UK it was quite an epistle.

Nearly a year passed before I received a reply. Marion & Gavin had been traveling the world and their mail had been piling up at their home in London.

Amongst Marionโ€™s first correspondence was this significant clue as to where James Ferguson Williams gained his experience in the stained-glass business:

โ€œI had known about the stained-glass business from an early age as my mother had told me family stories, although some of them were a little vague or inaccurate as family memories passed on tend to be. I was unaware that there was a partner Urie[2], until some years later. Although James Ferguson was my Gt Gt Grandfather, he always seemed a familiar person to me as my maternal grandfather James Williams had moved to live with him when his father, Edward Williams, died.  Edwardโ€™s widow, Marion (nee Ferguson), who lived in Royal Parade Parkville, was left fairly destitute and the story we were told was that the lawyers handling the estate disappeared with all the money. She and all her six children moved to live with her father in โ€œAyr Cottageโ€ Parkville.  I was told there were other cousins also living there but donโ€™t know any more about this.  I am not sure how old my Grandfather was when he moved, as currently I donโ€™t have the date of death of his father Edward, but he spoke warmly of being there, and developed a life- long interest in stained glass.  He studied at the Melbourne School of Art and specialised in design and stained glass in particular.  For most of his career he worked as a designer and then a director for Clarkson[3], a specialist leadlight company in Adelaide.โ€ [4]

On the 20th March 1889 Edward Williams[5] died at Inglewood Victoria leaving his wife Marion with no further financial means. Marionโ€™s six children were Edward Sydney (c.1875-1946), James Ferguson (1877-1859), Jane Grant, (1872-1908), Annie (1873-1948), Elsie Marion (1882-1966), and Percy Alexander (1883-1952). A seventh child, Francis died in infancy in 1884.

Edward was buried in the family plot at the Melbourne General Cemetery. His wife Marion and the children moved back to Melbourne to live with their grandfather James Ferguson at his home โ€œAyr Cottageโ€ at Leonard Street in Parkville.

The two eldest Williams boys, Edward and James, were apprenticed to their grand-fathers stained glass firm, Ferguson & Urie. James had the artistic talent to become a stained-glass artist in the firm. His elder brother Edwardโ€™s trade in the company is not known at this stage but in later years at Adelaide, he was specified as a โ€œGlass Estimatorโ€.

In 1894 their grandfather James Ferguson had died and it was now increasingly obvious that the Ferguson & Urie Stained Glass company was in decline. In mid-1898 Edward and James Williams left Melbourne and headed for Adelaide in South Australia where James enrolled as a student at the Adelaide School of Design to continue his art education.

At the Students Exhibition in September 1898, attended by the Governor of South Australia, he received accolades in the Figure Detail and Anatomy section as well as the Charcoal art section. He was also mentioned alongside another, soon-to-be-famous, art student named Hans Heyson. [6]

Adelaideโ€™s โ€œCentury Exhibitionโ€, held in March 1899, gives the first indication that James, and presumably his brother Edward, had joined the H. L. Vosz firm in Adelaide.

“…The first two entries in the catalogue – embossed glass, and painted and fired glass, by Mr. J. F. Williams, are to be found in Mr. H. L. Vosz’s stand. From point of merit they justify the position they take in the catalogue, and they do much to make Mr. Vosz’s stand the artistic exhibit that it is. A portion of the wall has been removed to show the stained glass and lead lights off to advantage, and one cannot but notice the fine effect that has been produced. The large leadlight window that has been formed is most brilliantly coloured. The principal panel represents a figure on horseback, clad in ancient picturesque costume, leaving his home, with two hounds running alongside the horse. For a bright piece of work the colours chosen are most suitable, and these, as well as the designing and drawing, reflect great credit on the taste and ability of Mr. Williams, the firm’s artist. Below this is a picture of St. Patrick driving snakes out of Ireland, a cathedral showing in the distance. Two other excellent panels are charming landscape pictures, and show to what a high degree the art of glass-staining has been brought…” [7]

A tabloid article published in August 1915[8] indicates the year 1898 is likely to be the accurate year as to when the Williams brothers were engaged by the Vosz company. James is credited with starting up the new stained-glass department of the business where he became the chief designer and glass painter.  Given the very close timeframe from when they left Melbourne and joined H. L. Vosz, it seems likely that they may have arranged their employment via correspondence with the firm before they left Melbourne.

James was still studying art at the Adelaide School of Design whilst simultaneously running the stained-glass department for H. L. Vosz. In April 1899 one of his stained-glass window designs was selected as the best in the art section. [9]

In April 1900, James was awarded a Silver Medal for his โ€œstained glass, painted and fired glass, and Lead Lightsโ€. Controversially, one of the judges in this section at the exhibition was E. F. Troy, an Adelaide artist, and decorator with his own firm producing stained-glass windows in competition with H. L. Vosz. [10]

Two months later In June the H. L. Vosz company took advantage of their accolades and prizes awarded at the Century Exhibition by shining a light on the skills of the employees;

“My Employes Secured Three First and Three Second Prizes at the late Century Exhibition for LEADED LIGHTS AND STAINED GLASS, also First and Second Prize for BEVELLED GLASS…” [11]

These accolades were the kickstart the Stained-Glass department required, and the business began receiving significant commissions. The stained glass designs of J. F. Williams began appearing in Churches and private homes all over South Australia.

At the age of 28 James married Nellie Clark Burgess on the 25th of March 1905 at the Pirie-street Methodist Church in Adelaide[12]. They had three children, Jack Corbin in 1906, Jean Ferguson in 1908, and Marion Ruth in 1913. Jean was the one that had artistic talents like her father and her daughter Marion recalled:

“…She won a scholarship to the Adelaide School of Art…She did not pursue a career in art for very long, although she told me she spent some time in stained glass window design…She completed nursing training and spent 6 years abroad with the Australian nursing forces in WW2, and later in life returned to her first love of painting and drawing” [13]

Nothing more is known about Jeanโ€™s return to her love of painting and drawing after WW2.

Some of the significant windows in South Australia by J. F. Williams during the H. L. Vosz period include:

1902: St Bede’s, Semaphore. H. L. Vosz Ltd. Depiction of St Bede by J. F. Williams.

1903: Good Shepherd, Bowden, Adelaide. Trooper Horsfall Boer War memorial window, H. L. Vosz Ltd by J. F. Williams.

1903: Adelaide School of Mines. Depicts the Armorial bearings of Sir Langton Bonython, the Marquis of Linlithgow (Earl of Hopetown), Lord Tennyson, and the Lieut-Governor (Sir Samuel Way). Other depict the images of Watt, Newton, Stephenson Bessemer, Lord Kelvin, Faraday and Wren. H. L. Vosz Ltd by J. F. Williams.

1906: Immaculate Conception, Port Adelaide.  H. L. Vosz Ltd, twelve windows designed & executed by J. F. Williams.

1908: St Albans, Gladstone.  H. L. Vosz Ltd, three light window executed by J. F. Williams. 

1909: St Raphael’s, Parkside. H. L. Vosz Ltd, designed by J. F. Williams (also other works at same church).

1909: Methodist ladies College, Wayville. H. L. Vosz Ltd. Four windows depicting Literature, Art, Poetry and Music under supervision of J. F. Williams.

1909: All Saint’s, Hindmarsh. H. L. Vosz Ltd under supervision J. F. Williams. Three light Window depicting the Nativity, Crucifixion and Ascension.

1910: Methodist Church, Kent Town. H. L. Vosz Ltd, under supervision of J. F. Williams. The “Lathlean” family memorial window depicting the enthroned Christ holding the Globus Cruciger.

1911: St Raphael’s, Parkside. St Patrick & St Bridgid windows by H. L. Vosz Ltd under the supervision of J. F. Williams 1911.

1912: St Laurence’s, North Adelaide. H. L. Vosz Ltd, under the supervision of J. F. Williams. The Rev Bannon & MacLean memorial windows.

1913: St Raphael’s, Parkside. Two windows depicting Archangel St Raphael and Gabriel.  St Laurence, North Adelaide. Six Sanctuary windows depicting St. Catherine of Sienna, St Catherine De Ricci, St Rose, St Vincent, St Thomas, and St Dominic.

Under increasing anti-German sentiment in the lead-up to WW1 it was decided to change the name of the Vosz company. In August 1915 an Extraordinary General Meeting was held and it was resolved to change the company name to that of the Managing Director, Mr. Alfred Ernest Clarkson, and trade under the name Clarkson Ltd.[14]

“BRITISH NAME PREFERRED. CLARKSON INSTEAD OF VOSZ… A smoke social was held at Bricknell’s Cafe on Friday night to celebrate the changing of the name of the firm to H. L. Vosz, Limited, to Clarkson, limited. There was a large gathering of shareholders and employees, and the chairman of directors (Mr Alfred Wilkinson) presided… Mr. J. F. Williams, an employee of the firm for 17 years. also spoke to the toast…” [15]

From circa September 1915, all the stained-glass windows produced by the Vosz company would then be recognised under the name of Clarkson Ltd.

Some of the stained-glass windows made under the Clarkson Ltd company name include:

1918: Adelaide Tourist Bureau Windows

1920: Malvern Methodist Church, Soldiers Memorial window.

1920: The Honour Roll at the Peace Exhibition containing flags, laurels, and wreaths.

Outside of the stained-glass business, James was a keen Lawn Bowler like his brother Edward. A few months after the company name changed to Clarkson Ltd, the Governor of South Australia and his select team played bowls at the Sturt club against a team Captained by J. F. Williams. The Governor’s crack team supposedly gave them a thorough flogging on the rink [16]

James was still the head of the stained-glass department in 1915 and in 1922 another change in the company structure occurred which meant a significant promotion for James:

“In a recent re-adjustment of the directorate of Clarkson, Limited, Mr. J. F. Williams, of the Wallpaper and leaded light departments, was appointed to the board, which now comprises Messrs, A. E. Clarkson (Chairman), W. Douglas Ure, Robert Weymiss, and J. F. Williams.” [17]

The following year, in January 1923 Clarkson Ltd celebrated the 75th Anniversary of the firm:

“The directors of Clarkson, Limited, of Adelaide, entertained employees and other guests at the Arcadia Cafe on Friday night in a celebration of the seventy-fifth anniversary of the firm…” [18]

In the first quarter of 1924 James and A. E. Clarkson did a world tour to discover the emerging trends in decoration, wallpapers, and stained glass;

โ€œMr. A. E. Clarkson and Mr. J. F. Williams, who are on a world tour, had an exceptionally good time in America, and were overwhelmed with invitations to dinners and receptions. They are now touring England.”[19]

In September 1927 James was appointed to the Industrial Board for Glass Workers[20]. Less than a decade later, on the 26th April 1936, tragedy struck the Clarkson family and in turn everyone at Clarkson Ltd;

“Mr. A. E. Clarkson, managing director of Clarkson Ltd., disappeared from the deck of the motor ship Moonta in the early hours of yesterday morning while the vessel was at sea on its way to Port Lincoln…” [21]

Albert Clarksonโ€™s cruise was supposed to be a convalescent holiday voyage to recover from a recent bout of double pneumonia. Two weeks earlier he had celebrated his 60th birthday. At 04:30am on April 26th, 1936, he was last seen on the deck of the ship Moonta in his dressing gown and afterward never seen again.

Two months after the tragedy the Clarkson board convened;

โ€œSir Wallace Bruce was appointed chairman of directors of Clarkson Limited, and Mr. L. S. Clarkson has been made managing director in succession to his late father (Mr. A. E. Clarkson). Other directors are Messrs W. D. Ure, J. F. Williams, and Robert Wemyss.” [22]

On the 27th of May 1946, Jamesโ€™ brother Edward died. Edward had been in a car accident on the 22nd of April and suffered a significant but not life-threatening injury to his leg (at the time). His cause of death a month later was later specified as heart failure. His role in his department at Clarkson was โ€œGlass Estimatorโ€ but his original trade when at Ferguson & Urie is not known.

In 1948 Clarksonโ€™s celebrated their Centenary Year. In the photo below, James Ferguson Williams sits prominently in the center of the photo in the lighter grey suit.

Strangely enough the famous cricketer Sir Donald Bradman was a director of the firm in 1952.

On the 24th of July 1959, James Ferguson Williams died of a heart attack whilst visiting his daughter Jean at Glen Iris in Victoria[23]. He was 82 years old.

James was cremated, and his ashes were interred at the Adelaide Centennial Park cemetery in South Australia [24] next to his wife Nellie Clarke (nee Burgess) who pre-deceased him a year earlier in 1958.

Itโ€™s quite remarkable to think that James Ferguson Williams began his career in stained glass with his grandfatherโ€™s historical firm, Ferguson & Urie, in North Melbourne.

Ferguson & Urie was the oldest recorded commercial stained-glass company in Australia. James took his skills with him to South Australia and continued his art education and started up the Stained-Glass department of H. L. Vosz which later evolved into Clarkson Ltd where he became a director.

James was not only an enthusiastic pioneer in his stained-glass craft, but he can also rightly be attributed with paving the way for women to enter the medieval craft. A young aspiring artist named Nora Burden (1908-1992) was amongst the earliest South Australian female artists to have been accepted into the field of stained glass at Clarkson’s. In turn, Nora mentored Vanessa Rose Smith 1907-2005 (nee Lambe) as an artist at Clarkson. Another talented young lady named Nola Collins started her career at Clarkson’s and by 1929 was the principal stained glass artist for Barrenger & Lansdell at Hobart, Tasmania. This may never have occurred if not for James Ferguson Williams.

Clarkson Ltd closed in 1960.


Footnotes:

[1] Guest Book, St Georgeโ€™s Anglican Church, Queenscliff, Victoria, 13th March 2014

[2] In reference to James Urie of the Ferguson & Urie stained glass company of North Melbourne.

[3] The E. L. Vosz company became Clarksonโ€™s in 1915.

[4] Marion Ferguson Cullen – via email 20170602

[5] Edward Williams (1843-1889). Came to Australia from Northern Wales circa 1854 aged 11.

[6] The Advertiser, Adelaide, SA, Thursday 8th September 1898, page 8

[7] The Advertiser, Adelaide, SA, Wednesday 21st March 1900, page 6.

[8] The Advertiser, Adelaide, SA, Saturday 14th August 1915, page 19.

[9] The Express & Telegraph, Adelaide, SA, Monday 10th April 1899, page 2.

[10] The Adelaide ‘Century Exhibition’ Chronicle, Adelaide, SA, Saturday 14th April 1900, page 19.

[11] The Advertiser, Adelaide, SA, Saturday 2nd June 1900, page 2.

[12] Chronicle, Adelaide, SA, Saturday 11th March 1905, page 50.

[13] Email from Marion Ferguson Cullen to Ray Brown 20190304

[14] The Advertiser, Adelaide, SA, Thursday 5th August 1915, page 2

[15] The Advertiser, Adelaide, SA, Saturday 14th August 1915, page 19.

[16] The Advertiser, Adelaide, SA, Wednesday 8th December 1915, page 10

[17] The Register, Adelaide, SA, Saturday 9th December 1922, page 8

[18] The Register, Adelaide, SA, Saturday 20th January 1923, page 13.

[19] Adelaide, SA, Wednesday 12th March 1924, page 16

[20] The Advertiser, Adelaide, SA, Tuesday 27th September 1927, page 21.

[21] The Advertiser, Adelaide, SA, Monday 27th April 1936, page 15.

[22] The Advertiser, Adelaide, SA, Wednesday 10th June 1936, page 20.

[23] 4 Hortense St, Glen Iris, Victoria (then listed as Burwood).

[24] Centenial Park, East Area, Rose Bed N7, Position 011. (tenure expired 31st July 2009).


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1884 St Johnโ€™s Anglican Church Corowa, NSW.

In 1863 the first wooden Anglican church was built at Corowa and dedicated as St Johnโ€™s. The land was donated by John Foord. Circa 1859 the area was known as North Wahgunyah and later changed to Corowa to differentiate it from Wahgunyah on the south side of the river in Victoria.

On the 25th of January 1884, a brief article appeared in the Corowa Free Press about a stained glass window being delivered for the new brick building of St Johnโ€™s.

“โ€ฆThe memorial window for St. John’s Church, presented by the Misses Hume, has been delivered at Corowa, and its erection will be proceeded with shortly..” [1]

A week later the same tabloid reported that the window had been installed in the church but there were errors in the article:

“MEMORIAL WINDOW.- The window presented to St. John’s Church, in memory of Elizabeth and Andrew E. [sic] Hume, has this week been put into its place by Messrs. Armstrong and Johnson – free of cost. It is a very beautiful piece of workmanship, and was executed to the order of the Misses Hume, by Messrs. Ferguson and Wise [sic], of Melbourne.”[2]

Slide show: Images were taken in March 2014:

The window was dedicated to Andrew Hamilton Hume (1828-1859) and his mother Elizabeth (nee Oโ€™Neill 1802-1864). Andrewโ€™s father was John Kennedy Hume (1800-1840) who was shot by bushrangers at Gunning, NSW, 20th Jan 1840 [3]

The newspaper incorrectly named the stained glass company as โ€˜Ferguson & Wiseโ€™. There was no stained glass company of that name anywhere in Australia. The window is accurately attributed to the โ€˜Ferguson & Urieโ€™ stained glass company of North Melbourne. This company started out as a plumbing, slating, and glazing business, in Curzon Street North Melbourne in 1853 by Scottish immigrants, James & David Ferguson, and James Urie. In 1861 they transformed the company towards commercial glazing and stained glass production and for the next thirty-nine years, they made ecclesiastical and secular stained-glass windows.

After confirming with Rev Canon Rex Everet at St John’s in March 2014 that the window still existed, A trip to Corowa was next on my โ€˜To Doโ€™ list.

A tabloid report in August 1896 gives an account of the Church and mentions stained glass windows by other studios from New South Wales:

โ€œโ€ฆThe older portion of the building was erected about twenty-five years ago by Mrs. Bladen Neill in memory of her husband, Lieutenant-Colonel Neill; the newer parts of the structure dating from some eleven years back. The church is cruciform in shape, and has a highly ornamental interior. The roof is of Murray pine diagonally laid, the massive worked principals supporting the same resting on artistically designed corbels. The stained glass windows, mostly presents from various residents, and costing over ยฃ250, largely enhanced the solemn beauty of the interior. The windows on each side of the altar, representing four scenes of the resurrection, are from designs supplied by the vicar, the Rev. William Clark Hose, and admirably executed by Messrs. Asher [sic] and Falconer[4], of Sydney. The three-light east window is in memory of Elizabeth and A. H. Hume, old and esteemed residents of the district. In the transept is a large three-light window in memory of Mr. Ross Ramsay, of Narrow Plains Station. Of the four lesser windows, one was presented by the late Bishop Linton; another by the Rev. W. Swindlehurst, of West Maitland, in memory of his deceased wife; and the remaining two by the Sunday School children…”[5]

The Ferguson & Urie window in the chancel follows the companyโ€™s decorative style from their 1870s period of geometric patterns and scrolling ribbons with text from the bible. This window wasn’t made by the company’s first two pioneering stained glass artists. The artist who joined the firm in 1861, John Lamb Lyon, had left Ferguson & Urie in 1873 to form the Lyon & Cottier company in Sydney, and David Relph Drape died in 1882. This leaves two of the companyโ€™s earliest apprentice glass painters, Charles William Hardess and Frank Clifford Lording as the likely suspects who had a significant role in the window. There is no figurative work depicting any human form in the window, it has been copied faithfully from variations of their catalogue of designs over the previous twenty years, which Hardess and Lording would have been very familiar with producing.

At the top of the window above the three lancets is a window with the letters โ€œI.H.Sโ€, a monogram symbolizing Jesus Christ. Below this are two windows with the Greek Lettering for โ€œAโ€ and โ€œOโ€ representing Alpha and Omega and meaning the Beginning and the End.

The centre light in the window contains a beautiful gothic decorated crimson cross on a sapphire blue background. The cross and the backgrounds have finely detailed sgraffito work picked out to reveal tiny stars. A ribbon scrolling around the cross has the words “Him that cometh to me I will in no wise cast out”. The left light contains a crimson pointed ellipse with leaves and fronds with a scrolling ribbon with the words “God is Love”. The right light is the same design but has the words on the ribbon “Love one Another”.

The memorial text at the base of the window states: “IN MEMORY OF ELIZABETH HUME AND A.H. HUME”.

The Hume memorial window in the chancel is the only Ferguson & Urie window in the church. The windows flanking it in the chancel were made by the Sydney firm of Ashwin & Falconer and are a distinctively different style. , but in the nave, there are other windows that would trick you into believing they are also Ferguson & Urie windows. Theyโ€™re not, and the reason these are similar-looking windows is that they are the work of Lyon & Cottier of Sydney. Lyon, mentioned earlier, was the Ferguson & Urie glass painter at North Melbourne between 1861 and 1873.

Andrew Hamilton Hume died at his station, Hume River, at age 30, on the 27th of July 1859[6]. His mother, Elizabeth (nee O’Neil 1802-1964) died 4th July 1864 at Yarrawonga in Victoria. Andrew and his mother are buried at the Corowa cemetery.

The Ferguson & Urie window was restored in 2015 at a cost of $25,000.

St Johnโ€™s has an extraordinarily diverse range of stained glass windows by different artists and studios spanning nearly a century and a half. The windows from the late 1800s and early into the 1900s are by Ferguson & Urie, Ashwin & Falconer, and Lyon & Cottier. The modern-styled windows are by artists such as Bowers & Wilkins and Leonie Le Cornu.


Footnotes:

[1] The Corowa Free Press, NSW, Friday 25th January 1884, page 2.

[2] The Corowa Free Press, NSW, Friday 1st February 1884, page 3.

[3] The Sydney Morning Herald, NSW, Monday 27th January 1840, page 2.

[4] Aswin and Falconer, later Falconer and Ashwin, and F. Ashwin & Co.

[5] Australian Town and Country Journal, NSW, Saturday 8th August 1896, page 27.

[6] The Argus, Melbourne, Vic, Tuesday 9th August 1859, page 4.


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1877: St Peter’s Anglican Church, Sturt Street, Ballarat.

James Fry (1821-1903) is credited as the donor of the historic stained glass windows in the chancel of St Peters Anglican Church in Ballarat.

The windows were made by the Ferguson & Urie stained glass company of North Melbourne in 1877 at the time when extensions and renovations were being made to St Peter’s. Amongst these improvements was the addition of a new chancel complete with the stained glass windows. James Fry donated ยฃ500 towards the chancel and windows on the provision that the church raise the additional funds for a parsonage and a new organ and chamber. [1]

The Ballarat Star, Vic, Wednesday 20th June 1877, page 3.

“ADDITIONS TO ST. PETERS CHURCH.

We mentioned recently that some extensive improvements were being made at ST. Peter’s Church, and the approaching completion of the works warrants their being noticed. The church as it stands at present has in use a nave, and on the western side a transept, the original design being for another transept on the east, and an apse at the rear. As regards the apse, Mr Oakden (of Terry and Oakden), Melbourne, altered the design when he was drawing the plans for the western transept, and a chancel was projected instead of the apse. The requirements of the church have now necessitated this plan being carried out, and the work will soon be completed. Messrs James and Creber are superintending the work, and Messrs Llewellyn and Roberts are the contractors. The chancel is built of bluestone, to correspond with body of the church, and the inside measurements are:- Width, 18 feet; depth, 12 feet 6 inches; height of side walls, 20 feet 6 inches. The chancel window is a fine specimen of the stonemason’s art, the tracery being done in Waurn Ponds freestone. Stained glass is now being prepared in Melbourne to fill the window. There will be a small window on each side of the chancel, and a door on the east leads to the vestry. From the floor of the church there will be a step upwards before the chancel arch, and two others within it leading to the altar. An organ chamber is also being built, which will form part of the future eastern transept. The amount of Messrs Llewellyn and Roberts’ contract is about ยฃ480, but this amount will be considerably augmented before all the work is done in fitting up the chancel, &c. Mr Fincham, of Melbourne, is building the organ, whose largest pipe will be 16 feet, and the cost of the organ, we understand, will be about ยฃ500, so that it will be seen that the church authorities have launched into an expenditure of over ยฃ1000, towards which sum, as we mentioned a short time since, Mr. James Fry has contributed the handsome donation of ยฃ500. It is expected that all the new works will be finished, and the organ erected, in a little over a month’s time from the present.”ย 

In early August 1877 the three light stained glass window had arrived from the workshops of the renowned Melbourne stained glass firm of Ferguson & Urie and was erected in the chancel. The Church of England Messenger published a very detailed description of the window:

The Church of England Messenger and Ecclesiastical Gazette for the Diocese of Melbourne and Ballarat, Vic, Thursday 9th August 1877, page 14.

โ€œThe stained-glass window for the chancel of St. Peter’s Church has arrived in Ballaarat, and was placed in position. It is a very good specimen of Messrs. Ferguson and Urie’s art, and it is a matter of congratulation that such excellent workmanship can be produced in the colony. The window is divided into three lights, surmounted by tracery pierced with trefoils. These trefoils are filled with richly-coloured glass, bearing upon a starry background the three emblems of faith, hope, and charity; the heart with the sacred monogram, the cross with the crown of thorns, the anchor with the dove and olive branch. The subject of the central light is the “Ecce Homo.” The side lights, having reference to the pious and charitable lives of the ladies in whose memory the chancel was erected. are illustrations of Mark XIV, 8 (“She hath done what she could’) and Matthew XXV. 40 (“Inasmuch as ye have done it unto one of the least of these My brethren, ye have done it unto Me”). In the central light the Saviour stands forth a solemn and mournful figure. Pilate and a Roman soldier occupying the background. Underneath there is a panel with a small but exceedingly well-drawn picture of Christ’s charge to Peter – “Feed my Sheep.” In the apex of the window is the emblem of the Holy Spirit, the dove, descending with rays of light. The right hand picture of Mary wiping the Saviour’s feet with her hair is remarkable for the beauty of the Saviour’s countenance and the grace of His gesture. In the light upon the left-hand side a female figure is casting a garment around an aged man and a child at her feet. The background of both of these pictures is of a similar character โ€“ a low wall decorated with scroll-work, overtopped with trees and flowers, the sky space being filled in with ruby glass in irregular lead-work. Underneath are the old church emblemsย  – the Agnus Dei and the Pelican; and above are the Alpha and Omega. The side window, which can be seen only upon entering the chancel, is the more special memorial window, having the upper part a scroll with the text โ€“ โ€œWrite, Blessed are the dead which die in the Lord;โ€ and at the bottom, a panel with the memorial inscription. The quarries of which the rest of the window is composed are ornamented with fleurs-de-lys, and the effect of the whole is highly satisfactory. The organ has been inspected on behalf of the church authorities, and is pronounced a first-class instrument. No time will now be lost in erecting it in the church.โ€

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ballarat-st-peters-01a5

ballarat-st-peters-01a6

ballarat-st-peters-01a7

The new chancel of St Peter’s was consecrated on Sunday 12th August 1877 [2]

Whilst there were significant descriptions of the three light chancel window in the tabloids, there was only a minor mention of the smaller single light memorial window erected in the liturgical south wall.

โ€œโ€ฆThe side window, which can be seen only upon entering the chancel, is the more special memorial window, having the upper part a scroll with the text โ€“ โ€œWrite, Blessed are the dead which die in the Lord;โ€ and at the bottom, a panel with the memorial inscriptionโ€ฆโ€[3]

The memorial text on the lower panel of the window provides the historic clues about the donor, James Fry, and his generosity to the church and the dates of death of his first two wives, Mary & Williamina.. As stated in 1877, unless you are standing in the chancel of St Peterโ€™s you would not know the window was there. The Gothic design is recognisable as the work of Ferguson & Urie which includes a central scrolling ribbon design containing a piece of scripture from the King James Bible, Revelations Chapter 14, verse 13;

โ€œWRITE BLESSED ARE THE DEAD WHICH DIE IN THE LORDโ€

Unfortunately, the memorial text at the bottom of the window no longer has back lighting from outside so it can only be read when artificially illuminated from behind. I managed to do that via the simple trick of utilising the smart-phone flashlight function and dangling it down the back of the vent which was sufficient to highlight the text enough to be read. There are many unfortunate paint splatters on the window and the fact that the memorial text cannot be read at all unless illuminated from behind gives the impression that it probably hasn’t been seen or known for many years. Probably not known for longer than I have been alive!

โ€œTHIS CHANCEL WAS ERECTED BY
JAMES FRY
TO THE GLORY OF GOD
AND IN AFFECTIONATE REMEMBRANCE OF
MARY FRY, DIED MAY 14th 1863 &
WILLIAMINA FRY DIED APRIL 13th 1876โ€

ballarat-st-peters-03d

James Fry (1821-1903) was a native of Somersetshire in England and he can be credited as a colonial pioneer of Victoriaโ€™s grain growing and flour milling in western districts of Victoria.

His official biography[4] records that he came to Australia with his wife Mary in 1854 aboard the โ€˜Brilliantโ€™ but there is no record of their names on the passenger list.

After successfully pioneering as a grain grower in the Wimmera region in the late 1850โ€™s, he began his own flour milling operations and entered in partnership with Thomas Creed in the Ascot Flour Mills north of Ballarat. In May of 1857 they dissolved their partnership[5] by mutual consent and James became the sole owner. The mill was known for many years as “Fry’s Ascot Mills” and he expanded it in 1860 by erecting a massive five storey bluestone building to the designs of Ballarat architect Henry Richards Caselli.[6]

frys-mill-c1860-01a

In 1857 the first family tragedy struck when his infant daughter, Mary Grimstead Fry, died on the 2nd of July. James obtained a family grave site at the Miners Rest โ€˜Dowling Forrestโ€™ cemetery, 10km North West of Ballarat, where his daughter was interred. An imposing monument was later erected on the site which would provide an historic record of the familyโ€™s tragedies and history.

By the early 1860โ€™s Jamesโ€™s milling empire was expanding. In September 1864 he purchased a flour mill at Ballarat opposite Lake Wendouree from โ€œHassell & Moncktonโ€ for ยฃ4500 [7]. He expanded the business further via leasing or purchasing mills all over the western districts at Ararat, Donald, St. Arnaud, Horsham, Nhill, Kaniva, Dimboola, and Natimuk[8]. His favoured estate, Sutton Park, at Newlyn near the Ascot mill remained a central hub to all his operations.

Fryโ€™s prize winning โ€˜Ascot Millsโ€™ flour was exhibited at the International Exhibition in London of 1862[9] and by the 1880โ€™s it became a household staple throughout the colony known as Fryโ€™s โ€œFive Stars Flourโ€.

On the 14th May 1863 his first wife Mary, nee Gear[10], died at his Sutton Park estate near the Ascot Mills. She was only 45 years old and was interred in the family vault at Miners Rest with their infant daughter Mary Grimstead.

Being a widower was not a part of Jamesโ€™s future plans and he wasted little time in finding a new companion. On the 21st April 1864, at Brompton Cottage in Brighton, Victoria, he married Williamina Smith (nee Hay), the widow of Mungo Park Smith, Engineer and city surveyor of Melbourne[11].

Jamesโ€™s generosity was not just confined to the church. In October 1864 he and Williamina hosted a luncheon for his employees and their families. About 60 people were transported to Lake Burrumbeet in four decorated wagons where the best part of the day was taken up by games and; โ€œAt noon, a sumptuous dinner was spread and was partaken of with the best of appetites.โ€ Wine and Spirits were supplied in generous quantities and later in the day, as heavy rain set in, the whole party returned to the Ascot mill where singing and dancing continued to a late hour[12]. This was undoubtedly one of the many occasions that James displayed his generosity towards his employees. Some of them would later join him as partners in his milling operations for many years.

frys-flour-mill-wendouree-ballarat-01a
On the 12th of July 1869 a tragic accident occurred at the Wendouree flour mill. On the Monday at about 7:30am a massive 36ft long boiler exploded at the mill. The sound of the explosion could be heard over three miles away and a huge plume of steam and debris could be seen in the air above the mill for many miles around. Jamesโ€™s nephew, Albert Hill, who was acting superintendent at the time, was unfortunately standing next to the boiler when it exploded. Albert was killed instantly. His mangled near naked and disembowelled body was blown more than one hundred yards away and landed in the Swamp on the other side of Wendouree Parade.

“…The clothing was torn into shreds, while the skull was completely smashed in. Both legs were broken, and besides several other terrible wounds, the body was almost disembowelled…”

When his body was recovered it was taken to Fryโ€™s residence near the mill. Williamina was so traumatised by the horrific scene that she became seriously ill.[13] The inquest on Albertโ€™s body was held the following day at the Wendouree Parade Hotel, where, coincidentally, some small portions of brick had been thrown a few hundred yards from the explosion and had landed in the bar. Albertโ€™s funeral was held on the 14th and he was interred with Jamesโ€™s first wife Mary and their infant daughter Mary Grimstead at the Miners Rest Cemetery.

โ€œThe procession started from Mrs Fry’s residence, Wendouree-parade, and consisted of about thirty well-filled mourning coaches, buggies, &c, and several horsemen.โ€[14]

Jamesโ€™s second wife, Williamina died at his Sutton Park estate on the 13th April 1876. Coincidentally she was also only 45 years of age. Williamina was interred with Jamesโ€™s first wife and his nephew Albert at Miners Rest.ย  Whether by coincidence or design, some scriptural text from Revelations 14:13 which appears on their memorial stained glass window at St Peterโ€™s in Ballarat is from the same chapter and verse as that on their monument at Miners Rest:

“Blessed are the dead who die in the Lord: even you saith the Spirit that they may rest from their labours.” Rev. XIV:13″

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In June of 1877, the year following Williaminaโ€™s death, James Fry donated ยฃ500 to St Peterโ€™s Church for the construction of a new chancel and the stained glass windows. Shortly after this he departed Victoria aboard the โ€˜Northumberlandโ€™ for London[15]. James had been back to the old country a number of times before but this venture would secure his third wife.

At St. Maryโ€™s, Stoke Newington, London, on the 27th December 1877 he married Louisa Anne Coles[16], the widow of Edward Coles. James and Louisa returned to Melbourne aboard the โ€˜Chimborazoโ€™[17] in March the following year and she would be his companion for the next twenty three years.

On the 8th November 1901 Louisa died at Sutton Park aged 75. James had now outlived three wives. Louisa was interred at the Mount Prospect cemetery north of Ballarat and a marble casket type grave-stone was erected over the grave. After more than a century most of the lead letters in the inscription have gone and itโ€™s now almost unreadable:

“In Memory Of, LOUISA ANN, Who for 23 years was the faithful and beloved wife of, JAMES FRY of Sutton Park, who died November 8th 1901, aged 75 years. Beloved by all who knew her.”

James was now in his early eighties and had not taken an active interest in the flour milling operations since he floated the company on the stock exchange in 1884. He devoted his time to agricultural pursuits at his estate near Newlyn. On Friday the 14th August 1903 James died there at the age of 82 and was buried with his third wife Louisa at Mount Prospect.

The Ballarat Star, Vic, Monday 17th August 1903, page 1.

“DEATH OF MR. JAMES FRY.

One of the earliest pioneers of the grain trade in Victoria, Mr James Fry, died on Friday at Sutton Park, Newlyn, at the advanced age of 82. Deceased was a native of Somersetshire, and came to the colony in 1854 in the ship Brilliant, settling first at Geelong with his wife and family, where he purchased a property. After various experiences on the Ballarat goldfields, in 1856 he purchased a property at Ascot, and shortly after secured a flour mill near Geelong, which he removed to that point, as the Talbot shire was fast becoming the centre of a large agricultural district. Beginning in a small way, he built up a very extensive business among the various mining townships, and erected plant and machinery at that time considered to be as complete an establishment as then existed in Australia. In 1865 he purchased a mill near Lake Wendouree, Ballarat, from Messrs Hassell and Monkton, and went there to reside. In 1868 he acquired a freehold property in the Wimmera, situated between Glenorchy and Banyena. He was the first to grow wheat to any extent on the Wimmera Plains, and demonstrate that it could be cultivated there at a profit. From Ballarat, as his centre, he followed up the settlement of the selectors on the land, first around Ararat, and then on to Stawell, having business relations with both places. When growers commenced to select on an extensive scale in the Wimmera, he opened at Horsham, in anticipation of the railway line being continued from Stawell to that centre, and intimately to the border, and as the movement spread, extended his operations till they gradually embraced all the centres in that far-reaching territory. In addition to the large grain business, Mr Fry erected, brought or leased flour mills at Ballarat, Ararat, Donald, St. Arnaud, Horsham, Nhill, Kaniva, Dimboola, and Natimuk. In 1884 the grain and milling business having reached large dimensions, with its head office in Melbourne, and branches in all the leading grain growing districts of the Wimmera and other parts of the colony, he decided to float it into a limited company, which was successfully accomplished, and shortly afterwards retired from the active management, devoting most of his time thenceforth to grazing and agricultural pursuits.

ย ย ย ย ย ย ย ย ย ย ย  At St. Peter’s Church yesterday, notice was taken of the death of Mr Fry. Mr Fry gave the land on which St. Peter’s Vicarage stands; the chancel, with a stained glass window; the tower and the bells, to St. Peter’s Church. The flag was flown at half-mast throughout the day, and muffled peals were rang on the bells. Before the service in the morning, the rev. Dr Pritchard alluded to the sad event. He reminded the congregation of all the late Mr Fry’s generous gifts, and said that he was a regular and frequent worshipper at ST. Peter’s when resident in the parish. Such a good example of generous help to the house of God should cause his name to be ever held in honored remembrance at St. Peter’s and they should pray that others might emulate such generous deeds. At the evening service similar reference was made, and special music was sung at the offertory. Mr L. Richardson played Mendelssohnโ€™s Funeral March at the close of service.”

On the opposite side of the gravestone to Louisaโ€™s memorial words are his;

โ€œIN LOVING REMEMBRANCE OF JAMES FRY, WHO DIED ON AUG 14th 1903, AT SUTTON PARK NEWLYN, AGED 82 YEARS AND 6ms. I HAVE GIVEN YOU AN EXAMPLE THAT YE SHOULD DO AS I HAVE DONE TO YOU. 1 JOHN 13-15โ€

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James Fryโ€™s total estate was valued at ยฃ128,400 and it was distributed to many family members in Australia and England. It included provisions for his daughter, step daughters, step granddaughters, the Ballarat Church of England, and his surviving son, James Rood Fry.ย 

The Sutton Park Estate was left to his son James but by 1918 it was under control of the government for soldier settlement purposes.[18]

Today, on a lonely dirt intersection amongst the farmland at Newlyn, you will find the original gates that once framed the entrance to Sutton Park. They now form part of an historic memorial of the district and nearby a stone cairn holds a plaque showing how the estate was divided for soldier settlement.

The gravesites at Miners rest and Mount Prospect, some of the old crumbling mill buildings around the district, the old gates to Sutton Park, and the stained glass windows at St Peterโ€™s Church in Ballarat are the last physical reminders of a Colonial Pioneer and his family who shaped the western district of Victoria.

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Footnotes:

[1] The Ballarat Star, Vic, Monday 11th June 1877, page 3

[2] The Ballarat Star, Vic, Monday 13th August 1877, page 3.

[3] The Church of England Messenger and Ecclesiastical Gazette for the Diocese of Melbourne and Ballarat, Vic, Thursday 9th August 1877, page 14.

[4] Australian Dictionary of Biography: Fry, James (1821-1903)

[5] The Star, Ballarat, Vic, Tuesday 26th May 1857, page 4.

[6] The Star, Ballarat, Vic, Tuesday 14th August 1860, page 4.

[7] The Star, Ballarat, Vic, Friday 30th September 1864, page 2.

[8] The Ballarat Star, Vic, Monday 17th August 1903, page 1.

[9] Victorian Govt Gazette, Tuesday 14th April 1863, page 842.

[10] Daughter of John Gear (or Gean) and Jane Grimstead.

[11] The Age, Melbourne, Vic, Monday 25th April 1864, page 4.

[12] The Star, Ballarat, Vic, Saturday 29th October 1864, page 2.

[13] The Ballarat Star, Vic, Tuesday 13th July 1869, page 2.

[14] The Age, Melbourne, Vic, Friday 16th July 1869, page 4.

[15] Geelong Advertiser, Vic, Tuesday 19th June 1877, page 9.

[16] The Bath Chronicle, Somerset, England, Thursday 10th Jan 1878, page 5.

[17] The Argus, Melbourne, Vic, Monday 11th March 1878, page 5.

[18] The Age, Melbourne, Vic, Saturday 24th October 1903, page 11.


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1886: St Barnabas Anglican Church, Balwyn, Victoria.

The latest Ferguson & Urie stained glass window discovery is located at St Barnabas Anglican Church in the Melbourne suburb of Balwyn. The original part of this church was dedicated nearly a century and a half ago on the 22nd of December, 1872.

I was recently sent a small booklet about the stained glass windows of this church titled “Windows within Worship at St Barnabas” that was produced circa 1985. [1] There is barely any information about the artists or makers of the windows in the booklet, but on page five was the unmistakeable image of a Ferguson & Urie stained glass window.

Photos taken: 15th July 2015.

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The pioneer this window was dedicated to, a local Solicitor named George Henry Taylor, seemed vaguely familiar to me and further research reveals a remarkable coincidence to a tragic event that occurred 100 kilometres from Balwyn in 1866.

George Henry Taylor was a native of England and arrived in Melbourne with his wife Maria (nee Oโ€™Brien)[2] and their children aboard the “Blackwall” in September 1858. George established himself as a Solicitor in the Boroondarra area north of Melbourne and purchased land in the vicinity of Camberwell Junction. Circa 1865 he built his family home named “Mountfield” which fronted Burke and Mont Albert Road. The house still exists and has heritage listing.

In June 2012 I posted an article about a Ferguson & Urie stained glass window located at St Lukeโ€™s Anglican Church at Yea and this is the connection to the window at St Barnabas in Balwyn. The window at Yea is dedicated to an unfortunate boy named Edmund George Taylor who accidentally shot himself dead on the road to Yea in 1866. The George Henry Taylor mentioned in the window at St Barnabas at Balwyn turns out to be the boyโ€™s father!

Itโ€™s a curious coincidence, and so is the design in the two windows. The central design in each window being a blue floriated cross on a crimson background. The Gothic geometric patterns and other design elements surrounding the cross in each window are different but there is an obvious similarity between them which makes you wonder whether it was deliberate or just purely coincidental.

The township of Yea is about 100km north of Balwyn and in 1866 the distance would probably seem like it was in another country. Finding two stained glass windows that far apart in Victoria with similar designs, one dedicated to a father and the other to his son, made twenty years apart is an unusual find.

A century and a half ago, on the 14th of December 1866, thirteen year old Edmund George Taylor accidentally shot himself whilst riding on a bullock dray near Yea. The bullock driver, John McCessey, and Edmunds older brother Charles were with him at the time but neither saw the gun go off. Unfortunately they witnessed his death almost immediately after Edmunds last words “Oh, Lord, I am shot.” The subsequent inquest returned the verdict of accidental death. Edmunds body was returned to his fathers home “Mountfield” at Upper Hawthorn and he was buried at the Kew, Boroondarra Cemetery on the 17th December.

Circa 1869, St Lukeโ€™s Anglican Church at Yea was only just being erected and presumably Edmunds father commissioned the Ferguson & Urie stained glass company of Melbourne to create his sons memorial window for St Lukeโ€™s at Yea.

Twenty years later, the Ferguson & Urie stained glass company were commissioned to create another stained glass window of similar design to be dedicated to Edmunds father, George Henry Taylor, and it would be erected at St Barnabas Anglican Church at Balwyn.

St Barnabasโ€™ was dedicated on the 22nd of December 1872 and one of the main instigators for its erection was Herbert Edward Taylor, another son of George, who was studying for the ministry, collected ยฃ200 towards the church building fund. Herbert was later the minister of St Barnabas between 1883 and 1889.

George Henry Taylor died at his residence “Mountfield” on the 10th October 1886 aged 66 [3]. He was buried with his son Edmund and other family members at the Kew, Boroondarra Cemetery.[4] The grave stone still exists but is crumbling and barely readable.

As Georgeโ€™s son Herbert was the minister of St Barnabas at the time of his death, itโ€™s probably fair to assume that Herbert would have been the instigator for the erection of the stained glass to be dedicated to his father.

On either side of the cross in the window is a piece of scripture from the King James Bible from Isaiah 26-3;

โ€œThou Wilt Keep Him in Perfect Peaceโ€

At the base of the window is the memorial text;

โ€œIn Memoriam George Henry Taylor, Oct 10th 1886โ€.

Below the window a small brass plaque is affixed to the wall which reads; โ€œAlso in Memory of Maria, wife of the above, at rest 1912โ€

Georgeโ€™s other sons were well educated and became respected members of the community. His son Arthur Bertram Taylor 1857-1938 [5], was educated at Scotch College and founded the “Camberwell Grammar” School in February 1886, ten months before his fatherโ€™s death. Charles Frederick Taylor 1849-1896 was educated at Scotch College and Melbourne University. He became a Barrister and was admitted to the Bar in 1871. He was also a prolific tabloid writer, a Captain in the militia, and represented Hawthorn in the Legislative Assembly 1889-1894.[6]

After a century and a half it’s unlikely that there would be anyone who would know of the connection between these two historic stained glass windows at Yea and Balwyn. The windows may be 100km apart in different towns but they are the last remaining historic artefacts connecting a father and his son.

Related posts:

The Edmund George Taylor window at St Lukesโ€™ Anglican Church, Yea, Victoria.

Footnotes:

[1] Thanks to Marilyn Kenny from the Essendon Historical Society for the St Barnabas Church Booklet.
[2] Camberwell Historical Society, Newsletter 4, March 2011, P3.
[3] The Argus, Melbourne, Vic, Monday 11th Oct 1886, page 1
[4]
Kew Cemetery CofE C-1288: Edmund George Taylor, aged 14, interred 17th Dec 1866. Henry Michael Taylor, aged 35, interred 1st June 1881, George Henry Taylor, aged 65, interred 11th Oct 1886.
[5] The Argus, Melbourne Vic, Saturday 22nd October 1938, page 2
[6]
Web site; parliament.vic.gov.au, accessed 7 Jul 2015.

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1867: Presbyterian Church, Melton, Victoria.

The Presbyterians of Melton had previously held their services in a wooden building known as the “Union Church.” which was used by all of Melton’s Christian denominations until they had erected their own.

The foundation stone of the Presbyterian church was laid on the 27th December 1865[1] but it would be nearly two years before it would open for services and the proposed tower and spire in the original designs never eventuated

The stone for the church was quarried free of charge from the nearby property of a “Mr. Corr”[2], who was the first headmaster of the Melton Common School, secretary and treasurer of the Melton Cemetery Trust, Treasurer of the Wesleyan Church and Deputy Registrar of births deaths and marriages[3].

ย The Presbyterians held their annual Soiree in the old Union church on the 8th October 1867 and later proceeded to the new incomplete church. Of the windows it was reported;

โ€œโ€ฆThe windows of the church are particularly elegant, especially the principal one at the back of the pulpit, which is fitted with stained glass of a very rich descriptionโ€ฆโ€[4]

A month later the Age newspaper published an article specifically mentioning the Ferguson & Urie company of North Melbourne as the makers of the stained glass window in the liturgical east end;

“THE PRESBYTERIAN CHURCH AT MELTON is nearly completed, the glaziers being engaged with the windows. The Bacchus Marsh Express praises the stained glass, the design and colors being beautiful. “Messrs Ferguson and Urie, of North Melbourne, are entitled to great commendation for their workmanship in this respectโ€ฆโ€[5]

Photos taken: 7th September 2014.

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The window is of four lights with smaller tracery windows above to complete the design and is a typical design by Ferguson & Urie from that period. The two centre lights have the ribbons/scrolls in the centre with the following two pieces of scripture:

“Christ is all and in all” – (Colossians 3:11)
“Worship God in the Spirit” – (Philippians 3:3)

The original bluestone nave of the church now sits sandwiched between two newer buildings with doorways to each at the ends. The single light windows in the nave are works of art by the Brooks, Robinson & Co stained glass company from the early 1900โ€™s and later. These windows were originally likely to have been Ferguson & Urieโ€™s simple stained glass bordered designs that have been replaced over more than a century and a half. The historic Ferguson & Urie stained glass window at the east end still lights the nave of the old church building the same as it has since 1867 and creates an amazing kaleidoscope of coloured patterns over the floor when the sunlight strikes it at the right time

Significant transcriptions:

The Age, Melbourne, Vic, Monday 14th October 1867, page 6.

“THE PRESBYTERIAN CHURCH AT MELTON is nearly completed, the glaziers being engaged with the windows. The Bacchus Marsh Express praises the stained glass, the design and colors being beautiful. “Messrs Ferguson and Urie, of North Melbourne, are entitled to great commendation for their workmanship in this respect. It is expected the church will be opened in a month for public worship. The cost is ยฃ1000, of which only ยฃ100 has to remain as a debt on the building. This speaks well for the Presbyterians of Melton.”

Bacchus Marsh Express, Vic, Saturday 14th September 1867, page 2.

“OPENING OF THE NEW PRESBYTERIAN CHURCH, MELTON.

THE Presbyterians of Melton district have for some years back held divine service in a wooden building known as the Union Church, owing to it having been erected and afterwards used by all denominations. On Sunday last, however, the Presbyterian congregation took possession of their own Church, when the Rev. H. Darling, of Emerald Hill, and the Rev. James Lambie, pastor of the congregation, conducted the services. The former preached in the absence of the Rev. T. McKenzie Frazer, who had been announced to do so. The Wesleyans, who used to use the Union Church, have now a building of their own, and the Church of England congregation have also completed the erection of a handsome Church, with the exception of the windows and seats, so that in a short time the Union Church will be devoted to school purposes only.

THE SOIREE.

The annual soire of the congregation was celebrated in the building known as the Union Church, and after the eatables had been disposed of, the partakers proceeded to the new Church, a short distance away, where the Rev. James Lambie, pastor of the congregation, took the chair. Of the building itself we are not disposed to give elaborate particulars which are perhaps well known to those interested in the matter. Its dimensions are stated to be 50ft. [unreadable characters…] It is apparent to any observer, however that the new Melton Presbyterian Church, both externally and internally, would be a credit to any community; and although it is not yet finished, as a steeple is intended to be erected, yet the absence of this ornament is scarcely noticeable. The windows of the church are particularly elegant, especially the principal one at the back of the pulpit, which is fitted with stained glass of a very rich description. The building is entirely of bluestone, with a slate roof, and the ceiling is a groined one, thereby affording the greatest possible loftiness for ventilation, besides adding to the general ecclesiastical appearance of the interior. The pulpit and platform surrounding it is of a massive kind, having nothing paltry in its appearance, although the usual amount of French polish has not yet been applied. The seats, too, for the congregation are strong roomy ones, made upon a good pattern; and altogether the Church bears evidence that what has been attempted has been done in the best manner, and so far from there being any reason for surprise that the Church has been two years in course of construction, the wonder is that such thorough progress has been made in the time. These preliminary remarks may well be concluded by the addition of a word of praise to the efforts of the choir upon the occasion of the soire, as their performances were really enjoyable.

The CHAIRMAN remarked that while congratulating those assembled, he did not intend to specially address them; he would leave that to his brethren on the platform. It was two years last month since they commenced to built the Church. They had proceeded slowly, but surely. He submitted a statement of the Building Fund.

The subscriptions had amounted to ยฃ470. 7s. 4ยฝd.; bazaars, ยฃ265.17s.7d.; grant from Assembly , ยฃ189.7s.9d.; foundation stone collection, ยฃ32. 10s.; loan from Bank, ยฃ100. He had little to say further than that the subscriptions had been raised almost entirely from members and adherents of the Church. He did not mention this boastingly. The ladies had purchased the lamps, and the children furnished the precentor’s desk. There had been expended ยฃ1049. 11s. 8d., leaving a balance of ยฃ11. 0s. 8ยฝ.

Mr. BLACKWOOD then read the treasurer’s report for the past year, from which it appeared that the receipts had been ยฃ126. 2s. 11d., and the expenditure ยฃ124. 0s.5ยฝd., leaving a balance of ยฃ2. 2s. 5ยฝd. The speaker referred to the lotting of the seats, and that accommodation would be made for those who did not rent seats. He wished some of the reverend gentlemen to take up the question of whether the congregation should stand or sit at singing. He wished to see uniformity.

The CHAIRMAN intimated that some of the reverend gentlemen who had been invited were absent. They were the Revs. J. Clarke, A McNicol, W. A. Lind, and J. C. Sabine. [Mr. Sabine had desired us to mention that he intended to be present, but the heat of the day prevented him, and he delayed sending an apology hoping that it would moderate].

The Rev. R. HENDERSON was the next speaker. He said that although several gentlemen were absent, he felt assured there would be no lack of speakers. They had Mr. Inglis, who was a host in himself. He would take his cue from Mr. Blackwood, and endeavour to comply with his desire that those learned in Church matters should enlighten them regarding the posture in worship. He believed it had been the practice of their Church for 300 years to sit during singing; but the General Assembly allowed congregations to make their own rules in regard to such matters. If they were unanimous in resolving to stand at singing, there was nothing to prevent them. So far as he was concerned, he preferred to see the congregation standing during singing, as it enabled them to execute their psalmody in a better manner than while sitting. The rev. gentleman then commented upon the necessity of improving the psalmody as much as possible, and was favourable to the use of a harmonium. Many congregations had introduced them, and others were merely putting off the consideration of the question. He agreed with all the encomiums upon their Church bestowed by the Rev. H. Darling, and suggested that all Presbyteries should adopt some definite system in regard to architectural style. He recommended the congregation to assume a reverential demeanour upon entering their Church, and exhorted them also to realise that, although Christians were divided into seats, yet they all had one heaven to receive them. Before sitting down, he must congratulate Mr. Lambie upon his success in raising money to build this Church. As a co-presbyter with him, he desired publicly to acknowledge his earnest and inudable endeavours in this matter. He rejoiced in being present this evening, and wished them God speed in their endeavours.

The Rev. J. W. INGLIS commenced by some humorous remarks, depreciatory of the laudatory manner in which the previous speaker had referred to him, and said that the expectation of the assemblage had been unduly raised. It was twelve years ago since he had attended his first tea meeting at Melton, and there were only five persons present. In fact, he had boiled his billy on the bank of the creek. His next meeting was with their present pastor, and now once again he had the pleasure of meeting them under prosperous circumstances, in their own Church. The Union Church had answered its purpose well, but now Melton possessed three substantial Churches, which they must all rejoice at. Their Church was certainly a handsome one, but no doubt no handsomer than they thought it to be; and he might say that Presbyteries were only beginning to pay proper attention to architectural effect; still they must never forget the higher object of their Church buildings. The speaker exhorted the congregation to take special interest in all that appertained to their Church, and to guard against the deadness which would fall upon a congregation which did not regularly attend at worship every Sabbath. He was more than pleased to hear that they had contributed to all the funds for which the Assembly sought their aid, and he trusted that they would always recollect the claims of such objects. Although a Presbyterian, he was no sectarian, and did not wish his sympathies to remain with that Church only; for there was but one Shepherd, one fold, one House of many mansions, and they should remember that this building was God’s house – not theirs – but dedicated to the God of Zion. Let them enter it as the gate of heaven, thinking of God’s words, “Come to me, all ye that are heavy laden;” and there was nothing which would cheer the adversities of this life but seeking the house of God every Sabbath, where they could have communion with God the Father and His Son Jesus Christ, and feel that there was a place prepared for them where the inhabitants know no tears, and which was the land of everlasting bliss. If they did this, truly this place would be a blessed place. He had but one word to say, in regard to their indebtedness to God for all they had. If they realised this, and were honest in their religious convictions, neither he nor any other minister would have occasion to ask them to give of their substance to the purposes of God’s worship. He hoped that for many years they would worship here, and may the faith they had imbibed enable them to enter into the joy of the kingdom of their Lord. A collection was then taken up, during which the choir sang “How Beautiful upon the Mountain.” They also sang at the conclusion of each speech.

The Rev. J. MEEK would simply make a few remarks in his own way. He had watched their progress as a congregation with considerable satisfaction, and he was here to confess that the career of this congregation had taught him one or two useful lessons. He had at one time serious misgivings as to the success of the effort to establish this congregation, but their prosperity had rebuked him, and taught him to remember that it was right to do one’s duty, and leave the results to God. We at Gisborne would not feel flattered by being compared to Melton; yet they worshipped in a temporary wooden building. He hoped their success in Melton would induce the Gisborne congregation to at least consider the matter of beginning to do likewise. He looked upon this Church as a testimony to the zeal and devotedness of their minister, and as a monument of their liberality; and he trusted most earnestly that on the great day of accounts, their minister might have many from among them as a crown of glory.

The Rev. J. SCOTT had been admonished by the departure of many that the patience of the audience was well-nigh exhausted. He had not come with any desire of speaking, but rather to hear others. However, he must join his congratulations with those of the speakers who had preceded him. Their minister had done what few of his brethren would have attempted. He felt that they had done great things in the past, and he believed it would be an incentive for them to buckle with a will to attend with zeal to all those observances which proved them a Christian people. The rev. gentleman urged the congregation to train their children to build up Christ’s cause in this young country, and concluded by hoping that they and their pastor would enjoy many such meetings as the present.

The CHAIRMAN announced the collection to be ยฃ5. 18s. 4d., making upwards of ยฃ20 with the collection of the previous day, for which the committee gave their hearty thanks.

Mr. BUCHANAN proposed a vote of thanks to the ladies, and made one of the best speeches of the evening. Carried by acclamation. Mr. BLACKWOOD proposed a vote of thanks to Mr. Corr, for having allowed the Committee to take the stone for building the Church from his property, free of charge. The vote was carried, and ordered to be conveyed to Mr. Corr. The vote of thanks to the visitors was also proposed by Mr. Blackwood.

The Rev. J. W. INGLIS, the Rev. R. HENDERSON, and the Rev. H. DARLING replied. The latter remarked that he was in favour of the congregation standing during singing and sitting during prayer, with the head upon the book board, as the attention was not then distracted as when standing. His congregation followed this practice.

Mr. MACINTOSH replied to a vote of thanks to the trustees. He was delighted to see what had been done, and he hoped that they would all recollect what had been said respecting regular attendance at Church. He was of opinion that the congregation should agree for the future to sit at prayer and stand at singing.

Mr. McPHERSON paid some deserved compliments to the choir in proposing a vote of thanks to them and their leader, Mr. Merchant.

The CHAIRMAN here presented Mr. Oldershaw, a member of the choir, a splendidly-bound edition of Cassell’s Illustrated Bible, as a testimony from the committee of their appreciation of his services.

Mr. OLDERSHAW expressed his thanks in a feeling manner, but was scarcely audible enough. The Rev. J. MEEK proposed a vote of thanks to the Chairman, which was briefly responded to, and the rev. gentleman remarked that henceforth he would be able to give more time to the spiritual wants of the congregation than hitherto.

The proceedings were closed by the choir singing a hymn. The proceeds of the sale of tickets amount to ยฃ16.”

Footnotes:

[1] The Australasian, Melbourne, Vic, Saturday 30th December 1865, page 12.

[2] Bacchus Marsh Express, Vic, Saturday 14th September 1867, page 2.

[3] Shire of Melton Heritage Study, Vol 5, page 3.

[4] Bacchus Marsh Express, Vic, Saturday 14th September 1867, page 2.

[5] The Age, Melbourne, Vic, Monday 14th October 1867, page 6.

ย 


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1890: St John’s Wesleyan Church, Nelson, New Zealand

The former St Johnโ€™s Wesleyan Church at Nelson represents the seventh location in New Zealand found to contain extant historic stained glass windows by the Ferguson & Urie stained glass company of North Melbourne, Victoria, Australia.

Two single-light stained glass windows were erected in St Johnโ€™s between 1890 and 1893 are both are very recognisable scriptural designs by the firm that were popular throughout the companyโ€™s stained glass production period between 1861-1899.

The first window was erected during the construction of St Johnโ€™s in 1889/90 and is dedicated to the memory of Mary Webber Cock (nee Chigwidden), who died in 1881.

The scriptural verse in this window comes from Psalms 100-4;

“Enter into his gates with thanksgivingโ€

Beside the window is a brass plaque dedicating the window to the memory of Mary Webber Cock:

โ€œIn Loving Memory of Mary Webber
Wife of John H. Cock
Who died 20th August 1881, aged 25 years.โ€

The second window was erected in March 1893 and is dedicated to the memory of Maryโ€™s husband, John Honeycomb Cock who died in November 1892.

The verse in this window comes from is Psalms 84-1;

“How amiable are thy tabernacles, O. Lord of Hosts.”

The memorial brass plaque near the window reads:

โ€œIn Loving Memory of John Honeycomb Cock
Husband of Mary Webber.
Died 7th November 1892, aged 44 years.โ€

ย Photos of the windows at St Johnโ€™s are courtesy of Eelco Boswijk, Nelson, New Zealand, 2015.

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John Honeycomb Cock was the son of Joseph Cock and Mary Anne Honeycomb and arrived in New Zealand with his father aboard the barque “Violet” from London on the 5th July 1864[1]. His father, a mining Captain, had been sent out to report on the “Dun Mountain” chromite and copper mining property near Nelson[2].

Around the age of sixteen John was employed as a junior clerk at Nelson by the New Zealand coastal shipping company “Nathaniel Edwards & Co”. By his early 20โ€™s his abilities and shrewd business acumen was so highly regarded by the company that he was sent back to England in 1871 to take position as the companyโ€™s London manager[3]

At West London, on the 20th May 1875, John married Mary Webber Chigwidden at the Wesleyan Chapel on Denbigh Road at Bayswater[4]. The couple later returned to Nelson where John resumed the General Manager position with Nathaniel Edwards & Co. He also engaged in joint shipping company ventures with his brother Joseph Henry and later was General Manager of the โ€œThe Anchor Steam Shipping Company.โ€[5] John and Mary were also active members of the Wesleyan Church congregation and he held positions as the Wesleyan Circuit Steward and a Trustee of St Johnโ€™s.

The couple made their home at the Port of Nelson and in June of 1879 Mary placed an advertisement for a general servant to assist her with household duties in anticipation of the arrival of their baby.[6] In October she gave birth to a son named John Scantlebury Cock. Sadly the infant only survived two days and died on the 21st October 1879[7].

Two years later Mary died on the 20th August 1881 at the age of 25[8]. As a mark of respect the Wesleyan Church was draped in black and at the Port of Nelson the flags on ships and shore establishments were all lowered to half-mast[9]. Mary was buried with her infant son John in the Wesleyan section of the Wakapuaka Cemetery at Nelson[10]

The couple never had any surviving children. John never remarried and immersed himself into his shipping business ventures and his appointments within the Wesleyan Church.

The Wesleyans have a long history in Nelson which dates back to the establishment of the settlement in 1841. The foundation stone of their first chapel was laid by a Mr. Tucket in June 1843 on the corner of Bridge Street and Waimea Road[11]. This church would only last about fourteen years.

The foundation stone of the second church was laid on a new site in Hardy Street by Donald Sinclair, Esq., former speaker of the Provincial Council, on the 17th November 1857[12]. By the late 1880โ€™s this second church had also outgrown the congregation and was deemed uneconomical to maintain and so they decided to remove the old building and build a new one on the same site.

The foundation stone of the current church was laid on the 24th September 1889 by the Governor of New Zealand, Lord Onslow. The occasion was deemed such an historic event that the afternoon was observed as a holiday for the people of Nelson. Thousands attended the ceremony and the streets were decorated with bunting and flags along the route that the Governor and Lady Onslow would arrive by. Remarkably, an historic photo of the occasion still exists which shows the immense crowd surrounding the foundation site. Eighty-six year old Mr Foy and Ben Crisp, two of Nelson’s most revered senior Colonists, were given prominent seats near the dais. Both had witnessed the laying of the second church foundation stone in 1857.

Amongst the many customary artifacts that were placed beneath the new foundation stone were some of the items salvaged from the previous time capsule;

โ€œIn a cavity of the foundation stone was placed a glass jar containing the following coins, papers, &c:- Half a sovereign, half a crown, a florin, a shilling, a sixpence, a penny, two half-pence; minutes of the New Zealand Wesleyan Conference, 1889; New Zealand Gazette, Sept 19. 1889; Nelson and Richmond Circuit plan of services, and balance sheet of quarter to June 30, 1889; copies of EVENING MAIL of July 18 and September 23; copy of colonist of September 24; parchment statement re foundation stone; and from the old bottle, newspapers, including copies of the Colonist of 32 years ago, and coinsโ€ฆโ€[13]

The Governor was presented with a handsomely handcrafted wooden casket containing a decorated silver trowel and other tools, all of which were manufactured by craftsmen from Nelson. A silver shield on the casket bore the words:-

โ€œPresented by the Trustees to His Excellency Earl of Onslow, Governor of New Zealand, on laying the foundation stone of St. Johnโ€™s Church, Nelson, Sept. 1889.โ€ [14]

After difficulties with the first building contract, Fitzwilliams, Doidge, and Stringer took over the construction of the church to the designs of architect โ€˜Dugellyโ€™ of Napier for a reported ยฃ1039. 6s.[15]

John Honeycomb Cock was a liberal financial donor to the church building fund and had also financed the churchโ€™s first stained glass window dedicated to the memory of his wife Mary. When the church was opened in March 1890, amongst the descriptions of the fittings and furnishings was the window which was created by the North Melbourne firm of Ferguson & Urie. The New Zealand Colonist tabloid of 16th April 1893 reported:-

“…The side windows, eight in all, are of similar design, but on the east side the fourth window, that naarest [sic] the south end, is a handsome stained glass memorial window of floral design, erected by Mr John Cock in memory of his late wife, and the words “Enter into His gates with thanksgiving” form part of the design…” [16]

This single-light window is an unmistakable piece of workmanship by the Ferguson & Urie stained glass company of North Melbourne and was a popular design produced by the firm from their stained glass production period from 1861 to 1899. Similar examples of this design can be found throughout Victoria and Tasmania in Australia. The window contains Gothic floral and geometric patterns with a central ribbon design containing a piece of bible scripture. The portion of verse in this window comes from Psalms 100-4; “Enter into his gates with thanksgivingโ€

Beside the window is a brass plaque dedicating the window to the memory of Mary Webber Cock: โ€œIn Loving Memory of Mary Webber, Wife of John H. Cock, Who died 20th August 1881, aged 25 years.โ€

John Honeycomb Cock died of heart disease on the 7th November 1892 aged 44. The tabloid obituaries described him as a kind, generous and self-sacrificing man who “did good by stealth”[17]. He was highly regarded by the Wesleyanโ€™s and the people of Nelson. Amongst the numerous public and private appointments he held were; Wesleyan Circuit Steward and Trustee of St John’s and had he been appointed lay treasurer of the Wesley Home Mission Fund in 1879[18]. He had a long association with Nathaniel Edwards & Co where he started his career as a sixteen year old. He was a Chairman of the Wellington Harbour Board,[19] General Manager of the Anchor Steam Shipping Company[20] and in 1883 had been appointed a Justice of the Peace[21]. For many years he was also in partnership with his brother Joseph Henry as “John H. Cock & Co” which was taken over by his brother in January 1886[22].

In February 1893, the Honorary Secretary of St John’s, Mr William Afleck Bethwaite, received instruction from the Wellington architects, Turnbull & Sons, to have a new stained glass window erected in St John’s to the memory of J. H. Cock, at which time it was stated that he; “…hopes to have the window finished by the anniversary of the church, which will be held next month…”[23]

Just over a month later, on the 25th March 1893, New Zealandโ€™s โ€œColonistโ€ tabloid reported:-

“MEMORIAL WINDOW.- There has just been erected in St. John’s Wesleyan Church a stained glass window, with inscription, intimating that it has been placed in the Church by many friends to the memory of the late Mr J. H. Cock. The window in question has been placed opposite to one, similar in design, which was erected by the more recently deceased to the memory of his wife who predeceased him.”[24]

The portion of verse in this window comes from is Psalms 84-1;ย  “How amiable are thy tabernacles, O. Lord of Hosts.” [25]. The memorial brass plaque beneath the window reads:

ย โ€œIn Loving Memory of John Honeycomb Cock Husband of Mary Webber. Died 7th November 1892, aged 44 years.โ€

At St John’s anniversary services held on the 26th March 1893 the Reverend F. W. Isitt took the subject of his sermon from the scripture on this window.

St Johns is no longer a consecrated church. In 2011 the church was put up for sale[26] and subsequently purchased by the Boswijk family who have since preserved its Heritage and renovated it to become a highly successful function and performance venue[27].

These two historic stained glass windows in St Johnโ€™s not only represent excellent examples colonial stained glass by the Ferguson & Urie Company, but as a link to the colonists and history of Nelson.

Acknowledgements:

Thanks to the eagle eye of my Kiwi cousin Janice Ball for identifying and bringing these windows to my attention and for sending some of the great research leads from New Zealand.

Thanks to Eelco Boswijk, owner of St Johnโ€™s, for contributing the photos.

ย 

Foot notes:

[1] Nelson Examiner and New Zealand Chronicle, Vol XXXIII, Issue 71, 7th July 1864, page 2.

[2] Journal of the Nelson and Marlborough Historical Societies, Volume 1, Issue 3, November 1983. Chromite and the Dun Mountain Copper Mining Company, page 10.

[3] The Encyclopedia of New Zealand, Biography Joseph Henry Cock (accessed 20150204)

[4] Nelson Evening Mail, Volume X, Issue 203, 14 August 1875, page 2.

[5] Nelson Evening Mail, Volume XV, Issue 63, 13 March 1880, page 4.

[6] Nelson Evening Mail, Volume XIV, Issue 150, 25 June 1879, page 1.

[7] New Zealand Cemetery Records, Wakapuaka, Nelson. WKWS07021 Wesleyan Plot 021, Block 7.And NZ BDM 1879/8724.

[8] Nelson Evening Mail, Volume XVI, Issue 198, 20 August 1881, page 2.

[9] Colonist, Volume XXV, Issue 2939, Monday 22 August 1881, page 3.

[10] Wakapuaka Cemetery, Mary Webber Cock, record WKWS07021_A, Wesleyan, Block 07, plot 021, interred 22 Aug 1881.

[11] New Zealand Colonist & Port Nicholson Advertiser, Vol 1, Issue 94, 23rd June 1843, page 2.

[12] Colonist, New Zealand, Issue 9, 20th November 1857, page 2.

[13] Nelson Methodist Centenary Souvenir 1842-1942, Rev. M. A. Rugby Pratt, pages 11-12.

[14] Nelsonย Eveningย Mail,ย Volumeย XXIII,ย Issueย 212,ย 25ย Septemberย 1889,ย pageย 2.

[15] Nelson Evening Mail, Vol XXIII, Issue 324, 23rd December 1889, page 2.

[16] Colonist, New Zealand, Volume XXXIII, Issue 5778, 16 April 1890, Page 3.

[17] Wairarapa Daily Times, Volume X111, Issue 4264, 8 November 1892, page 2.

[18] Colonist, Vol XXII, Issue 2502, 25 January 1879, page 3.

[19] Nelson Evening Mail, Volume XXVI, Issue 255, 7 November 1892, page 2.

[20] Nelson Evening Mail, Volume XV, Issue 63, 13 March 1880, page 4.

[21] Colonist, Volume XXVI, Issue 3900, 12 June 1883, page 4.

[22] Colonist, Vol XXVIII, Issue 4377, 17 February 1886, page 3.

[23] Nelson Evening Mail, Volume XXVII, Issue 42, 20th February 1893, page 2.

[24] Colonist, Volume XXXVI, Issue 7589, 25 March 1893, Page 3.

[25] Nelson Evening Main, Volume XXVII, Issue 72, 27th March 1893, page 2.

[26] http://www.stuff.co.nz/nelson-mail/news/6904501/Historic-church-for-sale (accessed 28 Jan 2015)

[27] http://www.theprow.org.nz/places/st-john-s-methodist-church/ (accessed 28 Jan 2015)


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1879: Holy Trinity, East Melbourne, Victoria.

The Clarke’s were wealthy Colonial pastoralists who were well acquainted with the Ferguson & Urie stained glass companyโ€™s workmanship.

In the ten year period between 1875 and 1885 William and Joseph Clarke engaged the company a number of times to create ecclesiastical windows, dedicated to family members and friends, as well as secular windows to decorate their magnificent mansions at Sunbury and Toorak.

In 1875-76, Sir William John Clarke commissioned Ferguson & Urie to create the great cycle of secular stained glass windows for his mansion โ€œRupertswoodโ€ at Sunbury, North East of Melbourne. In 1880 he again engaged the company for a three light memorial window to be dedicated to his infant daughter Agnes for the chancel of St Maryโ€™s Anglican Church at Sunbury. Circa 1884, a two light window in the liturgical west wall of the same church was dedicated to his friend, the politician J. G. Francis. His brother, Joseph Clarke, also commissioned Ferguson & Urie to create the windows for his mansion โ€œMandeville Hallโ€ at Toorak circa 1876.

In 1878 William and Josephโ€™s mother Elizabeth had died and they engaged Ferguson & Urie in late 1879 to create her memorial window for the new chancel of Holy Trinity Church at East Melbourne.

Unlike all the other historic stained glass windows the Clarke brothers had commissioned Ferguson & Urie to create, this one would only survive a quarter of a century.

Photos taken 5th November 2012. Other historic images are from the State Library of Victoria collections and National Library.

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In 1864 Trinity Church East Melbourne was erected of bluestone on the George Street corner of the present site at 193 Hotham Street.

This site had been originally designated for a Cathedral, but Holy Trinity was erected on it with the intention that it was later to be converted to the Cathedral library or chapter house[1].

Th Church was opened on Sunday 20th November 1864[2] and on the day before Christmas of 1864 the Melbourne tabloids reported:

The Australian News for Home Readers, Vic, Saturday 24th December 1864, p 7.

โ€œTRINITY CHURCH, EAST MELBOURNE.

โ€œThis building, which is at present used for the purposes of Divine services by the parishioners of East Melbourne, will ultimately constitute the chapter house and library of the Melbourne Cathedral, being built upon the reserve set apart for that purpose, and so constructed as to harmonise with the whole structure when completed. It was opened a short time ago by the Bishop of Melbourne, as a temporary place of worship, and named Trinity Church. The officiating minister is the Rev. H. N. Wollaston, who has a large and increasing congregation. The building is constructed in a substantial manner, the walls being of bluestone, and the windows of Geelong freestone. The roof is supported by strong open woodwork, embellished with ornamental carving, which gives to the interior of the church a bold and lofty appearance. The dimensions of the building are considerable, its length internally being 88 feet, and its width 38 feet, and it will furnish accommodation for about four hundred persons.” [3]

At this point there was no mention of any decorative stained glass windows erected in the church, but thirteen years later, extensions were being made by the addition of a new chancel. The contractor for these extensions was Thomas Dalley[4] and was erected to the designs of architects Terry & Oakden at a cost of ยฃ1200. During these alterations, the Ferguson & Urie stained glass company erected the new chancel window to the memory of “Mrs William John Turner Clarke”, (Elizabeth โ€˜Elizaโ€™, nee Dowling[5]), the mother of William and Joseph Clarke.

On the 3rd of December 1879 the โ€œChurch of England Messengerโ€ made specific mention of the Ferguson & Urie company erecting the window in the chancel:-

โ€œMELBOURNE: TRINITY.- The new chancel which is being added to the eastern end of Trinity Church is now almost completed and is expected to be out of the contractors hands at the close of the present month. It is 32ft. long by 22ft. wide, the walls being of stone, and in keeping with the design of the old building. On the eastern wall there is a five light window, with decorated tracery, executed in Waurn Ponds freestone, the glass for which is to be of a handsomely-coloured character, and will be fitted in by Messrs. Ferguson and Urie. The arch of the chancel is pointed, and of the Gothic order, with corbels of red granite and freestone. At the south side provision has been made for an organ chamber, which, if found necessary, can be erected at any future time. Two porches have also been added at the north and south entrances of the building, each of them being 11ft. square. Messrs. Terry and Oakden were architects, and Mr. T. Dalley the contractor. The whole of the improvements have been effected at a cost of ยฃ1200โ€.[6]

In late September the Argus newspaper reported that William and Joseph Clarke were the donors of the window in memory of their late mother:-

The Argus, Melbourne, Vic, Friday 26th September 1879, page5

โ€œA large congregation assembled at Trinity Church, East Melbourne, last evening, to witness the opening of the new chancel recently added to the church. The Right Rev. the Bishop of Melbourne preached an eloquent sermon in celebration of the opening, taking for his text Matt, i, 21. The chancel, which is constructed of bluestone, is situated at the eastern end of the building and was erected at a cost of ยฃ1,200. The interior measures 30ft. by 22ft., and has been handsomely fitted up with communion table and railing. A large memorial window has been placed in the chancel by Messrs W. J. and Joseph Clarke, in memory of their deceased mother, Mrs. W. J. T. Clarke[7]. The work, which has been carried out under the supervision of Messrs Terry and Oakden architects, is a great improvement to the interior of the church, as well as adding materially to its outward appearance. During the service a sum of ยฃ18 was collected, which will be devoted to the chancel fund.”

Twenty six years later, on New Years day in 1905, Holy Trinity was completely gutted by fire, leaving only the shell its four walls.

None of the historic stained glass windows by Ferguson & Urie survived:-

Bendigo Advertiser, Vic, Tuesday 3rd January 1905, page 3.

โ€œTHE FIRE AT HOLY TRINITY CHURCH.
Melbourne
, 2nd January.

The origin of the fire which occurred at Holy Trinity Church, East Melbourne, yesterday afternoon has not been, and apparently is not likely to be, discovered. Only the four walls of the church are now standing, all the woodwork, which was very old, having been burnt away. The most plausible theory as to the cause of the outbreak is that a match was carelessly dropped on a pile of rubbish under the west gallery. The members of the congregation are almost unanimously of the opinion that the church should be rebuilt, and very probably large contributions will be forthcoming, in addition to the ยฃ2000 which will be received from the insurance offices.”

The Holy Trinity congregation wasted no time in the erection of a new church. It was subsequently built on the opposite end of the block where the old church stood. It was opened by the Archbishop of Melbourne on Saturday 28th April 1906 and consecrated the following year in October 1907:-

The Australasian, Melbourne, Vic, Saturday 28th April 1906, page 48.

“The Incumbent (Rev. Mr. Newport White) and vestry of Holy Trinity Church, East Melbourne, have issued invitations, to the congregation and their friends, for the opening of the new church, corner of Clarendon and Hotham streets, replacing the building destroyed by fire on New Year’s Day, 1905. The opening ceremony will be performed by the Archbishop of Melbourne to-day (April 28), at a quarter to 3 p.m. After the ceremony, the adjoining school-hall will be opened, for a supplementary sale of gifts and refreshments. On Sunday, 29th inst., there will be special services in the church, and the one which is to begin at half-past 3 p.m. will be conducted by the Ven. Archdeacon Crossley.”

The current Holy Trinity church now contains figurative stained glass windows by Alan Sumner in the nave and Derek Pearse in the liturgical east end. The most recent window to be erected was created by the Geoffrey Wallace stained glass studio at Caulfield and was designed in the Alan Sumner style to complement the other Sumner windows in the nave.

External Links:

Flickr photo stream for Holy Trinity, East Melbourne. This photo collection includes detailed images for all the current windows.

Footnotes:

[1] The Argus, Melbourne, Vic, Tuesday 19th January 1864, page 7.

[2] The Argus, Melbourne, Vic, Saturday 19th November 1864, page 5.

[3] The Australian News for Home Readers, Vic, Saturday 24th December 1864, p 7.

[4] The Argus, Melbourne, Vic, Monday 16th June 1879, page 5.

[5] “Elizabeth ‘Eliza’, nรฉe Dowling (1800-1878), wife of William John Turner Clarke (1805-1874)

[6] The Church of England Messenger, 3rd September 1879.

[7]ย “Elizabeth ‘Eliza’, nรฉe Dowling (1800-1878), wife of William John Turner Clarke (1805-1874)


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1888: James Urie lays the Foundation Stone of the Flemington and Kensington Presbyterian Church.

James Urie was not only a much respected public figure as a Councillor, Mayor of Flemington and a principal partner of the Ferguson & Urie stained glass firm; he is also credited with being one of the lead instigators for the erection of the Flemington and Kensington Presbyterian Church.

On the afternoon of Monday 25th June 1888 he was bestowed with the honour of laying the foundation stone of the new church in Norwood Street. The ceremony was reported as a grand affair and prior to him laying the foundation stone there was a procession by the Sunday school children after which he generously presented each one of them with a specially struck medallion as a memento of the historic occasion;

“…Prior to the commencement of the ceremony, about 450 Sabbath School children, nicely dressed, and with flags flying marched in procession from the new hall to the ground in Norwood street. Before leaving the mayor presented each child with a neat medal with a design of the church on one side commemorative of the event…”

– Images from private collections, the Melbourne Museum and the State Library of Victoria.

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The medal included a picture of the proposed church on one side with the words:

โ€œFLEMINGTON AND KENSINGTON PRESBYTERIAN CHURCH.โ€

On the reverse are the words:

โ€œTO COMEMORATE THE LAYING OF THE FOUNDATION STONE. 25 JUNE 1888. BY JAS. URIE ESQ. J.P. MAYOR OF THE BOROUGH.โ€

An example of one these historical medallions can be seen at the Melbourne Museum in Carlton. [1] The Downies Numismatic Auction House also sold one of the medals at auction 308, item 945 for $200 circa 2012.

The Presbyterians originally intended to erect a smaller church costing only ยฃ1,400 but James Urie was adamant that it was worth the cost and effort to construct a more substantial building that would serve the congregation for many years;

“…Mr. Duguid, the architect for the building, stated in a brief speech that originally it was intended to erect a church costing only ยฃ1400 but Mr. Urie was so desirous of seeing a really good building worthy of the district put up, that at length it was agreed to adopt his advice, with the result that eventually the present design was accepted….”

“…Mr Thomson introduced the Mayor (Cr. Urie), who had been connected from the first with the church in the district, and had done all in his power for its advancement. He presented Mr. Urie amidst applause with a very handsome silver trowel, and invited him to lay the foundation stone of the church he had always advocated should be erected…”

“…He always believed in building a good church when they did build one, as it would serve all requirements for a long time to come, which a smaller one would not do. The design, he thought was most appropriate and suitable in every respect, and when completed they would have a church to be proud of. The height from the ground would be 10 feet to the spire, and with the seating the church would cost ยฃ2,500. He expressed his thanks for the silver trowel presented to him, and it would be a fitting souvenir of the important ceremony he was about to perform…”

James Urie exhibited the time capsule box, containing the newspapers of the day and undoubtedly many other artifacts. He then placed the box beneath the stone and declared the foundation stone โ€œโ€ฆto be well and truly laid amidst loud applause…โ€

His subsequent speech referred to their need to pay off the building as quickly as possible so they could be free of debt. He pointed out the collection plate and once again, as he done so liberally over the years, displayed his generosity;

โ€œHe set a most excellent example by placing what looked like two ten pound notes into the plate, and invited those present to follow suitโ€ฆโ€ [2]

It could be reasonable assumed that the windows for the church would be manufactured by the Ferguson & Urie stained glass company. Itโ€™s probably even reasonable to suggest that the designs for the windows would have been the suggestion of James Urie himself and that, as heโ€™d so generously demonstrated in his contribution to the collection plate during the foundation stone ceremony, the windows were probably donated by the firm without cost.

The only obscure clues as to the stained glass windows were published in the North Melbourne Advertiser on the 7th July 1888 where it was stated;

โ€œโ€ฆThe church will be lighted by ten double-light stained glass windows in the side walls, besides a large gable window…โ€[3]

On Monday the 10th of March 1889 the church was officially opened but very little detail was recorded in the tabloids about the occasion, except for the mention that they had purchased a – ‘”powerful’ bell, whose tones will no doubt remind the people of the borough of the ‘decent church that tops the neighbouring hill’.” .[4]

The Presbyterian Church in Norwood Street Flemington was only a short walk around the corner from James Urieโ€™s house โ€œGlencairnโ€ in Wellington Street. Undoubtedly he would have been proud of the church they had constructed but he would not share long in its history.

James Urie died seventeen months later, on the 21st of July 1890 aged 62. His funeral was recorded as being one of the most imposing ever seen in the Borough of Flemington and Kensington;

โ€œโ€ฆThe employฤ—s of Messrs Ferguson & Urie marched in front of the hearse, then came four mourning coaches and upward of fifty vehicles. Immediately following the mourning coaches came a hansom, in which the Hon Alfred Deakin was seated, then next in order a buggy containing the deceased gentlemanโ€™s council colleaguesโ€ฆโ€[5]

Alfred Deakin, later to be Prime Minister of Australia, also played a part as a pall bearer at the grave site.

The last known mention of additional stained glass windows occurred in 1924 when the congregation decided to erect a memorial to the fallen WW1 soldiers from the parish [6]. If the memorial window was actually created as intended then it would most likely have been created by the Brooks, Robinson & Co., stained glass company of Melbourne.

The church survived 81 years before unfortunately being destroyed by fire on the 24th April 1970. It’s not known if any significant historical artifacts survived the fire and there is nothing further known of the stained glass windows.

The whereabouts of the silver trowel presented to James Urie to lay the foundation stone remains a mystery. It was Willed to his daughter Maria as indicated in her mother Grace’s Will of 1899. Maria died a spinster in 1915 but the research trail has ended there and nothing further is known.

Significant tabloid transcriptions:

North Melbourne, Advertiser, Vic, Saturday 30th June 1888, page 4.

โ€œFOUNDATION STONE CEREMONY

The foundation stone of the new Presbyterian Church, at Flemington, of which the above drawing is an excellent representation, was laid on Monday afternoon, by the Mayor (Councillor James Urie), in the presence of a very large assemblage of residents and visitors amongst whom were the Rev. G. D. Buchanan. S. Robinson and James; Professors MacDonald and Rentoul, and other prominent divines. Prior to the commencement of the ceremony, about 450 Sabbath School children, nicely dressed, and with flags flying marched in procession from the new hall to the ground in Norwood street. Before leaving the mayor presented each child with a neat medal with a design of the church on one side commemorative of the event. The proceedings were commenced by the choir singing the hymn “Brightly gleams our Banner,” and afterwards the Rev. John Thomson offered up an earnest prayer for the success of the undertaking.
Professor Rentoul, who was briefly introduced by the Rev. John Thomson, said it gave him very great pleasure to be present at the laying of the foundation stone of such a magnificent church, but especially so because he had the deepest regard for their worthy pastor, the Rev John Thomson, whom he had known years ago as a most earnest worker in the ministry in England. It was a great blessing to a congregation to have such a good and able pastor who took so deep an interest in the welfare of his flock, and it was also a boon to have a good church. Referring to the past career of the Presbyterian Church, Professor Rentoul pointed out that it had never been afraid to stand up for God’s truth when necessity arose, as history proved. It was the church of the people, as it was free to all and fell in more with their ideas of Christianity. Dr. Martineau had even advised his Unitarian congregation in England to embrace the Presbyterian form of Church government, and, in fact, he (Professor Rentoul) considered the Presbyterian Church of Scotland came nearest the beau ideal of what a Christian church ought to be. The grand old German Emperor who so recently passed away was a Presbyterian, and from the rapid manner in which the church was everywhere progressing, it would be, he thought, the church of the future. The foundation stone they were about to lay, was he was glad to say, a proof of the advancement of the Presbyterian cause in the district of Flemington and Kensington. He eulogised the efforts and liberality of the congregation in subscribing toward the erection of such a beautiful church, and referred particularly to Mr. Urie, as being worthy of special thanks for the part he had taken in the movement. He urged all to continue their exertions, and no doubt they would soon succeed in clearing off the remaining portion of the cost. If it had been the proper place, he should have felt impelled to call for three cheers for Mr and Mrs Thomson, and also for Mr. Urie who had been mainly instrumental in having such a splendid edifice built, but as at the present time he could not do this, he would conclude by congratulating the congregation on the success already attained, and urge them all to work in harmony for the good of the church.
Mr Thomson introduced the Mayor (Cr. Urie), who had been connected from the first with the church in the district, and had done all in his power for its advancement. He presented Mr. Urie amidst applause with a very handsome silver trowel, and invited him to lay the foundation stone of the church he had always advocated should be erected. Cr. Urie, who was well received, said that about five years ago the Presbyterians agreed to hold their services in the Flemington and Kensington Hall. They had been exceedingly fortunate in securing the services of their respected pastor, the Rev. John Thomson, and through his excellent capabilities and energy n the cause, the congregation became so numerous that it was thought advisable to take steps for the erection of a suitable church. The congregation were not at all backward in coming forward with donations, and the present site was accordingly purchased at ยฃ6 per foot. He always believed in building a good church when they did build one, as it would serve all requirements for a long time to come, which a smaller one would not do. The design, he thought was most appropriate and suitable in every respect, and when completed they would have a church to be proud of. The height from the ground would be 10 feet to the spire, and with the seating the church would cost ยฃ2,500. He expressed his thanks for the silver trowel presented to him, and it would be a fitting souvenir of the important ceremony he was about to perform. He then proceeded to mix the mortar, and after exhibiting a box, in which he had stated the periodicals of the day were encased, placed it under the stone, which he then, with great care and in a most workmanlike manner, declared to be well and truly laid amidst loud applause. The Mayor next drew attention to the collection plate, pointing out that paper money, sovereigns or silver would be thankfully received in aid of the building fund, which it was most desirable to pay off as quickly as possible so as to be perfectly free and clear from any encumbrance. He set a most excellent example by placing what looked like two ten pound notes into the plate, and invited those present to follow suit, with the result that for the next few minutes there was a decided rush of well wishers of the church and the Sunday school scholars were very conspicuous with their offerings, in fact it was pleasing to see the eagerness of some of the children to part with their money. At length the funds of the onlookers ‘having been well and truly laid,’ the Rev. John Thomson announced that several gentlemen would like to make a few remarks.
Duguid, the architect for the building, stated in a brief speech that originally it was intended to erect a church costing only ยฃ1400 but Mr. Urie was so desirous of seeing a really good building worthy of the district put up, that at length it was agreed to adopt his advice, with the result that eventually the present design was accepted. The land on which the church was to be erected was 80 feet by 180, and had been purchased at ยฃ6 per foot. The building would cost ยฃ2500, of which sum ยฃ900 had been subscribed, and another ยฃ150 was promised, provided that an additional ยฃ50 was collected by six months.
The Rev. Samuel Robinson, of St. Kilda, said he was pleased to say he been present at the initiation of the movement for the erection of the church, and he could assure them that Mr. Urie deserved the greatest credit for the interest he had taken in the matter throughout, while the Misses Urie, by their exertions in aid of the funds, were entitled to equal praise. Both Mr. and Mrs. Thomson had also by their untiring efforts brought the church to its present state of prosperity, and were deserving of the most hearty thanks of the congregation. He earnestly hoped all would continue to work together without and heartburnings, not only for the erection of the church, but for its after prosperity.
Professor McDonald expressed his pleasure at being present on such an eventful occasion, as it proved that Mr. Thomson had not laboured in vain for the district. The congregation were most fortunate in having Mr. Thomson as their pastor, as there were few superior or more devoted and earnest men in the service of God and man. His thought and scholarly attainments were well-known and appreciated, in fact, he possessed qualifications that entitled him to seek higher places, but he had chosen instead to cast his lot with them. He was truly happy to see that Mr. Thomson’s labours had been so successful and borne such good fruit.

ย TEA AND PUBLIC MEETING.

ย In the evening a very successful tea meeting was held in the New Hall, and was followed by a public meting and concert, at which there was a very large attendance. The Mayor (Cr. Urie) presided, and on the platform were the Revs. Alex Marshall, Buchanan, Burchett, James and Smith. The meeting having opened with prayer.
The chairman gave an interesting address, in which he described the past history of the Presbyterian Church at Kensington, and the difficulties that at first had to be contended with. Five years ago the congregation commenced to hold services in the new hall, and after some time the Rev. John Thomson was persuaded to cast in his lot with them, and accept a call to the church. The congregation largely increased under his ministration and it was then decided to make an offer to purchase a block of land on which to erect a suitable church. Subscriptions came in the most liberal manner, and a very successful cake fair was also held which materially increased the funds, and with other donations, they were at length in a position to purchase a valuable site in Norwood street at a cost of ยฃ520. Designs were then invited for a church to cost about ยฃ1400, but the congregation ultimately decided to erect a more imposing building, and the present design by Mr. Duguid was accepted. He believed in erecting a good church while they were about it, as the extra cost, he thought, would be subscribed without very much difficulty, and it was far better to have a building with which they would all be quite satisfied instead of a smaller one, which would not so well answer requirements. He thought if they all did their best the balance of the building fund would soon be collected and then they would have a church free of debt of their own, which they could be proud of (Applause.) The choir then sang the anthem ‘Then wilt thou show’ with excellent affect and Mr. Boreham followed with ‘Nil Desperandum.’
G. D. Buchanan next gave a spirited address, and congratulated the congregation on being able to erect such a splendid church, which proved that they appreciated the efforts of their worthy pastor, who was entitled to their hearty thanks for the energetic manner he had worked to bring the church in the district to its present prosperous state. He urged them all to stick together and do their best to pay off the remaining debt on the church, and if they remained united there was no doubt they would succeed in surmounting all difficulties, and become a strong congregation.
The Rev. Alexander Marshall, of Scot’s Church, the Rev. Jas. Burchett and James also addressed the meeting, and wished the congregation success in their undertaking.
The singing of the choir under the able conductorship of Mr. Townsend was much appreciated, the anthems – ‘Arise and shine’ and ‘I will wash my hands’ being particularly well rendered. A trio – ‘Thou shalt love the Lord’ by Miss Clayton and Messrs. Clayton and Townshend was very nicely given, and a song ‘Calvery,’ by Miss Gray was most successfully rendered. The meeting, which was most enjoyable and successful, closed with the benediction.”

North Melbourne Advertiser, Vic, Saturday 7th July 1888, page 4.

“FLEMINGTON PRESBYTERIAN CHURCH.

The following is a description of the above building. The church when finished will form a handsome and conspicuous addition to the architecture of the borough. In plan it is an amphitheatre in form; the pews radiating from the pulpit in five blocks, and providing accommodation for 360 worshipers. The extreme internal dimensions are 54 ft. wide, 48 ft. long. The width is arranged in a central nave 36 ft. wide, and side aisles 9 ft wide for three fourths of the length. The roof of the nave is supported on cast iron columns, and consist of four massive curved principals, giving a clear height of 28 ft. from floor to ceiling. Running along the top of the columns are heavily moulded beams, supported by curved gothic brackets springing from the caps of the columns, and similar beams and brackets run from the columns to the walls, to carry the roof of the side aisles. The whole of the ceiling will be finished in stained and varnished kauri pine, and the side walls will have a dado of same all round. The principal entrance are by the tower door on the right hand side, and a similar door in a porch on the left, these being connected by a commodious vestibule outside the main building. Besides these doors, there are four others intended more as a means of egress, and those arrangements have met with the fullest approval of Central Board of Health. The church will be lighted by ten double-light stained glass windows in the side walls, besides a large gable window. The main feature of the design externally is, of course, the spire, which rises in graceful proportions to the height of 100 ft. above the floor level, the upper part being slated and surmounted by a handsome cast iron finial. The main gable rises to a height of about 45 feet, and contains the large window before referred to. It is well balanced in effect by a flanking buttress carrying a small pinnacle, and the apex is filled in by coloured tiles. The back gable is filled in with wood and lath and plaster at present, to permit of future extensions, but the rest of the walls are all of brick, tuck-pointed, and having bands, arches, &c., of coloured bricks. It is no discredit to the other churches in the neighbourhood to say that when finished it will be beyond question the most handsome church in the borough, and reflects great credit on the skill and economical planning of the architect that a building of such proportions and style could have been undertaken for the very modest sum of ยฃ2150, which is the amount of the contract. The sum does not include fittings, but it includes an ornamental front fence, and a good deal of asphalting in the grounds.”

North Melbourne Advertiser, Vic, Saturday 8th September 1888, page 2.

“In connection with the Flemington and Kensington Presbyterian Church, it has been decided to substitute Victorian patent stone for timber and seating in the erection of the spire of the above building. This will add greatly to the appearance, and also to the durability of the structure. In spite of the scarcety of bricks the erection of the building is making good progress, and it is intended to open it about the middle of December.”

North Melbourne Advertiser, Vic, Saturday 2nd February 1889, page 3.

Summary – On the evening of Thursday the 31st January 1889, the wife of the minister, Mrs. J. Thompson was entertained on the eve of her intended journey to return temporarily to the old country for the benefit of her health. The going away party was organised by the Flemington congregation at which time she was presented with a small token of sovereigns. After some refreshments many songs were sung, including James Urie’s rendition of ‘Oh, steer my bark.’

North Melbourne, Advertiser, Vic, Saturday 23rd February 1889, page 2.

“It has been decided that the opening services in connection with the new Presbyterian Church at Flemington will take place on Monday 10th March. The denomination has purchased a ‘powerful’ bell, whose tones will no doubt remind the people of the borough of the ‘decent church that tops the neighbouring hill’.

The Argus, Melbourne, Vic, Wednesday 30th April 1924, page 9.

“It has been decided by the congregation of the Flemington and Kensington Presbyterian Church to have a memorial window placed in the church in memory of fallen soldiers of the parish.”

Related posts:

23-07-1890: James Urie (1828-1890)

18-09-1885: James Urieโ€™s house โ€œGlencairnโ€, Wellington Street, Flemington.

Footnotes:

[1] Museum Victoria, Carlton Gardens, Melbourne (accessed 14-08-2014).

[2] North Melbourne, Advertiser, Vic, Saturday 30th June 1888, page 4.

[3] North Melbourne Advertiser, Vic, Saturday 7th July 1888, page 4.

[4] North Melbourne, Advertiser, Vic, Saturday 23rd February 1889, page 2.

[5] The North Melbourne Advertiser, Friday 25th July 1890, page 2

[6] The Argus, Melbourne, Vic, Wednesday 30th April 1924, page 9.


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1873: Christ Church Anglican, Geelong, Victoria.

The John Rendall Morris (1820-1872) Memorial Window.

In October 1872 the committee of Christ Church in Moorabool Street, Geelong, requested the Ferguson & Urie stained glass company of North Melbourne to provide some designs for a memorial window to be erected in the liturgical north transept.

“Members of almost every denomination have contributed to the memorial window which it is proposed to place in Christ Church to the memory of the late Mr. J. R. Morris, the total amount received to date being about ยฃ112. About ยฃ40 more will be required, but, as several friends of the deceased have not sent in their subscription, and as others have intimated their willingness to increase their subscriptions, if found necessary to do so, the committee have requested Messrs Urie and Ferguson to furnish two designs, which are expected to arrive shortly.”[1]

The window was to be a memorial the memory of their much respected Church Warden and Trustee, John Rendall Morris who died aged 53 on the 15th September 1872.

An extraordinary list of prominent citizens of Geelong, including the Mayor, Sir Charles Sladen, was formed as the committee for the erection of the window[2].

By the end of November 1872 a total of ยฃ145 had been subscribed for the window of its reported total cost of ยฃ160[3] and by early December a design by the Ferguson & Urie stained glass company was on public display at the establishment of Henry Franks, stationer and book seller, of Malop Street in Geelong:

“The coloured design for the stained glass window to be placed in the north transept of Christ Church as a memorial of the late Mr J. R. Morris is now being exhibited at Mr Franks’s. In the centre of the design there is a representation of the Transfiguration of our Saviour, Moses and Elias being on either side, and Peter, James, and John underneath as witnesses. In the tracery there are figures of Abraham, Joshua, and David – representative characters of the patriarchs, judges, and kings of Israel. Next are busts of the twelve minor prophets, and on the outer side lights there are figures of the four greater prophets – Isaiah, Jeremiah, Ezekiel, and Daniel.”[4]

On the 23rd of December 1872 a meeting of the subscribers was held at the Market-Square offices of Geelong accountant, George Bowes Fraser (1810-1881)[5] , for the purpose of approving Ferguson & Urieโ€™s proposed design[6].

The extremely ambitious and complex design contains the figures of twenty six prophets and saints and has the memorial text at the base;

โ€œTO THE GLORY OF GOD – AND IN MEMORY OF – JOHN RENDALL MORRIS – CHURCHWARDEN & TRUSTEE – WHO DIED SEPTR 15 1872โ€

Exactly when the window was erected or dedicated in early 1873 has not yet been determined but 140 years later, in November 2013, mindless vandals managed to smash the lower centre area of this window and many others with bricks.

The Caulfield stained glass studio of Geoffrey Wallace is undertaking the repair and conservation work.

Photos taken between 2010 and 2013.

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The twenty six saints and prophets depicted in the window with Christ are:

Top Row:

ABRAM, ISAAC, JACOB, JOSHUA, SAMUEL, DAVID

2nd Row:

JOEL, AMOS, OBADIAH, JONAH, MICAH, NAHUM, ZEPHANIAH, HABAKKUK, HAGGAI, ZECHARIAH

3rd Row:

ISAIAH, MOSES, (CHRIST) IMMANUEL, ELIJAH, EZEKIEL,

4th (bottom) Row:

JEREMIAH, ST JAMES, ST PETER, ST JOHN, DANIEL


John Rendall Morris (1820-1872).

John Rendall Morris was born 23rd January 1820, Islington, Middlesex, England, the son of John Morris and Jane Frances Watkins[7].

As a young man in his early 20โ€™s he immigrated to Australia where, on the 6th of April 1843, he married Annie Wesley Morris nee Howe (c.1824-1866), daughter of a founder of the Sydney Gazette, Robert Howe, at St Lawrence Church, in Sydney[8].

Circa 1852 they moved to Geelong where he was appointed manager of the Bank of Australasia[9]. He was very active in community and church circles and in 1860[10], 1862[11] and 1869[12] he held appointments as Territorial Magistrate for Geelong. In 1861 he was a member of the Committee of Management for the Geelong Infirmary and Benevolent Asylum[13] but known to be involved in some capacity with that institution as early as 1858. He was also a well-respected member of the Anglican Church community and held the position of Trustee and Warden of Christ Church Geelong where his memorial window is located.

On the 5th June 1866 his wife Annie died at the age of 42[14] and two years later he married Priscilla Emily Ryland at Christ Church Geelong, on the 12th November 1868[15].

John Rendall Morris died on the 15th September 1872 aged 53[16]. He was buried at the Geelong Eastern cemetery on the 17th with his first wife Annie, who died in 1866 and second wife Priscilla, who died in 1891[17]. He is not known to have had any children by either marriage.


Significant transcriptions:

Geelong Advertiser, Vic, Tuesday 24th September 1872, page 2.

“It is proposed to place a large stained glass window in the north transept of Christ Church, in memory of the late Mr J. R. Morris, who was a constant attendant at the church, and an indefatigable office-bearer. That the window will be a valuable one may be judged from the fact that the following influential committee has been formed to carry out the object in view, and will receive subscriptions in its aid, viz:- The Hon. C. Sladen, the mayor of Geelong, and Messrs D. C. Macarthur, J. Bell, M. Elliott, E. Morrah, F. G. Smith, J. Galletly, J. Simpson, A. Buchanan, S. V. Buckland, S. A. Bryant, F. Shaw, M.D., J. B. Wilson, M.A., G. F. Belcher, T. C. Harwood, A. Douglass, C. Ibbotson, T. Roadnight, H. Franks, and G. A. Stephen. Mr A. S. Park, of the Colonial Bank, has been appointed treasurer, and Mr. G. Fraser, hon. secretary of the committee.”

Geelong Advertiser, Vic, Friday 18th October 1872, page 2.

“Members of almost every denomination have contributed to the memorial window which it is proposed to place in Christ Church to the memory of the late Mr. J. R. Morris, the total amount received to date being about ยฃ112. About ยฃ40 more will be required, but, as several friends of the deceased have not sent in their subscription, and as others have intimated their willingness to increase their subscriptions, if found necessary to do so, the committee have requested Messrs Urie and Ferguson to furnish two designs, which are expected to arrive shortly.”

Geelong Advertiser, Vic, Thursday 19th December 1872, page 3.

“A MEETING of Subscribers to the Memorial Window to be placed in Christ Church, in memory of the late Mr. J. R. Morris, will be held at the office of Mr. G. B. Fraser, Market-Square, on Monday, 23rd instant, at 4 o’clock, to approve of the design. A. STEELE PARK, Hon. Treasurer.”

Other historic Ferguson & Urie windows in Christ Church:

1869: The Chancel window.

1872: The Anglican Diocese 25th Anniversary window.

Footnotes:

[1] Geelong Advertiser, Vic, Friday 18th October 1872, page 2.

[2] Geelong Advertiser, Vic, Tuesday 24th September 1872, page 2.

[3] Geelong Advertiser, Vic, Saturday 30th November 1872, page 2.

[4] Geelong Advertiser, Vic, Monday 9th December 1872, page 2.

[5] Vic BDM: 4555/1881, age 71. Geelong Eastern Cemetery EAS-COE-OLD-A-807-355.

[6] Geelong Advertiser, Vic, Thursday 19th December 1872, page 3.

[7] Vic BDM: 6921/1872.

[8] The Sydney Morning Herald, NSW, Friday 7th April 1843, page 3.

[9] The Argus, Melbourne, Vic, Monday 16th September 1872, page 5.

[10] Victorian Govt Gazette 58, Friday 11th May 1860, page 881.

[11] Victorian Govt Gazette 140, Tuesday 9th December 1862, page 2507.

[12] Victorian Govt Gazette 1, Tuesday 5th January 1869, page 4

[13] Ninth Annual Report of the Committee of Management, Geelong, 1861.

[14] The Argus, Melbourne, Vic, Wednesday 6th June 1866, page 4.

[15] The Argus, Melbourne, Vic, Monday 7th December 1868, page 4.

[16] The Argus, Melbourne, Vic, Tuesday 17th September 1872, page 4.

[17] The Argus, Melbourne, Vic, Friday 16th October 1891, page 1.

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1873: St Thomas’ Catholic Church, Drysdale, Victoria.

The original St Thomas Catholic Church in Drysdale was built in 1855 to the designs of architect Richard Abraham Dowden (1829-1868).

It was constructed by Simmie & Mclachlan [1] and was officially opened in 1856.

In June 1873, architect Andrew Williams advertised for tenders for the enlargement of St Thomas [2] and by the end of July significant portions of the south end (liturgical east) were removed to make way for a new chancel, transept and vestry [3].

By October of 1873 a new three light window depicting the Crucifixion was erected in the new chancel by the Ferguson & Urie stained glass company of North Melbourne.

On the 8th of October 1873 a Geelong Advertiser reporter going by the name โ€œG.D.Pโ€ wrote:

โ€œโ€ฆI noticed extensive improvements at the Roman Catholic Church, and was told that a splendid new chancel window was being put in by the celebrated firm of Ferguson, Urie and Lyon, of North Melbourne. I had not time to look at it, but a friend at Drysdale told me it was worth a visitโ€ฆโ€[4]

Photos taken 19th June 2014.

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Ifย  โ€œG.D.Pโ€ had actually seen the window for himself in 1873 then it would certainly have been well worth the visit as his friend had stated.

The three light window still exists in remarkably good condition to this day despite some significant paint loss and water damage in the top third of the window. It is an unmistakeable and typical 1870โ€™s Gothic design by the Ferguson & Urie stained glass company of North Melbourne.

The centre light of the window depicts the Crucifixion. The upper region of the window contains the triquetra symbol which is synonymous with the trinity. Beneath this, on the left, is the Pelican in the act of self sacrifice feeding blood from her chest to her young and on the right is the Paschal Lamb or โ€˜Agnus Deiโ€™ carrying the victory banner.

The left and right lights contain the โ€œArma Christiโ€ or โ€œInstruments of the Passionโ€ representing the tools and weapons used in Christ’s Crucifixion.

In the left light, at the top, is the scourging or flagellation post and at the bottom are the crown of thorns and the three nails used to affix Christ to the cross.

In the right light, at the top are other tools used to in the Crucifixion, the hammer, pincers, the sponge on the reed, lance, whips and the three dice that the soldiers used to draw lots to see who would gain Christ’s seamless garment. At the bottom of the window is the Holy Chalice.

The centre light contains the figurative scene of Christ being crucified and beneath his feet is the monogram โ€œI.H.S,โ€ being the first three initials for Christ in Greek.

The whole of the arrangement is filled in with a background of Gothic floral designs using the bold primary colours with alternating borders of red and blue separated by a white or yellow flower.

On the 28th of July 2010 the new modern St Thomas Church, in Peninsula Drive, was officially opened by Archbishop Denis Hart.[5]

The original old St Thomas Church in Wyndham Street, Drysdale is now privately owned and forms part of the Drysdale Grove Nursing Home complex.

Significant transcriptions:

Geelong Advertiser, Vic, Wednesday 8th October 1873, page 3.

“FROM GEELONG TO PORTARLINGTON.

On a short journey for health I took my way to one of my old and favourite places of retreat – Portarlington, and send my jottings of men and things as picked up by bits and scraps from conversation and observation. And first I am sure you will be glad to learn that on my whole journey from Geelong through Drysdale the country looked splendid; crops never looked better even in the best seasons of the past; and the roads โ€“ some portions are good, very good; some middling, and part execrable – I believe that is the word. Has the Shire Council not funds to metal the plank road – that abomination of travellers. When driving over it on a very dry day you think every bone in your body will be rattled away from the flesh; and the vehicle! it is a trial to coachmakers – springs, bolts, nuts, shafts, and all fixings are tested. Further on, near the Roman Catholic Church there is a jolting quagmire and pits. The metal is good again after this until you get on another spongy piece, and so it is the remainder of the way through this rising township to Portarlington, alternate clay road and stretches of metalling. On nearing Drysdale I was gratified with a sight of that splendid sheet of fresh water, called Lake Lorn, formed by the shire council by throwing up a bank across the outlet and macadamising the top of the bank. Around this inland lake the land has been selected, and the settler’s improvements are progressing rapidly. The margin for about 200 feet around the water has been reserved by Government, and is studded with large eucalypti, rendering the whole not unlike an old park lake of Britain. Drysdale has improved; the cottage building is of a more comfortable and pleasing style than I saw here three years ago. I noticed extensive improvements at the Roman Catholic Church, and was told that a splendid new chancel window was being put in by the celebrated firm of Ferguson, Urie and Lyon, of North Melbourne. I had not time to look at it, but a friend at Drysdale told me it was worth a visit. The shire hall is now civilised looking. The trees and shrubs have grown in a belt, and the old store like appearance has been altered by some additions and pinnacled gables. It is certainly not the wretched thing it was, but it wants renewing – stock, lock, and barrel – to suit the improvements around. The Buck’s Head is improved in appearance, a new orderly-room for the Drysdale Artillery has been erected on a vacant piece of ground, and some new shops have been built. I was greatly pleased with the new English Church, a pretty building with stained glass windows, about a quarter of a mile from the Buck’s Head. This being on the road side, I took a look inside, and was fairly astonished, everything was different to what I had seen in similar places, but suitable. The benches low, with kneeling-board, the book boards under the seats, and the back rails levelled off to rest on during prayer. There is no “wine glass” pulpit but a convenient service stand for the minister; the table is covered with a short fringed cloth; and the front of table, desk front, chancel arch, walls, and window-bays, is hung on painted with texts. The stained window in the chancel has the centre piece, the women at the tomb after the Resurrection, and the words “He is not here, He is risen,” underneath. The nave windows are filled with thick cathedral and colored glass. The whole work is tasty and reflects credit on the congregation. After leaving the church I got on my way to Portarlington again, but as there is a good deal to say about the improvements and appearances here, I will send you the remainder in a day or two, describing the schools, and jetties, &c., and perhaps some rare characters I have met with but who have not yet figured on the boards, till then I hope to sign myself. G.D.P.”

 

Footnotes:

[1] http://vhd.heritage.vic.gov.au/reports/report_place/21576 (accessed 1 June 2014)

[2] Geelong Advertiser, Vic, Thursday 12th June 1873, page 3.

[3] Geelong Advertiser, Vic, Monday 28th July 1873, page 3.

[4] Geelong Advertiser, Vic, Wednesday 8th October 1873, page 3.

[5] Kairos: Volume 21, Issue 15, 2010.

 

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1872: Christ Church Anglican, Geelong, Victoria.

The 25th Anniversary Window.

The second historical Ferguson & Urie stained glass window to be erected in Christ Church at Geelong was a three light Gothic decorated design by the company’s senior stained glass artist and partner John Lamb Lyon. It was erected in the liturgical north side of the nave in Christ Church circa August 1872 which was a year before Lyon departed the firm for his own ventures in Sydney.

The instigator for the erection of this window was the Parish Incumbent, Canon George Goodman, who served as Vicar of Christ Church and other ecclesiastic appointments for 51 years from 1855 to 1906. His wife Margaret is credited with the momentum and collection of subscriptions for the window, which cost ยฃ50 with a further ยฃ5 required for its wire protection.

The three light window was erected to commemorate the twenty-fifth anniversary of the Melbourne diocese and Prelacy of Bishop Charles Perry [1]. It depicts the biblical images of the alter egos of the four evangelists, with the Agnus Dei or Paschal Lamb in the centre light carrying the victory banner.

All of the text on the window is in Latin and the text at the base loosely translates as:

โ€œFeast of St Peter’s Day (29th of June) 1872. Episcopate of Melbourneโ€™s 25th yearโ€.

Photos were taken between 2010 and 2013.

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Geelong Advertiser, Vic, Friday 16th August 1872, page 2.

โ€œA few weeks ago it was mentioned that Mrs. G. Goodman was actively bestirring herself collecting subscriptions for an ornamental window, which it was proposed should take the place of a window on the north side of Christ Church, through which the summer sun occasionally shone too powerfully. In addition to this she is desirous that a memorial window should be placed in the church to commemorate the twenty-fifth anniversary of the Right Rev. Dr. Perry’s prelacy. The sum required was ยฃ55, not much in itself, but large when the many calls that are being made upon the congregation are taken into consideration, and unassisted, Mrs Goodman accomplished her task. A window was ordered of Messrs Ferguson, Urie, and Lyon, of Melbourne. The artistic talents of Mr Lyon, who has lately returned from following medieval studies in the various cathedrals of Europe, were called into requisition, and the result was that during the past week a window has been placed in Christ Church that cannot fail to be admired. Many may consider there is a preponderance of green about it, but this colour was deemed the best for the powerful sun to shine through. The window, which is of the early decorated order, consists of three light, with two quatrefoils and a small oblong in the arch. The groundwork is a combination of faint yellow, with passion flowers outlined in black, so as to give a greenish hue, which as before hinted, subdues the glare of the northern sun. In a centre light, in a ruby ground, is the lamb and flag emblem of the Agnus Dei, within a vesica piscis. Four circular medallions with green borders are placed in the centre and side lights, so as to combine with the vesica in a cruciform arrangement, containing emblems of the four evangelists, viz.- the human face for St. Matthew, the lion for St. Mark, the ox for St. Luke, and the eagle for St. John. The wings of these emblematic creatures are of a cold blue, edged with green, to act as a foil to the bright ruby and violet distributed over the window. The inscription intimates that the window is erected in honour of the completion of the 25th year of the diocese of Melbourne, bearing date St. Peter’s Day (June 29th), 1872. The words of the inscription, like those of the evangelists’ names and of the Agnus Dei, are in Latin – “Festo S. Petri, MDCCCLXXII, Episcopatur Melbornsi, XXV annos condito.” The net cost of the window was ยฃ50, but ยฃ5 more was required for protecting it with wire.”

The instigators for the erection of the window:

Margaret Elizabeth Goodman (nee Mortlock 1821-1901) was former governess for the Marquis of Normanby and married Anglican clergyman George Goodman (1821-1908) in St. Brideโ€™s, Fleet Street, London on the 1st July 1853. Just over three weeks later they departed Bristol for Australia aboard the โ€˜Corfieldโ€™ on the 23rd July 1853 and arrived in December of 1853[2].

Margaret died 26th September 1901 aged 80 and Canon George Goodman died 25th June 1908 at the age of 87. Both were interred in the Geelong Eastern Cemetery along with four of their children [3] – [4].

Of Christ Church itself, it is the only Church in Victoria designed by architect Edmund Blacket. It was opened and dedicated on the 27 June 1847 and consecrated on 25 October 1859.

Other references:

NLA Obituary: Geelong Advertiser, Vic, Friday 26th June 1908, page 3.

Australian Dictionary of Biography: Canon George Goodman (1821-1908).

Other Ferguson & Urie windows in Christ Church:

Other Ferguson & Urie stained glass windows in Christ Church include the Chancel window (c. Nov 1869) and the ‘John Rendall Morris’ memorial window in the liturgical north transept (c.1873).

Footnotes:

[1] Geelong Advertiser, Vic, Friday 16th August 1872, page 2.

[2] http://www.archerfamily.org.uk/family/goodman.htm (accessed 6 Jul 2014). Note: This reference can not be substantiated from any shipping registers.

[3] Geelong Cemetery Register: 5967, EAS-COE-OLD-A-807-051

[4] Geelong Cemetery Register: 4709, EAS-COE-OLD-A-807-072

 

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1881: St Michael and All Angel’s, Porangahau, New Zealand.

The ongoing research to find extantย Ferguson & Urie stained glass has revealed many of their works of art in remote locations, sometimes thousands of kilometres from the companyโ€™s workshops in North Melbourne.

The latest discovery is in the tiny township of Porangahau on the South East coast of New Zealandโ€™s North Island. The Anglican church of St Michael and All Angels in Porangahau is now the sixth location in New Zealand found to contain an historic Ferguson & Urie stained glass window. This window is the only one known to have been created by the company as a memorial to a soldier who died in an armed conflict in the Antipodes.

Photos:ย  From St Michaels, Porangahau, NZ, Janice Ball, New Zealand 11th March 2014.

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The idea for a memorial stained glass window in St Michaelโ€™s was conceived as early as 1878 when the Porangahau congregation began to raise subscriptions to build the church.

On the 22nd of July 1878 it was reported that a local land owner by the name of John Davis Canning had presented ยฃ125 towards the cost of a stained glass window to be erected in memory of his brother, Davis Canning, who fell in action at Ruatikuri during the Maori Wars on the 8th August 1868[1].

Two years later, in September 1880, a tabloid correspondent described the progress of the church construction and of the stained glass window they wrote:

โ€œโ€ฆThe effect, seen when sunlight falls on it, is grand, and the chiaroscuro well defined – in fact the whole would do credit to a large old world cathedral, and is, I believe, not equaled in this colony. It is grand – more cannot be saidโ€ฆโ€[2]

St Michaelโ€™s was consecrated on Friday 11th February 1881 by the Bishop of Waiapu and the following Tuesday the Hawkeโ€™s Bay Herald described the three light stained glass window in great detail. The Ferguson & Urie stained glass company of Melbourne were explicitly mentioned as the firm who made it;

โ€œโ€ฆOne great feature, internally is a large stained-glass east window, containing three lights and tracery. The subjects are the baptism of our Lord, the Crucifixion, and the Resurrection. The draperies about the figures are of the richest quality of antique glass the colors being so arranged as to blend harmoniously, while all crude or harsh coloring is avoided. The background is light grisailler work, so subdued as to make the subjects stand out prominently. On the lower panels and in the tracery are suitable emblems and monograms. The general effect is exceedingly rich and handsome. Beneath it is a brass plate bearing the following inscription:- “This window is erected by the family, in memory of Davis Canning, gent., who fell in action at Ruatikuri, 8th August, 1868 whilst leading the advanced guard,” The window is from the firm of Ferguson and Urie, Melbourneโ€ฆโ€ [3]

The precise description of the window given in 1881 matches that of the east window in St Michaelโ€™s today. The photographs taken by Janice on the 11th March 2014 leave absolutely no doubt that it is the work of Ferguson & Urie, but there is a strange anomaly with this window that appears to have gone undetected for possibly fifty years or more!

Beneath each of the biblical scenes is a reference to a chapter and verse from St Mark in the King James Bible which would aptly describe the event depicted above but the chapter and verse beneath the first two are under the wrong windows!

The reference under each window is currently shown as;

โ€œMark c.15 v.25โ€ โ€“ (โ€œAnd it was the third hour, and they crucified him.”) This reference is located under the first window on the left which depicts Jesus being Baptised by John in the River Jordan. Below this is the Lamb of God or โ€˜Agnus Dei,โ€™

โ€œMark c.1 v.9โ€ โ€“ (โ€œAnd it came to pass in those days, that Jesus came from Nazareth of Galilee, and was baptised of John in Jordanโ€). This reference is located under the centre window depicting Christ being crucified. Below this is the Pelican in the act of self-sacrifice feeding its own blood to her young.

โ€œMark c.16 v.6โ€ โ€“ (โ€œAnd he saith unto them, Be not affrighted: Ye seek Jesus of Nazareth, which was crucified: he is risen; he is not here: behold the place where they laid himโ€). This reference is, correctly, located under the right window depicting Christ emerging from the tomb in the Resurrection. Below this is the phoenix rising.

Logically, the reference โ€œMark c.15 v.25โ€ should be under the centre window depicting the Crucifixion and โ€œMark c.1 c.9โ€ should be under the first window depicting the Baptism.

On the 27th Feb 2014, descendant Davis Canning wrote:

โ€œIt [the window] was completely redone (removed, repaired, releaded and reinstalled, rededicated etc) in the early 1960โ€™s I think and was in good condition even then. I was responsible for the complete restoration of the church in 1998 and the east window was in such good condition it did not need any work done on it. I think it is still sound and has an exterior cage over it so it is not damaged by bird strikeโ€ฆโ€

The 1960โ€™s restoration would seem to be the most likely point in time that the pieces of the window with the bible verses were re-installed in the wrong order. It could be argued as to whether the lower scenes depicting the Lamb and Pelican are also under the wrong scenes, meaning that possibly the entire lower sections of the window have been swapped.

Itโ€™s not known whether there had been any other restoration work done on the window prior to the 1960s, but most historical stained glass windows usually require some significant conservation work every fifty years or so depending on their level of exposure to the weather.

There have probably been many events in the last 130 years that could have decided the fate of this historical window. Its most recent miraculous escape from disaster occurred in December 2011 when a fire broke out in the church and destroyed the altar. Fortunately, the fire was contained to the altar space only and there was no reported damage to the window[4].

Every step of the research draws you deeper into the history of the window. It’s not just a remarkable piece of work by the Ferguson & Urie stained glass company, it has a story to tell of its own, apart from the biblical one, such as who was it dedicated to and who was the donor? There is also the remarkable coincidental link to another memorial stained glass window to the Canning brothers on the other side of the world which I’ll explain further on.

John Davis Canning (1822-1883)

John Davis Canning (1822-1883) was the donor of the stained glass window at St Michaelโ€™s in Porangahau.

He was born at Ogbourne, St Andrews, Wiltshire, in 1822 and arrived at Port Cooper (Lyttelton), New Zealand aboard the โ€œCornwallโ€ on the 10th December 1851with another brother, Charles[5]. He later proceeded to Hawkeโ€™s Bay circa 1852 where he took up โ€œOakburne” located between Waipukurau and Porangahau.

On the 1st of July 1863, he was commissioned to the rank of Ensign in the New Zealand militia[6] and on the 4th of May, the following year was promoted to Lieutenant[7].

The years 1868 and 1869 were tumultuous times for John Davis Canning. In November 1867 his mother Elizabeth (nee Tanner) died aged 74 at Weyhill near Andover[8] and in August 1868, at the height of the Maori wars, his younger brother Davis rode off to join Colonel Whitmoreโ€™s troops in the hunt for the Hauhaus and was killed at Ruakaturi on the 8th August 1868.

Just over two weeks after the death of his brother he married Elspeth McQueen (1837-1920) at Mangatarata farmstead in the central Hawkeโ€™s Bay area.[9]

Between 1869 and 1872 John and Elspeth had three children but Elspeth became ill and was invalided back to Wiltshire for the benefit of her health. In 1881 John began to make arrangements for his return to England to visit Elspeth and in mid-February of 1881, he placed advertisements in the newspapers to sell a number of his short horn cattle, draught horses, and Cotswold rams at public auction[10]. By late March he was temporarily residing at the Hawkeโ€™s Bay Club in Napier and on the 28th of March he advertised that was looking for a suitable house in Napier for short-term lease;

โ€œWANTED, in eligible situation, with a good view and a desirable situation on the hills, a Commodious House (furnished), with good garden and grounds, for a period of at least three months. Apply, stating particulars, to John Davis Canning, Hawkeโ€™s Bay Club, Napier. 28th March, 1881โ€[11]

On the 24th of October 1881 he resigned his commission as a Justice of the Peace[12] and shortly after returned to England. His health declined over the following two years and he died at Marlborough on the 20th September 1883 aged 61. [13]

โ€œNews has been received by cable of the death of Mr John Davis Canning at Marlborough, England, on Thursday last. Mr Canning was one of our earliest settlers arriving about 1855 [sic]. At one time he was in partnership with Mr John Harding in the Mount Vernon run, and on dissolving the partnership Mr Canning for some time occupied part of Mr Tiffenโ€™s Homewood run, subsequently removing to Wallingford, where he acquired a considerable tract of native land. There he resided until he left for England, about two years ago. Mr Canning was an excellent judge of stock, and his importations, especially of shorthorns and horses, did much to improve the stock of Hawkeโ€™s Bay.โ€[14]

John was buried in the Ogbourne, St Andrewโ€™s Churchyard in Wiltshire. His gravestone still exists and although the memorial text is fading with time it still can be read;

“John Davis CANNING, Who died Sept 20th 1883, Aged 61 years.”

PORANGAHAU Ogbourne St Andrews 01a

(click for full image)

In 1884 his sister Elizabeth commissioned a stained glass window to be erected in St. Andrewโ€™s in Memory of her brothers John and Davis. Legend has it that the window in St Michaelโ€™s at Porangahau was a copy of the window in St Andrewโ€™s in Wiltshire:

“The east window at St Michael and All Angels Anglican Church in Porangahau was given by the family in his memory and is a copy of the window in the church at Ogbourne, St Andrews…”[15]

Unfortunately, this legendary tale is not true. The stained glass window at St. Andrews in Wiltshire was erected three years after the window at St Michaelโ€™s at Porangahau in New Zealand and it doesnโ€™t follow the same biblical theme, or resemble the figurative work in any way whatsoever.

The memorial text on a brass plaque at the foot of the Canning memorialย  window at St Andrewโ€™s church in Wiltshire reads;

“TO THE GLORY OF GOD AND IN LOVING MEMORY OF JOHN DAVIS CANNING WHO DIED SEPT 20th 1883 AGED 61, ALSO DAVIS CANNING WHO DIED AUGUST 8th 1868 AGED 39. THIS WINDOW IS DEDICATED BY THEIR SISTER, ELIZABETH MARY MOORE, A.D. 1884.”

PORANGAHAU Ogbourne St Andrews 02a

(click for full image)

The upper half of the window at St Andrewโ€™s depicts four women representing โ€œFortitudoโ€ (Fortitude), โ€œTemperantiaโ€ (Temperance), โ€œJustitiaโ€ (Justice), and โ€œSapientiaโ€ (Wisdom).

The scenes in the lower half of the window depict what I believe are four of the acts from the Corporal Works of Mercy. On the other side of the world, the Ferguson & Urie window at Porangahau in New Zealand depicts Baptism, Crucifixion, and Resurrection.

Johnโ€™s wife Elspeth eventually made a full recovery in England and in the early 1890s returned to New Zealand where she resided at Napier in good health into her advanced years[16].

Elspeth died in New Zealand in 1920 at the age of 86[17].

Davis Canning (1829-1868)[18]

The Ferguson & Urie stained glass window in St Michaelโ€™s is a memorial to Davis Canning, the younger brother of John Davis Canning.

When Davis actually arrived in New Zealand is not known, but can reasonably be assumed to be 1852 or later. His brothers John and Charles arrived aboard the โ€œCornwallโ€ from England in December 1851 but Davis was not listed as a passenger on the same ship with them.

Davis resided at “Oakburne” near Porangahau with his brother John. At the age of 39 he was described as a โ€œyoung man full of adventure.โ€[19] It was probably inevitable that this adventurous spirit would lead him to joining the militia. Sometime in late September or early August 1868 he rode off and joined Colonel Whitmoreโ€™s government forces to fight against the Hauhaus led by the Maori rebel โ€œTe Kooti Arikirangi Te Tลซruki.โ€

On the 8th August 1868, during a battle at Ruakituri, Davis Canning and a Captain Oswald Carr were shot dead[20];

โ€œโ€ฆOn the 8th the force was well up the gorge-like valley of the Ruakituri, and the advance-guard led by Mr. Davis Canning, a gallant settler from Hawke’s Bay, was hot on the trail of the Hauhaus, who were heard shooting pigeons in the distance. Early in the afternoon Captain Carr (Hawke’s Bay), who had been an officer in the Royal Artillery, reconnoitered through the bush along the river-bank, and reported that the Hauhaus were halted a short distance up the river. The swift and ice-cold river was forded several times and the European and Maori force advanced to the attack. Captain (afterwards Colonel) Herrick with part of the force moved on to take the Hauhaus in flank and reverse, and when his men were in position Whitmore directed the advance-guard to push forward. It was soon driven back, leaving both Canning and Carr dead on the field. The former was shot dead while gallantly leading the menโ€ฆโ€[21]

Ten years later, in July 1878, his older brother John Davis Canning subscribed the amount of ยฃ125 towards a stained glass window to be erected in memory of his brother in the yet to be erected St Michaelโ€™s Church at Porangahau[22]. In September of the same year the Hawkeโ€™s Bay Herald reported something similar but with a differing cost for the window;

โ€œโ€ฆJ. D. Canning, Esq., of Oakbourne, has given a superb stained glass window of the value of ยฃ150โ€ฆโ€[23]

St Michaelโ€™s was consecrated by the Bishop of Waiapu in 1881 and the Ferguson & Urie stained glass window to the memory of Davis Canning still exists to this day.

Beneath the window is a brass plaque inscribed:

“This window is erected by the family, in memory of Davis Canning, gent., who fell in action at Ruakituri, 8th August, 1868 whilst leading the advanced guard.”

Another memorial to Davis appears at Ruakituri Cemetery Reserve near Wairoa. A brass plaque is mounted on a rock cairn in memory of Davis Canning[24] and Canning family lore has it that this plaque went missing after a flood in the late 1800โ€™s and was missing for over a century until being found in the 1980โ€™s-90โ€™s in a creek bed two miles away.

The plaque has the wording:

โ€œIN MEMORY OF DAVIS CANNING, KILLED IN ACTION 8th AUGUST 1868โ€.
โ€œNE CEDE MALIS SED CONTRAโ€
[25]

(Latin: โ€œYield not to misfortunes, but advance all the more boldly against themโ€)

Significant historical newspaperย  transcriptions:

Hawkeโ€™s Bay Herald, NZ, Vol 12, Issue 969, 15 August 1868, page 3.

โ€œIMPORTANT FROM THE FRONT. SEVERE ENGAGEMENT BETWEEN FORCES UNDER COL. WHITMORE AND EX PRISONERSโ€ฆ

โ€ฆWe deeply regret to add that among the killed were Capt. Carr of Petane and Mr. Davis Canning, two esteemed settlers of this provinceโ€ฆโ€

Star, NZ, Issue 97, 4th September 1868, page 3.

“…The advance guard, comprising several of the armed constabulary, and led by Captain Carr and Mr. Canning, advanced to the front of the enemy’s lines and were on the eve of carrying the position when the hau-haus poured in a hot fire, which forced them to take cover. The action then commenced hot on both sides; and in another attempt to charge the position, Mr Canning and Captain Carr lost their lives…”

Hawke’s Bay Herald, NZ, Vol XXI, Issue 5133, Monday 22nd July 1878, page 2

“Our Porangahau correspondent writes: – The need of a church has long been felt and numerous gentlemen having promised subscription to the amount of ยฃ365, it is hoped that the good work will speedily be accomplished. It is proposed that the sum of ยฃ600 be collected for the above purpose, exclusive of the sum of ยฃ125 presented by J. D. Canning, Esq., of Oakbourne, for a stained glass window, in memory of his brother, the late Mr Davis Canning. A series of concerts are to be given for the purpose of raising funds to furnish the sum required. The following gentlemen have already subscribed:- J. Nairn, ยฃ100; George hunter, ยฃ50; J. D. Ormond, ยฃ50; Rev S. Williams, ยฃ50; A. St. Hill, ยฃ10; J. White, ยฃ50; T. Spencer, ยฃ5; Trust Fund, ยฃ50. Total ยฃ365.”

Hawkes Bay Herald, NZ, Vol XXI, Issue 5792, 13th September 1880, page 3.

โ€œPORANGAHAU

[FROM AN OCCASSIONAL CORRESPONDENT]

WAINUI, September 10.

By favour I was permitted to see the memorial window which has just been put in at the Porangahau Episcopalian Church, now in course of erection. As I understand, it was presented by Mr John D. Canning, of Oakbourne, in memory that gentleman’s late brother, Mr Davis Canning, and as a work of art it does great credit tothe artist, and as much to the selector of the design. It is in the mediaeval style, Gothic, with teinte brilliante of the Rennaissance. The effect, seen when sunlight falls on it, is grand, and the chiaroscuro well defined – in fact the whole would do credit to a large old world cathedral, and is, I believe, not equalled in this colony. It is grand – more cannot be said.
Although the church is by no means finished, yet, as far as the work has gone, it is a great credit to the contractor, Mr Holt, of Napier, and also to his foreman of works, Mr. Wm. Smith, for, though I am no judge of builder’s work, I profess to distinguish between conscientious, well finished, straight forward labor, and work done in a slovenly style – and the former is the case with the church. As far as it is finished the work is solid, and, what is more, the acoustic properties promise to be good. To sum up, the work, when finished, will be, and ought to be, a credit to so small a place as Porangahau.”

ย Hawke’s Bay Herald, Vol XXI, Issue 5906, 15th February 1881, page 3.

ย “CONSECRATION OF PORANGHAU CHURCH.

ย On Friday last the new church at Porangahau was consecrated by the Right Rev. the Bishop of Waiapu. The design of the building is striking. It consists of a nave, chancel, tower with spire, and a commodious vestry. It is seated for 100 persons, but there is space for additional seating accommodation when required. One great feature, internally is a large stained-glass east window, containing three lights and tracery. The subjects are the baptism of our Lord, the Crucifixion, and the Resurection. The draperies about the figures are of the richest quality of antique glass the colors being so arranged as to blend harmoniously, while all crude or harsh coloring is avoided. The background is light grisailler work, so subdued as to make the subjects stand out prominently. On the lower panels, and in the tracery are suitable emblems and monograms. The general effect is exceedingly rich and handsome. Beneath it is a brass plate bearing the following inscription:- “This window is erected by the family, in memory of Davis Canning, gent., who fell in action at Ruatikuri, 8th August, 1868 whilst leading the advanced guard,” The window is from the firm of Ferguson and Urie, Melbourne. The services on Friday were three in number, those in the morning and evening being attended by the European settlers, that in the afternoon by the Porangahau natives. The Bishop preached in the morning, and the Rev. De Berdt Hovel in the evening. The Revs’ S. Williams, J. Shearman, and F.E.T. Simcox (the incumbent of the parish) were also present and took part in the ceremonies. The offertories amounted to ยฃ31. The church, which is dedicated to St. Michael, was designed by Mr B. W. Mountfort, of Christchurch, the contractor for the work being Mr Robert Holt, and the builder Mr W. Smith, of this town. The building reflects great credit on all concerned in its arection, [sic] and is by far the prettiest ecclesiastical edifice to be seen in the country districts of Hawke’s Bay. The furniture is exceedingly good of its kind, the silver fount [sic]having been given by Mr. J. Nairn, of Pourerere, and the embroidered chancel mat by Mr C. A. M. Hirtzel. The site upon which the church stands was presented by Mrs T. Crosse, of Mangamari.โ€

Dominion, NZ, Vol 4, Issue 1031, 21st January 1911, page 16.

“Oakburne,” the residence of Mr. Davis Canning, is one of the prettiest homesteads on the road between Waipukurau and Porangahau. It lies a few miles past Wallingford, and on an eminence which admits of a splendid view of the surrounding country. At the back of the residence is a fine plantation of pine trees, while farther down is a big orchard of six hundred trees, some of which are over forty years old. The name of Canning is inseparably linked with the agricultural and pastoral history of Hawke’s Bay. Mr. John Davis Canning, father of Mr. Davis Canning, was one of the early stock-breeders in the district when there were few such, and it is he who gave a lead in the system of using nothing but the best stock. He was one of the exhibitors at the first agricultural and pastoral show held at Havelock North, and he specialised not only on Short-horn cattle and sheep, but also in horses, pigs, sporting dogs, and fowls. A man of very broad and enlightened views, and with an earnest sympathy, which endeared him to all who had the good fortune of his acquaintance, John Davis Canning is described by contemporaries as one of the finest types of the pioneer settlers who built their homes out in the wilderness. In his early days he was a colleague of the late John Harding, of Mount Vernon, and was employed by that equally strenuous pioneer some time in the fifties. Mr. Canning came to New Zealand in 1851, in the good ship Cornwall, and he took up “Oakburne,” about half a century ago, and held big Native leasehold sections, which aggregated 40,000 acres. He was married in 1868 to a daughter of Mr. McQueen, of Inverness. A bereavement clouded the happy memories of his first years of married life at “Oakburne,” It was in 1867 or 1868 and the Maori troubles were blazing in their insurrectionary outbursts. Davis Canning, who resided at “Oakburne” with his brother, was a young man full of adventure. He was smitten with the fever, and one evening rode away with a captain’s commission, through to Napier and on to Poverty Bay, where he was shot dead with Captain Carr at Ruakaturi. It appears that both he and Captain Carr were the victims of their own rashness, and in these days of militarism and threatened war it is interesting to record in what a simple manner two lives were thrown away.

Mr. John Davis Canning.

It is interesting to record some further particulars of Mr. John Davis Canning. He was born at “Ogbourne,” St Andrew, Marlborough, Wiltshire, England, in the year 1822, and was the son of the late M. Davis Canning. The Cannings of “Ogbourne” and of “Oakbourne,” in Hawke’s Bay, are a branch of an old English family of which Lord Canning, a former Viceroy of India, was a member. Mr. John Davis Canning was educated in his native place. He landed first at Lyttelton, and then came up to Hawke’s Bay, where he afterwards selected the present fine property. He introduced the Cotswold variety of sheep, and spent lavish sums of money on good stock. Amongst his horse importations was the draught stallion Dugdale, said to be the finest of his class. In 1883 Mr. Canning went to England to see his wife, who had been invalided there, but the trip resulted in his death. It is satisfactory to record in the face of this severe bereavement that Mrs. Canning regained her health some eight years later, that she returned to New Zealand, and that she now resides in Napier, in very good health.

Mr. Davis Canning.

Mr. Davis Canning, the present owner of “Oakburne,” was borne there, but was educated at the Marlborough Grammar School and at Clifton College, where formerly, by the way, Mr. James Allan, M.P., received some of his first instruction. Mr. Canning went to Clifton College in 1885, and left in 1891. He was an enthusiastic out-door sportsman, and got his cap both for football and cricket, and still takes a keen interest in those pastimes. After leaving England he resided for a time at Hastings, “Oakburne” having been leased, but when the lease expired he returned to his home, and took up the study of farming and agricultural matters with the same keen interest which was evidenced in such a marked degree by his father…”

Acknowledgements:

My thanks to:

My cousins Janice and Cleeve Ball for following up on the clues in New Zealand and undertaking the long trip to Porangahau to meet the Canning descendants and photograph the window.

To Davis Canning for the email correspondence and additional clues on the Canning family history in the Hawke’s Bay New Zealand.

To Duncan & Mandy Ball in England for the correspondence and photos from Ogbourne, St Andrew’s, Wiltshire.

ย 

Footnotes:

[1] Hawke’s Bay Herald, Vol XXI, Issue 5133, Monday 22nd July 1878, page 2.

[2] Hawkes Bay Herald, Vol XXI, Issue 5792, 13th September 1880, page 3.

[3] Hawke’s Bay Herald, Vol XXI, Issue 5906, 15th February 1881, page 3.

[4] Hawke’s Bay Today, NZ, On-line edition, Saturday 24th December 2011.

[5] Lyttelton Times, NZ, Vol 1, Issue 49, 13th December 1851, page 5.

[6] Hawke’s Bay Herald, NZ, 27th Jul 1863, page 1.

[7] Hawke’s Bay Herald, NZ, Vol 7, Issue 494, 28th May 1864, page 4.

[8] Nelson Evening Mail, Volume III, Issue 27, 1 Feb 1868, page 2.

[9] Evening Post, NZ, Vol IV, Issue 175, 5th September 1868, page 2.

[10] Daily Telegraph, Issue 3009, 16th February 1881, page 3.

[11] Hawke’s Bay Herald, Vol XXI, Issue 5933, 29th March 1881, page 1.

[12] Daily Telegraph, Issue 3219, 24th October 1881, page 2.

[13] Daily Telegraph, Issue 3804, 20th September 1883, page 2.

[14] Hawkeโ€™s Bay Herald, Vol XXI, Issue 6662, 25th September 1883, page 2.

[15] Matatoa: Fathers & Sons, Hilary Pederson, Te Hanganui Partnership 2011.

[16] Dominion, NZ, Vol 4, Issue 1031, 21st January 1911, page 16.

[17] NZ BDM record 1920/5550.

[18] Date of birth 11th July 1829: From Canning family bible. (detail from descendant Davis Canning , via email Janice Ball 26 Feb 2014)

[19] Dominion, NZ, Vol 4, Issue 1031, 21st January 1911, page 16.

[20] Hawkeโ€™s Bay Herald, Vol 12, Issue 969, 15 August 1868, page 3.

[21] The New Zealand Wars: A History of the Maori Campaigns and the pioneering Period: VoL II: The Hauhau wars, (1864-72), Chapter 25.

[22] Hawke’s Bay Herald, Vol XXI, Issue 5133, Monday 22nd July 1878, page 2.

[23] Hawkeโ€™s Bay Herald, Vol XXI, Issue 8192, 30th September 1878, page 2.

[24] http://www.mch.govt.nz/nz-identity-heritage/national-monuments-war-graves/list-historic-graves-and-monuments

[25] http://www.mch.govt.nz/nz-identity-heritage/national-monuments-war-graves/list-historic-graves-and-monuments


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1870: The Convent of Mercy, Albury, New South Wales.

The Convent of Mercy at Albury, New South Wales, has remnants of original Ferguson & Urie stained glass. The main entrance doors originally contained the figures of St Bernard and St Bridget with the Virgin and child in the window above the doorway.

The convent was formally opened on the 4th February 1870 by the Bishops of Bathurst and Maitland and the Freemans Journal of 19th February published very a detailed account of the proceedings.

In December 2013 Fr. Joel Wallace sent me some photos of the entrance windows and the stained glass above the doorway appears to be the most intact. The St Bridget window in the right door panel looks to have had multiple fractures over the last 144 years and there is evidence of many additional lead lines introduced to arrest the past damage. The St Patrick window in the left doorway unfortunately no longer exists.

Photos were kindly supplied by Fr. Joel Wallace, 13th December 2013.

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Freemanโ€™s Journal, Sydney, NSW, Saturday 19th February 1870, page 10.

โ€œOPENING OF THE CONVENT OF MERCY, ALBURYโ€
(From a Correspondent)

โ€œOn Friday, the 4th February, their Lordships the Bishops of Bathurst and Maitland arrived in Albury to formally open and bless the Convent of Mercyโ€ฆโ€

โ€œโ€ฆOn Sunday the 6th the ceremony of opening and blessing the Convent took place, an event marking a new era in the Catholic history of this important and fast rising town not soon to be forgottenโ€ฆโ€

โ€œโ€ฆEntering the hall under the verandah arches, the visitor is struck with the magnificent appearance of the stained glass in the upper panel of doors and fanlights over. In the centre of fanlight is a splendid medallion representing the Blessed Virgin and Child; on one side of the medallion the monogram of St. Bernard, on the other I.H.S. In one panel of the doors a full length figure of โ€˜St. Bridget,โ€ whose name the Convent bears, the other panel the figure of St. Patrick, both in elaborately wrought canopies. The glass is from the manufactory of Messrs. Farguson [sic], Urie, and Lyon, of Melbourne, on whom it reflects great creditโ€ฆโ€


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1884: Gunsler’s Cafe, Pitt Street, Sydney, New South Wales

Gunslerโ€™s Cafรฉ in Pitt Street Sydney was built in 1884 to the designs of Melbourne architect Lloyd Tayler and had ornamental stained, coloured, and plate glass decorations supplied by the Ferguson and Urie Stained Glass Company of North Melbourne.

Photos: The historical engravings of Gunsler’s Sydney premises were published in the Illustrated Sydney News, NSW, Tuesday 23rd September 1884 and the Melbourne premises were published by May & Ebsworth in July 1879.

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Illustrated Sydney News, NSW, Tuesday 23rd September 1884, page 3.

“Gunsler’s Cafe, Pitt Street.
It has always been a source of surprise to visitors, that a city like ours should be so inadequately supplied with first class restaurants. Efforts have been made within the last few years to remedy this want, but it has remained for an enterprising man like Mr. Gunsler, known for years as the leading caterer in Australia, to go into the matter thoroughly, and by long acquired experience, combined with a large expenditure of money, to provide Sydney with an establishment second to none in the southern hemisphere. Mr. Gunsler, encouraged by the patronage received at the temporary establishment in King Street, secured the premises known as 175 Pitt Street, close to the Federal Bank, and having obtained suitable designs from Mr. Lloyd Tayler, of Melbourne, has erected an admirably arranged building…”

โ€œโ€ฆThe shop windows are of plate-glass, the upper compartments of the lights being filled in with coloured glass of various designs. The upper portions of the windows above are similarly treated, and the effect produced by this artistic ornamentation of the frontage is highly pleasing. In the central compartment of the tower is written on glass โ€œGunslerโ€™s Cafรฉ,โ€ and the electric light apparatus is fixed up at the back, by means of which establishment will be splendidly advertised over the length and breadth of the city. A clock is inserted in the pediment that forms the central feature of the structure. Above the shop windows in the frieze of the main cornice the words โ€œGunslerโ€™s Cafรฉโ€ are again prominent, standing out clearly in gold lettering on a ground of plate-glass; the light over the main entrance is filled with ground glass bearing the word โ€˜Cafรฉโ€ embossed in gold lettersโ€ฆโ€

โ€œ..The general contractors for the building were Messrs. White and Coghill, of Paddington. The fittings were supplied by Mr. James Aylward, of Redfern; the ornamental coloured-glass and plate-glass by Messrs. Ferguson and Urie. Mr. F. Messenger acted as clerk of worksโ€ฆโ€

John Ferdinand Gunsler (c.1827-1911).

In April 1873 John Ferdinand Gunsler entered into partnership with Charles James Hughes as โ€œHughes & Coโ€, pastry cooks and confectioners, at 29 Collins street Melbourne[1]. By September of the same year the partnership was dissolved by mutual consent[2] and Gunsler brought out Hughesโ€™s share of the business but traded under the same name until early 1874 when he then began trading under his own name.

Having gained special appointment as caterer to the Governor Sir George Ferguson Bowen in September 1874[3], he quickly gained widespread recognition as reputable caterer and restaurateur and for many years was chosen for many significant government, sporting, regal and private events around Melbourne as the preferred caterer for all occasions.

In February 1878 he admitted Henry George Iles (1850-1899), a gold buyer and investor, as a financial partner in the business and then traded under the name of โ€œGunsler & Coโ€[4]. In August of the same year they purchased an allotment of dilapidated buildings in Collins Street known as โ€˜Pettyโ€™s blockโ€™ from the estate of Mr George Petty[5] and under the direction of architect Lloyd Tayler[6], proceeded to build Cafรฉ Gunsler which opened in June 1879[7]. In later years the Cafรฉ was known as the Vienna Cafรฉ (1890-1915). The Australia Hotel was built on the site c.1940 and is now home to the โ€œAustralia on Collinsโ€ shopping centre at 260 Collins Street Melbourne.

Gunslerโ€™s reputation as the very best in the catering business allowed him to expand his operations substantially. In October 1879 he brought the lease of the Victoria Club in Melbourne[8] and in May 1881 Gunsler & Co advertised that they had purchased the South Australian Club (Adelaide Club Hotel) at North-Terrace[9] and in 1882 they purchased the former Bank of South Australia building in Adelaide which was converted to a family Hotel[10].

In January 1884 Gunsler ventured into New South Wales and advertised from temporary premises at 110 King Street Sydney[11] and later built the opulent โ€œGunslerโ€™s Cafรฉโ€ at 175 Pitt Street Sydney which had the ornamented windows supplied by the Ferguson & Urie stained glass Company of Melbourne.

Gunsler obviously had a great affection for the architectural work of Melbourne architect Lloyd Tayler, having engaged him to oversee the design and construction of his Melbourne premises and the later Sydney premises. The other choice of having the Ferguson & Urie stained glass company of Melbourne provide the glazing is also unusual, considering that by 1884, a number of local Sydney firms such as Ashwin & Falconer and Lyon & Cottier could have easily undertaken the work. What is most likely is that Lloyd Tayler had chosen Ferguson & Urie to complement his designs which possibly means that Gunslerโ€™s Melbourne restaurant may also have had decorative glazing done by Ferguson & Urie, but there has been no evidence found to support this.

Gunslerโ€™s Cafรฉ in Pitt Street Sydney burnt down on the 27th January 1889[12].

John Ferdinand Gunsler died in Sydney on the 28th November 1911 aged 84[13].

Footnotes:

[1] The Argus, Melbourne, Vic, Friday 18th April 1873, page 3.

1888: Presbyterian Church, Toorak, Victoria.

In the liturgical south transept of the Toorak Presbyterian Church (Uniting) at Toorak is a two-light Ferguson & Urie stained glass window erected to the memory of Mary Buist Bayles (1856-1888).

Photos taken 21st August 2010.
(Unfortunately these are poor quality with an early Pentax Optio S10 pocket camera).

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In the tracery above the two lights is a round window with five lobes (a cinqfoil or pentafoil). The centre of the window depicts the descending dove with the outer ring and scrolls within, containing the scriptural words;

โ€œTHE ETERNAL GOD IS THY REFUGE & UNDERNEATH ARE THE EVERLASTING ARMS” (Deuteronomy 33:27)

The outer five lobes of the window contain floral designs with a dotted white border and the two lights below contain biblical scenes with scriptural text below:

“I AM THE RESURRECTION AND THE LIFE, JOHN XI.25” (John 11:25)

The scene in this left light is Jesus meeting the grieving Martha who was the sister of Lazarus. He tells Martha that he is the resurrection and the life and that she should have faith that he will bring Lazarus back to life.

“SHE HAD WROUGHT A GOOD WORK. SHE HATH DONE WHAT SHE COULD” (Mark 14: 6-8)

The right light depicts the โ€œAnointing at Bethanyโ€ where Jesus is seen reclining at the table of Simon the Leper and Mary of Bethany is anointing him with expensive perfume from an alabaster jar and then wiping his feet with her long hair.

Across the base of the windows is the memorial text to Mary Bayles;

“IN LOVING MEMORY OF MARY BUIST, DAUGHTER OF WILLIAM AND ISABEL BAYLES, DIED NOVEMBER 24th 1888.โ€

Mary Buist Bayles (1856-1888).

Mary Buist Bayles was the eldest daughter of William Bayles (1820-1903)[1] and Isabel nรฉe Buist (1830-1917)[2].

Her father William had arrived in Van Diemenโ€™s Land (Tasmania) c.1846 and married Isabel Buist at Pituncarty, Maquarie River, on the 11th July 1854[3]. The family later moved to Melbourne where Mary was born at Regent Street, Carlton Gardens, on the 29th December 1855[4].

In 1861 her father entered public life and held many prominent council and political positions including that of Mayor of Melbourne in 1865-66, alderman in 1869 and acting Mayor in 1900[5].

Mary Buist Bayles never married and died aged 33 at her parentโ€™s home, Yar Orrong, Toorak, on the 24th November 1888[6] and was buried in the Bayles family plot at the St Kilda cemetery[7].

The stained glass window was erected in her memory in the Toorak Presbyterian (now Uniting) church, the same church that her father had laid the foundation stone of on the 24th May 1875[8].

The window underwent restoration and conservation work in 2001 by the studio of Geoffrey Wallace at Caulfield.

 

Significant tabloid transcriptions:

The Argus, Melbourne, Vic, Friday 21st July 1854, page 4.

โ€œOn the 11th inst., at Pituncarty, Maquarie River, Van Diemenโ€™s land, by the Rev. Dr. Lillie, William Bayles,ย  Esq., merchant of this city, to Miss Isabel, youngest daughter of Mrs. Buist.โ€

The Argus, Melbourne, Vic, Wednesday 2nd January 1856, page 4.

โ€œOn Saturday, the 29th ult., Regent-street, Carlton gardens, Mrs. William Bayles, of a daughter.โ€

The Argus, Melbourne, Vic, Tuesday 25th May 1875, page 7.

“NEW PRESBYTERIAN CHURCH, TOORAK.

The ceremony of laying the memorial stone of a new Presbyterian church, on the Toorak road, took place yesterday morning in the presence of about 100 persons…”

ย “…Mr. T. BAILEY, on behalf of the subscribers, presented Mr. W. Bayles, M.L.A., with a silver trowel, and the stone having been lowered, Mr. Bayles declared it to have been well and truly laid…”

The Argus, Melbourne, Vic, Monday 26th November 1888, page 1.

“BAYLES.- On the 24th inst, at Yar Orrong, Toorak, Mary Buist, eldest daughter of William and Isabel Bayles.”

ย The Argus, Melbourne, Vic, 26th November 1888, page 1.

ย โ€œTHE Friends of Mr. WILLIAM BAYLES are informed that the remains of his late daughter, Miss Mary Buist, will be interred in the St. Kilda Cemetery. The funeral is appointed to move from his residence, Yar Orrong, Toorak, THIS DAY (Monday, 26th inst.), at 2 oโ€™clock. ALF. AUG. SLEIGHT, undertaker.โ€

The Argus, Melbourne, Vic, Friday 9th October 1903, page 6.

โ€œDEATH OF ALDERMAN BAYLES.โ€

ย โ€œThe death of alderman Bayles, at the age of 83 years, which took place at his residence, Albany-road, Toorak, yesterday, removes a well-known figure in the commercial, political, and civic life of Melbourne during the last half-century, and a member of the community whose probity and business capacity and excellent qualities of mind and heart won the esteem of all whom he came in contact. He was born in Yorkshire on November 1, 1820, and emigrated to Tasmania in 1846. Crossing to Melbourne in 1852, he commenced business as merchant and ship-owner, first in partnership with Mr. Headlam, under the style of Headlam, Bayles, and Co., and subsequently with Mr. W. H. Melville, under the style of Bayles and Co. He relinquished this business in 1865, on taking up pastoral pursuits on large properties he acquired in the Western district of the state. He was โ€œfather of the City Council,โ€ having been elected for Lonsdale Ward on November 4, 1861. A public-spirited man, and given to hospitality, Mr. Bayles elected Mayor for the term 1865-1866, and on July 19, 1869, he was appointed alderman for Gipps Ward. Shortly after his election to the council he was appointed a member of the finance committee, a position he held until his death. As a matter of fact, he presided at the committee meeting on September 10. As chairman of the committee, it is frankly acknowledged, his skilful and careful supervision of the city finances largely conduced to the gratifying financial position of the council on the money market. Mr. Bayles entered active political life in 1864 as a member of the Legislative Assembly for Villiers and Heytsbury, a constituency he subsequently successfully contested on eight successive occasions. He was a staunch member of the constitutional party, and became Commissioner of Trade and Customs in the Sladen Ministry, when held office from May 6 to July 11, 1868. Among the public companies with which Mr. Bayles was identified he was one of the largest shareholders in the old Launceston and Melbourne Steam Navigation Company, and in recent years he was a member of the directorate of the Union Trustees Company. He was a leading member of the Toorak Presbyterian Church, and a generous supporter of its ordinances and work. He also held office for many years on the kirk session and board of management. Mr. Bayles married Miss Buist, a sister of Mrs. James Gibson, of Belle Vue, Tasmania, who survives her husband, and he leaves a family of two daughters and three sons. Alderman Bayles retained comparatively good health until a few months ago, and his death was due to extreme age.โ€

Related post: 05-03-1882: Presbyterian (Uniting) Church, 603 Toorak Rd. Toorak, Victoria. (The Ormond window by Ferguson & Urie).

External links: Biography: William Bayles (1820-1903).

Footnotes:

 


Short link to this page: https://wp.me/p28nLD-2jF

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1864: The Ship Inn Street Lamp, Port Albert, Victoria

The Ferguson & Urie stained glass Company crafted thousands of Ecclesiastical and Secular stained glass windows but little is known of the companyโ€™s diversity in other areas of art which extended to ornamental stained glass screens, lanterns, chancel and altar decorations and many other decorative items such as advertising signage.

In June 1864 the historical seaside town of Port Albert had a decorative gas street lamp installed outside the โ€˜Ship Innโ€™ and was reported to have had three colourful stained glass ships painted on it.

Gippsland Guardian, Vic, Friday 1st July 1864, page 2.

“The danger which existed on dark nights at the culverts at the intersection of Bay street with the main road, is much reduced by the excellent lamps at each of the hotels immediately adjoining. That at the Ship Inn deserves passing notice as a very excellent specimen of a new process of painting on glass, patented, we believe by Messrs. Ferguson and Urie of North Melbourne. The execution of the three vessels on the lamp is very good, and the colouring gay, striking and indelible.”

No extant examples of this kind of work on public street lighting by Ferguson & Urie have been found to date, although there are unconfirmed examples of lantern covers/shades at the private estates of Werribee Mansion and Rupertswood at Sunbury which are extremely likely to have been replicas of original designs by the company.

Very early Victorian street lamps were erected by private citizens and businesses and were mostly oil or candle powered. As early as 1847 gas street lighting was being erected by Innkeepers in an attempt to reduce the large number of injuries occurring to their patrons as a result of falling into ditches, gutters and culverts after leaving their establishments late at night. Call me sceptical, but I’m reasonably sure that this was not the root cause!  By the late 1850’s it became law within Victorian municipalities for Publicans and Innkeepers to keep a light burning outside their premises from dark to dawn. The city of Ballarat in Western Victoria took great pains to enforce this law and the weekly โ€˜causeโ€™ list was regularly filled with publicans fronting the magistrate for “not keeping a proper light burning” outside their premises[1]. Overall public safety was the real reason for the proliferation of public lighting. The streets of early Melbourne were rife with drunkards, thieves and vandals who took every opportunity of the darkness to reap their lawless rewards. Any respectable law abiding citizen would have been taking a gamble with their lives or possessions by venturing out after dark in the early streets of Melbourne. In this day and age weโ€™d probably call it an โ€œExtreme Sportโ€ which could have applied to both the victim and the perpetrator as it was a possible death or serious assault for the victim and an almost certain death sentence if you were found and convicted as the perpetrator.

[Some examples of original gas lamps used in Melbourne and country Victoria]

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The gas jets for the early street lamps were extremely inefficient and each lamp consumed up to a massive six cubic feet of gas an hour to only provide the mere equivalent light output of three candles[2]. By the late 1880โ€™s electric light was the new up and coming invention that would eventually replace gas but the old gas lighting remained for many years past the turn of the century, thanks to the invention of the Welsbach gas mantle, which both increased light power considerably whilst reducing the amount of gas used at the same time. Many wealthy speculators re-invested heavily in the gas companies based on this new efficiency but it would inevitably succumb to electricity.

Public Street lighting had spread throughout Victoria and the other Colonies and the tiny township of Port Albert was just one of many. What is extraordinary though is that the decorated street lamp outside the โ€˜Ship Innโ€™ in Port Albert is only three and a half years after the Ferguson & Urie Company had started creating stained glass art on a commercial basis.

About Port Albert:

Port Albert is one of the earliest seaside townships in Gippsland and was discovered in 1841 as a result of the wreck of the steamer โ€˜Clonmelโ€™ which struck a sandbar off Wilson Promontory, five kilometres south of Port Albert, in the early hours of January 2nd 1841[3].

Fortunately there was no loss of life but the wreck of the Clonmel is recorded as one of the events which lead to the discovery and establishment of the township of Port Albert a short time later.

When rendering assistance to the survivors, the Harbour Master, Captain Lewis, made some important observations in the vicinity of the wreck of the Clonmel and a location known as Corner Inlet which he deemed to be entirely suitable for shipping to enter[4]. This report was probably followed up via a land expedition by explorer Angus McMillan later in the same year and the first inhabitants settled in Port Albert circa May 1841.

The location where the steamer Clonmel was grounded is today called โ€œClonmel Island,โ€ located about 5km south of Port Albert. A very detailed account of the grounding of the Clonmel was recorded by a Mr. D. C. Simson in early January 1841 as follows:

The Courier, Hobart, Tas, Tuesday 19th January 1841, page 2-3.

โ€œLOSS OF THE CLONMEL.โ€
โ€œThe following is Mr. D. C. Simsonโ€™s narrative, who came up from the wreck in an open whale boat:-
On Wednesday afternoon, the 30th December, I embarked on board the team-ship Clonmel, Lieutenant Tollervey, commander, bound from Sydney to Port Phillip. The passengers and crew consisted of seventy-five individuals. At four P.M., rounded the south head of Port Jackson; wind from southward, blowing fresh. Next morning, 31st, found us off Jarvisโ€™s Bay; wind still adverse with a strong head sea, the vessel progressing at an average of seven knots an hour. At daylight, the 1st January, Cape Howe bore W.S.W. of us; in the course of the morning sighted Ram Head, and took a fresh departure, steering for Wilsonโ€™s Promontory. The wind was now fair with smooth sea, and our course S.W. ยฝ W.; the wind and weather continuing favourable during the day and night. A little after 3 A.M., of 2nd January, all the passengers were startled by the ship striking heavily. On reaching the deck I discovered breakers a-head; the captain, who had been on deck during the whole of the middle watch, giving orders to back astern, and doing all in his power to rescue the ship from her perilous situation. Finding that the engines were of no avail in backing her off the bank on which we now found she had struck, orders were given to lighten her by throwing overboard cargo, &c., but without desired effect, the vessel still surging higher upon the reef. The anchors were then let go, when, after a few more bumps, she swung head to wind, taking the ground with her stern, and bedding herself, with the fall of the tide, upon the sand, rolling hard and striking occasionally. During the whole of this trying scene the most exemplary conduct was shown by the crew in obeying the orders of the captain and officers. Daylight had now made its appearance, and we found ourselves on shore on a sand spit, at the entrance of Corn Inlet, about half a mile from the beach, between which and vessel a heavy surf was rolling. It is necessary here to remark, that the course steered and the distance run, would not have warranted any person in believing us so near the shore as we actually found ourselves. The sea was smooth, the wind fair, and the vessel going at the rate of at least 10 knots an hour, and it was impossible for any navigator to have calculated upon such an inset carrying a vessel, under the circumstances above alluded to, 30 to 40 miles to leeward of her course, in eighteen hours. Captain Tollerveyโ€™s conduct had hitherto been that of a careful and watchful commander; he was on deck during the whole of the middle watch, which he himself kept, anxiously on the lookout, and was on the paddle box at the time the vessel struck, but the night proving misty, nothing could be seen beyond the length of the vessel. Had it pleased Providence to have retarded our voyage by half an hour, the calamitous event would have been avoided; but it was otherwise ordained.
Captain T., on finding all attempts to get the vessel off, by running kedges and warps out, throwing overboard cargo, &c., unavailing, and a strong sea rising with the flood tide, turned his attention to the safety of the passengers and crew. After several trips by the whale-boats first, and assisted by the quarter-boats afterwards, every soul was landed in safety by 2 p.m., the captain being the last to leave the vessel. A sufficiency of sails, awnings, and lumber, was brought on shore to rig out tents for all hands; and everybody set to work to form an encampment. In a short time the ladies and females were comfortably housed, having beds placed for them in a weatherproof tent; the male passengers and crew were equally accommodated by means of spair [sic] sails and awnings brought from the ship, and we found ourselves at sundown as well provided for as we under the circumstances could desire. A sufficiency of provisions, consisting of live stock, hams, bread, flour, biscuit, rice, tea, sugar, wines, and beer, had been landed during the forenoon, to keep the whole party for about ten days; water was found in abundance by digging, but was rather brackish to the taste. Captain T. now brought order into the chaotic mass, by establishing watches, previously haranguing the passengers and crew, explaining to them the stronger necessity which existed under their unfortunate circumstances for discipline and punctual obedience of orders, than would have been deemed necessary on board of his noble vessel had she been afloat. Universal assent was given to his exhortation, proper watches appointed, provisions, &c., stowed under a boat turned upside down, to guard them as well from petty depredations as from the weather, sentinels being posted in all directions round the encampment, who were relieved every two hours. When order was thus established and provisions distributed for supper, Captain T. and myself laid down in the tent and talked the events of the day over. The anxiety of mind and fatigue of body which our worthy commander must have undergone during that eventful day, were scarcely visible, either in his manner or appearance, whilst we were now quietly discussing the means of getting assistance brought to us. He agreed with me that is would be desirable for a boat to be sent to Melbourne for relief, and having obtained his consent to head the party, I had no trouble in finding a crew of five volunteers to join me in the undertaking. One of my fellow passengers, Mr. Edwards, of the firm of Messrs Edwards and Hunter, also volunteered to join us, and the next morning, amidst the cheers of our fellow sufferers, we were launched from the beach by them in a whale boat. We proceeded in the first instance to the vessel to lay in a store of provisions, not wishing to deprive those on shore of any portion of their scanty stock. Owing to the very heavy surf which was rolling on the beach, we were nearly two hours before we reached our ill-starred ship, being every moment in danger of swamping. The scene which now opened on ascending the deck, was harassing in the extreme; a few hours before, this stately vessel had been cleaving the waters, buoyant, like its living inmates, with life and hope โ€“ now an immovable wreck; her cabins that had a short time before been the picture of cleanliness and order, now one mass of confusion, and strewed with luggage and lumber of all descriptions; however, as our time was short, we supplied ourselves with such provisions as came within our reach, and after hoisting the Union Jack to the main-mast upside down we shoved off an committed ourselves to the care of a merciful Providence. At eight a.m., the 3rd instant, we took our departure outside the bank, steering for Sealerโ€™s Cove. Our boat was manner by five seamen, and besides oars we had a small lug-sail made out of the awning; Mr. Edwards and myself made up the number to seven. Our provisions consisted of biscuit, a ham, a breaker of water, three bottles of wine, 12 of beer, and one of brandy; of the latter article I would not take more, dreading its effects upon the crew; the small quantity I took, however, I found very beneficial administered to them in minute portions.
Shortly after leaving the Clonmel the wind came from the westward; we were obliged to down sail and pull, and after six hoursโ€™ vain struggling against the wind to reach the mainland, we were under the necessity of running for one of the seal islands, where we found a snug little cove, which we entered, and after refreshing the crew by a three hoursโ€™ rest and hearty meal, we once more pulled for the mainland and reached Sealerโ€™s Cove about midnight, where we landed, cooked our supper, and passed the remainder of the night in the boat which we anchored in deep water. We closed our eyes grateful to the Providence which had that day watched over us. At half past three a.m. on the 4th instant, I started three men on shore to get the breaker filled with water; they had scarcely filled them and brought them down to the beach, when I observed the natives coming down upon us; I hurried them on board and got under weigh, the wind blowing hard from the eastward at the time. After a severe pull of four hours we were at last enabled to weather the southern point of the cove to hoist sail and run for Wilsonโ€™s Promontory, which we rounded at 10 a.m., the sea running very high. The crew ever since we left the scene of our shipwreck behaved remarkably well, being perfectly satisfied with the scanty allowance which I put them as well as myself and fellow passenger upon, who in this trying time kept up spirits and assisted me in cheering on the men. At 8 p.m. we brought up in a small bay at the eastern entrance of Western Port; we were glad to get on shore to stretch our wearied limbs. After a refreshing nightโ€™s repose on the sandy beach we started the next morning at the break of day, happy in finding ourselves so near the end of our voyage. Having a strong and steady breeze from the eastward we sailed along very fast before it, although we were in imminent danger of being swamped, the sea having risen very considerably and breaking over us repeatedly. At 2 p.m. we were abreast of the Port Phillip Heads, but to our extreme mortification when within a mile of being in a secure harbour we found the strong ebb tide created such a ripple and so much broken water that I did not consider it prudent to run over it. We were, therefore, obliged to keep the boatโ€™s head to winward from that time until the flood-tide would make; we were in this tantalizing situation for four hours, when to our inexpressible relief and joy we saw a cutter making for the heads, and bearing down upon her, found her to be Sisters, Captain Mulhall, to whose hospitable reception I cannot do sufficient justice. He took our boat in tow and ourselves on board, and landed us at Williamโ€™s Town at 11 p.m.; having thus 63 hours from the time we left the ship to the time we landed at the beach. I cannot conclude this narrative without expressing my high sense of the extreme good conduct of the men who accompanied me on this voyage. Not a murmur escaped them, though continually wet and working hard during the whole passage.
Mr. Edwards, on finding himself in safety, was attacked by a spasmodic affection of the heart, which gave me much uneasiness, but from which I hope, by the kind treatment of his Melbourne friends, he will soon recover. The crew suffered much from over exertion and wet, occasioning in some cases dysentery. I suffered much in my eyes and face from constant exposure to the sun and salt water.
It was so early in the morning when I started, and I was so much hurried in making my arrangement, that I could not bring with me a correct list of the passengers on board; it is, however, satisfactory to know that no lives were lost, or bodily injury sustained whilst I was there. The mails were landed in safety, but I did not consider it prudent to bring them away with me.

Since the above was in type we have ascertained the following additional particulars:- Amongst the passengers were Mr. and Mrs. Walker, (Mrs. W. is daughter of Mr. Blaxland, M.L.C., and the present is the second ship wreck she has suffered;) Mr. Goodwin, (of the firm of Hamilton and Goodwin of this town,) to whom one-half of the cargo belonged; Mr. Robinson, of the Union Bank, having in his charge ยฃ3,000 of the banks notes, received at Sydney. The whole has been lost and is supposed to have been stolen โ€“ the Bank of course will sustain the loss; Mr. and Mrs. Cashmore, newly married, and bringing a large quantity of goods for the new establishment intended to be immediately opened at the corner of Collins and Elizabeth-streets. There were on board 300 tons of coals and 200 tons general cargo. At the time Mr. Simson [sic] left, her false keel and part of the sheathing was floating about the vessel, but she was not making any water, and he is of the opinion that should the weather continue moderate, she would be got off. When she first struck her rate of speed was upwards of 10 miles an hour. We are very sorry to have to add that the firemen, and some others, acted in a most disgraceful manner. โ€“ Port Phillip Herald, Jan 8.โ€

The Sydney Monitor & Commercial Advertiser, NSW, Monday 25th January 1841, page 2.

โ€œThe Revenue Cutter โ€˜Prince George,โ€™ was dispatched on Friday, to the scene of the โ€˜Clonmelโ€™sโ€™ disaster, to render assistance towards saving that noble vessel.โ€

The Sydney Monitor & Commercial Advertiser, NSW, Wednesday 3rd February 1841, page 2.

โ€œTHE CLONMEL.- The โ€˜Sistersโ€™ and โ€˜Will Watchโ€™ have both returned from the โ€˜Clonmelโ€™ with the passengers and part of the crew of that ill-fated vesselโ€ฆโ€

External Links (about the wreck of the Clonmel):

History of the Clonmel:

http://www.dpcd.vic.gov.au/heritage/maritime/shipwrecks/shipwreck-stories/clonmel

Artefacts recovered from the Clonmel:

http://www.flickr.com/photos/heritage_victoria/sets/72157607371474539/

Footnotes:

[1] The Star, Ballarat, Vic, Wednesday 6th April 1859, page 2.

1874: St John’s Anglican Church, Ballan, Victoria.

The foundation stone of St John’s Anglican Church in Ballan was laid by Juliet Vivian Lyon (nee Anderson) in 1861. Thirteen years after that historical event Juliet died and in late 1874 a stained glass window was erected in her memory inย  the chancel of St John’s. The window was made by the Colonial stained glass craftsmen Ferguson & Urie of North Melbourne.

Photos taken 10th April 2011.

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Juliet was born at Norfolk Island on the 10th Feb 1839, the daughter of the decorated army officer Joseph Anderson (1790-1877) and Mary Campbell. Her father Joseph was was stationed as commandant of the Norfolk Island Penal Colony from March 1834 to February 1839. One of his first duties on Norfolk Island was to dispense the punishment for the Norfolk Island Prisoner revolt in 1834 in which thirteen of the twenty-nine convicted prisoners were executed.

Juliet married pastoralist Charles Hugh Lyon (1826-1905)[1] at St Paulโ€™s church in Melbourne on the 30th December 1859[2] . They settled at Hughe’s โ€˜Ballaneeโ€™ estate at Ballan where they had five known children; Clara, Lily Mary, Violet Mary, Vivian Hugh and Charles Gordon.

In 1861 Juliet had the honour of laying the foundation stone of St Johnโ€™s Anglican Church in Ballan. Very little information is known of this event other than Juliet had laid its foundation stone as mentioned on her memorial stained glass window, and the obscure mention that on the 29th January 1862 the Church was reported as being near completion[3].

Juliet died at her fatherโ€™s residence โ€˜Fairlie-houseโ€™ in South Yarra on the 16th of March 1874, aged 35[4]. She was buried with her parents, Joseph and Mary Anderson, in the St Kilda cemetery on the 17th March 1874 and her husband Hugh was also buried them in 1905.

The Ferguson & Urie stained glass window was erected to her memory in St Johnโ€™s, thirteen years after she had laid its foundation stone.

The two-light stained glass window depicts โ€˜Faith & Hopeโ€™;

The left lancet depicts an angel at the top carrying a banner with the words ‘HALLELUJIA’. Below is the depiction of Faith carrying a cross with her right hand held towards heaven. The text below the figure is ‘HAVE FAITH IN GOD’ and below this is another angel carrying a banner with the text; ‘BLESSED ARE THE DEAD’

The right lancet depicts an angel at the top carrying a banner with the words ‘PRAISE THE LORD’. Below is the depiction of Hope with the ships anchor and below this is another angel carrying a banner with the text; ‘WHICH DIE IN THE LORD’

Across the base of both windows is the memorial text:

‘IN MEMORY OF JULIET VIVIAN LYON WHO LAID THE FOUNDATION STONE OF THIS CHURCH IN 1861.’

The Australian News for Home Readers, Vic, Saturday 18th March 1865, page 7.

BALLAN St John's 98c

“EPISCOPAL CHAPEL AT BALLAN,

The neat little building, shown in the engraving, is the newly erected Episcopal Chapel, at Ballan, a distance of about sixty miles from Melbourne. The building has been raised solely by the exertions of the congregation, and is a pleasing instance of the progress of Christianity in the provincial districts of Victoria. The chapel belongs to the Gothic order of architecture, and is commodious enough to meet the requirements of the Episcopalians of Ballan. The nave is 57 feet by 25 feet in extent, and chancel 10 feet 3 inches by 21 feet.”

Juliets’ husband Charles died at โ€˜Ballaneeโ€™ estate at Ballan on the 13th February 1905 aged 79[5].

In the historical engraving depicting St John’s from 1865 it showsย  a โ€˜Puginโ€™ type bell-cote at the west end and a small side building at the east end which is presumably a vestry. Neither of these exist to this day.

The left lancet of the Ferguson & Urie window which depicts ‘Faith’ is taken from a famous oil painting by Sir Joshua Reynolds (1723-1792) and replicated in a stained glass window by Thomas Jervaise at Holy Trinity, Fareham, Hampshire, England. There are three other known instances of this depiction of ‘Faith’ in Ferguson & Urie windows which are located at All Saints, South Hobart; Christ Church, Hawthorne; St Mark’s, Remuera, New Zealand.

In 1883 another Ferguson & Urie window was erected in St John’s to the memory of Rebecca Mary O’Cock. See: 10-03-1883: St Johnโ€™s Church, Ballan, Victoria.

Location: Simpson Street Ballan

Footnotes:

1870: St Patrick’s Catholic Church, Kilmore, Victoria.

In 1869-70 a large four light stained glass window โ€œconsidered one of the best specimens that ever left the manufactory of Ferguson and Urieโ€ was erected in the liturgical east wall of St Patrickโ€™s Catholic Church at Kilmore in Victoria. The window was crafted in Curzon Street North Melbourne by the Ferguson & Urie Stained Glass Company and depicts the Nativity, Baptism, Crucifixion and Resurrection.

Construction of St Patrickโ€™s began in 1856 and the foundation stone was laid on the 23rd August 1857 by Bishop James Alipius Goold. The church was built to the designs of brothers Joseph Aloysius Hansomย  & Charles Francis Hansom and was completed in 1860. It was dedicated on the 8th July 1860[1] and remaining works were completed by architect William Wardell in 1871.

Photos taken 14th December 2013.

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GLIMPSES OF NORTH EASTERN VICTORIA, AND ALBURY NEW SOUTH WALES, Rev. William Mason Finn, 1870, page 6.

“..Father Branigan is a native of Drogheda, Ireland, studied in the famous college of Salamanca, and was ordained in Melbourne, June 1858. This rev. gentleman is still the senior priest of Kilmore, and has evinced a warm zeal for the noble people entrusted to his guardianship. During the last twelve months he has added to St. Patrick’s Church a splendid chancel, which contains three altars; over the central, or High Altar, a stained glass window of large dimensions, representing many episodes in the life of our Redeemer, is placed. This window is considered one of the best specimens that ever left the manufactory of Ferguson and Urie, of Melbourne…”

The window depicts four scenes in the life of Christ being: the Nativity, Baptism, Crucifixion and Resurrection. A reference to a chapter and verse from the bible is recorded beneath each of the four scenes:

NATIVITY – โ€œSt Luke 2-7โ€
(And she brought forth her firstborn son, and wrapped him in swaddling clothes, and laid him in a manger; because there was no room for them in the inn)

BAPTISM – โ€œSt Mark 1-10โ€
(And straightway coming up out of the water, he saw the heavens opened, and the Spirit like a dove descending upon him)

CRUCIFIXION – โ€œSt John 19-26โ€
(When Jesus therefore saw his mother, and the disciple standing by, whom he loved, he saith unto his mother, Woman, behold thy son!)

RESURRECTION – โ€œSt Matthew 28-6โ€
(He is not here: for he is risen, as he said. Come, see the place where the Lord lay)

In June 1894 a prolific tabloid writer known as โ€œThe Vagabondโ€ gave his own vision of the window:

โ€œโ€ฆThe stained glass window representing scenes in the life of Christ reflects the sunโ€™s rays, which shine on the bowed heads of the daughters of Kilmoreโ€ฆโ€[2]

Fr. Michael Branigan (1834 โ€“ 1870)

The concept for a stained glass window to beautify the east end of the church is reported to have come from the Reverend Michael Branigan, parish priest of Kilmore from 1861 to 1870.

Michael Branigan was born at Oldbridge, on the Boyne, near the town of Drogheda, Ireland, in 1834[3]. At the age of 24 he arrived in Melbourne aboard the “White Star”[4] on the 4th September 1857[5].

He was ordained at St Patrickโ€™s Cathedral in Melbourne on the 20th June in 1858[6] by the Bishop of Melbourne, James Alipius Goold and was appointed parish priest at Kilmore after the death of the Reverend Timothy Oโ€™Rourke who died on the 18th January 1861[7].

J. A. Maher 1869-1940, The Tale of a Century – Kilmore 1837-1937, Page 86.

โ€œโ€ฆIn 1856 the movement to build the large and commodious Gothic church (St. Patrickโ€™s of the present day) was inaugurated by Father Oโ€™Rourke. The foundation stone was laid on 23rd August, 1857. Beneath the stone was placed a bottle containing on parchment a Latin inscription of which the following is a translation: โ€œThe first stone of this church, dedicated to God under the patronage of St. Patrick, in Kilmore, in the province of Victoria, was laid by James Alipius Goold, Bishop of the Diocese, on the 23rd day of August, 1857 in the pontificate of Pope Pius IX, and in the reign of Her Most Gracious Majesty Queen Victoria, and during the administration of this Government by His Excellency Sir Henry Barkly, K.C.B.โ€ The church was dedicated on 8th July, 1860. After Father Oโ€™Rourkeโ€™s death on the 18th January, 1861, Father Branigan was appointed to the charge of Kilmore. Father Branigan arrived in Australia in 1857. For a time he acted in the capacity of assistant priest at Keilor, later coming to Kilmore as curate under father Oโ€™Rourke. Afterwards he was temporarily in charge of the infant parish at McIvor (subsequently Heathcote). Then came the more important appointment as parish priest at Kilmore. This young priest, who did not enjoy robust health, devoted himself unsparingly to the welfare of his flock over what was still a very extensive parish. Various schools were opened and St. Patrickโ€™s Church was practically completed whilst father Branigan was in charge. As a matter of fact the solemn opening ceremony at the church took place in March 1871, just nine months after the death of father Branigan (9th June, 1870).โ€[8]

A short time after the erection of the Ferguson & Urie window (c.1869-70), the Reverend Branigan became seriously ill and on the 9th of June 1870 the local Kilmore tabloid reported that he was improving:

โ€œWe are glad to be able to inform our readers that the Rev M Branigan, who has been dangerously ill for the past eight or nine days, has experienced a change for the better, and hopes are entertained that he will soon be convalescent.โ€[9]

Unfortunately this was a rather premature report by the Kilmore Free Press as Fr. Branigan died at the Presbytery at 4.30 p.m. on the same day! His last words were reported as having been โ€œOh, poor Ireland!โ€[10] He was only 36 years old.

On the 10th of July 1870 a meeting was held in St Patrickโ€™s school room to discuss the erection of an altar in the church which was to be a joint memorial to Fr. Oโ€™Rourke and Fr. Branigan[11]. In March 1873 it was reported that the altar was โ€œโ€ฆon its way to these shores from the home countryโ€ฆโ€ which I presume was Ireland. The entire cost for the erection of the altar would be in the vicinity of ยฃ700[12].

The altar was consecrated on the 31st August 1873 by Bishop James Alipius Goold and in anticipation of a large crowd for the occasion; admission to the church was gained by ticket only[13].

Significant tabloid transcriptions:

The Argus, Melbourne, Vic, Friday 10th June 1870, page 5.

โ€œKILMORE, THURSDAY.

The Rev. Michael Branigan, Roman Catholic clergyman, who, as pastor here for the last nine years, was much respected, died this morning at half-past 4. His remains will be interred in a vault at St. Patrickโ€™s Church, Kilmore, to-morrow.โ€

Bendigo Advertiser, Vic, Saturday 11th June 1870, page 2.

โ€œDEATH OF THE REV MICHAEL BRANIGAN, OF KILMORE.- From the Kilmore Free Press we learn of the death of the Rev Michael Branigan, of St. Patrickโ€™s, Kilmore, which melancholy event took place at the presbytery this (Thursday) morning, at half-past four oโ€™clock, after having been confined to his bed for a period of eight days. As a gentleman, Father Branigan commanded the respect of those with whom he came in contact, whilst as a clergyman his zeal in the performance of his sacred duties, at all times of a most arduous nature, in consequence of the large circuit under his control, was of a marked character, he being more frequently found at all hours of the day and night seeking out the abodes of those stricken down with sickness or disease, for the purpose of administering the consolations of religion, than attending to the wants of a constitution fast becoming a wreck to fatigue and exposure he was but ill-adapted to endure. His was an existence of self-sacrifice, and his own life was to him as nothing when compared with the eternal salvation of the many souls over which he was appointed guardian. What he gave to the poor, and those who appealed to him for aid, was given with the utmost free will, and his deeds in this respect, though numerous, were never made known by himself, and would die with him had the recipients of his bounty not frequently openly expressed their gratitude. The late Rev Michael Branigan was born in the historic hamlet of Oldbridge, on the Boyne, near the town of Drogheda, in the year 1834, which left him only thirty-six years at the time of his demise. The immediate cause of his death was inflammation of the bowels, brought on by exposure to cold in the discharge of his up-country duties. He died calm and resigned, having been fortified with the sacraments of that church of which in life he was such an ornament. He was to be buried yesterday (Friday) in a vault prepared for him in the church. He was, we understand, left by his will what he possessed to the cause of charity.โ€

The Bacchus marsh Express, Vic, Saturday 18th June 1870, page 4.

โ€œDEATH OF THE REV. MICHAEL BRANIGAN.- The Kilmore Free Press announces the decease of this clergyman of the Roman Catholic Church, on Thursday morning, from inflammation of the bowels, brought on by exposure to cold in the discharge of his country duties. On the 20th June, 1858, the Rev. M. Branigan was ordained priest in St. Patrickโ€™s Cathedral by the Right Rev, the Bishop of Melbourne. He was then appointed as second priest in Keilor. Here he remained for some time, when he was transferred to Kilmore as junior priest, to act with the late lamented Father Oโ€™Rourke. A change of pastors then took place at McIvor, when Father Branigan was nominated to the vacancy. Since he assumed the pastorate of Kilmore many schools have been opened, and the improvements just made at the church speak of his zeal. On Friday, after the Requiem mass, the mortal remains of father Branigan will be interred in a vault already prepared in the church. He has, we understand, left by his will what he possessed to the cause of charity.โ€

Kilmore Free Press, Vic, Thursday 23rd June 1870, page 3.

โ€œWe are informed that the last words spoken by the late Rev M Branigan, of St. Patrickโ€™s Kilmore, were โ€œOh, poor Ireland!โ€ During life he took a deep interest in all questions connected with the land of his birth, and it is pleasing, as showing a pure spirit of patriotism and love, that his mind during the last solemn moments of his existence, reverted to a country, the welfare of which he had always so much at heart.โ€

Kilmore Free Press, Vic, Thursday 14th July 1870, page 2.

โ€œA meeting of subscribers to the memorial for the late Rev. M. Branigan was held on the 10th instant in St Patrickโ€™s Schoolroom โ€“ the Rev. Robert Meade occupying the chair. A discussion ensued as to the advisability of coupling the name of the late rev. T. Oโ€™Rourke with that of the Rev. M. Branigan upon the memorial altar which it is proposed to erect, but nothing definite was arrived at. We are certain that those of the subscribers who had the pleasure of knowing the late Rev. T. Oโ€™Rourke would be pleased that the name should be coupled with the memorial, whilst it is evident that many persons subscribed to the undertaking, knowing nothing of Father Oโ€™Rourke solely with a view of showing their high appreciation of Father Branigan. Perhaps, if a general meeting of subscribers was called, and expression of opinion could be elicited which would meet with the views of all parties.โ€

Kilmore Free Press, Vic, Thursday 6th March 1873, page 2.

โ€œWe are in a position to state that the memorial altar, subscribed for some time ago, to perpetuate the memories of the late Rev. Fathers Oโ€™Rourke and Branigan, is now on its way to these shores from the home country, where it has been constructed. The contract price for what really must be a grand monument was ยฃ550, and freight and cost of erection in the church of St. Patrickโ€™s, Kilmore, which it is intended to ornament, will, it is contemplated bring the amount up to ยฃ700. The work, however, is one of which people here may be proud, and there could be no more fitting monument to commemorate the zeal and devotion of the reverend gentlemen who did so much for religion in this quarter.โ€

Points of interest:

In 1868 a very similar window by Ferguson & Urie was erected at St John’s Church in Toorak. See: 26-06-1868: St. Johnโ€™s Church, Toorak, Melbourne, Victoria.

Fr. Branigan’s successor to the Kilmore Parish was the Rev Michael Farrelly (c.1822-1906). A three light memorial window was erected in his memory on the right side of the east wall in the “St Joseph’s Chapel” in St Patrick’s in 1908. This window was made by Melbourne stained glass craftsman William Montgomery(1850-1927). See: 1908: St Patrickโ€™s Catholic Church, Kilmore,ย Victoria.

Acknowledgements:

My thanks to the Rev. Grant Oโ€™Neill of St Patrickโ€™s Kilmore, 14th Dec 2013.

Footnotes:

[5] Public Record Office Victoria, Fiche 131, Page 013 (surname spelt โ€˜Branniganโ€™)

[8] James Alipius Maher 1869-1940, “The Tale of a Century – Kilmore 1837-1937”, Page 86.

1874: Sacred Heart College, Newtown, Geelong, Victoria.

Sacred Heart College at Newtown, Geelong, contains a number of historic stained glass windows created by the Ferguson & Urie Stained Glass Company circa 1874.

Originally established as a Convent and boarding school by the Sisters of Mercy in 1860 it was extended over a number of years and in 1874 a Gothic chapel was built to the designs of Melbourne architect Thomas Anthony Kelly and was formally opened on the 24th of May 1874 [1].

The liturgical east end of the chapel contains one of the most unique stained glass windows produced by the Ferguson & Urie Company and was designed by the firmโ€™s senior artist David Relph Drape (1821-1882). What is probably even more remarkable is that the original design for this window still exists amongst a collection of sketches by Drape at the State Library of Victoria.

โ€œThe most outstanding feature of the ornate domed sanctuary is a large stained window on the rear wall above the altar. The window was a gift to the sisters from the families of the early boarders.โ€[2]

Photos taken: 17th October 2013.

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The liturgical east window is technically known as a five light window with a series of smaller stained glass windows in the tracery above. The two outer lights depict the fourteen scenes of theย Stations of the Cross which represent the significant events Jesus endured in the hours leading to his death.

Each of the fourteen scenes have been intricately designed and painted by Drape to closely represent the scenes as they have been represented in many publications over the centuries.

The scenes are:

1st:ย  Jesus is condemned to death

2nd: Jesus carries His cross

3rd: Jesus falls the first time

4th: Jesus meets his mother

5th: Simon of Cyrene helps Jesus to carry his cross

6th Veronica wipes the face of Jesus

7th: Jesus falls the second time

8th: Jesus meets the women of Jerusalem

9th: Jesus falls a third time

10th: Jesus clothes are taken away

11th: Jesus is nailed to the cross

12th: Jesus dies on the cross

13th: The body of Jesus is taken down from the cross

14th: Jesus is laid in the tomb

The centre light of the window contains a life size depiction of Jesus and his Sacred Heart and below that is the Pelican in the act of self sacrifice feeding its young with blood from her chest.

The smaller windows in the tracery above contain a quite complex series of biblical symbols which mostly represent some of the Instruments of the Passion. The symbolism represented in the upper tracery of the window are;

The Scourging Post,ย 

The Seamless Garment,

The Bread of Life or Holy Sponge?

The Holy Chalice & Host,

The Crown of Thorns with the Three Nails,

The La Salette Crucifix with pincers and hammer on either side.

The four evangelists depicted as their winged biblical representations;

Mathew (the Angel), Mark (the Lion), Luke (the Ox) and John (the Eagle).

The centre of this arrangement of windows in the tracery contains the “Agnus Dei” – Lamb of God carrying the victory banner with cross to represent the risen Christ, triumphant over death.

In the south wall near the east window are another two Ferguson & Urie windows set in rose or wheel shaped tracery. Each window contains three quatrefoils with biblical scenes and smaller windows around the edges contain cherubic angels to give the whole arrangement the appearance of a round window.

The first rose window contains the following three scenes:

1. St Christopher with Jesus on his shoulders โ€“ Christopher was known as a man of great strength who devoted himself to Jesus by helping travellers cross a dangerous river. One day a child asked to ride on Christopherโ€™s shoulders across the river, but the child grew heavier and heavier with every step. When they arrived on the other side, the child identified himself as Christ and told Christopher he had just carried the weight of all the sin of the world. St Christopher is best known as the patron saint of travelers!

2. The Presentation of Jesus at the Temple โ€“ This event is described in the Gospel of Luke (2:22-40). Mary and Joseph took the baby Jesus to the Temple in Jerusalem to complete Maryโ€™s ritual purification after childbirth and to perform the redemption of the firstborn. Luke explicitly says that Joseph and Mary take the option provided for poor people (those who could not afford a lamb –Leviticus 12:8), by sacrificing a pair of turtledoves, or two young pigeons. One was for the burnt offering and the other for a sin offering.

3. The Flight into Egypt โ€“ The Flight into Egypt is described in Matthew (2: 13-23), in which Joseph and Mary fled to Egypt with baby Jesus after learning that King Herod intended to kill all the infants of the area in the hunt for the baby Jesus.

(The Flight into Egypt scene in this window has also been matched to one of the original drawings by Drape located at the State Library).

The second rose window contains the following three scenes:

1. The Nativity โ€“ The baby Jesus is shown in the manger with emanating rays of light.

2. The Annunciation โ€“ This is described in Luke (1:26-38) where the Angel Gabriel was sent from God to visit the Virgin Mary and told her that she was with child who was the son of God and to name him Jesus.

3. Visit of Mary to Elizabeth โ€“ The Visit of Mary to Elizabeth (Luke 1. 39-56).

Outside the chapel, above a door in the hallway, is a round window by Ferguson & Urie depicting the Madonna and Child and at the far end of the hallway at the landing of the first flight of stairs are two single light windows. One depicts the Sacred Heart of Jesus and the other a monogram of the letters โ€œAMโ€ (Auspice Maria).

ย 

The founder of Sacred Heart – Mother Mary Cecilia Xavier [Elizabeth Maguire] (c.1819-1879)

Elizabeth Maguire was the eldest daughter of Richard Maguire and Margaret McCann and was born in County Meath Ireland circa 1819 [3].

She entered the Mercy Convent in Baggot St, Dublin, Ireland on the 1st May 1843, took the name Sister Mary Cecilia Xavier and was professed on the 26th November 1845. Three of her younger siblings also followed in her footsteps [4].

On the 25th May 1855 she was elected as Mother Superior of the Baggot Street Convent for a term[5] and in 1859, Archbishop James Alipius Goold of Melbourne, petitioned the Sisters of Mercy in Dublin to establish a community in Australia at Geelong.

Mother Maguire, in the company of five other Sisters of Mercy; Sherlock, Mullally, Lynch, Manly and Ryan, they departed Liverpool in โ€˜Saloon Classโ€™ aboard the Ocean Chief on the 7th September 1859[6].

On the 28th November 1859, after 83 days at sea, the ship arrived in Hobsonโ€™s Bay and the following day the ships passengers penned a testimonial letter of thanks to Captain William Brown of the Ocean Chief to which โ€œThe Six Sisters of Mercyโ€ were a signatory to[7].

After a short stay in Melbourne as the guests of Mother Ursula Frayne at the Nicholson Street Convent in Fitzroy, they boarded the train for Geelong and arrived at St Augustineโ€™s Orphanage on the 3rd of December;

ย โ€œARRIVAL OF NUNS.- Amongst the passengers by the Ocean Chief were Mrs. McGuire, the superioress or the principal of Bagot-street convent, Dublin, and five other nuns of the Order of Mercy. Their ministrations will be confined for the present to Geelong, whither they go to-day, and they will assume the control and conduct of the St. Augustineโ€™s Orphanage, and other charities of the town. Ultimately, as the sisters become more intimately acquainted with the district, their sphere of action will be extended.- Herald.โ€[8].

The Sacred Heart Convent of Mercy began in a house named โ€˜Sunvilleโ€™ in the Mercerโ€™s Hill estate at Newtown, Geelong, which was formerly owned by the wealthy Geelong solicitor Joseph William Belcher (1784-1865). As early as January 1855 agents for Belcher, who had returned to Ireland in 1852, had been advertising the property โ€˜to letโ€™ with the advertisements describing it as;

โ€œโ€ฆBeing a large and commodious House, is very suitable for a Boarding School, or Seminary for young ladiesโ€ฆโ€[9].

It wasnโ€™t until January 1859 that Sunville was eventually to be used as a boarding school when Mrs Sarah Scales (c.1821-1884) [10], the wife of independent congregational minister Reverend Alfred Scales (c.1814-1893)[11], moved her pupils from their premises in Virginia street[12] to Sunville on the 18th January 1859 [13]. Mrs Scalesโ€™s boarding school was still at Sunville as late as July 1859 [14] but within a few months of the arrival of the Sisters of Mercy in December, the Sunville mansion and twelve acres of the surrounding Mercerโ€™s Hill estate would become the home of the Convent of Our Lady of Mercy.

On the 17th of February 1860 the Argus Newspaper reported;

โ€œThe house and grounds known as Sunville, on Mercer’s Hill, have been purchased for a convent by the Catholic clergymen here. There are about 12 acres of pleasure-grounds attached to the mansion, which is in every respect well adapted for the purpose. Six ladies of the Order of Mercy, who were sent out from the parent house in Dublin by Mrs. Cecilia Zavier McGuire [sic], have arrived in Geelong, for the purpose of establishing this new institution. Some of these ladies are said to have been in the Crimea on the same holy errand. They will attend the poor, the maimed, the sick, and the dying at their own homes, and in the public hospitals, and will superintend a boarding and day school to be attached to the institution. Mrs. McGuire is the founder of the Mater Miserecordia [sic] Hospital also. The house and grounds of Sunville are beautifully situated for the purpose for which they have been brought.”[15]

In late April 1860 the Sisters advertised for their first boarders and Mother Mary Cecilia Xavier Maguire would be the first Mother Superior of the new institution[16].

The following fourteen years saw the rapid expansion of the convent buildings with the Orphanage building erected in 1864, the boarding school in 1869 and the chapel in 1874. ย The construction of the chapel was not without mishap as the newly erected belfry-wall and corridor-gable blew down in a storm on the 19th December 1873[17]. They decided not to continue with the construction of the belfry and within six months the building was ready to be opened.

The official opening occurred on Sunday the 24th May 1874 and the Melbourne Argus reported;

โ€œThe new conventual church at Newtown-hill was formally opened this morning, in the presence of about 400 persons. The dedication ceremony was performed by the vicar-general. Previous to this the children of the convent formed a long procession, and marched several times through and around the church. They were all dressed in white. The children of St. Maryโ€™s headed the procession, wearing wreaths of blue flowers and scarfs of the same colour. The children of the Sacred Heart followed, wearing rich crimson regalia. Then came the children of St. Catherineโ€™s, with brilliant green scarfs, followed by the Orphan and Industrial School children. The effect altogether was very striking. After the dedication ceremony, High Mass was celebrated by the Archdeacon Slattery, assisted by the Rev. Fathers Kelly and Hegarty. The Rev. Father Kelly afterwards preached a sermon suitable to the occasion. About ยฃ300 was obtained from the collection. During the afternoon two young ladies took the veil.โ€[18]

On the 30th August 1879 Mother Mary Cecelia Xavier Maguire died at the age of 60 and was interred in the Convent cemetery[19].

Today the historical establishment founded by the Sisters of Mercy in 1860 is known as Sacred Heart College which celebrated its 150th anniversary in April 2010.

Acknowledgements:

Thanks to Claudette Brennan, Archivist of Sacred Heart College, for inviting us to see and photograph the windows and for her very generous time to show us around and impart her extensive knowledge of the history of the College.

Footnotes:

[1] The Argus, Melbourne, Vic, Monday 25th May 1874, page 5.

[2] Mercy Girls, The Story of Sacred Heart College Geelong 1860-2010, Watts, Turnbull, Walsh, 2010, Sacred Heart College 2010. P22.

 

1884: St Maryโ€™s Anglican Church, Sunbury, Victoria.

In the west wall above the entrance to St Maryโ€™s Anglican Church in Sunbury, is a two light stained glass window erected to the memory of politician and 9th Premier of Victoria, James Goodall Francis. The windows depict the Old Testament characters Moses and St James Major and has the memorial text at the base:

โ€œTO THE GLORY OF GOD AND IN MEMORY OF JAMES GOODALL FRANCIS DIED 1884โ€

The Church of England Messenger and Ecclesiastical Gazette for the Diocese of Melbourne and Ballarat, Vic, Thursday 5th February 1885, page 3.

“THE pretty little church of St. Mary’s, Sunbury, has recently been enriched by a memorial window, and a brass eagle, to the memory of the late Hon. J. G. Francis. The window is the gift of the parishioners, and is the work of Messrs. Ferguson and Urie, and has been pronounced by competent judges to be a most creditable specimen of the stainer’s art. It is composed of two lights, each containing three-quarter figures of Moses and St. James Major. Mr. Francis’ Christian name suggested the latter, and that of Moses is obviously significant of the upright and fearless politician. The lectern is from the celebrated firm of Jones and Willis, and is of solid brass. The modelling of the eagle is extremely natural. The pedestal bears the inscription – “To the glory of God, and in memory of James Goodall Francis, who died 23rd January, 1884. Presented to St. Mary’s Church by his widow.” It is simple and handsome, and has been greatly admired by the many visitors to Sunbury during the Christmas season. A correspondent writes to us- “our departed friend is missed more and more. His ready counsel, his large heart, and open purse made him both useful and popular. He was always accessible to “all sorts and conditions of men.” He was most regular in his attendance at divine service. He gave the local clergyman a generous and unfailing support. In the parish and in the vestry he was to the fore in every good work.

ย ย ย ย ย ย ย ย ย ย ย  …take him for all in all,

ย ย ย ย ย ย ย ย ย ย ย  (We) shall not look upon his like again.”

Photos taken 6th February 2011.

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James Goodall Francis (1835-1884)

James Goodall Francis was born in London in 1819 and emigrated to Van Diemenโ€™s Land (Tasmania) at age 15 circa 1835. He became a partner in a Campbell Town store and later joined the mercantile firm of Boys & Pointer in Hobart which he later brought and continued in partnership with Duncan Macpherson.

In 1847 he suffered an extensive head injury at the hands of a burglar named Peter Kenny[1] who was convicted and hung[2] for the offence in the same year. The injury caused Francis to suffer intermittently for the rest of his life. Three years after the hanging of Kenny it was found that he was wrongly convicted and executed after another man had confessed to the crime on his death bed[3].

In 1853 Francis moved to Melbourne and in 1855 was elected a director of the Bank of New South Wales. In 1856 he was elected as vice-president of the Chamber of Commerce and president in 1857. He also maintained financial interests in the Australian Sugar Company and Tasmanian Insurance Company.

In 1859 he was elected to the Legislative Assembly and continued an extensive political and business career. On three occasions he was considered for a Knighthood but consistently declined the honour[4].

His private interests as a vintner allowed him to establish a vineyard at Sunbury in 1863 where he no doubt became close friends with Sir William Clarke of โ€œRupertswoodโ€.

In 1872 he was elected the 9th Premier of Victoria and held that position until 1874 when ill health, attributed to his assault in 1847, forced his retirement[5].

James Goodall Francis died at his home โ€œWarringaโ€ at Queenscliff on the 25th of January 1884 aged 65[6] and was buried in the Melbourne General Cemetery. He was survived by his wife Mary Grant (nee Ogilvie 1824-1887)[7] and fifteen children and he left a sizeable estate valued at over ยฃ178,000[8].

His significant pink granite memorial at the Melbourne General reads:

“Sacred to the Memory of James Goodall Francis born 9th January 1819, died 25th January 1884.
Also his wife, Mary Grant Francis born 6th June 1824, died 18th May 1887.
What doth the Lord require of thee but to do justly and to love mercy and to walk humbly with thy God? Micah 6:8″

The memorial stained glass window was erected in the liturgical west wall above the entrance to St Maryโ€™s Anglican Church at Sunbury. The same church also has another Ferguson & Urie stained glass erected as the principal east window behind the chancel to the memory of Sir William Clarkeโ€™s daughter Agnes Petrea Josephine Clarke who died as an infant in early 1879.

Colonial Times, Hobart, TAS, Friday 5th March 1847, page 3.

โ€œPeter Kenny was capitally charged with a burglary in the house of Mr. James Goodall Francis, on the night of the 11th Feb., and with cutting and wounding Mr. Francis on the left side of the headโ€ฆโ€

Launceston Examiner, TAS, Wednesday 24th March 1847, page 4.

HOBART TOWN.- Peter Kenny, convicted of the burglary and desperate attempt at murder in the house of Mr. James Goodall Francis, in this city, and William Bennett, convicted of Murdering a fellow prisoner at Port Arthur, have suffered the extreme penalty of the lawโ€ฆโ€

The Cornwall Chronicle, Launceston, TAS, Monday 26th June 1876, page 2.

โ€œโ€ฆ We well recollect one poor fellow of the name of Peter Kenny, who was hung in 1847, on the evidence of the now Hon. J. G. Francis, of Melbourne, as the man who had committed a burglary in his house and assaulted him. Yet, some three years afterwards, a man very like the poor Peter died in the hospital, and before his death, confessed that he was the man who committed the burglary for which Peter Kenny was hungโ€ฆโ€

The Argus, Melbourne, Vic, Saturday 26th January 1884, page 1.

โ€œFRANCIS.- On the 25th inst., at Warringa, Queenscliff, James Goodall Francis, aged 65.โ€

The Argus, Melbourne, Vic, Saturday 26th January 1884, page 5.

โ€œDEATH OF MR J. G. FRANCIS

It is our painful duty to announce the death of the Hon. J. G. Francis, M.L.A., which occurred yesterday at Queenscliff, at half past 6 oโ€™clock p.m. The event was not unexpected. Mr. Francis had been gradually failing for weeks, if not months past. He had a very trying illness in March and April. His physical sufferings passed away with the surgical operations he had then to undergo, but his system, which had been strained more than once by illness, received a shock which deprived him of much of his former mental power, and nearly all his physical activity. His wife and family were henceforth always with him, and their presence could rarely be dispensed with. About six weeks ago, by the advice of Mr. Fitzgerald, one of his regular medical attendants, Mr. Francis removed from East Melbourne to Queenscliff. His case, before then, was known by Mr. Fitzgerald to be hopeless, but it was not considered necessary to acquaint the family with the fact. On Wednesday, Mr Fitzgerald was summoned to Queenscliff. He found Mr. Francis paralysed all down the left side, and insensible, Mr. Fitzgerald, before returning to town on Thursday, told Mrs. Francis that all would be over in a few hours, but his patient lingered until the third day. The news of Mr. Francisโ€™s death reached Melbourne between 7 and 8 oโ€™clock yesterday evening. Its immediate cause was the paralytic seizure and disease of the vessels of the brain, as well as nervous prostration from previous overwork. Mr Francis suffered for years from abscesses and other internal complaints. These ailments were cured each time they appeared, but their tendency was to leave the nervous system weaker than before. Arrangements have been made for conveying the body of the deceased gentleman to Melbourne by special train this evening. It is the wish of the family that the funeral, the time for which has not been fixed, should be strictly privateโ€ฆโ€

The Argus, Melbourne, Vic, Monday 28th January 1884, page 5.

โ€œThe remains of the late Mr. James Goodall Francis were brought from Queenscliff to Melbourne by special train on Saturday evening, and afterwards conveyed to Albert-street, East Melbourne, where the deceased for many years resided. Yesterday afternoon the funeral took place, and, in accordance with the wishes of the family, it was made as private as possible. Had a public ceremony been consented to, the remains of the late statesman would have been followed to the grave by thousands of his fellow citizens. It was, no doubt, more agreeable to the family and the mourning friends of the deceased that there should be an absence of display and popular feeling. Although no public notice was given, a considerable number of gentlemen attended the funeral, and Albert-street, in the neighbourhood of the house, was crowded with spectators. A body of mounted and foot police, under the command of Inspector Pewtreas, took charge of the approaches to the house and regulated the street traffic. They were sent by the authorities more as a mark of respect to the memory of Mr. Francis โ€“ a former Premier of Victoria โ€“ than for the purpose of preserving order, which was maintained almost without their help. The procession left Albert-street at about half-past 3 oโ€™clock, and its line of march was along Victoria-street and Madeline-street to the cemetery gates. It was about a quarter of a mile in Length, and consisted mainly of private carriages. The burial service at the grave was conducted by the Rev. H. H. P. Handfield, of St. Peterโ€™s Church, East Melbourne, assisted by the Rev. T. H. Goodwin, the cemetery chaplain. His Honour Mr. Justice Higinbotham; Sir William J. Clarke, M.L.C.; the Hon. James Stewart Johnston; the Hon Walter Madden, M.L.A.; the Hon David Moore, Mr. Herbert J. Henty, Mr. William H. Miller, of the Bank of Victoria, and Dr. Shields, were the gentlemen requested to act as pall-bearers. Amongst others present were the Hon. Duncan Gillies, Minister of Railways; the Hon. Alfred Deakin, Minister of Public Works; the Hon. Charles Youngโ€™ Sir Charles MacMahon, a former Speaker of the Legislative Assembly; the Hon. H. J. Wrixon; Mr. Zox, M.L.A; Mr. F. T. Derham, M.L.A.; Mr. Charles Smith, mayor of Melbourne and M.L.A. for Richmond (the first constituency represented by Mr. Francis in the Legislative Assembly); Mr. E. G. Fitzgibbon, town clerk; Dr. Youl, Mr. Alfred Wyatt, P.M.; Councillor Wilks, Mr. James England, and Mr. J. G. Burtt. The Premier, Mr. Service, who left for Sorrento on Friday, could not attend, but sent his carriage, which was occupied by Mr. Thomas, secretary to the Premier. Mr. Berry, the Chief Secretary, was also absent from town, having gone to Geelong, and Mr. Kerferd, the Attorney-General, was not sufficiently well to be present. The Bank of New South Wales, of which Mr. Francis was a director, and the Victorian Sugar Company, with which he was long connected, were both represented in the group of gentlemen who collected round the grave while the service for the dead was read. The body, enclosed in an oak coffin, covered with wreaths of flowers, was deposited in the family vault.

When the funeral procession, following the remains of the late Mr. J. G. Francis, entered the general Cemetery yesterday, the paths were overrun by a miscellaneous crowd of persons โ€“ chiefly boys and girls โ€“ whose curiosity to see what was about to be done caused pain and annoyance to gentlemen who, in mournful silence, were endeavouring to pay due respect to the memory of the dead. The line of march was broken at almost every step by the thoughtless intruders, who thrust themselves into front places, or pressed in from the edge of the path. On the hearse being stopped it was surrounded, and the staff of attendants provided by Mr. Daley, who conducted the funeral arrangements, were hampered by the uninvited crowd, whilst the pall-bearers would with difficulty get to their places. There was further crowding round the grave. What rendered the intrusion of strangers the more conspicuous was the fact most of the girls were dressed in glaring colours, in vexing contrast with the black costumes of the mourners. If the board of trustees who have the management of the cemetery, or some other body, could provide attendants, when necessary, to make it easy for the public to observe the ordinary rules of decorum, they would earn the gratitude of all who have occasion to follow friends or relatives to their last resting-place. The special body of police present yesterday had quite enough to do to control the traffic at the gates. Within the grounds there appeared to be no means of keeping line along the main walk.โ€

Related posts:

1880: St Maryโ€™s Anglican Church, Sunbury, Victoria.ย  (The east triple light window to the memory of Agnes Petrea Josephine Clarke)

Footnotes:

1869: Christ the King Anglican Cathedral, Ballarat, Victoria.

The Chancel of the Ballarat Anglican Cathedral contains an historic three light stained glass window created by the Ferguson & Urie stained glass company of North Melbourne. The window depicts the Nativity, Crucifixion and Resurrection and was erected in the later half of October 1869.

Photos taken between: 19th Sept 2010 and 28th Sept 2013.

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Construction of the first Anglican Church in Ballarat, known as Christ Church, commenced in 1854 in Lydiard Street, a year before Ballarat was proclaimed a Municipality and in the same year as the infamous Eureka Rebellion. The first stage of the church was completed by contractors Backhouse[1] and Reynolds in 1857 at a cost of more than ยฃ2000.[2]

In a mere ten years the congregation had outgrown the church and the plans were to enlarge it by the addition of transepts. On the 20th August 1867 the building committee of Christ Church accepted the tender of Mr Jonathon Coulson for the construction of the north and south transepts for ยฃ1655 to the plans prepared by architect Edward James.[3] The construction of these extensions began a month later.[4]

As part of the extensions and the beautification of the church was the idea of placing a locally made stained glass window in the chancel and on the 19th October 1867 it was reported;

โ€œWe are informed that the stained window for the chancel at Christ Church is to be the gift of Mr. E. A. Wynne[5]. Messrs Urie and Ferguson, of Melbourne, will most likely supply the glass. The subject for the window has not yet, however, been determined on.โ€[6]

Edward Agar Wynne (1823-1898).

Edward Agar Wynne, was a mining pioneer in the Ballarat region. He was Chairman of Directors of the Scottish and Cornish Gold Mining Company[7], a founder and director of the Ballarat Gas Company (established in 1858), and one of the first shareholders in the Black Hill mine, of which he still held 1200 shares in at the time of his death[8]. He took a leading role in the laying out of Ballaratโ€™s botanic gardens as well as being a member of the Acclimatisation Society[9].

He married Sarah Maria Palmer in London in c.1849 and migrated to Australia with his family c.1851-54.

In the mid 1870โ€™s he had decided to leave Ballarat and move to the Melbourne suburb of Balaclava and his substantial home on the shores of Lake Wendouree was subsequently purchased by the โ€˜Loreto Sistersโ€™ for use as part of their newly formed Convent in 1875[10].

His wife Sarah died on the 15th February 1882 at their home โ€˜View Hill,โ€™ Balaclava[11], and in 1884, at the age of 60, he married 26 year old Rebecca Israel Samuel[12].

Edward died at his home โ€˜Montacute,โ€™ Grey Street St Kilda, on the 9th December 1898 aged 75[13]. He was buried at the St Kilda Cemetery with his first wife Sarah and two of their children[14]. One of his sons from his first marriage, Agar Wynne (1850-1934), became a prominent Victorian politician.

Edward would not end up being the benefactor of the window and the enthusiasm for its creation lost momentum. It would be a further two years before the window would actually be created and more than a year after the 1867-68 extensions of Christ Church were completed.

By April 1868 the extensions to Christ Church were nearing completion and the local tabloid, โ€˜The Ballarat Starโ€™ reported;

โ€œThe alterations at Christ Church are now nearly finished. Both transepts have been erected, and the northern one has been occupied already. The south one requires some completing touches, and the chancel is also unfinished, the window not yet being glazed. We believe the organ is to be erected in the southern transept. It seems a pity the chancel could not have been deepened and widened, so as to have made it serve as for a cathedral choir, and thus have provided room there for the singers, instead of taking space for the choir out of the too small area of the church, even with its transepts added.โ€ [15]

The 6th of May 1868 heralded the re-opening of Christ Church and a series of celebrations were organised for the dedication of the new transepts and chancel. The services were conducted by Archdeacon Stretch[16] at the morning services and the Rev Handfield [17] at the afternoon services. The decorations in the church at this point indicated that the chancel window was still in an un-glazed state.

โ€œThe opening of Christ Church is to be celebrated this day, as the first of a series of days appropriated to the solemnities in question. Our advertising columns contain particulars as to the services, from which it will be seen that the venerable Archdeacon Stretch will officiate at the dedication of the transepts and chancel this morning, and that the Rev. H. H. P. Handfield will officiate in the afternoon. Full choral services will be sung on both occasions, and we may state apropos to this matter, that, the organ has been re-erected, and is now located in the southern transept. The church has been decorated with evergreens, wreaths depending about the transept arches and the chancel, and boughs screening the unglazed chancel window.โ€[18]

It wasnโ€™t until November 1869 that the creation of a stained glass window for the chancel came to fruition, but where it had been reported earlier in 1867 that the donor of the window was to be Edward Agar Wynne, it was now reported that the benefactor was William Henry Barnard, who had made the gift of the window at a cost in the vicinity of ยฃ200.

On the 30th of October 1869 โ€˜The Ballarat Starโ€™, gave an in-depth description of the window. Where it had been intimated earlier in 1867 that the Ferguson & Urie stained glass company were likely to supply the window, it was eventually created by them and depicts the Nativity, Crucifixion and Resurrection;

โ€œA very beautiful stained glass window has this week been erected in the east or chancel end of Christ Church. Mr. W. H. Barnard has made a gift of the window to the church, and the munificent donation is a rich and very appropriate adornment of the sacred edifice. The design includes the three leading events in our Lordโ€™s life, the middle compartment figuring the crucifixion, the two sides the nativity and resurrection respectively, each grouping, and especially that of the nativity, displaying fair accuracy in drawing, and a glorious wealth of colour. At the bottom is a half length figure of Christ giving thanks, and at the top is a dove, the symbol of the Holy Spirit. The subsidiary details, such as borderings, geometrical figures, and florials are in excellent keeping. Messrs Urie and Ferguson, of Melbourne, supplied and erected the window at a cost of some ยฃ200, and we have heard an opinion freely expressed, that though there may be larger there are no better windows than this one anywhere in the colony.โ€[19]

A week later it was further reported;

โ€œA very beautiful stained glass window has been erected in the east or chancel end of Christ Church, Ballarat. Mr W. H. Barnard has made a gift of the window to the church, and the munificent donation is a rich and very appropriate adornment of the sacred edifice. Messrs Urie and Ferguson, of Melbourne, supplied and erected the window at a cost of some ยฃ200.โ€[20]

William Henry Barnard (1830-1900)

The donor of the stained glass window, William Henry Barnard, was born in Surrey, England 1830, the son of John Barnard and Harriet Burrows.

On the 4th February 1859 he married Caroline Lawrence at St Johnโ€™s Church in Launceston, at which time he was employed by the colonial treasury as the Receiver and Paymaster at Portland in Western Victoria[21].

In February 1865 he was appointed receiver and paymaster, land officer, and gold receiver at Ballarat[22]. His wife Caroline died only a few weeks later aged 28 on the 25th February 1865[23].

On the 23rd April 1867, at Christ Church at Ballarat, he married Bessie Lynn, sixth daughter of local solicitor Adam Loftus Lynn[24]. Bessie died on the 3rd of September 1881 aged 36 at Ballarat giving birth to a daughter, the new born did not survive either[25].

He married a third time to Ellen Barnard, his first cousin and fifth daughter of his uncle George William Barnard of Landfall, Tasmania. They married atย  St Peter’s Church in Sturt Street Ballarat on the 29th August 1883.

On the 28th May 1886, at St Paul’s Church Melbourne, he married a fourth time, to Flora who was again a first cousin and younger sister of his third wife Ellen [26].

Barnard resigned from the Government Treasury positions in 1878 to become Secretary-treasurer of the Ballarat Cemetery Trust and he retained that position until his death in 1900. He was also registrar of the Ballarat School of Mines[27].

He died on the 12th January 1900 at his Errard-street home at Ballarat West aged 70 and was buried in the Ballarat old cemetery[28].

An original engraving depicting the chancel of Christ Church, circa 1874, shows the three light chancel window, and in the engraving are painted the words around the chancel arch:

“HEAR THOU IN HEAVEN THY DWELLING PLACE AND WHEN THOU HEAREST FORGIVE.” (1 Kings 8:30)

Text surrounding the arch around the top of the Ferguson & Urie stained glass window reads:

“WE WORSHIP THY NAME, EVER WORLD WITHOUT END”

(From the Book of Common Prayer).

None of this original text around the arches exists anymore.

By 1886 the idea of erecting an Anglican Cathedral in Ballarat had gained momentum with the Rev Samuel Thornton[29] (the first Bishop of Ballarat) as lead instigator. On the 18th March 1886 it was resolved to erect a Cathedral to the rear of the site of the current church;

โ€œAt a meeting of the Church of England Assembly in Ballarat on Thursday, it was resolved to build a cathedral on the church site in Lydiard-street. A resolution was also carried that the building should be of stone, and the cost was limited to ยฃ35,000, exclusive of the tower and spire.โ€[30]

โ€œThe Right Rev. Dr. Thornton has for some time been actively promoting the erection of a cathedral in the chief town of his diocese. At the suggestion of the bishop, the vestry of Christ Church consented to unite cordially with the diocese in the erection of a cathedral upon the site of their present parish church in Lydiard-streetโ€ฆโ€[31]

The laying of the foundation stone of the new cathedral was performed on St Andrews day[32] by the Governor of Victoria, Sir Henry Brougham Loch[33]. Sir Henry and Lady Lock arrived by special train at Ballarat on Thursday 29th of November[34] and the following day, St Andrewโ€™s Day, he laid the foundation stone of the new cathedral in the presence of the Bishops of Sydney, Melbourne, Bathurst and the Riverina[35] and a large assembly of the Ballarat Anglicans. Contributions exceeding ยฃ540 were placed on the foundation stone on the day[36].

The plan for the cathedral was that its construction would begin on the lower east side of the current church and the current church would then eventually form one of the transepts of the cathedral when completed.

By April 1890 construction of the cathedral had stalled. Unforeseen circumstances occurred with the foundations at the eastern end because of the steep slope and the lack of funds to rectify it had halted further work. In Bishop Thorntonโ€™s address to the Annual Church Assembly at the Ballarat City Hall on the 6th May 1890 he outlined his concerns and the expenditure to-date[37]

Sadly, nothing further transpired. The desire for an Anglican Cathedral in Ballarat did not gain the support it required and in 1931, forty years later, the Melbourne โ€˜Argusโ€™ reported;

โ€œโ€ฆThe ambition of Bishop Thornton was to see the Ballarat cathedral completed. The foundation-stone was laid by Sir Henry โ€“ afterwards Lord โ€“ Loch, when he was Governor of Victoria. It has not yet been finished, but cathedrals grow with the centuries rather than with the years. Some day it will be completed and an enthusiastic vicar may address his mind to the task of writing its history. In that history should be reserved and honoured place for the name of Dr. Thornton. He died in Lancashire, still in the service of his Churchโ€ฆโ€[38]

The cathedral would never be completed. Bishop Thornton died in England in 1917 and all that exists to recognise his efforts is a memorial brass tablet erected in the liturgical south west corner of the church which reads;

“TO THE GLORY OF GOD AND IN MEMORY OF THE RIGHT REVd SAMUEL THORNTON, D.D. FIRST BISHOP OF BALLARAT 1875-1900 WHO WAS A WISE MASTER BUILDER LAID THE FOUNDATIONS OF THIS DIOCESE AND FOR 25 YEARS LOVINGLY AND UNSPARINGLY DEVOTED TO ITS WELFARE ALL THE MANY TALENTS WHICH GOD HAD GIFTED HIM. DIED IN ENGLAND 25th. NOV 1917. THIS TABLET IS ERECTED BY THE DIOCESE.”

It is now more than 125 years since the then Governor Sir Henry Lock laid the foundation stone for the cathedral and evidence still remains of it to this day at the rear of the original bluestone church in Lydiard Street.

The lower basement of the cathedral which had been constructed before works were halted was known as the โ€˜Chapter Houseโ€™ and was used as the Diocesan office for many years and later sold to private enterprise circa 1980โ€™s. It was later used as a night club and is now a private residence.

The original church building facing Lydiard Street became the Anglican Cathedral of Ballarat and carries the title of the Church of โ€˜Christ the Kingโ€™.

The historic Ferguson & Urie stained glass window still exists in the chancel of the church in the exact same position it was erected in 1869.

As at 2016 the cathedral and associated buildings have been advertised for sale by the Anglican authorities.

Footnotes:

[5] Edward Agar Wynne (1823-1898).

[8] Edgar Agar Wynne, Vic Probate record 75/159, dated 17th May 1900.

[12] Vic BDM: 284/1884.

[14] St Kilda Cemetery, CofE, Compartment A-327.


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1945: James Auld, Lead-lighter & Glazier (1873-1945)

James Auld (1873-1945) is recognised as an employee of the Ferguson & Urie stained glass company between 1888 and 1898. He was also a  grandson of the principal partner of the company James Ferguson (1818-1894).

Photos from family history collections dating from 1898 from Australia & New Zealand.

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James Auld was the second eldest of nine children and was born on the 27th of August 1873 at his parentโ€™s chandlery and grocery business premises in Flinders Street Melbourne. His parents, Thomas Auld (1838-1913) and Janet Kay Ferguson (1844-1925) were natives of Scotland who married in the West Melbourne Presbyterian Church in 1871.

His mother was the second eldest daughter of James Ferguson, a principal partner of the pioneering stained glass company Ferguson & Urie of North Melbourne.

It had long been suspected that James Auld had been an apprentice to his grandfatherโ€™s stained glass firm but no evidence had previously been found to make any association with him and the Ferguson & Urie Company despite it being known in later years that he was a Glazier and Lead-light craftsman by trade.

The first clue comes in 1891 when The Ballarat Star of 15 May 1891 reported the prizes awarded at the Ballarat Juvenile Industrial Exhibition. In Class 17 it listed “J. Auld, Melbourne” as Silver Medal winner for “stained glass windows”. At the time this report was published James Auld was just short of his eighteenth birthday. 

In August 1896 another clue reveals him as an employee of his grandfathers stained glass company. A Ferguson & Urie employee named, James โ€˜Jimโ€™ Urie (1870-1896)[1], the son of James Urie[2], died. An account of Jim Urieโ€™s funeral in the local tabloids referred to the names of his coffin bearers as:

โ€œโ€ฆthe deceasedโ€™s fellow employeโ€™s – Messrs. J. Scott, C. Hardess. F. L. Lording (sic), J. Murdoch, J. Auld, and E. R. King…โ€ [3]

One of those employees listed was James Auld. Many other confirmed employees of the firm were also listed as pall bearers, such as; John Scott[4], Charles William Hardess[5], Frank Clifford Lording[6], E. R. King[7], James Ferguson Jnr[8], and J. M. Gilligan[9].

It can be surmised that James Auld was apprenticed to his grandfathers firm when he was about the age of fourteen or fifteen years of age (circa 1888) where he started learnt his trade with firm.

In 1890 Ferguson & Urie partner James Urie died[10] followed by James Ferguson in 1894[11] and the business ceased trading in 1899[12].

James spent some time in Western Australia circa 1898, but for how long is unknown. The last dated photograph of him in Victoria was in Melbourne in June 1899 and sometime after this he left for New Zealand where he gained employment with โ€œRobert Martin, Ltdโ€[13] sometime between 1900 and 1903. This firm were decorators in Manners Street Wellington[14] and whilst they were primarily renowned for their wall papers and other decorations, they had their own dedicated stained glass department under the direction of stained glass artist Chester Edward Carter (1862-1908)[15]. At the 1898-99 Auckland Exhibition the company was awarded a first prize for a stained glass window[16]. In 1900 the Wellington Industrial Association published a detailed report of their visit to Robert Martin Ltd in Wellington. The article provided an in depth description of the companyโ€™s business premises and stained glass department and of the specialist employees it stated;

“…Special men have been procured by Mr. Martin for each branch of the work here described – men having both English and Australian experience…” [17]

James Auld married Charlotte Mary Clarke (1876-1937) in Wellington on the 9th April 1903[18] and between 1904 and 1915 they had seven children;

Ian Kay (1904-1992), Marion Una (1906-1977), Stella Mary (1907-2010), Eric James (1908-1998), Jessie Olive (1910-2009), Irene Florence (1913-1914) and Frances Norma (1915-1987).

In 1907 James returned to Melbourne with Mary and their first three children, Ian, Marion and Stella aboard the โ€œMahenoโ€ in November 1907[19]. Family lore has it that they intended on staying in Australia but within a short time were reminded of the Australian summer heat and they subsequently returned to New Zealand circa mid 1908.

In 1913 James formed a business partnership with a Mr. Patrick Gleeson as โ€œAuld & Gleesonโ€[20] in Gisborne and by the 1930’s they had premises in Taranaki Street Wellington advertising as Oil and Colour Merchants, Leadlight Makers, Glass Bevellers, Painting supplies, Wallpapers, Window Glazing, and Bevelled Mirrors.

In 1915 Auld & Gleeson were awarded a Government tender at Gisborne to supply โ€œโ€ฆpaints, oils, colors, etcโ€ฆโ€ โ€œโ€ฆfor the period ending June 30, 1916โ€ฆโ€[21] This undoubtedly increased their trade turnover and along with their reputation for quality workmanship and materials enabled them to expand and employ more craftsmen in the trade. In 1920 they advertised for an apprentice, requesting a โ€œSmart Ladโ€ to learn the lead-light and glazing trade at their premises in Gladstone Road at Gisborne[22]. Later they were able to expand the business to include premises at Napier.

In many of the New Zealand electoral rolls, Jamesโ€™s occupation was listed as a “Glass Merchant,”  โ€œLead Glazier,โ€ and other variations of the same.

In December 1938 James visited his six surviving sisters at Moonee Ponds in Melbourne and it’s thought that at this time he gifted them a handmade lead-light fire-place screen, most likely of his own workmanship. The screen still exists and has been handed down to Australian descendants of his sister Isabella Stella Burleigh (nee Auld 1884-1980).

Jamesโ€™s wife Mary died on the 23rd of August 1937 at the age of 62[23] and was buried in the Karori cemetery. James died eight years later on the 12th of February 1945[24] at the age of 71 and was buried with Mary.

The other partner in โ€œAuld & Gleesonโ€, Patrick Gleeson, sold his business interests in the company and retired to Auckland where he died in 1965 aged 78 [25]. The new business owners, โ€œSmith & Smith,โ€ retained the โ€œAuld & Gleesonโ€ Company name and built a new warehouse in Jackson Street Petone in the mid-1960s where James Auldโ€™s second eldest son Eric was an employee of the firm until his retirement in the 1970s.[26]

Jamesโ€™ second eldest daughter, Stella Mary Fowler (nee Auld 1907-2010), lived to the extraordinary age of 103 years and in her lifetime she had revealed very little of her father’s history in the glazing trade. After she passed away in 2010 five extraordinary pieces of family history were uncovered.

The designs for Ferguson & Urie stained glass windows:

Among Stellaโ€™s family history items, were four hand-drawn and water colour painted designs for secular stained glass windows [images]. One rectangular window depicts a woman with long blond hair surrounded by the letters which make up the word “INDUSTRY”. On either side of her are two bluebirds in diamond-shaped quarries and the rest of the window depicts floral designs with the inclusion of three crimson bullseyes above and below the central image.

The second design is of a rectangular window which depicts another image of the long-haired woman picking and eating an apple from a tree. The surrounding floral designs include fourteen glass bullseyes of varying colours.

The third design is of an arch-shaped window of simple leadlight design with no figurative element and the fourth design depicts three long thin rectangular windows incorporating arch shapes with glass bullseyes of varying sizes and colours.

Along the edge of two of the designs, stamped in purple lettering, are the words, โ€œFor Ferguson & Urieโ€[27]. It is not known whether this series of windows were ever made but written in pencil on the reverse of one of the designs is what appears to be the dimensions for the windows and the name โ€œโ€ฆfor Johnstonโ€ and at the bottom is what appears to be an estimate for the creation of the windows of  โ€œ15/- per foot.โ€

Based on the patterns and designs for the windows it is estimated that the drawings were most likely created in the mid to late 1890s. No other detail is known.

The E. L. Yencken Glass Cart Photo:

Another of Stellaโ€™s historical items was an original photo of the employees of the โ€œE. L. Yenckenโ€ lead-light and stained glass Company of Melbourne. The photo depicts a horse-drawn cart adorned with lead-light glass panels that had been decorated for the eight-hour week procession and has the company employees next to it.

At the top of the cart can be seen the Royal Crown with the numbers โ€œ888.โ€ Below this, within the lead-light windows can be seen the letters โ€œEโ€ and โ€œRโ€ on the far left and right of the cart. The date of the photo can only be estimated as between 1901 and 1910 as this is the period of King Edward’s (E.R) reign from the 22nd January 1901 until his death on the 6th of May 1910. The Eight Hour March, which began on April 21st 1856, continued each year until 1951 and since then Australian workers continue to enjoy the Labour Day public holiday celebrated by a public holiday on the 2nd Monday in March each year.

Itโ€™s not known how Stella came into possession of these historical artifacts but it can reasonably be assumed that they originally belonged to her father James Auld.

Significant transcriptions:

Evening Post, New Zealand, Vol CXXXIX, Issue 37, 13th February 1945, page 1.

“AULD.- On February 12, 1945, at his residence, 82 Jubilee Rd., Khandallah, James, dearly-beloved husband of the late Mary Charlotte Auld, and father of Ian, Una, Stella, Eric, Jessie, and Frances; in his 72nd year.”

Evening Post, New Zealand, Vol CXXXIX, Issue 37, 13th February 1945, page 1.

“AULD.- The friends of the late James Auld are invited to attend his Funeral, which will leave our Chapel Tomorrow (Wednesday), February 14, 1945, at the conclusion of a service, commencing at 11 a.m., for Karori Cemetery. Robt. H. Wilson and Sons, Ltd., 164 Adelaide Rd.”

New Zealand – Evening Post Issue 40, 16 February 1945 Page 3.

โ€œMR. JAMES AULD

The many friends of Mr. James Auld will regret to hear of his death at Wellington on Monday morning after a brief illness. Born in Melbourne Mr. Auld came to Wellington 47 years ago to the firm of Robert Martin, Ltd. In 1913 he joined Mr. P. Gleeson and started business in Gisborne, subsequently expanding to Wellington, Napier, and Petone. He retired from active business six years ago. Being of a kindly and reserved nature he endeared himself to all with whom he came in contact. He was a member of the Khandallah Bowling Club and also of the Masonic lodge. His wife predeceased him seven years ago. He is survived by two sons, Mr. I. K. Auld and Mr. E. J. Auld, and four daughters, Mrs. C. H. Fowler, Wellington, Mrs. A. T. Robinson, Mrs. D. Lee, and Mrs. S. R. Vincent, Gisborne. Six sisters reside in Melbourne.โ€

References:

Robert Martin Ltd, Wellington New Zealand.

Footnotes:

[2] James Urie (1828-1890) was a principal partner in the Ferguson & Urie stained glass firm.

[4] John Scott (1850-1919), appears in the 1887 Ferguson & Urie dinner portraits.

[5] Charles William Hardess (1859-1849), appears in the 1887 Ferguson & Urie dinner portraits

[6] Frank Clifford Lording (1860-1944) appears in the 1887 Ferguson & Urie dinner portraits.

[7] A photo of โ€œE. R. Kingโ€ appears in the 1887 company dinner portraits.

[8] James Ferguson Jnr (1860-1945), appears in the 1887 company dinner portrait.

[9] A photo of โ€œJ. M. Gilliganโ€ appears in the 1887 company dinner portrait.

[12] The Ferguson & Urie Company closed in July 1899 after a 46 year history.

[13] Shop interior, including wallpapers, Robert Martin Ltd, Wellington. Shore Bennett, Beverley Doris, 1928- :Photographs. Ref: 1/2-173024-F. Alexander Turnbull Library, Wellington, New Zealand. http://natlib.govt.nz/records/22578337

[18] NZ BDM: 1903/2577, Presbyterian Church Kent Terrace Wellington.

[19] PROV, index to Unassisted Inward Passengers, Nov 1907, Fiche 328, page 003.

[23] NZ BDM: 1937/27935, age 63.

[24] NZ BDM: 1945/28964.

[25] Patrick Gleeson born Cowwarr, Victoria, Australia VIC BDM: 1886/17478, died Auckland New Zealand age 78, NZBDM: 1965/27070 age 78.

[26] Janice Ball (nee Auld) – email 28th August 2013.

[27] Copies of items from Jamesโ€™s grandson, Errol Vincent, New Zealand 2010.

Acknowledgements:

My gratitude to the Auld family descendants from New Zealand who have liberally contributed some fantastic family history and magnificent photos which appear on this and many other articles on the web site.


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1880: The Kernot window from ‘Firenze’, Sydney Rd, Parkville.

In 1880 Professor William Charles Kernot had his two story home โ€œFirenzeโ€ built in Royal Parade (Sydney Road) at Parkville[1] and commissioned the Ferguson & Urie Stained Glass Company of North Melbourne to create a window for the west wall above the landing of the staircase.

The arch shaped window contains Gothic floral designs with Acanthus leaves and Passion flowers. The centre roundel of the window contains the intertwined initials โ€œWCKโ€ (William Charles Kernot).

Kernot originally named his two storey house Firenze after the Italian name for the city of Florence in Italy and between c.1916 and c.1950 the house was known as โ€˜Quambyโ€™ and owned by classical ballet teachers, Jennie and Eileen Brennan.

In 1950 Quamby was purchased by the Government for use by the CSIRO[2] but was demolished circa 1990โ€™s[3]. Fortunately the stained glass window was removed before the demolition and gifted to the University by the CSIRO.

Conservation and restoration work on the window was carried out in 2007 by the Universitys’ Centre for Cultural Materials Conservation by Senior Objects Conservator Ms Holly Jones-Amin and her colleagues Jordi Casasayas and Raaf Ishak[4].

In 2006 the University established the Kernot Fellowship and the central design from the stained glass window with Kernotโ€™s initials are featured on silk scarves especially made for donors to the Fellowship[5].

The Kernot window was unveiled on Kernot Fellowship Day, 19th April 2007 by Mr James Minifie, a descendant of Professor Kernot[6].

As at 2013 the window is now installed in the conference room of old Engineering Building with artificial back-lighting.

Photos taken: 6th September 2013.

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Professor William Charles Kernot (1845-1909)

William Charles Kernot was born at Rochford, Essex in 1845 and arrived with his parents Charles Kernot[7] and Mary Wright[8] and younger sister Mary Jane[9] aboard the โ€˜Duke of Wellingtonโ€™ in February 1851[10]. His father, Charles Kernot (1820-1882), was a Chemist and Stationer in Moorabool street Geelong[11] and in 1864 was elected Mayor[12].

William was educated at Geelong Grammar and later matriculated at Melbourne University in 1861 with three Arts degrees and circa 1863 a certificate in Civil Engineering.

After a number of Government posts he began lecturing in Engineering at Melbourne University circa 1869 and in 1883 was appointed the first professor of engineering at the Melbourne University, a position which he held until his death in 1909. Over the course of his career he had donated thousands of pounds to the University for the establishment of scholarships and purchase of equipment and since 1926 the prestigious โ€œKernotโ€ memorial medal is awarded at the University for distinguished Engineering achievement[13].

Detailed accounts of his career achievements, philanthropy, obituary and biographies were published in the Argus in 1909[14] and the Australian Dictionary of Biography in 1974[15]

Two of his younger brothers, Wilfred Noyce Kernot (1868-1945) and Maurice Edwin Kernot (1852-1934) also became distinguished engineers and professors in Engineering at the University.

William Charles Kernot was unmarried and lived at โ€œFirenzeโ€ in Sydney Road Parkville with his younger siblings until his death on the 14th March 1909. He was buried at the Kew Boroondarra cemetery on the 16thย  March [16].

His sister Mary and brother Wilfred were interred with him at the Kew Boroondarra Cemetery in 1932 and 1945.

The Kernot gravestone at the Kew cemetery reads;

โ€œIN REMEMBRANCEย  WILLIAM CHARLES KERNOT FIRST PROFESSOR OF ENGINEERING, MELBOURNE UNIVERSITY. BORN ROCHFORD, ENGLAND, 1845. DIED MELBOURNE, 1909.
ENTER THOU INTO THE JOY OF THY LORDโ€.

โ€œMARY JANE KERNOT 1847-1932

WILFRED NOYCE KERNOT 1868-1945โ€.

Significant tabloid Transcriptions:

The Argus, Melbourne, Vic, Tuesday 16th March 1909, page 1.

โ€œKERNOT.- On the 14th March, at his residence, โ€œFirenze,โ€ Royal-park, William Charles Kernot, M.A., M.I.C.E., professor of engineering, Melbourne University, aged 63 years.โ€

โ€œKERNOT.- The Friends of the late WILLIAM CHARLES KERNOT, M.A., are respectfully invited to follow his remains to the place of interment, Boroondara Cemetery, Kew. The funeral will leave his residence, โ€œFirenze,โ€ Royal-park, THIS DAY (Tuesday, March 16, 1909), at 11 oโ€™clock, arriving at cemetery about a quarter past 12. JOSIAH HOLDSWORTH, Funeral Director, 380 Lygon-street, Carlton; and 659 Nicholson-street, North Carlton. Phone 1192.โ€

The Argus, Melbourne, Vic, Tuesday 16th March 1909, page 5.

โ€œTHE LATE PROFESSOR KERNOT.

Eloquent tributes to the worth of the late Professor Kernot and the late Mr. W. W. Cornwall were paid by the Chancellor of the university at the meeting of the University Council yesterday. Sir John Madden said that in their late registrar the University had a man of a rare type…โ€

โ€œโ€ฆAs to the late Professor Kernot, who had also passed from their service, who was there who did not know his immense worth, his great learning, his great skill, his patriotism, his total disregard of all selfish interests, and the work that he had done for education and for his fellow countrymen? Of a kindly and generous disposition he worked for the University persistently and enthusiastically and well. Whenever he had money to spare he spent it in the interests of the University, and for the encouragement of those who were to follow him. He left nothing undone to make the institution one of glory and advantage to the country in which he lived and which he was educated. Sir Henry Wrixon (Vice-Chancellor) added a few words to the appreciation of the deceased officers. The members of the council requested the Chancellor to convey the sympathy of the council to the families of the late Professor Kernot and the late Mr. Cornwallโ€. The funeral of Professor Kernot will proceed from โ€œFirenze,โ€ Royal-park, to the Boroondara Cemetery this morning. It has been arranged that members of the University shall meet in academic dress at the corner of Studley-park road and High-street, Kew, at 20 minutes to 12, in order to walk in procession to the cemetery. A train leaves Flinders-street for Kew at 13 minutes past 11. The Institute of Engineers, the Institute of Surveyors, and the Young Menโ€™s Christian Association, the Geelong College, the Working Menโ€™s College, and other institutions will also be represented at the funeral. No lectures will be given at the University before 1 oโ€™clock, and the Working Menโ€™s College will be closed from 9 oโ€™clock until 1.โ€

The Argus, Melbourne, Vic, Monday 15th March 1909, page 7.

โ€œDEATH OF PROFESSOR KERNOT

ย A DISTINGUISHED CAREER.

ย Widespread regret will be felt at the death of Professor Kernot, which occurred at his residence, โ€œFirenze,โ€ Royal-parade, Parkville, yesterday morning. His illness was of brief duration. About a fortnight ago Professor Kernot complained of feeling unwell, but his illness was not regarded as serious. Two days later he worked at some University examination papers, but on the following day he was confined to his bed. His medical adviser (Dr. Hobill Cole) attended him regularly, and last week, on his suggestion, Dr. Stawell was called into consultation. The patient was advised not to start work with the University term, but to take six monthsโ€™ rest. On Saturday afternoon Professor Kernot had a slight paralytic stroke. This seizure, supervening upon internal troubles, was the cause of death at 20 minutes to 1 oโ€™clock on Sunday morning. Mr. W. N. Kernot, who was with his brother at the last, mentions, as a coincidence, that the tramway cables which run past the door of Professor Kernotโ€™s residence, stopped just as the end came.

With the death of Professor William Charles Kernot, who for the past 26 years has been professor of engineering at the Melbourne University, a remarkable and distinguished career has closed. He was born at Rochford, Essex, in 1845, and when six years of age he was brought to Australia. His father, the late Charles Kernot, practised as a pharmaceutical chemist at Geelong, and was afterwards in Parliament. Professor Kernotโ€™s early education was received at the National Grammar School at Geelong. He matriculated at the Melbourne University in 1861, obtained the degree of master of arts in 1864, and received his certificate in civil engineering two years later. After being engaged in connection with the Geelong and Coliban waterworks, he entered the Victorian Mining department in 1865. Two years later he became associated with the Water Supply department, in which he remained until 1875. While in that position, however, he succeeded Mr. James Griffith as lecturer on surveying at the Melbourne University. In 1869 he began lecturing on engineering at the University, and in January, 1883, was appointed professor of engineering, a position he held until his death. In 1874 he was chief of the photo-heliograph party which made investigations from the Melbourne University in connection with the transit of Venus. In 1876 he was associated with Mr. Louis Brennan in the work of developing the Brennan fish torpedo, which was afterwards purchased by the British Government for over ยฃ100,000. In addition he was chairman of the two principal juries on machinery at the Melbourne International Exhibition in 1881, and was a member of the Royal Commission on Bridges in New South Wales in 1886. Subsequently he reported on the Derwent Valley railway bridges in Tasmania, and on a proposed underground telephone-wire service for Melbourne.

ย ย ย ย ย ย ย ย ย ย ย  Amongst the papers most prized by the late Professor Kernot was a letter which he received from His Majesty the King (then Prince of Wales) in 1881. The manuscript, now faded and worn, at the folds, bears the signature of His Majesty.

ย ย ย ย ย ย ย ย ย ย ย  As a jubilee gift Professor Kernot presented to the University, in 1887, the sum of 2,000 to endow scholarships in physics and chemistry. With Mr. Francis Ormond he assisted in the development of the Working Menโ€™s College, and made various gifts to the institution. He was president of the Institute of Engineers for six years, including the term 1906-1907. For some time he occupied the position of chairman of directors of the new Australia Electric Company, which supplied electric light in Melbourne from 1882 until 1890. An interesting incident in his career was his experience on the occasion of the railway strike. At that time he voluntarily undertook the task of instructing new drivers in the use of locomotives. His services were recognised by the Railway department, whose commissioners presented him with a gold medal set with diamonds. Last year, when the circumstances of the Sunshine railway disaster were being investigated, he rendered valuable assistance by superintending the brake tests. In addition to being a member of the Royal Geographical Society and the Royal Society, he was a prominent member and office bearer of the Albert-street Baptist Church, and officiated at the ceremonies of laying the foundation-stones of the Elsternwick and Camberwell churches.

ย ย ย ย ย ย ย ย ย ย ย  On one of his trips abroad Professor Kernot happened to reach South Africa at the time of the Boer war, and while travelling through the country was for a while held as prisoner of war. His best known publication was โ€˜Some Common Errors in Bridge Building.โ€ Professor Kernot, who was 63 years of age, was unmarried. His four brothers are Mr. Maurice E. Kernot, engineer in chief of the railway construction branch of the Board of land and Works; Mr. F. A. Kernot, dentist; Mr. P. W. Kernot (Messrs. Campbell and Kernot), architects; and Mr. W. N. Kernot, who is in charge of the engineering department of the Working Menโ€™s College. One sister resided with Professor Kernot, another is married to Mr. C. E. Oliver, engineer-in-chief of the Metropolitan Board of Works, while a third sister is the wife of Mr. E. Cooke.

ย ย ย ย ย ย ย ย ย ย ย  The funeral will take place at 11 oโ€™clock on Tuesday morning. It will be attended by University students, who will march from Kew to the Boorondara [sic] Cemetery.โ€

The Argus, Melbourne, Vic, Friday 6th July 1945, page 15.

โ€œWILLIAM CHARLES KERNOT, late of โ€œFirenze,โ€ Sydney Road, Parkville, Professor of Engineering, Deceased, Intestate.- After fourteen days Charles Home Kernot, of No. 2 Sidwell avenue, St. Kilda, civil engineer, one of the legal representatives of Maurice Edwin Kernot, formerly of the Victorian Railways, chief engineer for construction, late of โ€œArdoch,โ€ Dandenong road, East St. Kilda, civil engineer, deceased, a brother of the said William Charles Kernot, deceased, will APPLY to the Supreme Court for LETTERS of ADMINISTRATION of the estate of the said William Charles Kernot, left unadministered by Mary Jane Kernot, of โ€œFirenze,โ€ Sydney road, Parkville aforesaid, spinster, deceased, and Wilfrid Noyce Kernot, late of 10 Princes avenue, Caulfield, professor of engineering, deceased, the legal representatives of the said William Charles Kernot, deceased, may be granted to the said Charles Home Kernot, as such legal representatives of the said Maurice Edwin Kernot, deceased. Dated this sixth day of July, 1945. HOME, WILKINSON, & LOWRY. 100 Queen street, Melbourne, proctors for the said Charles Home Kernot.โ€

External links:

Melbourne School of Engineering:
http://www.eng.unimelb.edu.au.
http://www.eng.unimelb.edu.au/about/history/

Footnotes:

[2] Commonwealth Scientific and Industrial Research Organisation (originally formed in 1926 under its present title).

[3] The History of the CSIRO Laboratory at 343 Royal Parade; Rivett, Ward & Belkin; CSIRO Publishing 1996.

[5] Annual Report 2006, The Melbourne University Engineering Foundation, Page 3-4

[6] University of Melbourne Heritage Society Newsletter, June 2007, page 1.

[9] Mary Jane Kernot (1847-1932). Spinster.

[13] Wikipedia: The Kernot Memorial Medal (accessed 1 Sept 2013)

[16] The Argus, Melbourne, Vic, Tuesday 16th March 1909, page 1.

Acknowledgements:

My thanks to Michelle Mackay and her time and to the University of Melbourne for inviting me to see the window.

Short link to this article: http://wp.me/p28nLD-28N

 

ยฉ Copyright

1877: St Andrew’s Presbyterian Church, Colac, Victoria.

St Andrewโ€™s Presbyterian Church (now Uniting) at Colac in western Victoria contains an entire cycle of historical stained glass windows created by the renowned colonial craftsmen Ferguson & Urie of North Melbourne.

The Colac church archives have the intricate detail surrounding the concept of the stained glass windows, but the one which would mesmerise the congregation for well over a century would be the west end rose shaped window which was erected in 1877. It is a magnificent piece of stained glass dedicated to the memory of the pioneer of the Colac district, William Robertson, who died in 1874.

Photos taken 10th August 2013.

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On the 13th October 1876, the Secretary of the Colac Presbyterian Church, P. C. Wilson [1] invited architects to submit designs for their new church to be erected at Colac [2]. A month later a dozen submissions had been received:

โ€œSome twelve designs have been sent in for the New Presbyterian Church which is shortly to be erected at Colac. Some of the designs are of a very neat order.โ€ [3]

The designs of Melbourne architect Peter Matthews were subsequently chosen and the foundation stone was laid on the 10th April 1877 on the corner of Manifold and Hesse streets in Colac. Mr. E. Bulling had been selected as the building contractor and the church was constructed of bluestone quarried from George Robertsonโ€™s estate at nearby Coragulac [4]. St Andrewโ€™s was officially opened for services on the 16th of December 1877.

State aid to religion had officially ended at the start of 1876 leaving churches to fully fund themselves for new constructions but on the 19th of April 1877 a significant private donation came for the Colac church. Mr George Pringle Robertson of Coragulac wrote to the Presbyterian Church Committee with a generous offer of ยฃ150 towards the building fund on behalf of himself and his brothers James and William.[5]

The architects designs for the church included elaborate stone tracery to be fitted with a series of round windows at the liturgical west end facing Manifold street.

At 3 p.m on Friday the 5th of February 1877 the Church committee held a meeting, at which Peter Matthews and James Urie were present. The minutes record that;

โ€œMr Matthews Architect and Mr Urie of Ferguson & Urie were present by invitation.”

โ€œMr Urie submitted designs for stained glass windowsโ€;

โ€œMr James Robertson announced that he and his brothers had decided to defray the cost of putting in the large central window in a highly ornamental design of stained glass estimated at 100 guineas.โ€

โ€œResolved; that the thanks of the committee be given to Messrs Robertson Brothers for their very handsome gift to the churchโ€.

โ€œResolved; that ornamental leaded margins off stained glass be erected in all the windows in accordance with designs submitted.” [8]

On the 28th of June 1877 the Ferguson & Urie stained glass company provided the architect with a quotation for a stained glass โ€œRoseโ€ window at ยฃ100 in addition to the contract for work [6]. It was later resolved to also place windows with stained glass margins in all other windows of the church. The costs were tabled in the January 1878 minutes as ยฃ127./6/0 [7] with a further ยฃ30 owed to Ferguson & Urie by the architect Peter Matthews.

All the windows in the church were subsequently erected with Ferguson & Urieโ€™s simple stained glass margins of the alternating primary colours of red, blue and yellow.

The primary window, the large series of round stained glass windows in the liturgical west end, is an eight lobed oculus, or more commonly described as a wheel or rose window, and measures approximately twelve feet in diameter. A brass plaque below the window reads:

โ€œThis window was erected by William, George, & James Robertson in memory of their late father WILLIAM ROBERTSON, who died 18th Jan 1874, aged 76 yearsโ€.

The eight round outer lobes of the window contain four floral designs between another four which contain representations of the four Evangelists depicted as their biblical symbols (as described in Revelations 4:7-8).

In relation to a clock face, at 12 oโ€™clock the top window represents the winged St Matthew holding a ribbon with the text โ€œSt Matthewโ€, at 3 oโ€™clock, St. John (as the Eagle), at 6 oโ€™clock, St Mark (as the Winged Lion) and at 9 oโ€™clock, St. Luke (as the Winged Ox). The larger central round window contains the shield of the Trinity.

So who was William Robertson?

William Robertson (1798-1874) was a member of the Port Phillip Association which led to the first European settlement of Victoria. He was a renowned sheep and cattle breeder and became the largest landholder ever known in the Western district of Victoria since Colonial times. He was born in Alvie, Inverness-shire, Scotland on the 7th October 1798 and in late December 1822 arrived in Van Diemenโ€™s Land (Tasmania) with his brother John aboard the Regalia[9]. Initially selecting land near Campbelltown he partnered with his brother John and younger siblings James and Daniel (who arrived later) to form Robertson Brothers Mercantile Importers in Elizabeth Street Hobart in 1829[10], which was run by John & William, and in 1831[11] in Brisbane Street Launceston, run by James and Daniel. Their mercantile interests earned them a considerable fortune whilst John and William maintained their interests in sheep and cattle and a land holding of 7,500 acres at Elizabeth River (Campbelltown) which they offered for sale in 1835 [12].

On the 10th September 1834[13] William married Margaret White (1811-1866) of Berwick, Scotland, at Campbelltown in Van Diemenโ€™s Land, and they had four sons and three daughters.

Having become disillusioned by the land grants system in Van Diemenโ€™s Land he began to take an interest in the reports of explorers Hume & Hovel who had previously made expeditions to the Port Phillip district in 1824, then known as New Holland (and later Victoria). William was invited to become a member of the Port Phillip Association which led to the first European settlement of Victoria. He had also partially funded John Batmanโ€™s first two expeditions[14] to the Port Phillip district and later, in 1836, he explored the Western District of Victoria in the company of Joseph Tice Gellibrand and the infamous William Buckley.

In 1837 he returned to Port Phillip for the first of the Government land sales and made his first purchase of 5,000 acres at Colac. By late 1865 he had sold most of his business interests in Tasmania[15] and in early 1866 permanently moved his family to Colac where Margaret died only weeks later on the 19th of January 1866 [16]

He built his substantial residence, known as โ€œThe Hillโ€ at Colac where in December 1867 he hosted the Duke of Edinburgh [17].

By 1874 William Robertson had amassed over 34,000 acres of land around Colac to become one of the largest landholders in Western district of Victoria [18].

William Robertson died at his Colac property on the 18th January 1874 [19], predeceased by his wife Margaret and eldest daughter Jessie[20]; his total land holdings at Colac and district were listed at probate as 219,656 acres[21] and were divided equally between his four sons, John (1837-1875), William (1839-1892), George Pringle (1842-1895), and James (1848-1890).

The sons of William Robertson, donors of the window:

William Robertson (1839-1892):

The second eldest, William, was born in Hobart on the 29th March 1839[22]. He studied law at Oxford and was admitted to the Victorian Bar in 1864. He married Martha Mary Murphy in England on the 24th April 1863 [23], and was active in the Victorian political scene between 1871 and 1886 and during that time was also Colac Shire Councillor from 1877 and president in 1881-82. He died on the 23rd June 1882 and his funeral, held in Colac on the 28th June 1882, was โ€œone of the largest ever seen in the districtโ€.[24]

George Pringle Robertson (1842-1895):

The third eldest, George, was born in Hobart on the 22nd August 1842 [25]. He was educated at Rugby, and later at Trinity College, Oxford. He married Annie Murray in Scots Church, Melbourne, on the 18th May 1871 [26]. He was well known in cricketing circles and captained the Victorian Cricket Eleven against the All England team in 1874. He built โ€˜Coragulac Houseโ€™ on a portion of the family estate he inherited from his father. He joined the Colac Shire Council in 1878 and served for ten years and was twice elected president. He died 23rd June 1895 [27]

James Robertson (1848-1890):

The youngest was born in Hobart on the 7th July 1848 [28]. James was educated first in Hobart and later at Rugby in England. ย He was predominantly the manager of the Robertson estates in Western Victoria and in later years universally known as the best judge of the Shorthorn cattle breed. He married Margaret Stuart Stodart (1849- 1903) at St Georgeโ€™s Presbyterian Church at Geelong on the 16th March 1870 [29] . James died of Typhoid aged 42, during a brief visit to England, on the 25th July 1890 [30].

John Robertson (1837- 1875):

The eldest son, John, ย is not listed as a donor on the memorial plaque for the stained glass window in St Andrewโ€™s. He had died eighteen months after his father at his Cororooke estate aged 38 on the 18th July 1875 after a long illness[31]. His wife Sarah left for London in January 1876[32] and later married Louis Anderson Corbet at Stoke Bishop, near Bristol, on the 12th June 1877[33]. The Cororooke part of the Robinson Estate was willed to John after his fatherโ€™s death in 1874 and was sold at public auction as part of Johnโ€™s estate in late 1885[34].

Significant historical tabloid transcriptions:

The Argus, Melbourne, Vic, Tuesday 20th January 1874, page 5.

DEATH OF MR. WILLIAM ROBERTSON OF COLAC.

We have with regret to record the death of Mr William Robertson, of Colac, who expired at his residence at Colac on Sunday morning last, at the ripe age of 75 years. In him the colony loses one of the founders of its fortunes, for not only was he among the earliest of its pioneers, but he took an important part in its early struggles for existence, and never ceased his exertions in it until by his acumen, energy, and perseverance, his lands became a vast possession, and himself a millionaire. He was born in 1799, at Alvey, Inverness-shire, Scotland, where his father was a respectable sheep-farmer, and there the son was brought up. After receiving a sound practical education from the dominie of the parish, who afterwards became placed minister at Balmoral, the lad began to assist on his fatherโ€™s farm, and in that condition of life he arrived at manโ€™s estate. About this time he was attracted by the offers of land on easy terms, and the assistance of convict labour, made by the Colonial Office to induce emigrants with capital to locate themselves in Van Diemenโ€™s Land, and the result was, that he and his brother John accepted those offers, and, in 1822 arrived in the sister colony. His brothers, Daniel and James, subsequently followed his example. Our business is, however, with the first-named brothers, whose first step was to select 2,560 acres of land in the neighbourhood of Campbelltown, where they remained in partnership until 1831, when they decided to sell their property, which they had made valuable. They then entered into business in Hobart Town, by which they profited exceedingly, varying their occupation by farming a small estate they purchased near Melton Mowbray. In 1835 William became fascinated by the stories that were then told of the richness of Port Phillip, and with a view to enterprise in that direction, bore on his own account half the expense of Batmanโ€™s first expedition, the end of which was that the latter landed at Indented Heads and journeyed to Station Peak, from whence he took his first real survey of the glories of what was to him a promised land. On his return Mr. Robertson and others contributed the cost of Batmanโ€™s memorable second voyage, the object of which was to get a large slice of the newly-discovered territory. There is no need to repeat the well known story of the first settlement of Victoria. Suffice it that Colonel Arthur, in Tasmania, and Sir Richard Bourke, in New South Wales, declared Batmanโ€™s treaty with the natives invalid; that batmanโ€™s partners eventually abandoned their claim, under which Mr. W. Robertson and his associate asserted a right to the whole Geelong district an half the Indented Heads, and that they subsequently got a certain amount of compensation. It is worth mentioning that Batmanโ€™s idea was in the first instance to land at Western Port, and that he was wisely overruled by the subject of our memoir. After an unsuccessful attempt to obtain land by virtue of certain rights supposed to be possessed by Buckley, the convict who had lived 33 years among the blacks, Mr. Robertson for the first time crossed the Straits and visited the country of his adoption. On this occasion during his travels he saw the Warrion country, and the richly-grassed plains to the west of Colac. Here he settled, and brought 7,000 acres at auction. About this time he also became the owner of 7,000 acres near Bolinda, on the Deep Creek, now part of the famous Sunbury estate. In 1843 he purchased the run of Captain Foster Fyans, together with his stock, even then celebrated for its high quality. He also bought several other adjoining runs, and forthwith devoted his main attention to his Colac property. Subsequently he purchased 34,000 acres of splendid land on his runs, and by buying the best bulls and cows that could be got in the colonies, and importing purely bred Herefords and Durhams from home, he secured to himself the possession of stock unsurpassed in value in Victoria. It is to his lasting credit that, eager as he was to get land, he never unfairly availed himself of any of the facilities afforded by various land acts, but always bought at open auction. While carrying on this enormous business Mr. Robertson chiefly resided in Tasmania, but some 10 years ago, after a prolonged visit home, he decided to establish himself wholly here. This he did in good style by building a house on his estate, where, in 1867, he had the honour of entertaining H.R.H. the Duke of Edinburgh. Although he took no part in politics in Victoria, he had much to do with political life in Tasmania, and was among the leaders of the anti-transportation movement. He has left a family of four sons and two daughters โ€“ the latter both married. The eldest son, John, was educated in England, and underwent training in the Agricultural College of Cirencester. The second son, William, is a barrister, a B.A. of Oxford, and represents Polwarth and Grenville in the Legislative Assembly. While at college he enjoyed the honour of being the first Australian who pulled in an Oxford University eight. The third son, George, also graduated at Oxford, and distinguished himself in the cricket field as one of the Oxford eleven. The fourth son, James, was at Rugby. The deceased gentleman was always a man of great activity, and so great was his sympathy with manly sports that not a month since he sent away his son George from what proved to be his deathbed to play for the honour of the colony with the Eighteen of Victoria against the All-England Elevenโ€.

The Colac Herald, Vic, Friday 23rd January 1874, page (unknown)

โ€œYesterday afternoon (Jan, 22nd), Mr. Robertsonโ€™s remains were interred in the family vault in the Colac cemetery. At 12 oโ€™clock the whole of the business places in Colac were closed, and the majority of the male residents might have been seen wending their way to pay their last tribute of respect to Mr Robertson. At about 2 p.m., the coffin was placed in the hearse, and followed by three mourning coaches. In the first carriage were Messrs John, William, George P., and James Roberson (sons of the deceased); in the second, Messrs C. C. Dowling, Charles Officer, Tertius Robertson, and Joseph Sutherland; in the third, Rev J. D. Dickie, Dr T. Rae, Messrs Mathieson and Blake; in the following ones, the Hon C. Sladen, the Hon J. F. Strachan, Dr D. E. Stodart, Messrs A. Murray, Leishman, R. Calvert, J. Gibson, Chas. Beal, Captain J. Haimes, A. Dennis, B. Hepburn, C. Buchannan, A. Wilson, Tilly, and Strickland, the latter four representing the Shire Council. The pall-bearers were the Hon J. F. Strachan, Dr Stodart, Messrs A. Murray, J. Sutherland, R. Calvert, and J. Mathieson. Six of the employees of the deceased walked by the side of the bier the whole distance, arrayed in deep black. When the procession filed into the main road, it was found to be about a mile in length. About 75 buggies and other vehicles followed the hearse, and nearly 200 horsemen in double file, brought up the rear. A large number of people had gathered in the cemetery to witness the ceremony. The Rev J. D. Dickie conducted the service at the family vault. Fully 500 people must have been present, and Mr. Robertsonโ€™s popularity sufficiently explains this factโ€.

The Colac Herald, Vic, Tuesday 17th October 1876, page 3.

โ€œNOTICE TO ARCHITECTS.

DESIGNS are invited and will be received by the Committee of the Colac Presbyterian Church until FRIDAY, the 10th November next, for a NEW CHURCH at Colac. Copies of conditions upon which such designs are invited and will be received, may be obtained on application, from the undersigned.

P. C. WILSON, Secretary. Colac, October 13, 1876โ€.

The Colac Herald, Vic, Tuesday 14th November 1876, page 2.

โ€œSome twelve designs have been sent in for the New Presbyterian Church which is shortly to be erected at Colac. Some of the designs are of a very neat order.โ€

Illustrated Australian News, Melbourne, Vic, Wednesday 31st October 1877, page 171

โ€œNEW PRESBYTERIAN CHURCH, COLAC.โ€

ย โ€œThe foundation stone of a new church for the rapidly increasing body of the Presbyterians in the township of Colac was laid on the 11th [sic] of April, the site chosen for the purpose being situated at the junction of Hesse and Manifold streets. The church has been designed by Mr. Peter Matthews, architect, of Melbourne, and is an oblong edifice consisting of nave and two side aisles. It is 60 feet long by 35 feet wide, and will seat, when finished, 316 persons. The style of architecture is known as geometrical. There is a tower at the corner of Hesse and Manifold-streets, 80 feet in height from base of foundation to top of finial, the belfry is to be decorated in carved and open work, and the appearance of the tower will greatly add to the beauty of the building. The vestry is situated at the extreme end, measures 20 feet by twelve, and has a porch at each side; behind this are the book room and offices. The building is to be constructed of bluestone, from Mr. George Robertsonโ€™s estate, with Waurn Pond freestone dressings, and the floors and porches paved with encaustic tiles. The sides are pierced with windows, divided by stone pillars with carved capitals, and the southern front adjoining the tower decorated with a great rose window. The whole of the interior fittings will be of Huon pine, and the ventilation upon Tobinโ€™s system. The entire cost is estimated at 3280, and this calculation will not, it is believed, be exceeded. Mr. E. Bulling is the contractor for erecting the church, and, when finished, divine service will be conducted in it by the Rev. J. D. Dickie, pastor of the Colac Presbyterian Church.โ€

The Argus, Melbourne, Vic, Thursday 30th August 1934, page 3.

โ€œSALES AT โ€œTHE HILLโ€

293 HEAD REALISED ยฃ30,807 /4/

By R.V.B of the โ€œAustralasian: and A. S. Kenyon.

โ€œA successful landowner and businessman of Van Diemenโ€™s Land, William Robertson contributed half the cost of Batmanโ€™s first expedition to Port Phillip. He was one of the principals of the association which financed batmanโ€™s second expedition. Robertson arrived in 1836 with Gellibrand in the Norval. With Buckley as guide they set out on foot to examine the country west of Corio Bay. Buckley, who had lived more than 30 years with the blacks, claimed ownership of the Barrabool Hills, and these hills he โ€œpresentedโ€ to Mr. Robertson as a tribute to Robertsonโ€™s exceptional physical strength and endurance. It is not, however, as promoter of Batmanโ€™s expeditions or as โ€œownerโ€ of the Barrabool country, but as the proprietor of The Hill, Colac, and founder of the renowned Shorthorn and Hereford cattle herds that Mr. Robertsonโ€™s name is conspicuous in the records of Port Phillip. In 1843 he acquired the run of Captain Foster Fyans, with all the cattle on it. He retained Fyansโ€™s FF brand. He effected wonderful improvements in the standard of his herds, and the stud cattle of The Hill came to be acknowledged as unsurpassed in the world. In 1875 Robertson Bros., sons of the pioneer, purchased the entire herd of Mount Derrimut Shorthorn stud cattle, which comprised 27 head, including imported Oxford Cherry Duke, from Robert Morton for ยฃ27,000. Annual sales of stud cattle were held at The Hill. The Robertsonโ€™s pledged themselves to offer no stud animal for sale except by auction without reserve, and every female carried a guarantee as a breeder. The most notable sale of FF cattle at The Hill was on January 7, 1876, when a 26 months old Shorthorn heifer, Roan Duchess, was knocked down to the bid of Samuel Gardiner at 3,20 guineas, the highest price to that time for a heifer of her age. At this sale 293 head were cataloged in 118 lots. The sale occupied four and a half hours, and prices aggregated ยฃ30,807/4/, or more than ยฃ100 a head. The Shorthorns averaged ยฃ155/2/ and Herefords ยฃ45/7/9. In 1887 the last sale of cattle was made at The Hill. The whole herd was offered โ€œwithout reserveโ€ as usual, and the Robertsonโ€™s relinquished cattle-breeding in Victoria. William Robertson was born in 1799. He died at Colac, aged 75 years. He left four sons and two daughters. He sent his sons to be educated in England. John was trained at the Agricultural College of Cirencester. William, who became a barrister and member of the Legislative Assembly, was the first Australian to row in an Oxford University eight. George, who graduated also at Oxford, was a member of the University cricket eleven, and he played for Victoria against an All-England Eleven. James Robertson was at Rugby.โ€

Interesting coincidental points of note:

Joseph Tice Gellibrand (1786โ€“1837) has a memorial stained glass window dedicated to him at All saints Anglican Church at south Hobart. The window was created by the stained glass artist Charles Clutterbuck, England, and was erected in All Saints in 1864.ย  This window underwent heritage conservation work by Gavin Merrington of ‘Original Stained Glass” in Hobart in 2012. The same church contains stained glass work by the North Melbourne stained glass firm Ferguson & Urie which Gavin is also restoring in 2012-2013.

The brother, James Robertsonย  (1800-1874), mentioned in the above article built “Struan House” in Launceston in 1870-71which is now part of the Launceston Supreme Court. It also has remnants of original Ferguson & Urie stained glass. See 21-03-1871: Struan House, Launceston, Tasmania,ย Australia.

Points of note:

The Robertson family grave at Colac holds some interesting information and can bee seen here.

Acknowledgements:

My grateful thanks to the following for their assistance:

Arthur & Joyce Grant, Archivists, St Andrewโ€™s Colac, for the fantastic original church correspondence containing references to the Ferguson & Urie stained glass company from 1877-78.

Jan Thwaites, Secretary of St Andrew’s, Colac

Historical Society, Gellibrand Street, Colac.

Footnotes:

[1] Patrick Clason Wilson (1831-1915), also Colac Shire Secretary and Insurance agent. Died 29th May 1915 aged 84.

[5] Letter from G. P. Robertson to Church Committee dated 19 Apr 1877.

[6] Ferguson & Urie quote to architect Peter Matthews dated 28th June 1877.

[7] Church committee minutes, 11th Jan 1878.

[8] Church committee minutes 5th Feb 1877.

[13] TAS BDM: 2678/1834

[18] Royal Historical Society Journal, Vol 56, No.4, December 1985.

[20] Jesse died in Hobart 3rd December 1849 aged 14 years & six months. Her remains were removed from St Andrewโ€™s Cemetery at Hobart and re-interred in the family vault at the Colac cemetery on the 10th April 1868 (as mentioned on the memorial).

[21] Public Records Office Victoria file 11/547, grant dated 19 Feb 1874.

[22] TAS BDM: 99/1839

[25] TAS BDM:1101/1842

[28] TAS BDM: 171/1848

1871: Christ Church, Anglican, Beechworth, Victoria.

The foundation stone of the Anglican โ€˜Christ Churchโ€™ at Beechworth, was laid by Justice Thomas Spencer Cope (1821-1891) on Saturday 13th November 1858[1] and was built to the designs of prominent Melbourne Architect Leonard Terry (1825-1884). The foundation stone is now hidden beneath the tower which was erected in 1864[2].

Many 19th Century Australian Stained Glass artists and companies are now represented by later stained glass windows erected in Christ Church but only two of the original windows remain which were created by the Ferguson & Urie stained glass company of Curzon Street North Melbourne.

Photos dated 18th December 2011.

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At the liturgical north-west corner of the nave, near the tower entrance, are the remaining two original examples of Ferguson & Urie stained glass. These are just plain single light windows with the simple red and blue stained glass border designs with plain in-fill diamond quarries. These simple designs can be found in many Victorian Churches from c.1861 โ€“ c.1888. Itโ€™s likely that all the original windows in the church were created by the Ferguson & Urie Company at the time of its erection, but the course of time sees these original windows inevitably being replaced by memorial windows.

At the base of one of the two original windows is an obscure clue as to its donor. The lower edge of one window has the text; โ€œPresented 1871 BTWโ€. A small pink and yellow flower appears on the bottom left of the text and the heraldic symbol of a demi-wolf on the bottom right. The Latin text below the wolf reads โ€œRes Non Verbaโ€, meaning “things, not words” or “facts instead of words,” but probably more commonly known in modern times as “actions speak louder than words.”

This a very clever, simple, and very conservative adaption of one of Ferguson & Urieโ€™s plain โ€˜stockโ€™ windows. In most cases these simple windows with coloured borders were the first windows to be erected in a new church but this particular modified window is the only one found to date that has the bottom edge modified, very simply, to include the text of the donor and his coat of arms.

Although the clues at the base of the window are obscure, a logical process of elimination has narrowed down the donor of this stained glass window as extremely likely to be โ€˜Bowes Todd Wilsonโ€™ (c.1812-1882), Superintendent of Police for the Beechworth district Apr 1869 โ€“ Dec 1870.

Who was Bowes Todd Wilson?

In 1857 Bowes Todd Wilson (1812-1882) was Inspector of Police and District Paymaster at Kyneton[3]. In May 1859 he was appointed Territorial Magistrate for Swan Hill by His Excellency, H. S. Chapman[4] which he resigned in February1861[5]. In April 1869 he was appointed Superintendent of Police for the Beechworth District and retired in December 1870[6] with a Government pension of ยฃ186 p.a[7]. He remained in Beechworth for a short period after his retirement and later removed to Melbourne where he died at the โ€˜Parade Hotelโ€™, East Melbourne on the 12th August 1882[8], aged 70 years[9].

The heraldic symbol and associated Latin text in the stained glass window is identified as being the armorial crest of the โ€œWilsonโ€ family name; ย โ€œ..This Lion is actually a โ€œDemi Wolfโ€, and the motto is associated with the families names Wilson, as is the Demi Wolf…โ€[10]

About Christ Church:

On the 6th of November 1856, Major-General Macarthur had approved the appointment of the trustees of land set apart for the Church of England purposes at Beechworth. Those he appointed as Trustees were; Melnoth Hall, William Gore Brett, Edward Graves Mayne, Charles King and Samuel George Hogg. [11]

Two years later, William Gore Brett, was bestowed with the responsibility for the official invitations to the laying of the foundation stone of Christ Church and his invitation to the Beechworth Shire Council was read at the council meeting the previous day, 12th November 1858[12].

At the appointed time of two oโ€™clock on Saturday the 13th November 1858, Judge Cope laid the foundation stone and immediately after the ceremony a Bazaar to raise money for the building fund was held in the former El Dorado Hotel “…which has been tastefully decorated with evergreens, and colors of all traditions, (including the Chinese)…“

Significant tabloid transcriptions:

Ovens & Murray Advertiser, Beechworth, Wednesday 10th November 1858, page 3.

โ€œTHE NEW CHURCH OF ENGLAND.- The foundation stone of the new edifice, the erection of which has just commenced, will be formally laid this day by his Honor Judge Cope. The ceremony will take place at 2 oโ€™clock p.m. and will doubtless attract a large number of visitors to witness it.โ€

Ovens & Murray Advertiser, Beechworth, Thursday 11th November 1858, page 3.

โ€œTHE FOUNDATION STONE OF THE NEW CHURCH OF ENGLAND.- A mistake occurred in our notice yesterday as to the day on which the interesting ceremony would take place, but the fault in this case was not ours. The foundation stone will be laid on Saturday (D.V.) with the formalities usual on the occasion of this nature, by His Honor Judge Cope. Two oโ€™clock in the afternoon is the hour named and the event will we have no doubt attract a large concourse of persons.โ€

Ovens & Murray Advertiser, Beechworth, Saturday 13th November 1858, page 3

โ€œTHE FOUNDATION STONE of the Church of England in course of erection, will be laid at 2 oโ€™clock this afternoon by his Honor Judge Cope.โ€

The Argus, Melbourne, Vic, Monday 14th Aug 1882, page 1.

“WILSON.- On the 12th inst., at the Parade Hotel, East Melbourne, Bowes Todd Wilson, formerly Superintendent of police.”

Footnotes:

[1] Ovens & Murray Advertiser, Beechworth, Saturday 13th November 1858, page 3

[7] prov.vic.gov.au, Will & Probate documents, Bowes Todd Wilson, 1882.

[9] Bowes Todd Wilson, Vic BDM: 9368/1882, age 70.

[10] Stephen Michael Szabo, Hon. Secretary, The Australian Heraldry Societyโ€“ email, June 2012.

1870: St John’s Anglican Church, Diamond Creek, Victoria.

St Johnโ€™s Anglican Church at Diamond Creek was built to the designs of Charles Maplestone (1809-1878). His wife, Isabella Margaret Maplestone (nee Beale) (1822-1888) laid the foundation stone of St Johnโ€™s on the 11th of November 1867[1].

A balance sheet from St Johnโ€™s parish archives, dated 3rd May 1870 contains reference to stained glass windows with costs. One for ยฃ18-10s, and second for a side window for ยฃ5-5s to Ferguson, Urie, and Lyon[2].

Photos taken: 26th May 2013.

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Charles Maplestone (1809-1878):

Charles Maplestone was a well-known Victorian Public Works architect and avid Vintner in the Heidelberg area. He was born in 1809 at Beccles, Suffolk, England, and married Sarah Elizabeth Mash (1816-1856)[3] in Suffolk, England in 1837. In early 1853, 16 members of three generations of the Maplestone family departed England aboard the โ€œStrathfieldsayeโ€ and arrived in Victoria in April of 1853[4]. After his wife Sarah died in 1856 he then married Isabella Margaret Nodin (nee Beale) at St Helena, Victoria, on the 15th July 1857[5]. He died at “Ivanhoe Lodge”, Ivanhoe on the 25th May 1878 in his 70th year[6].

Isabella Margaret Maplestone (nee Beale) (1822-1888):

Isabella was a daughter of retired Pay Master, Major Anthony Beale, of the East India Corps and was born on the island of St Helena in 1822. She arrived in Van Diemens Land with her parents and siblings aboard the โ€˜Ceciliaโ€™ on the 29th July 1839[7] and then later to Melbourne in November 1839[8]. She first married Francis Nodin (1805-1856)[9] in Melbourne on the 12th December 1840[10] and after his death in 1856 she married Charles Maplestone on the 15th July 1857 at her fatherโ€™s property at St Helena, Victoria. She died at Kew, Victoria, on the 15th May 1888 aged 65 [11].

There is also an association to other Ferguson & Urie stained glass windows that were erected in the Beale family chapel at St Katherineโ€™s, St Helena. A single light stained glass window in the south wall of the nave was erected to the memory of Charles Maplestoneโ€™s son, Luther Maplestone (his son by his first marriage) who died in 1869. The east window of St Katherineโ€™s, also originally by Ferguson & Urie, was erected to the memory of the pioneers Katherine and Anthony Beale. All the original stained glass windows in St Katherineโ€™s were destroyed in a fire in 1957 and were re-created as replicas by the Melbourne stained glass firm Brooks, Robinson & Co.

On the 8th of August 1897 a memorial window, by stained glass artist William Montgomery was dedicated in St Johnโ€™s Anglican Church Heidelberg, to the memory of Charles and Isabella Margaret Maplestone[12].

The Argus, Melbourne, Vic, Wednesday 13th November 1867, page 5.

โ€œOn Monday the foundation-stone of an Anglican church was laid in the new township of Diamond Creek, by Mrs. Charles Maplestone, the wife of the honorary architect. The Rev. J. Hullis (parochial minister), the Rev. B. S. Walker, and Mr. Watkins, M.L.A., took part in the ceremonyโ€ฆโ€

The Argus, Melbourne, Vic, Monday 5th October 1868, page 3.

โ€œTENDERS for QUARRYING, Excavating, and Building a portion of the Foundation (labour only) of St. Johnโ€™s Church, Diamond Creek. Plans and specifications to be seen at the Carlton Club Hotel, Gertrude-street.โ€

The Argus, Melbourne, Vic, Friday 4th November 1870, page 5.

โ€œOn Tuesday last the ceremony of opening St. Johnโ€™s Church, on the Diamond Creek, in the parish of Millumbik, was performed by the bishop of Melbourne, assisted by the Very Rev. the Dean and the Rev. A. Brown. Service was held in the building, which was crowded to excess. At the conclusion of the address delivered by the Bishop, a collection was made, which realised upwards of 20. In the evening a tea meeting was held, in aid of the building fund, to which some 300 sat down, and an adjournment then took place to the church where, the Dean presiding, addresses were delivered by the Rev. Mr. Walton, a minister of the Primitive Methodist Church; Mr. A. Ross, of the Presbyterian; Mr. Rodda of Queenstown; and Messrs. Billing, Johnson, Maplestone, Bell, Beale, and others. Mr. Christian, to whose exertions is mainly to be attributed the erection of the building, brought up a report, which is a handsome specimen of the Early English style of Gothic architecture, is capable of holding some 200 persons, and will be an ornament and a credit to the district.โ€

The Argus, Melbourne, Vic, Monday 27th May 1878, page 1.

โ€œMAPLESTONE.- On the 25th inst., at Ivanhoe-lodge, Ivanhoe, Charles Maplestone, in his 70th year.โ€

The Argus, Melbourne, Vic, Thursday 17th May 1888, page 1.

“MAPLESTONE.- On the 15th inst., at her residence, Kew, Isabella Margaret, widow of the late Charles Maplestone, of Ivanhoe Lodge, Ivanhoe, aged 65 years.โ€

Advertiser, Hurstbridge, Vic, Friday 3rd December 1937, page 1.

โ€œโ€ฆThe foundation stone was laid on November 11, 1867, in the twenty-first year of the Episcopate of Charles Perry, D.D., Bishop of Melbourne, by Mrs. Charles Maplestone, the wife of the honorary architect. It is curious that the foundation stone cannot be identified as there is no sign or mark to tell which is the stone that was laid by Mrs. Maplestone. Although there are a few residents of the district who were present at the laying of the stone, they are not agreed as to the exact location, or where the ceremony took place. Some say at the east end, others at the north end of the building. Some believe that the historic stone has been hidden by the porch, when the church was renovated in 1927. It is known, however, that the stone is a massive one and is hollowed out for the reception of a hermetically sealed bottle containing an interesting account of church life at that time and the daily papers including โ€œThe Advertiser,โ€ and every coin of the realmโ€ฆโ€

Rev Jock Ryan & Henry Huggins; email from Mrs Bev Ward, 15th June 2013.

โ€œโ€ฆthe Revd. Jock Ryan has let me know that he and Henry Huggins (a parishioner involved with previous extensions at St. Johnโ€™s) have searched the parish archives and have found a balance sheet dated 3rd May 1870 which contains reference to a stained glass windows. One window for 18 pounds 10 shillings and second one for a side window for 5 pounds, 5 shillings to Ferguson, Urie, and Lyon. This would confirm the names of the makers of the original windows.โ€

Footnotes:

[2] Rev Jock Ryan & Henry Huggins; email from Mrs Bev Ward, 15th June 2013.

[4] Index to Unassisted Inward Passenger Lists to Victoria 1852-1923, Fiche 036, Pages 001 & 015.

[5] Vic BDM: 2754/1857.

13-07-1885: St Davidโ€™s Mission Chapel, Campbell Street, Hobart, Tasmania.

In July 1885 the Ferguson & Urie stained glass company of North Melbourne created a stained glass window for the St Davidโ€™s Mission Chapel in Hobart, Tasmania. It was erected in the chapel in late October the same year.

The โ€˜roseโ€™ or โ€˜wheelโ€™ shaped window is still extant in the original building in Campbell-street Hobart. The window was donated by a โ€œMiss Parsonโ€™sโ€ and comprises three trefoil shaped windows with the upper trefoil containing a Hexagram symbol representing the Star of David. The lower left trefoil contains the descending Dove and the lower right trefoil contains the Paschal Lamb carrying the St George Banner. Three curved triangular shaped windows appear on the outer edge between the trefoils to give the whole arrangement the appearance of a large round window. Each of the three triangular pieces contains the face of an angel with wings. The perimeter of each individual piece has the typical Ferguson & Urie stained glass border design of alternate red, blue and yellow separated by a small flower design.

Photos of stained glass courtesy of Ms Danielle Pacaud, 8th March 2012.

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The foundation stone of St. Davidโ€™s Mission chapel was laid on the 24th of November 1884 by the Bishop of Tasmania, Rev. Dr. Daniel Fox Sandford. The site chosen for the building was in the poorer working class district of Hobart in Lower Campbell-street, an area originally known as โ€˜Wapping.โ€™[1]

Before laying the foundation stone of St. Davidโ€™s, Bishop Sandford placed the usual casket or time capsule beneath the stone which contained the following items:

โ€œโ€ฆcoins of the realm, from a farthing upwards, a twopenny stamp, copies of newspapers of that dayโ€™s date, and a document bearing the following inscription:- โ€œSt. Davidโ€™s Mission Chapel, Lower Campbell-street. This stone was laid by the Right Reverend Daniel Fox Sandford, D. D., Bishop of Tasmania, on the 24th November, a.d., 1884. His Excellency Major Sir George Cumine Strahan, R. A., K.C.M.G., being Governor of Tasmania, the Ven. Archdeacon Davenport, B.A., Archdeacon of Hobart; Ven. Francis Hales, B.A., Archdeacon of Launceston; the Rev. H. C. Hancock, acting incumbent of St. Davidโ€™s; Messrs. E. H. Butler, B. Travers Solly, J. G. Steele, churchwardens of St. Davidโ€™s parish; H. Hunter, architect; Joseph Sharpe, Arthur Harrison, Adolphus Inches, contractors. The chapel has been erected by voluntary subscriptions to supply a want long felt in this portion of the parish of St. Davidโ€™s.โ€[2]

The chapel was designed by architect Henry Hunter ย and was underestimated to cost of ยฃ1,500. It was constructed by contractors Sharpe, Harrison, and Inches and opened by Bishop Sandford on the 12th of July 1885. At the opening ceremony a detailed account of the building and furnishings was published, amongst which was a description of the windows:

โ€œโ€ฆAbove the altar in the eastern elevation is a โ€œroseโ€ window. It is to be filled in with stained glass by Miss Parsonโ€™s, Brownโ€™s River, and when completed will have a pretty and effective appearance. The stained glass for the window is being prepared by Messrs. Ferguson and Ure [sic], Sydney [sic], and its arrival is shortly expected. There are six windows along one side of the church, and five on the other, while in the western end there is one on each side of the entrance. They are all filled in with ribbed glass, and the building is thus well-lightedโ€ฆโ€ [3]

Three months later the stained glass windows arrived from Melbourne and on the 15th of October 1885, the Rev Henry Charles Hancock, acting as chairman, reported to the committee:

โ€œโ€ฆThe chairman stated the Mission Church was all finished, with the exception of putting in the stained glass windows, which had arrived, and would be in by the end of next weekโ€ฆโ€ [4]

The St Davidโ€™s Mission Chapel is no longer a consecrated church and its most recent commercial use from 2008 was the home of the โ€œDetachedโ€ Art Gallery.

ย โ€œโ€ฆ Built in the Victorian Free Gothic style at the end of the nineteenth century, the former church lends itself to the creation of an artistic space. The high gothic roof trusses with the original dark timber purlins and rafters provide a dramatic contrast to the open space that appears below. Heritage Advisor with Heritage Tasmania, Danielle Pacaud, said the combination of clever design and retention of the features of the original church was impressive. โ€œThe space provides an ingenious arrangement of movable walls giving the flexibility the gallery needs, while protecting its heritage fabric,โ€ Ms Pacaud said.ย An original stained glass window in vibrant blue, yellow, red and green at the rearย of the building is highlighted against the white walls of the gallery. The window was the subject of a condition placed by the Heritage Council in the conversion of this church, which owner, Penny Clive, was more than happy to comply withโ€ฆโ€ [5]

Footnotes:

[5] Heritage Tasmania, place ID 2190. Tasmanian Heritage Council Report 2007-2008, page 12.

Note: The Church at 7 Campbell street Hobart was recently sold on the 4th Nov 2019.


Short link to this page: https://wp.me/p28nLD-24k

ยฉ Copyright

1897: The Singleton Dispensary, Collingwood, Victoria,

In 1891 the well known and much respected philanthropist Dr. John Singleton died at his residence in East Melbourne at the age of 84.

A native of Dublin, Ireland, Dr John Singleton (1808-1891) was remembered by the poor of the Collingwood district as their Saviour in times of need.ย 

In February 1897 the public subscribed for a stained glass window to be erected in his memory[1]. The window was created by the Ferguson & Urie stained glass company of Franklin Street Melbourne and was unveiled on the 2nd of April 1897 by the Hon C. J. Ham[2].

The date 1897 also makes this stained glass window amongst the latest surviving windows known by the firm.

The window was originally erected in Singletonโ€™s Medical Dispensary in Wellington-street, Collingwood in 1897 and was donated to the City of Collingwood in 1979, and subsequently installed on the staircase of the Collingwood Town Hall.[3]

As at August 2013, one end of the old dispensary building in Collingwood now hosts “Wet on Wellington“, a business advertised as “Melbourne’s Finest Gay Pool & Sauna”.

Photos of the window were taken 11th July 2012 at Geoffrey Wallace ‘s Studio at Caulfield.

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[View larger images]

In 2011 the window underwent heritage restoration and conservation work by Geoffrey Wallaceโ€™s stained glass studio and it has remained at the studio since 2011 whilst the Collingwood Town Hall undergoes refurbishment. The window is scheduled to be re-installed in Aug/Sept 2013.

Note: The overall picture of the entire window in the slideshow is a composite image made up of the three individual sections of the window in Geoffrey Wallace’s studio in Caulfield. Geoff also advises that the image of the Singleton Armoral Bearings at the bottom right is not an original piece from Ferguson & Urie era .

The central figurative scene of the window depicts the biblical scene where the Apostles Peter and John refuse the disabled man money and command him to walk in the name of Jesus

The biblical text beneath the image reads:

“THEN PETER SAID SILVER AND GOLD HAVE I NONE BUT SUCH AS I HAVE ย GIVE I THEE IN THE NAME OF JESUS CHRIST OF NAZARETH RISE UP AND WALK”.
(King James Bible โ€“ โ€˜Acts 3-6โ€™ – where Peter heals the lame beggar and commands him to walk in the name of Jesus).

The memorial text to Dr John Singleton appears at the base of the window and reads:

โ€œIN MEMORY OF JOHN SINGLETON ESQ, M.D THE FOUNDER OF THIS INSTITUTIONย  AND OF SEVERAL OTHER CHARITIES IN COLLINGWOOD WHO DURING A LIFE OF EIGHTY FOUR YEARS DEVOTED HIMSELF TO THE RELIEF OF HUMAN SUFFERING ESPECIALLY AMONG THE POOR MAKING ALL HIS CHARITIES THE MEANS OF DIRECTING MEN TO CHRIST FOR THE SALVATION OF GOD THROUGH THE HOLY SPIRIT. HE DIED 30th SEPT 1891, TRUSTING IN CHRISTโ€.

The bottom left of the window depicts an extraordinarily detailed portrait of the elderly doctor Singleton. So fine is the artistic detail, that practically every hair in his long white beard is visible in intricate detail as well as his facial signs of age. The portrait has been done in one single roundel of glass of about 15cm in diameter which makes it all the more remarkable in fine artistic stained glass talent.

At the bottom right is the heraldic symbol and motto of the Singleton family. It depicts a knightโ€™s iron gloved arm with his hand holding an arrow with the Latin text below:

โ€œCONSEQUITUR QUODGUMQUE PETITโ€ (“He attains whatever he attempts”)

Photos were taken at Geoffrey Wallaceโ€™s Stained glass studio 11th July 2013.

So who was Dr. John Singleton?

Dr John Singleton (1808-1891)

Having received a favourable report of the colonies from his brother, the Rev William Singleton (1804 โ€“ 1875) who had arrived earlier in 1849, Dr. John Singleton obtained a position as ships surgeon aboard the โ€˜Harpleyโ€™ and arrived in Australia with his family on the 30th January 1851[4]. He was the founder of the Free Medical Mission Dispensary, the Collingwood Temperance Home for Friendless Women, the Bread Fund, and Night Shelters at Collingwood and West Melbourne and the Widowโ€™s Cottages at Collingwoodโ€[5].

Having personally experienced the effects of alcohol, he deduced that liquor was nothing more than a poison which had no nutritional or medicinal properties and from this he set about to debunk the practice that for centuries saw its wide-spread prescription by the medical profession as a cure for many ailments[6]. This also lead to his successful establishment of Temperance Societies, the Society for the Promotion of Morality, a close association with the Salvation Army, and many other societies and charities associated with the well-being of the poor, destitute, and downcast members of society.

Dr John Singleton died at his residence โ€œOrmiston Houseโ€, in Grey-street East Melbourne on the 30th September 1891 in his 84th year[7]. His funeral procession travelled the 4.5km journey via his Collingwood Dispensary in Wellington street where it stopped for a photograph[8], before continuing to the Melbourne General Cemetery where he was interred with his wife Isabella (nee Daunt) who pre-deceased him 7th December 1886[9].

Portraits of Dr John Singleton can be found in the Royal Children’s Hospital, Melbourne, and the Singleton Medical Welfare Centre (the original Heritage listed dispensary) in Wellington-street Collingwood[10]. The stained glass window created by the Ferguson & Urie company over a century ago is now located in the Collingwood Town Hall.

The Singleton family grave-site was restored in 2013-14.

Significant or notable transcriptions:

Mercury and Weekly Courier, Vic, Thursday 4th February 1897, page 3.

โ€œNOTICE Subscriptions will be received in aid of a Memorial Window for the late Dr. Singleton to be erected in the Dispensary.โ€

Extract from the 28th Annual Singleton Dispensary Report, Collingwood Sept 1898[11].

โ€œโ€ฆThe Committee had the pleasure, on the 2nd of April, of unveiling in the Dispensary, a memorial window, erected in honor of the late Dr. Singleton, the founder of the institution and of several other public charities in the district. In its erection they had the assistance of many gentlemen, the friends of the late doctor, and former patients at the Dispensary. It was designed by Messrs. Ferguson and Urie; was unveiled by the Hon. C. J. Ham; and represents on a scale, third of life size, the apostles Peter and John healing the sick at the Gate Beautiful, of the Temple at Jerusalem. Below the picture is a tablet in stained glass recording that Dr. John Singleton, during eighty-four years had devoted himself to the relief of human suffering, especially among the poor, making all his charities the means of directing men to Christ. A medallion portrait of Dr. Singleton is placed on one side of the inscription, and on the other is his crest and motto.โ€

Illustrated Australian News, Melb, Vic, Saturday 7th Nov 1891, page 17.

(the original article includes an engraving of Dr. John Singleton. The image is also displayed in the slideshow of images above)

โ€œTHE LATE DR. SINGLETONโ€.

โ€œThe announcement of the death of Dr. John Singleton will be received with regret, not only by the class brought immediately into contact with the deceased gentleman, the poor and the suffering, but by the public generally, to whom the figure of the veteran philanthropist was as familiar as it was respected. Dr. John Singleton was born on 2nd January, 1808. He was one of a family of nine children, six sons and three daughters, and, as he evinced at an early date a decided partiality for the medical profession, attended at the Apothecariesโ€™ Hall, where he passed the classical examination at 14 years of age. He went through the course for matriculation at Trinity College before he was 15, and was articled for three years to a licentiate apothecary, a tenant of his fatherโ€™s, in Kells, County Meath. It was while he was thus occupied that he felt a spiritual awakening, which influenced all his after life. He was married in 1834, when he was 26 years of age and in the enjoyment of a fair practice as a doctor. After his marriage he and Mrs. Singleton commenced the charitable and missionary work together, which they persistently carried on to the last. In September, 1850, Dr. Singleton accompanied by his wife and seven children left Plymouth for Australia in the ship Harpley, which arrived in Port Phillip on the 30th January, 1851, from which time this colony has been their home. Since he first set foot in this country Dr. Singletons life has been devoted to one unbroken effort to assuage the lot of the homeless, the friendless, the miserable or the vicious, and in every department of the benevolent endeavour he laboured untiringly. In the early days of the colony, when organised philanthropy had scarcely been thought of, Dr. Singleton devoted himself earnestly to his labour of love, with the result that many of the most flourishing institutions that now exist to alleviate the distress of the unfortunate classes received their first impetus. Although in his 83rd year, and with a record for sheer hard work that can be boasted by few public men, Dr. Singleton was still active in his benevolent and professional duties till the commencement of this year. Then advanced age and the calls that he had made on his constitution began to tell, and he was seized with a sharp attack of sickness. Directly he was able to, however, he resumed his efforts in the cause of philanthropy, till some four months ago he was again compelled to take to his bed. Several times he rallied, with remarkable vigour and vitality for a man of his advanced age; but a month ago he commenced to sink steadily, and it became apparent to his medical advisers that life could only be prolonged for a few hours. On the 29th Sept, he became unconscious, in which state he remained till he expired, on the morning of 1st October. The immediate cause of death was inflammation of the lungs, contributed to by a severe attack of influenzaโ€.

The Argus, Melbourne, Vic, Friday 2nd October 1891, page 6.

โ€œDEATH OF DR. SINGLETONโ€

โ€œDr. John Singleton, whose name has been known in Melbourne for over 40 years as that of a generous-minded philanthropist, died at half-past 11 oโ€™clock on Wednesday night at his residence, Ormiston, Grey-street, East Melbourne. The deceased gentleman, who was 84 years of age, suffered for sometime past from cystitis, and was attended during his last illness by Dr. Macmillan, Dr. McColl, and his son, Mr. T. Singleton. He was conscious up to the last, and spoke intelligibly to his family gathered round his bedside just before he died.

Dr. Singleton was born on the 2nd January 1808, at Dublin, and received his early education at the โ€˜Apothecariesโ€™-hall. He was afterwards apprenticed for three years to a licentiate apothecary in the town of Kells, County Meath, and completing his medical studies under the tuition of a retired navy surgeon, he took his degree of M.D. at the University of Glasgow. He afterwards purchased a dispensary in Dublin, and was in practice there during the ravages of the Asiatic cholera. He was very successful in his treatment of this disease, and having communicated his method to the London Board of Health it was approved by that body, and circulated far and wide in printed form. Dr. John Singleton had during the years of his apprenticeship become a total abstainer, and he remained one to the end of his life, being at all times a sturdy advocate of the principle. It was his experiences of the terrible sufferings of the poor during the cholera season which stirred his sympathetic nature, and gave to his mind that philanthropic bent, which was his distinguishing characteristic in after life. He devoted himself with ardour to the relief of the poor in their sufferings, and was a constant and welcome visitor in the crowded wards of the hospitals. He also extended his sympathy to the criminal classes, and was a regular visitor of the gaols, ardently assisting in the benevolent movements then at work for the amelioration of the condition of the criminals who were confined in them. Amongst others whom he visited in gaol was Mr. (now Sir Charles) Gavan Duffy, who was a political prisoner. Having been from his early years deeply impressed on the subject of religion, Dr. Singleton did much evangelistic work, particularly amongst young people, over whom his entire disinterestedness and manifest sincerity procured him a great influence.

In September, 1850, influenced by the favourable accounts received from a brother who had preceded him, Dr. Singleton set sail with his family for Australia. He procured a position as medical officer on board the sailing ship Harpley, and arrived in Melbourne at the end of January, 1850. [sic] The rush to the gold-fields followed, and for five or six years succeeding his arrival Dr. Singleton had a very extensive practice. He then changed his residence to Warrnambool, where he remained five of six years, but afterwards removed to Maryborough, on account of the failing health of one of his children, who required a change of climate. In the year 1868 he returned to the neighbourhood of Melbourne, taking up his residence in Hawthorn, and he has resided in Melbourne and suburbs ever since. During his residence in the country Dr. Singleton continued the active philanthropic work which he had embraced immediately upon his arrival in the colony. In those early days of the colony money was easily made and quickly spent, and, in consequence, there was a great deal of excessive drinking. Dr. Singleton succeded [sic] in forming several temperance societies, and took an active part in religious movements. The condition of the aboriginals attracted his notice, and finding that many of them were being corrupted by the drinking habits of the white population, and that their numbers were becoming rapidly decreased, he induced the Government to establish the Framlingham Station, where the blacks were cared for and protected. Whilst he resided in Maryborough a camp of Maoris settled there, who had adopted so much of civilised customs as to join in the rush to the new gold-field. One day, on visiting this camp, Dr. Singleton found it attacked by an overpowering force of Chinamen. He rushed between the combatants, and at great personal risk succeeded in separating them and protecting the Maoris. This courageous championship gained him great influence over them, and he made use of it in an endeavour to Christianise them, and succeeded in inducing them to attend classes for secular and spiritual instruction as long as they remained in the district.

In January, 1869, Dr. Singleton established in Perry-street, Collingwood, in the centre of dense population, mostly of the poorer class, a Free Medical Mission Dispensary, on the principles of the British Medical Mission Dispensary. The principal object of the Dispensary was to relieve the necessities of the sick poor of Collingwood, Fitzroy, and the adjacent districts, but Dr. Singleton also used it to bear a public testimony in support of his belief that every form of disease could be more successfully without the aid of intoxicating liquors than with them, and that the use of these stimulants was productive of evil results in fostering a love for them. Whatever may be said as to this special feature in connection with the method of treatment pursued at the Free Dispensary, there can be no two opinions regarding the immense benefits which it has conferred upon the poor of the neighbourhood. Up to the year 1888 145,000 attendants had received free medical relief. Dr. Singleton placed his medical skill and his purse freely at the disposal of the poor who sought relief there, and he always endeavoured to make the mission a means of promoting the social, moral, and religious interests of the poor. The report of the institution for the year 1888 stated that latterly the applications for aid had become much more numerous; almost every form of disease had been treated during the year, but by far the greater number were of a feverish nature, from feverish colds to cases of typhoid in an aggravated form. The results of the treatment, which was simple and non-alcoholic, were decidedly successful. On the 22nd of June, 1887, the lease of the ground on which the Medical Mission stood having expired, Dr. Singleton purchased the ground at auction, and, having collected ยฃ2,250 from the public, the erection of a new and more suitable building has been commenced. So great was the interest felt by Dr. Singleton in the project that, when prostrated by a dangerous illness, he expended what little strength remained to him in writing a letter to the Argus advocating its claims to the support of the charitable, and appealing for co-operation in a plan for raising the necessary money to complete the structure.

Dr. Singletonโ€™s philanthropic efforts were not confined within the limits of the institution referred to. Every effort for improving the condition of the poor, no matter from whence it originated, had his hearty support. In this spirit he accepted the co-operation of the Salvation Army, and worked heartily with that organisation. So far-reaching was his charity that his name is truly a household word almost all over Victoria. Amongst other institutions which owe their origin and support in a great measure to his efforts may be mentioned the Home for Fallen Women, founded about the year 1871, in Islington-street, Collingwood. He it was who first mooted the project to the Morality Society of that day, and very soon after it was opened the management fell entirely into his hands. There is an average attendance there of between 30 and 70 persons. Nearly 3,000 unfortunate women have from time to time found a friendly welcome and shelter within its walls. To very many, indeed, it has been the starting point from which they have set out on a new career, whilst thousands more of friendless and almost hopeless women have found there an asylum from the temptation and a home until some honest employment was found. Attached to the institution a few small cottages have been erected, where from 25 to 30 aged widows are provided with a home. There is another building in connection with the home, but detached from it, where poor women and children can obtain a comfortable bed and a meal the following morning, as a measure of temporary relief. About 13 or 14 years ago Dr. Singleton established with his own funds and organised a sick childrenโ€™s hospital and dispensary in Exhibition-street, and devoted a great deal of time and attention to it for about 18 months, when, finding that there were others willing to undertake the work, and having many calls upon his time, he resigned his connection with it. A mission to the blind was another agency established by the subject of this sketch. A gentleman is employed who goes all over the colony teaching the blind to read the Bible. The Government now endows this mission with ยฃ150 a year, and the teacher is allowed a free pass on the railways. Formerly he was supported by Dr. Singleton and a few benevolent friends whose aid he enlisted. For many years Dr. Singleton was a regular visitor at Pentridge, and he was an active member of a vigilance committee which was appointed to make enquiry into the condition of the prisoners, and through its exertions many forms were instituted in a system which up to that time retained far too much of the barbarity of the old convict days”. Dr. Singleton was married in the year 1834. He had a family of 10 children, of whom six survive โ€“ three sons and three daughters. His wife died in the year 1887 [sic].โ€

The Mercury, Hobart, Tas, Friday 2nd October 1891, page 3.

โ€œDr. Singleton, the well-known philanthropist, died at his residence, East Melbourne, last night, after a long illness, aged 83. He arrived in the colony in 1851, and for many years had been a prominent figure in charitable institutions. He leaves several sons and daughters, and thousands of poor people to whom he had been as a father and friends to deplore his death. Deceased was the founder of the Free Medical Mission Dispensary, the Collingwood Temperance Home for Friendless Women, Bread Fund, and Night Shelters at Collingwood, and West Melbourne and Widowโ€™s Cottages at Collingwood. He was also identified with other movements for the relief of suffering, and for years devoted his time exclusively to works of charity.โ€

The Argus, Melbourne, Vic, Friday 2nd October 1891, page 1.

โ€œSINGLETON.- On the 30th ult., at his residence, Ormiston, Grey-street, East Melbourne, John Singleton, M.D., in his 84th year. โ€œIn Thy presence there is fullness of joy.โ€

The Argus, Melbourne, Vic, Friday 2nd October 1891, page 1.

โ€œTHE Friends of the late JOHN SINGLETON, M.D., are respectfully informed that his remains will be interred in the Melbourne General Cemetery. The funeral to move from his late residence, Ormiston, Grey-street, East Melbourne, on Saturday, the 3rd inst., at 3 oโ€™clock p.m. HERBERT KING, Undertaker, Lennox-street, Richmond; 157 Swan-street, East Richmond; Burwood-road, Hawthorn; and Hopkins-street, Footscray. Telephone 912.โ€

Note: โ€œOrmistonโ€ (129 Grey-street East Melbourne) was between 1877 and c.1900, partially used by two of Singletonโ€™s unmarried daughters (Elizabeth 1844-1932, and Anna 1846-1934), as โ€œOrmiston Ladies Collegeโ€.ย  The building had many other later name changes and incarnations, including being a boarding house. It was demolished in the 1930โ€™s.[12]

Riverine Herald, Echuca, NSW, Wednesday 7th October 1891, page 3.

โ€œA woman 100 years of age attended Dr. Singletonโ€™s funeral on Saturday…โ€

Kilmore Free Press, Vic, Thursday 8th October 1891, page 2.

โ€œDr. Singleton, the well-known philanthropist, died on the 30th ult in his 84th year. The gentleman named was brother to the late Rev. Wm. Singleton, at one time and for many years the incumbent of Christ Church, Kilmore. Dr. Singleton enjoyed a long life and most assuredly it was a useful one โ€“ may he have the reward of the just.โ€

Mercury and Weekly Courier, Vic, Thursday 8th October 1891, page 3.

โ€œโ€ฆThe remains were interred on Saturday afternoon in the Church of England sections of the Melbourne General Cemetery, the coffin being placed in the same grave with that of the deceased gentlemanโ€™s late wife. Every demonstration of respect was made along the line of route taken by the funeral procession, and Wellington-street, in particular, was thronged by members of the poorer classes by whom Dr. Singletonโ€™s many good deeds are held in grateful remembrance. The cortege left the late residence of the deceased, Ormiston, Grey-street, East Melbourne, shortly after 3 oโ€™clock, and proceeded to the cemetery through Clarendon street, Victoria Parade, Wellington street, Collingwood, and Johnston street. A halt was made at the deceasedโ€™s dispensary in Collingwood, where a photograph was taken. The coffin, which was of plain oak, with a simple inscription, was borne to the grave by the son, nephews and brother of the deceased, while the following were the pall bearerโ€™s, viz, the Rev. Mr. McCutcheon, Messrs. F. H. Baker, J. Bosisto, J. Gamble, W. Threlfall and Derbin Willder. The funeral service was conducted by the Rev. H. N. Wollaston, assisted by the Revs. A. Forbes and Goodwin. Amongst those present were clergyman of all denominations, leading citizens, members of the Salvation Army and numbers of poor persons. Mr. A. King, of Lennox-street, Richmond, carried out the funeral arrangements. One fact which was very noticeable in connection with the funeral was the absence of medical men, the only medical men, who were present being Dr. Singletonโ€™s own assistants. This appears to indicate a lack of that respect which is due to an old veteran โ€“ more especially to one who had the self-denial to devote the whole of his life to the alleviation of the sufferings of the poor…โ€

The Argus, Melbourne, Vic, Wednesday 8th December 1886, page 1.

โ€œSINGLETON.- On the 7th inst., Isabella, wife of Dr. Singleton, Ormiston House, Grey-street, East Melbourne, in her 79th year. โ€œAbsent from the body, present with the Lord.โ€

Family tree notes:

John Singleton, born 1808 in Dublin, Ireland, died 1891 in East Melbourne.

He married Isabella Daunt of Cork, Ireland,ย  in c.1834 (1808-1886).

Children: William Daunt (1835 –1901); John Wesley (1838–1924); Mary Quinn (1840–1929); Robert Henry Thomas (1851-1927); Frances Matilda Victoria (1849–1867); Isabella (1841–1869); Eliza (1844–1932); Anna Lewis ย (1846–1934).

External Links:

Australian Dictionary of Biography: Dr John Singleton (1808-1891)

Footnotes:

[3] Anne Holmes, Collingwood Historical Society, email โ€“ 27th June 2013.

[6] โ€œAlcohol as a Medicineโ€ – the โ€œAustralian Medical Journalโ€, Dr John Singleton, November 1874.

[11] From Anne Holmes, Collingwood Historical Society, email โ€“ 1st June 2013.

[12] http://emhs.org.au/history/buildings/east_melbourne_grey_street_129

Acknowledgements:

Thanks to Geoffrey Wallace for the invitation back to his studio to photograph the Singleton window (11th July 2013). And, many thanks for his extraordinary unexpected gift of a piece of his artwork for which I am most grateful for.

Thanks to Anne Holmes from the Collingwood Historical Society for her research that unveiled the 1898 Dispensary report mentioning Ferguson & Urie by name as the makers of the window.


Cite:
Brown, Ray 2013, ‘1897: The Singleton Dispensary, Collingwood, Victoria’, Ferguson & Urie, Colonial Victoria’s Historic Stained Glass Craftsmen 1853-1899, accessed dd/mm/yyyy, <http://wp.me/p28nLD-21i>.


Short link to this page:ย  https://wp.me/p28nLD-21i

ยฉ Copyright

1867: St Peter’s Anglican Church, Woolloomooloo, Sydney, New South Wales

The foundation stone of St Peterโ€™s Anglican Church was laid on the 1st of May 1866[1] on the corner of Anne and Bourke streets at Woolloomooloo (now Darlinghurst) by the Governor Sir John Young (1807-1876) and was officially opened on the 25th of July 1867[2] by the Bishop of Sydney, Frederick Barker (1808-1882).

The great east window of St Peters is a 16ft high triple light window of Gothic design with the centre light taller than the outer two. The window was the gift of the ministers Church Warden and Treasurer of the building fund, James Gordon[3], to commemorate the installation of the first incumbent of the church, the Rev George Harman Moreton (1826-1902).

The window was made by the โ€œFerguson, Urie, and Lyonโ€[4] stained glass company of Melbourne for ยฃ182[5] and was placed on display at the companyโ€™s workshops in Curzon-street, North Melbourne. Between the 20th and 22nd of June 1867 the public were invited to view it until 4.p.m on the Saturday before it was to be shipped to Sydney[6].

St Peterโ€™s was deconsecrated in 1993 and subsequently purchased by the Sydney Church of England Girls Grammar School (SCEGGS) and is nowย known as the โ€œGreat Hallโ€ of the School at Darlinghurst.

Photos taken 6th May 2011.

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The window is described as follows:

The base of each window bears the following inscriptions:

โ€œPRESENTED BY JAMES GORDON, ST PETERS DAY A.D. 1867โ€.

โ€œTO BEAUTIFY THE HOUSE OF GOD AND TO COMMEMORATE THEโ€

โ€œINSTALLATION OF THE REVd G. H. MORETON AS FIRST INCUMBENT OF THIS CHURCHโ€.

There are nine biblical scenes and three symbols depicted in the windows. Each of the nine figurative scenes has the text reference below it to a chapter and verse from the King James Bible.

Left light:

โ€œJohn – 1:42โ€ – โ€œAnd he brought him to Jesus. And when Jesus beheld him, he said, Thou art Simon the son of Jona: thou shalt be called Cephas, which is by interpretation, A stone.โ€ This refers to Peter, also known as Simon Peter.

โ€œLuke – 9:32โ€ – โ€œBut Peter and they that were with him were heavy with sleep: and when they were awake, they saw his glory, and the two men that stood with himโ€.
The depiction is of the โ€˜Transfigurationโ€™ which is one of five major milestones in the life of Jesus.

โ€œMatw – 8:25โ€ โ€“ โ€œAnd his disciples came to him, and awoke him, saying, Lord, save us: we perish.โ€ The scene depicts the disciples pending shipwreck in the rough seas calling for the Lord to save them.

Centre Light:

The apex of the centre light window contains the Hexagram symbol, more commonly recognised as the Star of David.

โ€œMatw – 26:36โ€ โ€“ โ€œThen cometh Jesus with them unto a place called Gethsemane, and saith unto the disciples, Sit ye here, while I go and pray yonderโ€. The scene depicted is commonly recognised as ‘The Agony in the Garden’.

โ€œSALVATOR MUNDI.โ€ –ย  (Meaning, โ€œSaviour of the Worldโ€). This is the central image of the centre light and depicts Christ standing and wearing crimson robes. In his left hand is the โ€œGlobus Crucigerโ€ (representing the world or earth) which is surmounted by a cross. His right hand depicts the early Byzantine hand gesture of the benediction or blessing.

โ€œP Xโ€ – Below Christ is the stylized letters P & X which are the Greek for Christ.

โ€œMark – 14:22โ€ โ€“ โ€œAnd as they did eat, Jesus took bread, and blessed, and brake it, and gave to them, and said, Take, eat: this is my body.โ€ The scene depicted is commonly recognised as โ€œThe Last Supper.โ€

โ€œIHSโ€ – Below the Last Supper Scene is the letters โ€œIHSโ€, the 8th century abbreviation for “IHESUS,โ€ the way Christโ€™s name was spelled in the Middle Ages.

Right light:

โ€œMatw – 14:29โ€ โ€“ โ€œAnd he said, Come. And when Peter was come down out of the ship, he walked on the water, to go to Jesus.โ€ The image depicts Peter walking on the water towards Jesus who had sent the disciples to the Sea of Galilee, but their ship became caught in a storm. Jesus was seen walking upon the water and gave Peter the courage to walk upon the sea towards him.

โ€œJohn – 19:26โ€ – โ€œWhen Jesus therefore saw his mother, and the disciple standing by, whom he loved, he saith unto his mother, Woman, behold thy son!โ€ The scene depicted is the Crucifixion where Jesus is nailed to the cross and says to his mother, “Woman, behold your son.โ€

โ€œJohn – 21:17โ€ โ€“ โ€œHe saith unto him the third time, Simon, son of Jonas, lovest thou me? Peter was grieved because he said unto him the third time, Lovest thou me? And he said unto him, Lord, thou knowest all things; thou knowest that I love thee. Jesus saith unto him, Feed my sheep.โ€ Christ is depicted as the Good Shepherd with his sheep and Peter is seen kneeling before him with his key.

Significant historical newspaper transcriptions:

The Argus, Melbourne, Thursday 20th June 1867, page 5.

โ€œThere is now in view at the stained glass manufactory of Messrs. Ferguson, Urie and Lyon, Curzon Street, North Melbourne, a memorial window for St. Peterโ€™s Church, Woolloomooloo. The window has been presented by Mr. James Gordon, on the occasion of the installation of the first incumbent, and bears an inscription to that effect. It represents five episodes in the history of St. Peter, and is designed in the early English style of art, the execution of the figures and the harmony of colours reflecting great credit on the artist employed. The window is divided into three lights, and is 16ft by 7ft in size, the middle division containing a well executed figure of our Saviour, with the motto, โ€œSalvatore mundiโ€. The public will be admitted until Saturday next.โ€

The Argus, Melbourne, Saturday 22nd June 1867, page 3.

โ€œNOTICE โ€“ The STAINED GLASS CHANCEL WINDOW for St. Peterโ€™s Church, Woolloomooloo, will be ON VIEW, at the premises of Ferguson, Urie and Lyon, Curzon-street, North Melbourne, from Wednesday, the 19th, until Saturday, the 22nd inst, at 4 p.m. All interested in stained glass and church decorations are invited to inspect it.โ€

Empire, Sydney, Friday 12th July 1867, page 4.

โ€œCHANCEL WINDOW IN ST. PETERโ€™S CHURCH, WOOLLOOMOOLOO โ€“ A beautiful stained window has just been erected over the chancel at the eastern end of St Peterโ€™s Church, Ann-street, Wooloomooloo. This window is the gift of Mr. James Gordon. It is the workmanship of Messrs. Ferguson and Urie, glass stainers, Melbourne. The colouring is rich and the general effect striking. In the centre of the window is a large figure of the saviour, with the robes and insignia of royalty, and underneath the inscription โ€œSalvator Mundiโ€. At the top is the agony in Gethsemane, and at the foot the Lordโ€™s Supper. The other lights represent scenes in which St. Peter had part. On the left hand, at the top, is the calling of St. Peter and St. Andrew; and under it, the Transfiguration and the storm on the Lake of Gennesaret. On the right hand, at the top, is represented Christ walking on the water and rescuing St. Peter from the waves; below this is the Crucifixion, and then, under, the delivery of the keys to St. Peter. Along the foot of the window is the inscription:-โ€œPresented by James Gordon, on St. Peterโ€™s Day 1867, to beautify the House of God, and to commemorate the installation of the Rev. G. H. Moreton as first incumbent of this Churchโ€.

The Sydney Morning Herald, NSW, Tuesday 6th August 1867, page 5.

โ€œโ€ฆMr. JAMES GORDON, the ministerโ€™s churchwarden, then rose, as the treasurer of the building fund, to make a statement of the moneys received for and expended on the buildingโ€ฆโ€

ย โ€œโ€ฆthe chancel window, which cost ยฃ182โ€ฆโ€

The Sydney Morning Herald, NSW, Saturday 5th July 1902, page 9.

โ€œTHE LATE CANON MORETONโ€

Here passed away shortly before midnight on Thursday the venerable Canon George Harman Moreton, one of the early ministers of the Church of England in this State. The late Canon was born at Highway Wycombe, Buckinghamshire, in 1826, and his early history as a minister was one of indomitable perseverance and zeal. At the age of 17 Mr. Moreton announced to his guardian that he desired to enter the ministry. His intention was thwarted at every turn, and at last the youth left home and walked to London. He presented himself to the London City Mission, but his youth was considered a bar to his engagement. Young Moreton however, asked that he might be allowed to enter for the examinations, and after some time his request was granted. The youth passed the examinations with great credit, and was one of the youngest missionaries accepted. He received an appointment in the eastern mission field, and after his marriage went to Loo Choo, on the island of Lapa, Japan, in 1853. He laboured there three years, and was invalided home after a paralytic seizure. While at Japan, Mr. Moreton received new of British success in the Crimea from a Russian man-of-war. Mr. Moreton was ordained deacon at Trinity Church, Shanghai, by the first Bishop of Victoria, on October 9, 1853, and raised to the priesthood at the Chapel Royal, Whitehall, by Bishop Tait, of London, on December 20, 1857. He became curate of Pertenhall, Ely, in 1857, and in that year received an invitation from Bishop Barker to visit Australia. The long voyage of six months to Australia restored the young clergymanโ€™s health, and Sydney was reached in 1858. Mr. Moreton preached in St. Philipโ€™s Church the evening after he landed in Sydney, and was then appointed curate at St. Jamesโ€™ under Canon Allwood. This position he held till 1867 when he was asked by the late Mr. Charles Kemp to start a Church at Woolloomooloo. Mr. Moreton immediately set to work to found the Church of St. Peterโ€™s, and in a short time the church, schools, and parsonage were built. In 1878 Mr. Moreton was elected a canon of St. Andrewโ€™s Cathedral. The duties of the parish being rather heavy Canon Moreton left St. Peterโ€™s in 1882, and went to St. Likeโ€™s, Burwood, which was then vacant. The debt on St. Lukeโ€™s was at that time 600, but in a little time this incubus was wiped out and a parsonage was built. With the aid of Miss Fadith [sic?] Walker a parish hall was built and an organ was placed in the church. During Canon Moretonโ€™s incumbency at St. Lukeโ€™s two district churches connected with the parish were built. These were St Maryโ€™s, Mortlake, and St. Peterโ€™s Croydon, and they were erected free of debt. In 1897 Canon Moreton resigned his position at St. Lukeโ€™s, failing health having weakened his mental vigour. Canon Moreton was a ripe scholar, particularly in Hebrew, Greek, and Latin. On Thursday night the Canon succumbed to an apoplectic seizure at his residence, Holchester, Burwood-street, Burwood. He had been confined to his room for many months. To-day shortly after 1 oโ€™clock a funeral service is to be conducted by the Rev. A. E. Bellingham at St. Lukeโ€™s, Burwood, after which the body will be conveyed to Rookwood by rail when the Rev. H. Bryant will conduct the burial service. Mrs. Moreton died in 1896. Mr. P. H. Moreton is the only son of the late canon.โ€

Related post: 13-08-1867: James Urie visits Tasmania on Ferguson and Urie business

Footnotes:

1869: William Hornby & the Artillery Brewery, Williamstown, Victoria.

An unusual pencil sketched design for a stained glass window exists in the State Library or Victoria.ย  Amongst a collection of drawings, on fragile torn tracing paper is the design and associated sketches for a stained glass window intended for William Hornbyโ€™s historic Artillery Brewery at Williamstown in Victoria. The design is by the hand of the English stained glass artist David Relph Drape (1821-1882) who came to Australia in 1858 and worked as Ferguson & Urieโ€™s senior stained glass artist from 1863 until his death in 1882.

The central picture depicted in the windows design is a coastal artillery gun taken from the exact depiction of the Sir William Armstrong Rifled Muzzle Loading Fortress Gun. Two of these historic old guns still exist along John Morley Reserve on The Strand at Williamstown across the bay from Melbourne. The guns date from 1867 and were originally installed at Fort Gellibrand circa 1867 where there are still two guns.

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Despite significant research, to this day itโ€™s not known whether the stained glass window was ever actually created, and if so, what was its fate? Did it get destroyed or, like many historical artefacts, is it hidden away in an old garage or attic somewhere ready to be found again in years to come?

So who was William Hornby?

William Hornby (1821-1898) was the son of Anthony Hornby and Catherine Kelly. As a 22 year old Iron Moulder from Liverpool, he would begin his life in the Australian Colonies as a convict in Van Diemens Land.

Hornby was tried and convicted at Lancaster, Liverpool, on the 25th July 1842 for housebreaking and was sentenced to ten years in Van Diemens land (Tasmania) for his crime.

The convict ship โ€˜Cressyโ€™ departed Plymouth on the 28th March 1843 and arrived off the coast and into Lagoon Bay on the 17th August 1843, having โ€˜overshotโ€™ the entrance to Storm Bay. Coincidentally the new Lieutenant-Governor of the Colony, Sir Eardley Wilmot (1783-1847) was on the same ship[1]. Hornby was immediately sent to work with the convict gangs at Fingal for a period of five years.

In 1848 the Convict Department granted him a ticket-of-leave[2] and in July 1849ย  Lieutenant Governor, Sir William Thomas Dennison (1804-1871) made recommendation for Hornbyโ€™s conditional pardon[3] which wasnโ€™t granted until October 1850[4]

At the age of 29 he married 22 year old Frances Hopson in Hobart on the 21st of June 1852[5]. Their first child, Fanny Hopson Hornby was born in Hobart on the 30th March 1853[6], followed by William Anthony in 1855[7], Alfred Arthur in 1856[8], Emily Maria in 1859[9], and Walter John in 1862[10].

At a Publicanโ€™s Licensing meeting at Hobart in August 1852 William Hornby was granted the transfer of the victuallers licence, vice Joseph Riches, of the โ€œOporto Wine Vaultsโ€ in Liverpool street Hobart[11].

By 1856 he has established himself as a respected businessman in Hobart and had taken an active role amongst the publicans and innkeepers of the town in the reforms of the Licensing Act,[12] and is by 1858 a brother of the Hobart Macquarie-street Masonic Lodge No.345[13]

Shortly before two oโ€™clock on the 10th January 1862, a fire broke out between the Oporto Wine Vaults and the adjacent Salierโ€™s drapery store. The stock from both premises was saved but the upper floor and roof of both buildings was destroyed. A later inquest[14] determined that the fire broke out in the roof of Hornbyโ€™s premises but the cause was unknown. Both premises were fortunately insured[15] The damage to both properties was eventually repaired but lengthy legal disputes continued into 1864 as to who was liable to pay certain amounts for the repair of the party walls and other damage between the two premises[16].

Only two days after the fire Hornbyโ€™s son Walter John was born on the 12th January 1862[17]

Hornby continued in the liquor trade despite some confusion which arose regards his use of the appointed liquor licence to operate from another temporary premise as a result of the fire[18].

On the 30th October 1864 he undertook a short trip to Melbourne aboard the Southern Cross[19] and returned via the same on the 10th November. This would be one of many trips to the mainland in the next three years as he plans his exit from Tasmania to Melbourne. Less than six months later tragedy would strike the family. His eldest, Fanny Hopson, was struck with a serious illness and after suffering a mere two days she died on the 7th April 1865 at the age of twelve.[20]

In July 1865 Hornby conducted a sweep for the Melbourne Cup which was to be drawn at 8 oโ€™clock on the evening of 3rd July at โ€œHornbyโ€™s Hotelโ€ (the Oporto Wine Vaults) in Liverpool street[21]. The sweep was so popular that it increased the patronage at his hotel significantly. Deciding to expand on the idea, he again offered a second sweep in August with a prize of 100 sovereignโ€™s[22]. The individuals or syndicates, who had drawn โ€œTorboyโ€, the Cup winner, would receive handsome rewards. Later in December he again offered another sweep of 300 sovereigns on the Melbourne and Launceston Champion Races[23]. Not content to stick to horse racing he offered a sweep in the Champion Rifle Match competition held on the 26th February 1866[24].

He chose not to restrict his business ventures to the publican’s arena and in August 1865 he decided to expand his interests to gold mining. In accordance with the โ€œGold Fields Regulation Actโ€, he was granted a one-month lease of 60 acres of land in the district of Fingal[25]. Further financial interests in the stock market were included amongst which was a shareholding in the Tasmanian Steam Navigation Company in March 1866 [26].

In April 1866 he offers a ยฃ5 reward for the conviction of the malicious person who fired a shot into his property at Battery Point, breaking several panes of glass[27].

By 1867 he was earnestly planning his exit from Tasmania and in February of 1867, he transferred the licence of his Oporto Wine Vaults to John Hanson.[28]

On the 16th of October 1867[29] he made another short trip to Melbourne and presumably, this is one of the last ventures to the mainland to secure accommodation and establish future business ventures in Melbourne. In an attempt to reign in debts owed to him, numerous legal proceedings are initiated in Hobart, one of which, in March 1868,ย  included one of a sizeable sum of ยฃ250 owed to him by the insolvent William Hurley[30]

On 27th Feb 1868, the Hobart auction agents Roberts & Co wereโ€œโ€ฆ favored with instructions from Mr. Hornby, who is about to leave the Colony, to sell by public auction, on the premises, Liverpool-street, on FRIDAY, 6th March, at eleven oโ€™clockโ€ฆโ€[31]

William Hornby and his family departed for Melbourne aboard the โ€˜Southern Crossโ€™ on Saturday 7th March 1868[32], which arrived at the Port of Melbourne two days later on the 9th – โ€œMr. and Mrs. Hornby and family (four)โ€ฆโ€[33]

The familyโ€™s household furniture and effects at Melville-street Hobart went up for Auction on Friday 13th March 1868[34].

December of 1868 appears to be the first indication of Hornbyโ€™s exploits as a brewer at Emerald Hill (now known as South Melbourne). ย Publican George Sefton was taken to court by Hornby because he had paid ten percent less for goods supplied to him by Hornby, a practice which Sefton claimed as the accepted practice between Publicans and Brewers. The court awarded in favour of Sefton[35].

By 1869 Hornby had partnered with another brewer named William John Disher and together they took over the existing brewing business of John Breheny who had established himself making โ€œArtilleryโ€ beer in the former volunteer Artillery Drill Hall (near the Steam Packet Hotel) at Williamstown. The old drill hall was at that time quite famous in its own right as the former stockade building which had accommodated the convicts working on the Gellibrand pier in the early 1850s.

Intent on updating the brewing equipment, on the 20th May 1869 โ€œHornby & Coโ€ advertised the โ€œsecond hand brewerโ€™s plant for saleโ€ from premises at Williamstown[36]

The partnership with Disher only lasted a short period and on the 12th Aug 1869 a notice was gazetted advising of the dissolution of partnership between him and Disher in the โ€œWilliamstown Breweryโ€. [37] [38]

By 1875 the Hornby and his brewing operations are very well known and the Williamstown Chronicle published a lengthy article about the Hornby Brewery, its operations, and the history of the old convict building it was erected in.

โ€œAmongst the recognised institutions of Williamstown, one of the most popular is โ€œHornbyโ€™s beer.โ€ We find it literally โ€œin the mouthsโ€ of all classes of the community, and the establishment from which it emanates takes rank with the foremost of our local industriesโ€ฆโ€ [39]

On the 8th of May 1878 his second son, Alfred Arthur Hornby married Sophia Victoria Hall at St Johnโ€™s Church in Colac Victoria[40].

In 1886, at the age of 65 William Hornby is still making improvements to the brewery and machinery, although his son Alfred is by this time taking a managerial position in the company[41].

On the 28th of January 1898 William Hornby died destitute at the Masonic Home in Prahran at the age of 77.[42]

Numerous failed investments and an overly generous purse would seem to have been the reason for his fall from prosperity. On his death he was described as:

โ€œCharitable to the core, he endeared himself to those who knew and respected him in his days of affluence, and regret remains that the unkind hand of fate or fortune should have stricken him in the latter days of his careerโ€ฆ โ€

โ€œโ€ฆno man could say that his purse was closed when an appeal for help was made; yet, the man who was the friend of many found himself not deserted in his own hour of need, for Masonic brethren smoothed his quickly downward path. As a man, his one fault was that he possessed a generous heart which ultimately led to his impoverishmentโ€ฆโ€[43]

His son Alfred Arthur Hornby continued to run the brewery briefly but it eventually fell into the hands of the Carlton Brewery conglomerate.

The historic convict stockade building that housed the brewery was demolished in the 1950s. Another piece of history was lost to the wreckerโ€™s ball.

No evidence of the stained glass window has ever been found other than the original design sketches by the artist David Relph Drape from the Ferguson & Urie stained glass company.

Significant Article Transcriptions & Sources:

Victorian Government Gazette, 40, Friday August 20th 1869, page 1275.

โ€œDISOLUTION OF PARTNERSHIP

NOTICE is hereby given that the partnership heretofore carried on by us, the undersigned William Hornby and William John Disher, at the Williamstown Brewery, Williamstown, under the style of โ€œW. Hornby and Co.,โ€ has this day been dissolved by mutual consent, and that all debts and liabilities owing to and by the said partnership will be received and paid by the undersigned William Hornby.

Dated this twelvth day of August, 1869.

WM. HORNBY

WM. JOHN DISHER

Witness-

H. HEDDERWICK,

Solicitor, Melbourne.

No. 1712โ€.

Williamstown Chronicle, Vic, Saturday 20th March 1875, page 3.

โ€œHORNBYโ€™S BREWERYโ€

โ€œAmongst the recognised institutions of Williamstown, one of the most popular is โ€œHornbyโ€™s beer.โ€ We find it literally โ€œin the mouthsโ€ of all classes of the community, and the establishment from which it emanates takes rank with the foremost of our local industries. The brewery is not of recent origin, and although all along it has boasted of the pretentious title of the โ€œArtillery Brewery,โ€ the townsfolk have ignored the martial designation in preference for the name of the spirited proprietor, and so long as he has anything to do with it, it is likely to be known only as โ€œHornbyโ€™s brewery.โ€ Everyone knows its location โ€“ near the Steampacket hotel. The building has a history of its own, and is one of those old-day landmarks which assist the early residents of Williamstown in recapitulating the infantile circumstances of the โ€œvillage.โ€ The building was originally erected for the accommodation of the prisoners employed o the works at Gellibrandโ€™s point, and indeed its sturdy proportions would lead the most casual spectator to attribute its design to a Government architect. The transfer of the prisoners to the penal hulks rendered the building available for other purposes, and when the Rifle Corps was established, the recruits of the โ€œgrey brigadeโ€ were put through their facings on the first floor, where fermenting vats, &c., now reign supreme. For many years the building continued to reveal its primitive character in its name, but it has long since lost its appellative โ€œStockadeโ€ and become known to us only as Hornbyโ€™s brewery. There are few purposes for which it is better adapted than that to which it is now devoted. Bare, spacious, unpartitioned rooms, indifferently lighted, massive walls, iron barred windows, and a very retired position are qualifications which do admirably for a brewery, although not appropriate for most other business uses. The premises cover half-an-acre of ground, which of course affords ample accommodation for the multifarious out-buildings, &c., essential to such and establishment. The building is so high that there is no necessity for pumping or raising the liquid to higher levels by any other means, during the process of brewing โ€“ the water is first boiled by steam in a vat at the very top of the building, and from that time till the beer is casked it passes from one vessel to another by gravitation, travelling from roof to cellar. The โ€œhot liquor vat,โ€ of which we have made mention as being at the top of the building, is some 30 feet from the ground. Into it the aqua pura is supplied by a Yan Yean supply pipe. The water is heated by means of a tubular worm lying in the vat, through which passes a current of steam direct from the boiler. A thermometer hung under a tap in the vat enables the brewer to ascertain when the water has attained the requisite temperature. From the hot liquor vat, the water is turned into the mash tun, where the mashed malt has already been deposited. The malt is crushed or mashed between iron rollers, worked by a ten-horse horizontal engine; and after being so crushed the grain without the flour is lifted by a series of cups or elevators (such as are seen in flour mills) to a hopper on a higher level near the mash-tun. The ensure the thorough saturation of the malt in the mash-tun, an ingenious contrivance known by the brewer as a โ€œsparging machineโ€ is employed. It revolves by centrifugal force, throwing out innumerable jets of water, so that the grain in every part of the tun is thoroughly soaked. After the liquor has remained in the mash-tun a sufficient length of time โ€“ and in determining this, the judgement of the brewer is relied upon โ€“ it is filtered off through a perforated false bottom into the copper, great care being taken to prevent any of the grains getting away with the liquor. This grain is afterwards taken out, and sold to dairymen and others for fattening cattle, pigs, &c. The โ€œcopperโ€ is a large vat, constructed of wood, in which is another copper worm tube, charged with steam for the purpose of boiling the liquor, as is done in the hot liquor vat. Before the liquor is boiled this time, however, the hops is added, and during the process another ingredient โ€“ sugar โ€“ is introduced. The sugar is boiled before being used, the necessary heat being obtained by steam as in other cases. Leaving the copper almost at boiling heat, the worts is carried over the refrigerator โ€“ a number of pipes kept cool by an incessant stream of cold Yan Yean passing through them โ€“ and enters the โ€œgyle,โ€ or fermenting vat, at the very mild temperature of 74 degrees. To keep down the heat generated by the process of fermentation, a temperator is used. This is a framework of piping lowered into the โ€œgyle,โ€ through which a stream of Yan Yean passes. The hops does not accompany the liquor into the fermenting vat, but is retained in the copper, any virtue which might remain in the hops is extracted by its being โ€œsquozenโ€ in a hop-press, and the extract added to the liquor in the fermenting vat. The liquor remains in the fermenting vats โ€“ there are two, each 7 feet deep, by 7 feet in diameter, made of Kauri pine staves, 3in thick โ€“ for from 30 to 50 hours, according to circumstances, and from these it is carried by piping to hogsheads ranged up and down the cellar. Each brew is marked, and no liquor permitted to go out till it has remained at least eight days in the cellar, and sometimes nearly three weeks. When we paid our visit there were nearly 200 hogsheads in the cellar, which is 30 feet by 66ft in extent. The floor is bricked, and gas and water laid on. Adjoining there is another cellar of almost equal proportions. There is every requisite for such an establishment. The patronisers of Hornbyโ€™s brew would derive considerable satisfaction from seeing the care taken to ensure cleanliness in each operation. The casks are scoured by steam everytime they are wanted; and the very best materials are employed in the manufacture of the ale. Excellent sugar is used; the best Kent or Gipps Land hops; and the best malt purchasable. And the skill and attention devoted to the operation of brewing are attained by the excellent results obtained. We are informed that Mr Hornby purposes increasing his establishment by building a kiln, and doing his own malting on the premises.โ€

Williamstown Chronicle, Vic, Saturday 11th December 1886, page 3.

โ€œIMPROVEMENTS AT THE ARTILLERY BREWERY, WILLIAMSTOWN.โ€

โ€œTHE present is an age of improvement and progress, and we are glad to observe that Williamstown tradesmen and business people are no exception to the rule. This may be gathered from the excellent external appearance of our shops and the amiable arrangement for the accommodation of the public when making their purchases. Amongst; others we notice Messrs. Hornby and Co., of the Artillery Brewery, are endeavouring to keep pace with the times, by the introduction of improved machinery into their worksโ€ฆโ€

Williamstown Chronicle, Vic, Saturday 29th January 1898, page 3.

โ€œOBITUARY

AN OLD FREEMASONโ€

โ€œINTIMATION of the decease of Mr Hornby, who departed this life in the Masonic Home yesterday, will be received with deep regret by all those in Williamstown who knew him in his palmiest days. Charitable to the core, he endeared himself to those who knew and respected him in his days of affluence, and regret remains that the unkind hand of fate or fortune, should have stricken him in the latter days of his career. For over 45 years he conducted a prosperous business in our midst, and no man could say that his purse was closed when an appeal for help was made; yet, the man who was the friend of many found himself not deserted in his own hour of need, for Masonic brethren smoothed his quickly downward path. As a man, his one fault was that he possessed a generous heart which ultimately led to his impoverishment, but when the Great Architect of he Universe comes to cast up his account, may the record read โ€“ โ€œThus mote it be; go thou and receive thy reward.โ€

The Argus, Melbourne, Vic, Monday 7th February 1898, page 1.

“HORNBY.-On the 28th January, at his late residence, Punt-road, Prahran, William Hornby, brewer, late of Williamstown, aged 77 years.”

Family:

William Hornby (age 29), married Frances Hopson (age 22) at Hobart 21st June 1852, Tas BDM:675/1852.

William Hornby:

Died: Prahran, Victoria, age 77, 28th January 1898. Vic BDM: 4331/1898.

Parents: Anthony Hornby & Catherine Kelly.

The Argus, Melbourne, Vic, Monday 7th February 1898, page 1.

Children:

Fanny Hopson Hornby:

Born: Hobart, 30 March 1853, Tas BDM: 2248/1853

Parents: William Hornby & Frances Hopson.

Died: Hobart, 7th April 1865, age 12, Tas BDM: 4945/1865.

“After a brief illness of only 2 days”

The Mercury, Hobart, Tas, Saturday 8th April 1865, page 1.

William Anthony Hornby:

Born: 20 Jun 1855, Tas BDM: 191/1855.

Alfred Arthur Hornby:

Born: 1856 TAS BDM: 1861/1856

Alfred Arthur Hornby married Sophia Victoria Hall in Colac, Victoria in 1878.
VIC BDM: 1373/1878

Married at St John’s, Colac, Vic, 8th May 1878.

The Mercury, Hobart, Tas, Saturday 1st June 1878, page 1.

Emily Maria Hornby:

Born: Hobart 4th Sept 1859, Tas BDM: 2770/1859

The Hobart Town Daily Mercury, Tas, Friday 9th September 1859, page 2.

She died: 1st July 1881 at โ€˜Atherstoneโ€™, Albert Park (reg as Eastern Hill), Melb, in 1881 agedย  21, VIC BDM: 7244/1881

The Argus, Melbourne, Vic, Monday 4th July 1881, page 1.

Walter John Hornby:

Born: 12 Jan 1862, Tas BDM: 4973/1862

The Mercury, Hobart, Tas, Tuesday 14th January 1862, page 2.

He died: 17th July 1951, aged 89, at 14 Melrose-street, Richmond Victoria. Vic BDM: 7932/1951.

The Argus, Melbourne, Vic, Wednesday 18th July 1951, page 14.

Wife: Bertha?

Footnotes:

[5] TAS BDM:675/1852

[6] TAS BDM: 2248/1853

[7] TAS BDM: 191/1855.

[8] TAS BDM: 1861/1856

[9] TAS BDM: 2770/1859

[10] TAS BDM: 4973/1862

1884: St John’s Anglican Church, Bairnsdale, Victoria.

St Johnโ€™s Anglican Church in Bairnsdale contains a stained glass window dedicated to the memory of Bairnsdale solicitor, Edward George Gregory Sandford (c.1852-1882), who died of Tuberculosis aged 30 at Albury on the New South Wales Border, 16th of May 1882[1].

The window was erected at the east end of St Johnโ€™s behind the altar and was presented by his wife Florence (nee Kirkpatrick)[2] in June 1884. St Johnโ€™s Church was officially opened in the same month, on the feast day of St John the Baptist, 24th of June 1884[3].

The window is attributed to the Ferguson & Urie stained glass company of North Melbourne and depicts Christ as โ€œThe Good Shepherdโ€ and has the inscription at the base; โ€œIn Memoriam โ€“ Edward George Gregory Sandford, Obit, May 16th, 1882โ€. [4]

In 1980 the window was restored by Philip Handel of Sydney in 1980 and now has an additional memorial which appears below the original inscription:

“THIS WINDOW RESTORED 1980 IN MEMORY OF MRS E.M.W JONES”

Photos taken: 24th April 2011. (historic B/W images from State Library Victoria Collections)

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Edward George Gregory Sandford (1852-1882) was the son of Edward Sandford, a former barrister of the Supreme Court of NSW, and Eliza Catherine Gregory. His parents married in Sydney in 1849[5] and circa 1852 they moved to Newtown (Melbourneโ€™s first suburb, now known as Fitzroy) where Edward was born in 1852, and then later moved to St Kilda. Edward followed his father in the legal profession and on the 20th January 1880 he married Florence Kirkpartick (1855-1945) at All Saints Church in St Kilda[6]. Edward and Florence then returned to Bairnsdale where he had been practicing as a solicitor since circa 1877. A daughter, Mary Maitland, was born at Bairnsdale on the 3rd of November 1880[7], and a son, Edward Herbert, born 3rd January 1882[8]. In circumstance of his failing health from Tuberculosis, they traveled to Albury shortly after his sonโ€™s birth, where he died five months later on the 16th of May 1882 aged 30. Florence never remarried and she died on the 8th June 1945[9] aged 90. She was buried with Edward in the St Kilda cemetery[10] 63 years after Edwards death.

Gippsland Times, Vic, Friday 21st December 1883, page 3.

โ€œThe foundation stone of the above church was laid on Wednesday last, in the presence of a large concourse of people, by the Rev. W. G. Hindley, Incumbent of the parish. Copies of the local and town papers, current coins, and a parchment document, were placed in the cavity of the stone. During the ceremony W. A. L. Elston, Esq., read a copy of the document as follows:-

In Nomine Dei, Amen.
Colony of Victoria, Australia.
Diocese of Melbourne, Archdeaconry of Melbourne.
Parish of St. Johnโ€™s, Bairnsdale, County of Tanjil, North Gippsland.
Anno Domini MDCCCLXXXIII
Being the 47th year of the Reign of Her Most Gracious Majesty, Queen Victoria.
Bishop of Melbourne, Right Rev. J. Moorehouse, D.D.
Archdeacon Very Rev. H. B. Macartney D.D.
Incumbent of St. Johnโ€™s, Rev. W. G. Hindley.
Board of Guardians:
H. Besley, M. W. Bower, E. Bull, B. Johnson, W. L. A. Elston, H. Goodenough, J. Jackson, J. Tipping.
Trustees:
C. C. Greene, Alex Smith, J. D. Smith.

The first foundation stone of this church was laid by John Davidson Smith on the 8th October, 1866, but the design was never completed, and the building being inadequate for the growth of the district, it was decided to erect the present more commodious structure in its place. Architect, J. Ibler; contractor, W. J. Yates.

The Rev. W. G. Hindley laid the stone and briefly alluded to the history, present position, and future prospects, of the church in Bairnsdale. The old church, which was a monument of their earlier struggles, had been pulled down, and the one of which they had laid the foundation stone would meet the wants of their growing town, and be a memorial of a most prosperous season, and an acknowledgement that God is the giver of all good. He hoped soon to see the church completed and out of debt.

The Rev. Canon Watson congratulated the people of Bairnsdale on their bright church prospects, and said how gratifying it was to see such evidence of success in church and other work. In Sale, he could tell them, they were doing a similar work, and were preaching what he, as a Sale man, hoped would be the Cathedral Church of the future. There was a great deal of rivalry among the towns of Gippsland, and this provided a wholesome emulation in church matters, which was productive of good.

The Rev. J. Hollis followed, and said he was glad the old church had been demolished, it was like our ambition too narrow and too high, he trusted that the new church would be broad in the test, and every sense of the word, but thoroughly evangelical. Referring to what Canon Watson had said he humorously said that the Bairnsdale Church would be finished and paid for before the Sale church.

The Rev. T. Walker spoke of foundations from from [sic]an architectural and spiritual point of view.

About ยฃ20, 10s was laid on the stone. The building is cruciform with nave, transepts, chancel, vestry and organ chamber, and will when completed, be an ornament to the town.โ€

The Argus, Melbourne, Vic, Tuesday 20th January 1880, page 1.

โ€œSANDFORD-KIKPATRICK.- On the 13th inst, at All Saintsโ€™ Church, St. Kilda, by the Rev. J. H. Gregory, Edward George Gregory Sandford, of Bairnsdale, solicitor, eldest son of Edward Sandford, of Alma-road, St Kilda, solicitor, examiner of titles, to Florence, only daughter of the late William Maitland Kirkpatrick, formerly of Caulfield, Victoria.โ€

Bairnsdale Advertiser & Tambo & Omeo Chronicle, Vic Thursday 18th May 1882, page 2.

โ€œThe painful news was received in Bairnsdale by wire on Tuesday, stating that Mr. E. G. G. Sandford, who has been practicing in this town between four and five years as a solicitor, had died at Albury that morning. The event was not unexpected, as it was generally known that the deceased gentleman had been ailing from pulmonary consumption for a long time past, and had removed to Albury for the benefit of his health, and the news lately received from him was such as to induce his friends to be prepared at any moment to hear of the sorrowful event of which they were informed on Tuesday. During his residence in Bairnsdale the late Mr. Sandford married Miss Kirkpatrick, and during his sojourn here he took an active part in all social and religious movements, and in public matters, and was respected and esteemed by all. He leaves a widow and two young children to mourn his loss.โ€

Bairnsdale Advertiser & Tambo & Omeo Chronicle, Vic Thursday 18th May 1882, page 2.

โ€œBAIRNSDALE CIRCUIT COURTS
WEDNESDAY, MAY 17TH
(Before His Honor Judge Nolan.)

DEATH OF MR. SANDFORD

When the General Sessions Court was opened, Mr. Kelleher, who was greatly affected, and who spoke very feelingly, observed that he had been requested by his brethren in both branches of the profession, and he spoke for himself, to refer sorrowfully to the absence of a young solicitor who had been practicing before the court during the last four or five years, and whose absence was occasioned by death. He (Mr. Kelleher) knows that the late Mr. Sandford was esteemed by the public of Bairnsdale, and was respected by his brother professionals: he was a good citizen, a good husband, and a good father, and his demise was generally regretted. He (Mr. Kelleher) did not apply to his Honor for an adjournment of the court, but on behalf of the professional gentlemen โ€“ and he spoke for himself โ€“ he solicited and expression from his Honor touching the painful circumstance.

His Honor feelingly remarked that he had heard a few minutes previously of the death of Mr. Sandford, and he felt very much shocked. The deceased gentleman had practiced before him for years, and his conduct in court had been most exemplary and courteous. He (his Honor) had known of he late Mr. Sandfordโ€™s illness some time ago, and had frequently inquired of he deceased gentlemanโ€™s father concerning his health. The court expressed deep sorrow at the loss of so esteemed a gentleman who had practiced before it.โ€

Bairnsdale Advertiser & Tambo & Omeo Chronicle, Vic, Saturday 20th May 1884, p2.

โ€œSANDFORD.- On the 16th inst., at Albury, N.S.W., Edward George Gregory Sandford, of Bairnsdale, solicitor, in his 30th year.โ€

The Argus, Melbourne, Vic, Monday 22nd May 1882, page 1.

โ€œSANDFORD.- On the 16th inst., at Albury, New South Wales, Edward George Gregory Sandford, late of Bairnsdale, solicitor, examiner of titles, in his 30th year.โ€

Gippsland Times, Vic, Monday 16th June 1884, page 3.

โ€œA handsome In Memoriam window has just been erected in the new Church of England, Bairnsdale. It is the gift of Mrs Sandford, and is in memory of her late husband, formerly a solicitor, practicing in Bairnsdale. The subject is โ€œThe Good Shepherd,โ€ representing Christ carrying a lamb in his arms, and is very beautifully finished, reflecting great credit on the firm by whom the order was executed. The window bears the following inscription:-

In Memoriam โ€“ Edward George Gregory Sandford, Obit, May 16th, 1882โ€.

Bairnsdale Advertiser & Tambo & Omeo Chronicle, Vic, Thursday 26th June 1884, p2.

โ€œOPENING OF ST. JOHNโ€™S CHURCHโ€

On Tuesday last the new Church of England, which has been erected by the Episcopalians of Bairnsdale, was opened for divine worship, special services being conducted on the occasion. There was a very large congregation both morning and evening, and not withstanding that the edifice has been constructed to seat 400 persons, chairs and forms had to be placed in all available places, in the morning and in the evening every nook and corner of the building was densely crowded, and may persons being desirous of gaining admittance were unable to do so. The guardians of the church had evidently been busy for some days past, as all arrangements for the services were most complete, and the large congregation were seated without the slightest confusion. A musical treat was provided for the occasion, the choir being of unusual strength as their ranks were augmented by several well known amateurs, and Mr. Plaisted, the talented and well-known organist of Melbourne presiding at the organ, the splendid instrument belonging to the Catholic Church having been kindly lent for the occasion by the Rev. Father Oโ€™Donohoe. Bridgewaterโ€™s morning and evening services were rendered by the choir, the anthem in the morning being โ€œRejoice in the Lord,โ€ and in the evening โ€œThe earth is the Lordโ€™s and the fullness thereof,โ€ both being from the Campbellโ€™s selection of anthems. The solos were contributed by Mrs. Cole and Messrs. Bower and Winkelmann, all of whom are to be complimented on their efforts, as also must be the choir generally, for the musical portion of the service has never been excelled in Bairnsdale. Before, however, proceeding to notice the other features of the opening ceremony, we must refer to the appearance of the church, more especially during the time the rite of confirmation was being administered. The bright sunlight streaming in through the many colored windows, cast a varied tint over the whole edifice, and falling on the white apparel of the ladies presented to the Bishop for confirmation, was most impressive in effect, and when combined with the solemn supplication of his Lordship as each couple took their kneeling positions before the communion rails, could not fail to produce an impression on the congregation present which will last for many a day. The magnificent altar cloth was presented to the church by Mrs. Moorehouse, wife of the bishop, and was much admired by all present, and the stained window facing the east, as has previously been mentioned by us, is the gift of Mrs. Sandford, in memory of the late Mr. E. G. G. Sandford, who during his life in Bairnsdale was a prominent member of the congregation. At the conclusion of each service a collection was taken up in aid of the building fund of the church, the result in the morning being ยฃ14,10s,9d. and in the evening ยฃ22. At each service the officiating clergymen were the Bishop, Dr. Moorehouse, The Rev. Canon Watson, of sale, and the rev. W. G. Hindley, the incumbent of St. Johnโ€™s, Mr. H. R. Kelsall, the lay reader, also being present. The opening ceremony was appropriately fixed for the day set apart by the Anglican Church for the feast of St. John the Baptist, to whom the church is dedicated, and this fact was referred to by the young people before proceeding to administer the rite of confirmation, as his Lordship remarked that there some significance in the fact that the church dedicated to St. John should be opened on the feast day of that saint. His lordship referred to the teachings of St. John in the wilderness to the Israelites to repent, and as that saint taught in the olden times, so did the ministers at the present time. He charged them to repent โ€“ to change their lives โ€“ in order to be prepared to receive the rite of the Sacrament of the Lordโ€™s Supper, and in a most eloquent address, admonished those about to receive the rite of Confirmation that they were to ask themselves whether they were prepared to crucify the lusts of the flesh, to renounce the evil influences of the world. He asked them if they were so prepared, and if so, he invited them to accept the full privilege of the blessings bestowed, and to be constant attendants at the Communion table. The rite of confirmation was administered to over thirty candidates. The evening discourse delivered by the bishop was an earnest and eloquent one, and was listened to with wrapt attention by the large congregation.

The ceremony of Tuesday marks an epoch in the history of Bairnsdale which must have an interest for all in the community, marking as it does the rise and progress of the town. The highly esteemed and much respected incumbent, the rev. W.G. Hindley, has taken a very active and earnest interest in having a church erected adequate to the requirements of the congregation, and being ably supported by the guardians the present building stands as a very substantial proof of their labours. They have taken a great responsibility upon themselves, taking upon their own shoulders the burden of seeing debt on the building paid off, and in this the congregation should join heartly in seeing the building unencumbered. We may be pardoned for throwing out one suggestion, and that is, having a fine edifice in which to assemble for public worship, they should not rest content until all their appointments are complete, and such cannot be the case until they have an organ suitable for the building, for it must be apparent to all that the little musical instrument which has hitherto done service will not be adequate to the requirements of the new church.โ€

Bairnsdale Advertiser & Tambo & Omeo Chronicle, Vic, Tuesday 1st July 1884, p 2.

โ€œโ€ฆThe building was designed by Mr. J. Ibler, lately and architect practicing in Bairnsdale, and the contract for the erection of eh church was let to Mr. W. J. Yates, builder of Bairnsdale, and it is very evident that he has discharged his duties in a most faithful manner, the entire building being a masterpiece of the builderโ€™s and decoratorโ€™s art; and while eulogising Mr. Yates and the workmen engaged by him, we must congratulate the congregation on the substantial and artistic manner in which their church has been erected, and the appreciable addition it forms to the architecture of Bairnsdale.โ€

Ellen Maria Watts Jones [nee Kemp] (1887-1979)

The east window was restored in 1980 in memory of Ellen Maria Watts Jones.

Ellen was the daughter of Arthur Kemp and Harriet Elizabeth Watts and was born in 1887. She married John Jones (c.1884 – 1961) and she died on the 2nd May 1979 at Clifton Waters Village at Bairnsdale aged 92.

Ellen left a bequest to St Johnโ€™s church, part of which was used for the restoration of the historic east stained glass window created by the Ferguson & Urie stained glass company of North Melbourne. The dedication of the restored window and other items purchased via the bequest was planned for 25th May 1980 by Bishop Graham Richard Delbridge.

Records from Parish Council minutes revealed the following information:

4th February 1980:

โ€œA bequest from Mrs Jones, late of C.W.V., is considered being used in part to restore the east windowโ€.

17th February 1980:

โ€œEast window which is unique will be restored by bequest for $1,000โ€

The restoration work on the Ferguson & Urie stained glass window was completed by Philip Handel (1931-2009) of Sydney, in 1980. [11]

Footnotes:

[10] St Kilda Cemetery, CofE, Compartment C, Grave 764A.

[11] Research by Archdeacon Ted Gibson. (email via Mrs Judi Hogan 24 Sep 2013).


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1875: St Peter’s Anglican Church, Akaroa, New Zealand.

St Peterโ€™s Anglican Church in Akaroa contains one of only seven rare examples of Ferguson & Urie stained glass found in New Zealand to date.

The window in St Peterโ€™s was erected circa 1877 in the east sanctuary as a memorial to two young men, C. Allan Nalder a Solicitor, and Randal Sayle a district surveyor, who both drowned as a result of a boating accident when their yacht โ€œRippleโ€ capsized in Tikau Bay on the 12th January 1875.

Photos taken 2nd October 2010 and kindly contributed by Errol Vincent, NZ.

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The first Anglican Church at Akaroa was built c.1852 in Church street to the designs of Samuel Charles Farr (1827-1918). Circa 1863, the Resident Magistrate at Akaroa, John Watson[1], donated the land for the new Church at Rue Balguerie, Akaroa, and builders Checkley, Bates and Newton began construction of St Peterโ€™s in 1863. It was consecrated by the Bishop of Christchurch, Henry John Chitty Harper (1804-1893), on the 27th of November 1864[2].

In response to the need for more room, in 1876 architects Cane and Drewett (Thomas Cane 1830-1905 & John W. Drewett) presented the plans for the enlargement of the church, which included transepts and extended sanctuary, and on completion of these extensions, it was officially re-opened for services on St Markโ€™s day on the 25th April 1877[3].

In relation to the date the Ferguson & Urie window was erected, noted historian Dr. Fiona Ciaran records that the following was reported in the Lyttelton Times of 1875:

โ€œโ€ฆThe LT records the studio and the arrival of the window [(6 April 1875, p2]โ€ฆโ€[4]

In April 1877, two years after the arrival of the window, a statement of subscriptions and expenditure was published with mention of an amount paid to Ferguson & Urie:

Akaroa Mail and Banks Peninsula Advertiser, Vol 1, Issue 78, 17th April 1877, page 3.

“ACCOUNT OF SUBSCRIPTIONS AND EXPENDITURE MEMORIAL WINDOW…”
“…Paid Ferguson and Urie…ยฃ46-3-1…”

Transcriptions of some significant source records:

Colonist [NZ], Volume 1861, issue 1861, 12 January 1875, page 3.

โ€œMonday.

โ€œMr. Randall Sayle, late of Nelson, was drowned on Saturday afternoon, at Akaroa, during a trial trip of the yacht Ripple, which he had just purchased. Mr Nalder, junior, a lawyer, was also drowned. A squall struck the yacht, which sank in deep waterโ€.

Star, [NZ] Issue 2133, 12 January 1875, page 2.

โ€œTHE FATAL ACCIDENT AT AKAROAโ€.

โ€œThe following is a detailed account of this sad accident, of which a brief telegraphic account was published yesterday.
As has been already stated, the yacht Ripple, which was built at Port Chalmers, was brought to Lyttelton to compete at the late regatta in the yacht race, which she won. Mr Sayle, who was at the regatta as captain of the Akaroa four-oar crew, taking a fancy to the yacht negotiated for and purchased her, got her unrigged and sent down to Akaroa by the Bruce on Jan. 7. The day following her arrival at Akaroa, Mr Sims, one of the survivors of the accident, commenced to re-rig her, and finished his work on the morning of the 9th. Mr Sayle was very anxious and excited to get the work done so that he could have a trial trip of his purchase, and, accordingly, in the afternoon, himself, Mr C. Allan Nalder, Mr A. Westenra of the bank of New Zealand, and Mr W. Sims started for a cruise. The yacht was narrowly watched at starting and for some time afterwards by different persons on shore as she appeared to some who understood those matters not so stiff under canvas as she had been represented to be. At starting, two reefs were taken in the mainsail, and, subsequently, another one, the jib being also replaced by a smaller sail. The wind at the time was from the north-east, blowing rather gustily and fresh on the Akaroa side of the bay; on the opposite side it appeared as if the wind was stronger. The first part of the cruise was run down the harbour past the buoy of Greenโ€™s point, then a tack was made to winward, when the yacht fetched near Tikau Bay, she was then again put about. Mr Sayle was at the tiller and holding the main-sheet in his hand, when Mr Sims, noticing that she was heeling over too much, called out to Mr Sayle to let go of the sheet. As this was not done, Mr Sims twice more made the same request, but Mr Sayle was as one paralysed, looking at the others, but apparently unable to do what was required of him. The vessel heeling over more, the ballast shifted, and the yacht immediately filled and went down at, about a mile from the shore, in some six fathoms of water. The four, who were all swimmers, having got clear of the vortex caused by the sinking vessel, at once struck out for the shore. Mr Westenra and Mr Nalder being near each other, and Mr Sims and Mr Sayle a little distance from them. As they swam, Mr Nalder addressed Mr Westenra more than once, and wished he could get his coat off, which Mr Westenra told him was impossible, but kept cheering him up with hopes of their reaching shore safely. Mr Westenra supposes they must have swam nearly half way to shore when he heard a call from his fellow swimmer. He turned round and found he was alone, Mr Nalder having sunk to rise no more. At this time the beach was not to be seen, but struggling on, Mr Westenra at last reached the shore, exhausted and almost insensible. In the meantime, Mr Sims had kept near Mr Sayle, and they had been swimming some time, when Mr Sims noticed his companion apparently losing strength, and faltering and saying that he was afraid he could not keep on. Mr Sims then swam behind him, and catching hold of the serge coat which Mr Sayle wore, held him up whilst still swimming toward the shore, until he found they were both sinking, and that unless he let go, they must both go down together. Thoroughly exhausted, but reluctantly, Mr Sims let go his hold, and shortly afterwards Mr Sayle must have sunk. At this time, Mr Sims knew nothing of the others. He had heard a cry which he thought came from Mr Nalder, but whether it was of encouragement or despair he could not tell. Resting a little, and getting himself free from his boots, he again commenced swimming towards shore, which he ultimately, with great difficulty reached, and there found Mr Westenra. After taking off and wringing their clothes, they started for the Maori pah, and when on the hill, they noticed that Mr Bridgeโ€™s yacht, the Scud, had started from Akaroa, and was making for the scene of the accident. The Maoris treated them very kindly and hospitably, making them tea, and wanting them to change their clothes, which both declined to do; the Natives volunteered also to take them to Akaroa in a dingy. A fire was then lit to draw attention of those on board the Scud, but, owing to the peculiar haziness of the atmosphere, it could not be seen. However, the Natives getting out their dingy, took them, and, succeeding in drawing attention, put them safely on board. Mr Nalder was well known throughout the province, but Mr Sayle was not so well known. Both gentlemen were single, and the latter held the appointment of district surveyor at Akaroa. The fatality occurred about five oโ€™clock in the evening, and, when known, caused quite a consternation in Akaroa, both gentlemen being held in more than ordinary esteem and respect.โ€

Lyttelton Times [NZ], Volume XXII, issue 1325, 1 December 1864, page 4.

โ€œCONSECRATION OF ST. PETERโ€™S AKAROA

On Sunday morning, the 27th day of November, the Bishop of Christchurch was met at the usual hour for divine service by the minister, churchwardens, and some of the inhabitants of Akaroa after the form prescribed, when the Rev. William Aylmer, M.A., the incumbent, read the petition praying his Lordship to consecrate their building, to which petition, consent was given according to the prayer therein contained. The ceremony of consecration and the dedication immediately followed. The Bishop having received the instrument of conveyance, presented to him, by which we learnt that the area of ground upon which the church was erected had been the gift of Mr. John Watson, the Resident Magistrate at Akaroa, declared the same to be dedicated to the use of the Episcopal Church, and henceforth to be known by the style of St. Peter. Being the first Sunday in Advent the psalms and Lessons for that day were read instead of those usually chosen at a consecration in this diocese; the second Lesson, containing the narrative of the cleansing of the Temple by our Redeemer. His Lordship afterwards preached from Matthew ix. Chapter and 29th verse โ€“ โ€œAccording to your faith, be it unto you.โ€ His sermon was a plain, but forcible explanation of the nature and quality of a saving faith, remarkable for the earnest tone in which he strove to bring home the necessity of such a faith to his hearerโ€™s apprehension while he dwelt strongly upon the privileges which they would henceforth enjoy in making public prayer and supplication unitedly to Him who had promised that wheresoever two or three were met together there to be present with them. After the conclusion of the sermon, the Holy Communion was administered. The choir had prepared a musical treat, and sang Jacksonโ€™s noble Te Deum in F โ€“ in a manner which, if it left anything open to regret, was only that so inspiring a composition should not be the rule instead of the exception. The chants and hymns chosen for the day, were also well sung โ€“ the congregation joining throughout, intelligibly bearing their part in the service. After evening service, the Bishop administered the rite of confirmation, and addressed in his happy, affectionate, and impressive manner, those upon whom he had laid his hands, exhorting them, and all those who had preceded them, to help one another to fight the good fight and never be ashamed of he glorious calling whereunto they had been called. If another regret again obtruded, it was only that his Lordship was not able to be a more frequent visitor to the district of Akaroa.โ€

Akaroa Mail &Banks Peninsula Advertiser [NZ], Vol VII, Issue 704, 13 April 1883, page 2

โ€œOBITUARY NOTICE

On the authority of a letter received by the last mail from England, we hear from Mr. A. H. Westenra of the decease of Mr John Watson, for many years the Resident Magistrate of Akaroa, and for some years the only Stipendiary magistrate in all of what is now Canterbury. It appears almost like going back to pre-historic times to write of the deceased gentleman, and his connection with Akaroa and the public service of the Colony, more especially, too, as but few who are now among us had the opportunity of hearing from his own lips the reminiscences of his earlier Colonial career.
From what we remember and have heard of our deceased fellow-colonist and former kindly neighbour, we understand that he was born at Ballydarton, in the County of Carlow, Ireland, his father being John Watson, Esq., who was then considered the first and best master of foxhounds in the United Kingdom[5]. This love of sport and horsemanship has descended, the present master of the Melbourne pack, which position he has honourably held for many years, being a half brother[6] of the deceased; while every old Akaronian must well remember the late gentlemanโ€™s pride in horses, even to breaking them in, the last one, we believe, that he owned and broke here being a horse named by him Blarney.
Mr Watson, we believe, came to this colony in November or December, 1843, with Captain โ€“ afterwards Admiral โ€“ Fitzroy, but in what capacity we do not know. It is a matter of colonial history that he distinguished himself at Kororareka, in the Bay of Islands, at the contest with the then redoubtable chief Heki. Shortly after this he must have been sent to Akaroa, succeeding Mr C. B. Robinson, the first R.M. here. From that date until 1869 or โ€™70 Mr Watson was one of us, strict in his duties and straightforward in his intentions, Like other men, he had his official peculiarities, but for unostentatious kindness, in which his widow was always a ready and eager helper, and more than aid, his name was in those days proverbial. The site of St. Peterโ€™s Church section was a present from the deceased gentleman, who always, while he was amongst us, took a deep interest in Church matters, and otherwise interested himself in the advancement of the town and district; in fact, his and Mrs Watsonโ€™s aid and advocacy, combined with the Rev. W. Aylmerโ€™s efforts, resulted in the present Church being built. Many and very many of the โ€œold identitiesโ€ of this district will be very sorry to read of Mrโ€™s Watsonโ€™s bereavement, and though she is far away will still sympathise with her as a friend, although out of sight, but not out of mind to them. Most of us know that although a non resident the deceased gentleman still held property among us, notably the residence or Mr H. C. Jacobson, and a freehold on the German Bay hill. To quote Mrs Hemans:-

โ€œLeaves have their time to fall, And flowers wither at the North windโ€™s breath, And stars to set; but all Thou hast all seasons for thine own, O Death!โ€

Stained Glass windows of Canterbury, New Zealand, Ciaran, Fiona. Dunedin, N.Z.: University of Otago Press, 1998, p153.

โ€œW370. E sanctuary, 3L, 2740mm x 1630mm.
The Risen Christ Blessing in Majesty.
Unsigned:
[Ferguson, Urie, and Lyon, Melbourne].

Undated: 1875.
Commemoration: C. Allan Nalder and G.R.F. Sayle, drowned in Akaroa Harbour, 9 Jan 1875 [plaque]. Both worked in Akaroa, Nalder as a solicitor and Sayle as a surveyor [MDCB N3, S74].
Donor: Public subscription.
Documentation: The LT records the studio and the arrival of the window [(6 April 1875, p2]. NZCN reported that more money was needed for the window which would cost approximately ยฃ60 [5, no. 9 (July 1875), p.103]. At a vestry meeting on 29 Sept 1877, which he attended while on a visit to the parish, Bp Harper noted that this window had been installed without a faculty. A formal request for a faculty was to be made [VMB (unpaginated)], but there is no faculty entry in the BR.
Note: This window may have been obtained from this studio as a result of an advertisement first placed by Ferguson, Urie and Lyon in NZCN, 1, no 5 (Feb 1871), p.16.โ€

(Abbreviations: BR: Christ Church Anglican Bishop’s Register. NZCN: New Zealand Church News. MDCB: Macdonald Dictionary of New Zealand Biographies. LT: Lyttelton Times. VMB: Vestry Minute Book).

Footnotes:

[1] Akaroa Mail &Banks Peninsula Advertiser, Vol VII, Issue 704, 13 April 1883, page 2

[6] George John Watson (1829-1906)

Acknowledgements:

Thanks to Errol Vincent for contributing the photos and for his and Ann’s enthusiasm for the history.ย  Errol is a great great grandson of James Ferguson of the stained glass firm ‘Ferguson & Urie’.

Thanks to Dr. Fiona Ciaran for signing my copy of her book ;-), ‘Stained Glass windows of Canterbury, New Zealand,’ which has been an invaluable resource for this article.


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1878: St John’s Aboriginal Mission Church, Lake Tyers, Victoria.

St Johnโ€™s Anglican Church at the Lake Tyers Aboriginal Mission was built in 1878 to the designs of architects Terry and Oakden and formally opened on Sunday 26th October 1878[1].

Photo of the chancel window was taken 17th Dec 2012 and kindly contributed by Bruce Hutton of Almond Glass, Oakleigh.

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The first minister of the Aboriginal Mission at Lake Tyers was John Bulmer (1833-1913). Bulmer arrived in Australia aboard the โ€˜Emigrantโ€™ on the 12th Jan 1853 with his employer John Eggars and his family (Eggars died on the voyage)[2] For the first three years in the colony Bulmer worked as a carpenter to repay his passage and assist the Eggars family to return to England.

In 1855, having witnessed the maltreatment of the Aborigines, Bulmer offered himself for the Church of England Aboriginal mission being planned for Yelta near the Murray River. He was accepted by the Church, despite his Methodist background, and in 1858, with the assistance of the Rev Friedrich Hagenauer, was invited to open a mission in the South Gippsland region and in 1862 he and his second wife Caroline began the Lake Tyers Aboriginal Mission[3].

Eighteen years later Bulmer sought to have a suitable house of god on the mission estate and in 1878 a wooden church was โ€œerected by the blacks under the able superintendence of Mr Bulmerโ€[4]

In the presence of the Rev. Canon Stuart Lloyd Chase, who was the donor of the stained glass windows, the church was formally opened on the 26th October 1878.

Amongst the description of the building and its furnishings was the mention of the stained glass windows:-

โ€œโ€ฆpainted glass in the three light window of chancel (presents by the Rev. Cannon Chase), as well as that of all other windows, were sent up from Melbourneโ€ฆโ€

The three light chancel window is identified as the work of the Ferguson & Urie stained glass company of Curzon Street, North Melbourne. It has the typical Ferguson & Urie stained glass border design of alternating red and blue, but in this window it has a small depiction of a majestic crown separating each colour instead of the usual yellow or white flower. ย In the left light is the Greek symbol of Alpha (the beginning) and in the right light the symbol of Omega (the end). The diamond in-fill quarries in each light are of a repeat depiction of the passion flower in grey, gold and pink. The centre light comprises a scrolling ribbon on a crimson background with biblical text:

โ€œTHE GOOD SHEPHERD GIVETH HIS LIFE FOR THE SHEEPโ€
(John 10-11, – King James Bible).

The three light chancel window has recently undergone restoration and conservation by Bruce Hutton of Almond Glass, Oakleigh, Victoria, in 2012.

Gippsland Times, Vic, Friday 1st November 1878, page 3

โ€œNEW CHURCH AT LAKE TYERS.

The ceremony of opening a new church in connection with the Church of England Missions to the natives at Lake Tyersโ€™ Aboriginal Station was celebrated on Sunday with unusual รฉclat. On Saturday, the Tanjil conveyed to the Lakes Entrance a party of visitors, among whom were the Rev. Canon Chase, W. E. Morris, Esq., Deputy Registrar of the Diocese, and hon. Sec. of the Mission, H. Henty, Esq., and other gentlemen, who were joined at Sale by the Rev. Canon Watson, the Rev. Mr. Hagenauer, and other friends. Several ladies were of the party. Bairnsdale was reached in the afternoon, and the steamer then went on to the Entrance, the party walking to the station, where they found accommodation. On Sunday, after a preliminary service conducted by the Rev. Mr. Hagenauer in the school-room, the congregation assembled in the new church. The opening sermon was preached by the Rev. Canon Chase. During the afternoon a missionary meeting was held, Mr. Henty in the chair, at which addresses were delivered, service in the evening being conducted by the Rev. Mr. Hagenauer. On Monday the programme was diversified by a most enjoyable pic-nic. During the evening several aboriginals were baptized. On Tuesday, the Rev. Canon Watson delivered an address in the Church, and on Wednesday morning the party left in the Tanjil, reaching Sale in time for the afternoon train for Melbourne, all exceedingly delighted with the excursion, and loud in their praises of the Tanjil. The occasion was one of great delight among the 120 natives at the station, the arrangements of which were the theme of general commendation. The following is a description of the new building:-
The Mission Church has a nave 40 feet long by 20 feet wide and about 16 feet high from floor to roof, which has a Gothic pitch. The chancel is 12 feet by 10 feet deep. The tower is square, rising well above the Church roof, is terminated by a stunted spire, crowned by a gilt weathercock vane. The lower stage of the tower forms a spacious porch, with double doors at each side window in front; above the porch is a ringing chamber, and over it a belfry, with lowered lights. The structure is of hardwood, and erected by the blacks under the able superintendence of Mr Bulmer. It is covered with painted weatherboarding outside, and lined inside, including also the roof, with slightly stained and well-varnished boarding. The roofs of nave, chancel, and spire, are covered with galvanised corrugated iron. The doors, windows, painted glass in the three light window of chancel (presents by the Rev. Cannon Chase), as well as that of all other windows, were sent up from Melbourne. The chancel arch is the full width of the Church, and is to have illuminated text round it. The Church ceiling is of a neat pierced wood-work executed on the station; the pulpit was a present from Melbourne; the pews of good solid character of polished deal, made in Melbourne. The plan was furnished gratuitously by Messrs Terry and Oakden, architects, Melbourne.โ€

Gippsland Times, Vic, Friday 12th March 1880, page 4

โ€œโ€ฆIf the exterior of the Church pleased us, we were more than delighted with the interior. As the doors swung back, the glories of a large stained glass window, placed over the chancel, burst suddenly upon usโ€ฆโ€

ย ATNS โ€“ Agreements, Treaties and Negotiated Settlements Projectย ย  (Accessed 04/06/2013)

โ€œThe Lake Tyers Mission Station was established in 1861 by the Church of England Mission. In 1863, the Victorian Colonial Government set aside 2000 acres of land as the Lake Tyers Reserve. In the early 1900’s, residents from Ramahyuck moved to Lake Tyers as did those from Lake Condah and Coranderk after these stations were closed. By 1962 the State Government had announced plans to close Lake Tyers. In 1971, the Government returned the Lake Tyers Reserve, including 4000 acres, to the local Aboriginal community under the Aboriginal Lands Act 1970.โ€

โ€œโ€ฆIn 1858, Bulmer married a young school teacher, Miss Stocks, and shortly afterwards was invited to open a mission in Gippsland. Mrs Bulmer died in Melbourne in 1861. Bulmer went to Gippsland where, with the help of local Aboriginal people, he chose a mission site on Lake Tyers. Returning to Melbourne Bulmer married Caroline Blay. Together they commenced the Lake Tyers Mission in 1862, with both church and government supportโ€ฆโ€

Traralgon Record, Vic, Tuesday 19th August 1913, page 2

โ€œThe Rev. John Bulmer, associated with the Lake Tyers Mission Station for over 50 years, died last Wednesday, in his 81st year.โ€

The Bairnsdale Advertiser, Friday 15th August 1913, page 3.

โ€œBULMER.- The friends of the late Rev. John Bulmer are respectfully informed that his remains will be interred THIS (Friday) AFTERNOON. The funeral is appointed to leave St. Nicholasโ€™s Church, Cuninghame, at 2 oโ€™clock for the Cuninghame Cemetery. W.SHARROW, Funeral Director, Phone 27.โ€

The Argus, Melbourne, Vic, Wednesday 10th July 1918, page 1.

โ€œBULMER.- On the 2nd July, at Lakes Entrance, Caroline, widow of the late Rev. John Bulmer, formerly of the Lake Tyers Mission Station, in her 80th year.โ€

After John Bulmerโ€™s death in 1913 the Victorian Board for the Protection of Aborigines sought to have his wife Caroline and his daughter Ethel evicted from the Lake Tyers station. With the support of the Aboriginals, she petitioned the board to be allowed to stay on the station but after numerous failed attempts, she and her daughter were forced to leave[5]. Caroline Bulmer died five years later at Cunninghame near Lakes Entrance aged 80.

Footnotes:

[1] Gippsland Times, Vic, Friday 1st November 1878, page 3

[2] ‘Aboriginal Mission Stations in Victoria’, Aldo Massola, Hawthorn Press, 1970

[5] The Journal of the Public Records Office Victoria, September 2008, Number 7

Acknowledgements:

Many thanks to Bruce Hutton of Almond Glass for the correspondence, his contribution to the preservation of the historical stained glass, and for contributing the photo of the chancel window.


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1863: St Joseph’s Catholic Church, Collingwood, Victoria.

In late 1867 James Urie, of the Melbourne stained glass firm Ferguson & Urie, toured Tasmania with a catalogue of the firms designs for stained glass. On the 13th August 1867, the Hobart Mercury reported a detailed account of commissions he had received for stained glass windows and mentioned some that the firm had already executed in Victoria. Amongst those listed was โ€œโ€ฆSt Josephs Roman Catholic Church, Collingwoodโ€ฆโ€[1]

The foundation stone of St Joseph’s Church & School was laid on 16 December 1860[2] and formally opened on Sunday the 1st of February 1863[3]

The Victorian Heritage Database indicates that St Josephโ€™s contained stained glass windows by Ferguson & Urie, Rogers & Hughes, and William Montgomery[4].

At about 6am on theย  2nd of Aprilย  2007, fire broke out and destroyed the majority of St Joseph’s leaving just the shell [5].ย  None of the historic stained glass windows survived.

Early photos taken in the 1990’s and kindly contributed by Dr. Bronwyn Hughes, 01/06/2013.

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The Argus, Melbourne, Vic, Monday 2nd February 1863, page 5.

โ€œThe Roman Catholic Church of St. Joseph, situated in Otter-street, East Collingwood, was formally dedicated for public worship yesterday morning, by the Roman Catholic bishop of the diocese, Dr. Goold. High pontifical mass was performed, the Rev. H. England acting as deacon, and the Rev. W. Donovan as sub-deacon. The discourse was delivered by the Rev. E. Scully. The church which is of neat brick erection, was opened for the first time yesterday. It was commenced about three years ago, but a great deal of work still remains to be done, both with regard to the internal and external fittings. The building has been erected with the view of being used as a school-house as well as church. It accommodates about 400 people, and its cost (about ยฃ1,000) has been already subscribed. A numerous congregation assembled upon the occasion of the dedication, and many of the most influential Catholics of the neighbourhood were present. Imperial Mass, No. 8, was beautifully given by a choir, which included Mrs. Tester, Miss Julia Matthews, and Messrs. Power and Ewart.โ€

Related post:

13-08-1867: James Urie visits Tasmania on Ferguson and Urie business.

External links:

YouTube Video, St Joseph’s fire: http://www.youtube.com/watch?v=ecIH37XquCM

Footnotes:

19-02-1874: The Hotham (North Melbourne) School of Art.

In 1873 the Hotham School of Art[1] has been established and operates from premises in Chetwynd Street North Melbourne. Prominent figures from the stained glass firm Ferguson & Urie are involved in its inception.

Ferguson & Urie’s senior stained glass artist, David Relph Drape (1821-1882), lends his expertise as a teacher in the field of โ€œOrnamental and Figure Drawingโ€ as well as being a member of the Board of Advice. The principals of the Ferguson & Urie stained glass company, James Ferguson (1818-1894) and James Urie (1828-1890) are also members of the Board of Advice. In 1877 the school moved to more suitable accommodation within the North Melbourne Town hall and at that time maintained an average of 95 scholars during the terms[2].

In 1877, Drape’s eldest sons, Isaac Selby Drape (1866-1916) and John Campbell Drape (1866-1920), are mentioned amongst the recipients of prizes in the category of โ€œOrnamental Outlineโ€[3]. Neither continued a career in art.

In 1879, Ferguson & Urie apprentice Frank Clifford Lording (1860-1944) was awarded a prize as a senior student in the category of โ€œOrnamental Shadedโ€[4]. After the closure of Ferguson & Urie in 1899, Lording joined another fellow employee of Ferguson & Urie named Charles William Hardess (1858-1949) to form โ€˜Hardess & Lordingโ€™ as lead-lighters. Hardessโ€™s father, George Matthew Hardess, was also treasurer of the Hotham School of Art and Chairman of the Board of Advice in 1874[5].

In 1883, Ferguson & Urie apprentice George James Coates (1869-1930), was awarded a prize in the senior class for Landscape drawing[6]. Coates was apprenticed to Ferguson & Urie at the age of 15 and later became an accomplished artist in his own right as well the unofficial war artist to the Australian Government during WW1.

The photos of Frank Clifford Lording, Charles William Hardess and George James Coates appear amongst the photo collage of the employees created for the company dinner held at the North Melbourne Mechanics Institute on the 22nd of June 1887.

Principal partner in the Ferguson & Urie stained glass company, James Urie, continued the promotion of the arts as a founder and committee member of the Flemington and Kensington School of Art founded in 1884[7].

HOTHAM SCHOOL OF ART 01a

Ferguson & Urie members.
Sepia photos dated June 1887, photo of Drape circa late 1870’s.


North Melboure Advertiser, Vic, Thursday 19th February 1874, page 3.

โ€œUnder the Auspices of the Commission for Promoting Technological Education.

HOTHAM SCHOOL OF ART, held AT ST. MARYโ€™S SCHOOLROOM, Chetwynd street. Terms: two shillings per quarter. The following classes meet every THURSDAY EVENING, at eight p.m. :- Practical Geometry, Teacher, J. Ingamells; Mechanical Drawing, J. Buncle and R. Bodycombe; Architectural Drawing, T. Caine; Ornamental and Figure Drawing, D. R. Drape; Landscape and Elementary Drawing, J. M. Kennedy. The committee consists of the following gentlemen:- The Mayor of Hotham, Mr. Cr. Carroll, Mr. Cr. Thomas, Mr. Cr. White, Mr. Cr. Barwise, Mr. Cr. Clarke, Mr. Cr. Laurens, Mr. Cr. Ryan, Mr. Cr. Paton. The following Members of the Board of Advice:- Mr. G. Hardess (chairman), Mr. Alcock, Mr. W. Clarke, Mr. Beasley, Mr. Cook, Mr. Laurens, and Mr. Buncle, Mr. Bodycombe, Mr. Drape, Mr. Caine, Mr. Kennedy, Mr. Kurz, Mr. Walker, Mr. White, head, Mr. C. E. Randall, Mr. Marley, Mr. Gilchrist, Mr. McGrotty, Mr. Reynolds, Mr. Kirkus, Mr. Atkin, Mr. Ferguson, Mr. Urie, Mr. Chrystal.

Mr. G. M. HARDESS, Treasurer.
Mr. H. WARNER, Secretary.โ€

1867: The Royal Visit – The Illuminations and decorations throughout Melbourne.

On the 31st of October 1867, Prince Alfred the Duke of Edinburgh, arrived in Australia to begin the first tour of the Colony by a member of the British Royal family. By the time the Duke had arrived in Melbourne, the city had decorated shop fronts and streets throughout the city and suburbs in anticipation of the historical visit.

The most popular decorations, and undoubtedly the most expensive, were the decorative transparencies on glass which were illuminated at night by various methods of gas and kerosene lighting. There were many reports in the tabloids of the time which described these various decorations in great detail and the company name Ferguson & Urie appeared many times as the makers of these ‘transparencies on glass‘.

The Argus, Melbourne, Wednesday 27th November 1867, page 1.

ย โ€œโ€ฆInsolvent Court โ€“ Transparency on glass by Ferguson & Urie, representing the star of the garter, the Dukeโ€™s shield, with anchor and coronet, with star and anchor. The Australian Mutual Provident Society had a star in gas-piping, size 6ft. 6in, by 6ft. and within it a transparency in glass, painted by Ferguson and Urie, representing a union jack. Crown law Offices โ€“ Transparency on glass, painted by Ferguson and Urie, 9ft x 6ft, an Imperial crown; all the windows filled with pyramids of candles. Audit Office โ€“ Transparency on glass, by Ferguson and Urie, the Royal arms; all the windows illuminated with pyramids of candlesโ€ฆโ€

Illustrated Australian News for Home Readers, Melbourne, Friday 20th December 1867, page 6.

โ€œAt the warehouses of Messrs James McEwan and Coโ€œ. were to be seen several transparencies on glass, prepared by Messrs Ferguson & Urie and Lyon. One contained a large figure of Britania, with an anchor, supported by sea horses, below and above cherubs carrying scrolls, with the word โ€œWelcomeโ€. The whole surrounded by a border of flowers. In another, the Dukeโ€™s shield, and in another, the star of the Order of the Thistleโ€. The Crown Law Offices also had a Ferguson & Urie transparency of the Royal Arms.

The Telegraph, St Kilda, Prahran and South Yarra Guardian, Vic, Saturday 30th Nov 1867, p2.

โ€œTHE ILLUMINATIONS, &c. PRAHRAN AN SOUTH YARRAโ€

โ€œWe are confirmed in our opinion that it was a mistake to have the suburban illuminations on the same night as those of Melbourne. There was a really excellent show made in Prahran, which, if it had been given separately, would have proved very attractive. As it was, it was witnessed by comparatively few persons. We hear the Town-hall is to be lighted up again to-night, and it will no doubt prove a great attaraction. We subjoin a list of the most prominent sights:-

CHAPEL STREET.

Town-hall โ€“ Three painted glass transparencies between the pillars in front of the building, painted by Messrs. Ferguson & Urie, and consisting of Scotch thistle with circle containing the motto โ€œNemo me impune lacessit,โ€[1] with fluted rays in white; royal crown, Irish shamrock, and cross, encircled with motto โ€œQuis separabit,โ€[2] and white fluted rays from edge of circle. Four main windows painted in various designs, and lit with kerosene lamps having powerful silver-plated reflectors. The windows in the tower coloured and ornamented with various designs. The faces of the clock were illuminated with a subdued light, and the lantern, or top most part of tower, lighted with a brilliant ruby colour. The whole of the internal arrangements were under management of Messrs. Ridoutt and Sons, to whom great credit is due for the success attending their effortsโ€ฆโ€

The Telegraph, St Kilda, Prahran and South Yarra Guardian, Saturday 28th Dec 1867, page 3.

โ€œโ€ฆCouncillor Crews moved โ€“
โ€œThat the following sums be paid by this council for illuminating the Town-hall on the occasion of H.R.H. the Duke of Edinburghโ€™s visit to the colony:- Messrs. Ferguson and Urie, for transparencies, ยฃ23 10s.; Ridoutt and Sons, for illuminating, ยฃ20; Mr. Dobie, erecting scaffolding for illuminations, ยฃ11 14s. That a loan of ยฃ100 be granted to the Prahran Royal Reception Committee until that amount be paid by the Royal Reception Commission as promisedโ€ฆโ€

Apart from the Duke witnessing the many public decorations made by Ferguson & Urie which decorated the streets of Melbourne and suburbs, his visit to Tasmania would have undoubtedly afforded him very close inspection of one of Ferguson & Urie’s most prominent secular stained glass windows in Tasmania. In January 1868 the Duke was to be a guest of the Hon Robert Quayle Kermode at his Mona Vale mansion near Ross in Tasmania:

“…Mona Vale, where His Royal Highness stayed on his upward and downward journey, and where every provision was made for his comfort, which the real genuine hospitality of an English gentleman could devise, or Princely munificence accomplish. The mansion of Mona Vale is, I have no hesitation in saying, one of the most splendid and magnificently furnished residences in the whole of he Australian colonies, and it is replete with every comfort and conveniences that modern art has yet suggested” [3]

When Kermode commissioned the architect Henry Hunter to build Mona Vale, Hunter included stained glass windows as part of the designs and he selected these works from Ferguson & Urie during a visit to Melbourne:

“…beautiful windows of stained glass, which surround the front door. The fanlight is especially worth mention, having in the centre Mr. Kermodeโ€™s crest, an arm and dagger surrounded by a handsome design. The side lights have a stained glass bordering, with centre pieces in frosted glass of floral design. Arrived at the foot of the grand staircase, I observed that the whole of the windows by which it is lighted were also of stained glass, showing groups of flowers most tastefully arranged. The whole of these windows are in the style known as enamel painting, and were executed by Messrs. Ferguson and Urie, of Melbourne…”ย [4]

Although the Duke’s visit to the Antipodes was a highly successful moral boost to the colony’s, it was not without incident.

His visit to Sydney was marred by an assassination attempt on the 12th of March 1868 by an Irishman named Henry James O’Farrellย  who shot the Prince. Although seriously wounded, the Prince made a fast recovery.

Justice was swift and decisive and O’Farrell was convicted and hanged six weeks later on the 21st April 1868.

MELBOURNE Princes Bridge 1867

Decoration of Princes Bridge Melbourne for the Royal visit in 1867.

Unfortunately there are no known existing examples of these transparencies on glass by Ferguson & Urie.

Related posts:

1887: The Royal Visit – Illumunations & Portrait of Her Majesty Queen Victoria.
20-01-1868: Mona Vale Mansion, Ross, Tasmania, Australia.

Foot notes:

[1] “No one attacks me with impunity”: Latin motto of the Order of the Thistle and of three Scottish regiments of the British Army.

[2] “Who will separate (us)?”: Latin motto of many British & Irish Regiments .

[3] The Mercury, Hobart, Monday 20th January 1868, page 3.

[4]ย  ibid

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07-01-1907: William Urie (1864-1907)

 

William Urie was born in North Melbourne on the 19th October 1864. He joined his fathers stained glass firm ‘Ferguson & Urie’ as a boy and in late 1885, aged 21, he accompanied his uncle Alexander Young (1833-1889), who was also a member of the firm, to Brisbane. Queensland, to assist with the installation of the firms largest stained glass window in St Stephen’s Cathedral.

In 1888 William accompanied another uncle, John Yeaman, on a nine month trip back to the ‘old country’ (Scotland) as mentioned at the company dinner in 1888;

“…The event of the evening then took place in the shape of the presentation of a very handsome dressing case containing all the requisites for a gentlemanโ€™s toilet to Mr. W. Urie. Mr. Loughrey in handing this present to Mr. Urie said that he was proud to have the honour of making the presentation and proposing the health of the recipient. Mr. Urie was going to the home of his fathers, and he was sure they all wished him a pleasant trip. From his quiet and unassuming manner he had won the hearty good wishes of all with whom he came in contact, and it had been decided that he should not be allowed to leave Australia without some souvenir.

Mr. Loughrey then handed Mr. Urie the dressing case, and the latter gentlemanโ€™s health was enthusiastically drank with musical honours. Mr. Urie said he must thank them very much for their kindness, and he would certainly not fail to use the valuable present tendered to him, especially the razors (laughter). He was going to a land that was unknown to him and he would endeavour to keep his eyes open and learn as much as possible of the old country. He hoped to be back among them again soon, and thanked them heartily for their kindness…”

On the 8th of May 1891 William married Rose Emma Smith at the Holy Trinity church in Kensington (Flemington) and they had four children.

William Urie died in 1907 aged 42.

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The Argus, Melbourne, Vic, Saturday May 9th 1891, page 1.

URIE-SMITH.- On the 8th ult., at Holy Trinity Church, Kensington, William Urie (son of the late James Urie, of Ferguson and Urie) to Rose Emma Smith (daughter of Ralph Smith, of Fletcher and Smith), both of Flemington.

The Argus, Melbourne, Vic, Monday 7th January 1907, page 1.

URIE โ€“ On the 5th January, at Finsbury-street, Flemington, William, dearly beloved husband of Rosa Urie, and beloved father of James, Muriel, Grace, and Ralph, also eldest son of the late James and Grace Urie, Flemington.

Related posts:

07-12-1885: St. Stephens Roman Catholic Church, Brisbane, Queensland.

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1889: Alexander Lumsden Young (1833-1889)

Alexander Lumsden Young (1833-1889) played a significant role in the Ferguson & Urie stained glass company.

He was born in Scotland circa 1833-34 to Benjamin Young and Isabella Cumming. He married Elizabeth Belle Gray on the 27th December 1864 in Melbourne at the age of 30, at which time his profession was cited as being a plumber.

His early business interests were with Urie, Young & Co producing by-products from maize such as ‘maizena starch’, which won awards at the 1866-67 Intercolonial Exhibition.ย 

Sometime in the 1860s or 70s joined his brother in law, James Urie, and became a member of the stained glass firm Ferguson & Urie. His sister Grace Hardy Young had married James Urie in Nth Melbourne in 1855 . In late 1885 he traveled to Brisbane with his nephew, William Urie (son of James Urie, principal of Ferguson & Urie), to supervise the installation of the companies largest stained glass window known to have been created by the firmย  (35 feet in height) which was erected at the west end of St Stephen’s Catholic Cathedral in Brisbane.

At the 1886, 87, and 88 Ferguson & Urie company dinners he played the part of Vice-Chairman for the formalities on each occasion.

His portrait appears amongst the 31 photographs in the collage created for the occasion of the Ferguson & Urie company dinner held on the evening of the 22nd of June 1887 at the North Melbourne Mechanics Institute.

Alexander Lumsden Young died at his residence, “Dean-Bank” 21 Abbotsford St, North Melbourne, on the 1st August 1889 aged 56. His probate (intestate) was not applied for until more than seven years later, by his wife Elizabeth, who cited her eldest son, George Watson Young, as the reason and that the entire matter was left in his hands, which he had neglected. Elizabeth died 36 years later in 1925.

Alexander Lunsden Young [1887 Company Dinner]

Alexander Lumsden Young on the occasion of the Ferguson & Urie Company Dinner held on 22 June 1887.

The Argus, Melbourne, Vic, Friday 30th December 1864, page 4.

“YOUNG-GRAY.- On the 27th inst, at the Manse of the Presbyterian Church of Scotland, Collins-street, by the Rev. Irving Hetherington. Alexander Lumsden Young, plumber, Melbourne, to Elizabeth Bell Gray, late of Stockbridge, Edinburgh”.

The Argus, Melbourne, Vic, Friday 2nd August 1889, page 1.

“YOUNG.- On the 1st inst., at Deanbank, Abbotsford-street, North Melbourne. Alexander, the beloved husband of Elizabeth Young, aged 56 years. Home papers please copy”.

The Argus, Melbourne, Vic, Saturday 3rd August 1889. page 1.

“THE Friends of the late Mr. ALEXANDER L, YOUNG are respectfully invitedย  to follow his remains to the place of interment in the Melbourne General Cemetery. The funeral will leave his late residence, “Dean-Bank”, Abbotsford-street, North Melbourne, THIS DAY (Saturday, 3rd inst), at 3 o’clock. ALFRED ALLISON, undertaker, 221 Victoria-street, West Melbourne; Mount Alexander road, Moonee Ponds; and Racecourse-road, Newmarket, Telephone 980″.

The Argus, Melbourne, Vic, Monday 9th March 1925, page 1.

“YOUNG.- On the 6th March (passed peacefully away), at her late residence, Dean Bank, Beaconsfield parade, Croxton, Elizabeth Belle, widow of the late Alexander Young, much loved mother of Isabelle (Mrs. Arthur H. Padley, Bacchus Marsh, Vic). In God’s Care”.


Short link to this page: https://wp.me/p28nLD-1NI
ย 

22-08-1896: James ‘Jim’ Urie (1870-1896)

James ‘Jim’ Urie Junior, son of the late James Urie (1828-1890) of the stained glass firm, Ferguson & Urie, died of Tuberculosis on the 22nd August 1896.

North Melbourne Courier and West Melbourne Advertiser, Vic, Friday 28th August 1896, page 2.

“DEATH OF MR. JAMES URIE.- The above gentleman died on the 22nd, at his mother’s residence, “Glencairn,” Wellington-street, Kensington, of consumption, after an illness of about twelve months’ duration. The funeral took place on Monday, and was largely attended. The Rev. Mr. Taylor, Presbyterian Minister, of Flemington, officiated; and the bearers of the coffin were the deceased’s fellow employes – Messrs. J. Scott, C. Hardess, F. L. [sic] Lording, J. Murdoch, J. Auld, and E. R. King; the pall-bearers being J. Ferguson, A. Young, P. Gunter, D. McPhail, A. Nathan, and J. M. Gilligan. Mr Urie was only 26 years of age at the time of his death; and was generally liked owing to his kind and urbane disposition. Amongst the many floral tributes was a beautiful one sent by the employes of the firm of Ferguson and Urie. By a strange coincidence Mr. Urie’s uncle, Mr. J. Yeaman, died the same day, at his residence, which adjoined that of his nephew, and was also buried on Monday. Mr. Yeaman was 68 years of age. Great sympathy is felt on all hands for Mrs. Urie and the other members of the bereaved family. Mr. Alfred Allison, of Victoria-street, West Melbourne, carried out the funeral arrangements”.

James โ€˜Jimโ€™ Urie 1870-1896 -A

James โ€˜Jimโ€™ Urie 1828-1896 -B

James ‘Jim’ Urie and his uncle John Yeaman both died of  Tuberculosis, coincidentally, on the same day. They both lived in close proximity to each other and it was a highly infectious disease. The coincidence is that they both happened to die on the same day. His uncle mentioned as ‘John Yeaman’ also accompanied William Urie (Jim’s elder brother) to England in March 1888 as described at The 1888 Ferguson and Urie Company Dinner.

Other names mentioned at the funeral:

F. L. Lording –  One of the pall bearers mentioned was Frank Clifford Lording (1860-1944), not ”F. L. Lording” as described in the article.

J. Scott – John Scott (1850-1915)

C. Hardess – Charles William Hardess (1859-1949)

J. Auld – James Auld (1873-1945). Grandson of James Ferguson Snr (1818-1894).
James Auld left Australia for New Zealand c.1898 and later formed the partnership of “Auld & Gleeson” glaziers in Wellington. Prior to this article, it was only a theory that he gained his skills in the glass trade with his grandfather James Ferguson at ‘Ferguson & Urie’.

J. Ferguson – James Ferguson jnr (1860-1945) son of James Ferguson Snr (1818-1894).

A. Young – Alexander Lumsden Young (1833-1889)?

P. Gunter – Unknown

D. McPhail – Possibly Donald McPhail 1856-1926, son in law of James Urie Snr (1828-1890). Mcphail is not (yet) known to have been an employee.

A. Nathan – Alfred Lewis Nathan (1867-1939), son in law of James Urie Snr (1828-1890). Nathan is not (yet) known to have been an employee.

J. M. Gilligan – No detail known (photo appears as an employee in the 1887 Ferguson & Urie Company dinner poster).

References / Links:

The 1887 Ferguson & Urie Company Dinner

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1872: Christ Church Anglican, Birregurra, Victoria.

The Ferguson & Urie stained glass window in the chancel of Christ Church, Birregurra, was erected to the memory of the colonial pioneer John Davenport Bromfield who died on the 20th of May 1870 aged 52.[1]

Photos taken 28th December 2010.

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Geelong Advertiser, Vic, Friday 3rd January 1873, page 2.

“The village of Birregurra is prettily situated, on rising ground, on the banks of the river Barwon, at the termination of Ripple Vale, and can boast of a commodious two story parsonage built of brick, and a handsome stone church which has been erected at a cost amounting to some 2,500. The church was further embellished on Christmas Eve by the addition of a handsome memorial window of stained glass. In the centre compartment is the representation of our Saviour ascending on the clouds of glory. On the right hand is the figure of St. John, and on the left that of St. Peter. In the centre trefoil is the triangle an dove, emblematicical of the Trinity; on one side is the Pelican and on the other the Agnus Dei. The colors are rich and the general appearance is pleasing. At the bottom, in old English letters, is the following inscription:- “To the Glory of God.” “To the memory of John Davenport Bromfield, died 20th May, 1870; erected by his widow.” The chancel is laid with encaustic tiles in a handsome pattern.”

The historic township of Birregurra lies approximately 135km west of Melbourne. In 1837 the Englishman John Davenport Bromfield arrived in the colony and took up land west of Geelong.

“…It may be interesting to note that Mr. Bromfield pitched his first camp in the district in 1837, on the present site of the Anglican Church, Birregurra, which church he had the distinguished honor of laying the foundation stone thereof (April 6th, 1870), thirty years prior to which event he had conducted shearing operations within a few yards of said building…”[2]

In August 1838 Bromfield was granted a licence to โ€œdepastureโ€ stock in the South-western Geelong region[3] in the area originally known as โ€œBowdenโ€™s Pointโ€ and later as known as โ€œBirregurra on the Barwonโ€. In 1839 the Wesleyan Missionary Society established the Aboriginal โ€œBuntingdale Missionโ€ in the area which caused much resentment between warring tribes. Bromfieldโ€™s station was within a short distance of the mission and he made a detailed account of one of the savage conflicts between the Barabool Hill and Mount Rouse tribes, the deadly results of which he described in June 1942 as; โ€œsuch a disgusting scene can scarcely be imaginedโ€[4]

Geelong Advertiser, Vic, Monday 13th June 1842, page 2.

โ€œA FIGHT BETWEEN THE BLACKS.
TO THE EDITOR OF THE GEELONG ADVERTISER.
Ion Court, Geelong, June 4, 1842.

SIR.- I have to state to you the particulars of an affray which took place last Tuesday night, the 31st instant, the particulars of which are as follow:- “On the evening above-mentioned, two parties of aborigines encountered each other within a mile andย  half of my station, part of the Barrabool Hill natives and part of the Mount Rouse tribe, which immediately gave battle, but were defeated with the loss of three men and two unfortunate young females. On the Wednesday morning the few natives immediately belonging to my neighbourhood arrived bearing this intelligence, evidently in a great state of excitement, and dreadfully afraid to return to their encampment without the protection of myself and servants, who were to be well armed. Directly after breakfast, I started, accompanied by the natives to within a short distance of their huts, where they all remained, and I proceeded forward myself, and on reaching the spot found their report to be perfectly correct. Such a disgusting scene can scarcely be imagined, the whole encampment deluged with blood, first lay the body of a middle aged man named Codjajah, speared through the breast in many places, his bowels taken off them, and a few pieces cut out of his thigh. The next was that of a woman speared in many places, quite dead. A short distance from her stood a young lubra with two spears through the belly, the whole of her intestines hanging to the ground – she was perfectly sensible – it would have been a charity to have shot her then, but she departed this life in the evening. Besides these three, within a short distance of the huts lay the bodies of two more men, known by the names of Jim and Big-one Tom, they were partly eaten, the fat being taken by their Christian brethren. These are the civilised aborigines who have been well instructed by our assistant protectors, and certainly have profited no little by the time and expense that have been lavished upon them. Such are the particulars of this affair, by the insertion of which, you will much oblige,

Your’s &c.,
JOHN DAVENPORT BROMFIELDโ€.

Although the Wesleyan Missionaries held the belief that their concept for aboriginal protectionism was a success, white man’s diseases became more devastating than the effects of their own tribal conflicts and the Buntingdale Mission eventually failed. By late 1847 there were calls for the resignation[5] of the missionary Francis Tuckfield and by 1850 the site had been abandoned altogether.

John Davenport Bromfield remained in the Birregurra area and in 1860 he was appointed as a Territorial Magistrate for the Colac district[6] as well as a trustee of the Colac Cemetery[7]. In January 1864 he was appointed as a Returning Officer for the district of Polwarth & South Grenville[8], but resigned the position in January 1870[9].

In 1865 he built his (now Heritage listed) home โ€œElliminookโ€ at Birregurra.

In 1867 he was appointed as one of the โ€œtrustees of the land set apart on the 12th of November, 1866, for Church of England purposes, at Birregurra“[10]. In January 1869 he was appointed as a magistrate for the general sessionโ€™s district of Geelong[11].

On the 6th of April 1870 John Davenport Bromfield laid the foundation stone of Christ Church at Birregurra[12], which would only a short time later contain his lasting memorial stained glass window created by the Ferguson & Urie stained glass company of Melbourne.

Illustrated Australian News for Home readers, Vic, Saturday 16th April 1870, page 84.

โ€œCHRIST CHURCH BIRREGURRA

This pretty church will be built substantially of bluestone in the decorated style, the windows having freestone tracery and mullions. The foundation-stone will be laid in a few days. The church will consist of a nave forty-seven feet long by twenty-four broad. The chancel will be sixteen feet square. The tower will be fifteen feet square, and the height will be fifty-seven feet to the parapet. The size of the vestry is twelve feet by ten. The contract has been taken by Messrs. Trovana and Gubly, of Geelong, at ยฃ1998, without fittings. Mr. Terry, of Melbourne, is the architectโ€.

Less than a month and a half later, on the 20th May 1870, John Davenport Bromfield died from an aneurism aged 52[13].

The Argus, Melbourne, Vic, Wednesday 25th May 1870, page 4.

โ€œBROMFIELD.- On the 20th inst., at Birregurra, near Colac, from aneurism of the aorta, after a lingering illness, John Davenport Bromfield, aged 52; arrived in the colony 1837; eldest son of the late John Davenport Bromfield, formerly of Pershore, Worcestershire, England.”

Christ Church was opened just over seven months later on the 5th of February 1871 at a total cost of ยฃ3000[14]. The first incumbent of the Church was the Rev. Thomas Sabine.

The Argus, Melbourne, Vic, Monday 27th February, 1871, page 7.

โ€œOne of the finest buildings in the Western District,โ€ says the Geelong Advertiser, โ€œhas recently been erected at Birregurra; this is the new Church of England, which was completed about a fortnight ago. The church is constructed of bluestone, ornamented profusely with freestone from Pettavel. The sides of the windows and doors are lined with this material, which offers a beautiful contrast to the darker shades of the building. Situated to the west of the township, on a rise above the Barwon, it presents and imposing appearance. The interior is capacious, and well finished, and the total cost ยฃ3000. It was opened on the 5th instant, the services being conducted by the Bishop of Melbourne. There was a large assemblage, no less 1000 persons being computed to be present on the occasion.โ€

(The tower and spire of Christ Church were added in 1890 and the โ€œBuntingdaleโ€ Aboriginal Mission bell is still located in the Church)

After John Davenport Bromfieldโ€™s death, his widow Eliza commissioned the Melbourne stained glass firm โ€œFerguson & Urieโ€ to create the chancel window of Christ Church in his memory.

The three light window depicts the Ascension of Christ in the centre light with St Peter in the left light holding an open book in his left hand and the Key in his right. St John appears in the right light holding the poisoned chalice containing a serpent and a book in his right hand, his alter ego, the Eagle appears at his feet. The memorial inscription at the base of the windows reads:

โ€œTO THE GLORY OF GOD

IN MEMORY OF JOHN DAVENPORT BROMFIELD DIED 2OTH MAY 1870

ERECTED BY HIS WIDOWโ€

Three years after Bromfieldโ€™s death, his widow Eliza married William Edmundson at St Johnโ€™s Church in Colac, on the 8th of January 1873[15].

The Argus, Melbourne, Vic, Friday 10th January 1873. page 4.

โ€œEDMUNDSON-BROMFIELD.- On the 8th inst., at St. John’s Church, Colac, by the Rev. Thos. Sabine, William Edmundson, of Birregurra, to Lizzie, relict of the late John Davenport Bromfield, of Colac.”

Interestingly, William Edmundson’s name appears in John Davenport Bromfield’s Probate documents as signatory to the documents. Undoubtedly Edmundson, who was wealthy and well known in his own right, was also well known to Bromfield!

The Colac Herald, Vic, Tuesday 3rd September 1889, page 2.

โ€œA contract (writes the local correspondent of the Geelong Advertiser) has been let for the completion of the steeple of Christ Church at Birregurra, and the whole of the work will, it is expected, be carried out by the end of November. The steeple is being erected as a memorial to the late Mrs. J. F. Strachan. Mr. Laird, one of the partners of the contracting firm, visited the township a few days ago for the purpose of making preliminary arrangements in connection with the work. The architects are Messrs. Reid, Henderson and Co., of Melbourne. The building of a Sunday-school, to be erected by Mrs. Edmundson, of โ€œEliminook,โ€ in memory of her late husband, will also shortly be commenced. On the completion of the school, Christ Church will well deserve the compliment paid to it by Bishop Moorhouse, when he designated it โ€œthe prettiest and most compact country Church of England in the colony.โ€

Camperdown Chronicle, Vic, Thursday 29th April 1920, page 4.

โ€œBIRREGURRA.

“The past week has been an important and memorable one for the Anglicans of Birregurra. The foundation stone of the fine stone church, with its Norman tower and spire, was laid in April, 1870, and the parishioners have been celebrating the jubileeโ€ฆโ€

โ€œโ€ฆThe vicar who opened the church, Rev. Thos. Sabine, died thirty years ago, but the people are very thankful to have had every other of their pastors with them in their jubilee each occasion the service was conducted by the present vicar, Rev. G. D. Frewin.โ€ย 

The Argus, Melbourne, Vic, Wednesday 3rd June 1931, page 12.

โ€œBIRREGURRA.- Christ Church of England celebrated its diamond jubilee on Sunday. The Bishop of Ballarat (Dr. Crick) was the preacher.โ€

Footnotes:

1875: St John the Baptist Church, Ouse, Tasmania.

The foundation stone of St John the Baptist church at Ouse, was laid in 1842 and opened for services in 1843. No newspaper records of the time have been found to corroborate these dates but a stained glass window, erected in the liturgical south wall of the nave in 1943 commemorates the centenary of the church. The text at the base of the window has the following inscription:

โ€œTo the glory of God and in commemoration of the centenary of this church of St. John the Baptist 1843 – 1943 Erected by the parishionersโ€

(The window was made by the Mathieson & Gibson stained glass company of Melbourne and depicts Jesus being Baptised by St John in the river Jordan)

The oldest and most historical stained glass window in the church is the three light liturgical east window behind the altar. The window was created by the Ferguson & Urie stained glass company of North Melbourne and was erected to the memory of Thomas Lloyd Gellibrand circa 1875.

Photos taken 7th October 2010.

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Each of the three lancets in the window contains the unique Ferguson & Urie scrolling ribbon design with a piece of scripture from the the King James Bible.

Two ribbons either side of the apex of the centre light have the text “Ecce Agnus Dei ” (Behold the Lamb of God), also known as another title for Jesus. It appears in the Gospel of John 1:29, where John the Baptist sees Jesus and exclaims, “Behold the Lamb of God who takes away the sin of the world.”

The three pieces of scripture depicted in each of the three lights of the window are:

“BLESSED ARE THEY THAT MOURN FOR THEY SHALL BE COMFORTED”.
(Matthew 5-4)

“LIKE AS A FATHER PITIETH HIS CHILDREN SO THE LORD PITIETH THEM THAT FEAR HIM”.
(Psalms 103-13)

“DELIGHT THOU IN THE LORD AND HE SHALL GIVE THEE THY HEARTS DESIRE”.
(Psalms 37-4)

The Mercury, Hobart, TAS, Thursday 1st July 1943, page 5

โ€œThe centenary of the Church of St John the Baptist, Ouse, was celebrated by a service in the church on Sunday. Miss Bolland was organist. In the unavoidable absence of the rector (Rev L. L. Oldham) the service was taken by the Rev. J. W. Bethune, who preached the sermon and also spoke to the children. The preacher reminded all of their heritage and sacred associations with the church they loved, and urged them to be true to the faith of their fathers. The offerings for a special centenary commemoration exceeded ยฃ113. The following extract from โ€œChurch Newsโ€ more than 50 years ago was written by the late Canon Adams, of Hagley, and authenticated by the late Mr. Bethune, of Dunrobin, the late Rev H. W. Adams, and others: โ€œThe Ouse Church was built entirely by the parishioners during the incumbency of Dr. Pogson. The land for the church and cemetery, on a gentle rise, in the midst of the township, was given by the late W. A. Bethune, Esq., of Dunrobin. The east window in St. Johnโ€™s Church, Ouse, is in memory of T. L. Gellibrand, Esq., late of Lleintwardine, Ouse.โ€

Thomas Lloyd Gellibrand (1820-1874):

Thomas Lloyd Gellibrand, was the eldest son of Joseph Tice Gellibrand (1792-1836), the first Attorney-General of Tasmania (1825) and Isabella Kerby.
(Also see: 22-10-1864: All Saints Anglican Church, South Hobart, Tasmania, Australia).

Thomas was a grazier and landowner around Bothwell and Ouse in Tasmania and a parliamentarian. He married Isabella Brown, on the 1st of December 1860 at All Saints Anglican Church in South Hobart[1]. He was a member of the House of Assembly in 1856-61[2] and appointed as Captain in the โ€˜Third Riflesโ€ Southern Tasmanian Volunteers in 1861[3]. He died at his house โ€˜Vaucluseโ€™ in Macquarie street Hobart on the 9th November 1874 aged 53[4]. His funeral took place on the 12th:

โ€œโ€ฆThe remains of the late Mr. T. L. Gellibrand were yesterday morning conveyed on board the steamer Enterprise, which vessel afterwards left for South Arm, where the family vault is situated. The relatives, and a large number of friends of the deceased proceeded by the steamer. Throughout the day the vessels in harbour lowered their flags to half mast, out of respect to the memory of the deceased gentleman.โ€ [5]

His wife Isabella later married Dr. Edward Clayton Ling (1844-1882)[6] in Suffolk in December 1876. She died in Sussex, England, on the 11th March 1907 aged 67[7].

The Mercury, Hobart, TAS, Wednesday 11th November 1874, page 2.

โ€œThomas Lloyd Gellibrand, son of Joseph Tice Gellibrand, Attorney-General of Tasmania, in 1856,(sic:1825[8]) who was removed from office by Governor Arthur on charges made against him by persons who have been since convicted of swindling, robbery of the Government, and murder. Mr. Thomas Gellibrand was born in 1821 and educated at Thompsons Academy in Melville-street. In 1848 Sir H. Dennison placed the young colonist who had commenced farming on his own account in the Hamilton district, in the Commission of the Peace, and here on the banks of the Dee, Mr. Gellibrand formed an extensive sheep farm. In Sept. 1856 he was elected a Member of the first House of Assembly for the district of Cumberland, in which he resided and sat in the House an useful active member till the dissolution of the House in 1861. In I860 Session he saw the necessity of protecting the game of his native country, and brought in the first Bill which became law on the subject and which is still in force. He married a daughter of Mr. Thomas Brown the well-known merchant of the New Wharf, and has several children, the youngest being only a few weeks old. His wife’s brother’s death by accident occurred on tho 5th inst[9]., and whilst mourning the death of a favourite brother, Mrs. Gellibrand has now to mourn the death of a husband. To Mr. Thos. Gellibrand the inhabitants of the Bothwell and Hamilton Districts are indebted for the security of the water supply of the Clyde River, which it is well-known rises in the Lakes Crescent and Sorell and which in l856-7, he took great pains to legislate for. Useful colonists of this type, educated, active, zealous men, always eager to push on the latent resources of the colony are fast fading away. Day after day has the record of the loss of one after another; whilst their places, which should be filled by their sons or relatives, are either vacant, by the emigration of those who should fill them, to other lands, where they are more highly appreciated, and much more highly remunerated. An active magistrate – a good master – a kind father and husband – Mr. Thomas Gellibrand has gone to the fullness of repose.โ€

One of his sons was Sir John Gellibrand (1872-1945) (Major General Sir John Gellibrand, K.C.B., D.S.O) He was was highly decorated in WW1, promoted to Major General circa 1918, appointed as Chief Commissioner of Police in Victoria in 1920 to 1922, elected to the House of Representatives in 1925 and was a founding member of the organisation now known as ‘Legacy’. He died at his property at Murrindindi in 1945 and is buried in the Yea cemetery in Victoria.

Footnotes:

1881: Holy Trinity Anglican Church, Bacchus Marsh, Victoria.

Holy Trinity Church at Bacchus Marsh contains a number of historical stained glass windows created by Ferguson & Urie dating from 1881. These windows represent memorials to pioneers of the district such as Captain William Henry Bacchus and members of the Bacchus family, and the Grant, Greene, Dalton, Wood, and Staughton families.

Photos taken 30th December 2010.

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As early as 1851 a pre-fabricated iron church imported from England, known as an โ€œIron Pot,โ€ had been erected for the Anglicanโ€™s of Bacchus Marsh on land donated by the districts founding pioneer, Captain William Henry Bacchus.

The old iron church โ€œโ€ฆ began to fall into the โ€˜sere and yellow leafโ€™ stage of existenceโ€ฆโ€[1] and on the 27th December 1867 a violent dust storm blew down the steeple [2] which triggered serious discussions to erect a more substantial church.

In 1869 Bishop Perry laid the foundation stone[3] for the new church but it was incorrectly laid on ground set aside for the parsonage. This, in conjunction with the formation of the new Ballarat Diocese and re-distribution of funds, caused a delay in building for a further seven years[4].

Tenders for the erection of the current church were received by architects Taylor & Wyatt in March 1876[5]. The old foundation stone, previously laid in 1869, was removed but it was found that:

โ€œโ€ฆ the bottle containing the documents and coins was found to have a hole in it, and the documents were a good deal decayed in consequence…โ€

On the afternoon of the 20th of May 1876 Bishop Thorton re-laid[6] the foundation stone a few yards north of the original position and building commenced at the hands of the contractor Jonathon Coulson[7] of Ballarat. On the 5th of June 1877 Rev Moorehouse officially opened[8] the church free from debt thanks to additional donations by Molesworth Greene, Stephen and Samuel Staughton and W. J. Clarke.

In early 1881 a very descriptive article about Holy Trinityโ€™s stained glass windows was published in the Bacchus Marsh Express:

The Bacchus Marsh Express, Vic, Saturday 26th March 1881, page 2.

(Note: Some words in the original article were unreadable and are shown as [??])

โ€œSome handsome stained glass windows have been fixed in Trinity Church, Bacchus Marsh, and much improve the appearance of the interior of the church, which will, when the whole of the windows are filled in, be quite a model of [??] and elegance, both outside and inside. There is a two-light window at the western end of the church above the chief entrance, with the three [??] round windows above them, are the gift of Mr. Samuel Thomas Staughton, and are in memory of his father, the late Mr. Simon Staughton. The windows are each about 8 feet long by 1 foot wide and figures represented upon them are the Saviour and St. John, with appropriate accessories and tracery. The colours and designing will be the closest artistic criticism, and the whole reflect much credit upon Messrs. Ferguson & Urie, of Melbourne, who have executed them, as well as most of the other windows, and it is worth mentioning that Bacchus Marsh native Mr. A. Murdoch, has executed nearly the whole of the work, the only parts he has not done being the actual painting of the designs, but the fitting up, placing of the glass and lead work has been done by him, as well as the fixing of the windows. The three small windows above the two large ones contain representations of the Dove, His (Trinity) and Agnes Dei. The windows along the northern wall are eight in number, and represent six of the Apostles, namely Sts. Peter, Paul, Andrew, James, Philip and John, with two grisaille or decorated windows flanking them at each end of the church. These two latter are placed there by Mr. W. Grant, lately of Hopetoun, Bacchus Marsh, in memory of his brothers Dr. John Grant and Henry George Grant, who are buried in the church yard surrounding the church. The windows containing the figures the figures of Sts. Peter and Paul are supplied by Mr. George Wood in memory of deceased relatives, and the next two windows, containing representations of Sts. Andrew and James are the gift of Mrs. George Wood, and bear, as do the others, an in memoriam inscription of names of her relatives. The figures upon the next windows are those of St. Philip and St. John, and are in memory of deceased children of Mr. and Mrs. Molesworth Greene, who have erected these windows. Passing into the chancel, at the back of the choir seats two windows imported from England have been placed by the relatives of the late Mrs. Catherine McLeod, formerly of Tallisker, Scotland, who is buried in the adjacent church yard, and was a highly respected resident of the district and member of the congregation at the time of her death, in 1863. These windows bear various scriptural emblems, and the inscriptions โ€“ โ€œBlessed are the dead which die in the Lord,โ€ and โ€œI was a stranger and ye took me in.โ€ Three quatrefoil windows in the apse which forms the eastern end of the chancel bear scroll which surrounding the letters IHS in the centre, with Alpha and Omega at the two sides. The other windows on the southern side of the church remain in plain glass. Since this church was opened the tablets bearing the Ten Commandments, The Lordโ€™s Prayer, and the Belief have been fixed to the walls of the chancel, and add the necessary completeness in this respect to the interior of the church. Around the chancel arch the inscription has been placed โ€“ โ€œThe Lord is in His Holy Temple, let the earth keep silence before Him.โ€ The whole of the windows display most accurate drawing and harmonious blending of colours, and their own width rendered the task of duly proportioning the figures a matter requiring more than ordinary skill. Both the donors of the windows and the members of the congregation have every reason to be completely satisfied with the artistic and mechanical skill displayed by Messrs. Ferguson & Urie and their workmen in these windowsโ€ฆโ€

On the 20th April 1881 Holy Trinity was consecrated by Rev Dr Moorehouse in the presence of a large congregation[9].

In September 1897 it was reported that four panes of stained glass windows were damaged by vandalism. Itโ€™s not known who may have done the repairs to the windows.

The Bacchus marsh Express, Vic, Saturday 11th September 1897, page 2.

โ€œWanton and serious damage has been done lately by stone-throwing to the windows of Holy-Trinity Church. Four panes have been broken and cracked in the south porch, and one of the handsome stained glass memorial windows on the north side has been broken and splintered in 10 piecesโ€ฆโ€

A quarter of a century later a reporter under the name of โ€˜Christopher Crispโ€™ pens an unflattering article about the architecture and the stained glass windows of Holy Trinity.

The Bacchus Marsh Express, Vic, Saturday 24th February 1906, page 1.

HOLY TRINITY CHURCH, BACCHUS MARSH.
(BY CHRISTOPHER CRISP)

THIS church needs a gift of 1,000 for present improvements, and an endowment of 2,000 to provide a fund to keep it in repair.

ย ย ย ย ย ย ย ย ย ย ย  The architect, like all his tribe, thought only of architectural features and altogether forgot ventilation and escape exits. Not a window will open, and there is no โ€œperflation,โ€ but only a few apertures in the side walls, above some of the windows, to admit fresh air. There are only two narrow door exits. Our plan would be to make the upper halves of the least ornamented of the side windows double sashed ventilators, after the modern method. The side wall between the chancel and the vestry should be arched, and the two windows in the vestry porch should be made into a doorway, for ventilation, and escape purposes.

ย ย ย ย ย ย ย ย ย ย ย  Repairs are also required now, chiefly to the fencing and drainage, and the bell tower should be raised and strengthened, as the bell (one of the best in Victoria) cannot be properly rung because of those two weaknesses. An imprimis requirement is a better lectern. The one at present in use is worth about 2.6, and is tottering. Yet it has to hold a Bible!

Some Londoners never visit the British Museum, and we must confess that we were not aware that this church contains a good two light stained glass memorial window to the late Simon Staughton. It is high up in the gable above the entrance porch and the wording is small and badly painted in old English letters. The only good piece of work of that kind (and there is a lot of it) in the church, is that round the chancel arch. This gable window has in the upper spaces, an open hand, with three fingers uplifted, representing the three persons of the Trinity. Next it is the Lamb of God, carrying a banner and Cross. Below are the two lights, filled by figures of the Good Shepherd and of John the Baptist. Below is the lettering โ€“ โ€œIn memory of Simon Staughton. Died, 1863, aged 63,โ€ so far as can be made out. Two winged angels with harps beneath.

The latest addition to the stained glass windows in this church is the best of the lot, and it is by the Melbourne artist, William Montgomery. It is an exquisite piece of work, in every detail. The colouring is brilliant, yet not gaudy; the drapery, the expressions, and all the background, show โ€œwork,โ€ not slumming, as in a window not far off. There are two windows, both showing female figures. One represents Faith, a youthful lady, as befits the subject, clasping a cross, and with rays of Divine light striking her head. Robe, blue, with white bodice starred with gold. The companion figure, as befits Charity, is maternal, with a very fine expression, although the right eyelid does droop too much. She is carrying an infant on her right arm, and her left arm and hand encircle an older child. She wears a white robe, with a crimson cloak. Below runs the scroll work โ€“ not too well done, and wrongly spaced โ€“ โ€œEmma, wife of Molesworth R. Greene, in memory of. Aged 76 years. Died, 5th March, 1905.โ€

Other windows in this church are โ€“ In the apse, above the altar, 3 quatre foils, the centre one being I.H.S, flanked by the Greek letters representing A.O. โ€“ Alpha and Omega. Next the choir seats and the organ are two windows both lettered โ€“ โ€œCatherine McLeod, of Tallisker, died 28th Feb., 1863.โ€ This lady gave some of the land upon which the church is built, and also built the old Sunday school. She was generally known as lady McLeod. She is buried in the adjacent churchyard, if we read the tombstones there aright. Next the pulpit is a memorial window to Henry George Grant, died 1st May, 1871. Aged 27. Next that a two-light window showing figures of St. John and St. Phillip, and to the memory of Charles Stawell Greene, born 1855, died 1856; Alice Fairlie Greene, 1859-1860; Molesworth William Greene, 1865-1867. Next, St. Andrew and St. James, to the memory of father, sister, and brother of Mrs. George Wood. Next, St. Peter and St. Paul, to the memory of the father, mother, and sister of Mr. George Wood. Next, a window to memory of John Grant, 30th April, 1856, aged 29 years. On the other side of the church, next the font, there are three plain glass windows. Next them the window to Mrs. Greene. Then two very poor ones, representing the Madonna and Crucified Savour [sic]. One is to the memory of Eliza Bacchus, 1828-1872. The other to the memory of Captain William Henry Bacchus, born 12th August, 1872, died Feb. 26, 1849. This church, therefore, with its tombstones outside, deserves an endowment, if anyone is rich enough and generous enough to provide it.

ย ย ย ย ย ย ย ย ย ย ย  Outside, some of the graves have been repaired and cleaned. The Dr. Grant headstone is toppling over sideways; and the Bence marble slab is leaning forward, owing to the foundations to the bluestone base having subsided. During the cleaning up, a loose slab of marble was found within the McLeod railings, and it reads, as far as can be made out โ€“ โ€œThis tablet, erected by his children, is sacred to the memory of Major McLeod, who died in Sydney, N.S.W., 11th April, 1838, leaving a widow and twelve childrenโ€

ย ย ย ย ย ย ย ย ย ย ย  The church has been well built, but being upon a gravel hill the hot weather seems to have a disturbing effect, and the drainage by underground pipes is a danger. Surface drains are much safer. All of which points to the conclusion that persons who wish to see this church improved and maintained should endeavour to help the Rev. C. A. Brewer (who is a good Conservator and good worker) and his colleagues in management, in the directions above indicatedโ€.

The majority of the ย Ferguson and Urie stained glass windows in Holy Trinity were erected in early 1881 with the Virgin & Child window erected early 1882.

The Virgin & Child and Crucifixion:

The Virgin & Child and Crucifixion windows were erected in early 1882 by William Henry Bachus Jnr (1820-1887) in memory of his father, Captain W. H. Bacchus and his sister Eliza.

โ€œEliza Bacchus, Born June 23rd 1828, Died Dec 6th 1872โ€

โ€œCapt William Henry Bacchus, Born Aug 12th 1782, Died Feb 26th 1849โ€

Captain William Henry Bacchus (1782-1849) is the pioneer[10] who the town of Bacchus Marsh is named after[11]. He was originally stationed in Van Diemens Land (Tasmania) with his regiment, the 18th Light Dragoons. In 1837 he and his son William Jnr (1820-1887) brought sheep from Tasmania and proceeded to Victoria and increased their land holdings in the district that would eventually bear the Bacchus name. His gravestone[12] still exists on the grounds of Holy Trinity Church at Bacchus Marsh on land he had donated to the church. In 1935 an unusual story was published about an โ€œUnclaimed Fortuneโ€ of ยฃ80,000 to which Captain William Henry Bacchus had been entitled to on the death of his uncle George Henry Bacchus who died in England[13] but nothing further is known of the outcome.

Launceston Examiner, Tas, Saturday 10th March 1849, page 6.

โ€œAt Bacchusโ€™ Marsh, on the 26th February, Captain W.H. Bacchus, aged 67.โ€

The Bacchus Marsh Express, Vic, Saturday 9th July 1887, page 2.

ย BACCHUS.- On the 7th inst., at his residence Peerewur, near Ballarat, William Henry Bacchus, aged 66 years.

Two Grisaille or Decorated windows:

First window is dedicated to Henry George Grant:

โ€œIn memory of Henry George Grant who died 1st May 1871, aged 27 yearsโ€

ย The Bacchus Marsh Express, Vic, Saturday 13th May 1871, page 2.

ย GRANT.- On the 1st inst., at Hopetoun, Bacchus Marsh, Henry George Grant, youngest son of the late James Grant, Gilmore-place, Edinburgh, Scotland.

ย Second window is dedicated to Dr. John Grant:

ย โ€œIn memory of John Grant who died 30th April 1856, aged 29 yearsโ€

The Argus, Melbourne, Vic, Monday 5th May 1856, page 4.

โ€œOn the 30th ult., at the residence of Mrs. McLeod, Bacchus Marsh, John Grant, Esq., surgeon, aged twenty-nine years.โ€

These windows were erected by William Grant, the brother of Henry & John.

William was elected Bacchus Marsh Shire President on Wednesday 14th September 1892[14].

St Phillip & St John windows.

ย Dedicated to the infant children of Molesworth & Emma Greene:

ย โ€œIn memory of Charles Stawell Greene, born 1855, died 1856โ€

โ€œAlice Fairlie Greene, born 1859, died 1860โ€

โ€œMolesworth William Greene, born 1864, died 1867โ€

ย At the Consecration ceremony of Holy Trinity in April 1881, Molesworth Greene acted as Registrar of the Diocese and read the form of petition of consecration in the capacity of Chancellor of the Diocese[15].

Biography: Molesworth Richard Greene 1827-1916)

St Andrew & St James Major windows.

Dedicated to Francis, Mary, & William Dalton:

โ€œIn memory of her Father Francis Dalton, Sister Mary, Brother William, By Fanny C Woodโ€

ย The Bacchus Marsh Express, Vic, Saturday 31st August 1872, page 2.

ย DALTON.- On the 4th July, Mr. Francis Dalton, of Hackney, London, aged 72, father of Mrs. George Wood, of Bacchus Marsh.

The donor of the windows was Frances Catherine Wood nee Dalton, wife of George Wood. The Woodโ€™s returned to England in April 1881 with only the intention of an 18 month stay but never returned to Australia. George died on the 26th October 1899 at his brotherโ€™s residence in Bristol, aged 75[16] and his wife Frances died fourteen years later on the 28th October 1913 at London, aged 85 [17].

St Peter & St Paul windows.

Dedicated to George, Jane & Elizabeth Wood.

โ€œIn memoriam of his father George, mother Jane, Sister Elizabeth, By George Woodโ€

George Wood was a prominent Grocer, wine and spirit merchant, trustee of Holy Trinity[18], and member of the Bacchus Marsh Council[19]. A significant number of the entries in the Bacchus Marsh Express of the time indicate that he spent much of his time in the court of petty sessions chasing small debts owed to him. In 1879 he was fined ยฃ25 for selling retail Brandy without a liquor licence[20].

George Wood and family returned to England aboard the Hydaspes on Monday 25th of April 1881. On the preceding Thursday, 21st of April 1881, a function was held at the Bacchus Marsh Mechanics Institute to bid them farewell. Their intention was to return to Bacchus Marsh in eighteen months but this never occurred and George and Frances died in England in 1899 and 1913 respectively.

The Bacchus Marsh Express, Vic, Saturday 23rd April 1881, page 2.

โ€œOn Thursday afternoon a presentation was made in the Mechanicsโ€™ Institute, Bacchus Marsh, to Mr. and Mrs. George Wood, and Miss Wood, who will sail on Monday by the mail steamer Hydaspes on a visit to England, from whence they purpose returning, and probably to Bacchus marsh, in about eighteen months time. The presentation consisted of a silver fruit epergne or centre table ornament bearing four handsomely chased glass dishes, three being supported by branches from the main stem and the fourth surmounting the centre pillar. There were also two smaller silver side ornaments bearing a single glass dish each. The design of these handsome articles of table garniture was unusually neat and effective, the principal features being representations of elephants heads and tusks, silver chains being used to impart gracefulness and lightness. Upon the principal epergne the following inscription was engraved:- โ€œPresented to Mr. and Mrs. George Wood, on the eve of their departure for England, by friends and well wishers residents of Melbourne and Bacchus Marsh, as a token of their esteem and regard. Bacchus Marsh, Victoria, A.D. April 22, 1881โ€. In addition to these articles a gold chain and pendant was presented to Miss Wood. The whole represented a value of ยฃ50 we understandโ€ฆโ€

The Bacchus Marsh Express, Vic, Saturday 16th December 1899, page 2.

WOOD.- On the 26th Oct., at the residence of his brother, Highfields, Chew Magna, Bristol, George Wood, late of Merrimu, Alleyn-park, Dulwich, aged 75.

ย The Bacchus Marsh Express, Vic, Saturday 20th December 1913, page 2.

WOOD.- On Tuesday, 28th October, 1913, at โ€œBraemar,โ€ Kersfield Road, Putney Heath, London, S.W., Frances Catherine, widow of the late George Wood (formerly of Bacchus Marsh, Victoria), in her 85th year.โ€

The Good Shepherd & St John the Baptist windows.

Dedicated to Simon Staughton:

โ€œIn memoriam, Simon Staughton, died 18th May 1863, aged 68โ€.

The Argus, Melbourne, Vic, Tuesday 19th May 1863, page 5.

โ€œWe regret to announce the death of Mr. Simon Staughton, one of the early Victorian settlers, and one who personally and by repute is well known throughout the Australian colonies. The event took place at four oโ€™clock yesterday morning, at Prince of Wales Hotel, St. Kilda. For some years past Mr. Staughton has suffered from disease of the liver, and for the last twelve months he has been to a great extent confined to his house. The immediate attack which occasioned his death was of some six weeks duration, and its fatal termination was by no means unexpected. Mr. Staughton arrived in Victoria in the early part of 1841. Though the architect of his own fortune, he brought with him means which enabled him to enter largely and at once into pastoral pursuits. He purchased the Exford Station, situated some twenty-four miles from Melbourne, from Dr. Walton, and from this locality he never removed. During the severe though temporary depression the colony suffered prior to the discovery of the gold-fields Mr. Staughton had to put forth his best efforts to maintain his position; but in the end he was successful. When prosperous times returned, he devoted his energies to the purchase of the fee-simple of his station, and at the present time some 70,000 acres โ€“ nearly the whole of the run โ€“ are in the possession of the family. His accumulated wealth thus enabled him to become one of the largest land owners in the colony, and in addition he purchased many city properties, was owner of a station on the Darling, and had recently taken a prominent position in connexion with the Melbourne Banking Company. Mr. Staughton has never taken an active part in the political affairs of the colony. He was a native of Huntingdonshire and was in the sixty-seventh year of his age. He has left a family of seven children. The funeral of the deceased gentleman is announced to take place on Wednesday morning.โ€

The Bacchus Marsh Express, Vic, Saturday 20th May 1916, page 3.

“BACCHUS MARSH.
By W. Williams, B.A.
No. 72”.

โ€œโ€ฆMarch 26th, 1881. Account of handsome stained glass windows placed in Holy Trinity Church. The large two-light window, above chief entrance, with three small round windows above it, was the gift of Mr. Samuel Thomas Staughton, and in memory of his father, the late Mr. Simon Staughton. The windows along northern wall, represent six of the Apostles, with two grisaille, or decorated windows flanking them at each end of the church. These two latter were placed there by Mr. W. Grant, lately of Hopetoun, in memory of his brothers, Dr. John Grant and Henry George Grant who are buried in church yard surrounding church. Two windows were supplied by Mr. Geo. Wood in memory of deceased relatives, and two were the gift of Mrs. George Wood, and bear an in memoriam inscription of names of her relatives. Mr. and Mrs. Molesworth Greene have two windows in memory of deceased children. In the chancel, at the back of the choir stalls, two windows, imported from England were placed by relatives of the late Mrs. Catherine McLeod formerly of Tallisker, Scotland, who is buried in the adjacent church yard, and was a highly respected resident of district, and member of congregation up to the time of her death in 1863. The artistic and mechanical skill displayed by Messrs. Ferguson & Urie, in the erection of these windows, was subject of much favorable [sic] comment, a note was made to the effect that it was worth mentioning that a Bacchus Marsh native, Mr. A. Murdoch executed nearly the whole of the work, the only part he had not done being the actual painting of the designs, but the placing of the glass and lead work had been performed by him as well as the fixing of the windowsโ€ฆโ€

[1] The Bacchus Marsh Express, Vic, Saturday 9th June 1877, page 2.

25-09-1866: St John’s Anglican Church, Launceston, Tasmania.

St Johnโ€™s Anglican Church in Launceston contains a three-light Ferguson & Urie stained glass window representing the โ€˜Ascensionโ€™.

This window was originally erected in the chancel of St Johnโ€™s in 1866 and later moved to the nave in the 1930’s, but in its current configuration it is missing the upper portions of the window above the three main lights which are known as the tracery windows.

The figures or emblems that may have been in the missing pieces have been a mystery until recently. A report of the window in September 1866 described the main body of the windows in detail and โ€œโ€ฆAt the top is the figure of a doveโ€ฆโ€[1] As luck would have it I found a copy of Ferguson & Urieโ€™s original design for this window in the State Library of Victoria’s collections. In the original design, the tracery above the three main lights contains three quatrefoil shaped windows with the descending dove in the one at the apex and the symbols Alpha and Omega in the ones below. There are only minor differences in the figurative designs in comparison to the entire window that was actually made and these can be seen in the slideshow of photographs.

Interestingly, the bottom of the original design for the window has the date 1864 which, at minimum, is about nineteen months prior to when it was finally erected in St Johnโ€™s!

Photos taken: 11th October 2011.
(The copy of Ferguson & Urieโ€™s original design for the window is dated 1864).

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Lieutenant George Arthur (1784-1854), Governor of Tasmania, laid the foundation stone of St Johnโ€™s Anglican Church at Launceston on the 28th of December 1824[2]. On the 19th of February 1826, the church was opened[3] for the first time by Archdeacon Thomas Hobbes Scott (1773-1860) assisted by the first incumbent, Rev John Youl (1773-1827).

Governor Arthur had disapproved of the original plans for St Johnโ€™s and controversially made an executive decision to have it changed:

โ€œโ€ฆSir George ARTHUR, without asking the opinion of any professional man, executive or other council, glanced at the plan, saw that a church built upon it would accommodate as large a congregation as the Colonial Cathedral in his Southern Metropolis[4]. He was a man of action โ€“ not words. Assuming at once that Launceston would scarcely ever require so large and extent of Church accommodation as the Architect proposed to provide, he struck a red ink pen mark across the plan of the body of the Church, cutting two windows, or more than one third of the entire length off…โ€[5]

Some of the most significant and controversial changes to the church began in the mid 1860โ€™s. In February of 1866, in the vestry of St Johnโ€™s, a meeting was held to discuss the erection of a chancel at the east end with plans and specifications by architect Peter Mills. At the same meeting there was also mention of the new stained glass window to be donated by Mr John Cameron Esq that would be erected in this new chancel:

โ€œThe beautiful illuminated window to be presented by John Cameron, Esq., on the enlargement of the church, will be placed in the Chancel. We have seen a photograph of this window, which is richly ornamented. The centre piece is the Ascension of our Saviour.โ€[6]

The chancel didnโ€™t quite go as expected. It was generally understood by the Rev Dr. Browne and the Wardens that the new chancel would be built up to the height of the original church roof, but miscommunication between the church wardens, the contractor (J. W. Lloyd) and the misinterpretation of the architects plans, caused much confusion between the parties[7].

On Wednesday the 15th August, 1866 John Cameronโ€™s stained glass window arrived from Ferguson & Urieโ€™s workshops in Melbourne aboard the โ€˜Black Swanโ€™:

The Cornwall Chronicle, Launceston, TAS, Saturday 18th August 1866, page 4.

“The beautiful illustrated window, the munificent gift of the late John Cameron. Esq., arrived here by the Black Swan on Wednesday. The Rev Dr Browne requires the architect’s certificate that the new chancel to St John’s Church is in a fit state to receive this beautiful work of art, and then it can be placed there.”

John Cameron was a staunch supporter and liberal donor to St Johnโ€™s Church in Launceston. In February 1865 he suffered a serious stroke[8] and although it was reported in the following June that he was recovering[9] he only enjoyed mediocre health for a further year and on the 28th June 1866 suffered another stroke and died at his home โ€˜Oakburnโ€™ in Launceston, aged 60 years[10]. He never saw his magnificent stained glass window. His obituary was published three days later:

The Cornwall Chronicle, Launceston, TAS, Saturday 30th June 1866, page 4.

โ€œDEATH OF JOHN CAMERON, Esq.
We sincerely regret to announce the demise of John Cameron, Esq, J.P., an old colonist of high standing in this community. Mr Cameron had been attacked with paralytic and apoplectic fits last year, and for a time his recovery to health was doubtful. He soon became convalescent, however, and has enjoyed tolerable good health since. He drove into town almost daily from his residence, Oakburn, Elphin Road, and a short time back paid a visit to Hobart Town. He was in Launceston on Monday, Tuesday and Wednesday last, and said he felt even in better health than usual, but about midnight on Wednesday night he had another fit of apoplexy, and though the usual means were promptly resorted to for his recovery, he sank and died at 10 oโ€™clock on Thursday morning. Mr Cameron amassed a large fortune many years since in this colony by commerce, and since retiring from business he has paid several visits to England. He last returned to this colony some four or five years ago. He was respected and esteemed by all classes for his mild and charitable views and kindly disposition. He was attached to no political sector party; and considered that unanimity amongst the people would tend more to the prosperity of the country than division. Mr Cameron came to this colony about forty years ago at the age of twenty years, and has, therefore, spent nearly two-thirds of his lifetime in Tasmania. He was one of a class of sterling, hard working, successful men who by their energy and perseverance laid the foundations of prosperity in this colony. If the example set by Mr Cameron and other old colonists of his stamp was more closely followed, it would be well for the best interests of Tasmania. Mr Cameron was connected with some of the families of the highest standing in this colony, the present mayor of Hobart Town being his son-in-law, and few men had a wider circle of friends. His removal from amongst them will be felt throughout the colony as a serious loss.โ€

John Cameronโ€™s funeral was held in St Johnโ€™s on Tuesday the 3rd of July 1866, two months before his stained glass window was to be erected in the chancel of the church. In late September the Launceston Examiner reported that the window had been erected:

The Launceston Examiner, Tasmania, Tuesday 25th September 1866, page 2.

“RELIGIOUS INTELLIGENCE โ€“ CHURCH OF ENGLANDโ€
โ€œThe chancel in connection with St. Johnโ€™s Church, Launceston, has been finished, and a portion of the service has been conducted in it. The Bishop, it is anticipated, will visit the north in a week or two, when the building will be consecrated. Two handsome stained-glass windows have been erected in the chancel. One is the gift of the late John Cameron, Esq., and represents the Ascension. A half figure of our Saviour is exhibited at the bottom of a centre light, and above that is the Ascension with the words beneath โ€œI go to prepare a place for you.โ€ On either side are the eleven Apostles, looking with wonder and adoration to their ascending Lord. At the top is the figure of a dove. The work does infinite credit to Messrs. Ferguson and Urie, of Melbourne, by whom it was designed and executed. The antique glass โ€“ which is a late discovery of the glass used by glass painters in the middle ages โ€“ has a very rich although subdued tone, and being heavy in substance gives great additional strength to the window. This contrasts favourably with the smaller window, the resurrection, the gift of the Rev. Dr. Browne, chaplain, in memory of the Venerable Archdeacon Hutchins, the first Archdeacon appointed to the diocese. This window is of common glass, by Headsland
[sic: โ€˜Hedgelandโ€™]
, of Londonโ€.

Seven months after the erection of the window it was subjected to vandalism by boys with slingshots:

The Cornwall Chronicle, Launceston, TAS, Wednesday 8th May 1867, page 5.

โ€œThe use of the toy catapult has become a serious nuisance in Town. Schoolboys seem to consider that they have a prescriptive right to do damage to the full extent of the power of the catapult. Whether accidentally or on purpose, the beautiful memorial window in the chancel of St. Johnโ€™s Church, the gift of the late John Cameron, Esq., has been injured in this way, and ladies and children are daily and hourly subjected to annoyance and danger from the juveniles armed with the catapult. The masters of schools have it in their power to check this nuisance by condemning the use of the catapult in the streets; and the police can also do much to out down this new species of entertainment, so dangerous to persons passing through the streets.โ€

The lower portions of the window show an extensive number of cracks in the small figure of Christ at the bottom of the window, but whether these were a result of the vandalism from more than a century ago is not known.

In September 2015, David Morris, from St John’s, Launceston, provided the following information in regards to the missing three quatrefoils from the window;

“I was reading your article on your website about a window designed and executed by Ferguson & Urie in 1866 for Mr John Cameron’s donation to St John’s Anglican Church in Launceston. In that article you refer to “the missing three quatrefoils depicting the Dove and Apha & Omega” that were part of the original window. I am happily able to report that those “missing” quatrefoils were saved, and are alive and well, and are on display in the same church, St John’s Church in Launceston, in a history display cabinet available to public view, properly labelled. Your article correctly records that these parts did not fit into the clerestory where the rest of the window has been for many years now.” [11]

Other related posts that mention this window:

13-08-1867: James Urie visits Tasmania on Ferguson and Urie business.
07-08-1867: Decorative Art. James Urie sojourning in Tasmania.

Footnotes:

[1] The Launceston Examiner, Tasmania, Tuesday 25th September 1866, page 2.

[3] Hobart Town Gazette, TAS, Saturday 25th February 1826, page 2.

[4] In reference to St Davidโ€™s Cathedral in Hobart.

[10] The Cornwall Chronicle, Launceston, TAS, Saturday 30th June 1866, page 4.

[11] David Morris, St John’s, Launceston, Email, 12 Sep 2015.


 

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01-01-1867: The Infant Jesus Catholic Church, Koroit, Victoria.

The township of Koroit lies 275 kilometres west of Melbourne and is located on the northern slopes of the dormant Tower Hill Volcano.

The Catholic Church of the Infant Jesus was built in two stages; the first stage was erected in the Gothic style by architect William Wardell, between 1867-70. In 1914 the second stage began and the architect Augustus Andrew Fritsch (1864-1933) advertised for tenders for the extensions and the erection of a tower[1].

The church contains many stained glass windows by the North Melbourne firm Ferguson & Urie. The triple light chancel window is the largest window in the church. It is at the east end behind the altar and the designs for the figurative emblems in each compartment were from the ideas of the Rev James Parle, who instigated the erection of the church in 1867:

โ€œโ€ฆthe subject for each compartment for the glass-stainers was the conception of his fertile brainโ€ฆโ€[2]

Photos taken 7th January 2011.

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The Rev James Parle (1811-1870) arrived in Victoria aboard the “Avalanche”[3] from Liverpool on the 13th June 1862[4], under recommendation from the Rev Thomas Furlong, Bishop of Fern, County Wexford, Ireland[5].

Empire Sydney, NSW, Saturday 9th July 1864, page 2.

โ€œLETTERS OF THE RIGHT REV. DR. FURLONG, ROMAN CATHOLIC BISHOP OF FERN, COUNTY WEXFORD, IRELAND.
To all whom it may concern, we testify and declare that JAMES PARLE, a secular priest of this diocese, who is about to proceed to foreign countries, for religious and laudable purpose, approved of by us, is in the highest sense to be commended for his zeal and piety and unwearied labour in the Church of God. Hence, we recommend him with all our soul, in God to all ecclesiastical superiors, earnestly requesting that they receive him kindly and hospitably, and that they permit him to celebrate the Divine Sacrifice of the Mass. Given at Wexford, Ireland, on the second of February, 1862. โ”ผ THOMAS FURLONGโ€.

The Rev Parle immediately began his campaign of collecting funds for his home diocese of Ferns in Ireland, much to the annoyance of the Bishop Goold of Victoria. In 1863 in the face of increasing criticism Parle decided to try his efforts in New Zealand but within six months he had returned to Australia and went to New South Wales where he clashed with Archbishop Polding and the church authorities. On his return to Victoria he again clashed with Bishop Goold for the same reasons. The Sydney โ€˜Empireโ€™ tabloid wrote:

“The Rev. James Parle, a Catholic priest, who has come to Australia to raise funds for industrial schools in the diocese of Ferns, Ireland, and is aserecied [?] by the Right Reverend Dr. Furlong Bishop of Ferns, is now at Goulburn. The ecclesiastical authorities of Victoria and New South Wales have opposed his mission.” [6]

As tensions cooled in the following years, Bishop Goold appointed the Rev Parle to the parish of Richmond in Melbourne and shortly after in 1866, to Port Fairy (then known as Belfast). Itโ€™s here that Parle began to exert his efforts for the completion of St Patricks Church in Port Fairy. Another church was also needed at nearby Koroit and with the approval of the church authorities he put his collecting skills to work by establishing fund raising committees for the construction of the Koroit Catholic Church which was estimated to cost ยฃ12,000.

The Argus, Melbourne, Vic, Saturday 30th March 1867, page 5.

โ€œAccording to the local paper, the township of Koroit is making rapid progress, the fertility of the soil having stimulated settlement, and produced general prosperity. Buildings of a substantial character are being erected, and changes in the aspect of the place are continually noticeable. The Roman Catholic Church, of which the foundation-stone was laid on New Yearโ€™s Day, will be a large, handsome building, the estimated cost of its completion being ยฃ12,000. The town is also beautifully situated and surrounded โ€“ the scenery is romantic and picturesque; and with its lake, its botanic gardens, the remarkable old crater of Tower-hill, and the view thence obtained across the bay of Belfast to Moon-light Heads, and even to Cape Otway, when the weather is clear, forms a landscape which, for interest and loveliness, is unsurpassed.โ€

The foundation stone of the โ€œInfant Jesusโ€ Catholic Church at Koroit was laid on New Years Day 1867[7] by the Bishop of Victoria, the Rev James Alipius Goold, assisted by the Rev’s Hayes, Slattery, and Parle[8].

The Rev Parle was said to have โ€œvery high standardsโ€ when it came to church building and in the following two and a half years he meticulously oversaw the construction of his Koroit church to ensure that it was to going to be the most admired in the district. In August 1869 Parle became seriously ill and never truly recovered and eight months before his church was to be consecrated he died at the Belfast (Port Fairy) presbytery on the 29th March 1870 aged 58.

The Argus, Melbourne, Vic, Thursday 31st March 1870, page 5.

โ€œBELFAST, Wednesday.
The Rev. Father Parle, who has been long seriously ill, died last night. His remains will be interred on Friday in the Tower-hill cemeteryโ€.

Shortly after his death the โ€˜Banner of Belfastโ€™ reported:

“…From the greatest architectural outline to the minutest detail everything was conceived and arranged by him; not only the sculpture of the chancel windows but the subject for each compartment for the glass-stainers was the conception of his fertile brainโ€.[9]

On Sunday the 13th of November 1870 the Koroit Church was officially opened and consecrated by the Vicar-General, James Fitzpatrick (1810-1890), assisted by the Rev George Vincent Barry.

The Argus, Melbourne, Vic, Thursday 17th November 1870, page 1s.

โ€œA fine new Roman Catholic Church at Koroit was opened on Sunday last by Dr. Fitzpatrick, vicar-general, assisted by the Rev. G. V. Barry.โ€

During the opening and consecration ceremony it was suggested that the remains of Rev Parle should be interred inside the Koroit church. This never occurred and he and his monument remain at the Tower Hill Cemetery, but the church did act upon erecting a befitting memorial to him and commissioned Ferguson & Urie to create a set of three stained glass windows in his memory which were erected in the nave.

On the 15th of November 1870, The Warrnambool Examiner mentioned the chancel window:

“…The large stained glass triple lancet window above its altar, furnished by Fergusson [sic] and Urie of Melbourne, is harmonious in colour…”[10]

Apart from the chancel window, and the memorial windows to Rev Parle, there is another set of Ferguson & Urie windows in the nave as well as a remarkable cycle of twelve pairs of small windows high up in the clerestory. The detail in these windows is difficult to see with the naked eye, but high quality digital images reveal the consistent attention to detail employed by the company which aptly earned them the title of being known as โ€œโ€ฆfamous throughout the colonies for skill and designs in this particular art…โ€[11]

ย The three light chancel window: [View]

The three light chancel window is the centrepiece of the church and is possibly more than twenty feet in height. The left lancet contains images of the Tabernacle, the Crucifixion, and the Pelican feeding its blood to its young. The centre light depicts the Holly Dove, the Magi and the Lamb sleeping upon the Book of the Seven Seals. The right window depicts an angel offering communion, the Ascension of Christ, and the Phoenix in flames.

Reverend James Parle memorial windows: [View]

There are three single light windows together in the nave that were erected in memory of the Reverend James Parle. The windows each depict St. Patrick, St. Mary Magdalene and St. Mary. The memorial text across the foot of the windows reads:

โ€œIN MEMORIAM REV J. PARLE โ€“ WHO COMMENCED THIS CHURCH โ€“ OBIT 1870โ€

Tabernacle window: [View]

Behind the tabernacle is a two light window with round window above. The round window contains a crimson cross with purple background of oak leaves and is surrounded by a crimson border with eight blue stars. The two windows below depict the Mother and Child and the other is possible St Anthony? (Holding a Lily).

Clerestory windows:

Each window in the clerestory has the names of sixteen saints and Latin terms related to the Seven Gifts of the Holy Spirit.

1. โ€œSEPTIFORMISโ€ – โ€œMUNEREโ€ [View]
2. โ€œSPIRITUS SAPIENTIAEโ€ โ€“ โ€œINTELLECTUSโ€ [View]
3. โ€œS. PHILLIPโ€ โ€“ โ€œS. PETERโ€ [View]
4. โ€œS. JAMES YE GREATโ€ โ€“ โ€œS. JOHNโ€ [View]
5. โ€œS. JUDEโ€ โ€“ โ€œSt. ANDREWโ€ [View]
6. โ€œSt. PATRICKโ€ โ€“ โ€œSt. BRENDANโ€ [View]
7. โ€œSt. MALACHYโ€ โ€“ โ€œSt. COLUMBANUSโ€ [View]
8. โ€œSt. BARTHOLOMEWโ€ โ€“ โ€œSt. THOMASโ€ [View]
9. โ€œSt. MATTHEWโ€ โ€“ โ€œS. JAMES YE LESSโ€ [View]
10. โ€œS. SIMONโ€ โ€“ โ€œS. PAULโ€ [View]
11. โ€œET FORTITUDINISโ€ โ€“ โ€œSPIRITUS CENSILIOโ€ [View]
12. โ€œSPIRITUS DOMINIโ€ โ€“ โ€œREQUIESCIT SUPER EUMโ€ [View]

Some very detailed history of the stained glass at the church was written in 1991 by the Rev. Michael Linehan; “Stories in Glass, The Stained Glass Windows in the Church of the Infant Jesus Koroit, M. J. Linehan, 1991.”

In the Rev Linehan’s accounts of all the historic windows there is some very detailed information about the history of the Ferguson & Urie glass;

“…the Clerestory windows. There are 24 of them, arranged in pairs, 6 pairs in each wall…”
“…In the 1990 storm, 10 of the 12 western clerestoryย  windows were damaged. One had been damaged before. The only original one is the window which displays the word “Intellectus” (understanding) which is one of the gifts of the Holy Spirit. The central circular panes in all the others were made in Koroit in December 1990 or January-February 1991. They are copies of the panes that were originally placed in the church, except for the window of St Jude which was both designed and manufactured following the storm of November 1990. Some years before that, the original pane had been replaced with a piece of red fibreglass and there is no record of what the original looked like. Of the eastern clerestory windows, the only new one is the one commemorating St Paul. In all the “new” clerestory windows, it is the central circular pane that really is new as well as some 30% to 60% of the other pieces of glass. All the lead which holds the pieces of glass together is also new…”

“…The artists responsible for the restoration work that was necessary after the 1990 hailstorm are Ruth Ball and Jill Edwards of Ti Glynna the leadlight and stained glass studio at Koroit…”

Footnotes:

[1] The Argus, Melbourne, Vic, Wednesday 4th March 1914, page 3.

[3] Index to Unassisted Inward Passenger Lists to Victoria: Parle, Jas Rev, age 50, Jun 1862, “Avalanche”, Fiche 203, page 001.

[8] Warrnambool Examiner, Vic, Tuesday 4th January 1867.

[10] Warrnambool Examiner, Vic, Tuesday 15th November 1870.

1988: Monash Medical Centre, Clayton, Victoria.

In 1878 the controversial and flamboyant Dr James George Beaney donated a stained glass window to the Melbourne Hospital in Swanston Street. The window was created by Ferguson & Urie and now resides in modern surroundings that would now be unfamiliar to its historical past, but still befitting to its history in medicine.

I’ve written a previous post on the Beaney window before with detailed information about the life and times of the controversial so called ‘Quack’ doctor Beaney. On the 18th of May 2012 Ms Laurel Clark found the current location of the historic Ferguson & Urie ‘Beaney’ stained glass window in the Chapel of the Monash Medical Centre at Clayton and graciously sent me photos. I visited the Monash on the 10th June 2012 to see the window personally and found that there were another three historical Ferguson & Urie window that have been placed in unusual settings. In this post I’ve included more detailed photos of the Beaney window, and the other two Ferguson & Urie windows located in the chapel (artificially illuminated) and also the ‘Good Samaritan’ window, now strangely incorporated within an unsympatheticย  modern setting in the food court.

Photos taken 10th June 2012 and 17th August 2013.

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As I mentioned in the original article about the Beaney window, the glass has unfortunately been re-installed back-to-front in its frame with the exception of the small text panel at the base of the window, which is an extremely bizarre outcome from a restoration/conservation aspect. Until this is rectified we may never know the true intended colouring of this 135 year old window and how it was originally intended to be seen by the viewer.

The other three stained glass windows found at the Monash are equally important to the Ferguson & Urie stained glass history. Two predominantly yellow/gold coloured windows are artificially lighted just inside the chapel door and described as follows:

The left window in the chapel has a scrolling ribbon wrapped around a golden cross made up of small golden stylised depictions of the passion flower and has the text “The Lord Shall deliver him in the time of trouble”. The right window has the text:ย  “Blessed is the man that provideth for the sick and needy”, written in a ribbon that entwines a depiction of a ships anchor (well known as the religious symbol of “Hope”) and has a background of oak leaves and acorns.

The last window is outside the chapel and located in the fast food court and depicts the ‘Good Samaritan’. The text at the top of the window reads; “In as much as he did to one of the least of these we did it unto me”, and at the base; “Who is my neighbour”. This poor old historic window has now been fitted above a modern exit doorway in the Medical Centre’s food court and looks completely out of place. Its surroundings now look more akin to having been installed above the entrance to a MacDonald’s fast food outlet.

The last set of photos are of the memorial monument to James George Beaney located at the Melbourne General Cemetery and it still stands as testament to his ego. My photos of his monument were taken on the 9th December 2012 and it is quite an imposing landmark in the cemetery.


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1873: St Monica’s Catholic Church, Footscray, Victoria.

Tenders for the erection of St Monicaโ€™s were advertised by the architect, T. A. Kelly, in June 1873[1]. The opening ceremony of St Monicaโ€™s was performed by the Rev J. Fitzpatrick on Sunday 3rd of May 1874 in the absence of Bishop Gould. The mass was read by Rev McGillicuddy and the dedication sermon performed by Rev J. F. Corbett[2]. To reduce the estimated โ‚ค1,500 debt required to build the church, a Bazaar was held at the Footscray Town Hall on the 21st of May 1874[3] which ran for four days and was declared an outstanding success[4]. A number of fund raising activities were held in subsequent years but a considerable debt remained for nearly ten years until being declared debt free in October 1883[5]. On the Sunday the 6th of December 1885 the corner stone of the new extensions was laid[6] and the opening ceremony held on Sunday 16th May 1886[7]. The church was consecrated 16th November 1950[8]. Many further additions have been added since.

The church still contains some of the original Ferguson & Urie stock windows in the nave with the simple red and blue borders. Later stained glass was erected in the east end as a memorial to Rev P. Walshe which was created by William Montgomery and unveiled on Sunday the 9th August 1896[9]. A four light west window was created by Bill Gleeson in 1988. It would be likely that the original large east and west windows would have been identical in colouring and design as those few original two light windows that still remain in the nave.

Photos taken 20th February 2011.

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Foot notes:

1878: St Mark’s Anglican Church, Remuera, Auckland, New Zealand.

The first historical stained glass windows to be erected in St. Marks were created by the Colonial Stained Glass firm from Victoria, Ferguson & Urie, of North Melbourne. The triple light window depicted โ€œSt. Mark and the lionโ€ and was erected as the principal east window in the chancel circa 1878. Another two Ferguson & Urie windows, depicting โ€˜Hopeโ€™ and โ€˜Faithโ€™ were erected in the north and south sides of the chancel in 1879.

The 1982 St Markโ€™s Church History book by Hilary Reid [1] recorded the following information:

โ€œThe church was embellished and beautified as well as enlarged for, in 1878 too, a lovely stained glass window was donated anonymously for the east window. It was later revealed that Mr. J.C. Seccombe, the brewer of Newmarket was the donor. In April, 1879, Mr Edwin Hesketh wrote to the vestry offering from his mother and brothers and himself two small stained glass memorial windows for the chancel.”

Photos taken: 22nd January 2013.
(Photos by Janice Ball, nee Auld, Great Great Granddaughter of James Ferguson of the Ferguson & Urie Stained Glass Company. Photo of original chancel window in 1902 is reproduced from St Mark’s Church history book, page 39, with permission of Hillary F.ย  Reid, M.A. 5th Feb 2013, others from Auckland Library ‘Sir George Grey Special Collections’).

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(Note: Some elements of the Hesketh windows are not original Ferguson & Urie work. It’s my opinion that the head of the figure depicting ‘Hope’ and the head of the Angel at the foot of ‘Faith’ are complete replacements from early restoration or conservation work.)

In 1878, after alterations to St Markโ€™s were completed, a description of the chancel window depicting โ€œSt Mark and the Lionโ€ was reported in the papers as being made by Ferguson and Urie of Melbourne for ยฃ150[2]. The article indicated that the window was โ€œthe gift of a member of the congregationโ€ who was later revealed to have been Mr John Carroll Seccombe, the owner of the Great Northern Brewery. The chancel window lighted St Markโ€™s for nearly 60 years before it was destroyed by a suspicious fire which started at midnight on the 4th of April 1935[3]. Two other smaller windows donated by the Hesketh family survived the fire.

John Carroll Seccombe (c.1834-1892):

The donor of the original chancel window was John Carroll Seccombe. His father, Richard, began small scale brewing operations in New Plymouth in 1846 and later migrated north to Auckland and circa 1856 took over the Albert Brewery[4], which was founded circa 1847 by George Partington[5]. In December 1860 Richard Seccombe began construction on the Great Northern Brewery on Khyber Pass Road in Auckland and commenced brewing operations on the 24th May 1861[6]. The company used the rampant lion symbol from the family crest as its logo and it later came to be known as โ€œThe Lionโ€ brewery. After Richard Seccombe retired the business was continued at the helm of his second son John Carroll Seccombe. On the 16th of February 1892 J. C. Seccombe died at the Lake Takapuna Hotel after an extended illness, aged 58. At the time of his death there were an estimated thirteen hotels within the Seccombe brewing empire. His funeral was held at St Markโ€™s Anglican Church in Remuera on the afternoon of the 17th and the cortege comprised an estimated 30 carriages plus foot mourners and a considerable number his brethren from the Remuera Masonic Lodge. The prominent Auckland Solicitor Edwin Hesketh played the โ€œDead March in Saulโ€ on the organ at the close of the service[7].

The Great Northern Brewery brewery continued for a number of years with his wife Isabella Harriet Seccombe (c.1836-1902) & Alfred Seccombe as directors[8] and circa 1914, โ€˜Campbell and Ehrenfriedโ€™ took over the business. Successive mergers occurred with other brewing companies in the following years and eventually morphed into the company known as โ€œLion Nathan Ltdโ€ which formed in 1988 and expanded to become one of the largest wine and spirit merchants in Australasia.

The Hesketh Windows:

Two smaller single light windows in the chancel were donated by the Hesketh family in 1879 and were also made by Ferguson & Urie of North Melbourne. These windows miraculously escaped serious damage during the fire in 1935.

The stained glass window on the north side of the chancel depicts โ€œHopeโ€ and has an angel holding a ribbon below with the text โ€œI am the resurrection and the lifeโ€. A brass plaque below it states that it was erected by the widow of Emanuel Hesketh (Caroline nee Nelson[9]). Emanuel was an early schoolmaster in Auckland[10], who died aged 51 years[11] on the 28th May 1864 [12].

The window on the south side of the chancel depicts โ€œFaithโ€. An angel below is holding a ribbon with the text โ€œBlessed are the dead which die in the Lordโ€. A brass plaque below the window states that it is in memory of Frederick Hesketh who died aged 27 on the 23rd February 1872[13] and was erected by his brothers. The figurative depiction of โ€œFaithโ€ is from a cartoon used by Ferguson & Urie in other windows by the firm at Christ Church Hawthorn in Melbourne and All Saints Church in South Hobart. The original cartoon is based on a series of original paintings by Sir Joshua Reynolds (1723-92) that depict โ€œFaith, Hope & Charityโ€.

Emanuel Hesketh, his wife Caroline, and sons William, Charles, Edwin and Frederick were natives of Manchester in England and arrived in Auckland aboard the โ€œCaduceusโ€ from London on the 19th May 1859 [14]. ย The youngest son, Samuel, remained in England with an uncle and arrived later in 1863[15]. The head of the family, Emanuel, was a well educated man having been a school teacher and was later appointed a schoolmaster in Auckland[16]. The Hesketh boys benefited greatly from their fathers experience as an educator and were also keen sportsmen who were selected as members of Aucklandโ€™s โ€œNewmarket Elevenโ€ Cricket team[17] as early as c.1863 and were instrumental in the formation of the Auckland Suburban Rugby Club in 1891[18].

Emanuel Hesketh ( c.1813 -1864):

The patriarch of the family was Emanuel Hesketh who was born in Manchester circa 1813 and married Caroline Nelson in Manchester in 1837. Emanuel was a teacher and later a school master in Auckland. Emanuel died at Remuera on the 28th of May 1864[19] aged 51. In later years his wife Caroline resided at her son Edwinโ€™s substantial home โ€œSt Johnโ€™s Woodโ€ (also known as Hesketh House) at Epsom in Auckland, which later became part of the Auckland Diocesan Girls High School circa 1903. Caroline died on the 25th of May 1886[20] aged 73.

Edwin Hesketh ( c.1843 โ€“ 1898):

Edwin Hesketh became a prominent barrister in the Auckland area. He was admitted as a solicitor of the Supreme Court of New Zealand in October 1865[21]. He married Jane Parnell on the 27th December 1867 at St Markโ€™s Remuera[22] and in early 1870 entered into partnership as solicitors โ€œHesketh & Richmondโ€ [23]. In February 1878 he was appointed as secretary of the Auckland Solicitorsโ€™ Society[24] and in March of the same year was nominated as Governor of the Grammar School by members of the Board of Education and General Assembly[25]. Edwin, like his parents and siblings, was a staunch supporter and liberal donor of St Marks Anglican Church in Remuera as well as being Vestryman, Synodsman, Chancellor of the Diocese, and Church Organist. He was an accomplished musician who also donated the first organ to St Markโ€™s Church in 1872-73[26] and befittingly was the first to officially play it at the re-opening of the church in May 1873[27]. He remained the church organist, and sometimes the choirmaster, for many years even though increasing deafness reduced his enjoyment of music. In 1881 Edwin was nominated as a candidate for the Eden district[28], but declined to enter politics in favour of his profession[29]. ย Outside of professional life he was a keen bird breeder and Vice President of the Auckland Chrysanthemum Society[30]. Edwin Hesketh died aged 55 on the 23rd of July 1898[31]. His peers in the legal profession held him in such high esteem that the sitting Judge (Conolly) of the Supreme Court adjourned all sittings until 10 am the following day[32]. His funeral was one of the largest ever seen in Remeuera. The original organ that Edwin had donated in 1872-73, was destroyed in the 1935 fire. The โ€˜Faithโ€™ and โ€˜Hopeโ€™ stained glass windows dedicated to his father Emanuel, and Brother Frederick survived.

Frederick Hesketh (c.1845-1872):

Frederick Hesketh is commemorated in St Markโ€™s by a Ferguson & Urie stained glass window depicting โ€œFaithโ€. While working as a chainman with Oโ€™Mearaโ€™s survey party near Rivershead he left early on the morning of the 23rd of February to wash a shirt in a nearby waterhole. His fatal mistake was not taking a friend with him to the waterhole as he subsequently fell in and drowned after suffering a seizure. His friends, having found him face down in the waterhole some considerable time later, attempted to revive him by archaic methods that would not have saved him even if they had found him earlier:

โ€œโ€ฆRyan and I then went to the body, took his boots and socks off, and rubbed his feet, body, and hands for an hour. We observed no marks on the body. Ryan also cut his wrist with a razor, to try and draw blood. No blood flowed from the wound at the time. We then became satisfied that he was dead…โ€ [33]

The jury at the inquest returned a verdict of “Accidental Deathโ€. A brass plaque at the foot of the stained glass window in St Marks indicates that it was erected in his memory by his brothers.

Charles Hesketh (c.1842-1930):

Charles Hesketh began his early career as a farmers hand and later joined the firm of auctioneer Alfred Buckland where he remained for over 20 years and on Bucklandโ€™s retirement, brought the business and entered into partnership with Alexander Aitken as Hesketh & Aitken in the grain and produce business[34]. He saw active service during the first Taranaki war and the Waikato war, and was a recipient of the New Zealand Medal[35]. He was a keen Cricketer and Hon Secretary of the Newmarket Cricket Club[36]. He had an instrumental part in the raising of the Parnell Volunteer Fire Brigade in 1866[37], and was a past master of the Remuera Freemason Lodge, member of the Auckland Council Licensing Bench, and a Councillor from 1893 to 1900 and served on the Remuera Highway Board and school committee. Charles Hesketh was an active supporter and liberal donor of St Markโ€™s Church. He died at Tauranga on the 13th February 1930, aged 88[38].

Samuel Hesketh (c.1849 – 1939):

Samuel Hesketh remained in England with an uncle when the family emigrated in 1859 and arrived in Auckland on the 7th February 1863[39] at about the age of fourteen, he was later articled to his brother Edwin in the legal profession and after passing his exams in 1878 “In an extremely satisfactory manner”, was admitted as a barrister of the court[40]. He was a senior partner in the legal firm Hesketh, Richmond, Adams and Cocker and later Hesketh and Richmond and became the head of the company after his Brother Edwinโ€™s death in 1898. He was a chairman of the Epsom Road Board, a member of the Manukau Water Supply Board, and a member of the Reform Party and a personal friend of the Prime Minister of New Zealand, the Hon William Ferguson Massey[41]. For many years he was a member of the Synod of the Anglican Diocese of Auckland and a liberal supporter of St Markโ€™s Church in Remuera.

Samuel Hesketh died on Sunday 8th January 1939, aged 89 and was buried on the 10th of January, โ€œโ€ฆThe long cortege left the residence, โ€œFernacre.โ€ 89, Gillies Avenue, Epsom, for St. Markโ€™s Church, Remuera, at 2 oโ€™clockโ€ฆโ€[42]

William Nelson Hesketh: (c.1838-c.1880):

William was the eldest son of Emanuel and Caroline. Nothing further is known of his life other than he had returned to England at some point.

Significant tabloid transcriptions:

New Zealand Herald, Volume XV, Issue 5152, 22 May 1878, page 3.

ST MARKโ€™S CHURCH, REMUERA

โ€œThis church, situated as it is on the rise of the hill on the Remuera Road, has lately been undergoing extensive alterations, which have just now been completed. These alterations consist of an addition to the southern transept, the lighting of the church with gas, the removal of the pulpit, and substituting in lieu thereof a desk and lectern. The whole of the works have been executed with great taste and judgement, and reflect the greatest credit upon those who have carried out the sameโ€ฆโ€

โ€œโ€ฆOn entering the nave by the main entrance of the church, the visitor is at once at once struck with astonishment at the pleasing and handsome view which is presented to the eye on looking at the east end of the church. The large gothic window in the chancel, some 15 feet by 10 feet, is of stained glass in three panels, representing the figure of St. Mark and the lion, burnt in the most soft and tasteful colours, the features, hands, and robes of the figure being exquisitely blended together, and shewing most prominently the various degrees and shades of light. The two side panels consist of rich and delicate work, executed in bright and cheerful colours, add greatly to the effect of the figure in the centre panel. The whole of the interior is surrounded by a handsome floral border, surmounted by the figure of an inverted dove. The effect of this magnificent window, which surpasses anything of the kind in Auckland, is very imposing, and fills the chancel with a halo specially appropriate to that portion of the church. We are informed that this window, which was made by Messrs. Urie and Ferguson, of Melbourne, at the cost of ยฃ150, is the gift of a member of the congregation, and who has also generously placed it in its present positionโ€ฆโ€

Auckland Star, Volume LXVI, Issue 80, 4 April 1935, page 9.

โ€œFIRE MYSTERY. ST. MARKS CHURCHโ€ฆโ€

Fire completely destroyed an organ valued at between ยฃ3000 and ยฃ4000 and considerably damaged the chancel and sanctuary in St. Markโ€™s Church, Remuera, at midnight last nightโ€ฆโ€

โ€œโ€ฆSplendid work by the brigades resulted in a remarkable save. Most of the damage was confined to the organ, although valuable stained glass windows above the altar were damagedโ€ฆโ€

Foot notes:

[1] St Mark’s Remuera 1847-1981: The Story of a Parish, Auckland, 1982. Hilary F. Reid, M.A.

[9] Caroline Hesketh died 1886 aged 73; NZ BDM 1886/2470.

[11] Emanuel Hesketh died 1864 aged 51; NZ BDM 1864/3402.

[42] Auckland Star, Volume LXX, Issue 7, 10 January 1939, Page 9

Acknowledgements:

Thanks to Janice Ball for finding the original article about the chancel window in 1878 and then undertaking the 400km round trip to Auckland with Cleeve to see, and photograph, the remaining “Hope” & “Faith” windows by Ferguson & Urie, and also for sending me the copy of the St Mark’s Church history book – ( ‘St Mark’s Remuera 1847-1981: The Story of a Parish, Auckland, 1982; ‘Hilary F. Reid, M.A.’) and for her tenacity in following up the research clues from the New Zealand side of our small world.

Thanks to Hillary F. Reid, M.A. for permission to include a copy from page 39 of the St Mark’s history book (via Janice Ball, 5th Feb 2013), and the Auckland City Library (also via Janice, 11th Feb 2013) for the additional photos, from the ‘Sir George Grey Collections’, of the chancel of St Mark’s prior to the 1935 fire.

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1874: Holy Cross Catholic Church, Moyhu, Victoria.

Twenty-seven kilometres south of Wangaratta in the north east of Victoria is the tiny township of Moyhu, noted in history for its connection with the the early Irish pioneers of the district and the infamous Kelly gang of the late 1800โ€™s.

On Sunday the 4th of May 1873, in weather described as โ€œunpropitiousโ€, upwards of 150 people gathered about four kilometres north of the town of Moyhu to witness the Catholic Bishop of Victoria, ย James Alepius Goold, lay the foundation stone of the Holy Cross Catholic Church. The sermon was preached by the Rev S. J. Kelly and the sum of ยฃ66 was raised at the collection [1]. A year later, Bishop Goold returned to officially dedicate the Church on Sunday 28th February 1875 [2].

In the chancel of Holy Cross are three historically significant stained glass windows that were crafted by the Colonial Victorian Stained Glass firm, Ferguson & Urie of North Melbourne.

Photos taken 14th January 2013.

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The windows were donated by pioneers of the district, Richard Shanley, James Whitty and Thomas Byrne.

Richard Shanley donated the single lancet window to the left of the altar depicting โ€˜St Patrickโ€™, the patron saint of Ireland. The text at the base of the window reads; โ€œThe Gift of Mr Richard Shanleyโ€.

Above the altar is a quatrefoil shaped stained glass window in the gable depicting the โ€˜Madonna and Childโ€™. This was the gift of James Whitty in 1874 in memory of his wife Catherine. A brass plaque near the chancel reads; โ€œThe Rose Window of the mother and child above the altar in the sanctuary was presented by James Whitty of Boggy Creek in memory of his wife Catherine. Died 3rd April 1874, aged 52 years. R.I.P”.

To the right of the altar is a single lancet window depicting the Crucifixion, which was donated by Thomas Byrne and has the text at the base which reads; โ€œThe gift of Mr Thomas Byrneโ€.

Itโ€™s my opinion that all three of the Ferguson & Urie windows were erected at the same time in the latter half of 1874 during the construction of the church.

About the donors of the stained glass windows:

James Whitty (c.1814-1882):

The Whittyโ€™s were natives of Wexford in Ireland and came to Victoria circa 1840โ€™s as assisted Irish immigrants and began farming in the Woodstock area, south west of Whittlesea. On the 6th of February 1842 James Whitty married 20-year old Catherine Parnell at St Francis Church in Melbourne[3] and later began farming in the Moyhu area south of Wangaratta. The Whitty family prospered and in subsequent years increased their land holdings significantly. On the 3rd of April, 1874 James’ wife died. In memory of his beloved Catherine, James commissioned the Melbourne stained glass firm โ€˜Ferguson & Urieโ€™ to create a beautiful stained glass window depicting the โ€˜Madonna and Childโ€™. It was erected behind the altar of the new Holy Cross Catholic Church being built at Moyhu. Nearly twelve months to the day after Catherineโ€™s death, James Whitty purchased the โ€œMyrheeโ€ run in the Boggy Creek area near Moyhu. James didnโ€™t marry again and the following years would continue to be a test of his resolve as he became an arch nemesis of the outlaw Ned Kelly. In August 1877 Ned Kelly and his gang stole eleven of Whittyโ€™s horses which they subsequently sold to unsuspecting farmers near Howlong just over the NSW border. The respectable German farmers, the Baumgarten brothers, and farmers Kennedy, Studders, and Cooke were all implicated in receiving the stolen Whitty horses and sent to trial [4]. In the following years James Whitty and his neighbouring farmers would continue to be the target of the Kelly gang. Subsequently Whitty and other farmers in the district formed the North Eastern Stock Protection League. They offered sizeable rewards for the conviction of the thieves, a move that was squarely aimed at the Kelly gang. Ned Kelly responded in kind by continuing the relentless theft of Whittyโ€™s stock for years to come. One newspaper account quoted Kelly as saying โ€œ…during his career he had stolen 280 horses from Whittyโ€™s station, and sold them; and beyond this he had never been guilty of any other crimeโ€ฆ[5]โ€. The thefts and accusations continued and on one occasion Whitty was confronted by Ned Kelly at the Moyhu race course where Kelly accused Whitty of perpetuating the false rumour that he had stolen one of Whittyโ€™s prized bulls[6].

In January 1879 Whittyโ€™s horse โ€œPrince Alfredโ€ was disqualified in an Albury Hurdle race.[7] Although Kelly had nothing to do with the event it would no doubt have pleased him greatly.

Ned Kelly was eventually apprehended during the Glenrowan shoot-out on the 28th June 1880, thus ending years of animosity between the Kellys and Whitty and his fellow farmers. Ned Kelly was hanged on the 11th November 1880. Just over a year and a half later James Whitty died at his Moyhu property on the 11th June 1882 [8], aged 68. He was buried near his wife Catherine and daughter Julia at the Milawa cemetery. The gravestones read; โ€œโ€ฆerected by James Whitty in memory of his beloved wife Catherine, Died 3rd April 1874, aged 52 years. Also her daughter Julia who died Aug 27, 1880, aged 23 years.โ€ Nearby, James Whittyโ€™s gravestone reads; โ€œErected by his sons and daughters, to the memory of their beloved father, James Whitty, who died on the 14th of July 1882, aged 68 years, may his soul rest in peaceโ€.

The stained glass window James donated to the Holy Cross Church at Moyhu, stands as testament to his devotion to his wife Catherine and the Whitty familyโ€™s Irish Catholic roots.

Richard Shanley (1835-1922)[9]:

Richard Shanley was a native of the parish of Kell, King’s County Ireland, and arrived in Hobson’s Bay as an unassisted immigrant at the age of 26 on the 31st of October, 1860 [10]. Having only spent a few days in Melbourne he set off for Wangaratta by coach and then “humped his bluey” (swag)[11] 50km south towards the Whitfield and Moyhu area. He gained employment doing general farm work in the area and later held a position as Cheese Maker at the Whitfield station with the Evans brothers who had come out on the same ship. In the following five years he worked for the Farrell, Dennett and Evans families and then rented a portion of the โ€œManarhee estateโ€ from the Evans family and started farming on his own. Around 1867 his parents and brother arrived in the colony to join him and in 1870 he selected 320 acres of โ€œRedcampโ€ station where he made his home and named the property โ€œFairfieldโ€ after the name of his father’s property in Ireland. In subsequent years he increased the size of his land holdings to around 1400 acres.

In 1874 Richard Shanley married Ellen Prendergast and in the same year donated a stained glass window to the Holy Cross Catholic Church at Moyhu. The window was created by Ferguson & Urie of North Melbourne and depicts St Patrick, the Patron Saint of Ireland.ย  The text at the base of the window reads: โ€œThe Gift of Mr Richard Shanleyโ€.

In February 1901, disastrous bush fires swept over Moyhu and surrounding district and lives were lost and homesteads burnt. Richard Shanley was one of the lucky few and only lost 1500 acres of grassland and fencing [12].

In June 1907 Shanley attended a banquet on the farm of John Hughes at Greta, to celebrate the pioneers of the district. The event was attended by upwards of 250 people and Shanley was invited to speak during the dinner in which he gave a short account of his early days in the colony.

Four years later, on Wednesday the 18th January 1911, Shanley celebrated his half century in the Colony of Victoria by holding his own banquet for the pioneers of the Moyhu district, to which over 150 persons attended at his โ€œFairfieldโ€ property[13] where he extended on his previous speech in 1907 and gave a very detailed summary of his life, struggles, and friendship with the other pioneers of the district.

In January 1914, at the age of 79, he and his daughter Mary narrowly escaped serious injury near โ€œThistlebrookโ€ when his horses broke loose from the buggy and bolted but despite his advanced age he succeeded in bringing the situation under control without injury to himself or Mary [14].

Richard Shanley died at his property โ€œFairfieldโ€ at Moyhu on the 31st August 1922 [15], aged 87. His wife Ellen (nee Prendergast 1824-1924) died two years later on the 21st August 1924 [16]and both were buried at the Milawa cemetery. They were survived by eight adult children.

Their grave stone at Milawa reads: โ€œIn loving memory of Richard Shanley, died 31st Aug 1922, aged 87. Also his wife Ellen Shanley, died 21st Aug 1924, aged 78โ€.

Thomas Byrne (c.1798-1883):

Thomas Byrne was a native of Wicklow, Ireland, and arrived in Australia as an un-assisted immigrant with his children aboard the โ€˜Phoenixโ€™ in January 1856[17], his wife, unconfirmed as Sarah Dunne, having died in Ireland circa 1844.

In 1874 Thomas Byrne donated the single light stained glass window depicting the โ€˜Crucifixionโ€™ to the Holy Cross Catholic Church in Moyhu. Thomas Byrne died at Moyhu aged 85 in 1883 [18]. He was buried at the Milawa cemetery with the inscription on the gravestone reading:

โ€œIn Memory of Thomas Byrne, A Patriarch, died 24th February 1883, aged 86 years. Also his daughter Mary Byrne who died April 21st 1903 aged 81 years.โ€

The North Eastern Ensign, Benalla, Vic, Friday 9th May 1873, page 2.

(On Sunday 4th May 1873 the foundation stone was laid by the Catholic Bishop of Melbourne, James Alepius Goold)

โ€œMOYHU ROMAN CATHOLIC CHURCH.- On Sunday last the foundation stone of the new Roman Catholic Church at Moyhu was laid by the Right Reverend Dr. Goold, the Roman Catholic Bishop of Melbourne. The weather was unpropitious, but the ceremony was nevertheless attended by upwards of 150 persons. A sermon was preached by the Rev. Father Kelly, S. J., and a collection which was subsequently made realised the handsome sum of ยฃ66โ€.

The Colac Herald, Vic, Friday 5th March 1875, page 3.

(On Sunday 28th February 1875, the Catholic Church at Moyhu was dedicated)

โ€œOn Sunday last Archbishop Goold presided at the dedication of the Roman Catholic Church of St. John [sic?] of the Cross, at Moyhu, near Wangarattaโ€ฆโ€

Foot notes:

[3] Married 6th February 1842 at St Francisโ€™ Church Melbourne (marriage VIC BDM: 35423/1842). Catherine Parnell, born Offaly, Ireland to James Parnell and Catherine Horan.

[6] The Argus, Melbourne, Vic, Wednesday 18th Dec 1878, page 6. (Ned Kellyโ€™s letter to Donald Cameron. MLA, post-marked Glenrowan, 14 Dec 1878).

[9] Richard Shanley, Vic BDM: 10575/1922. Aged 87. Son of Peter Shanley and Sarah Whelan.

[10] Richard Shanley arrived aboard the โ€œLightningโ€: Index to Unassisted Inward Passenger Lists to Victoria 1852-1923, Fiche 183, Page 007. (surname transcribed as ‘Chanley’). He arrived with his long time friend Rowland Hughes in their early 20โ€™s.

[11] Wangaratta Dispatch and North-Eastern Advertiser, Wednesday 26 June 1907.

[13] Wangaratta Chronicle, Saturday 21st January, 1911.

[15] Wangaratta Chronicle, Saturday September 2,1922

[17] Thos Byrne: Index to un-assisted inward passengers lists to Vic 1852-1923, Fiche 105, page 001.

[18] Thos Byrne: Vic BDM: 2659/1883, aged 85.

Acknowledgements:

Special thanks to Joan Ellis for her assistance with access to Holy Cross at Moyhu and enthusiasm for the history.

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1876: All Saints, Church of England, Learmonth, Victoria.

On Monday the 5th of September 1859, the members of the Church of England at Learmonth held a public meeting at the Wesleyan School Room to consider the purchase of land to erect their church[1].

The new Church of England building was erected under the supervision of the Ballarat architect, Henry Richards Caselli (c1816-1885), and was opened on Sunday 20th January 1861 by the first incumbent of the church, the Rev Henry Newton Woollaston[2].

The church was originally known as โ€œWycliffe Church of Englandโ€[3], after the Church of England reformer John Wycliffe (1320-1384)[4] but more than ninety years later was consecrated as “All Saints”ย  in July 1952 by Bishop Johnston[5].

At the liturgical east end of the church, behind the altar, is the oldest window in the church. It is a three light stained glass window crafted by Ferguson & Urie of North Melbourne. Even though the church was opened in 1861, the chancel window was not erected until 1876 when the new chancel was added.

This is confirmed by a couple of newspaper articles in 1876. The first, published in the Ballarat Star in April 1876 chronicled the event of the church Bazaar held on Easter Monday 1876. At the conclusion of the bazaar Mr. James Robertson of Mount Mitchell gave a ยฃ20 donation which was later considered by the church committee for use in purchasing a stained glass window.

In August of the same year the tabloids reported on the “Opening Ceremony” at which specific mention was made of the chancel window of stained glass supplied by “Urie & Ferguson”;

“…The whole of these improvements are heightened in their effect by one of Urie & Ferguson’s stained glass windows inserted in the chancel – as pretty, harmoniously pure, and pleasing a little work of art as one could wish to see…”

But despite the previous intimation that Mr Robertson’s ยฃ20 donation at the bazaar would be used to purchase the window, the donor was described as being a lady artist from the congregation:

“…This window is, we understand, the gift of a lady of the congregation, as a result of the disposal by art-union of several pictures painted by her for this purpose…” [6]

Photos taken: 2nd January 2013.

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The window is typical of early Ferguson & Urie colouring and geometric designs. The centre light has a scrolling ribbon with the text: “I am the living bread which came down from heaven” (John 6-51). The flanking windows have the symbols of Alpha and Omega, and stylised geometric designs of the Passion Flower in roundels at the top and bottom of each light. Above the three lights is a quatrefoil window depicting the cross with the intertwined letters โ€œI.H.Sโ€.

Foot Notes:

[5] The Chronicle, Newspaper of the Anglican Diocese of Ballarat, Vol 121 No.5, October 2011, p6.

[6] The Ballarat Star, Vic, Tuesday 15th August 1876, page 3.


Acknowledgements:

Thanks to Joy and Norma Whittenbury for their assistance and enthusiasm for the history and for organising access to the church.

 

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22-12-1864: Christ Church, Anglican, Myrniong, Victoria.

Located 72 kilometres west of Melbourne is the tiny township of Myrniong which lies less than a kilometer off the busy western freeway, 13km north west of Bacchus Marsh.

Amongst the many old historical buildings in the township is the Anglican โ€˜Christ Churchโ€™.

Built of bluestone nearly 150 years ago, the churchโ€™s most striking historical artifact is the remarkable three light stained glass window created by the Colonial Ferguson & Urie stained glass company in 1864.

Photos: Dated 12th January 2013.

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The foundation stone of Christ Church was laid on the 25th October 1864 [1] and was formally opened three months later on the 22nd of December 1864 at a cost of ยฃ500 [2].

The Church of England Gazette of 2nd January 1865 [3] made a scant reference to the window at the church opening on the 22nd of December 1864 and reported;

โ€œ..the east window of three lights, in stained glass, is of a handsome design..โ€

The three light window above the altar is an exceptionally well preserved example of Ferguson & Urieโ€™s work from 1864 which has survived intact for nearly 150 years.

The left light shows various stylised depictions of the passion flower in the diamond quarries and at the base of the window is a scrolling ribbon with the text โ€œLove Thy Neighbourโ€ surrounded with deep blue oak leaves. At the time of taking these photos a huge birds nest on the external lower portion of the left light shows a very dark patch in the photo of the window.

The centre light contains the Shield of the Trinity in the middle with the Latin texts,ย  โ€œNON ESTโ€ (Is Not), โ€œESTโ€ (Is),ย  โ€œPATERโ€ (The Father),ย  โ€œFILIUSโ€ (The Son), โ€œDEUSโ€ (God), and โ€œS.SANCโ€ (‘SPIRITUS SANCTUS’ – The Holy Spirit).ย  At the base is an intricate Golden Chalice surrounded by a ribbon with the scriptural text, โ€œThis do in remembrance of meโ€ (most likely to be from 1 Corinthians 11-24). The background of the chalice depicts vine leaves in crimson red and the outer depicts oak leaves in deep blue with interspersed small red passion flowers.

The right light is nearly identical to the left light with the exception of the ribbon at the base which has the text โ€œFear Godโ€.

[1] The Bacchus Marsh Express, Vic, Saturday 17th November 1906, page 3.

[2] Church of England Gazette, Monday 2nd January 1865, page 267.

[3] ibid.

Acknowledgement:

Thanks to Wendy and Gordon Vearing of Myrniong for their assistance with access to the church and their enthusiasm for the history.


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24-05-1884: St Michaelโ€™s Catholic Church, Little River, Victoria.

In 1884 Ferguson & Urie erected a two light stained glass window over the altar of St Michaelโ€™s Catholic Church at Little River, west of Melbourne. The window depicts Jesus in the left light in the Garden of Gethsemane praying to a chalice and St Michael in the right light also kneeling in prayer. The window was originally erected in the first bluestone church in 1884 at the instigation of a Miss Ellen Bannon[1], The original bluestone church was demolished in 1921 and a new red brick church was built in its place with some of the original bluestone from the old church used for the foundations. The stained glass window was also re-erected over the altar of the new church which opened in April 1922[2].

Photos were taken: 14th Dec 2012 & 2nd Jan 2013.

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Advocate, Vol. XV, No. 801, 24 May 1884, p.15.

โ€œGEELONG [From our own correspondent]

ย The additions and improvements to the Catholic Church at Little River are now nearly completed.ย  A generous lady, Miss Banim[3], who has already contributed largely towards the funds of the church, last week sent an order to Messrs. Ferguson and Urie, of Melbourne, for a handsome stained glass window, to be erected over the altar; while another lady promises a carpet for the sanctuary, and a chest of drawers for the vestments, etcโ€ฆ.โ€[4]

The memorial text across the bottom of the windows reads:

โ€œTO THE GLORY OF GOD – AND IN HONOUR OF
THE REV M MURPHY – PASTOR OF THIS CHURCH
THIS WINDOW IS THE GIFT OF – ELLEN BANNON 1884โ€

The donor of the window, Miss Ellen Bannon/Bannin died two years later in 1886 at the Prince Alfred Hospital aged 46, and she was buried at the St Kilda General Cemetery[5]. The name of the โ€œRev M. Murphyโ€ mentioned on the window is more elusive. The text says in โ€œHonourโ€ rather than โ€œIn Memoryโ€ so there is some conjecture as to whether the Rev M. Murphy was actually alive or not at the time of the window being commissioned by Ms Ellen Bannon in 1884. From the Catholic directories National Council of Priests[6], the only recorded name match is for a โ€œRev Michael Denis Murphyโ€ who died 13/02/1939 and ministered in the parishes of โ€œMeredith, Footscray, etc, Victoriaโ€ (no other specific detail known).

The Argus, Melbourne, Vic, Monday 8th March 1886, page 1.

“BANNON.- On the 6th inst., at Alfred Hospital, Ellen Bannon, late of Lara. Aged 46 years. R.I.P”.

“THE Friends of the late Miss ELLEN BANNON, late of Lara, are most respectfully invited to follow her remains to their last resting-place, in the St. Kilda General Cemetery. The funeral is appointed to leave the Alfred Hospital, THIS DAY (Monday), at 11 o’clock a.m.ย  BENJAMIN T. STEVENS, undertaker, 280 Church-street, near Swan-street, Richmond”.

http://www.standrewswerribee.org.au/little-river.htm

โ€œSt Michaelโ€™s Little River Catholic community started in 1857, when Fr. Ranald Rankin was appointed resident priest by Melbourneโ€™s first Archbishop, James Goold. Fr. Ranald Rankin came out to Australia from Scotland on the Marco Polo in 1853.ย  At that time, the Parish extended as far as Anakie and Footscray and it was the only church between Williamstown and Geelong. Fr. Rankin built St. Michaelโ€™s Church from local bluestone. During the week the church was also used as a denominational school. When Fr. Rankin died in February 1863, the parish was closed because of a shortage of priests. It was incorporated into the Geelong Mission. In 1906 Archbishop Thomas Carr created the parish of St. Andrews Werribee which incorporated St. Michaelโ€™s Little River. The old bluestone church was demolished and the present one was built. It was blessed and opened by Archbishop Daniel Mannix on the 2nd of April 1922โ€ฆโ€ [7]

The death and burial of Ellen Bannon/Bannim in 1886:

Vic BDM: 3078/1886, Bannin, Ellen, age 46, died PRN ALF H (Prince Alfred Hospital). Parents listed as unknown.

St Kilda General Cemetery, Ellen Bannin, age 46, buried at ROMAN CATHOLIC, MONUMENTAL, COMPARTMENT D GRAVE 616.

There is obviously some confusion as to the spelling of her surname as either Bannin or Bannon. The stained glass window, obituary and funeral notice both have โ€œBannonโ€ and the BDM Index entry and cemetery record both have โ€œBanninโ€.

Werribee Shire Banner, Vic, Thursday 6th April 1922, page 2.

โ€œOPENING NEW R.C. CHURCH AT LITTLE RIVER.

โ€œNearly 2000 people witnessed the solemn blessing and opening of a new Roman Catholic Church at Little River on Sunday afternoon last by the Archbishop of Melbourne, Dr. Mannix. The sacred edifice, which cost in the vicinity of ยฃ2,500, may be recognised as a gift church, the late Huon McNaughton having left he sum of ยฃ2,300 for this purpose. The construction of the church was commenced some twelve months ago, but owing to unforseen circumstances it was not completed until recently, when work was finally executed by Mr. John Smith, of Meredith. The church which is built of brick, and neatly furnished, will accommodate about 200 people, and the parishioners of Little River can well feel proud of having one of the most handsome and elaborately equipped churches in the country parishes of Victoriaโ€ฆโ€

[1] Advocate, Vol. XV, No. 801, 24 May 1884, p.15.

[3] Ellen Bannon, as per dedication text on window. Interchangeably spelt as Bannin and Bannon on other notices.

[4] Article sent from Dr. Bronwyn Hughes, email, 14 Dec 2012.

[6] Sally Heath, NCP, email 4 Jan 2013.

17-02-1896: St. Georgeโ€™s Church, Carlton, Victoria.

St Georgeโ€™s Church in Carlton is a bluestone building built in 1855-6 to the design of architects George and Schneider, the foundation stone of which was laid by Bishop James Alipius Goold in 1855. The Church is located on the grounds of the Corpus Christi College in Carlton and now known as the Corpus Christi Chapel.

On Sunday the 16th of February 1896[1], a memorial stained glass window depicting the Crucifixion was unveiled in the south transept of St Georgeโ€™s to the memory of William Ievers, M.L.A[2], who died at Macartneyโ€™s private hospital, East Melbourne[3] on the 19th of February 1895.

William Ievers (1839-1895), was the son of William Ievers Snr[4] (1818-1901) and Mary Harrison (c.1819-1898). A native of Ireland, William arrived with his parents and siblings aboard the Rienzi on the 22nd April 1855[5].

An obituary written about him in February 1895[3] significantly details his life but makes no mention of his historical involvement as the Vice President of the Carlton Football Club between 1890-1894[6].

A plaque affixed to the gate of the Corpus Christie College gate in Drumond street Carlton includes a reference to the Ievers stained glass window as being by Ferguson & Urie;

“…in 1896 a memorial stained glass window to local Councillor William Ievers, designed by the prominent firm of Ferguson and Urie was installed in the south transept…”

News articles from 1896 indicate that the stained glass window was designed by โ€œMr. Smyrkโ€, (Herbert Moesbury Smyrk (1861-1947), who was formerly of the stained glass firm of Smyrk & Rogers (partnership dissolved in 1888). At the time the Ievers memorial window was made, Smyrk was then in the employ of Ferguson & Urie.

On the 12th of November 1924, St Georgeโ€™s church was gutted by fire[7] and the William Ievers stained glass window is not known to have survived.

Other memorials to members of the Ievers family include the William Ievers memorial drinking fountain[8] erected in his name by his brother George Hawkins Ievers, in Macarthur Square, Rathdowne Street, Carlton. George also erected another fountain to his father William Ievers Snr in Argyle Square Carlton[9] and his own memorial fountain is at the Corner of Gatehouse Street and Royal Parade, Parkville[10]

The Ievers family home, named after their roots in Ireland, โ€œMount Ieversโ€, was located at 521 Royal Parade in Parkville but was demolished circa 1975.

The Ievers family grave and monument still exists at the Melbourne General Cemetery,Roman Catholic,, Section Q, Grave 304/305.

These photos were taken on various dates in 2012. The photo of “Mount Ievers” mansion, at 521 Royal Parade Parkville is from from the SLV and dated prior to 1975.

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Transcriptions:

The Argus, Melbourne, Vic, Wednesday 20th February 1895, page 5.

DEATH OF MR. IEVERS, M.L.A.

โ€œThough not unexpected, the announcement of the death of Councillor William Ievers, jun., M.L.A, which occurred last night at Miss Macartneyโ€™s private hospital, East Melbourne, will be received generally with feelings of deep regret. A fortnight ago an operation of a painful and serious nature was performed upon Mr. Ievers, and though at the time he appeared likely to recover, he subsequently developed symptoms which alarmed his friends and caused his medical adviser, Mr. Charles Ryan, to fear that there was little hope that he would live. On Monday evening he improved somewhat, but yesterday morning suffered a relapse, and hope was finally abandoned. At 8 oโ€™clock at night he died, surrounded by the members of his family. The cause of his death was urenic poisoning, due to failure of the kidneys. Mr. Ievers was born in Limerick, Ireland, in 1844 [sic: 1839[11]], and came with his father (who is still living and well known in Melbourne) to Victoria in 1855. As a junior he entered the warehouse of Messrs. William Watson and Sons, and remained there until about 1880. By that time he had mounted step by step to be head of one of the departments. When he left the warehouse he joined the firm of his father and brothers, Messrs. William Ievers and Sons, auctioneers, estate, and commission agents, of Collins-street and Carlton. About the same time he was elected a member of the City Council for Smith Ward, and retained the seat up to the time of his death. He sought to enter the Assembly for the Carlton electorate, but was twice beaten. Then when the electorate was subdivided he contested the seat for Carlton South, and after one unsuccessful attempt he unseated Mr. W. H. Leonard at the 1892 election. At the last election he held the seat against the opposition of Mr. Thompson, securing a large majority of votes. In the Assembly Mr. Ievers sat in the Ministerial Corner, and since he rose but seldom to address the House, and then only on subjects with which he was thoroughly conversant, he was invariably listened to with respect. During the last session he was appointed chairman of the banking Commission, but owing to his ill-health was unable to preside at their meetings. Mr. Ievers was a representative of the Melbourne City Council on the Metropolitan Board of Works, and he was also a justice of the peace. He was un-married, and resided with his parents at Mount Ievers, Sydney-road, Parkville. He was very much respected as an honourable and an upright man. He took part in many social organisations specifically formed to promote intellectual advancement, and always evinced a keen interest in the study of the great authors. For many years he was a prominent oarsman, but his exercise on the river had a very painful ending. He was sculling up stream one day, and was run into by another sculler, the bow of whose boat struck him on the spine, and caused what were for a time serious injuries.โ€

Advocate, Melbourne, Vic, Saturday 15th February 1896, page 16.

“ST. GEORGE’S, CARLTON
A stained glass window to the memory of the late Cr. Wm. Ievers, M.P., has been erected in St. George’s Church, with which the family of the deceased gentleman have been very intimately connected since the foundation of the building was laid. Mr. Wm. Ievers, jun., to whose memory this mark of respect is paid, was himself associated with St. George’s Church since his boyhood, and he and other members of his family have always taken a deep and practical interest in Catholic affairs in the district of Carlton. The memorial is a three light window, which replaces the one heretofore in the southern transept. The centre light contains a representation of the crucifixion, the side lights being filled with a modern treatment of ecclesiastical ornament. On the right of the crucifixion is the inscription:- “He was wounded for our iniquities, and by His bruises we are healed;” and on the left:- “Blessed are the dead who die in the Lord, for their works follow them.” The record reads:- “In memoriam, William Ievers, Jun., M.P., J.P.” The treatment of the crucifixion in the centre light does not show the Saviour in the hands of the Jew and Roman ignorantly and maliciously fulfilling the mysteries of Redemption, but is strictly devotional in character. Christ is depicted as dead, and the figures of the B. Virgin and St. John stand motionless on either side in subdued sorrow, while Magdalene kneels gravely at the foot of the cross. The colouring is very rich in treatment – yet with a beautiful soft harmony throughout. The work has been carried out by Messrs Ferguson and Urie, from the designs of Mr. H. Smyrk, and to the order of Cr. William Ievers, the father of the deceased gentleman. The memorial will be unveiled at the 11 o’clock Mass on Sunday, 16th inst., when panegyric of the deceased will be preached by the Rev. Isaac Moore, S.J.”

The Argus, Melbourne, Vic, Monday 17th February 1896, page 5.

โ€œMEMORIAL TO THE LATE MR IEVERS, M.L.A.

SERMON BY FATHER MOORE.

A special service was rendered yesterday morning at St. Georgeโ€™s Church, Carlton, in memory of the late Mr. William Ievers, M.L.A., who died on February 19, 1895. A fine stained-glass window has been erected in the southern transept of the church by the members of the late Mr. Ieversโ€™s family, and, while it harmonises well with the beautiful interior of the church, serves also as an enduring memorial of the deceased gentleman. It is a three-light window, the centre light showing the principal design, which consists of a representation of the Crucifixion. The colouring is rich but subdued, and the figures of the crucified Christ and of the mourners at the foot of the cross stand out sharp and distinct in every detail. A suggestion of the distant city of Jerusalem rising behind the hill of Calvary is a new feature introduced into the composition by the artist, Mr. Smyrk, who designed the work, which has been carried out by the well known firm of Messrs. Ferguson and Urie. There was a crowded congregation, and the special sermon was preached by the Rev. Isaac Moore, S. Jโ€ฆ.โ€

The Argus, Melbourne, Vic, Thursday 13th November 1924, page 8.

โ€œFire in Old Churchโ€.

โ€œAn old Melbourne landmark will probably disappear as the result of a fire last evening, when the St. Georgeโ€™s Roman Catholic Church, in Drummond street, Carlton, which was built in 1855, and was used as a boyโ€™s schoolroom, was almost completely destroyed. The cause of the outbreak is a mystery. The school was securely locked at a quarter to 5 oโ€™clock, and at 6 oโ€™clock the housekeeper of the Presbytery, which adjoins the old church, saw smoke issuing from a ventilator on the roof. Five minutes later the building was a mass of flame. The head fire station at Eastern Hill was notified, and a large detachment of men was soon on the spot. The firemen were greatly hampered in their work by the intense heat, for, although the outer walls of the church are constructed of bluestone blocks, it was lined with wood, and the roof was stayed with old wooden rafters, which burned fiercely. Many children were playing in the grounds at the time, and some were endangered by the flying sparks. Several hoses were played on the heart of the fire, which was at the eastern end of the building, but it was some time before the firemen were able to get close enough to break down the doors and enter. When they could do so they concentrated a stream of water on to the blazing rafters, and the outbreak was soon subdued. The building contained desks, black boards, and the usual furnishings of a school room, most of which were destroyed. The inner walls were severely damaged, and gaping holes were left in the roof. The building and contents were insured with the Catholic Church Insurance Co., for ยฃ1,500, but it is not thought that this amount will cover the damage. The chief fire officer (Mr. Harris B. Lee), who was early on the scene, said that it was extraordinary that although hundreds of people must have seen the flames, nobody gave the alarm until the fire was noticed by the housekeeper. The building, which was constructed as a schoolroom in 1897, accommodated 220 pupilsโ€.

External links:

Biography: William Ievers Snr (1818-1901)

An interesting history of William Ievers Snr (1818-1901), is detailed in a book he wrote in 1894 titledย  “Fifty Years After; or, Old Scenes Revisited.” Extracts were republished in The Old Limerick Journal under the titles of,ย  William Ievers: Old Scenes Revisited and A visit to Paris 1890. His son William Ievers Jnr (1839-1895), referred to as “Willie”, accompanied his father on the journey back to Ireland in 1890 and the book was a result of William Snr’s journals.

Footnotes:

22-05-1897: Presbyterian Church, Werribee, Victoria.

In the last three years of the history of the Ferguson & Urie stained-glass company of North Melbourne they were still performing regional glazing repairs. On Friday 14th May 1897 a storm went through Werribee and damaged a stained glass-window at the Presbyterian Church (now Cross Roads Uniting) which was repaired by a tradesman from Ferguson & Urie. There is no evidence that proves the window was one Ferguson & Urie’s original installations from when the church was built in 1884.

The Bacchus Marsh Express, Vic, Saturday 22 May 1897, page 3.
“The strong northerly gale that was blowing across these plains on the night of Friday of last week, with its occasional severe gusts, has unfortunately not passed over us without doing some damage; for, in addition to the unthatching of stacks, on many of the farms, the north window, high up in the spire of the Presbyterian church, which is exposed to the full force of wind from the north, has been very badly damaged, necessitating complete renewal of the lead work, and a great deal of the glass. The damage was first noticed by the Rev. John McIntosh on Saturday; pieces of the lead work and glass were blown in and were strewn over the floor of the belfry; while the window itself was just hanging together, vibrating with the wind, which by this time had fortunately veered round to the west. He at once communicated with Mr. Adam Hastie, Mr. G. T. Chirnside’s manager, informing him of the damage, and at the same time wrote in to Messrs. Ferguson & Urie, of Melbourne, to send out a man at the earliest moment. When the tradesman arrived it was at once seen that the window would require to be taken out as the joints of the lattice lead work were, for the most part, broken, and the rods and stays were loose, so that in order to make a secure job, the window will have to be re-leaded. The repairs will possibly cost over ยฃ3, so that ‘its an ill wind that blows nobody good!”

Photos taken: 30th Dec 2010.

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As at 2012, the north an west facing belfry windows of the church are extremely unlikely to be of any original glass produced or at anytime repaired by Ferguson & Urie.

Related posts:

23-05-1896: Presbyterian Church, Werribee, Victoria.
1876: Werribee Park Mansion.


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29-01-1879: St Thomas’s Anglican Church, Moonee Ponds, Melbourne, Victoria.

The foundation stone of the present St Thomasโ€™s church in Mt. Alexander road, Moonee Ponds (formerly Essendon Parish), was laid in 1857 by the Governor of Victoria Sir Henry Barkly[1], and opened for worship on Sunday 6th March 1859 by the Rev R.B. Barlow[2]. The church was erected in the early English style to designs of architects Knight and Kerr[3] and was consecrated on Tuesday 2nd September 1862[4] The first incumbent was the Rev. Edward Puckle[5]–[6].

The centre stained glass window in the chancel of St Thomas’s contains an historic window created by Melbourne’s first colonial stained glass company, Ferguson & Urie of North Melbourne. The window depicts Christ as ‘The Good Shepherd’ and was erected to the memory of John Thomas Smith, M.L.A., who holds the record of having served as Mayor of Melbourne seven times between 1851 and 1864.

The memorial text at the foot of the window reads:

“DEDICATED BY HIS WIDOW TO THE MEMORY OF THE LATE HON. J. T. SMITH. M.P. ONE OF THE ORIGINAL TRUSTEES OF THIS CHURCH WHO DIED JAN 29 1879 AGED 63 YEARS”.

The date of death recorded on the window (29th) is at odds with that recorded elsewhere in the tabloids of the time and his official probate records, which all record the 30th.

Strangely there was also an occurrence of another memorial window erected to his memory in St John’s Church in Latrobe street!

In October 1883 Mrs Ellen Smith (nee Pender 1820-1886[7]), the widow of the Hon John Thomas Smith, M.L.A, dedicated a single light memorial window to her late husband in St John’s Church in Latrobe Street Melbourne. His funeral service was conducted at St Johnโ€™s on Friday 31st January 1879 and four years later the following was reported in the Argus;

The The Argus, Melbourne, Vic, Thursday 18th October 1883, page 5.

โ€œST. JOHNโ€™S CHURCH, LATROBE STREET. The interior of this Anglican church has been undergoing a process of renovation which has considerably improved its general appearance. A new stained glass memorial window has been placed in the northern wall of the chancel. It is the gift of Mrs. Smith, in memory of her deceased husband, the late Mr. John Thomas Smithโ€ฆโ€

St Johnโ€™s Church in Latrobe Street was demolished c.1920, re-erected nearby, and again demolished c.1957 but what became of the J. T. Smith window or any others is not known.

Photos taken 5th February 2012.

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Who was John Thomas Smith?

John Thomas Smith (1816-1879)[8] was born and educated in Sydney. He married Ellen Pender in St James Cathedral, Melbourne on the 10th April 1839[9].

Having never been considered a true inspirational leader, he missed consideration of a Knighthood by the Queen in 1858, but astonishingly he served as Mayor of Melbourne seven times between 1851 and 1864[10], a record thatย  is unlikely to be repeated in Melbourne’s history.

His funeral service was conducted at St Johnโ€™s Church in LaTrobe street in Melbourne on Friday 31st January 1879 and his Masonic Brethren were instructed to appear in full Masonic regalia to follow the remains of their brother, the late โ€œProvincial Grand Masterโ€ to his final resting place in the Melbourne General Cemetery[11].

The Australasian Sketcher with pen and Pencil, Melbourne, Vic, Saturday 15th February 1879, page 183.

“THE LATE HON. J. T. SMITH, M.L.A.

The late Hon. John Thomas Smith, M.L.A. for West Bourke, who died on January 30, was in his way one of the most familiar of local landmarks. He was a native of Australia, having been born at Sydney, New South Wales, in 1816, so that at the time of his death he had passed his 62nd year. The education provided in the young colony in those days was not of the most liberal description, but his parents accorded him the benefit of the best obtainable, and he was educated at Capeโ€™s school, Sydney. Referring to his youthful days, Mr. Smith has been heard to say, that though he had gained honours from his fellow Victorians of which he was proud, he felt certain that had his early instruction been more comprehensive and complete he would have occupied still higher positions. An impartial estimate, however, of the deceasedโ€™s natural abilities hardly justifies the belief that he could ever, under any circumstances, have taken a leading place in controlling the affairs of any large community of men, for though possessing great natural shrewdness, it cannot be said that he was endowed with a statesmanโ€™s breadth of intellect. Mr. Smithโ€™s first start in life after leaving school was as a clerk in the bank of Australasia, where, however, he did not remain very long, resigning his position for a situation in the colonial store department. His next position explains the somewhat clerical dress which Mr. Smith has always worn in Victoria, and which often led those who saw him for the first time to believe that he was a minister of religion. In 1837 he was offered the position of assistant teacher in the Church of England Aboriginal Mission Station, Melbourne, the site of which is now occupied by the Botanical-gardens. Having from his early youth a great interest in the aborigines โ€“ who, he used to say, should be most kindly dealt as the real possessors of the soil, from which they were gradually driven by the steady advance of the tide of civilisation โ€“ Mr. Smith at once accepted the appointment, and came to Melbourne in the James Watt steamer, near the end of 1837; thus having been at the time of his death a citizen of Melbourne for over 40 years. Melbourne in those days was, it need hardly be said, but a very small place indeed โ€“ an oasis in the almost desert wilderness of forest-clad hills and plains; and to use Mr. Smithโ€™s words in the Assembly only a few years ago, he had been one of those early pioneers who have had the happiness of living to see โ€œa wilderness where the noble savage held almost undisputed sway transformed into a city almost second to none, and surpassing all whoโ€™s existence dates from (then) only 36 years ago.โ€ He quitted the mission-station after having done good work to become manager for the late Hon. J. Hodgson, and subsequently entered into business on his own account. It is unnecessary in a notice of this kind to dwell upon the early business pursuits which the deceased in those rough times entered on, but it may be said that he was successful in his object of gaining a considerable competency. He catered for the entertainment of a not very aesthetic public; but among one of his enterprises which deserves to be remembered was his building of the Queenโ€™s Theatre, of which Mr. George Coppin was among the early lessees. In 1842 Melbourne was incorporated a city, and Mr. Smith was one of the first councillors โ€“ a position he has continued to fill without intermission until his death. He has held the honourable office of mayor of Melbourne no less than seven times, but the majority of his elections to that post took place in the earlier years of the City Council, when there was not the same rivalry for the distinction which has for some years existed among the city fathers. At present it is well known there is little chance of any mayor being re-elected to the office, and a second re-election might be looked upon as an impossible occurrence. During the Ballarat riots the mayoralty of Melbourne was no sinecure, owing to the excitement which prevailed, and the rumours flying about of intended assaults on the Treasury and banks. Mr. Smith did good service in restoring the confidence of the population by organising a system of special constables, and for his energy on the occasion he received the thanks of the Governor, Sir Charles Hotham. When mayor in 1858 the deceased was delegated by the City Council to go to England for the purpose of presenting an address of congratulation to the Queen on the occasion of he marriage of the Princess Royal to the Crown Prince of Prussia. It was expected by many that Mr. Smith would return from his trip Sir John Smith, but the expected honours were not bestowed. If any disappointment was experienced by the mayor himself in the matter, it is but fair to say that he showed no traces of it. It will be mainly by his connexion with Melbourne, and the services which he rendered to the city in its youthful growth, that the deceased will be remembered; but it is needless to say, besides being a city councillor, Mr. Smith has, since the establishment of constitutional government in this colony, been a member of the Legislative Assembly. At the time of his death he was entitled to the name of Father of the Assembly, as since his first election for North Bourke, in 1851, to the old nominee-elective Assembly, he has never been out of Parliament. He has had a seat in one Government โ€“ viz., as Minister of Mines in the Macpherson Administration, in 1869. Notwithstanding his long parliamentary experience, however, the deceased could not be said ever to have taken a leading position in the House. His best work was done in other and less prominent places. His shrewdness and good humour and knowledge of colonial life made him a useful magistrate, and for many years he was a constant attendant at the City Bench, where his great delight was to talk to the persons to the suit in a private room, and induce them to sink their differences, and settle their disputes out of court. He was an official visitor at the lunatic asylums, and paid assiduous attention to his duties as a member of the Central Board of Health. In the establishment of our principal charities, such as the Melbourne Hospital, the Benevolent and Orphan Asylums, and others, he took an active part, and on several occasions when help was needed in other countries, and Victorians were appealed to, the deceased energetically applied himself to the task of collecting, always supplementing the collections with a liberal donation of his own. The deceased also took great interest in the initiation and progress of the friendly societies, and was a leading member of several of them, besides being a prominent Freemason. For many years he has been Provincial Grand master under the Irish Constitution. Mr. Smith leaves a widow and a family, the eldest of whom is Mr. J. T. T. Smith, Crown prosecutor. A full length portrait of Mr. John Thomas Smith in his robes of office is hung up in the town-hall, and no doubt he will occupy a place in local history as โ€œseven times mayor.โ€

The reason for J. T, Smith being ignored for a Knighthood could be explained as follows:

Sunbury News, Vic, Saturday 25th March 1905, page 3.

โ€œA VISIT TO THE MELBOURNE GENERAL CEMETERY.

(By Isaac Batey.)โ€

โ€œโ€ฆwe will take stock of the tomb of J. T. Smith, who enjoyed the distinction of holding the mayoral chair for seven years. He was a live public man in early Melbourne times; then being elected M.L.A. for West Bourke, he became Minister of Lands. Just about the beginning of 1870, he was seen passing through Ballan, on a Ministerial tour, and my worthy old dad, who was evidently personally acquainted with him, told me who he was. Perhaps it will not be out of place to relate an incident about Mr Smith, even if it was given in former scribblings. Well, in 1859, the Princess Royal was married. “Jacky Tommy,” as “Punch” dubbed him, being Mayor of Melbourne, the City Council sent him to England to read an address to the Queen, congratulating Her Majesty on the happy event. The “Argus” had a dead-set on the Mayor. One of that paper’s proprietors (Mackinnon) was in London, and I have lately heard that he laid a trap for the Ambassador. Smith was a gay Lothario; in fact, in that direction, he was too intense, consequently he was an easily caught bird when the right sort of lime was prepared for him. To shorten -it is apparent that some woman was put in his way, and the presumption is, she was bribed to effectually damn Smith in the eyes of royalty. This I do know for a certainty, from the newspapers published in Victoria, that a female prosecuted him for misconduct in a London police court. However, he was thoroughly euchred with respect to the prospective Knighthood, for on reading his address to the Queen, in place of coming out with a handle to his name; he emerged plain Mr Smith. Without doubt the “Argus” had recourse to vile intrigue to block the Knighthood, not for the special reason that Mr Smith had faults and failings, but simply because he had sprung from the ranks’ still designated by some people afflicted with the mania of self-esteem, as “the lower orders.” However, J. T. S. believed that the “Argus” had played him a scurvy trick, because on his return he never allowed that journal to enter his house-a fact that can be vouched for, seeing that the information was derived from a gentleman who was an intimate friend of the family. The monument over the Smiths is a good one. The several inscriptions read as follows: “‘Hon. John Thomas Smith-died 30th January, 1879; aged 61.-Ellen, wife of the above-died 20th July, 1886. James, second son–died 27th May, 1878; aged 31.-Charles Melbourne, sixth son; died let. December, 1874, aged 19.-Harrie Smith, secretary V.A. Turf Club; died 10th July” 1895; aged 44.–J. T. Thorold Smith, L.L.B., and K.C., Crown Prosecutor, and eldest son; died 8th July, 1901; aged 61. Nellie, his wife died 2nd March, 1901; aged 60.” Mrs Smith, senior’s, age was not on tomb, and counting the K.C.’s wife, the life average of the family is 44 yearsโ€ฆโ€

Also see: Biography John Thomas Smith (1816-1879)

About the Rev Edward Puckle:

The Argus, Melbourne, Vic, Saturday 11th December 1937, page 38

โ€œOld Essendon Church.

The early history of St. Thomasโ€™s parish, Essendon, shows that it was originally the charge of Dr. Hussey Burgh Macartney, later Dean of Melbourne. That was in 1849. A small wooden building served the parishioners for 10 years. The foundation of the present church in Mt. Alexander road was laid in 1857 by the Governor of Victoria Sir Henry Barklay, and the building as opened for worship in 1859. The first vicar was the Rev. Edward Puckle, who continued his work till 1878. He remained a parishioner till his death in 1898, aged 98 years. The present vicar (the Rev. C. Hedley Raymond succeeded the Rev. Canon J. T. Baglin in 1934โ€ฆโ€

Otago Daily Times, New Zealand, Issue 11205, 30 August 1898, Page 6

โ€œAN EX-NEW ZEALANDER.

The Rev. Edward Puckle, of Essendon, has just died at the ripe age of 98. His wife (86) died in April last, after a happy married companionship of no less than 68 years. Mr Puckle was one of the Canterbury pilgrims, landing in the Randolph at Lyttleton in 1850. He remained in New Zealand only five years, and then came to Victoria. He was in charge of the Essendon suburban parish here for 24 years, and continued to live is Essendon till the time of his death, another 18 years.โ€

The Rev Edward Puckle has his own memorial stained glass window in St Thomas’s which depicts the Ascension and is erected to the left of theย  J. T. Smith window. This window was crafted by the stained glass craftsman William Montgomery of Melbourne c.1898. Another window in the nave is dedicated to his daughter, Mary Shaw Puckle, and was made by Brooks, Robinson & Co, Melbourne, and dedicated in 1934.

All the stained glass windows in St. Thomas’s were created locally in Melbourne. The J. T. Smith memorial window was made by the first colonial Victorian stained glass firm, Ferguson & Urie, and allย  other later windows were created by William Montgomery, Mathieson & Gibson, and Brooks, Robinson & Co, between 1900 and 1956.

Other references:

Bendigo Advertiser, Vic, Saturday 1st February 1879, page 1s.

Bendigo Advertiser, Vic, Tuesday 4th February 1879, page 2.

Mercury and Weekly Courier, Vic, Saturday 5th April 1879, page 3.

The Argus, Melbourne, Vic, Saturday 11th December 1937, page 38

Web site of St Thomasโ€™s Moonee Ponds

Foot Notes:

27-04-1862: St Giles Presbyterian Church, Geelong, Victoria.

Situated on the west side of Gheringhap Street, between Little Ryrie and Myers Street in Geelong, is the former St Giles Presbyterian Church, also known as the West End or High Church. Ferguson & Urie created the five-light west window, which is the third oldest extant window I’ve found by Ferguson & Urie, and it’s also one of the rare few that have the company name on it. There is also a window depicting the ‘Burning Bush’ (the Presbyterian Motto) at the east end, which includes the date “A.D. 1862”.

Geelong Advertiser, Vic, Tuesday 29th April 1862, page 3.

“…The windows in the front elevation (Gheringhap-street) will be of stained glass, five lights each and traceried; they are being prepared by Messrs Ferguson and Urie of Melbourne, a very handsome and elaborate design, and will not be ready for a few weeks…”

The designs of architect Nathaniel Billing were chosen as a result of a competition entry[1] and Boynton & Conway of Geelong were the building contractors. Although initial designs included a spire, this was never built. The foundation stone was laid on Tuesday the 9th of July 1861 by the treasurer of the new church, Thomas Brown Esq[2], and it was formally opened on Sunday 27th April 1862 [3]. By 1938 St Giles had no minister and it was suggested that it should be pulled down[4] and re-erected in place of the wooden Scots Church in Pakington street Geelong West. This never eventuated and the church continued to serve the congregation for another forty years. St Giles was last used for services in 1977 when the Uniting Church classed the building as redundant and it was sold in 1988. It was then used as an entertainment venue which hosted many live bands and performances by famous rockers such as Jimmy Barnes. How the stained glass windows survived unscathed during this period is remarkable! Photos taken 6th January 2012, except the last two photos in the slideshow which show the full perspective of the liturgical west window, and the Burning Bush window at the liturgical east end. These two photos have been contributed by Geoffrey Wallace, taken in 2006 before the internal office space construction began.

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The latest transformation of the former St Giles church was itโ€™s conversion to offices and it now hosts a medical clinic. The liturgical west window facing Gheringhap street still exists in fairly good condition and can be seen from inside from the landing of an internal staircase. The window is also one of a very rare few early Ferguson & Urie stained glass creations that has the company name on it, located at the base of the centre light. The four lobed round window at the east end depicts the Burning Bush with the motto of the Church of Scotland, “NEC TAMEN CONSUMEBATUR” (Latin – ‘Yet it was not consumed’, an allusion to Exodus 3:1-22 and Moses and the Burning Bush), and also has the year “A:D: 1862”.

Significant newspaper transcriptions:

The Sydney Morning Herald, NSW, Monday 15th July 1861, page 3

โ€œThe foundation stone of the new Presbyterian High Church of Victoria was laid on Tuesday, at Geelong, in the presence of a numerous concourse of people. The site of the new building is adjacent to the Presbyterian school on the western side of Gheringhap-street. The ceremony was performed by Mr. Thomas Brown, treasurer to the new church, the Rev. Mr. Fraser commencing the proceedings with singing and prayer. The design of the church is early gothic; it will hold 500 persons, and the entire cost of the edifice with steeple will be ยฃ5000. โ€“ Heraldโ€

Geelong Advertiser, Vic, Tuesday 29th April 1862, page 3.

“HIGH CHURCH, GHERINGHAP STREET. THIS handsome structure which forms such a prominent feature amongst the ecclesiastical and public edifices of the “west end” of our town may now be pronounced complete. At least, it is complete in so far that it has been devoted to the purpose of its erection, having been consecrated to Divine Worship on Sunday last in presence of a very numerous congregation. The plan comprises the nave, transepts, vaulted recess for rostrum, vestry, two porches, and a tower and spire; and the style of architecture is of the “early decorated” period of Gothic. The tower, and spire, and vestry are not yet built, which, of course, give the edifice externally an unfinished appearance; nor are the nave and transepts, which are to provide the complete seat accommodation; but these are in progress and will be finished by the original contractors. The walls are of bluestone; while the gables, window and door coigns, copings, pinnacles, and dressings to buttresses, &c, generally are of Barrabool freestone. Interiorly – the roof is open to the ridge, supported by arched trusses, the wall-pieces bearing on moulded and carved stone corbels; and all the roof timbers and boarding is stained of a uniform colour and varnished. Ventilation is amply provided by a series of perforated pinnacles and louvred openings, in addition to which the side windows are each made to open partially, and gratings in the passages and in the plinth are arranged with slides to open or shut with pleasure as the state of the weather may require. The windows in the front elevation (Gheringhap-street) will be of stained glass, five lights each and traceried; they are being prepared by Messrs Ferguson and Urie of Melbourne, a very handsome and elaborate design, and will not be ready for a few weeks. The side windows have two lights each with traceried heads, and those to the transepts three lights each. There are also two small gable windows of chaste design. The rostrum and the precentor’s desk and their enclosing railing are of Australian cedar selected with exceeding taste to show the valuable adaptability of this favorite wood for ornamental purposes; and in design the whole is in strict keeping with the other parts of the church. The benches are open, with cut and moulded ends terminating with fleur de-lis; they are all stained and varnished. The whole of the workmanship of the building and its furnishings, inside and out, is of the most creditable character. Mr. Billing, of Melbourne, is the architect, and Boynton and Conway, of Geelong, the contractors for carrying out the works. The church occupies one of the most commanding sites of the town, and, approached by land or seas it will always form a prominent object in the view. It is capable of accommodating about fifteen hundred people. ย ย ย ย ย ย ย ย ย ย ย  As we said above, the church was consecrated for Divine Worship on Sunday last. The “opening services” of the day were three – morning, afternoon, and evening. The first and last were conducted by the Rev William Henderson, of Ballarat, and the afternoon service by the Rev Joseph Dare. As an earnest of the interest felt by the congregation in their new church, above L60 was contributed as the customary collections. The opening services will be continued next Sunday by the Rev T. W. K. Frazer, the pastor of the church, the Rev A. J. Campbell, and the Rev A. Love.”

Footnotes:


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05-08-1876: St Peters, Eastern Hill, Melbourne, Victoria.

The foundation stone of St Peterโ€™s was laid by the Superintendent of the Port Phillip district, Charles Joseph La Trobe[1], on 18 June 1846[2], on the corner of Albert and Gisborne Streets on the eastern hill of Melbourne. The building was used for services as early as 1847, and was formally opened on the 6th August 1848[3].

The first stages of the church were designed by architect Charles Laing and the contractors were Ramsden & Brown (Samuel Ramsden – stone mason, and Charles & Henry Brown โ€“bricklayers, contracted for a reported ยฃ820) [4]. In 1853-54 the Chancel & Transepts were added to the designs of Charles Vickers.

In June 1876, the chancel of St Peterโ€™s was extended to the designs of architects Terry and Oakden, and the five figurative Ferguson & Urie windows were installed[5] at this time. An engraving showing the new chancel was published in the newspaper on the 5th August 1876[6] and it shows five single lancet figurative windows surrounding the chancel. The centre window of the five, depicting the โ€œAscensionโ€, was moved to a small chapel in the south west corner of the church, possibly during further alterations in 1927-29[7]. Other single lancet windows in the nave are of Ferguson & Urieโ€™s simple diamond quarry with stained glass borders.

Originally the chancel windows were installed (left to right) as, The Prophet Elias, St Peter, Christ & The Ascension, St Paul, and The Prophet Moses. The design and artwork of the Ascension window seems to be extremely at odds with that of the other flanking prophets and saints windows. Whether there has been been conservation on this window is not known but it’s design and artwork do not fit within the period equaling the other prophet and saint windows of the time.

Photos taken: 26th September 2010.

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The Melbourne Argus, Vic, Friday 19th June 1846, page 2.

โ€œThe foundation stone of the new English Episcopal Church on the Eastern Hill was laid yesterday, in due form by his Honor the Superintendent, in the presence of a large concourse of people assembled to witness the ceremonial. The arrangements were presided over by the Rev. A.C. Thomson, Minister of St. Jamesโ€™s Church, who conducted the services, aided by the Rev. Mr. Collins, of Geelong. The inscription on the plate was as follows:- โ€œThe Foundation Stone of St. Peterโ€™s Church, In the Town of Melbourne, District of Port Phillip, Colony of New South Wales, Built by Local Subscriptions, Aided by an equal amount from the Colonial Government, Was laid by His Honor Charles Joseph La Trobe, Esquire, Superintendent of Port Phillip, On the 18th day of June, A.D. 1846, And in the Ninth Year of the Reign of Queen Victoria. Adam Compton Thomson, Minister of St. Jamesโ€™ Parish of Melbourne. James Simpson, James Denham Pinnock, Robert Williams Pohlman, Esquires, Trustees. Charles Laing, Architectโ€

The Australasian Sketcher with Pen and Pencil, Melbourne, Vic, Saturday 5th August 1876, page 70.

THE INTERIOR OF ST. PETERโ€™S CHURCH, EASTERN-HILL: THE NEW CHANCEL.

The alterations and improvements which have lately been made to St. Peterโ€™s Church (Church of England), Eastern-hill, consist of the extension and completion of the chancel, which now includes an additional space of 31ft. from the east wall of the church. On the north side of this, and communicating with it, a vestry has been built for the use of clergymen and choristers, and at the south side a chamber has been erected for the organ, which formerly stood near the western entrance. The organ has been reconstructed in its chamber by Mr. Fincham, the organ builder, of Bridge-road, and is hidden from the greater part of the congregation. The choir seats are placed within the new chancel. By means of the alterations thus effected a s space is gained which furnishes 80 additional sittings, and in course of time still further room will be made by filling in with seats that part of the western gallery which was formerly blocked by the top of he organ. The addition is a great improvement to the church internally, and will add much to the convenience of the congregation as well as to that of the choir and clergy. The cost of these alterations, which have been carried out on the plans and under the supervision of Messrs. Terry and Oakden, architects, amounts to ยฃ920, of which ยฃ750 is the expense of the new building; the balance is for removing the organ and furnishing the choir. The opening of he chancel was celebrated on June 29, St. Peterโ€™s Day, and the thirtieth anniversary of the laying of the foundation of the church. Divine service was held, the musical portion of which was under the control of Mr. Summers, and was admirably given.โ€

12-07-1877: St Matthewโ€™s Anglican Church, Prahran, Victoria.

St Matthewโ€™s Anglican Church in High street Prahran was built to the designs of architects Terry & Oakden, the contractors were Purves and Rankine[1], and local Prahran Councillor William Harrison was the clerk of works. Building commenced in July 1877[2] and the foundation stone was laid by Bishop James Moorehouse on Saturday the 1st of September 1877[3]. It was formally opened by Bishop Moorehouse on the afternoon of Friday 28th June 1878[4].

Just over a century later, in May 1982, a fire destroyed the majority of the centre section of the Nave. Rather than rebuild to its original state, the burnt out centre section was converted to an open court yard. The front section, (liturgical west) facing the street, was reconstructed with mezzanine floors and converted to three levels of office accommodation. The rear of the church (east), comprising the original chancel, remains as the congregationโ€™s portion of the church for worship. Each section, either side of the central court yard is separated by modern glass walls. Many of the stained glass windows in the centre of the nave were destroyed by the fire but some of the original Ferguson & Urie stained glass survived. The main main five light west window facing High street is extant, as well as most of the simple stained glass bordered windows in the west end, and the triple light William Harrison memorial window in the north wall near the chancel.

Other surviving stained glass windows in the church are by the artists/studios of, Christian Waller (the Penitence, Pardon, & Peace window).

The five light chancel window to the memory of โ€œArthur Granger Langmoreโ€ (c.1839-1886) , is an anomaly and I was almost convinced this was the work of Lyon & Cottier of Sydney, (John Lamb Lyon) being a former partner in Ferguson & Urie circa 1866-1873).

On the thirteenth of January 2018 my friend Dr. Brownwyn Hughes provided the definitive clue as to who had made the langmore memorial window;

“I was looking through the notes I made while at the Victoria & Albert Design Archive in London and found the following reference in a James Powell a cash book. My notes are brief, but I think, conclusive.

JP-W Cash book Sept 1886 20 June 1887 3341/383 p86. Langmour & Co, FG 13 Great St Helens EC London. St Matthew’s Church, Prahran Vic. Australia. E window 5 lights & tracery Painted graisaille & quarries alternately, with coloured border. 3 large medallions with texts. Inscription etc. 1- 8.1 x 1.9 = 14.1 76’6″” 75.0.0 LB589 & No 56 27 & 28 Jan 1887 3.2.6 . . 1.1.0 2 export cases, 1 skeleton case 77.14.4 true cost was 81.13.6 less 5% discount.”

The “JP-W” refers to James Powell & Whitefriars stained glass. The designs have obviously been done to complement with the other Ferguson & Urie windows.

The triple light window in the south wall, east end, is by by Ferguson & Urie and was the gift of the church clerk of works, William Harrison, erected during the building of the church in 1878. William Harrison was an architect by profession and a local Prahran Councillor who had represented the rate-payers of Prahran for a period of nine years. A glowing tribute to his memory is unlikely to ever be written though. As a Councillor he was labelled with the unfortunate nickname of โ€œTerrible Billyโ€ [5]. At a church service in St Matthewโ€™s in April 1878 he was the first on the scene to assist the dying Reverend Barnabas Walker who had collapsed during the Sunday service [6] . ย After Harrisonโ€™s electoral defeat in August 1886 his life began its eventual downward slide with effects of acute alcoholism and he eventually lost contact with his friends and family and he slipped into obscurity. A sad, but inevitable set of circumstances saw him eventually buried as an UN-identified โ€˜john-doeโ€™ after being found intoxicated and near death in a local park circa late 1886, but, sadly this was not realised until 1889 [7].

The centre lancet of the Harrison window contains the figure of a character looking like a saint but with no saintly Nimbus. Who it is, is a matter for debate. The character could be male or female and in his/her left hand is the bible and in the right hand is an engineering instrument identified as a โ€œGeophysical Governatorโ€[8] or โ€œCentrifugal governorโ€, which was primarily used to regulate the speed of steam driven equipment or timing devices. The text below the character gives the impression that he maybe St Bennedict, but the lack of Nimbus around his head probably precludes him as any form of saint. The engineering โ€œGovernorโ€ in his hand also adds the extra mystery as to whom the image is supposed to represent. The text below the figure reads:

“ORA ET LABORA“, from the Latin: โ€œPray and Work”, (which is the “Rule of St Bennedict“).

A shield appears at the base of the window with the text:

โ€œTHE GIFT OF WM HARRISON CLERK OF WORKS

AT BUILDING OF THIS CHURCH 1878โ€

Photos taken: 13th November 2011.

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The Argus, Melbourne, Vic, Thursday 12th July 1877, page 5.

โ€œAfter some delay, the new church of St. Matthewโ€™s, in High-street, Prahran, has been commenced. The contractors are Messrs. Rankin and Purvis, whose tender amounts to ยฃ6,150. The church is to be built of bluestone, with Waurn Ponds freestone dressings, and will accommodate 800 persons. It is to be ready for opening next Easter. The bishop of Melbourne is to be asked to lay the stone.โ€

The Argus, Melbourne, Vic, Monday 3rd September 1877, page 6.

โ€œST. MATTHEWโ€™S CHURCH, PRAHRAN.โ€

โ€œThe ceremony of laying the memorial stone of the new St. Matthewโ€™s Episcopal Church, High-street, Prahran, took place on Saturday, in the presence of a large concourse of people. This church has been in existence for the last 25 years, and during that period no fewer than three others have sprung from it, viz, St. Johnโ€™s, Toorak; Christ Church, South Yarra; and All Saintsโ€™, St. Kilda. Singularly enough, however, while the children have enjoyed a large measure of prosperity, and built for themselves structures in keeping with the positions to which they have attained, the mother has hitherto continued in rather humble circumstances. The history of St. Matthewโ€™s Church commenced in the old school-room in Chapel-street, and when the new school-room was erected in High-street, at the rear of the site of the new church, they proceeded thither, and have occupied that building ever since. During the past few years, and especially under the pastorate of the present incumbent, the rev. B.S. Walker, there have been symptoms of fresh vigour amongst the members, as well as a desire and necessity for a larger and more appropriate place of worship. Hence the present undertaking. The church is designed by Messrs. Terry and Oakden, architects, and is in the early decorated Gothic style of the 13th century…โ€

โ€œโ€ฆMr. Black presented Dr. Moorhouse with a silver trowel, bearing the following inscription:- โ€œPresented to the Right Rev. Dr. Moorehouse, Bishop of Melbourne, on the occasion of his laying the memorial stone of St. Matthewโ€™s Church, Prahran, September 1, 1877…โ€

Laying of the foundation Stone of St Mathewโ€™s Church, Prahran, 1st September 1877 (in-line image from Picture Victoria)

The Australasian Sketcher with Pen and Pencil, Saturday 11th May 1878, page 23.

โ€œโ€ฆthe porch containing the main entrance to the nave, and a bold west (or rather south) window of five lights with rich geometric tracery. The side windows โ€“ with the exception of the first window on the east side of the nave, which is a four-light tracery window, elevated in a gable to rise above the gallery โ€“ are plain three-light windows with segmented pointed enclosing archesโ€ฆโ€

The Argus, Melbourne, Vic, Saturday 29th June 1878, page 5.

โ€œOPENING OF ST. MATTHEWโ€™S CHURCH.โ€

The new church of St. Matthew, which is situated in High-street, Prahran, was opened for divine service last night by the Bishop of Melbourne. The church supercedes one that has been in existence for many years near the same site, and it has been erected by the parishioners in consequence of the wooden building formerly occupied having become too small for the wants of the congregation. The building has been completed with the exception of stuccoing and painting inside, and last night it was thoroughly crowded, about 1,000 persons being inside it, although it has been designed to seat only 700โ€ฆโ€

Star, New Zealand, Issue 6470, 13th February 1889, page 3.

โ€œA SENSATION.
EXTRAORDINARY DISAPPEARANCE OF A PROMINENT CITIZEN.
[FROM OUR OWN CORRESPONDENT.]
{Per s.s. Waihora, at the Bluff.)
MELBOURNE
, FEB. 7.โ€
โ€œA sensation has been created at Prahran by a disclosure which last week made concerning the disappearance of a prominent citizen, named William Harrison, who has been missing for a period of two years. Harrison was an ex-Councillor of the city, and always took a keen interest in the public affairs of the district. He was an architect by profession, and his peculiar temperament, coupled with the enthusiasm he at all times displayed on public questions, gained him the title of โ€œTerrible Billy,โ€ and it is under this sobriety that he was generally known by the residents of the municipality. For a period of nine years Mr Harrison represented the ratepayers on the Council Board, and after remaining a private citizen for some years he, during the month of August, 1886, contested another election for a seat, and was defeated. This was probably due to his having given way to excessive drinking in conducting his candidature and it is about this time that he was lost sight of by his friends. A few days after the election he gave his relatives to understand that he purposed visiting Queensland, and since then he was not heard of until a few days ago, when his family connections placed his photograph in the hands of the detective police, who recognised it as the picture of a man who, about two years ago, died in a Melbourne hospital from the effects of drink. Deceased was discovered lying in one of the public gardens in a dying condition, with two brandy bottles at his side. He was never identified, and was buried as an unknown man. The police are fully persuaded that the deceased man was none other than Harrison. His relatives have been greatly distressed at the unfortunate manโ€™s terrible fate.โ€

Excerpt from Prahranย  Conservation Review document, HO126.

โ€œIn May 1982 part of the nave of the church and the south-west corner was destroyed by fire. Some reconstruction was carried out at this time but the original structure of the church was retained. The western transept has been replaced with a bluestone wall with brick quoins finishing the buttresses. An external steel staircase provides access to three levels of offices in this section of the church. The entry on the eastern side of the faรงade, with its ornate shafted jam has a new mirror door. A courtyard is a feature of the recent alterations to the church. The offices which occupy the front section of the church are separated from the rear section by the courtyard which is enclosed by the original nave walls. The rear walls of the church, including sanctuary and vestry are intact.โ€

Footnotes:

[8] Email from Dr. B. D. Hughes 7 Dec 2012.

External links:

Other historical images from Picture Victoria of St Matthew’s, include historical images and from the 1892 fire damage and reconstruction:

http://www.picturevictoria.vic.gov.au/site/stonnington/miscellaneous/11267.html
http://www.picturevictoria.vic.gov.au/site/stonnington/miscellaneous/13183.html
http://www.picturevictoria.vic.gov.au/site/stonnington/miscellaneous/13206.html
http://www.picturevictoria.vic.gov.au/site/stonnington/miscellaneous/13186.html
http://www.picturevictoria.vic.gov.au/site/stonnington/miscellaneous/13188.html
http://www.picturevictoria.vic.gov.au/site/stonnington/miscellaneous/13189.html


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09-01-1885: Elm Street Hall, North Melbourne, Victoria.

The North Melbourne Presbyterian Church was initially founded in 1854 with the first services being conducted in a Blacksmiths shop near the site of the North Melbourne Town Hall. A temporary iron building was first erected for the congregation in Curzon street, and only a few years later a new bluestone church was erected, the foundation of which was laid by Sir Henry Barkly on Friday the 8th of April 1859[1].

In less than twenty years this church was deemed too small for the growing congregation and in the 1870โ€™s plans were afoot to erect a new one. The designs of local Brunswick architect Evander McIver were chosen and the foundation stone for the new Union Memorial Church was laid on the corner of Curzon & Elm Streets North Melbourne by the Hon James MacBain, M.L.A, on the afternoon of Tuesday 14th January 1879[2]. In less than eight months the new Church was completed and was officially opened on Sunday 31st August 1879[3].

At the same time as the new church was to be erected, the old one was dismantled and, using most of the original building material, was re-erected about fifty meters to the rear of the site and would later become known as the Elm Street Hall. In May 1889 the Sabbath School was erected[4] to the rear of the church and the Elm Street Hall.

The Elm Street hall has a series of four single lancet stained glass windows that are a memorial to David Howat (1814-1885), the father[5] of the Sabbath School Superintendent William Howat (1850-1935). William was most likely the one who commissioned Ferguson & Urie to create the memorial windows to his father and itโ€™s possible that these windows may have been originally erected in the Sabbath School at the time of itโ€™s erection in 1889 and later moved to the Elm Street Hall where they exist to this day in the liturgical south wall.

Photos taken: 21st July 2012.

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The four windows are in very poor condition and there are many pieces of modern uncomplimentary glass used to fill the gaps where pieces were broken at various times during their history. Three of the four pieces of text that describe the figurative depictions in each window are missing altogether and the memorial text at the base of each window is also missing a number of pieces. The only memorial text that can be ascertained at the base of each window is:

1.ย  โ€œTO THE GLORY OF GOD AND IN MEMORY OFโ€
Depicts possibly someone as the teacher? A woman or apostle seated with an open book and two children either side. The text below the figure, which may explain the precise depiction, is missing.

2. โ€œ(missing piece) HOWAT (missing piece)โ€
Depicts a child kneeling in prayer at the foot of an apostle? The text below the figure, which may explain the precise depiction, is missing.

3. โ€œWHO DIED 9th JAN 1885 AGED 71โ€.
This window has the well known figurative depiction of Christ as the Good Shepherd. It has the partial text โ€œThe Good Shepherdโ€, holding a lamb in one arm and his crook in the other with sheep at his feet, so I presume the missing word are โ€œI Amโ€ and โ€œTheโ€ to make up โ€œI Am The Good Shepherdโ€.

4. โ€œ(All the memorial text is missing from this window)โ€.
This window appears to have the figurative depiction usually associated with โ€œSuffer Little Children To Come Unto Me.โ€ But, below the figure is the partial text โ€œโ€ฆRemember Now Creatorโ€ฆโ€. This is most likely from Ecclesiastes 12-1 which says โ€œRemember now thy Creator in the days of thy youth, while the evil days come not, nor the years draw nigh, when thou shalt say, I have no pleasure in themโ€.

The windows were a memorial to David Howat, at one time a session clerk of St. Andrew’s Presbyterian Church of Carlton. He was elected in 1872[6] and held office for more than twelve years until his death in 1885. He died at his residence at 180 William-street Melbourne on the 9th of January 1885 [7], in his 71st year. He was buried in the Melbourne General Cemetery on the 12th of January 1885 [8] and many other family members, including his wife Sarah, infant son David, only daughter Mary and son William are buried in the same family plot.

The Union Memorial Sabbath School and William Howat.

North Melbourne Advertiser, Vic, Saturday 18th May 1889, page 3.

โ€œAN INTERESTING CEREMONYโ€
โ€œLast Saturday afternoon a large number of ladies and gentlemen interested in the Sabbath school work, met by invitation to celebrate the opening of the new infant school, erected in connection with the Union Memorial denomination, North Melbourneโ€ฆโ€
โ€œโ€ฆOwing to the energy of their superintendent who had not an equal in the colony โ€“ in fact there was no superintendent like him, his heart and soul were in the glorious work โ€“ they were as a school able to declare the building completed, seated, and opened free of debtโ€ฆโ€

The stained glass windows in the Sabbath School were described in the newspapers as:

โ€œIt is lighted with ornamental cathedral lancet lights of stained glass, which when finally completed will give a softened and effective tone to the interiorโ€ฆโ€

The much revered Superintendent of the Sabbath School was William Howat (1850-1935), the son of David Howat (1814-1885) and Sarah Robertson (1814-1891). He was born in Ayrshire Scotland and arrived in Australia with his parents and elder siblings, George and Mary, aboard the Lady Octavia from Greenock on the 31st December 1855 [9]–[10].

He had been associated with the Y.M.C.A and the Sunday School Union movement from his early 30โ€™s and had for more than 70 years, a long business association with four generations of the wealthy Clarke family of pastoralists[11].

He was first involved with the establishment of a Sabbath School in connection with St Andrewโ€™s Presbyterian Church of Carlton (now zoned in Brunswick) which was opened in August 1884[12] and his efforts in that area made him well qualified to exert himself in the cause for a Sabbath School in North Melbourne.

Apart from being the revered Superintendant of the Union Memorial Sabbath School, William Howat was an avid and eclectic antiques collector and over a 65 year period had amassed an extraordinary collection of books and all manner of curios from all over the world[13]. His love of books also extended to the Sabbath School where he donated the vast majority of the books to its library. At the opening of the Sabbath School in 1889 it was described:

โ€œThe library is a model. It contains some 1800 volumes, mostly the gift the superintendent. The teacherโ€™s library is a collection of the best works extantโ€ฆโ€[14]

William Howat died unmarried on the 1st of August 1935[15], at his home โ€˜Glaisnockโ€™ in William Street West Melbourne aged 85. He left an estate reported to be worth ยฃ9,912[16] and apart from many bequests to relatives and friends, and charitable institutions, he bequeathed a life interest in most of his estate to his housekeeper.

The William Howat collection of books, art, and curios, was put up for auction in November 1935[17] which consisted of over 20,000 volumes of rare old editions and modern works on all branches of literature as well as a collection of native weapons, Chinese artworks and curios[18]. It was described in the papers as โ€œone of the Greatest Sales ever held in Melbourne[19].โ€

Other References:

http://vhd.heritage.vic.gov.au/#detail_places;884

http://www.cv.vic.gov.au/stories/sound-in-space/12225/elm-street-hall-north-melbourne/

Foot notes:

[1] The Argus, Melbourne, Vic, Saturday 9th April 1859, page 5.

[5] Vic Births Deaths & Marriages No: 6681/1935. William Howat, son of David Howat and Sarah Robertson.

[9] Prov.vic.gov.au (Fiche 084 page 002)

Short link to this page: http://wp.me/p28nLD-1sO

ยฉ Copyright

02-10-1871: St George’s Church, Battery Point, Hobart, Tasmania

The foundation stone of St George’s Anglican Church was laid by Governor George Arthur[1] on the 19th October 1836 on land at Battery Point, previously known as ‘Kermodeโ€™s Hill’ that was purchased from William Kermode[2] for a reported ยฃ250.

St Georgeโ€™s has a Georgian facade andย three-tiered bell tower which is quite unusual amongst the predominantly Gothic Architecture of other Hobart Churches.ย  The main body of the church was designed by the Government architect John Lee Archer[3] and the later tower and porch by the convict architect James Blackburn[4].ย ย The church was consecrated in 1838[5] by theย Bishop, Rev William Grant Broughton[6].ย The unusual three tiered bell tower designed by Blackburn is supposedly a copy of the โ€˜Temple of the Winds[7]โ€™ in Athens.

In late 1871, it was reported that a Ferguson & Urie stained glass window was erected in the chancel of St Georgeโ€™s, but the current chancel window, seen as at 2012, does not resemble anything like other known Ferguson & Urie windows. The obscure description given in the tabloids of the time only described it as โ€œneat and un-ostentatiousโ€. That description could easily apply to the window seen in the chancel now, but such an obscure description could broadly apply to anything.

Photos taken: 13th August 2012.

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On the 4th February 2012, the Rev John Langloise from St Georgeโ€™s wrote:

โ€œThe only record I am aware of is in a booklet on the history of the church which records this: Sanctuary Windows: Obtained from Germany in 1871, and said to be unique. It is of very thin German glass with the colours burnt in. The Greek key design surrounds it, and we remember that St. George is the patron saint of Greece. It is 8ยฝ feet (2.59 metres) across at the bottom, and is now backed with plate glass. Please note that all the windows are of the same shape. The window is still there in its original condition, though the colour seems to me to be painted on rather than burnt in, But I am no expert : -)โ€ฆโ€

This throws some confusion into the windows origins. There isn’t any actual evidence to confirm the window as being of “German glass” other than the obscure mention of , โ€œObtained from Germany in 1871,โ€ย  in the church history booklet. There is no source reference given. The mention of the windows as being “the same shape” is probably not quite correct either, as the bottom of the window is probably a good 20cm wider than the top and each of the ten panes on the left and right edge are each slightly smaller as they reach the top of the window.

In two separate instances, in October 1871, the Hobart Mercury reported that a window by Ferguson & Urie โ€œhas just been placed in the chancel of St. George’s Church, Battery Pointโ€. There maybe three likely possibilities that explain this:

  1. Option 1: Possibly the newspaper reports of the time were incorrect.. This has been known to happen, but it seems highly unlikely in this case considering that they actually got the company name correct. There are also no known โ€œletters to the editorโ€ of the time that refute the claim that the makers were not Ferguson & Urie.
  2. Option two: If this is actually German glass, then it must have been installed many years later to replace the 1871 Ferguson & Urie window. How much later is another matter to consider! Between 1871 and 1942 is a reasonable guide.
  3. Option three: I consider this scenario to be the most likely and in fact I’m absolutely convinced of it!
    The original newspaper articles were indeed correct and the window was, as reported, supplied by Ferguson & Urie. I’m sure that the window is a very, very rare example of one of the companies transfers or transparencies on glass[8], of which no others are known to still exist. The transfers were of a similar process to the โ€œGlacierโ€ or “Crystograph” patent window film of which Ferguson & Urie were known to have done en-masse during the 1867 Royal Visit to Melbourne .The likelihood of this is plausible, but its longevity to this point in time is questionable, as any prolonged exposure to light (especially in the case of over a century or more) causes this window film to degrade and โ€˜crazeโ€™ so it looks like thousands of cracks as the window film deteriorates on the surface of the glass. In this case it could be possible as the chancel window is completely internal and doesnโ€™t have any direct exposure to light. The other unusual factor to consider is the complete lack of any lead lines. There are none whatsoever! One of the closeup photos is the best clue as to the windows composition which shows a very distinct trait of a dull greyish film on the glass. An article in 1882 referred to the window as “the mansion staircase window behind the communion table”?

On Christmas day in 1905 an article about the Christmas decorations in St George’s included a short description of the chancel window which describes the designs seen in the window today.

“…The principal decorative feature was the chancel, which, in its simplicity, resembles a tabernacle, across which runs the appropriate line, “The Lord is in this Holy Temple,” the effect being heightened by the lofty oblong window of pale white glass at the back, covered with differently coloured mathematical figures resembling crosses and stars…” [9]

Another unusual aspect of the window is its shape. The article from 1905 describes its shape correctly as an oblong. The frame gives the illusion that the window is a true rectangle but, it is wider at the bottom than at the top, which gives the impression that the window was possibly custom made to fit an opening that may have been the result of a building design flaw, or it was designed that way to give the illusion that it is taller than it really is!

In May 1938[10], the Hobart Mercury included a picture of the chancel of St Georgeโ€™s which, although black and white and poor quality, clearly shows the patterns in the window as seen in 2012.

At the height of WWII, the civil defence regulations placed stringent rules on exposed plate glass windows. Whether these rules applied to the chancel window or not is not known but the church decided to remove the window as a precaution against air raids. In March 1942 the Hobart Mercury included a photo of workmen loading the entire window frame onto a truck with the caption:

“The stained glass windows of St. George’s Church of England are being removed to a safer place as a precaution against possible air raids”[11]

A close inspection of the newspaper picture shows that there are ten panes deep and five wide in the frame of the window, which exactly matches the number of panes seen in the chancel window as at 2012.

The Mercury, Hobart, Monday 2nd October 1871, page 2.

“ST. GEORGE’S, BATTERY POINT. – A neat and un-ostentatious stained glass window manufactured by Messrs. Ferguson, Urie, and Lyon, of Melbourne, has just been placed in the chancel of St. George’s Church, Battery Point. Most of the cost has been collected from the working classes by ladies of the congregation. Yesterday at both morning and evening services collections in aid of the same object were made. …”

The Mercury, Hobart, Tasmania, Saturday 7th October 1871, page 4.

“โ€ฆ Sermons were preached at St. George’s Church, Battery point, on the 21st inst., and collections made to supplement subscriptions (principally) by the working classes for a neat and unostentatious stained glass window, manufactured by Messrs. Ferguson, Urie, and Lyon, of Melbourne, and placed in the chancel of the churchโ€ฆ”

The Mercury, Hobart, TAS, Friday 7th April 1882, page 3.

(About St Georges Church Hobart)

“…But the interior, elegant, well-arranged and admirably lighted, leaves little to be desired, except stained “ecclesiastical: glass to replace the “mansion staircase” window behind the communion table”

Foot notes:

21-08-1876: St Martinโ€™s Church, Muskerry, Victoria.

St Martinโ€™s Catholic Church, known as St Martin of Tours,ย  is located at Muskerry, about 30km North East of Bendigo and 7km South East of Goornong in western Victoria. The foundation stone was laid by the Rev. Dr. Crane the Catholic Bishop of Sandhurst (Bendigo) on the 19th September 1875 [1], and less than a year later the church was consecrated by Rev. Crane on the 20th August 1876 [2]. All the glazing and stained glass was supplied by Ferguson & Urie of North Melbourne.

Unfortunately there doesn’t appear to be any remaining Ferguson & Urie windows in St Martins as they have all been replaced over the course of more than a century with stained glass by artists such as Auguste Fischer (the O’Keefe windows c.1905), and William Montgomery, and the simpler nave windows most likely by E. L. Yencken & Co [3]

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Photos by Ray Brown: Updated 20190208

Bendigo Advertiser, Vic, Monday 21st August 1876, page 3.

โ€œTHE CONSECRATION OF ST. MARTINโ€™S ROMAN CATHOLIC CHURCH, MUSKERRY.โ€

โ€œThe ceremony above referred to took place yesterday, and, the weather being fine, many of our citizens availed themselves of this as an excuse for taking a trip in the country, while adding รฉclat to an event of no everyday occurrence in the neighbourhood of the Campaspeโ€ฆโ€

โ€œโ€ฆActing on the Deanโ€™s suggestions, a committee was formed and an active canvass undertaken, and some twenty months since the foundations of the new church were laid (on the 19th September, 1875). The site โ€“ a magnificent one, well elevated, situated about a half-a-mile from the Clare Inn, and about three acres in extent โ€“ was generously given, free of all cost, by Mr. Ed Cahill. On the day of the laying of the foundation ยฃ104 was collected, and this amount, in conjunction with the free site, encouraged the committee to erect St Martinโ€™s Church, at a cost of ยฃ1,480 7s 1d. The building has, at present, a debt amounting to about 947, which, by yesterdayโ€™s collection, was reduced by close on ยฃ160โ€ฆ.โ€

โ€œThere are circular windows in each gable of ground and stained glass, and all the other windows are glazed with the same material, supplied by Messrs Fergusson [sic] and Urie, of Melbourneโ€ฆโ€

โ€œGreat credit is due to the several contractors for the admirable manner in which they have completed their contracts from the designs and under the superintendence of Mr. J. M. Brady, the architect, of Pall Mall, Sandhurst. The service of consecration was conducted by the Rev. Dr. Crane, Roman Cathlilic Bishop, assisted by the Very Rev. Dean Backhaus and Dr. Revellโ€ฆโ€

21-07-1868: St Paul’s Anglican Cathedral, Myers Street, Bendigo, Victoria

St Paulโ€™s Cathedral in Myers street Bendigo contains a number of original historic stained glass windows by Ferguson & Urie of North Melbourne.

St Paulโ€™s was built as a parish church in 1868 to the designs of the Irish Architect Robert Alexander Love[1], with the contractors being Deague and Cowper[2]. In July 1868 a contract was made with Ferguson & Urie for the supply of the twelve apostle stained glass windows for the nave at a cost of ยฃ250, with a further two smaller windows for the organ lights to be contributed by the company at no cost[3].

As seen in November 2012, two and a half of the original Ferguson & Urie windows in the nave no longer exist. The liturgical south wall still contains six of the original two light windows, each with a small symbol in the apex with the names of the Saints; John, Philip, Paul, Thomas, James the Less, and Simon. On the north wall, only three and a half of the original Ferguson and Urie windows exist. In the apex of each they have the names of the saints; Jude, Matthew, Bartholemew, and James the Great. The two light window with the name of St Bartholemew in the apex has had the right lancet completely replaced with stained glass by โ€œJ. Valstar, โ€˜73โ€. The last two bays of windows, to the right of the St James the Greater window, are complete replacements that were most likely the work of Brooks, Robinson & Co after 1948, and depict St Andrew & St James and dedicated to the Gall family, and St Peter & St John and dedicated to the Williams family.

High above either side of the Myers street entrance are two other smaller Ferguson & Urie windows, possibly being the ones originally described as โ€œthe organ lights,โ€ donated by Ferguson & Urie. These two small windows each depict an angel with a ribbon containing the text โ€œO Sing unto the Lordโ€ (Psalms 96-1) and โ€œSing Praise upon the Harpโ€ (Psalms 147-7). The later, as at 17th November 2012, has the angels face missing completely.

Photos taken: 17th November 2012.

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Each of the original stained glass windows in the nave are typical of the Ferguson & Urie geometric designs from their early period (1860โ€™s-70โ€™s). Each lancet has a central scrolling ribbon with the following scripture contained within each ribbon:

South Wall:- (east to west)

St John: โ€œI HAVE NO GREATER JOY THAN TO HEARโ€ โ€œTHAT MY CHILDREN WALK IN TRUTH, 3. John 1-4โ€

St Philip: โ€œI AM THE LIGHT OF THE WORLD. John 8-12โ€. โ€œSURALY THE LORD IS IN THIS PLACE, John 28-16โ€.

St Paul: โ€œTHE JUST SHALL LIVE BY FAITH, Rom 1-17โ€. โ€œBE NOT WEARY IN WELL DOING, 2. Thes 3-13โ€

St Thomas: โ€œLET THE WICKED FORSAKE HIS WAYS, Is 55-7โ€. โ€œBEAR YE ONE ANOTHERS BURDENS, Corinthians 6-2โ€.

St James ye Less: โ€œPREPARE TO MEET THY GOD, Amos 4-12โ€. โ€œHONOR THE LORD WITH THY SUBSTANCE, Pro 3-9โ€.

St Simon: โ€œGOD IS LOVE, John 4-8โ€. โ€œONE GOD AND FATHER OF ALL, Epns 4-6โ€.

West Wall:- South side:

An Angel carrying a ribbon containing the text, โ€œO SING UNTO THE LORDโ€ (From Psalms 96-1).

West Wall:- North side:

An Angel carrying a ribbon containing the text, โ€œSING PRAISE UPON THE HARPโ€ (From Psalms 147-7).

North Wall:- (west to east)

St Jude: โ€œSTAND FAST IN THE FAITH, 1.Cor 16-13โ€. โ€œWATCH AND PRAY, Matt 26-41โ€.

St Matthew: โ€˜BLESSED ARE THE PURE IN HEART, Matt 5-8โ€. โ€œASK AND IT SHALL BE GIVEN, Matt 7-7โ€.

St Bartholemew: โ€œHOLINESS BECOMETH THINE HOUSE, Ps 93-5โ€. (The right lancet is a complete replacement by โ€œJ. Valstar, โ€˜73โ€)

St James ye Great: โ€œSPEAK NOT EVIL ONE OF ANOTHER, James 4-11โ€. โ€œTO ME TO LIVE IS CHRIST, Phils 1-21โ€.

The last two bays of windows towards the east end are complete replacements depicting St Andrew & St James and dedicated to the Gall family, the other depicts St Peter & St John and dedicated to the Williams family. These were done post 1948 and were most likely the work of the stained glass studio of Brooks, Robinson & Co of Melbourne.

Of the two replacement windows, which two apostle names did they originally have on them? What piece of scripture was written in the ribbons on each lancet? By a process of elimination I can only ascertain that one of them should have been St Andrew. The name of the other apostle would probably be the source of a long argument due to the complexity of who was really who, and at what point in history the existing names in the windows were taken to be apostles, or whether they are technically correct to start with. St Paul’s Church historical minute books may be the only records to confirm  this, as well as what pieces of scripture were written on the missing windows!

Bendigo Advertiser, Vic, Tuesday 21st July 1868, page 2.

โ€œST. PAULโ€™S CHURCH.- The committee of this church met the Bishop of Melbourne yesterday at the church, and after an inspection of the building and plans, the Bishop expressed his great satisfaction at the progress made. An adjournment took place to the Dukeโ€™s room at the Shamrock Hotel, and there a long conversation ensued on matters connected with the church in which it was stated that the building would be completed by November, and that the committee would be able to give a salary of ยฃ500 to a pastor for the first year. The names of several pastors were named, and it was left to the committee to signify to the Bishop upon whom their choice would fall, and he would take the necessary steps for confirming it. The church will be comfortably and handsomely fitted up internally; a contract has been made with Messrs Ferguson, Urie, Lygon[4] [sic], for twelve stained glass windows for ยฃ240, the contributors agreeing to contribute two stained glass windows for the organ lights. Subscriptions have been coming in freely. The committee appear to have been highly gratified at the warm interest taken in their affairs by the Bishop, and it is hoped that when he comes up to open the church, he will also lay the foundation stone of the tower in which the peal of bells are to be hungโ€.

Illustrated Australian News for Home Readers, Saturday 8th August 1868, page 3.

“The committee of St. Paul’s Church, Bendigo, met the Bishop of Melbourne on 21st ult, at the church, and, after an inspection of the building and plans, the Bishop expressed his great satisfaction at the progress made…”

“…a contract has been made with Messrs Ferguson, Urie and Lyon for twelve stained glass windows for ยฃ240, the contributors agreeing to contribute two stained glass windows for the organ lights”

Illustrated Australian News for Home Readers, Monday 19th April 1869, page 101.

“ST. PAUL’S CHURCH, EAST SANDHURST.

We give a view of the new Church of England at Sandhurst, as it will appear when finished, but at present the nave only is completed, and so enclosed next to the transcripts as to enable holding of public worship. The large number of Episcopalians residing in Sandhurst has made this work for some years back a necessity. The portion now completed was opened by the Dean of Melbourne for public worship last November, and is capable of accommodating over 350, and the whole is designed to seat 800. From the Sandhurst Evening News of 5th November 1868, we take the following description of this really excellent structure:- “We find an interior that will bear favorable comparison with any in the colonies as far as now finished, and we question if there is an open timbered roof out of Britain which surpasses the one here, spanning from wall to wall in graceful cuspings, at once light, strong, and elegant. The windows, twelve in number, are filled with elegant stained glass, each having an apolostic emblem, with a variety of monograms and quotations from scripture on freely executed scrolls, in the finest harmony and taste, and were executed by Messrs Ferguson, Urie and Lyon, of Melbourne. The Style adopted is the lancet-pointed or Gothic of so-called transition period, – though from “Norman” to “Tudor” we fancy it was transition throughout – and when the designer’s intention is fully developed we are satisfied it will place him on a footing not to be disputed . The ventilation of the building is on an entirely new plan, by the architect, R. A. Lowe[5] [sic], as the air is admitted high up by tubular walls and ornamental gratings, which have their reception openings in the bare externally, regulated by a metal air damp in the quantity of air admitted according to the season. We wish the trustees and their architect high success in the further carrying out of this sacred edifice. Messrs Deague and Cowper are the contractors”.

 Foot notes:

02-12-1871: Holy Trinity Anglican Church, Stawell, Victoria.

A two light Ferguson & Urie stained glass window exists in the nave of Holy Trinity Anglican Church at Stawell in western Victoria. The window depicts St Peter & St. Paul and is dedicated to the memory of William Henry Pettett (1814-1871), M.L.C, J.P. The memorial text on the window reads:

“THY ETERNAL GOD IS THY REFUGE AND UNDERNEATH ARE THE EVERLASTING ARMS Deut’n 33d: 27th” (Deutronomy, Ch-33, Verse-27)

“IN MEMORY OF THE HON W. H. PETTETT MLC WHO ARRIVED IN THIS COLONY IN 1837 AND DIED 3rd DECEMBER 1871 AGED 56 YEARS”.

Photos taken: 12th June 2011.

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William Henry Pettett, M.L.C, J.P, was born in Greenwich, London, 4th September 1814. He arrived in Van Diemens Land in 1832 and in 1837 moved to Victoria where he managed property for W. J. T. Clarke[1] at Dowling Forrest, between 1838-1842, and then the James Hodgkinson run known as โ€œMaiden Hillsโ€ in 1848[2].

In June 1847, he had a minor altercation in relation to a breach of the customs act regarding the stated value of thirteen horses he was to pay duties on and was subsequently fined ยฃ10. [3]

His first wife Caroline (nee Taylor) died at their residence in Lonsdale street on the 11th of October 1854[4] aged 27, (three children), he then married Emily Ruddle in St Markโ€™s Church, Collingwood, on the 28th of June 1855[5] (ten children).

In 1863 he was elected Mayor [6] of Hawthorn for a twelve month period and in October 1864, he soundly defeated Thomas Herbert Power M.L.Cย  for the seat of the Southern Province[7] by a completely unpredicted margin of 615 to Powerโ€™s 388 votes[8].

By mid-1871 his political activities were being hampered by his declining health. He drew up his last will and testament on the 23rd of June 1871[9] and died five months later on the 2nd December 1871 at his property โ€œWarra Warra[10]โ€ station near Stawell in Western Victoria, aged 56[11]. He left an estate valued at ยฃ12,709.

The memorial date on the stained glass window indicates his date of death as the 3rd of December 1871. Newspaper reports of the time, his probate documents, and the family gravestone at Stawell have this recorded as the 2nd December 1871.

The Argus, Melbourne, Vic, Monday 4th December 1871, page 5.

โ€œNews of the death of the Hon. William Henry Pettett, M.L.C., one of the members for the Southern Province, reached town on Saturday. Mr. Pettett had been ailing for some time past, and on that account had not taken an active part in political affairs. During the last three months of the late session he was absent from the Council on leave. Mr. Pettettโ€™s connexion with the colony dates from an early period. The following reference is made to him in Mr. Witherโ€™s โ€˜History of Ballaratโ€™: โ€œMessrs. Pettett and Francis in 1838 (as managers for W. H. T. Clarke) took up the country at Dowling Forest, so called after Mrs. Clarkeโ€™s maiden name. Shortly after they had settled there Mr. Francis was killed by one of his own men with a spear-blade at one of the stations on the run. Before Mr. Pettett took up the Dowling Forest run he was living at the Little River, and a native chief named Balliang offered to show him the country about Lal Lal.โ€ Mr. Pettett was elected a member of the Legislative Council in October, 1864.[12]โ€

The Argus, Melbourne, Vic, Monday 4th December 1871, page 4.

โ€œPETTETT.- On the 2nd inst, at Warra Warra, Hon. W. H. Pettett, M.L.C., aged 57 years.โ€

Foot notes:

[9] Vic Probate file 9/523, W.H. Pettett. 1871.

17-04-1867: St Paulโ€™s Anglican Church, Latrobe Terrace, Geelong, Victoria.

St Paulโ€™s Anglican Church in Latrobe Terrace, Geelong has a two light Ferguson & Urie stained glass window dedicated to the memory of Frederick & Emma Hawkes who perished in the wreck of the ‘Jane Elizabeth’ off the coast of Tasmania in 1867.

The window depicts Christ as the Saviour of the doomed, appearing at the scene of the wreck of the ‘Jane Elizabeth’. It has the memorial text:

“IN MEMORY OF FREDERICK HAWKES AGED 35 YEARS AND HIS WIFE EMMA AGED 30 YEARS WHO WERE LOST AT SEA APRIL 17, 1867”.

Photos taken: 18th December 2010.

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[View larger images]

On the afternoon of the 17th of April 1867 the schooner, โ€˜Jane Elizabethโ€™, left the Circular Head wharf for Launceston at half-past 1 oโ€™clock with a light westerly wind [1]. Later in the evening the ship was seen just off โ€˜Table Cape”. The wind had changed to west norโ€™-west and soon reached a gale. Amongst the passengers were the Geelong couple, Frederick Hawkes and his wife Emma (nee Horwood) who had only eighteen months earlier married in London.[2]

The following day some wreckage from the Jane Elizabeth was found near Tamar Heads, amongst which, was a broken case with a shirt marked โ€œF. Hawkesโ€ and a ladyโ€™s handkerchief marked โ€œE. Horwood.โ€[3]

These were the only remaining identifying items of the couple.

No survivors or bodies were ever found.

The stained glass memorial window depicting St Peter and St Paul was erected in St Paul’s by Thomas Hawkes, who was Frederick’s brother and also a member of the Geelong hardware an Iron Mongers firm โ€œHawkes Bros” [4], to whom Frederick also belonged.

Significant transcriptions:

The Cornwall Chronicle, Launceston, Tas, Wednesday 24th April 1867, page 3.

โ€œThe following telegram was received from the Tamar Heads at one oโ€™clock yesterday. Messrs. J. H. and B. H. Stutterd of table Cape report the following list of crew and passengers per โ€œJane Elizabeth.โ€ Crew โ€“ Mr. Andrew Soresson, (master and owner); Seamen โ€“ Miller, and cook known as George. Passengers from Table Cape โ€“ Frederick Hawkes, aged 32; Emma Hawkes, age 30; Charlotte Rebecca Stutterd, aged 16. From Circular Head โ€“ One man from the wrecked schooner Rose Ann, Constable Shanassy and Michael Dempsey a prisoner.โ€

The Argus, Melbourne, Vic, Friday 26th April 1867, page 5.

โ€œIt is believed at Geelong that there is great reason to fear that Mr. and Mrs. Frederick Hawkes of that town, were amongst the passengers of the schooner Jane Elizabeth, which is supposed to have been lost during the recent gales on the passage from Circular Head to Launceston.

The Cornwall Chronicle, Launceston, Tas, Wednesday 1st May 1867, page 5.

โ€œThe Melbourne Age says โ€“ There is some reason to fear that Mr. and Mrs. Frederick Hawkes, of Geelong, were amongst the passengers of the schooner Jane Elizabeth, which is supposed to have been lost during recent gales, on her passage from Circular Head to Launceston. Ten days ago, as we learn from the โ€˜Advertiser,โ€™ Mr. Thomas Hawkes received a letter from his brother, who was then staying at Circular Head with his wifeโ€™s uncle, Mr. Stutterd, to the effect that there were no other means of reaching Launceston to catch the steamer than by making a journey across the country which would have to be done on horseback, and would occupy six days, or to go round in the schooner, and that he would come by the latter route, if the weather was fine. Among other articles found on the beach was a pocket-book, evidently belonging to young Mrs. Stutterd, Mr. Hawkes cousin. From subsequent accounts, it would appear that the rumoured loss of Mr. and Mrs. Frederick Hawkes is only too true. This young couple had not been long from England, and were very happy and prosperous in Geelong.โ€

The Argus, Melbourne, Vic, Wednesday 1st May 1867, page 4.

โ€œHAWKES.- Lost at sea, on the 17th ult., by the wreck of the schooner Jane and Elizabeth, Frederick Hawkes, of the firm of Hawkes Brothers, of Geelong, aged thirty-five. Also, at the same time, his wife Emma, daughter of the late Henry Horwood, Esq., London, aged thirty. Both sincerely regretted by a large circle of friends.โ€

Geelong Advertiser, Vic, Tuesday 18th February 1868, page 3.

ST. PAUL’S CHURCH, GEELONG.

This church has during the last week received an addition to its treasures in the form of a handsome stained glass window, placed in the north aisle opposite to the reading-desk, the work of Messrs Ferguson and Urie of Melbourne. This window represents the figures of St Paul and St Peter, both life size – St Paul habited in a dark tunic and holding the double headed sword of the Spirit in his hand; his more delicate features (drawn from reliable authority), seeming to indicate tenderness of feeling and depth of thought. St Peter, a more ordinary figure, according to the usual tradition. with the keys of the Church in his hand. Over their heads an angel is holding a scroll with these words upon it, “Praise ye the Lord.” Below is the inscription of the window;- “Erected by the brethren of the Masonic Order and Geelong Volunteer Fire Brigade and other friends, in affectionate remembrance of Thomas Thompson, who died march 20, 1887, aged 35 years.” Immediately above the inscription are the emblems of the Masonic Order and the initials of the Geelong Volunteer Fire Brigade.ย ย  It is in contemplation to complete the series of windows in the church, numbering twenty-four loghts. The subjects are to represent the rest of the Apostles, and scenes from Scripture alternately.ย  At the present time Messrs Ferguson and Urie are executing a window to be erected in Memory of Mr and Mrs Frederick Hawkes, who perished last year by drowining on the coast of Tasmania.”

Geelong Advertiser, Vic, Saturday 25th April 1868, page 3.

“ST. PAUL’S CHURCH.

Sometime ago we gave our readers a description of the “Thompson Memorial Window” which has been placed in this church by the friends, of the deceased. Another window has, been placed by the side of this- to the memory of Mr and Mrs Frederic Hawkes, who perished at sea, off the coast of Tasmania, about this time last year, a disastrous event which was generally so much deplored. In looking at the window we are much struck with the appropriateness of the design, as well as the manner of its execution. The window is divided into two lights; in the eastern light there is an illustration of the narrative of the “Walking on the sea,” as given by St. Matthew, in his Gospel, (chapter 14, verses 22โ€”33). The artist has thrown into St. Peter’s face an expression of terror as he feels himself sinking, and as we view the figure of the Saviour laying hold of the doubting disciple with His left hand, while he has the forefinger of His right hand erect, we feel that the illustration brings out the idea of the sacred wordsโ€””And immediately Jesus stretched forth His hand, and caught him, and said unto him, ‘Oh thou of little faith, wherefore didst thou doubt?” In this light, of course, the chief figures are those of the Saviourโ€” which is 3 ยฝ feet in lengthโ€”and that of St. Peter, but in the distance can be seen the boat which St. Peter has just left, and three men, brother disciples, in charge of it. In the western light there is an artistic description of the miraculous “Stilling of the Tempest,” founded on the narrative of St. Matthew (chap. 8, vers. 23โ€”28). The expression of the sleeping Christ in the fishing boat, weary with the toils of the day, is well given, and the fear in the hearts of the disciples, and the possible consequences resulting from the “great tempest in the sea,” may be read from the marked expression of their countenances while we can well imagine their earnest words, “Lord save us, we perish.” At the top of these two lights is an angel with outstretched wings, holding a, scroll with the divine inscription, “The sea gave up the dead.” The filling up is good in design, and the colours harmonise well throughout. There are twelve figures in all in this window, with floral decorations. At the base of the window is the following inscription:โ€”” In memory of Frederic Hawkes, aged 35 years, and his wife Emma, aged 30 years, who were lost at sea, April 17,1867.” – This window has been placed in this church by Mr Thomas Hawkes, of this town, as a small tribute of brotherly affection for the many estimable qualities they both possessed.”

Note: The Thompson memorial window described in the first part of the report is included in another article which can be seen [here]

Related posts:

14-02-1868: The Thomas Thompson window at St Paulโ€™s Anglican Church, Latrobe Terrace, Geelong.

Foot notes:

 


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1895: Apsley House, Armadale, Melbourne, Victoria.

Apsley House in Armadale contains a magnificent Ferguson & Urie stained glass window in the stairwell. The window depicts the Patron Saint of England, St George, on horseback and in full armour, slaying the legendary dragon. Below the figure of St George is the โ€œOrder of the Garterโ€ with the Latin text โ€œHoni soit qui mal y pense” (loosely translated to โ€œShame on him who thinks evil of itโ€). [1] Conservation work on the window was completed in 2012 by Bruce Hutton of Almond Glass, Oakleigh [2].

Photos taken: 10th November 2012.

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An early colonial owner of Apsley house in the 1890s was the accountant William Crellin, who was the founding member, and first president of the Incorporated Institute of Accountants (the IIAV, now known as CPA[3] Australia).

William Crellin arrived in Australia in the 1850s and married Margaret Anne Fisher in Melbourne in 1856[4]. They began their family in Brunswick, first residing at โ€œParkside-Cottage,โ€ [5] and later at 24 Peel-street, Windsor[6]. Between 1857 and 1870 they had seven children but only three boys, William, John, and Edward, survived to adulthood and all followed in their fatherโ€™s footsteps to become accountants with William and John in their own business partnership[7].

During Crellinโ€™s residency in Brunswick, he was both the council secretary[8] and auditor[9] and on the 8th of March 1870, J. W. Fleming, the Brunswick Mayor, declared that William Crellin was the only candidate nominated to fill a council vacancy created by the resignation of Councillor Thomas Clarke, and was subsequently elected to fill the vacancy[10], a position which he held until his resignation in March 1872 [11]

William Crellin lived and breathed his profession as an accountant and took great pride in his mathematical abilities. On numerous occasions, he felt the necessity to prove a point and was quite prolific at submitting โ€œletters to the editorโ€ of the tabloids, where he would refute the dubious calculations and claims of others in matters of accountancy. Apart from his role as the president of the IIAV, he held many positions among which were; Honorary Auditor to the Alfred Hospital [12], Honorary Treasurer of the Australian Health Society [13], and Secretary of the Australian Fresh Meat Company [14] and many other voluntary and paid positions. He had business premises at 46 Elizabeth street Melbourne and was regularly appointed as the trustee in many insolvency cases[15].

William Crellin died on Sunday the 17th of February 1895 at โ€œApsleyโ€ house in his 74th year [16]. He left an estate valued at ยฃ3,763 [17] which he left entirely to his wife Margaret.

Itโ€™s not known if William Crellin was the original owner of โ€œApsleyโ€, or whether it was he who had commissioned Ferguson & Urie to create the St. George stained glass window. Crellinโ€™s probate documents filed in March 1895 indicate that he was โ€œformerly of “Lansmere,” Alma Road St Kilda in the colony of Victoria but late of “Apsley” Malvern Road Armadale,”[18] ย indicating that he had possibly not resided in โ€œApsleyโ€ very long before his death in February 1895.

One of his sons, William Langdon Crellin, took up residence in โ€œApsleyโ€ after his wedding to Maggie Wauchope in September 1896 [19].

William Crellinโ€™s wife, Margaret died on the 4th Oct 1915 in her 89th year [20]. They are both buried in the St Kilda Cemetery [21].

Circa 1915, โ€œApsleyโ€ house was then used exclusively as โ€œNurse Thomasโ€™sโ€ Private Nursing Home [22].

In 1925 โ€œApsleyโ€ was either owned or resided in, by the actor Arthur Styan, famous for his roles as โ€œthe mustache-twirling villainโ€[23] who had a 25-year career as a stage actor until his death on Christmas day in 1925 [24].

ย In 1947 a Mrs Clarice Evelyn Herring resided at Apsley [25].


[3] โ€œCertified Practicing Accountantsโ€.

[4] Vic BDM: 2899/1856 Marriage; William Crellin & Margaret Anne Fisher.

[14] Vic Probate Record File: 106/177 in the estate of William Crellin 27th Mar 1895.

[18] Vic Probate Record File: 106/177 in the estate of William Crellin 27th Mar 1895.

[21] St Kilda Cemetery, Independent Monumental, Compartment A, Grave 9A.

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03-09-1869: St Johnโ€™s Anglican Church, Heathcote, Victoria.

St John’s Anglican Church at Heathcote was constructed by local builders Flee and Bell to the design of Bendigo based architects Vahland & Getzschmann.

The foundation stone was laid by Bishop Charles Perry[1] on the afternoon of Monday the 11th May 1868[2] and officially opened for services on the 3rd October 1869[3]. Nearly twenty years later, Bishop, James Moorhouse[4] consecrated the church on the evening of the 14th August 1889[5].

The three light east and west end stained glass windows are of geometric designs with Passion Flower and Fleur-de-lis patterns and were made by Ferguson & Urie of North Melbourne. The newspaper report of the opening ceremony of the church in 1869 referred to the company as โ€œfamous throughout the colonies for skill and designs in this particular artโ€.

Photos taken: 26th December 2010.

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McIvor Times & Rodney Advertiser, Heathcote, Vic, Friday 3rd September 1869, page 2.

โ€œTHE OPENING OF THE NEW EPISCOPALIAN CHURCH.

[COMMUNICATED]โ€

โ€œThis neat edifice will be opened for Divine service by the Bishop of Melbourne on Sunday, 3rd October (assisted by one or two clergymen), who will preach both morning and evening. The choir have been very active in practicing some new chants and anthems for the occasions, which will add to the solemnity of the services materially. A building of this nature has for years past been greatly needed by the members of that body, and that now erected, when properly furnished, will seat 250 persons comfortably, and although it has cost more time and money to bring it to its present condition than was at first anticipated, yet both the work and material used is of the first quality, and would stand the test of the closest inspection. The coloured windows are from the glassworks of Messrs. Ferguson, Urie, and Lyon, of Curzon Street, Melbourne, which firm is now become famous throughout the colonies for skill and designs in this particular art. The building is roofed with best Bangor slates, and altogether it may be considered and ornament to the town. A polished cedar altar rail and reading desk, which are being constructed, will add to the rich effect of the whole of the interior. A font, carved in New Zealand free stone, will also shortly be added. The bell is the gift of Messrs Christie and Spinksโ€.

The Ballarat Star, Vic, Tuesday 7th September 1869, page 2.

“The McIvor Times gives an account of the new Episcopalian Church in that locality. It will seat 250 persons comfortably. The colored windows are from the glassworks of Messrs Ferguson, Urie, and Lyon, of Curzon street, Melbourne, which firm has now become famous throughout the colonies for skill and designs in this particular art. The building is roofed with best Bangor slates, andย  altogether it maybe considered an ornament to the town, A polished cedar altar rail and reading desk, which are being constructed, will add to the rich effect of the whole of the interior. A font, carved in New Zealand freestone, will also shortly be added. The bell is the gift of Messrs Christie and Spinks”.

Footnotes:

24-10-1866: Guide to the Intercolonial Exhibition of 1866, Melbourne, Victoria.

The Ferguson & Urie stained glass company displayed examples of their workmanship at many exhibitions over a forty year period from 1853.

The 1866 exhibition stands out as the most unique in the company history as being the one that gave them their greatest exposure on the eastern side of Australia and even into New Zealand.

An entire “Medieval Court” was constructed at the 1866 exhibition which included a detailed reconstruction of a church chancel decorated by Ferguson & Urie which was complete with stained glass windows. The idea for the medieval court was based on Augustus Welby Pugin’s Medieval Court, which was first shown at London’s International Exhibition of 1851 and then at the Crystal Palace, Sydenham, between 1852 and 1866. This medieval court reconstruction at the 1866 Melbourne exhibition was the first of its kind seen in the Australian colony and drew and extraordinary crowd.

The most remarkable of the historical artifacts in the medieval court were Ferguson & Urie’s set of five single light stained glass windows depicting the Nativity, Passion, Crucifixion, Resurrection and Ascension. After the exhibition these windows were installed in the chancel of Christ Church at Casterton in Western Victoria and are still in place to this day, although there is a small mysterious anomaly as the the order the windows were installed!

“GUIDE TO THE INTERCOLONIAL EXHIBITION OF 1866”.

“THE MAIN HALL”.

โ€œON entering this hall from Latrobe-street, visitors who put themselves under our guidance will find, by turning immediately to the left before arriving at the fur trophy, which faces them, that they have come upon perhaps the last thing one might expect to encounter in an exhibition of the products and manufactures of a new colony โ€“ to wit, a Mediaeval Court, the whole of the decorations and contents of which are the work of two Melbourne houses, the one that of Mr. John Young, contractor, and the other that of Messrs. Ferguson, Urie and Lyon, glass-stainers, &c. The excellence of this court consists not more in the beauty of the various articles it contains than in the admirable tone of all the decorations, giving to the place that โ€œdim, religious lightโ€ befitting the character it assumes. The stained-glass windows let into the partitions surrounding the court are mainly instrumental in producing this effect. The court is filled with statuary, fonts, and elaborately-ornamented wrought-iron articles, suitable for mediaeval church purposes. One of the statues represents the Madonna and Child; others personify St. John, St. Thomas, and St. Theresa. Attached to the walls near the roof are several of the quaintly-carved figures which catch the eye in old churches. These are intended for St. Patrickโ€™s Cathedral, now in course of erection on the Eastern Hill. To complete the ingenious effect of this court as a complete work of art, Messrs. Ferguson, Urie and Lyon have constructed at the side opposite the entrance a recess representing an early English chancel, the decorations of which are most complete. The furniture of the chancel consists of an altar table, an illuminated oil painting of the last Supper, and illuminated tablets of the commandments, creed, and Lordโ€™s Prayer. The light admitted to the chancel pours through five stained-glass windows, representing respectively the nativity, Passion, Crucifixion, Resurrection, and Ascension. These are designed for the Episcopalian Church at Casterton. The walls are also artistically decorated, and altogether this chancel, with the court leading to it, make up one of the most remarkable objects of the Exhibitionโ€.

Related posts: 10-06-1867 > 25-10-1865 > 03-11-1866 > 20-12-1866


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14-02-1868: St Paulโ€™s, Latrobe Terrace, Geelong, Victoria.

The Thomas Thompson memorial window, erected in St Paul’s Church of England, Geelong,ย  on Friday 14th February 1868.

St Paul’s was erected in Latrobe Terrace at Geelong between 1850-1855. The church was built in the early English Gothic-style to the design of architect, Charles Laing. Local architects, Snell and Kawerau (1853) and later Snell and Prowse (1855), were responsible for its completion and architect Leonard Terry designed the square tower which was extended in 1865.

On the Friday 14th February 1868 a two light Ferguson & Urie stained glass window was erected in St Paul’s Church of England in Latrobe Street Geelong. The window was erected to the memory of Thomas Thompson, a local Geelong Oil & Colour merchant and respected foreman of the Geelong Volunteer Fire Brigade.

The window depicts St Paul and St Peter and has the memorial text at the base which reads:

“IN AFFECTIONATE REMEMBRANCE OF THOMAS THOMPSON WHO DIED FEB 24th 1867 AGED 35 YEARS. ERECTED BY THE BRETHREN OF THE MASONIC ORDER. THE G.V.F.B AND OTHER FRIENDS”.

Also below the saints are small roundels which have, beneath St Paul, the lettters ‘GG’ (Greater Geelong) and the Masonic symbol of the compass imposed over an open book. Beneath St Peter are the letters ‘GVFB’ (Geelong Volunteer Fire Brigade) and the Masonic symbol of the compass with a five pointed star (Pentagram) in the centre.

Photos taken: 18th December 2010.

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Geelong Advertiser, Vic, Saturday 15th February 1868, page 2.

“The memorial window in memory of Mr Thomas Thompson, late foremen of the Geelong Fire Brigade, was yesterday placed in St. Paul’s Church, on the left hand side of the reading desk, looking to the chancel. This handsome memorial has been supplied from subscriptions from the friends of the late Mr Thompson, and from the Fire Brigade.”

Geelong Advertiser, Vic, Tuesday 18th February 1868, page 3.

ST. PAUL’S CHURCH, GEELONG.

This church has during the last week received an addition to its treasures in the form of a handsome stained glass window, placed in the north aisle oppsite to the reading-desk, the work of Messrs Ferguson and Urie of Melbourne. This window represents the figures of St Paul and St Peter, both life size – St Paul habited in a dark tunic and holding the double headed sword of the Spirit in his hand; his more delicate features (drawn from reliable authority), seeming to indicate tenderness of feeling and depth of thought. St Peter, a more ordinary figure, according to the usual tradition. with the keys of the Church in his hand. Over their heads an angel is holding a scroll with these words upon it, “Praise ye the Lord.” Below is the inscription of the window;- “Erected by the brethren of the Masonic Order and Geelong Volunteer Fire Brigade and other friends, in affectionate remembrance of Thomas Thompson, who died march 20, 1887, aged 35 years.” Immediately above the inscription are the emblems of the Masonic Order and the initials of the Geelong Volunteer Fire Brigade. It is in contemplation to complete the series of windows in the church, numbering twenty-four lIghts. The subjects are to represent the rest of the Apostles, and scenes from Scripture alternately. At the present time Messrs Ferguson and Urie are executing a window to be erected in Memory of Mr and Mrs Frederick Hawkes, who perished last year by drowning on the coast of Tasmania.”

Note: The windows mentioned as to the memory of Mr & Mrs Frederick Hawkes is included in a different article and can be seen [here]

Other significant transcriptions:

The Argus, Melbourne, Vic, Monday 25th February 1867, page 4.

โ€œTHOMPSON.- On the 24th inst., at Clare-street, Geelong, Thomas Thompson, oil and colour merchant, aged thirty-five years”.

The Argus, Melbourne, Vic, Monday 25th February 1867, page 5.

โ€œMr. Thomas Thompson, for many years foreman of the fire brigade in Geelong, and respected by all classes there, died somewhat suddenly yesterday morning”.

The Ballarat Star, Vic, Tuesday 26th February 1867, page 2.

“Mr Thomas Thompson, for many years foreman of the Fire Brigade in Geelong, and respected by all classes there, died somewhat suddely on Sunday morning. During Monday, the flags of the Ballarat fire brigades were lowered to half-staff high in reference to Mr Thompson’s demise.”

Geelong Advertiser, Vic, Friday 17th May 1867, page 2.

“The sum of 20 has been subscribed by the brethren of the Masonic Order towards the Memorial Window proposed to be erected in St Paul’s Church to the memory of the late Thomas Thompson, and last night at the meeting of the Fire Brigade a motion was carried recommending the managing committee of the reserve fund to devote ยฃ10 to the same purpose. The window is not expected to cost more than ยฃ50, so that these two amounts make more than half towards the total sum.”

Gippsland Times, Vic, Tuesday 21st May 1867, page 3.

โ€œThat there is considerable esprit de corps among our volunteer firemen has never been doubted, and another illustration of this fact occurs in the proposal of the Geelong Volunteer Fire Brigade to erect a memorial window in St. Paulโ€™s Church to the memory of their late foreman, Mr. Thompson, an old and much respected member of the company. Fifty pounds is spoken of as the maximum of the cost of the proposed work.โ€

The Ballarat Star, Vic, Monday 17th February 1868, page 2.

“Saturday’s Adertiser states – “The memorial window in memory of Mr. T. Thompson, late foreman of the Geelong Fire Brigade, was yesterday placed in St. Paul’s Church on the left-hand side of the reading desk looking to the chancel. This handsome memorial has been supplied from subscriptions from the friends of the late Mr Thompson, and from the Fire Brigade.”

Related posts:

17-04-1867: The Hawkes memorial window, St Paulโ€™s Anglican Church, Latrobe Terrace, Geelong, Victoria.

27-07-1885: St Paulโ€™s Pro Cathedral, Flinders St, Melbourne, Victoria.

Stained glass windows were, and still are, extremely expensive to make and in the case where an historical old building is eventually demolished, its reasonable to expect that any significant stained glass windows will most likely find a new home in a new church, mansion or museum. Following and investigating this trail of the historic stained glass over more than a century is a challenge and in this case, presents an interesting story in photographic evidence which I think is amazing.

The history of the Flinders street site of St Paul’s church in Melbourne dates back as far as 1836, but the first bluestone church was not consecrated until 1852. It remained a parish church during the time when the St James’s Church was known as the first Melbourne ‘Cathedral’. St Paulโ€™s was later known as the Pro-Cathedral, until it was demolished in 1885 to officially make way for the construction of the present Cathedral on the corner of Flinders and Swanston streets in Melbourne. The old church was known to have contained many Ferguson & Urie stained glass windows, one of which was the ‘Prince Consort’ window described in the historical article below. The window was not donated to the โ€œWorking Mens Collegeโ€ as intimated in the article, but eventually found its home in St Johnโ€™s Anglican Church at Sorrento in 1889. The window was restored by the Geoffrey Wallace stained glass studio in 2012. Two other single light windows from the old St. Paul’s, depicted ‘St Peter’ and ‘St Paul’, and these were donated to St Paul’s Anglican Church in Warragul, Gippsland, in September 1889 (this church was re-erected in 1908). The window indicated as being a memorial to the wife of the Rev. Canon Chase, and the other โ€œdecorativeโ€ windows described, have not yet been located.

Photos taken: 25th September 2010 to 2012.

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The Australasian Sketcher with Pen and Pencil, Melbourne, Monday 27th July 1885, page 115.

โ€œOLD MELBOURNE.
REMOVAL OF ST. PAULโ€™S PRO-CATHEDRALโ€.

โ€œST. PAULโ€™S PRO-CATHEDRAL., which is being pulled down to make room for the new cathedral, has an interesting history. It was the third church built in Melbourne, St. Jamesโ€™s and St. Peterโ€™s being the other two older edifices, and the date of itโ€™s inception takes us back to the early days of the colonyโ€ฆโ€
โ€œโ€ฆThe window in the chancel is a beautiful work of art, illustrative of the ancestry and life of the Prince Consort. The design has been most carefully studied, and every detail is in harmony with and descriptive of some national emblems or traits of Prince Albert, and only that the chancel is in an unsuitable place to disclose the beauties of the window, it would have been far more noted and prized than it is. The window was at first intended to be the gift of the public, and one of the lady members of St. Paulโ€™s Church collected ยฃ50 towards paying for it, but the Rev. Canon Chase at that stage presented the window, and at his request the subscriptions were devoted to the general building fund. Now that the church is being pulled down, the Building Committee have placed the window at the disposal of the donor, as the subjects of the windows of the new cathedral have already been chosen; and the Rev. Canon Chase is willing to present his gift to the Working Menโ€™s College, which it is thought it would most appropriately adorn, considering how actively the Prince Consort exerted himself in the cause of social progress. The other memorial window at the east end of the north aisle was erected by the Sunday School of St. Paulโ€™s Church as a mournful token of the esteem in which the wife of the incumbent, the Rev. Canon Chase, was held. There are also decorative windows in the galleries which would have been spared if the ephemeral nature of the career of the church could have foreseen, but no doubt other parishes will be eager to acquire them and replace them in their mullions, which are to be carefully preservedโ€ฆโ€

In September 1885 the Church of England Messenger gave the best detailed description of the window I have yet encountered!

The Church of England messenger and Ecclesiastical Gazette for the Diocese of Melbourne and Ballarat, Vic, Wednesday 9th September 1885, page 3.

“THE memorial window recently removed from St. Paul’s Church, Melbourne, and designed to have a place in the new Cathedral, may be regarded as an interesting link between the Royal family of England and one of the most distant portions of the empire. Perhaps in future ages, when Australian federation is an accomplished fact, this record of a good prince, erected sixteen years after his death, may stimulate Australian potentates to a wise and beneficial exercise of power. The incumbent (Rev. Canon Chase) had long desired to honour the memory of the late Prince Consort by such a memorial, but had not found an opportunity of carrying out his wish until the year 1877, when the church was renovated and refurnished. The design is of a chaste simplicity, elegant in itself, and harmonious to the subject. Its working out evidences not only a cultivated taste, but a loving respect which spared no pains to make the work fitting and worthy. It is significant that this loyal testimony has been borne in the most democratic city of the Southern Hemisphere. Whilst viewing the memorial of the sweet psalmist of Israel, it is not unlikely that the prince Consort’s skill as a musician will be also pleasingly called to mind, and the two kings, Hozekia and Josiah, the great reformers of Israel’s race, will set the mind on meditation on the dark ages of the Christian era and the recovery of light by the labours of reformers, among whom was found prominent the ancestors of Albert the Good. This memento of the late Prince Consort may be some day regarded as a proof of loyalty amongst us in the early days of the colony; and it is worthy of remembrance that upon the decease of Prince Leopold the Government furnished the State-schools with tablets drawing the minds of the young to the excellences of the Queen’s youngest son. The window is thus described:-
The middle portion of the window is filled by three crowned figures under canopies. The central king holds a sceptre. Above his head is an inscription, “Oh, Lord, in Thee have I trusted.” Beneath his feet, “Hezekiah Rex.” The Royal figures on his right and left hand hold respectively a harp and the book of the law. The inscriptions above them are, “Praise the Lord” and “In Thy law is my delight.” Beneath them, “David Rex,” “Josiah Rex.” The upper portion of the window is divided (in the middle) into four small compartments, containing the emblems of England (lion), Scotland (crown held by lion), Wales (three feathers), Ireland (harp). An oval on either side displays a cherub holding a scroll lettered in black on white band, “When the righteous are in authority the people rejoyce.” The lower portion beneath the kings has three large compartments. That in the centre displays the arms of the late Prince Consort resting on those of the Queen. On the right the lion of England, in gold on crimson; on the left the unicorn, in silver on crimson. At the foot of the window, lettered in White (medieval) on black ground, the following- In memory of His Royal Highness, Francis Albert Augustus Charles Emmanuel, Prince Consort. Duke of Saxe-Coburg and Gotha. Born August, 1819. Married February, 1840. Died Dec., 1861.
Beneath the window is a broad brass inscribed in old English, “Fear God; Honour the king.”

At the 1866-67 Melbourne Intercolonial Exhibition, the design for the Prince Consort window was presented by Ferguson & Urie as an exhibit. The article mentions that the window was intended for St Peters which is incorrect and should obviously have said St Paul’s.

The Ballarat Star, Vic, Thursday 10th January 1867, page 3.

“…Some beautiful patterns for stained-glass windows are exhibited by Messrs Ferguson and Urie, who have also sent in a design for a memorial to the Prince Consort, in the shape of a stained-glass window, proposed to be erected in St Peter’s [sic] Church, Melbourne…”

Related posts:

1889: St John’s Sorrento
03-09-1889: St Paulโ€™s Warragul.
23-07-1883: St Jamesโ€™s Old Cathedral, Melbourne.

External Links:

History of St Paulโ€™s Cathedral

Restoration/Conservation:

The Prince Consort window, now at Sorrento, underwent restoration and conservation work by Geoffrey Wallace stained glass studio in 2012.


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27-04-1874: Christ Church, Anglican, Acland Street, St Kilda, Victoria.

Christ Church in St Kilda has many historical stained glass windows created by Ferguson & Urie. One of the most historically significant is the single light memorial window dedicated to the Nicholson brothers, who died within a month of each other in 1874, under different circumstances, and a world apart.

Miles and William Dalzell Nicholson were the second and third sonโ€™s of the Hon. William Nicholson, M.L.A [1], who in the 1850โ€™s held the positions of Lord Mayor of Melbourne and Premier of Victoria. Miles died in England on the 27th of April 1874 (circumstances unknown) [2] and his younger brother William died in the tragic wreck of the โ€˜British Admiralโ€™ off King Island on the 23rd of May 1874 [3].

Many conflicting, or overly embellished, accounts of the final moments of the British Admiral were published after the disaster in many tabloids of the time, and although not directly stated or acknowledged, one account shows William Nicholsonโ€™s selflessness in denying his own chance to be saved, instead remaining to comfort some scared children with him on the deck of the ill-fated ship, until they were all swept overboard [4].

Photos taken: 11th February 2011.

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The Nicholson family commissioned Ferguson & Urie to create the stained glass window to the memory of Miles and William and it was erected in Christ Church St Kilda in the north transept . The central depiction in the window is “The Rising of Lazarus from the Dead”. A roundel above depicts the anchor, (the symbol of hope), intertwined with the Passion Flower. The lower panel in the window has an intricately painted roundel depicting the storm and shipwreck of the ‘British Admiral’, which is almost certainly to have been painted by the firms senior artist, David Relph Drape. The memorial inscription at the base of the window reads:

“In memory of Miles Nicholson died 27th April 1874 Aged 28. William Dalzell Nicholson, drowned in the wreck of the British Admiral 23rd May 1874 Aged 25“.

As at 2012, the window is observed in Christ Church in a perilous state of condition, having many cracks in the glass, and desperately requiring professional restoration.

In addition to the stained glass memorial there is a marble monument on King Island that stands amongst the sand dunes erected over the grave [5] of William Dalzell Nicholson, near the site where the wreck occurred.

The marble monument reads:

โ€œTO THE MEMORY OF WILLIAM DALZELL NICHOLSON THIRD SON OF THE HON. Wm NICHOLSON WHO ALONG WITH 78 OTHERS PERISHED IN THE WRECK OF THE “BRITISH ADMIRAL” 23 May 1874 AGED 25 YEARS. TO LIVE IN THE HEARTS WE LEAVE BEHIND IS NOT TO DIEโ€.

Australian Town and Country Journal, NSW, Saturday 6th June 1874, page 34.

โ€œWRECK OF THE SHIP BRITISH ADMIRALโ€

โ€œThe recent disasters that have occurred to ships during their passages to Australia and especially Melbourne, culminated last week in the total ship loss of the British Admiral, and the whole of the crew and passengers, except nineโ€ฆโ€

โ€œJoseph Cunningham, one of the crew, states that a strong westerly wind was blowing during the night, and Captain Taylor was on deck, expecting every moment to sight Cape Otway. The vessel was then under easy sail, and the passengers all below, there not being the slightest apprehension of danger. About 3 oโ€™clock the man on the lookout shouted, โ€œland ahead,โ€ and it was soon discovered that the ship was standing right on to Kingโ€™s Island. The watch turned out, and the captain gave the order to โ€œlet go the spanker sheet, and to wear the vessel round on the other tack.โ€ This was no sooner accomplished than the lookout man again shouted โ€œbreakers ahead.โ€ In a short time the vessel struck. She was then about six miles from land. The captain at once gave the order to clear the boats and call up the passengers. A heartrending scene ensued. The unfortunate people, with nothing on them but their night clothes, came rushing up from below, terror stricken, expecting the vessel to sink every moment. The sea washed clean over the ship, which laboured dreadfully, bumping and grinding against the reef. Cunningham, the second mate, and three or four others cut away one of the boats and jumped in, and succeeded in pushing her off clear of the doomed ship. There were in the boat, along with Cunningham, baker, the second mate; Oโ€™Grady, passengerโ€™ Jones, seaman; Arthur Wellesley, seaman; W. Tyrer, and a boy named James Dutton. Oโ€™Grady had been in the mizzen rigging, and, seeing the boat pass near the side of the ship he let go of his hold, and fortunately dropped into herโ€ฆโ€

โ€œโ€ฆWhen Oโ€™Grady was about to jump into the boat he saw W. Nicholson, with a number of children beside him, crying for help. Mr. Nicholson was asked to leap into the boat, but he declined, saying he would stay by the youngstersโ€ฆโ€

โ€œโ€ฆJohn Harold, one of the steerage passengers, stated that, being able to swim well, he jumped off the side of the ship, and swam some distance, in the hope of being able to seize on a piece of floating timber. He had been swimming for about ten minutes when he came across a piece of wood about four feet long and one inch in thickness. He placed his arms across this and floated on it for a while, in quite an exhausted condition. A hen coop, which bore Mr. Nicholson, came close to him on the top of a wave, and Harold left the piece of wood and took hold of the opposite side of the hen coop to Nicholson. The extra weight caused the coop to roll, and both men were submerged soon after by a large sea. Harold then let go his hold, and reached a large plank not far distant, when Nicholson followed him. In the darkness of the night he did not observe, until he got on the plank, that a steerage passenger named Keys had already hold of the plank. He and Keys occupied each end of the plank, while Nicholson had hold of the centre. The last named became so exhausted that he said, โ€œOh, Harold, I am going.โ€ Harold told him to keep up his courage, as he was sure land could not be far away. A wave came and swept Nicholson off the plank, but he managed to get hold of Haroldโ€™s leg, which he held for some time, when the latter implored him to release his grasp. Nicholson released his hold and regained the plank, after sinking once or twice, but he was so weak that in a few minutes he dropped off the plank and disappeared in the gloomโ€ฆโ€

There were only nine survivors of the wreck, being:-

โ€œL. Oโ€™Grady, cabin passengerโ€™ Chas. McEwan, third mate; John Harold, passenger; Thomas Jones, seaman; David Keys, passenger; Joseph Cunningham, seaman; David Baker, seaman; Frank Wagardo, seaman; Alex Davidson, seamanโ€.

The morning Bulletin, Rockhampton, QLD, Friday 2nd December 1887, page 6.

โ€œโ€ฆKing Island has been the scene of a terrible number of ship wrecks and the remains of these are to be seen all round the coast. On the southern side stands a marble monument erected by the late Hon. William Nicholson to the memory of his son who was lost with 78 others in the “British Admiral” which foundered there in 1874. There is much of interest derived from the trip of the naturalists and there is no doubt that they have made most of the opportunity offered to them. November 24, 1887โ€.

Kalgoorlie Western Argus, WA, Tuesday 12th January 1909, page 2.

THE ISLAND OF WRECKS.
MONUMENT OF A THOUSAND DEATHS.
THE TOLL OF THE SEA
(By Donald Macdonald, in the โ€œArgus.โ€)

โ€œโ€ฆLast of all the great island disasters โ€“ and next to the Nera and Cataraque โ€“ the saddest tragedy amongst them was the loss of the British Admiral, at a point now known as Admiral Bay, a couple of miles south of Currie Harbour, She was a new ship, and, like so many others, she clung to the last moment to the favouring trade winds, overran her safe easting, mistook the Wickham for the Otway light, and smashed into the same pitiless rocks. Of 88 people on board of her only nine were saved, the same number that escaped from the Cataraque. The disaster was the more pitiable because a great many of the crew, having landed on an outlying sandbank, mistook it for the mainland, which they could easily have reached at low tide. Before morning the rising tide and the heavy back wash swept them away. A headstone sent down from Melbourne by a Mr. Nicholson[6] in memory of his son, who was amongst the lost, and thoughtfully erected by the island hunters, marks the of the wreck, where, with fat Jersey cattle grazing in the paddocks, one walks now knee-deep in yellow trefoil. The black oyster catcher wails upon black headlands, and out yonder in the encompassing kelp the hermit crab nests in dreamless heads. As the years go on, and the fatal north end of King Island is cleared of its scrubs for settlement, bones that have bleached there for half a century or so will be exposed. The sea has taken a toll of 1003 lives upon this one island from over 30 wrecks, yet the graves are very fewโ€ฆโ€

Related posts:

04-06-1870: Christ Church, Acland Street, St Kilda, Melbourne, Victoria.

Foot notes:


[1] Australian Dictionary of Biography: William Nicholson M.L.A (1816-1865)

[2] The Argus, Melbourne, Vic, Tuesday 30th June 1874, page 1.
โ€œNICHOLSON.- On the 27th April, at Silicroft, Cumberland, England, Miles Nicholson, second son of the late Hon. Wm. Nicholson, aged 28โ€.

[3] The Argus, Melbourne, Vic, Thursday 4th June 1874, page 1.
โ€œNICHOLSON.- On the 23rd ult., drowned in the wreck of the British Admiral, on Kingโ€™s Island, William Dalzell Nicholson, third son of the late Hon. Wm. Nicholson, aged 25โ€.

[6] This is not possible as William Nicholson M.L.A died in 1865. The donor was more likely to have been the remaining brother, George Albert Nicholson.

Other References and accounts:

The Western Australian Times, Perth, WA, Friday 3rd July 1874. Page 3.

The Australasian Sketcher with Pen and Pencil, Melbourne, Vic, Saturday 13th June 1874, page 38.

The Australasian Sketcher with Pen and Pencil, Melbourne, Vic, Saturday 11th July 1874, page 58


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1916: John Lamb Lyon, Stained Glass Artist, (1836-1916)

John Lamb Lyon (1835-1916) played an instrumental role in the early success of the Melbourne stained glass firm Ferguson & Urie.

Photos courtesy of John Lyon, Western Australia, 13th September 2012. Painting of Elizabeth aboard the ‘Great Britain’ 13th Feb 1872 courtesy of Phil & Lisa, England, 8th Jan 2015.

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Born in Scotland on the 14th February 1836, to James Lyon and Janet Thorburn, he was apprenticed to the Glasgow stained glass firm of David Kier and then John Cairney & Co and later worked with the London firm of Ward & Hughes for a period of six years.

On the 23rd June 1857 John married Jane Clarke who died childless the following year.

On the 3rd of December 1860 he married Elizabeth Gillespie Pearson and less than a week later they departed Liverpool for Australia aboard the ‘Donald McKay’ on the 9th December 1860. On theย 12th March 1861 the ship arrived in Port Phillip Heads, Melbourne, but due to an outbreak of smallpox on-board all passengers and crew were detained at the Port Nepean Quarantine station for fourteen days. The run of bad luck continued when a fresh outbreak occurred in quarantine which forced the Governor., Sir Henry Barkly, to extend the quarantine for another fourteen days from the 18th March 1861. They were officially cleared from quarantine on the 5th April 1861.

John and Elizabeth headed to the goldfields town of Maldon in central Victoria where his parents, James and Janet, had earlier set up as storekeepers.

John’s first known Colonial work in stained glass in Australia was recorded in the Argus of 2nd September 1861:

ย โ€œ…Amongst the contributions which Tarrengower will forward to the forthcoming Exhibition will be a stained-glass window, in the Early English style, the work of Mr. John Lyon, of Maldon…โ€ [1]

The Melbourne Exhibition list of awards published on the 7th December 1861 includes an โ€œHonourable mentionโ€ for a โ€œDesign for Stained Glassโ€. In the same category at the exhibition, the firm of Ferguson & Urie also received an honourable mention for โ€œOrnamental glazingโ€.

ย โ€œ…In 1861, Mr. Lyon joined the firm of Ferguson and Urie, Melbourne. Their commencement was on a very primitive scale. They made their own colours and acid, and fired the glass in a colonial camp oven. They, however, soon got properly going, and produced good work under the firm name of Ferguson, Urie and Lyon…โ€ [2]

John’s encounter with James Ferguson and James Urie at the 1861 exhibition would have to the catalyst for him joining the firm, but some prior persuasion may have come from the English artist David Relph Drape, who had been enticed to Australia by James Ferguson as early as 1858. Their first attempt to start the stained glass business had failed due to the gold rush labour shortage and Drape coincidentally ended up living at Maldon at the same time as Lyon.

In March 1862 the first article appeared mentioning Lyon being engaged as an artist with Ferguson & Urie.[3] He was then officially the firms first stained glass artist. Drape returned from Maldon to join Ferguson & Urie on the 8th of November 1863.

โ€œโ€ฆMessrs. Ferguson and Co, have engaged the services of a competent artist in this difficult and useful art. Mr Lyon, to whom we refer, has not long been in the colony, and has had a lengthened experience in his profession at home and judging from the specimens of his talent now to be seen at Messrs. Ferguson and Urie’s, we should suppose that those who require this description of decoration will find no difficulty in future in carrying out their designsโ€ฆโ€ [4]

At the Melbourne exhibition [5] in late October 1866, the firm was now mentioned as โ€œFerguson, Urie, and Lyonโ€, being the earliest indication he was now a partner in the firm. In February 1867 newspaper advertisements for the company began to include Lyon in the company name.

Between 1870 and 1872 the Lyon family returned to the UK, departing aboard the โ€œGeorge Thompsonโ€ onย Tuesday 15th Mar 1870 for London and returning to Australia aboard the “Great Britain” which departed Liverpool 17th December 1871 and arrived in Hobsonโ€™s Bay, Melbourne on 21st February 1872.

During the return voyage to Australia John completed a portrait of his wife Elizabeth dated 13th February 1872. This painting still exists 143 years later and was purchased by a family at Kingston Upon Hull, UK, circa 1985 and they are still the caretakers of this historical piece of art to this day.

During Lyonโ€™s partnership with Ferguson & Urie he had an active part in the design and execution of many of Melbourneโ€™s finest examples of Colonial stained glass work, some notable works include:

Many other examples of stained glass by Ferguson, Urie, and Lyon can be found all over Victoria, Tasmania, South Australia and rare examples in New South Wales, Queensland, and New Zealand.

In 1873, after just over ten years with Ferguson & Urie, Lyon left the partnership and on the 27th of August he sold [8] his house and contents at Dudley Street, North Melbourne in preparation for his move to Sydney. On the 29th of August a notice was published in the Victorian Government Gazette [9] advising of his official dissolution of the partnership with the firm. Lyon then took up partnership with an old friend, and former fellow apprentice, Daniel Cottier, to become “Lyon, Cottier & Co” in Pitt Street Sydney.

During Lyonโ€™s time with Ferguson & Urie he received many accolades and awards for his work and this continued with him at the helm of Lyon, Cottier & Co during which time he traveled overseas on many occasions, visiting New York, Britain and Europe in his quest for the latest trends in the craft.

The Catholic Press, NSW, Thursday 26th November 1908, page 24.

โ€œAN HISTORIC FIRM OF GLASS STAINERSโ€

โ€œMr. John Lamb Lyon, the head of the well known firm of Lyon, Cottier and Co., glass stainers and decorators of 179 Liverpool street, city, has just returned from a six monthsโ€™ trip to Europe, and comes back full of new ideas, which will no doubt be seen later in many of our Catholic churches. Whilst in England he had the pleasure of hearing encomiums of his window in the Franco-British Exhibition, in which the King in his Coronation robes was the leading subject, and for which the firm received a gold medal. Their window in the New Zealand Exhibition secured a similar honour. This could hardly be surprising to Australians who have had the pleasure of viewing their fin artistic works in the Lismore Cathedral, and in so many of the churches of New South Wales. In Braidwood, Tenterfield, Murrumburrah, Newcastle, Waratah, and other towns, Catholic edifices are adorned by some of Lyon and Cottierโ€™s handsome specimens of the stainerโ€™s art, and in the houses of the Governor-General, the State Governor and the Admiral, the tasteful coats of arms stand as evidence of the artistic workmanship of this historic firm, which has been established for over 40 years, and has no fear of being outrivalled by the stainers and decorators of Europe. All the work is executed in Sydney and on the premises at Liverpool-street visitors will find much to delight the eye, whilst the connoisseur will find criticism silenced.โ€

He continued an active role in Lyon & Cottier until circa 1914 and maintained an interest in his painting until his death.

John Lamb Lyon died at his Balmain home on the 14th of June 1916 and was buried at the Waverley cemetery [10]. He was survived by his wife, three sons and three daughters.

Related posts:

02-09-1861: Tarrengower Victoria. John Lamb Lyon stained glass.

External links:

Australian Dictionary of Biography – John Lamb Lyon

The stained glass in Lyon’s Birchgrove home in Sydney c.1884

Footnotes:

[1] The Argus, Melbourne, Monday 2nd September 1861, page 5.

[2] The Australasian Decorator and Painter, August 1st, 1909.

[3] The Mercury, Hobart, Wednesday 26th March 1862, page 3

[4] The Mercury, Hobart, Wednesday 26th March 1862, page 3.

[6] The Argus, Melbourne, Thursday 22 September 1870, page 6.

[8] The Argus, Melbourne, Wednesday 27th August 1873, page 2.

[9] Victorian Government Gazette, Friday 29th August 1873, No: 64, page 1553.

[10] Martha Rutledge, ‘Lyon, John Lamb (1835 – 1916), Australian Dictionary of Biography, Volume 10, Melbourne University Press, 1986, pp 182-183


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1876: Werribee Park Mansion, Werribee, Victoria.

Werribee Park Mansion was built for the Scottish brothers, Andrew (1818-1890) and Thomas Chirnside (1815-1887) [1] between 1874 and 1876 to the designs of Colquhoun and Fox [2].

โ€œโ€ฆthe contractor for the building. Mr. P. Colquhoun โ€“ has been the chief designer, assisted by Mr. Fox, architect, and by the Messrs. Chirnside themselvesโ€ฆโ€ [3]

The most striking features of the mansion are the large acid etched picture windows, in, and surrounding the stairwell which was the work of the colonial Victorian stained glass firm, Ferguson & Urie (1853โ€1899) of North Melbourne[4].

Photos taken: 20th October 2012.

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In October 1876 the Mansion was reported to be nearing completion and an extremely detailed account of the architecture, decorations and embellishments was reported in the Bacchus Marsh Express. On the windows it reported:

โ€œโ€ฆAt the end of the staircase hall there is an immense window, for which Messrs. Fergusson [sic] & Urie are making a quantity of embossed glass, portions of which will contain large figures of St. Andrew and St. Georgeโ€ฆโ€ [5]

The St. Andrew and St. George windows appear on the bottom floor flanking the first flight of stairs. Beneath the St George window is the Latin Motto โ€œHONI SOIT QUI MAL Y PENSEโ€, a French phrase meaning “Shamed be he who thinks evil of it”. On the opposite side of the stairs is the St. Andrew window, and beneath is the Motto โ€œNEMO ME IMPUNE LACESSAT,โ€ meaning ‘No one attacks me with impunity’ or ‘No one can harm me unpunishedโ€™. Interestingly, the exact same cartoon used for the St. George window was also used for the full colour stained glass stairwell window extant in the Tolarno Hotel in St Kilda.

The centrepiece window of the Chirnsideโ€™s mansion is in the stairwell. The window contains an intricate reproduction of the famous 1869 wildlife painting of โ€œRed Deer at Chillinghamโ€ by Sir Edwin Landseer (1802โ€1873). It depicts a majestic stag in full profile with a deer and faun in the foreground, intricately acid etched into a single pane of glass of nearly five feet in height. Surrounding the central picture are twelve smaller panels depicting game that can be hunted in each month of the year. โ€œโ€ฆeach representing the class of game obtainable here and in the old countryโ€ฆโ€ [6]

These smaller panels make up the wide outer border with each โ€œclass of gameโ€ alternately separated by a panel of floral designs with birds. At the apex of the window appear the initials of Andrew and Thomas Chirnside as an interwoven logo of the letters โ€œATCโ€. Near the base of the window is the interwoven numbers of the year โ€œ1876โ€, the year the mansion was completed. Flanking the main window are two smaller arched windows. On the left is Britannia, wearing a medieval helmet and carrying the trident, and on the right side is depicted Victoria. Many other acid etched windows appear throughout the mansion.

โ€œโ€ฆthe embossed glass, for instance, being extremely rich, and freely employedโ€ฆโ€ [7]

Various designs appears in doorways and fanlights and the conservatory includes a large cycle of windows from floor to ceiling depicting flowers in vases adorned with birds and other floral designs and an intricate bowl of fruit in a roundel above.

The concept and designs for the windows at Werribee Park began circa midโ€1875, at the time when the Ferguson & Urie stained glass windows for Sir William Clarkeโ€™s mansion โ€œRupertswoodโ€ at Sunbury were in course of erection.

โ€œโ€ฆMessrs. Chirnside are also adopting stained glass decorations; and if the design submitted be approved of, they will have โ€œThe twelve months of the year,โ€ each representing the class of game obtainable here and in the old country, have made an elegant border. Many sketches, all in colors, some lay, others ecclesiastical, are to be seen in the establishment of Messrs. Fergusson [sic] and Urie, the bulk of which have been accepted and executed.- Ageโ€ [8]

It appears that Ferguson & Urieโ€™s ideas and sketches were to be adopted as described in the historic newspaper articles, although not as expected in traditional full coloured stained glass. Although the company displayed full colour designs of the windows at their workshops in Curzon Street North Melbourne, the entire cycle of windows for the Chirnsideโ€™s mansion was eventually created in acid etched glass with no coloured stained glass whatsoever. This cycle of windows currently represents the single largest collection of acid etched windows known to have been created by the firm. Other smaller examples of the same kind of work by the company are extant at Mandeville Hall in Toorak (Flora & Pomona, in the doors to the conservatory, c.1878) and the entrance doors to the Deaf Children Australia building erected on St Kilda Road in 1866.

Above the sandstone eagle in a banner above the entrance to Werribee Mansion, and also in gold painted plaster in the vestibule, are the latin words “FAC AUT MORERE” which translates to “To do or Die”. The latter part of the saying dictated the next few years of Chirnside history.

WERRIBEE PARK MANSION 99d

After a long illness, and believing himself bankrupt, Thomas Chirnside shot himself in the laundry of the mansion on the 25th June 1887 [9]. After a lengthy illness, Andrew Chirnside died at his daughters residence at Irrewarra near Colac on the 30th of April 1890 [10].

Six years after Andrewโ€™s death, his widow, Mary (nee Begby), commissioned Ferguson & Urie to create a memorial stained glass window for the Presbyterian Church at Werribee [11]. The Chirnsideโ€™s were liberal donors to the church and Thomas had originally donated the land for it. The three light chancel window was eventually erected in 1896 and depicts โ€œThe Last Supperโ€ which, whether by design or coincidence, includes the characters St. Thomas and St. Andrew amongst the apostles portrayed in the window.

Mary Chirnside died at Colac aged 80 on the 4th of March 1908 [12]. A report published in the Bacchus Marsh Express [13] stated that she had died at Dr. Brownโ€™s private hospital at Colac as a result of blood poisoning from an earlier knee injury.

By 1922 there was no Chirnside family involvement in the mansion and it was subsequently used as a Catholic Seminary until the Victorian Government acquired it in 1973 and is now managed as a tourist attraction by Parks Victoria.

The Bacchus Marsh Express, Vic, Saturday 14th October 1876, page 2.

โ€œThe mansion for Messrs. T. and A. Chirnside, which has been in course of erection for them upon their Werribee park estate, Wyndham, since February, 1874, is now nearly completed, the only work remaining to be done being the fixing of a few mantelpieces, a portion of the grand staircase, and some flagging of the arcade fronting the ground floor of the building. We have given occasional notices of this mansion during the course of its erection, and our readers may probably recollect that it is built of Barrabool freestone principally, so far as the ornamental work is concerned, and of bluestone in the rear portions. The quantity of dressed stonework is immense, an has added very much to the cost of the building and the time occupied in erecting it, and in this stonework lies the great beauty of the building, for nothing can equal the rich grandeur of cut stone, unless it be polished marble. The style of architecture adopted is Ionic, and the general appearance of he building is, so far as one word can convey an idea of it, stately. It will be a pity if an illustration of it is not given in one of the Melbourne illustrated papers, for, in our opinion, it is one of the few buildings in the colony which an architect can look upon with pleasure, especially one who prefers the solid beauties of the old orders of architecture to the more foreign-looking adaptions of the present day, known as Venetian-Gothic, &c. The house consists of a main building, facing the east, with about 100 feet frontage, by the same depth, and two stories high, with a basement beneath and a tower 80 feet high at the main entrance. All round the building and arcade is carried, composed of beautifully-proportioned freestone arches supporting a balcony fronted with the usual Ionic balustrade and cornices, and giving a promenade of 300 feet by 11 feet wide, a promenade of the same dimensions existing below, of course, in the arcade. The balcony is laid with Mintonโ€™s encaustic tiles, of elaborate pattern, showing seven colours. Ample and very ingenious provision is made for carrying off the rain water, which flows into a filter in the courtyard, whence it is taken to an immense 40,000 gallons tank, from which it can b pumped to five cisterns placed somewhere in the various roofs of the mansion, and possessing altogether a capacity of 5,000 gallons. Each cistern is provided with a gauge showing its contents, and visible from the central courtyard between the two wings which flank the main building. This courtyard is 40 feet by 80 feet, and could be used for a ballroom by laying down a floor in sections and covering it with an awning. The wings are about 80 feet by 30 feet, and in addition to these, and the main building, there are a billiard room 30 feet by 22 feet and a conservatory 30 feet by 14 feet, besides a number of substantial out-buildings. Returning to the arcade and balcony, it should be mentioned that the ceiling of the arcade is beautifully panelled and painted, and the floor or promenade is laid with Malmsbury rubbed flagging down the centre, with dove and white marble slabs at each side. The tower is of useful proportions, being 14 feet square as high as the roof of the mansion, and the two stories above are 12 feet square. This tower is a work of sculpture more than of masonry, and reflects very great credit indeed upon the artist (Mr. Samuel Peters) who has put so much beautiful work into it. One feature is specially noticeable โ€“ namely, the bunches of grapes and vine leave, which stand out from the stone as naturally as though hanging pendent from a vine. Over the main entrance the escutcheon of the Chirnsides is cut out, showing a hawk upon a shield, and the motto โ€œFacaut Morereโ€ (Do or Die!) beneath. This device also appears on each side of the entrance hall, in a portion of the cornice, and upon the centre of the very handsome white marble mantelpiece in the drawing room. From the principal doorway a hall 15 feet by 30 feet and 17 feet high is entered, profusely ornamented with cement work executed by Mr. Mackennal, and to be further embellished with stagsโ€™ heads, statues, and hall furniture. The whole of this hall, with a staircase hall beyond, 30 feet by 19 feet, is floored with Mintonโ€™s tiles of elaborate and handsomely illuminated pattern, which contrasts well with the snowy whiteness of the cement work of the walls. The doorways hereabout are all massively panelled in polished blackwood, with what are known as pyramid headings, supported on trusses. The staircase hall contains, of course, the grand staircase, which is of polished blackwood, 6 feet 6 inches wide in the central portion, and turning to the right and left to the first floor in 6 feet wide portions. The handrail, and iron-work beneath, are, as may be conjectured, a prominent feature in this part of he house. At the end of the staircase hall there is an immense window, for which Messrs. Fergusson [sic] & Urie are making a quantity of embossed glass, portions of which will contain large figures of St. Andrew and St. George. The portions of the building upon the first floor corresponding with the two halls below will form a picture gallery and museum, and are beautifully ornamented in cement work. In fact wherever the eye rests costly and yet severely chaste decorations are to be seen, and among them some exquisite Corinthian pillars and cornices. Niches have been left for statues, and nothing seems to have been overlooked to add a stately elegance to the general effect, without anything obtrusively gaudy, the embossed glass, for instance, being extremely rich, and freely employed. The domed ceiling to the tower at this floor is beautifully proportioned and embellished. Double doors from it give access to the balcony. To describe the 50 or 60 rooms in the house, exclusive of the basement cellars, would make these remarks too lengthy, although a description of each would show that all contain some special feature reflecting credit upon those who had the designing of them, and here we may say that the contractor for the building 0 Mr. P. Colquhoun โ€“ has been the chief designer, assisted by Mr. Fox, architect, and by the Messrs. Chirnside themselves. The dining room and the drawing room are both on the ground floor, and are each 30 feet by 22 feet, exclusive of bay windows 6 feet deep, and of grand proportions and decorations. These rooms have elaborately moulded cornices, and marble mantelpieces of special design. Next to the dining room, and forming part of it if need be, is the breakfast room, 24 feet by 18 feet 6 inches. The passages connecting these rooms with the butlerโ€™s department are very conveniently arranged, and several folding doors are provided to shut off the series of kitchen apartments (which are on a lower level) from the principal ground floor. In the same way separate suites of apartments are provided up-stairs for night and day nurseries. All the floors below stairs are laid with 3 inch Oregon boards, forming an exceedingly smooth and firm flooring. Upstairs 2 ยฝ inch Kauri boards have been used. In several of the principal rooms a 20 inch border has been laid down in polished rosewood and oak parquetry work, which has a noble appearance. All the passages in the house are 6 feet wide and 12 feet high, so that abundant ventilation is given even by this means and there is an appearance of roominess everywhere which is most gratifying, none of the rooms being less than 11 feet high, and the principal ones are 18 feet high. The baths in various parts of the house are most complete, and very numerous, the servants being provided with two. The principal baths are fitted with electric bells, of which there are thirty four altogether, and two speaking tubes. In one of the storeys of the tower there is a smoking room, and upon the top of the tower a 25 feet kauri pine flagstaff is erected, sheathed with copper, to act as a lightening conductor. The staircase in the tower, and the provision made for closing in the head of the stairway, are details which have been attended to with more than ordinary care for the comfort of persons ascending the tower, and for the protection of the building. From the top of the tower a fine view of Melbourne can be obtained, also of the bay, and the various ranges to the west and north. The grounds surrounding the building are at present being brought into cultivation as ornamental shrubbery, &c., by Mr. Webley, the gardener, who has a difficult task, as the soil is poor and the surface is almost dead level. Thirty acres have been laid off for present operations, and the design includes a small lake in the south-eastern corner. A sunk fence will divide the ornamental grounds from the rest of the estate, and a handsome lodge will be erected at the end of the principal carriage drive. Provision has been made for lighting the whole house with gas, which will have to be made somewhere adjacent. The cost of the building alone is estimated at ยฃ40,000, and of course a very large sum will be required for properly furnishing it, and improving the grounds surrounding it. We think the Messrs. Chirnside deserve commendation for having spent so much money and time in erecting a building which has given profitable employment for a long time to nearly every branch of he building industry in the colony, and the maintenance of which cannot fail to cause a large annual expenditure. They are frequently abused for being wealthy, as though it were a crime, but they have shown in a variety of ways that they desire to make their wealth of considerable benefit to individuals other than themselves, and to the colony at large, and especially to the neighbourhood in which they have made for themselves a home of such princely proportionsโ€.

Conservation work:

Both sidelights to the front entry door at the mansion are the reproduction artwork of Bruce Hutton of Almond Glass based on the originalย  designs from the smashed originals in 2012 (The hydrofluoric immersion was conducted in Sydney).
(re: email, Bruce Hutton & Ray Brown 10th April 2013)

Related posts:

1875: Rupertswood Mansion, Sunbury, Victoria.
31-10-1878: Mandeville Hall, Toorak, Victoria.
23-05-1896: Presbyterian Church, Werribee, Victoria.

Other related links:

An album of my recent sepia photos of Werribee Mansion.

Footnotes:

[1] Biography: Andrew Spencer Chirnside (1818-1890) & Thomas Chirnside (1815-1887).

[2] London born and Hamilton based architect and designer, James Henry Fox. He also designed Holy Trinity Church at Coleraine which also has F&U windows.

10-03-1883: St John’s Church, Ballan, Victoria.

The Bacchus Marsh Express, Vic, Saturday 10th March 1883, page 3.

โ€œBALLAN.

(FROM OUR OWN CORRESPONDENT)”

“THE stained glass window in memory of the late Mrs. Ocock has been put in St. John’s church. It is small but very handsome. It represents on one side the figure of the Good Shepherd, holding a lamb in his arms, and on the other, the figure of St. John the Evanjelist. The inscription under the former is “I am the Good Shepherd,” and under the latter “Little children love one another,” and below these “In memoriam, Rebecca Ocock, died 23rd August 1882.” The whole is most tasteful and handsome, and is executed in Ferguson & Urie’s well known style. The window was presented by the relations and connections of the deceased ladyโ€.

Photos dated: 10th April 2011.

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St Johnโ€™s Anglican Church is located in Simpson Street Ballan. Tenders for the erection of the Leonard Terry designed church were advertised in March 1860 [1] . Mrs Juliet Vivian Lyon (nee Anderson) laid the foundation stone in 1861 and the church was completed in early 1862 [2]. In March 1883 Ferguson & Urie erected a two light memorial window to the memory of Rebecca Mary Ocock [3] who died at Ballan on the 23rd of August 1882 in her 79th year. She was the wife of well known[4] and respected Ballan Solicitor Richard Ocock who died eleven months after her at Bungeeltap-house, on the 10th of July 1883 aged 79 [5]. They are both buried in the Ballan cemetery. The stained glass window depicts Christ as the Good Shepherd in the left light and St John in the other.

Note: Elizabeth, daughter of Rebecca Mary & Richard O’Cock, married Ballan Councillor Dougald MacPherson and she co-donated the liturgical west stained glass window ofย St Paul’s Presbyterian Church in Ballan , also created by Ferguson & Urie c.1866. See: 28-07-1866: St Paul’s Presbyterian Church, Ballan, Victoria.

Footnotes:

1870: St Paul’s Anglican Church, Koroit, Victoria.

The foundation stone of St Paulโ€™s Anglican Church at Koroit was laid on the 8th of March 1870 and it contains a Ferguson & Urie three light memorial window in the chancel erected to the memory of Mary, the wife of the first minister of the church, the Rev. Louis A. Baker.

Photos taken: 7th January 2011.

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The Bacchus Marsh Express, Vic, Saturday 20th April 1889, page 7.

(on the minister, Rev. Louis A. Baker).

โ€œโ€ฆFor many years he officiated in the district surrounding Koroit, between Belfast and Warnambool, where he was much belovedย  and valued, his name being a household word in that locality to the present day. A stained chancel window in the church, put up to the memory of his first wife, is a lasting memento of the kindly feelings of the people towards himself.โ€

The three light chancel window was created by Ferguson & Urie of Melbourne, possibly about the time of the churches erection in 1870. The borders of the windows are made up of alternating pieces of stained glass in the primary colours of red and blue with a yellow flower. which are unique to early Ferguson & Urie stained glass windows. In the centre light is a ruby red cross and a gold crown which are entwined by a ribbon that has the text: “I KNOW THAT MY REDEEMER LIVETH” (Job 19-25).

The remainder of the windows are made up of plain diamond quarries and nine groups of four diamond quarries depicting elements of the passion flower in grey and yellow with a surrounding red or pink border.

The memorial text across the bottom of the three lights reads:

โ€œIN MEMORY OF MARY, WIFE OF THE REVD. LOUIS A. BAKER FIRST MINISTER OF THIS CHURCH. DIED 8th APRIL 1865โ€

The Rev Louis A. Baker, died at the age of 76 on the 13th of April 1889 of Typhoid.

About fifty years after the erection of the window it was subject to vandalism by known delinquents. The extent of the damage at the time is not known, nor who may have made the necessary repairs circa 1914.

Warrnambool Standard, Vic, Thursday, 2nd April 1914, page 2.

โ€œVANDELISM AT KOROITโ€.

โ€œThere is a set of three beautiful memorial windows at the east end of St. Paul’s Church, Koroit, which were erected to the memory of Mrs. Baker, the wife of the Rev. L. Baker, who was a former incumbent of the church (writes our Koroit correspondent). Last Sunday week the Vicar’s attention was drawn to the fact that four holes had been made in these windows by stone throwing, and last Sunday a number of holes were discovered in the west windows, which consist of small diamond shaped leaded panes. The matter has been placed in the hands of the police, and as it is stated the delinquents are known, a prosecution will shortly follow.”

The Argus, Melbourne, Vic, Wednesday 9th March 1870, page 5.

โ€œWARRNAMBOOL, Tuesday.

The Bishop of Melbourne laid the foundation stone of St. Paulโ€™s Church, Koroit, today, assisted by the Revโ€™s. Messrs. Baker and Beamish. There was a good attendance of spectators, many of whom came from a considerable distance. The contributions were liberal, and the ceremony was completely successful. It will be a stone building, in the early English style of Gothic architecture, after designs drawn by Mr. Rawlinson, the architect.โ€

Bendigo Advertiser, Vic, Friday 25thย March 1870, page 2.

“A SACRILEGIOUS THIEF.- Some mischievous fellow has had the audacity to remove the foundation stone of St. Paul’s Church, Koroit, recently laid by the Bishop of Melbourne. This occurred on the morning of Friday last, when it was discovered that the stone had been removed, the cavity opened, the bottle extracted, and the contents, namely, the scroll and newspapers, cast on one side. These are now in the possession of the trustees. It was thought by some (states the Warrnambool Advertiser) to be either a malicious act, or one committed during a drunken bout; but the officers of the church believe that it was done by a loafing scoundrel who hoped to find some coins deposited in the bottle under the stone, but who had his trouble for nothing.”

Kilmore Free Press, Vic, Thursday 29th December 1870, page 2.

โ€œA DISGRCEFUL SCENE IN A CHURCH;

[From the Banner of Belfast.]

On Tuesday last the building committee of the Presbyterian Church at Koroit held a meeting to consider tenders for the erection of a new church, there being present amongst others the Rev Mr. Adams, Mr Officer (mayor), and a Mr. Wilson. Mr Officer, in a fiery oration, objected to the acceptance of tenders, reviewing the impecunious condition of the district, and considering that the necessary funds could not be raised. The Rev Mr Adams, in reply to the mayor, said that some of his (the mayorโ€™s) statements were true, and some were not true. This brought the mayor to his legs. He demanded of the Rev Mr Adams to know which of his statements were untrue; he would not submit to be called a liar, and in a very intemperate speech, in which he was frequently called to order, assailed the Rev Mr Adams, Mr Wilson, and by implication other members of the congregation. Mr Wilson, with some warmth, defended the Rev Mr Adams. He repelled the mayorโ€™s assertions generally, and retorted with some effect on his exaggerated notions of his own importance. On this the mayor dashed his hat aside, and jumping over the seats laid violent hold of Mr Wilson by the neck with both hands, Mr Wilson making such effective resistance as he was able, and using such force and violence as he was justified in using under the circumstances. The mayorโ€™s object was apparently to have the fight outside the church, but it was precipitated by his violence, and his mayoral dignity, unrespected by himself, was not sufficient to protect him from the hands of Wilson, or from a severe hauling from other members of committee who naturally felt indignant at the desecration of the church, and endeavored to separate the combatants before much damage was done to either, or many blows exchanged. The committee of course adjourned, and the Rev Mr Adams intimated his intention of resigning, and bringing under notice of the congregation from the pulpit the indignity to which he and the other members of the committee were subjected by the ruffianly conduct of he mayor. The feeling in Koroit, and especially among the Presbyterian body, is, as may be determined, one of a mitigated disgust at the conduct of one who has brought so much disgrace on them. Mr Wilson intends to take out a summons for assault against the Mayorโ€.


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28-07-1866: St Paul’s Presbyterian Church, Ballan, Victoria.

The Bacchus Marsh Express, Vic, Saturday 28th July 1866, page 2.

“THE OPENING OF THE NEW PRESBYTERIAN CHURCH, BALLAN”.

“SABBATH last brought with it the long-looked-for day of opening of this beautiful Church. The new building is, perhaps, the most prominent, as it is certainly the finest erection in this rising township. The style of architecture is modern Gothic. The building is of bluestone rubble, every alternate stone having a four inch sneck, and is neatly tuck-pointed. It stands on a base two feet high, while the outer walls are supported by twenty abutments of freestone, with small bluestone snecks let in, and finished at the tops with two weatherings. The fine large window in front of the edifice consists of freestone reveals and arches, and is divided by two mullions nine feet high, being finished in the same way both externally and internally. There are also eleven other windows, while the whole is surmounted by an exceedingly chaste spire, which rises to a considerable height. The spire is likewise built of mixed blue and freestone, which is carried up sixteen feet square, at which point commences an octagon tower, perforated with eight windows four feet high, the interior of which forms the bell-tower. Immediately above the bell-tower stands a circle of freestone moulding, which is destined to receive a very handsome clock. Attached to the main building is a vestry, divided into two rooms, the whole edifice being finished by a freestone water-table. The building occupies a commanding situation, and the effect is altogether very pleasing, as the eye first rests upon it. Unlike many colonial buildings, whether public or private, the new church will bear the closest scrutiny. The grounds have been securely and handsomely fenced in, while great taste and skill have been displayed in laying them out, and planting them with choice trees. The same care and taste which is visible in the exterior of the building, is observable in the furnishing and decorating of the interior. Here all is comfort and elegance. On entering, the first thing which strikes the eye is the highly-elaborate way in which the windows have been filled in with stained glass. They were furnished by Messrs. Fergusson [sic] and Urie, of North Melbourne. With one exception, we question if any building in the colony, whether ecclesiastical or otherwise, will compare in this respect with the new Church in Ballan. The large triple window in front is exceedingly rich, and is the gift of three ladies belonging to the congregation โ€“ Mrs. Dugald McPherson of Bungeeltap, Mrs. Peter Inglis of Ingliston, and Mrs. John Edols of Mount Dariwell. The pulpit is of red cedar, elaborately carved, and is surrounded by a rail, supported on twisted pillars, within which stands the desk and chair for use of the precentor. The church is lighted by two bronze chandeliers suspended from the lofty arched ceiling, each bearing four large lights. But to realise the beauty and effect of the whole, one must be present when the noonday sun is streaming through the large triple window which faces the pulpit; then the various windows are seen in all their exquisite beauty of finish and colour. Of course the finest of all is the centre-piece of the large centre window. On an Egyptian scroll which winds round the delicate tendrils of the red rose of Albion, so much celebrated and esteemed by the crusaders of the Holy Wars, there is inscribed these appropriate words of Holy Writ, โ€œI am the Way, and the Truth, and the Life.โ€ We may notice, as a matter of paramount importance in a building designed for public worship, that its acoustic properties are perfect. It is seldom that so complete a public building is seen, and too high praise cannot be accorded to the Presbyterians of Ballan for the spirit and liberality which they have manifested in this undertaking. To the ladies who throughout have manifested such an unwearied interest, great praise is due. It is, perhaps, slightly invidious to mention further any names, where so many have been characterised by such activity and generosity, but we think that all will unite with us in testifying to the special liberality and zeal displayed by the following gentlemen:- Dugald McPherson, Esq., J.P., whose munificence has been of a princely nature, and to whom, more than all others, the Presbyterians in Ballan are indebted for this truly handsome erection; Peter Inglis, Esq., J.P., who from the first has shown the warmest interest in the undertaking, and who, we believe, was the first to head the list with a subscription of ยฃ100; Walter Duncan, Esq., J.P., who has been the friend and treasurer of the congregation from the beginning of its history. It is exceedingly gratifying and hopeful to see gentlemen of high character and social standing identifying themselves with the cause, as these and others like them are doing.โ€

Photos taken: 29th December 2010.

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The memorial text at the base of the liturgical west three light window has the names of each of the donors:
โ€œYe gift of Mrs John Edols AD 1866โ€ณ | โ€œYe gift of Mrs Dugald Macpherson AD 1866โ€ณ | โ€œYe gift of Mrs Peter Inglis AD 1866โ€ณ

The Donors:

Edols:

Mrs John Edols (Margaret, nee Brown) was the wife of John Edols Esq., of Dariwell Park, John was appointed as a trustee[1] of the Ballan Race track and recreational reserve in July 1860, along with Dugald MacPherson and others and also acted as a steward[2] at the Ballan racing events. Margaret died[3] at โ€œInglistonโ€ on the 17th of September 1872 and was buried in the Melbourne General Cemetery on the 19th of September 1872 [4]. (there is no known gravestone recorded).ย  John Edols left the Ballan area circa 1888 and died at โ€œBryan Oโ€™Lynnโ€, near Warrnambool on the 28th December 1888 [5] He was buried at the Tower Hill Cemetery (a gravestone still exists).

MacPherson:

Mrs Dugald MacPherson was Mary Elizabeth MacPherson (nee Oโ€™Cock), wife of Ballan Councillor Dugald Macpherson (1820-1901) of Bungeeltap. She died at ‘Bungeeltap-house’ at Ballan in August 1916 and was buried at the Ballan New Cemetery on Wednesday 16th August 1916[6]. Dugald MacPherson died at Bungeeltap, Ballan, on the 20th of October 1901 aged 81 [7] . The Macpherson family grave still exists at the Ballan cemetery but the memorial writing is nearly impossible to read.

External Links:

Museum Victoria: Dugald Macpherson (1820-1901)

Gordon, Egerton and Ballan Advertiser, Vic, Friday 25th August 1916, page 4.

“The late Mrs Macpherson, of Bangeeltap, whose death was reported in last week’s Adverister, was a native of Exeter, England, and a daughter of the late Mr Richard Ocock, solicitor, Ballan. She was married at St Kilda in 1852, and spent the first 2 years of her married life in the Wimmera, and was the first white woman to go to that part of Victoria, which was then inhabited by aboriginies. In 1854, Mr Macpherson, (who died 16 years ago) having purchased Bangeeltap [sic], Mrs Macpherson went there to live, where she resided till her death. Eight sons and five daughters were born at Bangeeltap. During her 62 years residence at Bangeeltap Mrs Macpherson had many and varied experiences, one of which was a corroboree amongst the blacks, which she witnessed. She was one of the first members of the Ballan Presbyterian church, laid the foundation stone, presented a large window, and with her husband was a most liberal supporter for many years. The Rev E. J. Welsh conducted an In Memoriam service in the church on Sunday last. The service was largely attended by many friends of the deceased lady”.

Note: Her mother, Rebecca Mary O’Cock, also has a stained glass window by the Ferguson & Urie Company which was erected in St John’s Anglican Church in Ballan in 1883.

See: 10-03-1883: St John’s Church, Ballan, Victoria.

Inglis:

Mrs Peter Inglis, wife of Ballarat magistrate, Peter Inglis (1796-1869, a native of Glasgow) of Ingliston, near Ballan. Peter Inglis died on the 6th of July 1869, aged 73 [8]. There are also ‘Inglis’ streets in Ballan, Buninyong, and Warrenheip named after the family. The Inglis family memorial exists at the Ballan Cemetery but the text for Peter Inglis side of the memorial has almost faded completely.

Excerpt, HISTORY OF BALLARAT, page 6

“In the year 1843, Mr. Peter Inglis, who had a station at Ballan, took up the Warrenheip run, and shortly after that purchased the Lal Lal station, and throwing them both together, grazed on the united runs one of the largest herds in the colony. The western boundary of Mr. Inglis’ Warrenheip run marched with the eastern boundary of Mr. Yuille’s run, the line being struck by marked trees running from Mount Buninyong across Brown Hill to Slaty Creek. Mr. Donald Stewart, now of Buninyong, was stock-rider for Mr. Inglis, on the Warrenheip and Lal Lal stations, and superintendent during the minority of the present owner of Lal Lal”

Minor mention in Biography of: Archibald Fisken (1827-1907)

Obituaries for Peter Inglis.

1. The Argus, Melbourne, Vic, Monday 12th July 1869, page 5.

2. Obituaries Australia

Related posts:ย  22-07-1866 >ย 13-08-1867

Foot notes:


[8] The Argus, Melbourne, Vic, Thursday 8th July 1869, page 4.


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23-05-1896: Presbyterian Church, Werribee, Victoria.

Thomas Chirnside donated the land for the Presbyterian church in Werribee and on the 5th of February 1884 he laid the foundation stone of the bluestone Church, to be known as St. Thomas the Apostle.

Believing himself to be bankrupt, Thomas Chirnside shot himself in the laundry of Werribee Mansion in 1887. His brother Andrew died in 1890. In August 1895 Andrew’s widow, Mary (nee Begby), commissioned Ferguson & Urie, of Franklin-street Melbourne, to create a three light stained glass window to be erected in their memory at the east end of the church. The window was erected ten months later, in June 1896, and depicts the Last Supper.

Whether by coincidence or design, the Last Supper window contains the apostles “St Thomas” and “St Andrew”.

The Church is now known as the Cross Roads Uniting Church.

Photos dated: 30th December 2010.

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The Bacchus Marsh Express, Vic, Saturday 23rd May 1896, page 4.

โ€œMessrs. Ferguson & Urie have been busy this week placing a handsome stained glass memorial window in the Presbyterian church here. The work was ordered last August by Mrs. Andrew Chirnside, senior, Werribee Park. Further particulars will be given next week.โ€

The Bacchus Marsh Express, Vic, Saturday 13th June 1896, page 3.

โ€œA memorial window recently placed in the Presbyterian Church at Werribee by Messrs. Ferguson & Urie, of Melbourne, to the order of Mrs. Andrew Chirnside, Werribee Park, is an admirable piece of stained glass art. The pictorial subject chosen โ€“ The Lordโ€™s Supper โ€“ fills the three panels of the large gable window of the Church. The centre panel contains three figures, our Lord in the central and prominent place, and the two apostles, Peter and John, on His right hand and left hand respectively. Each of the two side panels contains the figures of five apostles, suitably grouped at each end of the table. Above the principal picture, filling the sharp-pointed arches of the three panels, are placed the figures of three cherubs or angels, the two side ones bearing scrolls with the inscription โ€œAlleluiaโ€ thereon, while the bottom parts of the three panels contain, as emblems, a few heads of wheat, and bunches of vine leaves and grapes. The scroll work filling the large arch of the window itself is also suitable stained, with a larger cherub of angel in the centre bearing the inscription โ€œAlleluia.โ€ย  The whole effect of the window, particularly the principal picture, as seen from the centre of the church, in the soft morning light, is very pleasing, the colouring being at once rich and chaste. The scene of the picture is particularly natural, and the various details thoroughly in keeping with the subject. The picture represents that particular historical moment when our Lord began to institute the supper, and just as Judas, to whom He had said, โ€œThat thou doest do quickly,โ€ was leaving the room to arrange for the betrayal. Judasโ€™ vacant seat, containing his discarded robe, is seen at the side of the table, directly opposite where our Lord is seated; while in the background is seen Judas himself making for the door, with the money-bag grasped tightly in his right hand, and with the usual imaginary โ€œnimbusโ€ gradually fading away from his head. The other Apostles grouped round the table have their eyes directed towards our Lord, who has in his left hand a loaf of bread, and is supposed to be saying, as he points to the bread with his right hand. โ€œThis is my body, &c.โ€ While John the beloved disciple, is seen with his hand leaning on Jesusโ€™ breast. At the right and left corners of the table respectively are seen Andrew and Thomas (the former indicated by his age, as having been one of the first to follow Jesus, and the latter by the parted forefingers, referring to his expressed intention to test our Lordโ€™s wounds.) According to the perspective of the picture, and the prominent positions assigned to Andrew and Thomas (being nearest the spectator) it is a somewhat remarkable undesigned coincidence that the deceased gentlemen, to whose memory this memorial window has been inserted in the church which they themselves had built, should have born the same names as those of these apostles โ€“ namely the late Messrs. Andrew and Thomas Chirnside. When taken into consideration along with the many other benefits which Mrs. Chirnside has so generously bestowed upon the church and congregation during the past year, this handsome memorial window ought to call forth heartfelt appreciation of the Presbyterian community throughout the Werribee district, and this appreciation could best be shown by increased attendance at the services, and increased interest in the work of the church generally.โ€

Related posts:

1876: Werribee Park Mansion.
1897: Storm damages Presbyterian church window

External References:

Biography: Thomas Chirnside (1815-1887), and Andrew Spencer Chirnside (1818-1890).


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20-07-1872: St James Church, Drysdale, Victoria.

St James Church at Drysdale was constructed between 1871-72 with bricks donated, and made locally in Portarlington, by Thomas Henry Widdicombe. The architect was Andrew McWilliams from Geelong

The first stained glass window to be erected in the church by Ferguson & Urie was the three-light chancel window in 1872 and subscribed for by the parishioners. Twenty years later, in 1892. the single light memorial window to John Drake and his wife Susannah Tomazin (nee Avery) was erected by their family.

Photos dated: 14th October 2012.

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The Argus, Melbourne, Vic, Saturday 20th July 1872, page 5.

โ€œA handsome little place of worship, designated St. Jamesโ€™s Church, and situated about a quarter of a mile from the township of Drysdale, is to be opened to-morrow by the Right Rev. the Bishop of Melbourne. The building is in the pointed Gothic style, with lancet windows, having a tower on the south-west gable and finished pinnacles. The walls are built of bricks made by Mr. Widdicombe, of Drysdale, and the dressings are of white pressed bricks from the same maker. The chancel and vestry are on the north-east side of the building, the whole presenting the appearance of a fine little country church. In the chancel is placed a beautifully curved stained-glass window, the chief subject presented being the four Maryโ€™s at the tomb. The nave lights are of yellow-tinted cathedral glass. The table, reading-desk, chairs, &c., are of Gothic pattern, and varnished. The platform for the harmonium is elevated, and has a neat painted screen, upon which is painted the words โ€œLet all the earth praise the Lord.โ€ Upon the walls and other parts of the interior are inscribed other appropriate texts from the scriptures. The building was designed by and erected under the supervision of Mr. McWilliams, architect, of Drysdale.โ€

Geelong Advertiser, Vic, Wednesday 8th October 1873, page 3.

“…,The stained window in the chancel has the centre piece, the women at the tomb after the Resurrection, and the words “He is not here, He is risen,” underneath. The nave windows are filled with thick cathedral and colored glass. The whole work is tasty and reflects credit on the congregation…”

In 1892 another Ferguson & Urie single light window was erected in the south wall of the nave to the memory of the Drake family:

The Church of England Messenger for Victoria and Ecclesiastical Gazette for the Diocese of Melbourne. No.289 Vol.XXIV Melbourne November 4, 1892, page 191.

โ€œDrysdale. ย โ€˜A very handsome stained-glass memorial window has been placed in St. Jamesโ€™ Church, Drysdale. ย The subject of the window is โ€œThe Raising of Lazarusโ€, and a special service to inaugurate the opening of the window was conducted by the Rev, S.C. Kent on Sunday October 16th. ย The text on the window (John XI. 43-44) formed the subject of an interesting and instructive sermon. ย There was a large congregation, both morning and evening. ย The inscription on the window is โ€“To the Glory of God, and in memory of Mr. and Mrs. John Drake.ย Erected by their family. The work was executed by Messrs. Ferguson & Urie.โ€

John Drake (1828-1892) was born in Devonshire, England, to William Drake and Mary Pillar. He married Susannah Tomazin Avery (1827-1887) in Devonshire circa 1852 and they emigrated to Australia sometime between 1852-54. They took up farming on the Bellarine Peninsula near Drysdale and had a further six known children between 1857 and 1867. Many of their descendants still reside in the area to this day.

Susanna died on the 11th of July 1887 at the age of 60 and John died in at the age of 64 on the 24th April 1892. On October the 16th 1892, the stained glass window by Ferguson & Urie was unveiled to their memory in St James Church in Drysdale by their children. Based on the glass painting style I suspect this window was painted by Charles William Hardess who began his apprenticeship with Ferguson & Urie as a boy.


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18-08-1951: Zeerust/Glenferrie Mansion, Malvern, Victoria.

‘Zeerust’ mansion had its origins as ‘Glenferrie’, originally a parcel of land purchased by solicitor, Peter Ferrie[1], circa 1841. In 1864-65 the property came into the hands of James Fergusson[2] M.L.A, a partner in the firms, Fergusson and Mitchell, stationers, and Ferguson & Moore. Fergusson built a two storey mansion on the site circa 1870’s and as part of the embellishments, he commissioned the Melbourne stained glass firm ‘Ferguson & Urie’ to create a magnificent stained glass stairwell window of about 3.5 x 2 meters wide. The window depicted scenes of Pastoral, Printing, Shipping, Mining, Agriculture, Commerce, Railways, and Farming. The Fergusson clan coat of arms was depicted below the central panel with the knightโ€™s helmet, three Boars heads, and Buckle, and the Fergusson clan motto “Dulcius Ex Asperis” (Sweeter after difficulties).ย  At the apex of the window, flanked by a Kangaroo and an Emu, was the early Colonial Australian Coat of Arms with the text below “Advance Australia”.

Photos taken: 10th May 2011.

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On the 15 of April 1905, Estate agents W. L. Baillieu & Co auctioned the estate and subdivision allotments, and the mansion known as ‘Glenferrie House’ was purchased by George Stevenson (1831-1907)[3], a wealthy clothing manufacturer who held various trade positions including President of the Melbourne Chamber of Commerce.

Stevenson re-named ‘Glenferrie’ to ‘Zeerust’ and he died two years later in 1907[4]. His wife Amy (1838-1911) [5] retained the property and further subdivision of the estate occurred for many year after[6]. When Amy died in 1911 the property passed to the children and in 1914 further subdivisions occurred as well as the attempted sale of the mansion[7]. The Stevensonโ€™s three surviving daughters eventually retained the estate until 1951 and then sold the mansion and remaining property at auction and the mansion was demolished in 1954.

The Ferguson & Urie stained glass window survived, and was installed in a house in Kooyong in the 1970โ€™s. Mr Richard Price donated the window to the Melbourne Museum in 2001 where it was meticulously restored by the Geoffrey Wallace studio and mounted in its own frame for display in the Australiana collection at the Museum.

The Argus, Melbourne, Saturday 18th August 1951, page 7.

โ€œWrecker’s pick hangs over this old homeโ€.

“ZEERUST,” one of Melbourne’s oldest mansion homes, is to be auctioned-and probably demolished. Ninety years ago its main gates were show pieces so imposing that during the last war they were bought to front the Springvale Cemetery. The old place has given ground slowly-and literally. Once it stood in wide Kooyong acres, touching Toorak rd. to the south, Glenferrie rd. to the west, and Gardiner’s Creek to the north. But down the years its grounds have been subdivided for home sites. Now all that’s left probably will be parcelled out for flats. The first owner built big for a purpose-a kitchen fit for a country hotel and a dining room 84ft. by 24ft.-you could put a villa into it. He had hopes of entertaining the late Duke of Edinburgh, who visited Melbourne in 1865. But the Duke didn’t come to Zeerust.ย  The late Mr. George Stevenson, of L. Stevenson and Sons, Flinders lane, bought the mansion about 50 years ago. His daughters, Misses. Gertrude, MabeI, and Myra Stevenson, own it now. Yesterday they were busy sorting out furniture and decorations to take to a new and smaller house. It was a hard task. Miss Gertrude Stevenson showed an “Argus” photographer stained glass windows (below, right), a solid brass bedstead with brass canopy and laced tester (centre, below), and antiques in Victorian profusion (left, below). Light from the stained glass tinted family portraits. But the hardest thing of all for the Misses Stevenson to leave may be the sight of the Yarra Valley and Hawthorn, commanded by the top windows in the picture leftโ€.

The Argus, Melbourne, Vic, Tuesday 12th October 1937, page 10.

โ€œStonnington.

โ€œSir, – I was greatly interested in your article published last Wednesday dealing with Stonnington and the neighbourhood and Mr. J. B. McLeansโ€™s reminiscences, but would like to point out that the James Ferguson mentioned was James Fergusson (note the double โ€œsโ€ in the spelling), who was the senior partner in the firms of Fergusson and Mitchell and Fergusson and Moore (not Muries). Fergusson and Mitchell had a stationerโ€™s shop in Collins street, near Drummondโ€™s, the jewellerโ€™s, not Elizabeth street. James Fergusson was for some years a member of the Legislative Assembly, representing South Bourke, which included Malvern. His house in Glenferrie road, now occupied by the Misses Stevenson, was named Glenferrie, and, I understand, is of German renaissance style of architecture. โ€“ Yours, &c. HERBERT KONG-MENG, Longwood.โ€

The Argus, Melbourne, Vic, Thursday 14th October 1937, page 10.

โ€œStonnington

โ€œSir, – I was very interested in your article on the homes in Glenferrie road. My uncle, James Fergusson, purchased the property at the corner of Glenferrie and Toorak roads extending to Gardinerโ€™s Creek in each road, containing 60 acres, in 1865 for ยฃ4,500. The dwelling, which was built in the โ€˜70โ€™s, was called โ€œGlenferrie,โ€ and faces north-east; it is now called โ€œZeerust,โ€ with entrance from Monaro road. In 1881 my uncle was offered ยฃ30,000 for the property, and in 1888 refused ยฃ100,000 for it. This was after the Glen Iris railway had passed through the estate, and Kooyong station was built on the property. After the land boom had burst the property was offered for ยฃ15,000, without finding a purchaser. โ€“ Yours, &c., A. M. FERGUSSON. East Hawthorn.โ€

Related posts: Dr Richard Gillespie talks about the โ€˜Glenferrieโ€™ window at the Melbourneย Museum.

Footnotes:

[1] The Argus, Melbourne, Vic, Monday 4th January 1869, page 4.
“FERRIE.- On the 5th November, at 64 Harley street, Cavendish-square, London, Peter Ferrie, Esq., of Blairtumach, Glasgow, and late of Glen Ferrie, Toorak”.

[2] The Argus, Melbourne, VIC, Wednesday 4th April 1888, page 1.
“FERGUSSON.-On the 3rd inst., at Glenferrie, Malvern, James Fergusson, aged 59 years, of the firm Fergusson and Mitchell”. Buried at Boroondarra Cemetery, Kew, 5th April 1888.

[3] Stevenson also built the mansion ‘Trawalla’ in Toorak which also still has a magnificent stained glass window in the stairwell by Ferguson & Urie.

[4] The Argus, Melbourne, VIC, Monday 14th October 1907, page 1.
โ€œSTEVENSON.- On the 13th October, at Melbourne, George Stevenson, of “Zeerust,” Malvern, the dearly beloved husband of Amy Stevenson, in his 76th year.”

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15-07-1862: Mr Robson’s Shop, Ballarat, Victoria.

The Star, Ballarat, VIC, Tuesday 15th July 1862, page 2.

โ€œIn the window of Mr Robson, the painter and decorator, Sturt street, is a stained glass centrepiece of a window, the subject being the Crucifixion. The picture is best seen from inside the shop, and worth looking at. The colouring is clear and brilliant, and the shading well managed. Messrs Ferguson and Co., of Melbourne, are the producers of the work.โ€

Nothing further is known as to where this window may have been eventually erected, if at all. Although there are other windows in the Ballarat area by Ferguson & Urie, there is not enough information to place this feeble description to any particular window known in that region for the date period.

Thomas Robson was well known as the Ballarat agent for Ferguson & Urie Stained Glass and instrumental in the commissioning of the chancel window for St Paul’s Church in Bakery Hill, Ballarat.

In January 1867 Robson was declared insolvent due to losses by fire and bad debts.

Related posts:

29-03-1862 > 14-04-1862 > 19-05-1862 > 04-06-1862 > 24-06-1862 > 15-07-1862 > 01-03-1863 > 07-08-1863


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26-08-1876: St Johnโ€™s Church, Wagga Wagga, New South Wales.

Australian Town and Country Journal, Saturday 26th August 1876, page 10.

ย โ€œWAGGA WAGGAโ€

ย โ€œโ€ฆA very handsome and costly window has just been added to the new building of St. Johnโ€™s Church. It was presented by Mrs. H. S. Moxham, and was designed by Messrs. Fergusson [sic] and Urie, of Melbourneโ€ฆโ€

Photo taken circa 1990’s. Thanks to Dr. Bronwyn Hughes, September 2012.

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External links:

St John’s Anglican Church, Wagga Wagga, New South Wales (photo from Wikipedia Commons)

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08-12-1883: St Paulโ€™s, Rockhampton, Queensland, Australia.

The Capricornian, Rockhampton, QLD, Saturday 8th December 1883, page 13.

โ€œThe stained glass window for St. Paulโ€™s Church, towards which the officers and work men of the Central Railway subscribed to liberally, has been set in position, and is a great ornament to the interior of the building. It forms the centre of the five windows facing William-street. In the centre is a figure of the Saviour, 6 ft. 3 in. high, clad in robes of varied hues, holding in one hand a ball, representing the world, while the other points up ward to a descending dove, in the centre of a number of rolling spheres of a silvery and golden tinge. Under the figure is the motto, โ€˜ I am the law, the word, the truth, and the life.โ€™ Immediately below is an Agnus Dei in the centre of a sphere. The window, which is 13 ft- 7ยฝ in. high and 2 ft. 8ยฝ in. wide, was formally handed over on Saturday by Mr. I Linthwaite on behalf of the officers and work men on the Central Railway. The cost of it was about ยฃ130, and was made by Messrs. Ferguson and Urie of Melbourne, at a cost ofย  ยฃ2 2s. per superficial foot. It will always be a memento of the liberality of the men working on the railway, who subscribed freely when requested to do so by Mr. F. Linthwaite. All paid up well what they promised, a fact pleasingly commented on by Mr. Linthwaite. He stated that when the list was returned to him ยฃ120 15s. was written down, whilst the cash forwarded was ยฃ120 13s. 6dโ€.

Photos taken: September 2012. Thanks to Mr Mark Spearing, Gladstone, Qld.

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The text in the lower region of the window reads:

“I AM THE WAY THE TRUTH AND THE LIFE”

“A GIFT BY THE OFFICERS AND WORKMEN OF THE QUEENSLAND AND CENTRAL RAILWAYS”

Note: This article also appeared in the Morning Bulletin, Rockhampton, QLD, Monday 3rd December 1883, page 2.


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13-05-1885: St. Paulโ€™s Cathedral, Sale, Gippsland, Victoria

The Edward Crooke stained glass memorial window at St Paul’s Anglican Cathedral, Sale, Victoria.

Edward Crooke was born in Liverpool, Lancashire in 1810 and arrived in Sydney in 1837. In the 1840โ€™s he ran cattle and sheep in the Holey Plains area near Rosedale in Gippsland. He married Maria Matilda Jamison in 1860 and moved to Melbourne with his family in 1870. His son E.J. Crook later took over the Holey Plains station. Edward Crook died at his home โ€œRockleyโ€ in South Yarra on the 7th November 1873 and in 1885 his wife Maria initiated the erection of a stained glass memorial to him in the chancel of St Paulโ€™s Church of England in Sale, Gippsland. The window was created by Ferguson & Urie and was erected in September 1886 beside the Dr. Floyd Minter Peck window that Ferguson & Urie had created two decades earlier in 1867.

Photos dated: 23 April 2011.

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The left light in the group of three is the Edward Crooke memorial window described in the articles below. The centre light is a memorial to Dr. Floyd Minter Peck which was also created by Ferguson & Urie some twenty years earlier in 1867 and originally installed in the previous church building. The right light, ‘Good Shepherd’, window was made by William Montgomery, Melbourne; “The right hand light was by William Montgomery c.1888.  It was one of the first group he made for the Anglicans after he arrived in Melbourne in December 1886”.- (Dr. Bronwyn Hughes, Stained Glass Historian, email, 25 Sept 2012).

Gippsland Times, Vic, Wednesday 13th May 1885, page 3.

โ€œOur readers will no doubt remember that when the Church of England in Cunningham-street was built, the stained glass window that had been put in the old church to the memory of the late Dr. Peck was removed and placed in the central light in the chancel of the new church. We are now pleased to learn that Mrs Crooke, of Holey Plains, is about to fill one of the side lights with a similar window in memory of the late Mr Crooke. The subject chosen will be one that will harmonise with the present window, and will greatly improve that end of the church. It will, however, to complete it, need the other side light filling, and perhaps some member of the church will consider the propriety of doing this. We are sure that no more suitable memorial of departed friends than one of this kind can be found.โ€

Gippsland Times, Vic, Monday 20th September 1886, page 3.

โ€œIn our columns some months ago we mentioned that Mrs Crooke, of Holey Plain, had intimated her intention of putting a stained glass window in St. Paulโ€™s, in memory of her late husband. This has been done, and a rich and beautiful work now adorns the left opening of the chancel window. The central panel is a life-size figure representing the Saviour as the Light of the World. The outer flowing robe around the body is of rich antique ruby, the folds fall gracefully round, while the inner garment has a cream-like tinge. Over the head there is a canopy of blue. Under the figure are the words, โ€œI am the Way, and the Truth, and the Life.โ€ In the top panel appears the sacred monogram I.H.S., surrounded by a Crown. On the lower panel there is a medallion exhibiting a lamb with a banner and cross, and on either side are the words โ€œAgnus Dei.โ€ We need scarcely say that the window was very much admired by the congregation yesterday. The third light should now be filled in, and then the large window at the eastern end would be complete. Perhaps the good example set by Mrs Crooke will be followed by some other members of he community. The work was done by Messrs Fergusson [sic] and Urie, of Melbourne.โ€

Gippsland Times, Vic, Wednesday 2nd February 1887, page 3.

โ€œST. PAULS CHURCH OF ENGLANDโ€

โ€œThe yearly meeting of the congregation of St. Paulโ€™s Church of England was held in the old church building on Monday evening. There was a moderate attendance, and the Rev. Canon Watson occupied the chair. The following report was read:-โ€ฆโ€

โ€œโ€ฆThe board are glad to report that during the year a very handsome stained glass window was placed in the chancel by Mrs Crooke, of Holey Plain, to the memory of her late husbandโ€ฆโ€

Gippsland Times, Vic, Tuesday 11th November 1873, page 3.

โ€œCROOKE.- On the 7th inst., at Rockley, Toorak, Edward Crooke, of Holey Plain, Gippsland.โ€

Related posts:

21-09-1867: St Paulโ€™s Cathedral, Sale, Gippsland, Victoria, Australia.

External links:

Biography: Edward Crooke (1810-1873)


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19-09-1874: Holy Trinity Church of England, Williamstown, Victoria.

The first Holy Trinity Church at Williamstown was a prefabricated iron building known as an “Iron Pot” (freezing in winter and boiling in summer). There were many of these “Iron Pot” churches imported from England and erected throughout the colony and this one was erected in Nelsons Place in Williamstown. The Rev. George Wilkinson was obviously not happy with this poor excuse for the house of the lord and began the movement to have a respectful stone church erected for his congregation in 1859. The foundation stone for the new Leonard Terry designed church was eventually laid on the 11th of February 1871 by Bishop Charles Perry and was opened on the 7th October 1874. The “pretty chancel window” described as being made by Ferguson & Urie, circa 1874, no longer exists and was replaced by the Charlotte & William Holten memorial window circa 1941. According to the Holy Trinity’s newsletter (The Pilot, Vol 2, Issue 3, April 2012, page 4): “The artist for this window is unknown. We do know it was made in England and brought to Williamstown by Mrs Dorothy Raverty 2nd, step mother of Reverend J. Raverty who had it installed in Memory of her parents.”

This newsletter item is not correct. The Holten memorial window was actually made by the Brooks, Robinson & Co stained glass company of Melbourne, who also made other windows in Holy Trinity.

All the original windows in the nave of Holy Trinity have also been replaced over the course of a century and are made by the artists and studios of William Montgomery, Napier Waller, Brooks Robinson & Co, and Alan Sumner.

The west four light window, with rose window above, and those in the clerestory, with the simple coloured borders and plain diamond quarries, are very likely be some of the original circa 1874 installations by Ferguson & Urie of North Melbourne.

Photos taken: 11th September 2010.

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Williamstown Chronicle, Vic, Saturday 19th September 1874, page 2.

โ€œTHE NEW CHURCH OF ENGLAND.- The new place of worship which the adherents of the Church of England have just erected in Williamstown is one of the most handsome and commodious churches in the colony. With the exception of the tower and spire the building is now complete, and the conspicuous position it occupies makes it a prominent and pleasing feature in the town as seen from the Bay. The cost, as it stands, is ยฃ5000, and the erection of such a noble structure speaks well for the energy and liberality of the Episcopalians in our comparatively small parish, particularly as the new church when entered upon will be but slightly involved financially. The church, including the chancel, is 110 feet in length, and is from a design by Mr. Leonard terry, in the gothic style, with nave and aisles of lofty proportions. The material employed is bluestone, with freestone dressings. The interior has a very handsome appearance, which is heightened by the tone of the glazing, the body colour being amber with varicoloured margins. A pretty chancel window, made by Ferguson and Urie, imparts to that portion of the interior a very pleasing effect, which is continued in the rich yet simple decorations of the ceiling. The seating, to which the greatest attention has been given, is very convenient and comfortable. The material used is lightly stained Oregon pine. A lectern, from one of the best medieval workers in England, and the gift of Sir George Verdon, will shortly be added, and from the known liberality of the donor and the high reputation of the makers, will no doubt prove a further ornament. The substitution of a nice front picket fence for the old palings which have so long done duty has also contributed to the fine appearance of the church. The new place of worship will be opened on Friday, the 2nd prox, by the rev. pastor, Mr. Wilkinson.โ€

Also See:

Holy Trinity web site.

Flickr Photo album of Holy Trinity’s stained glass.

17-05-1865: Kings Shop, Pall Mall, Bendigo, Victoria.

Bendigo Advertiser, Vic, Wednesday 17th May 1865, page 2.

โ€œCOLONIAL GLASS PAINTING.- In the shop of Mr King, Pall Mall, is to be seen a very handsome specimen of glass painting, or glass staining as it is commonly termed. The work was executed by Messrs Ferguson and Urie, of North Melbourne, who have, we are informed, within the last twelve months brought the art of glass painting to a very high standard in the colony. Previous to that time, the greater portion of the stained glass windows for places of worship, was imported from Europe. Now, the manufacturers referred to are able to produce painted glass windows at the same prices at which they can be imported, and according to the opinion of connisseurs [sic] in the art, with as much taste and skill. The sample to be seen at Mr Kingโ€™s warrants that opinion.โ€

Kingโ€™s of Pall Mall Bendigo was a dealer of Paperhangings, Borderings, Varnishes and Oil and Lamp merchant. In 1864 his shop in the Bendigo Pall Mall area was described as wooden and was saved from being burnt down in a fire that started in the early hours of 9th May 1864. Nothing further is known about the stained glass window created by Ferguson & Urie described as being on display in Kingโ€™s shop in Pall Mall in May 1865.

1865: St Stephen’s Church, Mount Waverley, Victoria.

St Stephen’s Church at Mount Waverley was designed by architect Nathaniel Billing and built for modest sum of ยฃ370 and was opened on the 23rd of July 1865. The circular west window was reported to be made by Ferguson & Urie as indicated in the church Gazette of 16th August 1865. Fifty years later the entire window was blown in during a storm in late November 1915 and fell 18 feet to the floor of the church. The extent of damage the window suffered at the time is not known but it was repaired and re-installed and still exists in the position it was placed, which is now nearly one and a half centuries ago.

Photos taken 3rd February 2013.

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The Oakleigh and Caulfield Times, Vic, Saturday 27th November 1915, page 4.

โ€œSt Stephenโ€™s Church, Mt. Waverley.

JUBILEE CELEBRATION.

โ€œThe celebration of the jubilee of the above church, which was quite an event in the district, took place on Sunday, 19th September, and we have held back the report in order to gather particulars of the churchโ€™s past history, which is appendedโ€ฆโ€

โ€œโ€ฆWe extract from the โ€œChurch Gazette.โ€ Of August 16, 1865, the following report of the opening services, tea and public meeting:- โ€œSt Stephenโ€™s Church. Waverley, District of Malvern and Oakleigh โ€“ This pretty little church, which was opened for divine worship on the 23rd ult, is built in the early English style of variegated brick work, and will seat 100 persons. It is an admirable specimen of what can be produced for the small sum of ยฃ370, and reflects much credit on the architect, Mr N. Billing, who designed and superintended its erection gratuitously. In the west end is a neat circular stained glass window, presented by Mesrs Fergusson [sic] and Urieโ€ฆโ€

The Oakleigh and Caulfield Times, Vic, Saturday 4th December 1915, page 3

“Our Letter Box.
A WORD OF APPRECIATION.
To The Editor.

Sir, – I wish on behalf of the Vestry of St Stephensโ€™ Church to thank you for the splendid report in last weekโ€™s issue. There are, however, two corrections which you might set right. The late Mr W. Q. Hore, senr., he was a vestryman, and the tablet mentioned is his (E. Horeโ€™s) memory; the first services were held in his house. Mr C. Doolanโ€™s name was omitted from the present vestry, he being the oldest and one of the most consistent supporters of the Church probably for nearly 40 years. A strange coincidence happened during stormy weather last Sunday. During the service the stained glass window, gift of Messrs Ferguson and Urie, mentioned in your report, was blown in and fell with a crash. No one was injured, I am glad to say; it had a fall of about 18ft.

Yours faithfully,
CHAS H. COLEMAN.
Mt Waverley,
Dec. 1, 1915.


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07-04-1879: Christ Church, Castlemaine, Victoria.

The Church of England Messenger, 7th April 1879, page 5.

“CASTLEMAINE.- The friends of the late Ernest Walter Crawford seem desirous that his memory may not fade. A subscription set on foot in Castlemaine has resulted in the erection of two handsome and lasting memorials. The first is a monument over his grave in Castlemaine cemetery, consisting of a slab of Malmsbury bluestone, firmly fixed and railed in, and bearing a white marble cross the whole length of the grave. The second is a beautiful stained-glass window, recently placed in Castlemaine Church by Messrs. Ferguson and Urie, containing representations of the resurrection and ascension of our blessed Lord. Both Memorials have suitable inscriptions”.

Photos dated: 7th January 2012. (Date of historical photo unknown).

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The Argus, Melbourne, Tuesday 9th July 1878, page 1.

“CRAWFORD.- On the 8th inst., at Christ Church Parsonage, Castlemaine, Ernest Walter, son of Archdeacon Crawford, aged 18 years.โ€

Note: Extensive conservation work was done on the window by the Glenn Mack Studio circa 2012.

22-04-1869: Christ Church, Warrnambool, Victoria.

This post covers the Stevens and Bateman window memorial windows by Ferguson & Urie erected in Christ Church at Warrnambool in 1869.

The Church of England Messenger, 22nd April 1869, page 7-8.

“WARRNAMBOOL.- The church here has recently been presented with some beautiful windows of stained glass, from the manufactory of Messrs. Urie, Ferguson and Lyon, of Melbourne. The east window (one of three lights) has been presented by F. P. Stevens, Esq., as a tribute to the memory of his deceased wife. It represents the baptism, crucifixion, and resurrection of our Lord; underneath which, and distributed through all three divisions, is the representation of the Last Supper. The three lights at the eastern end of the north aisle, together with the round window in the gable, have been presented by W. Bateman, Esq., as a memorial of his deceased parents. The first three represent the raising of Jairus’ daughter, the transfiguration of our Lord, and His agony in the garden of Gethsemane”.

Photos were taken 7th January 2011.

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The Stevens Window:

The Argus, Melbourne, Vic, Wednesday 5th August 1868, page 4.

“STEVENS.- On the 26th ult., at the Cottage, Warrnambool, Jane, the beloved wife of F. P. Stevens, aged forty-seven years.”

The three light window above the High Altar was presented by Frederick Perkins Stevens in memory of his wife Jane (nee Rule) who died on the 26th July 1868 at the age of 47. The windows depict the Baptism, Crucifixion and Ascension with the lower scenes depicting the Last Supper.

A brass plaque in the church also reads:

“The Three Bells erected / in this Tower were / presented to Christ Church Warrnambool by FP Stevens / Member for Villiers & Heytesbury / of the Legislative Council of / Victoria 1852 / In Memory of his younger Son / FS Stevens who died at his Station / Tintinchilla Queensland / 26th May 1880 Aged 30 Years”.

The bells presented to Christ Church were brought to Melbourne for the 1881 Melbourne Exhibition where they were awarded 1st prize.

The Bateman Window:

Illustrated Australian News for Home Readers, Melbourne, Vic, Saturday 25th April 1868, page 15.

“BATEMAN.- On the 30th March, at his residence, Fern Cottage, Warrnambool, Mr. William Bateman, sen., aged 79″.

The Argus, Melbourne, Vic, Tuesday 25th August 1868, page 4.

“BATEMAN.- On the 24th inst., at Spring-gardens, Warrnambool. Mrs. Bateman, sen., aged sixty-nine years”.

William Bateman Snr was born in Bradford, Yorkshire circa 1794 and married Sarah Smith in 1815 in the same town. They migrated to Australia with their four children circa 1853 and set up business in Warrnambool as Bateman & Co in the name of their son William Jnr. The company became one of the districts largest mercantile businesses but eventually ran into financial difficulty during the time of the land speculation boom when William Jnr ran up huge debts in land holdings which eventually saw the collapse of the small family empire.

In 1869 William Bateman Jnr presented Christ Church Warrnambool with the three light window in memory of his parents, William & Sarah Bateman. William Jnr died in 1913.


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03-12-1869: Christ Church, Moorabool St, Geelong, Victoria.

The first Ferguson & Urie stained glass window to be erected in Christ Church at Geelong was the five light Chancel window which depicts Christ in the centre light, flanked by the four evangelists, Matthew, Mark, Luke & John with their biblical alter egos beneath their figures. This window gained quite a bit of notoriety and comment in the tabloids of the time of its erection. Despite significant vandalism in the past 145 years, the most recent attack being in November 2011, it has somehow survived the test of time and is certainly a significant artifact for Christ Church and should be considered for heritage listing.

The Church of England Messenger, 3rd December 1869, page 7

โ€œCHRIST CHURCH, GEELONG.- A handsome chancel window has recently been put up in this church, at a cost of ยฃ120, from the workshops of Messrs. Ferguson, Urie and Lyon, of Curzon-street. The style of architecture is that known as late perpendicular, the complicated mullions and tracery admitting as many as eight-and-twenty lights. Of these, the five principal compartments are thus appropriated:- In the centre, to accord with the designation of the church, the Saviour is represented enthroned, having in his left hand the globe and cross, and elevating the right in the attitude of blessing; whilst the compartments on either hand are occupied with erect figures of the four Evangelists. Those who have examined former efforts of this enterprising firm will be struck by the improved purity and brilliancy of colour displayed. The utmost skill has been shown in the harmony of arrangementโ€.

Photos taken 24th Oct 2010. (Date of Historical photo unknown).

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Geelong Advertiser, Vic, Wednesday 10th November 1869, page 2.

“A gratifying specimen of colonial art may be seen in the chancel window, recently put up in Christ Church, by Messrs Ferguson, Urie and Lyon, of Melbourne. The window, which is about fourteen feet high by ten feet wide, belongs to the order of Gothic, which architects term late perpendicular. it consists mainly of three rows of light, the lower row containing five openings eight feet and a half in height, the mullions of which rise perpendicularly to the top of the window. The second row contains a continuation of these lights, divided into twelve by narrow mullions, these openings being two feet in height; above these is a row consisting of three pairs, rather higher than the middle row. There remain seven small openings supplementary to the complete design. The great feature of a window of this style, and involving a manifest difficulty with which the glass-stainer has to grapple, is the large proportion of stone in the mullions, probably not less than a third of the entire surface. The designer has in this instance shewn his judgement in not attempting a general subject, which would have been broken by the heavy stone framing, as he has made each opening a complete picture in itself, and to a certain extent, independent of the adjoining ones. At the same time there is not wanting a unity of subject. The five principal lights are appropriated to the glorified Saviour, flanked on either side by two Evangelists. At the foot of each of these five figures, is introduced the corresponding symbol, viz., in the centre the pelican wounding her own breast to feed her young; and the evangelistic symbols, the human head, the lion, the ox, and the eagle, under Matthew, Mark, Luke, and John, respectively. The three pairs of lights at the top of the window are appropriately filled up with three cardinal graces and their emblems, viz., faith and the cross, hope and the anchor, charity and the heart. The quatrefoil at the apex of the arch is filled in with the dove. The twelve smaller windows in the middle row remained to exercise the designer’s ingenuity, their small size and large number having occasioned some apparent difficulty. On these we find national emblems, the rose, shamrock, and thistle, besides stars, which may be regarded as generally emblematic of whatsoever things are lovely and of good report. Those who have examined former efforts of this enterprising firm will be struck with the improved purity and brilliancy of colour displayed. The utmost skill has been shown in the harmony of arrangement. The draperies of all the principal figures are particularly well managed, that of the centre being a brilliant mass of ruby red, carried off to the margin in each in each direction by yellows and greens of intermediate warmth terminating at the circumference in cold blue or grey. The effect at the western entrance into the church is a rich flow of light and colour, on which the eye rests with pleasure, and has to complain of no unequal predominance of any one tint. The individual figures are alike bold and dignified in outline, but the execution of the features while in the highest degree creditable, falls short of that depth and sublimity of expression with which the old masters have familiarised us. It is indeed the merit of the whole composition that it attempts the symbolical and heraldic rather than the historical. Its excellences are such as can be best appreciated from a distant point of view. We are told that the entire cost of the window is ยฃ120, to meet which collections are to be made on Sunday next.”

Note: The head of Christ in the centre light is not original Ferguson & Urie. This is possibly the third replacement since the window was created in 1869.

Restoration/Conservation:

The east five light window underwent restoration and conservation work in 2004 by Geoffrey Wallace’s stained glass studio.

This window and many others were unfortunately vandalised in November 2013 and will again be in the hands of Geoffrey Wallace for expert repair.

For updated and detailed photos of the full cycle of Ferguson & Urie windows at Christ Church in Geelong, See: http://www.flickr.com/photos/raysalmanac/sets/72157637900257313/


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1869: The Alfred Kennerley Mansion โ€˜Rousevilleโ€™, Davey Street, Hobart, Tasmania.

The two storey sandstone mansion named โ€œRousevilleโ€ was built in Davey Street Hobart in 1869 for Politician and Philanthropist Alfred Kennerley (1810-1897).

The 900 sq meter mansion was built by Tasmania’s famous architect Henry Hunter who also designed Hobart’s Town Hall. Rouseville cost of ยฃ3,400 and was named after Kennerleyโ€™s wife, Jane Rouse.

The mansion still stands on the corner of Davey and Elboden Streets in South Hobart and contains a large Ferguson & Urie stained glass window in the stairwell and a stained glass transom lightย  above the front entry door. The side lights either side of the door were vandalised many years ago but pieces of the sidelights are still in the possession of the current owner.

Photos taken: 13th August 2012.

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In 1867 Alfred Kennerley had also donated a pair of, two light stained glass windows depicting the apostles โ€˜St Matthew & St Lukeโ€™ and โ€˜St Mark & St Peterโ€™ to the All Saints Church at the same time as his friend and fellow parliamentarian, John Foster, had commissioned Ferguson & Urie to create a stained glass memorial to his seven year old son who died in December 1866 as a result of a coach accident.

The Mercury, Hobart Tasmania, Wednesday 7th August 1867, page 2
โ€œโ€ฆthe firm [Ferguson & Urie] are in receipt of commissions from John Foster, Esq, for a memorial window to be placed in All Saintsโ€™ church, Hobart Town, in remembrance of the donorโ€™s deceased son, and from A. Kennerley Esq, for other decorated windows for the same churchโ€ฆโ€

The Foster memorial window and those donated by Alfred Kennerley were all crafted by the Melbourne stained Glass firm Ferguson & Urie and are all located along the north side of All Saints Church in what is known as the โ€œKennerley Aisleโ€.

In late 2012 the Ferguson & Urie stained glass windows will be restored by Tasmaniaโ€™s heritage stained glass conservator, Gavin Merrington. As at August 2012 restoration and conservation work has commenced on the three light west window of the church created in 1864 by the London stained glass firm of Charles Clutterbuck.

The Mercury, Hobart, TAS, Tuesday 16th November 1897, page 3.

โ€œDEATH OF HON. ALFRED KENNERLEYโ€

โ€œThe Hon. Alfred Kennerley, on of the most philanthropic and high principled men of Hobart, died yesterday at his residence, Elboden-place[i], in his 88th year, of old age and general decay, accelerated to some extent by the results of a stroke of paralysis having for some years prevented him getting about. He had spent a long and exemplary life in seeking to promote the good of others. A man who used to like to give expression to Tennysonโ€™s lines โ€“ โ€œHoweโ€™er it be, it seems to me Tis only noble to be good; Kind hearts are more than coronets, And simple faith than Norman blood.โ€

He was no ordinary man, and has done an immense amount of good in his time. Mr. Kennerley was an English gentleman of means, who came out in the early days to New South Wales, where he acquired some property and was soon made a magistrate. Finding that the climate there was very trying, he and Mrs. Kennerley removed to Hobart, and permanently took up their residence in this city. Mrs. Kennerley, to whom he was devotedly attached, died 28 ye; ars ago, and shortly afterwards everyone heard with deep regret that Mr. Kennerley had suffered a paralytic stroke. He rallied wonderfully, though the effects never wholly disappeared, and few expected that his life would have been spun out to the great age he has attained. Being a man of means and leisure, upright and shrewd, with a very active mind, his good counsel was soon sought in public affairs. He was elected an alderman of the city early in his sixties, and was Mayor of Hobart in 1862 and 1863, and again in 1871 and 1872. He was also returned to Parliament, and was Premier of the colony from August 4, 1873, to July 20, 1876, his Ministry being composed of: Mr. Chapman, Colonial Secretary, to April 1, 1876, when he resigned; Mr. G. Gilmore, Colonial Secretary, from April 10, 1876; Mr. P. O. Fysh, Colonial Treasurer, to March 12, 1875, then without office; Mr. F. M. Innes, Colonial Treasurer, from March 13, 1875; Mr. Giblin, Attorney-General; Mr. W. Moore, Minister of Lands and Works. The munificent acts of the deceased have been numerous; he has aided very many good objects in a very generous manner. Mr. Kennerley was first and foremost a staunch adherent of the Church of England, and has been a very liberal supporter of All Saintsโ€™ Church for many years, giving an annual sum towards the salary of the incumbent, another annual sum towards the offertory, and also contributing towards the improvements of the edifice. The poor of the parish he was also ever mindful of. He purchased the property, and founded and endowed the Boysโ€™ Home at a cost of about ยฃ3,000. The deceased gentleman leaves no children, his nearest relatives being his two nephews, Messrs. R. R. and Edward Terry, who resides in New South Wales, but who are well-known to a large circle of friends in Hobart. They are now on their way here to attend their uncleโ€™s funeral.โ€

 

External links:

Australian Dictionary of Biography: Alfred Kennerley (1810 – 1897)

Wiki: https://wikivisually.com/wiki/Alfred_Kennerley


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13-08-2012: All Saints Anglican Church, Hobart, Tasmania, Australia.

All Saint’s Anglican Church at South Hobart is restoring the church and it’s historic stained glass windows. The restoration of the stained glass windows will be carried out by Tasmanias restoration and Conservation expert Gavin Merrington over a period of more than a year. The church contains stained glass by Ferguson & Urie of North Melbourne, William Wailes of Newcastle-upon-Tyne, London and Charles Clutterbuck, London.

ABC News, Monday 13th August 2012. Interviews include, Ray Brown, Gavin Merrington and Duncan Foster.

1. Ray Brown: 3xGreat Grandson of James Ferguson of the Colonial Victorian Stained Glass firm Ferguson & Urie. The church contains three two light stained glass windows by the firm.

2. Gavin Merrington: Tasmania’s own historical restoration and conservation expert with over 30 years experience in stained glass.

3. Duncan Foster: Tasmania’s expert heritage Stone Mason

Related posts:

1868: All Saints Anglican Church, South Hobart, Tasmania.


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1879: St Luke’s Church, Bothwell, Tasmania, Australia.

The chancel of St Luke’s Church at Bothwell in Tasmania has a magnificent memorial stained glass window by Ferguson & Urie created circa 1879.

The memorial subject of the window is ‘Hunter Young’ (1823-1878) who died in his sleep at the age of 54 in the historic town of Bothwell in Tasmania on Sunday the 19th of May 1878. Hunter had the unfortunate employment title of “Scab Inspector for Bothwell.” His unenviable task was to inspect and fine any farmer found to be selling diseased sheep from the local properties. By all accounts, despite his job, he was well respected and had many friends who later subscribed for the erection of the window. His gravestone still exists at Bothwell Municipal Cemetery.
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Photos taken: 12thย  August 2012.
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The memorial text on the window reads: “ERECTED IN AFFECTIONATE REMEMBRANCE OF HUNTER YOUNG BY SOME OF HIS NUMEROUS FRIENDS. A.D. 1879”.

Historic newspaper transcriptions:

Launceston Examiner, TAS, Monday 20th May 1878, page 2.

“TASMANIA (From our own correspondent) Bothwell, May 19”.

“Mr. Hunter Young, Scab Inspector for this district, was found dead in his bed this morning. An inquest will be heldย at noon to-morrow”

The Mercury, Hobart, TAS, Tuesday 21st May 1878, page 1.

FAMILY NOTICES

“YOUNG.- On May 19, at Bothwell, Hunter Young, aged 54”.

Launceston Examiner, Wednesday 22 May 1878, page 3.

“DEATH OF MR. HUNTER YOUNG.- A telegram from Bothwell in yesterday’s Mercury gives additional particulars to those already published by us. It states that Mr Hunter Young, Inspector of Sheep, was found dead in his bed at his lodgings at Bothwell on Sunday morning. Mr Bumford knocked at his door a little before church time, and receiving no answer, he entered his room and found Mr. Young lying apparently asleep, but quite dead.”

Launceston Examiner, TAS, Friday 24th May 1878, page 3.

“BOTHWELL. (From our own Correspondent.)”

“An inquest was held at the Council Chambers on Monday last, before A. Reid, Esq., and a jury of seven, on the body of Hunter Young, late sheep inspector of this district, who died suddenly at his lodgings early on Sunday morning last. The principal witness examined was Mr Edward Bumford, who deposed – I am a householder residing at Bothwell; I knew the deceased Hunter Young, the subject of this enquiry; I have seen his body this morning in presence of the coroner; he lodged at my house; his duties as inspector of sheep called him from home frequently; he returned home on Saturday afternoon last, having been away since Tuesday; he appeared well and more cheerful than usual; he took a hearty supper after he came home, and went out about 5 p.m., but returned about 8 o’clock and asked if his watch had been sent home, but on being told that it had not said, that he must go and enquire about it; after I had been in bed a good while I heard Mr Young return and slam the door to, but I do not know what time it was; as he did not rise at the usual hour on Sunday morning I knocked at his bedroom door about half-past ten, and receiving no answer I opened it and went inside and found deceased apparently asleep but quite dead; I closed the door and reported the circumstance to the Superintendant of Police. The superintendant of Police and Constable Bumford were also examined, Dr Naylor having made a post mortem examination gave evidence as to the cause of death – he described in professional language the result of his examination, the purport of which was that deceased had died from natural causes, namely, cerebral apoplexy. A verdict to that effect was returned accordingly.

The remains of the deceased gentleman were interred at the Bothwell cemetery on Tuesday afternoon, when a large concourse of friends attended the funeral, Mr Young was a very old resident of the Clyde and Ouse districts and was well known and much respected by settlers generally.ย  May 21st.”

The Mercury, Hobart, TAS, Saturday 8th June 1878, page 2s.

“OBITUARY”

“Mr. Hunter Young died suddenly at Bothwell on the 18th may. He was a son of the late Captain Young, formerly of the Ouse, and brother-in-law to William Tarleton, Esquire, the present Police Magistrate of Hobart Town. He held the office of Inspector of Sheep for the Western portion of Tasmania for many years, and not withstanding the disagreeable duties pertaining to his office, which he had occasionally to carry out, it is not known that he ever made and enemy. He will be much missed in the Bothwell district, and, in fact, everywhere else where he was known, which was everywhere on the south side of the island”.

Restoration/Conservation:
This Ferguson & Urie window underwent restoration and conservation work by Tasmania’s stained glass expert, Gavin Merrington of ‘Original Stained Glass’, Hobart. Tasmania, in June 2004.

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27-01-1868: Royal Victorian Institute for the Blind, Melbourne, Victoria, Australia.

The Victorian Asylum and School for the Blind was formed at a public meeting in Prahran, Melbourne on 21 August 1866. Less than two years later, on the 25th of January 1868 the Hon. George Harker laid the foundation stone for the new building to be erected on St Kilda road. The architects chosen for the asylums design were Crouch & Wilson.

In 1891 the Asylums name was formally changed to the “Royal Victorian Institute for the Blind” (RVIB) and as at 2012, ย the original building now hosts a Belgian Beer Hall and Restaurant.

The most historical, and striking feature, is the original Ferguson & Urie stained glass window in the stairwell.

Photos kindly contributed by Mrs Noelle Nathan, taken 16th July 2012.

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The Argus Melbourne, Monday 27th January 1868, page 6.

โ€œTHE ASYLUM AND SCHOOL FOR THE BLINDโ€

โ€œOn Saturday the memorial stone of the Asylum and School for the Blind – a building now being erected on the St. Kilda road was laid by the Hon. G. Harker. It had been originally intended that the ceremony should be performed some weeks ago by Prince Alfred, and we are informed that a promise to that effect was made by the Royal Reception Commission; but shortly before His Royal Highness’s departure a communication was received to the effect that it would be impossible for him to fulfill the promise…โ€

โ€œ…This institution was started about eighteen months since, but it is only about a year since it was brought to working order…โ€

Illustrated Australian News for Home Readers, Melbourne, Tuesday 3rd March 1868, page 4.

“…The third storey will be devoted to paying pupils, and the staircase window is to be of stained glass…”

The Argus, Melbourne, Saturday 1st August 1891, page 5

โ€œโ€ฆ PROPOSED CHANGE OF TITLE. Mr. Alston moved that the title of the institution be changed to โ€œThe Royal Victorian Institute for the Blind: subject to the consent of Her Majesty to the use of the prefix. It had been felt that under its present title some misapprehension existed in regard to the objects of the institution, which were primarily to supply an education of a scholastic, musical, and industrial character to its inmates. Mr. Crews seconded the motion, which was carried…โ€


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22-11-1873: St Mark’s, Warwick, Queensland, Australia.

Warwick Examiner& Times, QLD, Saturday 22 November 1873, page 2.

ย โ€œST. MARK’S CHURCH.- The stonework of St. Mark’s church was completed yesterday. The masons, Messrs. Knott, Sewell, and Hutcheon, have done their work in the most faithful manner, and we would not feel surprised if St. Mark’s church were to prove one of their best recommendations to those about to build. The full effect of the improved style of windows and porch is now seen to advantage. The carpenters have also completed the roof, and have placed the ridge cap upon it. The only considerable portion of their work that remains is the flooring, and with the number of experienced joiners employed, this cannot occupy many days. It may be interesting to note that the church from end of chancel to western porch in 94 feet, and the transepts from porch to porch are 68 feet. The church will accommodate 500 people comfortably – even 600, on a pinch – and will have cost when completed, apart from the proposed tower and peal of bells, nearly ยฃ3000. Cathedral glass, with coloured margins, has been ordered from Messrs. Ferguson and Urie, stained glass manufacturers, Curzon-street, Melbourne, and will add much to the beauty and comfort of the church. When and organ has been added – and it will be, we hope, at no very distant date – St. Mark’s church will, if we except the new cathedral in Brisbane, be the finest and most complete ecclesiastical edifice in the colony. A small balance of the subscriptions to the building fund are still unpaid, and we must urge the subscribers to pay it to the Treasurer, Wm. Thompson, Esq., Bank of New South Wales, during the next week, so that all claims for the completion of the church may be satisfied as soon as presented. We shall give full particulars in an early issue in reference to the opening services.”

Warwick Examiner & Times, QLD, Saturday 17th January 1874, page 2.

โ€œST. MARKโ€™S CHURCH.- There is a pleasant surprise in store for the parishioners of St. Markโ€™s Church to-morrow morning. The windows have arrived, and have been put into their places during the present week, though all the work connected therewith is hardly yet finished. They are from the Stained Glass Factory of Messrs. Ferguson and Urie, Melbourne, and reflect great credit on that firm. The workmanship is such as we should hardly expect to find in the colinies, and well deserves a visit of inspection from those who are interested in such matters. The centre portion of he windows is composed of cathedral glass, diamond shaped, fitted in lead, and strengthened at every angle by soldering. The margins of nave windows are composed of coloured glass of different shades, so harmonised that the effect is most pleasing. The light is softened and subdued, and the colours so blended, that there is nothing โ€œloudโ€ nor glaring. Nor has the important item of ventilation been forgotten. There are six ventilators which open and shut in the simplest manner, and admit currents of fresh air at such a height as to refresh, and yet not to alarm the most susceptible to colds. But perhaps the most prominent object of attraction is the window in the gable. The centres of the different circles and figures are of Cathedral glass, whicle the margins are stained. The colours are exceedingly rich and effective. Altogether the windows of St. Markโ€™s Church, while comparatively cheap, are most beautiful and attractive. They give a character and a gracefulness to the Church not often met with. They bespeak excellent judgement as well as chastened taste on the part of those who have designed, selected, and arranged them. The Bishop, on his way to Stanthorpe, preached last nightโ€.

The Queenslander, Brisbane, QLD, Saturday 7th February 1874, page 10.

โ€œSt. Markโ€™s church is completed so far as externals are concerned. The windows, made by a Melbourne house, are very beautiful, and the church is greatly admired. New seats are being made, and grounds are about to be laid out.โ€


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09-08-1881: Christ Church, South Yarra, Melbourne, Australia.

ย The Argus, Melbourne, Tuesday 9th August 1881, page 5

โ€œAn effort is being made by the vestry of Christ Church, South Yarra, to take advantage of the present renovation of the church to place a stained glass window in the south transept, as a tribute to the memory of the late Mr. Justice Fellows, and we are requested to draw attention to the advertisement, which appears in another column, inviting subscriptions. We understand that the window to be replaced is not one interfered with by the alterations now in progress, but the vestry consider the present a very fitting opportunity for carrying their praiseworthy object into effectโ€.

Photos dated: 25th March 2012.

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The memorial stained glass window in Christ Church, South Yarra was created by Ferguson & Urie.

Justice Thomas Howard Fellows died at Sout Yarra on the 8th April 1878. He had also donated the chancel window and the twelve apostle windows in the nave for St Georgeโ€™s Church in Queenscliff.

Related posts:

07-04-1882: St Georgeโ€™s Church, Queenscliff,ย Victoria.
04-10-1881: Christ Church South Yarra, Melbourne, Victoria.
17-03-1882: Christ Church, South Yarra. Melbourne, Victoria.

YouTube: My basic 360 degree internal view of Christ Church taken with an iPhone 3GS.

External links:

Biography: Thomas Howard Fellows (1822-1878)

Obituary: Justice Fellows. The Argus, 9th April 1878, page 5

13-08-1867: St Peter & St Paul, Geelong, Victoria.

In the later half of 1867 James Urie of the stained glass firm ‘Ferguson & Urie’ of North Melbourne traveled to Tasmania to further expose the business throughout the Colonies. The Hobart Mercury provided detailed reports of his travels as well as mentioningย  some of the establishments the company had gained commissions for, or those they had recently completed. One of those mentioned was the church of St Peter & St Paul in Geelong.

The foundation stone of the church was laid by Bishop Goold on the 17th January 1864 and was designed by architect William Wardell in the 13th Century Gothic form. The superintending architect wasย  J. A. Denny and the contractor was a Mr. Nash, of Geelong. The total cost of the construction exceeded ยฃ6000.

Photos taken 23rd August 2009.

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The three light window was erected as the principal east window in the chancel. The left light depicts St Peter with his crossed Keys to heaven. the centre light depicts Jesus in the act of the Ascension with the Holy Dove above and the right light depicts St Paul holding his book and sword and another symbol of the book below.

Fremanโ€™s Journal, Sydney, NSW, Saturday 21st July 1866, page 451.

“…The stained window of the altar was designed and executed by Messrs. Ferguson and Weir [sic] of North Melbourne, whose artistic talents have been successfully deployed in depicting not only a work of art, but one also befitting the dedication of the edifice. The window is the history: the ecclesiastical symbols, combined with the figures of the saints, are in severe taste, and the adjuncts in selection consistent. The coloring is cheerful yet sober, and the effect of that nature that shades come up reminding one of historic memories…”

“..Reverting to the stained window we may mention that it is a gift of the Very Rev. Dean Hayes, and we have ascertained that his munificence โ€“ not dwarfish on other occasions โ€“ has been exemplified in this instance by the outlay of ยฃ112…”

“The architect of this unique building is W. W. Wardell, Esq โ€“ the superintending architect, J. A. Denny, Esq and the contractor, Mr. Nash, of Geelong, to whom for promptitude and excellelence in workmanship every praise is due. The total cost of the erection exceeds ยฃ6000”.

“…The subdued light fell on the altar through the stained glass with just sufficient power to bring into relief the golden woven vestments of the celebrants…”

Unfortunately the images in the slideshow are from my earlier photographic attempts back in the days when I only had a pocket digital camera.

Related posts: 13-08-1867: James Urie visits Tasmania on Ferguson and Urie business.

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1890: Curzon Street, Ferguson & Urie Employees circa 1890.

This is a magnificent historical photo of James Ferguson and five of the Ferguson & Urie employees circa 1890. I would guess this photo may have been taken at the rear of the Curzon street workshops North Melbourne which was their first workshops when they started business in 1853. They advertised from the site as early as 1853 but the workshop building wasn’t erected until after 1858 as indicated in the diaries of stained glass artist David Relph Drape. The building still exists as at 2012 but the interior has been converted to individual apartments and only the shell and facade remain as it appeared in the Ferguson & Urie employee photos of June 1887.

The only two positively identified men in the photo are, James Urie Jnr,ย  James Ferguson Snr and James Ferguson Jnr. The other identifications are based on a likeness from the 1887 employees photos that were taken for the company dinner held on the 22nd January 1887.

CURZON Street Photos 01a

1.D. Morris, 2. unknown, 3. James Urie Jnr (1870-1896), 4. James Ferguson Snr (1818-1894), 5. J. M. Gilligan, 6. James Ferguson Jnr (1861-1945). Photo kindly contributed by my 3rd cousin Errol Vincent from New Zealand 2010.

CURZON Street Photos 02a

The Curzon Street workshop building as it appeared in June 1887 and photo taken 2012.

When the building was being converted to apartments in 2012 the sales brochures indicated that the building had been “remodeled circa 1875 to become the North Melbourne Masonic Lodge”. This incorrect. Ferguson & Urie retained the building as their workshops until the company demise in 1899.

18990506

In May 1899 an advertisement was placed in the Melbourne Age advertising the auction of their stained glass workshops at 42 Curzon Street would occur at 3p.m. on the 9th of May 1899.

The first tabloid article indicating the building had become the North Melbourne Masonic Lodge appeared in the North Melbourne Courier & West Melbourne Advertiser in September 1902 and it remained in their possession until 2008 when it was put up for auction and sold for $1.3m.

20081014 Curzon

Related posts:

1887 Ferguson & Urie Companyย Dinner


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02-09-1861: Tarrengower Victoria. John Lamb Lyon stained glass.

The Argus, Melbourne, Monday 2nd September 1861, page 5.

โ€œAmongst the contributions which Tarrengower will forward to the forthcoming Exhibition will be a stained-glass window, in the Early English style, the work of Mr. John Lyon, of Maldonโ€.

There is obviously insufficient detail in the article to distinguish the description of this window from many other windows described as of “Early English style” and there have been no other articles of the time to associate it by dates.ย  The only other extant window from the same period of late 1861,ย  is the Ferguson & Urie two light chancel window of St Margaret’s Church in Eltham which is the earliest known extant window by the firm with evidence of communication with Ferguson & Urie and the church in November 1861.

Lyon is not known to have joined Ferguson & Urie until late 1861, making this ‘Tarrengower’ window his own work, but collaboration is possible. If he had created the window completely of his own accord it could only have been done on a very small scale, assuming he did not have any commercial sized kiln for firing the glass in the tiny township of Maldon. Interestingly the exhibition list of awards published in December 1861, mentions Lyon’s entry as a ‘design for stained glass’ and not actually a window!

The English stained glass artist David Relph Drape is known to have been in Maldon at the exact same time as Lyon and they are both likely to have collaborated in the design and manufacture of the two light west window of the Holy Trinity church in Maldon in 1863. Drape was also the architect of Holy Trinity and commenced work with Ferguson & Urie as a stained glass artist on the 8th November 1863.

Related posts:

John Lamb Lyon, Stained Glass Artist, (1835-1916)

External links:

Biography: John Lamb Lyon (1835โ€“1916)


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1880: St Maryโ€™s Anglican Church, Sunbury, Victoria.

St Mary’s Anglican Church in Sunbury was designed by architect Leonard Terry and tenders were advertised for its construction in July 1866. The Church contains many excellent examples of stained glass by Ferguson & Urie. The triple light east window is a memorial to the infant Agnes Petrea Josephine Clarke circa 1879.ย 

Photos taken 6th February 2011.

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In 1880 the chancel was added to St Maryโ€™s and itโ€™s at this time that the Clarke memorial window was most likely installed. The window is a memorial to Agnes Petrea Josephine Clarke, the infant daughter of Sir William John Clarke and Janet Marion Snodgrass. She was born at the family home, โ€œRupertswoodโ€ mansion in Sunbury on the 3rd of September 1877 but died on the 20th of March 1879 and was buried in the family grave at the Melbourne General Cemetery.

The left lancet of the window depicts St Agnes with the text below: โ€œIN MEMORIAMโ€wholly

Above the centre lancet is the dove within trefoil tracery. The central scene in the centre light is Christ depicted from Luke 18-16; โ€œSuffer little children to come unto meโ€. Below that is a cherubic angel, presumably to depict the young Agnus Clarke and it was most likely painted by Ferguson & Urieโ€™s senior stained glass artists David Relph Drape. The bottom edge of the window has the infantโ€™s name: โ€œAGNES PETREA JOSEPHINE CLARKEโ€.

The right lancet depicts St Mary with the text below โ€œOBIIT MDCCCLXXIXโ€ (1879).

The Argus, Melbourne, Tuesday 4th September 1877, page 1.

โ€œCLARKE.- On the 3rd inst, at Rupertswood, Sunbury, the wife of W. J. Clarke of a daughter.โ€

The Argus, Melbourne, Monday 24th March 1879, page 1

โ€œCLARKE.- On the 20th inst, at Rupertswood, Sunbury, Agnes Petrea Josephine, beloved youngest daughter of William John and Janet Marion Clarke, aged 18 monthsโ€.

St Mary’s Web Site (accessed 22 June 2012)

โ€œโ€ฆ The building of St Maryโ€™s was begun in August 1866 according to the plans of Leonard Terry, which provided for a blue-stone gothic church.ย  Only the nave was built at this stage for the cost of ยฃ1013/10/1.ย  The building was opened for public worship on 24 November 1867, by Archdeacon McCartney (later Dean of Melbourne). A year later (1868) the church bell was erected at the cost of ยฃ22/10/-. The chancel and vestry were added in 1880โ€ฆโ€.

“โ€ฆ The stained glass windows behind the altar are believed to have been installed in 1880, when the chancel was added.ย  They are dedicated to Agnes Clarke, younger daughter of Sir William and Lady Janet Clarke, named after Lady Janetโ€™s mother Agnes Snodgrass.ย  The left pane depicts St Agnes, who herself died young at the age of twelve and is the patron saint of girls.ย  The right pane depicts Mary, mother of our Lord Jesus, while the centre panel depicts Jesus welcoming little childrenโ€ฆโ€.

The other small windows in the nave and chancel:

The other smaller windows in the nave and porch are of Ferguson & Urieโ€™s simple stock windows comprising of plain diamond quarries and the red, blue and yellow borders. These would have been the original windows installed at the time of the churches construction in 1866-67. Those in the porch appear to be replicas of the originals.

Related posts:

1884: St Maryโ€™s Anglican Church, Sunbury, Victoria.

1875: Rupertswood Mansion, Sunbury, Victoria.

External links:

Biography: Janet Marion Clarke (nee Snodgrass) (1851โ€“1909)

Biography: Sir William John Clarke (1831-1897)


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1875: Rupertswood Mansion, Sunbury, Victoria.

At the Victorian Intercolonial Exhibition of 1875, Ferguson & Urie exhibited a โ€œ…Portion of Staircase Window for Mr. Clarkeโ€™s mansion Sunbury…โ€

The foundation stone for Rupertswood was laid on the 29th of August 1874 and officially opened in the presence of over 1,000 people on the 16th of March 1876.

The windows at Rupertswood are the largest known collection of privately commissioned stained glass created by Ferguson & Urie. Six sets of windows span two floors, three on the bottom floor and three on the top floor. The windows are all of secular design with the bottom floor windows having intricately designed hunting scenes painted by the firmโ€™s senior stained glass artist David Relph Drape. Three of the scenes include Drapeโ€™s name or initials near the bottom right corner of each scene.

Photos taken 6th February 2011.

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The Bacchus Marsh Express, Vic, Saturday 31st July 1875, page 4.

โ€œPAINTED windows are not confined to cathedrals, churches and other places of worship. Mr. W. J. Clarke, whose mansion on the Sunbury estate is now in course of completion, under the architectural supervision of Mr. Geo. Brown, has given a large order to Messrs. Fergusson [sic] and Urie, glass-stainers of Collins-street east. What between elaborately embossed side windows in the hall door entrance โ€“ very pleasing to the eye โ€“ the various shades of colored glass in the ante-rooms, conservatory and billiard-room, and the lantern light above the main staircase, the spectator cannot be struck with the brilliant effect produced. There are three large stained windows on each landing of the grand staircase, those on the lower landing representing sporting scenes, the most prominent figure being โ€œThe stag at bay,โ€ boldly and faithfully done after the late Sir Edwin Landseer. Coursing is well depicted in the same window, as are other field sports. Floral decorations occupy the panels on the upper staircase. Altogether, Mr. W. J. Clarke may be congratulated in his absence upon having his ideas so well carried out. Messrs. Chirnside are also adopting stained glass decorations; and if the design submitted be approved of, they will have โ€œThe twelve months of the year,โ€ each representing the class of game obtainable here and in the old country, have made an elegant border. Many sketches, all in colors, some lay, others ecclesiastical, are to be seen in the establishment of Messrs. Fergusson [sic] and Urie, the bulk of which have been accepted and executed.- Age.โ€

The Argus, Melbourne, Friday 17th March 1876, page 7.

โ€œโ€ฆMr. W. J. Clarke had issued invitations to upwards of a thousand persons to participate in a fete – one of a series, we believe – given to celebrate the completion of a handsome mansion he has erected on his Sunbury estate, from the plans of Mr. George Browne, the architect of the Theatre Royal in this city. It was literally open house to all comers, and no expense was spared to provide for the entertainment of the guests. The day was everything that could be wished, the sky veiled by grey clouds, and fresh breeze tempering the atmosphere sufficiently to render out of doors not merely tolerable but enjoyable. In the morning the children of the three local schools assembled in front of the house, and signalised the raising of the Victorian flag for the first time on the tower of Rupertswood by giving three lusty cheers…”

Australian Town an Country Journal, NSW, Saturday 3rd March 1877, page 28.

“…Mr. Clarke’s magnificent mansion is situate at Sunbury, about two hours’ ride by train from Melbourne. The foundation stone of this fine building was laid on the 29th August, 1874…”

Victorian Heritage council document (viewed 19 Feb 2012).

โ€œThe foundation stone for Rupertswood was laid on 29 August 1874 with some 1000 people in attendance. The mansion was built by contractors George Sumner & Co. from designs prepared by architect George Brownโ€ฆโ€.

โ€œโ€ฆ During the ownership of Sir William Clarke, Rupertswood became one of the principal social centres in Victoria, with hundreds of guests arriving at the estate’s private railway platform to attend hunt meets, balls and house parties. Clarke was one of the most prominent people in the colony. He was a member of the Legislative Council and received the colonyโ€™s first baronetcy. He was so prominent that he was able to have the Mt Alexander rail line diverted past his property. Hence, the Rupertswood Railway station. The estate also had its own half battery of horse artillery when Sir William Clarke formed a small permanent force in 1885. The drill hall and the vault remain as reminders of this privately sponsored regimentโ€.

The Birthplace of the Ashes (Rupertswood.com.au โ€“ viewed 19 Feb 2012).

“Rupertswood” holds a place in the great sporting rivalry between Australia and England, as it was on a field at “Rupertswood” that the “Ashes” were created. On Christmas Eve of 1882, after a congenial lunch, Sir William Clarke suggested a social game between the English Cricket team and a local side, made up largely of Rupertswood staff. By all accounts, it was an enjoyable game with no one really keeping score, however, it was generally agreed that the English won. Pat Lyons, a worker at “Rupertswood”, clearly remembered the afternoon many years later. It was his understanding that Lady Clarke, at dinner that evening, had presented Ivo Bligh with a pottery urn. It was purported to contain the ashes of a burnt bail. This was a light hearted gesture to commemorate England’s win at “Rupertswood”.

In 1926 the Catholic Salesian Order purchased Rupertswood and 700 acres from the estate of William Naughton to establish a school for the poor. The mansion was restored for used as a convention centre and boutique accommodation and was opened to the public on the 27th January 2002 under the management of Rupertswood Mansions Pty. Ltd.

As at mid 2014 the Salesian Order have not renewed the Rupertswood Mansions Pty, Ltd. contract and have resumed control of the mansion. The entire contents of the mansion was sold at auction in July 2014 and it is no longer open to the public.

Related posts:

30-03-1882: Death of stained glass artist David Relph Drape.

External links:

Biography: Sir William John Clarke (1831-1897)

Biography: Janet Marion Clarke (1851 โ€“ 1909)

ABC News, Rupertswood Auction, 9 July 2014.

The Age on-line, Rupertswood Auction, 5 July 2014.

[i] Victorian Intercolonial Exhibition Catalogue 1875, Group 4, page 47.


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1877: Holy Trinity Anglican Church, Coleraine, Victoria.

The three Ferguson & Urie windows in the chancel of Holy Trinity Coleraine are a memorial to the Reverend Francis Thomas Cusack Russell who died aboard the โ€˜Hampshireโ€™ on his return voyage from England on the 7th of February 1876. The windows depict the Nativity, Crucifixion and Resurrection and were donated by George Trangmar of โ€œToolangโ€, Coleraine. Three other Ferguson and Urie windows originally installed in the South wall of the nave were donated by Richard Lewis of โ€œRifle Downsโ€, Digby. Another memorial window to Rev. Russell also exists at the former Anglican Church at Merino, also made by Ferguson & Urie.

Photos taken 9th January 2011.

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The memorial text at the base of the Crucifixion window reads:

โ€œThese windows were presented to Holy Trinity Church Coleraine by GEORGE TRANGMAR in loving memory of the late Revd F. T. CUSACK RUSSELL, L.L.D. for nearly twenty five years Clergyman of this Parish 1877โ€.

The Holy Trinity Church at Coleraine was consecrated by Bishop Thornton on Thursday 30th October 1884[1]. The Ferguson & Urie oriel windows, formerly installed in the clerestory, are now mounted within the plain glass windows of the newly constructed south wall.

National Trust Database, File B0667, Holy Trinity Anglican Church & Organ.

โ€œThe foundation stone for Holy Trinity Church, Coleraine was laid on 8 February 1865 by the Rev. Dr Francis Thomas Cusack Russell and the first service held on 4 November 1866.โ€ฆ”

โ€œโ€ฆThe three windows in the chancel, The nativity, The Crucifixion and the Resurrection were a memorial to Rev. Dr. Russell donated by local merchant George Trangmar and manufactured by Melbourne firm Ferguson & Urie. The symbolic oriel windows were by Ferguson & Urie.โ€ฆโ€

Holy Trinity Coleraine, Church booklet, page 27.

“The three Sanctuary windows were presented to Holy Trinity by George Trangmar of โ€œToolangโ€ in memory of Dr. Russell when the chancel was built in 1877. The left window depicts the stable at Bethlehem, the centre one the Crucifixion with Jesus at the Last Supper below, and the window on the right shows the resurrection. The Clerestory windows depict various Christian symbols and were the gift of Mr. Richard Lewis, of โ€œRifle Downsโ€, Digbyโ€.

GEORGE TRANGMAR 1825-1917

The Argus, Melbourne, Wednesday 25th April 1917, page 8.

โ€œThe death is announced this morning of a very old resident of the Western district. Mr, George Trangmar, formerly of Toolang, Coleraine. Mr. Trangmar, who was born at Brighton, England, in 1825, arrived in Victoria in 1849. He joined his brother, Mr. James Trangmar, in business in Portland, but in 1851 went to Coleraine, and opened a store there. He was in business for 25 years at Coleraine, where he took a leading part in local affairs. He was a member of the Wannon Shire Council for very many years, and filled the presidential chair. Some forty years ago he acquired the Toolang estate, ten miles from Coleraine, which he used for sheep farming until about 14 years ago when he sold the property, and came to live in Melbourne with his daughter, Mrs. J. M. Gillespie. The funeral will take place at Coleraine on Fridayโ€.

RICHARD LEWIS (1815-1890)

Richard Lewis was a Sea Captain & later a pastoralist who settled at Emu Creek (later to be named Digby). He built the Wool Pack Inn at Digby in 1843 and purchased the Rifle Downs and later Pleasant Hills, Glenlivet and Hilgay properties. He died at Casterton aged 76 on the 25th of September 1890[2] and was buried in the South Portland cemetery.

Portland Guardian, Vic, Friday 26th September 1890, page 2

“Intelligence has been received here to-day of the death of Mr. Richard Lewis of “Bryngola”. The deceased gentleman succumbed to the terrible complaint Bright’s disease, but was well advanced in years, his age, we understand, being 76. Mr. Lewis was one of the oldest of the pioneers, his connection with this district, we believe, having reached a period of very close on the half-century. He owned at one period Rifle Downs, Pleasant Hills, Glenlivet and Hilgay stations. In accordance with his expressed wish Mr. Lewis’ remains will be brought to Portland for interment, and will be buried tomorrow in the South Cemetery. The funeral leaves the North Station at 1.30 p.m.”

Related posts:

08-12-1867: St Peterโ€™s, Merino (another memorial to Rev. Russell)

External links:

Biography: Francis Thomas Cusack Russell (1823โ€“1876)

 


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26-07-1885: St Johnโ€™s Anglican Church, Port Albert, Victoria.

On the 14th of January 1884 the tiny wooden church of St Johnโ€™s at Port Albert was burnt to the ground as a result of a bushfire. Less than a month later a tender of ยฃ262 was accepted for its re-construction with the official opening ceremony taking place on the 26th of July 1884.

The Ferguson & Urie three light stained glass window in the chancel is dedicated to Foster Griffiths, the infant son of Griffith Griffiths and Charlotte McCall, who died in October 1872. Griffith commissioned Ferguson & Urie of Melbourne to create a memorial window to his son with the intention of it being installed at a church in the nearby town of Foster but at that time a church had not yet been built at the town. After many years had passed without any action to have one erected it was eventually passed to the Reverend Betts who had it installed in the new St Johnโ€™s Church at Port Albert in 1885. As at 2012 this is the only Ferguson & Urie window known to still exist in a wooden building.

Photos taken 24th April 2011.

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The text in the ribbons of the central window reads: “I KNOW THAT MY REDEEMER LIVETH Job 19-25”.

The scene depicting the empty tomb has the text below: “HE IS NOT HERE”. The scene does not specify a particular verse and could be one of four accounts of the resurrection written by Matthew, Mark, Luke or John.

Church Booklet – St John’s Anglican Church Port Albert – Melva F. James, Yarram & District Historical Society 2011, page 20.

“Stained Glass Window – In the Chancel of the Church is a magnificent stained glass window, the principal subject of which is the Saviour’s Resurrection.ย  The inscription on the bottom states “In Memory of Foster Griffith, died October 5th 1872.” Foster Griffiths was the infant son of Griffith Griffiths who was a prospector at Foster. On the death of his son at the age of six months, Griffiths obtained this window for the nearby town of Foster, but as there was no church in Foster, it was given to Rev. Betts, (who conducted services in the Foster Mechanic’s Hall), and was placed in the Port Albert Church when it was re-built after the fire.”

The window was restored in 1999 and a brass plaque to the left of the window reads:

โ€œThis window was restored in memory of Maud Robinson by the ladies guild and her family, in recognition of her service to this church”.

After the restoration of the windows, the memorial text at the bottom of the left lancet no longer has the first few words โ€œIn Memory ofโ€, and instead, a duplication of the windows border colours were filled in its place which leads me to assume that this was not any kind of professional restoration but more like a local lead light enthusiast who merely filled the broken gap.

If Griffith had possibly commissioned Ferguson & Urie to create the window in 1873, but not installed until 1885, there would appear to be a 12+ year gap missing in the windows history. The design and grisaille pattern work employed in the window is typical of Ferguson & Urieโ€™s early 1870’s work with the floriated cross. Other extant examples of the floriated cross in Ferguson & Urie windows can be seen at St Luke’s at Yea, St Barnabas at Balwyn, St John’s at Port Fairy, and St James at Drysdale.

Gippsland Times, Vic, Wednesday 29th July 1885. Page 3

โ€œThe opening of the new Church of England at Port Albert, which was built to replace the structure that was destroyed by fire in January, 1884, took place on Sunday last, when sermons were preached morning and evening by the Rev. C. P. Thomas, of Rosedale. The choir sang Jacksonโ€™s service and hymns appropriate to the occasion in a highly finished manner. There was a large congregation, filling the church both morning and evening to its utmost capacity. Next Sunday the Rev. Mr Groundwater will preachโ€.

Gippsland Times, Vic, Wednesday 16th January 1884, page 3.

EXTENSIVE FIRES
(BY ELECTRIC TELEGRAPH)
(FROM OUR OWN CORRESPONDENTS)

โ€œPORT ALBERT, Tuesday Evening.

The most destructive fire that has ever occurred in this district was burning from about ten oโ€™clock until sundown yesterday. The fierce north wind commenced to blow early in the morning, and a small fire that sprung up early in the day in the vicinity of the Old Port, increased in power, and came rushing madly on towards Port Albert, sweeping over many miles of country. Mr George Hastings and Mr John Rossiter, of the Standard office, had narrow escapes of losing their houses, situated on the Alberton road, as the wind kept veering round at intervals. However, owing to the timely assistance of a number of residents who turned out, the only loss sustained there was that of a fence enclosing one of Mr Rossiterโ€™s paddocks, the fire being prevented from reaching a stack of hay and house close at hand. From here the fire crossed a metal road, destroying a wooden culvert, and making towards the township. The bells of the English Church were rung as an alarm, but a spark caught the wooden blocks and then the shingle roof, and in less than half an hour the church was completely demolished. The harmonium and seats were saved. The police buildings at Palmerston also caught fire, but they were with great difficulty saved. The escape of the township and the residences in the vicinity of Palmerston is hard to be accounted forโ€.

South Australian Register, Adelaide, Tuesday 15th January 1884, page 5.

โ€œA destructive bush fire is now raging in the neighbourhood of Port Albert, South Gippsland. The English Church, a wooden building, was seized by the flames and burned to the ground in spite of the great exertions made to save it by the inhabitants.โ€

The Maffra Spectator, Vic, Thursday 7th February 1884, page 3.

โ€œA special collection will be made at St. Johnโ€™s, on Sunday evening, to assist in the rebuilding of the church burnt at Port Albert.โ€

Gippsland Times, Vic, Friday 13th February 1885, page 3.

“The tender of Mr. J. Avery, jun, has been accepted for the erection of the new church of England at Port Albert, the price being ยฃ262”.

Gippsland Times, Vic, Friday 29th February 1884, page 3.

โ€œIt will be very gratifying to our readers (says the Standard) to learn that the Rev Canon Chase, incumbent of St Johnโ€™s Church, Melbourne, (acting of course in conjunction with the committee) has paid a very graceful compliment to the Rev. H. A. Betts, who formerly filled the office of curate at St. Johnโ€™s. Since the destruction of the Port Albert Church by fire Mr Betts has exerted himself in various ways to aid the building fund, and he wrote to some old friends who attended St. Johnโ€™s Church in Latrobe street during his curacy, asking them for a little private help. But this request appears to have been the signal for combined action, and on Sunday evening last, at a full choral service and harvest thanks-giving, a special collection was made โ€œin aid of the building fund of the rev. H. A. Betts Church at Port Albert,โ€ and the sum of ยฃ12 2s was the result. This agreeable surprise comes to us all the more acceptably on account of itโ€™s warm-hearted and spontaneous mode of inception and consummation, and a word of commendation is due to the rev. Canon Chase and his committee (as also to the congregation as a whole) for this proof of good fellowship and kind remembrance towards their late curate, in the practical step they have taken to help a small congregation in the country to erect a building to take the place of that which was reduced to ashes by a bush fire on the 14th ultimo.โ€


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08-12-1867: St Peterโ€™s Anglican Church, Merino, Victoria.

The opening of St Peterโ€™s Church at Merino was supposed to occur on Sunday the 8th of December 1867[1] but was postponed due to unforseen circumstances. The service was re-scheduled for Sunday the 22nd [2] just before Christmas and the Rev. Dr. Russell officiated. No mention was made of any stained glass window in any articles found to date but the three light east window facing the township was made by Ferguson & Urie of North Melbourne sometime after the Rev Russell’s death in 1876.ย  St Peterโ€™s is no longer a consecrated church and as at 2011 was undergoing renovation and conversion to a private house.

The triple light window faces the township and the centre light has figurative and geometric designs of stained glass which is flanked by two shorter lancets of plain diamond quarries and red and yellow stained glass borders.

At the top of the central window is the holy spirit depicted by the Dove. Below that is Christ carrying the lamp in the well known depiction of Holman Hunt’s “Light of the world”. Further down is Christ depicted as the โ€œGood Shepherdโ€ carryingย  a Lamb and the Crook and surrounded by a flock of sheep. Geometric quatrefoilย  designs separate each figurative picture and the very bottom of the window bears gold text on a black background with the memorial text:

“AFFECTIONATE REMEMBRANCE OF THE REV F. T. CUSACK RUSSELL D.C.L WHO DIED AT SEA FEB 7th 1876 AGED 53 YEARS”

The nave of St Peter’s also has a number of other single lancet windows by Ferguson & Urie of plain diamond quarries and coloured borders. Unfortunately all the windows are in extremely poor condition and are in desperate need of restoration.

Photos taken 9th January 2011.

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Portland Guardian, Vic, Thursday 2nd January 1868, page 2.

“… St PETERโ€™S CHURCH โ€“ The opening of this church on the Sunday before Christmas, will form a memorable ere in the history of our town. On this occasion we had influential visitors from all the surrounding towns of Casterton, Coleraine and Digby. The concourse of carriages was immense. At 11 a.m., the hour for divine service, the interior of he church was crowded many unable to find seats. F. Henty, Esq., Merino Downs furnished a harmonium for the occasion, and this in connexion with the singing added considerably to the impressiveness of the services. The Rev. Dr. Russell preached from the text:- โ€œExcept the Lord build the house, &c.,โ€ an excellent sermon after which a collection amounting to ยฃ24 was made in aide of the building fund.โ€

Related posts:

1877: Holy Trinity Anglican Church, Coleraine, Victoria.
1864: St John’s Anglican Church, Digby, Victoria.

External links:

Biography: Francis Thomas Cusack Russell (1823-1876)

Parsonage on the Wannon: Rev. Dr. Francis Thomas Cusack RUSSELL 1823-1876

14-12-1866: St Lukeโ€™s Anglican Church, Yea, Victoria.

โ€œOh, Lord, I am shotโ€

Sometimes Stained Glass windows commemorate a life taken in tragic circumstances.

On the 14th of December 1866, a thirteen year old boy named Edmund George Taylor accidentally shot and killed himselfย  on the road to Yea in north east Victoria.

“…He was on the dray with a gun in his hand, when by some means or other it went off, and he contents were lodged in his chest, causing almost instantaneous death. His companions did not observe the gun go off, but only heard the report, and saw the deceased fall off the dray. He exclaimed, โ€œOh, Lord, I am shot,โ€ and never spoke afterwards…”

It can only be assumed that his father, George Henry Taylor, a solicitor from Upper Hawthorn near Melbourne, had commissioned Ferguson & Urie to create the memorial stained glass window to his son. The window was erected in St Lukeโ€™s Anglican Church in Yea in North east Victoria. Whether the Yea Church was considered symbolic as the place to erect the window is not known, but it’s the destination his son never reached.

The date the window was actually created and erected in St Luke’s is not known. The Anglican Church of St Luke at Yea wasnโ€™t constructed until 1869 and so it’s likely that the window was one of the first to be erected in the church and is also the window you see immediately on entering the church.

The central symbol in the window is an intricately designed blue cross on a rich ruby red background with floral and vine leaf designs in various colours. The cross is surrounded by the verse from Ecclesiastes 12:7.
โ€œTHE DUST SHALL RETURN TO THE EARTH AS IT WAS AND BE SPIRIT UP TO GOD WHO GAVE ITโ€.

The memorial text at the bottom of the window reads:
โ€œIN MEMORIAM – EDMUND GEORGE TAYLOR – DIED DECEMBER 14th 1866โ€.

Photos taken 26th December 2011.

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The Age, Melbourne, Vic, Tuesday 18th December 1866, page 5.

“A boy, named Edmund George Taylor, aged thirteen years, the son of Mr. Taylor, solicitor, living at Boroondarra, was accidently killed last Friday. It appears that, together with his brother, he was in company with a man named John McCessey, who was taking a bullock dray to Yea. He was on the dray with a gun in his hand, when by some means or other it went off, and he contents were lodged in his chest, causing almost instantaneous death. His companions did not observe the gun go off, but only heard the report, and saw the deceased fall off the dray. He exclaimed, “Oh, Lord, I am shot,” and never spoke afterwards. An inquest was held upon the body on Sunday, by Mr Candler, when Mr Bragge, Surgeon, deposed that he made a post mortem examination of the body, and found a most extensive gun-shot wound in the stomach and chest, the third, fourth, and fifth ribs being shattered, and the right lung broken up, and in the apex witness found a mass of wadding and shot. There were some detached shots by the side of the spine. The direction of the wound was upwards and inwards. The firearm causing it must have been quite close to the person of the deceased. The jury returned a verdict of accidental death.”

The Argus, Melbourne, Wednesday 19th December 1866, page 5.

“The name of the unfortunate lad who was lately accidentally shot while traveling in a dray in the neighbourhood of Boroondara, should have been Edmund George Taylor, and not Charles Frederick Taylor. The latter โ€“ the brother of the deceased โ€“ was present, and unfortunately, a witness of the accident”.

The Argus, Melbourne, Tuesday 18th December 1866, page 5.

“On Thursday last an accident, which terminated fatally, occurred to a lad thirteen years of age, named Charles Frederick Taylor, the son of Mr. Taylor, solicitor, of Boroondara. It appears that between eight and nine oโ€™clock on the morning of the day named the deceased was seated in a dray with a gun in his hand, when the piece suddenly went off, and the boy immediately afterwards cried out, โ€œMy God! Iโ€™m shot.โ€ No one knows exactly how the accident occurred; but as the deceased was attempting at the time to get off the dray, with the gun in his hand, it is probably that the lock struck against something. There was a large wound in the chest where the charge had entered. Mr. Chandler held an inquest on the body yesterday, when the jury returned a verdict of โ€œAccidental Deathโ€.

The Argus, Melbourne, Monday 17th December 1866, page 4.

โ€œTAYLOR.- On the 14th inst., on the road to Yea, accidentally killed when carrying a loaded gun, Edmund George, the fifth son of George Henry, and Maria Taylor, of Upper Hawthorn, aged fourteen years.


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29-12-1888: St Stephenโ€™s Anglican, Portland, Victoria.

Melbourne’s Bishop Charles Perry had originally offered to obtain an Iron Church for the Portland Congregation but at a meeting held on October 6th 1854 the offer was rejected in favour of building a stone church. Apart from funds already collected, the merchant Stephen George Henty had offered an additional ยฃ750 towards the building fund. The foundation stone of St Stephen’s was laid by Archdeacon Henry Thomas Braim on the 24th of March 1855 and the incomplete church was opened by Bishop Perry on the 11th May 1856. The Rev James Yelverton Wilson was installed as the first incumbent, retiringย  in 1869.

There were three known Ferguson & Urie windows erected in St Stephen’s but only two have been identified as extant so far. The triple light Chancel (east) window was made by the firm and is a memorial to Stephen George Henty (1811-1872) and depicts the significant scenes in the life of Christ.ย  A single light window depicting ‘The Good Samaritan” is a memorial to the solicitor Philip Scott who died on the 21st of July 1870. The window not located was a memorial to the first incumbent of the church, the Rev. James Yelverton Wilson. A description of the window, it’s memorial text, and reference to the makers as Ferguson & Urie was published in the Portland Guardian in 1876 (see post 24-10-1879).

Detailed images of the Stephen George Henty and the Philip Scott windows are depicted in the slideshow below.

Photos were taken 8th January 2011.

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Australian Town and Country Journal, Saturday 29th December 1888, page 25.

โ€œโ€ฆ The Anglican Church, an ivy-clad structure, contains many interesting mementos of the Henty family. Upon the walls of the organ chamber a handsome brass tablet is seen, bearing the following inscription โ€“ โ€œEdward Henty, who landed on these shores on the 19th November, 1834, became the founder of Portland and the pioneer settler of Victoria; this memorial chamber was dedicated by Anna Maria Henty, his sorrowing widow. He was born at West Tarring, in the county of Sussex, on the 28th march, 1810, and died on the 14th August, 1878.โ€ There is also a splendid brass lectern, presented by Francis Henty, in memory of his wife, who died on November 27, 1881. Several stained glass windows beautify the interior of the building. One is to the memory of Philip Scott, a much respected lawyer. A baptistery has lately been built. It was the bequest of Mary Vine, who died some six years ago, and who wished to have this erected in memory of her husband. The church was formally opened in 1856 โ€ฆโ€

Portland Guardian, Vic, Monday 30th August 1943, page 4.

“… A large triple light stained window is a memorial of Stephen George Henty. A similar window adorns the South Wall of the church in memory of Edward Henty and is a beautiful specimen of artistic work. Other stained windows in commemoration of past parishioners include those of Rev. J. Y. Wilson, Phillip Scott, T. Most and his wife. W. Jones, G. Day, wife and sons. W. Corney. F. E. Levett and wife …”

The Scott memorial window.

A prancing Stag appears at the top of the window with the letters “AMO” below, from the Scottish Clan “Scott” meaning “I Love”.
One of the most powerful of the Border families, the name was derived from the Scots who invaded Dalriada (Argyll) from Ireland and the surname is found in all parts of Scotland.

The single light window depicts the Good Samaritan and has the following text:

LOVE THY NEIGHBOUR. LUKE 10th 27.

An angel below holds a banner with the text: “BLESSED ARE THE DEAD WHICH DIE IN THE LORD”

The memorial text at the bottom reads: “IN MEMORY OF PHILIP SCOTT SOLICITOR DIED JULY 21st 1870”

The triple light Stephen George Henty window in the chancel:

Portland Guardian, Vic, Friday 16th May 1873, page 5.

โ€œIN MEMORIAM.- The movement inaugurated earlier this year for a memorial to the memory of the late Hon Stephen George Henty, has resulted in a magnificent memorial window in the chancel of St. Stephen’s Church, completed last week and thrown open to public gaze on Sunday last for the first time. The work is the manufacture of Messrs Ferguson, Urie, and Lyon, Melbourne, and was erected under the supervision of Mr Marshall, the outdoor manager of the firm, and in a way to reflect credit on both firm and manager. As is usual in all works of art, whether in painting or groups of statuary, we have the principal figure in the centre – Christ in his character of Saviour robed in majesty, in one hand a globe or orb with the motto “Salvatore Mundi.” The crucifixion occupies the upper compartment of the window and the Nativity the lower. The design is most elaborately worked out in every case, and the coloring and drapery would do no discredit to some of our medieval cathedrals in Europe. All that the modern critic can say is that the taste in church windows has not deteriorated in Victoria, and that Melbourne artists in glass are fully equal to brother artists in any part of the world. It is hardly necessary to state that the bordering in all three compartments of this memorial window is alike in character and consist of beautifully designed vine branches, leaves and bunches of grapes. On the bottom glass in the third or lowest compartment we have in old Roman characters:- “Erected by subscription to the glory of God, and in memory of Stephen George Henty, who died December 18th, 1872.” The best point of view is from the gallery. The blending of the colors is extremely beautiful, and the window forms a very chaste ornament to that church which Mr Henty so largely helped when living amongst us. The side lights to the memorial window might be so toned as to improve the effect and relieve the picture – which at present is more cramped in compass than desirable, the side lights properly toned will afford greater breadth and add to the effect.”

Left light:

The top scene depicts the Agony in the Garden. An angel below holds a banner with the text: KING OF KINGS – REV 19-16
(And he hath on his vesture and on his thigh a name written, KING OF KINGS, AND LORD OF LORDS.)

The bottom scene depicts Christ being laid down after being taken down from the cross. An angel below holds a banner with the text: “SON OF GOD – JOHN 1-34”
(And I saw, and bare record that this is the Son of God.)

Centre light:

There are three scenes in the centre light:

Top: The Crucifixion

Centre: Christ with the orb and the text below “SALVATOR MUNDY”.

Bottom: The Nativity.

The lower edge of the window has the memorial text:

ERECTED BY SUBSCRIPTION TO THE GLORY OF GOD AND IN MEMORY OF STEPHEN GEORGE HENTY WHO DIED DECr 18th 1872

Right light:

There are two scenes in the right light:

Top: The Ascension with an angel below holding a banner with the text:”LORD OF LORDS REV 19-16″
(And he hath on his vesture and on his thigh a name written, KING OF KINGS, AND LORD OF LORDS.)

Bottom: The Resurrection and Ascension with an angel below holding a banner with the text: “SON OF MAN MARK 10-33”
(Saying, Behold, we go up to Jerusalem; and the Son of man shall be delivered unto the chief priests, and unto the scribes; and they shall condemn him to death, and shall deliver him to the Gentiles)

Related posts:

24-10-1876 St Stephenโ€™s Portland (the missing Rev Yelverton Wilson window!)

External links:

Biography: Stephen George Henty (1811-1872)


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31-08-1878: St. Matthews Church, Dunedin, New Zealand.

A rare Ferguson & Urie stained glass window exists in St Matthews [1] Church at Dunedin, New Zealand.

On the afternoon of the 21st of May 1878, a young boy by the name of James Ernest Maitland died as the result of a horrific coach accident that occurred between Palmerston and Moeraki.

The memorial stained glass window to the Maitland boy was designed by Ferguson & Urieโ€™s senior stained glass artist David Relph Drape and was selected by Mr. Thomas Austin of New Zealand in 1878. The Otago Witness newspaper in New Zealand ran an article about the window on the 31st of August 1878, with the mention of Ferguson & Urie as the makers. On the 6th of January 2010, the original pencil sketch design for the window was found amongst a collection of Drapeโ€™s stained glass designs at the State Library of Victoria. The window has the memorial text at the bottom “IN MEMORIAM JAMES ERNEST MAITLAND 22 MAY ____”. At some time the window’s history the bottom right corner that contained the year โ€œ1878โ€ was broken and was replaced with a plain coloured piece of glass.

Photo of the window by Errol Vincent, New Zealand, 5th October 2010.

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The following are historical accounts of the coach accident as reported in the tabloids of the time:

Otago Witness, New Zealand, Issue 1396, 31st August 1878, page 7.

โ€œA stained-glass window has lately been placed in St. Matthewโ€™s Church, in memory of James Ernest Maitland, son of Mr J. P. Maitland, who was killed in the late terrible coach accident. The window was erected by the choir of St Matthewโ€™s, of which the deceased was a chorister for a long time, and the Carisbrook Cricket Club, in which Ernest Maitlandโ€™s name will long be remembered as one of the most promising juniors. The chaste design and colouring of the window reflect credit on the builders, Messrs Ferguson and Urie, of Melbourne, and on Mr Thomas Austin, who selected the plan when recently in Melbourneโ€.

Otago Witness, New Zealand, Issue 1382, 25th May 1878, page 10.

ADDITIONAL PARTICULARS. (FROM OUR OWN CORRESPONDENT.)

Oamaru, May 23rd.

It is difficult to ascertain fully the extent of the injuries received by the passengers on the coach which met with the accident yesterday. The medical men have been too much engaged to attend to the numerous inquiries. It is equally difficult to arrive at any definite conclusion as to the real cause of the accident. Several passengers give different versions of the matter. Some say that one of the traces broke or got loose, and dangling about the horses legs, caused them to bolt; others that the boy Maitland fell from his seat on the box and dragged the reins out of the driver’s hands in his fall. Others state that a bolt came out, and that the two portions of the coach became severed, and that the horses bolted with fore part of the vehicle, leaving the main body to run down hill as best it might. The latter seems the most probable cause, as all agree in saying that the horses bolted with the fore part of the coach, and that the coach continued to run rapidly down hill, notwithstanding that the brake was applied with all force by the driver and the boy Maitland, who was sitting on the box on the near side. It appears that there were about twenty persons in the coach, including the driver. Of these, nine were inside, six on the box, and the rest at the back and on top. Those on the box were – Maitland, Hill, and Fulton, the two latter having Mr Strode’s two sons on their knees. Mr Nichols and Mr Hunter were on the outside seat at the back, and two others were on the rack below them, and one or two on the top. Most of the passengers had walked up the hill to relieve the horses, and had not long resumed their seats when the accident occurred. When the horses bolted several of the passengers at the back of the coach jumped off, none of them being severely injured by doing so. The coach appears to have run down the hill at a rapid pace. The driver applied the brake on one side, and Maitland did so on the other side, in obedience to the bidding of the driver, but failed to check the speed of the coach. After going about a hundred yards it seems to have swerved, and run off the road, tumbling over and over down the embankment, for a distance of some forty or fifty feet, its further progress being stopped by a wire fence. Just before the coach went over, Mr Bishop, of the Sun newspaper, who was on the top, jumped off and fell with his head against a rock, inflicting a nasty scalp wound. He also sprained his ankle, rolled over the embankment, and was picked up insensible, remaining in that state two or three hours. He is, however, progressing favourably. The extent of the injuries received by Mr Nichols and young Maitland you will find recorded in the evidence of Dr Hazard. The poor lad Maitland, after lying all night at the National Bank, whither he was taken at the request of the Manager, expired shortly after 10 o’clock this morning. From the first it was evident that he was beyond hope of recovery. He never regained consciousness. His body, and that of Mr Nichols, were forwarded to Dunedin this evening by train. Mr Nichols was thrown violently on his head, and expired about a quarter of an hour afterwards. Mr Francis Fulton, in addition to being severely shaken, had one of the small bones of his lame leg broken, and is likely to be laid up for some time. The two sons of Mr A. C. Strode escaped almost miraculously. In addition to bruises and severe shaking, it is said one of them dislocated his arm. They did not come on here, but resumed to Dunedin. I believe Messrs Hill and Hunter were both severely shaken and bruised, the former receiving a cut on the knee-cap which will cause him to be confined to his room for some time, while the latter had one of his arms badly hurt. Another passenger named Connor, brother to one of the witnesses at the inquest, also received severe injuries, but the extent of them I cannot find out. He is in the hospital, and doing very well. Mr Goddard, the driver, received several very severe wounds on the head, one of which is very deep, in addition to other injuries. He ha 3at times during the day teen out of his mind, but is much better this evening. When Borne of the uninjured passengers or those only slightly wounded lifted the coach up, Mr McNicol and others were found underneath it. How they escaped being killed or severely injured is a mystery. According to the statement of one of the passengers, the coach seems to have bounded over several persons in tumbling down the hill. Of all the passengers those inside seem to have fared best. None of them appear to have received any injuries worthy of mention. The spectacle presented after the accident is described as appalling. The sufferers were strewn in all directions, and lying; in every conceivable position, some insensible and some conscious, but unable to move. Blood was freely flowing from most of them. The feelings of those who were injured, but conscious, must have been terrible, seeing that they were far away from any source of help, or any means of sending for assistance, and dependent entirely upon any chance passer-by. It was fortunate that Mr Bell happened to pass by that lonely spot, and for his prompt action in driving to Hampden and telegraphing for assistance he is deserving of praise, as is also Mr Back for speedily responding to the call by tending a special train. Long before the special train arrived in Oamaru, arrangements of a perfect nature had been made at the Hospital for the reception of the sufferers, while abundance of cabs and expresses, with mattresses and blankets, were waiting at the railway station. Goddard has been driving on the same road for seven or eight years, and has always been looked upon as a careful driver. It is remarkable that the only accident of any note he ever met with was reserved for his last trip, and that too when his final journey to Moeraki had nearly been completed.

Otago Daily Times, New Zealand, Issue 5083, 3 June 1878, page 7

THE INQUEST.

An inquest on the bodies of Mr Charles Nicholas and Master J. E. Maitland was commenced on May 22, before Mr Parker, Coroner.

The first witness called was Alexander John Fergusson, duly qualified medical practitioner residing in Dunedin, who deposed that he had seen the body lying in the premises of the Northern Hotel, and identified it as that of Charles Nichols, of the firm of Dalgety, Nichols, and Co. He had also seen the body lying at the National Bank. It was that of James Ernest Maitland, a son of Mr J. P. Maitland. He thought Mr Nichols between 50 and 60 years of age, and Master Maitland about 14 years[2].

John Hazard, duly qualified medical practitioner, at present residing at Oamaru, deposed that he made an examination of the body lying at the Northern Hotel, which had been identified as that of Mr Nichols. He found a comminuted fracture of the bones entering into the formation of the left orbit. The superior maxillary bone was broken into fragments. The left eye-ball was disorganised. These injuries were sufficient to account for death. He had also examined the body of James Ernest Maitland, and found a very severe lacerated wound commencing at the right eye brow and extending to the back of the head, entirely denuding the bone of the forehead. There was also a very extensive comminuted fracture of the frontal bone and right parietal bone. Deceased had also sustained a fracture of the right pelvis, with very severe laceration of the neighbouring parts, and a lacerated transverse wound on the left knee, in addition to several minor contusions in different parts of the body. The injuries received were quite sufficient to cause death.

Thomas Hunter, commission agent, residing at Wellington, deposed that he was a passenger by the coach which left Palmerston about 2 p.m. for Moeraki on Tuesday. He could not say how many passengers were on the coach. He was sitting on the outside back seat with Mr Nichols, two more passengers sat below them on the rack, and two and two others on the roof just above witness and Mr Nichols. The inside appeared to be full. He knew the Horse range. Up to the time of reaching the hill nothing, so far as he was aware, was wrong with the coach. The driver was perfectly sober, and had driven at a steady pace the whole time. When the coach was about a quarter of a mile down the bill, witness became aware that the horses were bolting. Two men below witness dropped off almost immediately, and witness followed them, but Mr Nichols kept his seat. One of the passengers on the roof also dropped down. The coach then went down hill at full speed for about a hundred yards. When he got up he could not see the coach, but the horses with both fore wheels were some distance ahead of him. Three of the horses were standing and another lying down, the pole being partly entangles with its legs. After walking a little distance witness was the remains of the coach down an embankment about 40 or 50 feet from the road. It appeared to have been stopped in its descent by a wire fence. When witness left the scene of the accident the deceased, Charles Nichols, was not dead, but he was frightfully mangled and breathed with great difficulty. He (deceased) was lying at the bottom of the gully. The lad โ€“ Maitland was lying close by him.

To the Foreman: There were ten of twelve persons on the outside of the coach, including the driver, and with exception of two on the roof they appeared to be all comfortably seated.

To the Jury: There were only a few parcels on the roof. He did not know how many the coach was supposed to carry. The inside appeared to be full. In jumping off he (witness) sustained some slight bruises on his left side and arm. He could not say whether or not the brake was acting.

W. Connor, lately of Tokomairiro, deposed that he was a passenger by the coach from Palmerston to Moeraki yesterday. He left the latter place about two oโ€™clock. Nothing went wrong until at the top of the Horse Range. He could not say how many were on the box seat or inside the coach. On the roof on the luggage were two passengers. The last witness, Mr Hunter, and Mr Nichols were on the back seat, and he and another sat on the luggage. There were six passengers outside, besides those on the box seat. There was not much luggage on the roof. They had just reached the crown of the hill when some one cried โ€œTrace loose.โ€ After he heard this the coach commenced to go very fast, and he dropped on to the ground, and held on to the vehicle, running behind it. He saw what he thought was a trace loose, flapping on the near side. He could not say whether the brake was acting or not. He heard it grating up to the time he left the coach. From the place where he jumped off to that where the coach fell over there was an embankment for a distance of six or seven chains. Before the coach went over last witness and two others jumped off. He did not see the vehicle fall. When he saw it next it was 40 or 50 feet down the embankment. The top was smashed, and the body on its side, some of the wheels were broken. He saw the fore carriage about five chains farther down the road, with what appeared to be two horses lying beside it. He went back along the road, and at the place where he heard the cry he found a piece of iron, called the tree, that holds the trace, with a link of the trace, lying on the road.

To the Jury: He did not pick them up. When he saw Mr Nichols he was lying three or four yards from the remains of the coach, bleeding profusely from the mouth, nose, eyes, and ears. He was alive then, but died about 20 minutes afterwards. Master Maitland was lying with his feet on Mr Nicholโ€™s legs, and was fearfully cut above the abdomen and head. Witness did not know, of his own knowledge, when he died. Goddard was sober, and drove steadily and carefully. Witness could not say whether the cry came from inside the coach. The horses were, he thought, very steady. His brother, who was an inside passenger, was hurt.

To the Jury: He did not see the pole of he coach after the accident. He and another man removed the coach from the three passengers who were underneath.

The inquest was then adjourned till the 6th June to obtain the evidence of the driver and Mr Fulton.

The Funerals of the late Mr Charles Nichols and Master James Ernest Maitland, who were killed by the recent coach accident, took place on the 24th ultimo, at the Northern Cemetery. There was a large number of mourners, and the bodies were interred close to each other, and the service was read jointly by the Rev. R. L. Stanford and the Ven. Archdeacon Edwards.

Grey River Argus New Zealand, Volume 07, Issue 3061, 7 June 1878, page 2.

COACH ACCIDENT INQUIRY.

Wellington, June 8.

The adjourned inquiry into the cause of the recent coach accident, by which Mr Nicholls and young Maitland, were killed, took place to-day. Goddard, the driver appeared in court with his head bandaged up. He gave evidence, that when the coach had descended the Horse Range about two or three hundred yards, the trace of the offside pole horse came loose, and this caused the horses to take fright, and they broke into a gallop. In crossing a water course on the road the coach jerked violently and the king bolt came out, and the brake then had no control. After going a short distance the coach capsized. The Jury returned the following verdict: “That Chas. Nicholls and James Ernest Maitland, met their death accidentally, and that there is no blame to be attributed.”

Foot notes:

[1] The foundation stone of St Matthews was laid, with Masonic honours, on the 11th of July, 1873 and was opened on the 3rd of December, 1874, costing ยฃ4,854 4s 3d.

[2] James Ernest Maitland was age 16 at time of death. Born 1862 (NZ BDM:1862/1889), died 1878 (NZ BDM: 1878/2211)

Acknowledgments:

My gratitude to the late Errol & Ann Vincent for undertaking the massive 2,000 km round trip to follow this up and take the photos of the stained glass window.


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23-07-1883: St Jamesโ€™s Old Cathedral, Melbourne.

The foundation stone of St Jame’s was originally laid in 1839 by the newly appointed Superintendent of the Port Phillip District, Charles La Trobe, later to be Governor of the Colony of Victoria. The Church was opened in 1842 and the first Bishop, Charles Perry, installed in 1848.

In 1883 the church underwent extensive renovations and one of the alterations was the replacement of the plain chancel window with a “handsome stained glass window, enriched with scripture texts” which was made by Ferguson & Urie of North Melbourne.

In 1891 St James’s status changed back to that of a Parish church when St Paul’s Cathedral opened in Swanston Street. When the church was condemned in 1913 there were concerns that the parish could not afford the repairs or rebuilding of St James’s on the current site. Considerable funds were subsequently realised for the sale of the land which enabled the church to be dismantled and moved to a new location. Whelan the Wrecker was contracted to perform the move in 1913 and so it was relocated stone by stone to its present site on the corner of King and Batman streets under the direction of Messrs Thomas Watts and Son, architects. The church was re-consecrated by Archbishop Lowther Clark, and opened on the19th of April 1914.

A close inspection of the stained glass window in the chancel clearly shows that it had been shortened from its original height and this would have most likely occurred as a result of the ceiling height being reduced when the church was reconstructed in 1914.

Photos taken 21st August 2010.

ย 

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The Argus, Melbourne, Vic, Monday 23rd July 1883, page 5.

“St. James’s Church, which has recently undergone extensive repairs, was re-opened yesterday morning by the Bishop of Melbourne, assisted by the Dean. There was a very large congregation. The bishop preached the sermon. One of the alterations is the substitution of a handsome stained glass window, enriched with scripture texts, for the plain coloured glass window that was formerly in the chancel. There is also a new altar cloth, in red velvet, beautifully decorated by some young ladies of the congregation, and the drapery of the reading-desk and pulpit is likewise new and of the same material. The bishop’s throne has been re-covered and the chancel has been re-carpeted, and the whole interior of the church has been brightened up. In the renovations the organ has not been neglected. A tablet in memory of the late Rev. M. H. Becher, who was incumbent of the church for 22 years, has been affixed tot he walls by parishioners. A very interesting relic in this church is the marble font which was formerly in St. Catherine’s Church, London, but was secured by the late Governor Latrobe when that church was pulled down in order to make room for docks, and presented to St. James’s. The age of the vessel is not known, but it has been in use in St. James’s for 35 years.”

The Argus, Melbourne, Wednesday 21st May 1913, page 12.

โ€œST. JAMESโ€™S OLD CATHEDRALโ€

โ€œPOSSIBLE DEMOLITIONโ€

Those citizens of Melbourne who are interested in the historic landmarks of the city in the shape of old buildings, will regret to hear that St Jamesโ€™s Old Cathedral, situated between William and King streets, in Little Collins street, Melbourne, is marked for destruction. The information was made public by the incumbent of St Jamesโ€™s, the Ven. Archdeacon Hindley, vicar-general of the diocese, during the course of his sermon on Sunday. The Archdeacon stated that the building had been condemned as unsafe, and that the conduct of services therein would have to be discontinued. It appears that recent rains had left pronounced damp stains on the walls of the chancel, and the trouble became so aggravated that an expert architectโ€™s advice was sought. A close inspection of the building disclosed the fact that the chancel was in imminent danger of collapse. The chancel arch was discovered to be not an arch at all, but a lath and plaster screen covering the stone wall, and resting for support upon an Oregon pine girder. This girder in turn was found to rest upon a layer of mortar, which is crumbling away. The girder itself is badly affected with dry rot, and the whole position was found to be so unsatisfactory that the church wardens decided to suspend worship in the church rather than run any risk of accident. The foundation stone of St Jamesโ€™s Church was laid on November 9, 1839, by Governor C. J. Latrobe, and the church at one time filled a very prominent place in the religious life of the city. However, the residential population which might provide a congregation for St Jamesโ€™s has long since ebbed far out from its area. The question of the reconstruction or demolition of St. Jamesโ€™s church is one for the council of the diocese to settle, and that body will probably consider the matter at its next meeting on June 7. It is certain that the present casual congregation could not raise the funds necessary either for the repair or rebuilding of the church. When speaking on the subject yesterday afternoon, the chancellor of the diocese, Mr. McLennan, said that for a long time past a great city mission, under the aegis of the Anglican Church had been talked of, and this projected movement might influence the determinations with regards to St. Jamesโ€™s. He did not speak officially, but his own views were that the St. Jamesโ€™s site might be found of great value in relation to such a scheme, while the church, as a place of worship, was admittedly very near the Cathedral for rebuilding. In any case, great interest attaches to the fate of the historic edificeโ€.

ย Annear, Robyn. 2005: A City Lost & Found: Whelan the Wreckers Melbourne; Black Inc Publisher, Melbourne, pages 21-22.

ย “It was Jim Whelan’s task to dismantle the church and cart it in pieces to the new site, less than a mile away. The solid stones of the outer wall were kept – each one carefully numbered for re-erection – but the inner walls, of compacted shells and rubble, were replaced on the new site with reinforced concrete. Changes were made, too, in the old cathedral’s design. The ceiling was lowered, supporting columns omitted, and the tower altered once more, this time to improve the peal of the bells – it was a long time since it had been safe to ring them.

One stone that didnโ€™t make it to the new site was the foundation stone of the old St James’. Charles La Trobe, newly landed Superintendent of the Port Phillip District, had laid the stone in 1839. There being no monumental mason in the town at that time, the foundation stone had gone unmarked. The words that ought to have been inscribed theron were read aloud by La Trobe from a parchment which, along with a few coins, was poked into a bottle and thence into a niche in the foundation stone. Seventy-five years later, neither bottle nor foundation stone came to light. It was supposed that, being unmarked, the stone had simply escaped notice in the course of relocation and its contents lost – or else, that both had been missing since 1850 when the original foundations were replaced. In 1929, however, the then-minister of St James’s claimed to have discovered the truth of the matter.

โ€˜I found that the carter who transferred the material to the new site was responsible for destroying the foundation stone. He accidentally broke it and then threw the parts on the rubbish heap and gave the contents to his friends, keeping the most valuable himselfโ€™.

Had the carter unburdened himself, I wonder, or been unburdened on?. Aside from his fee, Jim Whelan didnโ€™t carry much away from the St James’ job. The only lasting trace would be an in-house joke, that ran like this – One of Whelan’s men wrote to his folks in Ireland: “Australia’s a great country. Back home we wreck Protestant churches for nothing; here, they pay you to do it.” Years later, an alleged relic would occupy pride of place at Whelan the Wrecker headquarters. It was a wrecker’s bar with the inscription: “Used for wrecking Protestant churches.”

Related posts:

27-07-1885: St Paulโ€™s Pro Cathedral, Flinders St, Melbourne, Victoria.


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26-06-1863: John Knox (Church of Christ), Swanston Street, Melbourne.

In the heart of Melbourne, opposite the State Library in Swanston Street, stands the former John Knox Free Presbyterian Church built in 1863 to the designs of Charles Webb. It contains many original Ferguson & Urie stained glass windows that are now over a century and a half old. The three-light Gothic decorated window facing Swanston Street is also rare, being one of only five extant windows known to have the Ferguson & Urie company name on it.

Photos were taken 16th January 2011.

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This is the second church erected on the site for the Free Presbyterians; the foundation stone of the first church was laid on Wednesday the 17th November 1847 on the corner of Little Lonsdale and Swanston Streets, Melbourne[1] and opened on the 8th May the following year.

Vandalism was a common occurrence in Colonial Melbourne and the Swanston Street Church was not immune. Four days after Christmas day in 1848 the windows of the church were the target of a supposed band of drunken bushmen who demolished the windows. A reward of three guineas was offered by the trustees for the apprehension of the sacrilegious perpetrators[2]. Fortunately, there is no historical attachment to these windows as there is no record of any historic stained glass this early in Melbourneโ€™s history.

Twenty-six years later the church was deemed unsafe and at a public meeting circa 1862, it was resolved to build a new church on the same site, the foundation stone of which was laid on the 13th February 1863.[3]

The new church was reconstructed to the Neo-Gothic designs of architect Charles Webb and built by contractor Peter Cunningham and opened a mere six months later by the Reverend William McIntyre on the 26th of July 1863.

At a public meeting three days later the treasurerโ€™s report was read:

โ€œ…Mr WILLIAM M. BELL, merchant, treasurer to the congregation, then read the report of the managers on the opening of the new church, which was as follows:- “The church built in 1847 having become unsafe, it was found necessary either to repair it at great expense, or build a new one. At a meeting duly called, it was resolved to build a new church, and we procured plans and specifications which were laid before, and approved of, by you. The foundation stone was laid by our pastor, on Friday, the 13th February last.โ€ฆโ€[4]

This new church was decorated throughout with ornamental stained glass windows by the historic Ferguson & Urie stained glass company of North Melbourne and were described as follows:

โ€œThe stained glass for the ornamental windows was supplied by Messrs Ferguson and Urie, Curzon street, North Melbourne, and is of such a character as will not fail to secure for the firm a high position among the producers of this style of art manufacture….โ€[5]

All the stained glass windows are likely to have been installed at the time of the church construction in 1863 and the three-light window facing Swanston Street is a rarity amongst the early ecclesiastical windows created by the company as it is one of a rare few found to this date that has the companyโ€™s name on it, located in the lower edge of the centre light.

Since 1879 the church has been the home of the Church of Christ congregation and in 1883 the Presbyterians sold the building at auction which the Church of Christ took possession of at ยฃ4,500[6].

Significant tabloid transcriptions:

The Argus, Melbourne, Friday 24th July 1863, page 8.

“JOHN KNOX CHURCH, Swanston-street.- The NEW CHURCH will be OPENED for Divine Service upon Sabbath, the 26th inst. The Rev. WILLIAM MCINTYRE, of Sydney, will preach in the morning, at 11 oโ€™clock, evening at 6.30; and the rev WILLIAM MILLER, Minister of the congregation, at 3 oโ€™clock in the afternoon. A special collection in aid of the building fund will be made at these services. A public meeting of the congregation and friends will be held in the church upon Tuesday, the 28th, at 7 oโ€™clock p.m., which will be addressed by several ministers and gentlemen.”

The Age, Melbourne, Vic, Wednesday 29th July 1863, page 6.

โ€œJOHN KNOX FREE PRESBYTERIAN CHURCH, SWANSTON STREET.

A public meeting, in connection with the John Knox Free Presbyterian Congregation, was held yesterday evening, in the new church, which has been built by that body, in Swanston street. The new building, as our readers are aware, was opened for public worship on Sunday last. This edifice, if not of a most imposing character, is an exceedingly neat and elegant erection, and forms an addition to the architectural ornaments of the city, for the design of which Mr Charles Webb deserves much credit. It is in the early decorated style of Gothic architecture; the basement story is constructed of bluestone, the superstructure being of brick, which is already partially, and will be wholly finished with Portland cement. Internally, the church is 76 feet in extreme length, and 41 feet wide. The height of the walls is 21ยฝ feet. The roof is of one span, and is open to the ridge so as to show the construction, and has a very fine effect, the trusses being ornamented with Gothic tracery and pendants. The timbers are stained in a light oak color. The pulpit and precentor’s desk are placed on a platform at the west end of the church, and are constructed of polished cedar, as are also the seats. In the basement story there are erected a vestry, session-house, and rooms for the residence of the beadle. The principal front of the building, facing Swanston street, presents the chief architectural features, consisting of a large “entrance doorway,: approached by a flight of nine steps, and enriched with Gothic columns with foliated capitals; and a handsome three-light window with Gothic tracery, and glazed with ornamental glass. The centre of the front projects so as to form the entrance lobby, and has at each angle an octagonal turret, of very handsome design rising to the height of 62ft. In the rear or west end of the building there is a handsome wheel window, glazed with ornamental glass, and the apex of this gable is surmounted by a neat bell turret. As we have already mentioned the architect was Mr Charles Webb, Collins street, and the contractor was Mr Peter Cunningham, Nicholson street, whose work has been performed most creditably. The stained glass for the ornamental windows was supplied by Messrs Ferguson and Urie, Curzon street, North Melbourne, and is of such a character as will not fail to secure for the firm a high position among the producers of this style of art manufacture….โ€

Note: This building was classified under the Historic Buildings Act 1974.

Footnotes:

[1] The Melbourne Argus, Vic, Friday 19th November 1847, page 2.

[2] The Argus, Melbourne, Friday 29th December 1848, page 2.

[3] The Age, Melbourne, Vic, Wednesday 29th July 1863, page 6.

[4] The Age, Melbourne, Vic, Wednesday 29th July 1863, page 6.

[5] The Age, Melbourne, Vic, Wednesday 29th July 1863, page 6.

[6] South Australian Register, Adelaide, Wednesday 14th March 1883, page 5.


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Article updated: 6th Oct 2014.

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14-11-1899: The Auction of 283 Collins Street Melbourne.

The Argus, Melbourne, Tuesday 14th November 1899, page 2.

On Tuesday the 14th of November 1899, Ferguson & Urie’s flagship 281-283 Collins Street building went up for auction at “twelve o’clock noon” . There were no takers!

It wasn’t until February 1901 that the adjoining Citizens Life Assurance Company brought the building for an “undisclosed sum”. Other obscure reports from West Australian tabloids revealed a price of “betweenย  ยฃ600 and ยฃ620 per foot frontage”.

The Ferguson & Urie building would eventually be demolished circa 1915 leaving no evidence of one of the first buildings in Melbourne to have the facade approved to have been built of “Hydraulic Freestone“.

The Ferguson & Urie Building at 10 Collins Street East.

The Ferguson & Urie Building at 10 (later 281-283) Collins Street East.

Related posts:

30-09-1873: For sale, 10 Collins Street.

20-03-1884: Ferguson & Urie building facade approved to be made of Hydraulic Freestone.

22-08-1884: Ferguson & Urie New Premises at 281-283 Collins Street

21-02-1901: The Citizens Life Life Assurance Company purchases the building.


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24-09-1924: The Rosalie Grundy window, St James Church, Glenburn (Delamere), South Australia.

In 1889 a memorial window was unveiled by the young boy Archie Grundy to the memory of his mother Rosalie Grundy in St Jamesโ€™s Church Glenburn (now known as Delamere). The window was created by Ferguson & Urie of Melbourne and supposedly took two years to make.

There are actually three windows in the chancel of St James that are by Ferguson & Urie and all are of similar design and layout. The left window is of St James Major, the centre light is of Jesus Christ, and the right light is of St John. It’s not known whether there is specific memorial text below each window that identifies which particular window either side Christ is the memorial to William Gerrard or Rosalie Grundy as the lower portions are obscured from view.

I disagree with the mention in the 1929 news article that the Grundy window “…took two years in making, because of the difficulty of matching the two new lights with the centre figure of St James…”. This is obviously wrong as the centre figure is of Christ not St James (St James Major) which is the left window. It does suggests that that each window was made at different times in history which is not unusual. I would suggest that the statement about the window being “two years in making” has been misinterpreted over the 35 years that followed. It’s more likely that the funds for the window took two years to raise, or it was simply created two years after the other two windows or something similar. It would difficult to imagine Ferguson & Urie not being easily able to match their own work to something they created earlier unless they had completely lost the designs of their earlier work for the church or the time frame between correspondence with Melbourne and Glenburn/Delamere in South Australia was a contributing factor.

Photos kindly contributed by Mrs Noelle Nathan, taken November 2010.

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Significant transcriptions:

The Register, Adelaide, South Australia, Wednesday 24th September 1924, page 12.

โ€œโ€ฆ Rosalie Grundy died at the birth of her only son and child, now Archie Grundy, who has just sold his beautiful property at the Valley, intending to reside in town. In 1889 he unveiled a memorial window to his mother in St. James’s, Glenburn. The window was the work of Ferguson & Urie, of Melbourne, and took two years in making, because of the difficulty of matching the two new lights with the centre figure of St James.โ€ฆโ€

Observer. Adelaide, SA, Saturday 11th February 1928, page 48.

“SOME OLD FAMILIES OF RAPID BAY.

By Miss L. Webb.

Among the old hands of Rapid Bay were the Grundy family, whose name has now passed out of the district. The late Joseph Grundy was a well-known pastoralist of the south, and his parents were there before him. His first wife was Rosalie, daughter of the late James Lord. She died a year after marriage, leaving a son, now Mr. Archie Grundy, of Glenelg. The second Mrs. Grundy was Miss Sophia Helen Shillabeer, of an old established family in the district. There were two daughters of this marriage. Mrs. Grundy was a keen war worker, and was on the committee of the Second Valley War Memorial. She was greatly attached to St James’s Church, Glenburn, in which she was confirmed, and in whose church yard she was buried. The east window of St. James’s is in memory of the first Mrs. Grundy, and was unveiled by her son, then quite a child, it was the work of Ferguson & Urie, of Melbourne…”

The Advertiser, Adelaide, SA, Wednesday 21st August 1929, page 15.

ย โ€œST. JAMESโ€™S CHURCH GLENBURNโ€

ย “โ€ฆ The foundation stone was laid on September 19, 1870, by Dean Russell, assisted by the Revs. Green (Port Adelaide), Howell (Port Elliot), Howitt (Robe), and Morse. The building was designed by Mr. William Anderson, C. E., and was opened on May 4, 1871 by Bishop Short, the Governor of the Province (Sir James Fergusson) being present…”

“โ€ฆ The centre light of the east window represents our Lord. One of the sidelights is in memory of Mr. William Gerrard, a foundation member and benefactor of the church. He left it a sum which yields from ยฃ30 to ยฃ35 per annum. The other light was in memory of Rosalie, first wife of Joseph Grundy, of Second Valley, and was unveiled by her son and only child, Mr. Archie Grundy, then a boy. There are also windows in memory of Frederick William Collins and Egbert Bennett, both baptised and confirmed in the church, and who gave their lives in the Great Warโ€ฆ”

Other references:

The Advertiser, Adelaide, SA, Wednesday 21st August 1929, page 15.

Publications not yet viewed:

The Anglican Church of St James, Delamere, 1871-2001 /โ€‹ Maurice V. Carter.

 

17-03-1882: Christ Church, South Yarra. Melbourne, Victoria.

The Argus, Melbourne, Friday 17th March 1882, page 5.

“Two new stained-glass windows have been placed in theย  choir of Christ Church, South Yarra. One representing SS, Peter and John converting converts at Samaris, is erected by some hundred and ten young people of the parish who were confirmed in the church last year. The other represents Our Saviour commissioning St. Peter, who kneels in front of the Twelve Apostles, to โ€œFeed my Sheep.โ€ Some sheep and lambs are depicted in the foreground. This window is placed in the church by the incumbent and his family in commemoration of his induction to the parish. Both windows are the work of Messrs. Ferguson and Urie, of this city.”

The two windows described in the article are depicted in the slideshow. See post 04-10-1881 for other Ferguson & Urie windows in the church.

Photos were taken 26th March 2012.

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Related posts:

04-10-1881: Christ Church South Yarra.


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18-10-1884: The Risby Memorial window, St George’s, Queenscliff, Victoria.

The stained glass window by Ferguson & Urie was erectedย  to the memory of the St George’s church choir member, Susannaย  Lavinia Risby who died at the age of twenty seven on the 29th January 1884. The window wasย  installed in the west wall of St George’s Anglican Church in Queenscliff in early October 1884. It depicts Saint Cecilia, the patroness of musicians and Church music.

Between the year of the opening of the church in 1864 and the year 1892, all the windows of St George’s were fitted with stained glass window by Ferguson & Urie and a number of these were restored by Bruce Hutton of Almond Glass in 2005. In 1958 a vestry was added to the church and in 1995 two modern stained glass windows were placed in the vestry created by stained glass artist Derek Pearse.

Only the Risby memorial window is displayed here. See bottom of page for other related posts for St George’s stained glass. Photos were taken 25th September 2010.

Queenscliff Sentinel, Saturday 18th October 1884, page 1.

“A beautiful lancet-shaped stained glass light, from the factory of Messrs Ferguson and Urie, of Melbourne, having for its centre figure St Cecilia, the patroness of church music, has this week been placed in the West end of St George’s Church, by her relatives in memory of the late Miss Risby, who was one of the members of the choir”.

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The Argus, Melbourne, Thursday 31 January 1884, page 1.

“THE remains of SUSANNAH LAVINIA RISBY, of Queenscliff, youngest daughter of the late Thomas Risby, will be interred in the Melbourne General Cemetery THIS DAY (THURSDAY), 31st January, 1884. The funeral will leave the Spencer-street railway station on the arrival of the 10 o’clock a.m. train from Geelong”.

Susannah was buried with her parents at the Melbourne General Cemetery but her name is not mentioned on the memorial stone.

The Queenscliff Sentinel, Saturday 2nd February 1884, page 2.

“We regret to record the death of a young lady, Miss Risby, who during her residence in our community has shown a quiet example of good works, especially in the choir and in the Sunday school of St. Georgeโ€™s Church. Her cheerful disposition and willingness to oblige made her a great favourite wherever she was known. Great men pass away and are missed; but humble workers, by their unselfishness and little deeds of kindness, help in their own way, to make the world happier and better to live in”.

The Queenscliff Sentinel, Saturday 2nd February 1884, page 2.

“TO THE EDITOR OF THE SENTINEL”

“I desire to return sincere thanks on behalf of myself and the late Miss S. Risbyโ€™s sisters, to the numerous kind friends on Queenscliff, who have during her long illness shown such constant,ย  unremitting attention in every way possible for a neighbour to do. To mention names would be invidious, nay, almost impossible, but the loving services will always be present to our minds in connection with the, to us, sad event, – to her the glorious change.

CHAS.ย  CURTIS. Neptune Cottage, Jan 30, 1884″.

Related posts: 22-02-1864 >ย 29-01-1866 >ย 13-08-1867 >ย 12-02-1881 >ย 07-04-1882 >18-10-1884 > 30-12-1893


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26-03-1883: St Luke’s Anglican Church, South Melbourne.

The foundation stone of St Luke’s Church of England was laid by Sir Henry Barkly on the 9th ofย  March 1857 at South Melbourne (at which time it was known as Emerald Hill).ย  The land the church now resides on was reserved in the original township plan back in 1852. The church was designed by Francis White and had a frontage to Clarendon Street before the church later sold it for retail development in the 1900’s which changed their address to the Dorcas street frontage. Architect Charles Webb added Transepts to the church in 1862 and it is the North Transept that has the Ferguson & Urie stained glass window.

The window depicts “Jesus in the House of Martha and Mary” and was installed in March 1883 to the memory of Mary Skeatsย (1817-1879) and has the memorial inscription “In Loving Memory of Mary the beloved wife of Charles Skeats, July 24th 1879.”

Photos taken 13th May 2012.

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Record, Emerald Hill, Vic, Friday 30th March 1883, page 3.

“…A very fine memorial window has also been placed in the church by Messrs. Ferguson and Urie in their most expensive style, to the order of Mr. Charles Skeats, in memory of his wife, Mary. The subject he has, therefore, very appropriately chosen, is Christ with Mary and Martha – “Mary hath chosen that good part,” &c. It is placed over the seat where Mrs. Mary Skeats used to sit in the church.”

The Argus, Melbourne, Monday 26th March 1883, page 5.

“Great improvements have been recently effected in St. Luke’s Church, Emerald-hill. The temporary arrangements of the east end of the church have been entirely altered, the choir seats, pulpit, and Communion table have all been rearranged, and a carpet and cedar reredos, with Gothic paneling, provided. A memorial window of stained glass has been also placed in the north transept by Mr Charles Skeats, in memory of his wife Mary Skeats, who used to sit in that part of the church. The subject is. “Mary hath chosen that good part,” &c.”ย 

The Argus, Melbourne, Saturday 26th July 1879, page 1.

SKEATS – On the 24th inst., at No. 10 Romsey-terrace, St Vincent place, Emerald hill, Mary, the beloved wife of Charles Skeats, Esq., aged 61 years. Deeply regretted.

The Argus, Melbourne, Friday 25th July 1879, page 8.

โ€œTHE Friends of CHARLES SKEATS, Esq., are respectfully invited to follow the remains of his beloved wife to the place of interment, the Melbourne General Cemetery.
The funeral is appointed to leave his residence, No 10 Romsey-terrace, St Vincent place south, Emerald-hill, on Saturday, the 26th inst., at two o’clock. THOMAS RENTLE, undertaker, 77 Napier-street, Emerald-hillโ€.

The Mary Skeats gravestone is located at the Melbourne General Cemetery, CofE, section W-189, but it has unfortunately fallen over sometime in the past century. Some of the text is still readable via digital images from beneath.

STH MELB St Lukes 98a

STH MELB St Lukes 98b

 

Attached documents:

09/03/1857: The Laying of the Foundation Stone of St Luke’s


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1864-67: St Peter’s Anglican Church, Ballarat, Victoria.

St Peters Anglican Church in Sturt Street Ballarat was designed by C. D. Cuthbert circa 1864.ย  The chancel was added in 1877 along with the stained glass windows in the chancel by Ferguson & Urie. The tower was added in 1891 and Soldiers memorial chapel in 1917.

Photos were taken 19th September 2010 & 17th March 2011

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Church of England Messenger, 9th August 1877, page 14.

โ€œThe stained-glass window for the chancel of St. Peter’s Church has arrived in Ballaarat, and was placed in position. It is a very good specimen of Messrs. Ferguson and Urie’s art, and it is a matter of congratulation that such excellent workmanship can be produced in the colony. The window is divided into three lights, surmounted by tracery pierced with trefoils. These trefoils are filled with richly-coloured glass, bearing upon a starry background the three emblems of faith, hope, and charity; the heart with the sacred monogram, the cross with the crown of thorns, the anchor with the dove and olive branch. The subject of the central light is the “Ecce Homo.” The side lights, having reference to the pious and charitable lives of the ladies in whose memory the chancel was erected. are illustrations of Mark XIV, 8 (“She hath done what she could’) and Matthew XXV. 40 (“Inasmuch as ye have done it unto one of the least of these My brethren, ye have done it unto Me”). In the central light the Saviour stands forth a solemn and mournful figure. Pilate and a Roman soldier occupying the background. Underneath there is a panel with a small but exceedingly well-drawn picture of Christ’s charge to Peter – “Feed my Sheep.” In the apex of the window is the emblem of the Holy Spirit, the dove, descending with rays of light. The right hand picture of Mary wiping the Saviour’s feet with her hair is remarkable for the beauty of the Saviour’s countenance and the grace of His gesture. In the light upon the left-hand side a female figure is casting a garment around an aged man and a child at her feet. The background of both of these pictures is of a similar character โ€“ a low wall decorated with scroll-work, overtopped with trees and flowers, the sky space being filled in with ruby glass in irregular lead-work. Underneath are the old church emblems – the Agnus Dei and the Pelican; and above are the Alpha and Omega. The side window, which can be seen only upon entering the chancel, is the more special memorial window, having the upper part a scroll with the text โ€“ โ€œWrite, Blessed are the dead which die in the Lord;โ€ and at the bottom, a panel with the memorial inscription. The quarries of which the rest of the window is composed are ornamented with fleurs-de-lys, and the effect of the whole is highly satisfactory. The organ has been inspected on behalf of the church authorities, and is pronounced a first-class instrument. No time will now be lost in erecting it in the church.โ€

The Chancel window:

This is the main three light chancel window that depicts scenes from: MATT 25-40, JOHN 19-5 and MARK 14-8. The tracery above the three main lights shows three trefoil windows depicting the symbolism of Faith, Hope and Charity. The main lights of the window depict the following:

MATT 25-40: The King James version of Matthew 25-40 reads: “And the King shall answer and say unto them, Verily I say unto you, Inasmuch as ye have done it unto one of the least of these my brethren, ye have done it unto me.”ย  The figure depicted in the window is of a woman covering a beggar man and his daughter with a cloak to shield them from the cold. The most commonly recognised interpretation of Matthew 25-40 would be the old “Golden Rule”; “Do unto others as you would have them do to you” or “One should treat others as one would like others to treat oneself.” Below the scene is the Pelican feeding its young from blood from its chest, which represents sacrifice.

JOHN 19-5: The King James version of John 19-5 reads: “Then came Jesus forth, wearing the crown of thorns, and the purple robe. And Pilate saith unto them, Behold the man!” The scene depicted in the window is of Jesus wearing the crown of thorns. His hands are bound, he’s wearing the purple robe, and he is flanked by Roman guards. In the hours before Christs crucifixion, he was led through what we would call a ‘kangaroo court’ which has no sense of justice. The Roman Governor, Pontius Pilate, had him whipped and had a crown of thorns placed upon his head and clothed him in a purple robe, mocking some sort of regal adoration. Pilate paraded Jesus before the crowd and exclaimed, โ€œBehold, the man!โ€ Below is the scene of Christ as the Good Shepherd with a ribbon of text which reads: “PETER LOVEST THOU ME, YE LORD THOU KNOWEST THAT I LOVE THE, FEED MY SHEEP.” This refers to John 21-17; “He saith unto him the third time, Simon, son of Jonas, lovest thou me? Peter was grieved because he said unto him the third time, Lovest thou me? And he said unto him, Lord, thou knowest all things; thou knowest that I love thee. Jesus saith unto him, Feed my sheep.”

MARK 14-8: The King James version reads: “She hath done what she could: she is come aforehand to anoint my body to the burying.” The scene in the window depicts Mary Magdalene, the alleged prostitute, drying Christs feet with her hair. Nearby is a small ornate jug which is supposed to have contained an expensive aromatic ointment which was to be used to ‘anoint” him before his death. Below is the image of the Paschal Lamb carrying the St George banner.

The two light window in the nave:

The ‘John Laverick Nunn’ Memorial window is a two light window with the memorial text:

“PLACED BY ELIZA NUNN IN MEMORY OF HER HUSBAND JOHN LAVERICK NUNN DIED 1875 AGED 46. | ALSO HER DAUGHTER HANNAH MARY DIED 1883 AGED 23 AND HER SON JOHN LAVERICK DIED 1884 AGED 22”.

This window was erected in St Peters in January 1886.

The scroll text on the left lancets reads:

“THE LORD GAVE AND THE LORD HATH TAKEN AWAY BLESSED BE THE NAME OF THE LORD” (Job 1:21 – “And said, Naked came I out of my mothers womb, and naked shall I returne thither: the Lord gaue, and the Lord hath taken away, blessed be the Name of the Lord.”) “THEN ALSO WHICH SLEEP IN JESUS WILL GOD BRING WITH HIM”. (1 Thessalonians 4:14 – “For if we believe that Jesus died and rose again, even so them also which sleep in Jesus will God bring with him”.) John Laverick Nunn was born in Whitby, Yorkshire, England, in 1830. He married Eliza Newson in Victoria in 1857 and they settled in the Warrenheip area at Dunnstown, near Ballarat circa 1860 where they became store keepers. John contributed to the Buninyong Presbyterian Church building appeal.ย  He died on the 22nd of Feb 1875 at Dunnstown. His wife Eliza died on the 17th October 1899 at “Ebor” Hawkesburn, South Yarra.


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Some of this article has now been superseded by some new research about the chancel windows and a new article was posted to this web site on 24 Sep 2016 and can be seen at: http://wp.me/p28nLD-2Mv

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13-08-1872: Wesleyan Church, Golden Square, Sandhurst (Bendigo), Victoria.

The Wesleyan Church (now Uniting), at 19 Panton Street, Golden Square in Bendigo, has a large a large five light Ferguson & Urie window above the main entrance. No specific news articles of the time have been found making any reference to the church windows. The east window is a typical Ferguson & Urie grisaille design and has scroll & ribbon designs in the centre and outer lights with the following text in each. ENTER INTO HIS GATES WITH THANKS GIVING, REMEMBER THE SABBATH TO KEEP IT HOLY, GODLINESS IS PROFITABLE UNTO ALL THINGS

Photos were taken 27th August 2010. (using a compact Pentax Optio S10)

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Illustrated Australian News for Home Readers, Melbourne, Tuesday 13th August 1872, page 174.

“NEW WESLEYAN CHURCH, GOLDEN SQUARE, SANDHURST”.

This church, now in course of erection, is from designs by Messrs. Crouch and Wilson of Melbourne. […] A portion of the design was erected about two years since; the remainder now in hand is to be completed early next year”.

The foundation stone of the Uniting (former Wesleyan) church in Golden Square was laid on the 5th of January 1870 and the first section was opened on 11th May 1870. Further additions were made in 1872 and the building completed in early 1873. In the gable of the east main entrance is a cement plaque reading โ€˜Wesleyan Church AD 1872โ€™.


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22-07-1866: St Paulโ€™s Presbyterian Church, Ballan, Victoria.

St. Paulโ€™s Presbyterian Church in Ballan, eastern Victoria, was officially opened 22nd of July 1866.

The following year, on the 13th August 1867, the Hobart Mercury reported that James Urie, one of the principal partners in the Victorian Stained glass firm of Ferguson & Urie, had been โ€œsojourningโ€ in Tasmania with a catalogue of the firmโ€™s designs for ecclesiastical and secular stained glass. The Presbyterian Church at Ballan, St Paulโ€™s, was mentioned in the article as one of many Victorian Churches that had recently received stained glass windows by Ferguson & Urie.

[โ€ฆ] This gentleman is now in Launceston, and we were much gratified yesterday by inspecting a large portfolio of designs for church and other windows which his firm has executed or has in hand [โ€ฆ]

I visited St Paulโ€™s (now a Uniting Church) in Ballan in December 2010 and found that all the windows were original Ferguson & Urie stained glass, none of which appear to have been repaired or restored since they were erected in the church over 140 years ago.

The principle triple light east window has the typical Ferguson & Urie scroll design. In the ribbon of the centre light is the verse from John 14-6: “I AM THE WAY AND THE TRUTH AND THE LIFE”

The text at the bottom of each lancet has the names of each of the donors:
“Ye gift of Mrs John Edols AD 1866” | “Ye gift of Mrs Dugald Macpherson AD 1866” | “Ye gift of Mrs Peter Ingles AD 1866”

Photos were taken 29 Dec 2010.
Some of the dark patches seen in the borders of some windows in the vestry are from a thick carpet of spider webs on the inside and outside of the windows.

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The Donors:

Edols:

Mrs John Edols (Margaret) was the wife of John Edols Esq (1817-1888)., of Dariwell Park, he was appointed as a trustee[1] of the Ballan Race track and recreational reserve in July 1860, along with Dugald MacPherson and others and also acted as a steward[2] at the Ballan racing events. Margaret Edols (nee Brown) died[3] at โ€œInglistonโ€ on the 17th of September 1872 and was buried in the Melbourne General Cemetery on the 19th of September 1872 [4]. John Edols left the Ballan area circa 1888 and died at โ€œBryan Oโ€™Lynnโ€, near Warrnambool on the 28th December 1888 [5]. He was buried at the Tower Hill Cemetery.

MacPherson:

Mrs Dugald MacPherson was Mary Elizabeth MacPherson (nee Oโ€™Cock), wife of Ballan Councillor Dugald Macpherson (1820-1901) of Bungeeltap. She died at Bungeeltap-houseโ€ at Ballan in August 1916 and was buried at the Ballan New Cemetery on Wednesday 16th August 1916[6]. Dugald MacPherson died at Bungeeltap, Ballan, on the 20th of October 1901 aged 81 [7] .

Inglis:

Mrs Peter Inglis, wife of Ballarat magistrate, Peter Inglis of Ingliston. Peter Inglis died on the 6th of July 1869, aged 73 [8].

HISTORY OF BALLARAT, page 6

“In the year 1843, Mr. Peter Inglis, who had a station at Ballan, took up the Warrenheip run, and shortly after that purchased the Lal Lal station, and throwing them both together, grazed on the united runs one of the largest herds in the colony. The western boundary of Mr. Inglis’ Warrenheip run marched with the eastern boundary of Mr. Yuille’s run, the line being struck by marked trees running from Mount Buninyong across Brown Hill to Slaty Creek. Mr. Donald Stewart, now of Buninyong, was stock-rider for Mr. Inglis, on the Warrenheip and Lal Lal stations, and superintendent during the minority of the present owner of Lal Lal”.

Related posts:ย  22-07-1866 > 28-07-1866 > 13-08-1867

External links:

Museum Vic: Dugald Macpherson (1820-1901)

Obituaries: Peter Inglis.

The Argus, Melbourne, Vic, Monday 12th July 1869, page 5.

Obituaries Australia

1864: Christ Church, Anglican, Kilmore, Victoria.

There are two historically significant stained glass windows by Ferguson & Urie at Christ Church, Kilmore, Victoria.

The three light chancel window and the “Clifton” memorial window at the liturgical west end are both by the Ferguson & Urie company circa 1864.

The first stone of Christ Church, Kilmore was laid by Bishop Charles Perry on 19th November 1857 and the first service was held in January 1861. The church was consecrated on Monday 20th May 1867 by Bishop Perry.

Photos were taken on 26th December 2011.

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Kilmore Free Press & Counties of Bourke & Dalhousie Advertiser, Thursday 23rd May 1867, page 2.

“On Monday Morning His Lordship the Bishop of Melbourne, assisted by the Rev. Mr. Watson, the trustees and church wardens, went through the ceremony of consecrating Christ Church, Kilmore. The affair was conducted in a most solemn manner”.

The following two extracts from the Anglican Church Gazette were kindly provided by Catherine Turnbull, Hon Archivist, Kilmore Anglican Parish, 8th Feb 2011.

The Anglican Church Gazette 1864

“…The chancel windows at once attract attention. The principal devices of the side lights are the ruby crosses on a purple ground, with the leaves and fruit of the vine interspersed, the one having the Scripture words, in Anglo-Saxon letters, “I am the Vine,” the other “Ye are the Branches.” In the centre light, over a beautifully finished head of the Saviour, a dove, emblematic of the Holy Spirit, descends, whilst this is surmounted by the ancient sign of the Trinity, the hexalpha or interlacement of two equilateral triangles. The appearance is very rich and splendid, if not gorgeous, and is highly creditable to the artists, Messrs. Ferguson and Urie. The side windows (seven on each side) are diamond-shaped, lead quarry lights, filled in with muffed glass, the borders being of stained glass of various tints …”

The Anglican Church Gazette, June 16, 1864.

“…A very beautiful Memorial Window has been lately erected in Christ Church, Kilmore. In its general construction it is, as intended, emblematical of sorrow, while a rich golden blue, particularly on a sombre day, pervades it. The centre piece is a light blue cross on a crimson ground, entwined by a wreath, on which is inscribed that well known sentence of the Bible, so comfortable to the Christian, “Blessed are the Dead that die in the Lord.” Over and under this are the family crest and coat of arms, elegantly and conspicuously finished.ย  Underneath is the following inscription annealed in the glass:- “Erected by Wm. Snow Clifton, in memory of his brother, Henry Clifton, who died June 21, 1853, aged 31 years, and was buried in the Kilmore Cemetery. ” The whole is enclosed by a handsome bordering of purple and crimson alternately, with dark leaves between, connected by golden stalks, which form the inner boundary of the border, the outer one being of green. The design and workmanship do great credit to the contractors , Messrs. Ferguson and Urie…”.

Note: There is no known gravestone for Henry Snow Clifton at the Kilmore General Cemetery.

Kilmore Free Press, Vic, Thursday 3rd March 1932, page 2.

(In reference to Christ church, Kilmore)

โ€œโ€ฆThe first place of worship was a building of brick, but as the population was increasing it was deemed imperative that money should be raised to erect a building of much larger and more pretentious character, and the first incumbent the Rev, John Singleton was soon travelling many miles in interviewing squatters and people in outlying parts to collect the necessary money. Soon sufficient funds were in hand to warrant a start with the building which, it was anticipated, would cost some thousands of pounds stirling. The foundation stone was laid by Lord Bishop Perry on the 19th November 1857. The scarcity of funds, however, held up the work from time to time and it was not till 1864 that the church was finished when the Dean of Melbourne, the Rev. Dean Macartney preached the occasional sermon. A writer in the Church gazette of this day states that Christ Church is on an elevated position on the western hill and the style of architecture is English or Lanie of the latter part of the 12th or beginning of the 13th centuries. The architect was a Mr Rudt[1], who gratuitously gave his services. Later the work was carried out by Mr Flury [sic][2], a well known architect of Kilmore. Entering the church the beautiful stained glass windows erected to the memory of loved ones who sleep in that long last sleep command the attention. One is to William Clifton[3] and his brother Henry, the date on which is 1853. It is adorned with the family crest, and bears the motto โ€œTenez de Droitโ€ [sic] โ€“ Hold the Right[4]. This is a very beautiful work of art, and is emblematic of sorrow. The centre piece is a light blue cross on a crimson ground enclosed by a wreath on which is inscribed and appropriate passage of scripture of scripture, and over and under this is the family crest and coat of arms. The designers were Messrs. Fergurson [sic][5] and Urie[6]. “

kilmore-christ-church-1920

The Chancel of Christ Church, Kilmore c.1920

William Snow Clifton and his brother Henry Clifton took up the โ€œArcadiaโ€ run[7] in 1848 which was an estimated 80,000 acres along the Goulburn River.

Foot notes:

[1] No record of an architect by the name of Rudt. Three architects were involved in Christ Church being W. Z. Perrot, Charles Kingk and James Fleury,

[2] James Fleury โ€“ Architect Sydney Street Kilmore.

[3] William Snow Clifton was the donor of the window. Commanding Officer of the Victorian Yeomanry Corps Melbourne circa 1856.

[4] โ€œTenez le Droitโ€ โ€“ French โ€“ ‘Uphold the Right’. (The motto used by the Victorian Police Force to this day)

31-08-1976: Stained glass windows stolen in city raid.

Number 9 Collins Street Melbourne is the Grosvenor Chambers building built in 1887-1888 by architect Oakden, Addison & Kemp for the Scottish decorative artist Charles Stewart Paterson. At some point in its history it also hosted the prestigious Melbourne Club and was Australiaโ€™s first custom designed studio complex, used by prominent Australian artists.

In 1976 a brazen thief stole some original stained glass windows from the Collins Street face of the building. It was claimed that these historic windows were the work of the Colonial Victorian firm of Ferguson & Urie!

The Age, Melbourne, Tuesday 31st August 1976, page 3.

“Stained glass windows stolen in city raid”

โ€œThieves yesterday hacked out two stained glass windows worth more than $5,000 from a Collins Street building. The building, No.9 Collins St., has been classified by the national Trust. Since it was built in 1887 it has housed such famous Australian artists as Tom Roberts, Sir John Longstaff and Albert tucker. The building is the centre of a controversy between the Trust and the owners, Colonial Mutual Life Assurance Society, who want to demolish it. A tenant of the building, photographer Mr. Eric Baylis, said he last saw the window late on Sunday night. “When I got here yesterday morning it was gone. Part of the window had been cut out of the frame, while other parts had been hacked out”, Mr. Baylis said. An authority of stained glass windows, Mr. Allan Sumner, said the windows were made by Ferguson and Urie of Melbourne in the late 1880’s. “It is a classic example of that type of work. Now it has been stolen it is irreplaceable”. He said the windows would be hard to sell. “People who know anything about glass will know that that type of work is hard to come by. What people should look for is that the margins on a couple of frames will be damaged because they have been hacked out by a knife or screwdriver”.

“ABOVE: Photographer Eric Bayliss with one of the gaps left by the stolen windows. BELOW: One of the windows before it disappeared”.

(photos from article shown together below)

The Age, Melbourne, Tuesday 31st August 1976, page 3.

The Age, Melbourne, Vic, Friday 3rd September 1976.

โ€œOld glass windows recoveredโ€.

โ€œTwo stained glass windows stolen from a Collins St. building last Sunday were found abandoned behind a Westmeadows church on Wednesday. The windows, made by Ferguson and Urie, of Melbourne, in the 1880โ€™s, were lying in a paddock wrapped in blankets. Thieves removed them from their frames at the Colonial Mutual Life Assurance building last Sunday. CMLA senior property officer. Mr. A. Gray, said yesterday the windows would not be put back. โ€˜They are being crated for safe storage. We do not propose to put them back for the same thing to happen againโ€, Mr. Gray said. He said the windows did not appear to be damaged. An authority on stained glass windows, Mr. Allan Sumner, said the windows would be worth about $5,000. The CMLA building, built in 1887, has a National Trust classificationโ€.

As Dr. Bronwyn Hughes has pointed out on her comment to this article in June 2012, it’s extremely likely that Sumner is incorrect in his observation as to who made the window. “The stairwell window for Grosvenor Chambers was designed by John Hughes and made by Brooks, Robinson & Co. The article doesn’t make clear whether it was the stairwell, but it seems unlikely that another firm would be brought in for other windows.”

This is further corroborated by an article published in April 1888 which chronicled the opening of the Grosvenor Buildings and included a significant amount of detail about the stained glass windows by the “Mr. Hughes” from the stained glass firm of Brooks, Robinson & Co.

Resources links:

Wikipedia: Grosvenor Chambers

Walking Melbourne: Grosvenor Chambers

Walking Melbourne blog: Grosvenor Chambers, 9 Collins Street

NLA: The Age, Melbourne, Vic, Friday 3rd September 1976.
(mentioned in Biog of his brother John Ford Paterson)
Article Short Link: http://wp.me/p28nLD-Sq

13-06-1863: Thomas Robson, Ballarat agent for Ferguson & Urie.

The Star, Ballarat, Saturday 13th June 1863, page 1.

“CHEAP PAPERHANGINGS.
SELLING OFF WITHOUT RESERVE.
Robson’s London House, Sturt street.

A GENUINE CLEARING -OUT SALE.-Paper hangings from 4d per piece. Oils, Colors, &c, &c., equally cheap. Must be sold, to make extensive alterations prepatory to new and fresh arrivals.
Agent for Ferguson and Urie’s Stained Glass Cathedral windows.
N.B – It is particularly requested that all outstanding accounts be paid forthwith.”

The Star, Ballarat, Saturday 13th June 1863, page 1.

04-07-1901: The sale of Ayr Cottage, Parkville, Melbourne.

James Ferguson indicated in his will that he wished his surviving children to retain ‘Ayr Cottage’ within the family but this was not to be the case. Only a year after his death it was sold on the 2nd of December 1895 to Edgar, Violet and Margaret Lockington who retained the house for a period of six years. On the 4th of July 1901 the household furniture and effects were auctioned and on the 13th of September 1901, the house was offered for auction and subsequently purchased by the Victorian Childrenโ€™s Aid Society. The society had a long association with the house for over half a century. In 1966 it finally changed into the hands of International House, the University of Melbourne, who still own it as at 2013.

The photos in the slideshow depict James Ferguson’s ‘Ayr-Cottage’, in Leonard street Parkville, at five dates in its history, being the years 1888, 1901, 1963, 1966 and 2009.

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The Argus, Melbourne, Saturday 29th June 1901, page 2.

โ€œTHURSDAY, JULY 4. At Eleven O’Clock Forenoon. On the Premises,
AYR-COTTAGE, Corner Leonard-street and Sydney-road, PARKVILLE
(Brunswick Trams Pass the Property).
Mr PURVES is instructed to SELL by AUCTION, as above,
The whole of the excellent HOUSEHOLD FURNITURE and other effects, comprising magnificent upright Grand PIANOFORTE, by Schwechten, in beautiful walnut case; cedar sideboard, telescope dining table, chairs, and sofa, in leather and haircloth; chiffonier, chimney mirrors, plated articles, china, &c,; also the complete furnishings of six bedrooms, including iron bedsteads and bedding, wardrobes, toilet tables, washstands, chamber ware; handsome oak hall table and chairs, four artistic stained glass window screens, oil paintings, engravings, carpets, linoleums, roller mangle, kitchen furniture and utensils, ferns, pot plants, and a large quantity of miscellaneous articles, as per catalogue. On view the day before sale, from twelve to four. Inspection invited. Australian-buildings, 49 Elizabeth-street. Tel 1776โ€

Note: Nothing further is known about the “stained glass window screens” mentioned.

Additional references:

Register of the National Estate 22 June 1993, place ID 16875, File 2/11/033/0494

Related posts:

1886: The History of โ€˜Ayrโ€™ Cottage, 1 Leonard St. Parkville, Melbourne, Victoria.

08-10-1887: โ€˜Ayr Cottageโ€™, 1 Leonard Street, Parkville, Melbourne, Victoria.

01-01-1888: The Ferguson Clan at Ayr Cottage, Parkville.

18-04-1894: James Ferguson (1818-1894)

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24-06-1879: St Peter’s Church of England, Hamilton, Tasmania.

The three light chancel window at St Peter’s Church of England at Hamilton in Tasmania was created by the Ferguson & Urie stained glass company of North Melbourne circa 1880 and is a memorial to Ann Jane Wright (c.1835-1879). The original sketches for this window were done by Ferguson & Uries senior glass painter David Relph Drape and are held in the State Library of Victoria’s manuscripts collection. Photos of Drapes sketches and the window are included in the slideshow of images below.

St Peters is one of the oldest existing churches in Australia and even pre-dates the founding of Melbourne in Victoria. The church was designed by Edward Winch, Chief Clerk of the Colonial Architect’s Department, with some modifications by architect John Lee Archer (1791-1852). The cost was stated at ยฃ700 minus the tower and the first committee for the construction of the church was appointed with Mr.D.Burn as Secretary. The Government agreed to pay half the cost of the church and construction began in 1834 with J.J.Turnbull as builder. Apparently the walls had to be rebuilt in 1835, just after the laying of the foundation stone by Lieut. Governor Arthur in June, 1834 and the new builder contracted to complete it was W. Sibley. The church was consecrated on May 8th, 1838, by the first and only Bishop of Australia, the Rev Dr. W. G. Broughton, who also consecrated the burial ground. The first confirmation service was held on the same day at 10:30.

Photos were taken 7th October 2010.

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The Reverend George Wright arrived in Van Diemenโ€™s Land on the โ€˜Fortuneโ€™ on the 21st March 1838, and became the third incumbent of St Peterโ€™s circa 1844. He remained there for 30 years until failing eyesight forced him to retire from active work in 1875, but he still took an active role in many ceremonies alongside the new incumbent, the Rev Charles Andrews, from 1875 until mid 1878. The Rev George Wrightโ€™s wife, Anne Jane, died on the 24th of July 1879 and a minor reference to the triple light east window was mentioned in the Mercury in 1934, โ€œThe east window is a handsome โ€œIn memoriamโ€ window erected by the parishioners and friends in memory of the wife of the Rev. Geo. Wrightโ€. The memorial text on the window states:

“IN MEMORIAM | ANN JANE WRIGHT | DIED JULY 24th 1879”.

The three scenes depicted in the windows with accompanying chapter and verse are are:

MARK 10-14: (Suffer Little Children to come unto me).
LUKE 22-6: (Judas betrays Jesus).
MATT 26-7:ย  (The woman with the Alabaster box of precious ointment).

The Rev George Wright died on the 23rd of August 1893 and he and his wife Anne are buried in St Peterโ€™s graveyard which surrounds the church.

An original sketch of thisย  windows design, by Ferguson & Urie’s senior stained glass artist, David Relph Drape, was found in the manuscripts collection at the State Library of Victoria. The style and colours are very typical of Ferguson & Urieโ€™s work from the mid 1870โ€™s to 1880โ€™s. The glass painting also exhibits some signs of degradation of the brown medium used in facial features on the glass which at that time was a typical failing seen in other similar examples of Ferguson & Urie work of the same period. A copy of the original sketch and the window are depicted in the slideshow of photos.

The Mercury, Hobart, Monday 14th June 1937, page 9.

โ€œST. PETER’S, HAMILTON. Established 100 Yearsโ€.

โ€œThe 100th anniversary occurs this month of the completion of St. Peter’s Church of England, Hamilton, one of the oldest country churches in Tasmania. According to available records, it was reported in August, 1836, that the church would be completed in two months. This must have referred to the stonework, for a later report stated that the church was completed and inspected in June, 1837, a bill for the interior fittings having been dated June 14. In 1831 a movement was inaugurated with a view to the erection of an Anglican Church at Hamilton. The prime movers appear to have been Messrs. W. A. Bethune, of Dunrobin, William Roadnight, of Hamilton, David Burn, of Rotherwood, and Thomas Marzetti, of Cawood. A building committee was appointed, and in 1833 this included Messrs. W. S. Sharland, and Edward Lord jun., of Lawrenny, and other well-known pioneers. The foundation stone of the building was placed in position on June 26, 1834, by the then Lieutenant-Governor of Tasmania (Col. George Arthur), and the church was completed in 1837. The first rector was the Rev. M. J. Mayers, who came out from England with the first Archdeacon, the Venerable William Hutchins, in the Fairlie, which arrived at Hobart on January 6, 1837. Another passenger on the ship was Sir John Franklin, the new Lieutenant-Governor of Tasmania. St Peter’s Church was consecrated on May 8, 1838, by the Rt. Rev. Dr. W. G. Broughton, the first Bishop of Australia.

The Mercury, Hobart, Tasmania, Friday 29th June 1934, page 6.

โ€œ[โ€ฆ] The east window is a handsome โ€œIn memoriamโ€ window erected by the parishioners and friends in memory of the wife of the Rev. Geo. Wright [โ€ฆ]

The Mercury, Hobart, Tasmania, Wednesday 31st March 1875, page 2.

[In reference to Bishop Davies address to the Synod]:

โ€œโ€ฆ I have ordained deacon, Mr. C. Andrew, who had previously worked in that diocese as a lay reader. He has undertaken the temporary charge of Hamilton, in order to relieve the Rev. George Wright, who, after many years of valuable service, has been compelled, I regret to say, through a physical infirmity, to abandon his duties for a season entirelyโ€ฆโ€

The Mercury, Hobart, Tasmania, Saturday 26th July 1879, page 1.

โ€œWRIGHT- On July 24, at Hamilton, in her 44th year, Anne Jane, wife of Rev. George Wright, for thirty years incumbent of the parish. Friends are informed that the burial will take place on MONDAY NEXT, at 2 oโ€™clock p.m.โ€

Launceston Examiner, Tasmania, Thursday 24th August 1893.

โ€œDEATH OF THE REV. GEORGE WRIGHT. (BY TELEGRAPH)

WESTBURY, Wednesday, The Rev. George Wright, colonial chaplain, and former incumbent of Hamilton for many years, a very old and highly esteemed and Christian minister of the Anglican Church, passed away peacefully at his lodgings, Westbury, about midnight last night. His remains will be removed to Hamilton for interment, where he laboured so long in the service of his Master.โ€

External links:

Biography: Archer, John Lee (1791โ€“1852)

The history of St. Peterโ€™s Church, Hamilton, Tas., 1834 to 1934. by William George Brown.

03-12-1871: St John the Divine, Anglican Church, Avoca, Victoria.

The township of Avoca lies at the cross roads of the Sunraysia and Pyrenees Highways in the North West of Victoria.

The foundation stone of St Johns was laid in the 21st of October 1869, the first service was held on the 3rd of December 1871 and the church was Consecrated on the 18th of October 1893.

This Ferguson & Urie stained glass window was only found by chance during one of my Western Victorian trips in early June 2011 and although it is no doubt an early Ferguson & Urie window, no newspaper articles of the time have been found mentioning the church or windows.

Photos were taken 11th June 2011.

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On close inspection of the digitalย  photos of the window, the bottom right lancet indicated that there was restoration work completed in 1993. The restorer had written names and dates on the outside edge of the window, which means that it can only be read back to front from the inside the church. A digitally enhanced mirror image of the text revealed that the restoration work was done by the church Organist, Mr Peter Lucey, whom I later tracked down to the “Mt Lonarch,ย  Fine Bone China, Gallery and B&B at Avoca”. I contacted Peter in in June 2011 and he indicated that the restorationย  of the Ferguson & Urie window took him over a year to complete.

The window is typical of Ferguson & Urie’s early 1870’s Grisaille stained glass work and elements of this window are nearly identical to the east and west windows of St John’s church at Heathcote and the nave windows at St George’s Presbyterian Church at St Kilda.


Short link to his page: https://wp.me/p28nLD-QP

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1872: St Paul’s Anglican Church, Avenel, Victoria.

St Paul’s Anglican Church is located in the tiny township of Avenel which lies a couple of kilometers west of the Hume Freeway, and about twenty kilometers north of the township of Semour in central Victoria.

The foundation stone of the first Anglican church in the town was laid on the 26th June 1872 and opened on the 24th November 1872.

From 1872 to 1913 the church was located closer to the Hume Highway, but in 1913 a new red brick church was erected further to the north west of the township and the original stained glass chancel window, made by Ferguson & Urie of North Melbourne, was re-installed in it.

Other windows in the church were made at much later dates (post 1913) and some of the borders in those either side of the chancel windows have been made to complement similar patterns seen in the historical Ferguson & Urie window. ย The most recent window in the church was created by ‘Guan Wei’ at ‘Almond Glass’ works in 2008.

Photos taken: 18th December 2011.

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The Seymour Express, Vic, Friday 10th April 1914, page 3.

โ€œConsecration of St. Paulโ€™s, Avenel. BY BISHOP OF WANGARATTAโ€.

โ€œIf there is one thing more than another of which the residents of Avenel have reason to be proud of it is the handsome and costly structures which they have dedicated to the service of God. The latest addition to these edifices has just been completed by the parishioners of St Paul’s church, and on Wednesday last was solemnly consecrated by the Right Rev. the Lord Bishop of Wangaratta, before a very large assemblage.

THE BUILDING

The church occupies a prominent position in the eastern portion of the town, and is a handsome structure โ€“ in the Gothic style of architecture, though very much modernised โ€“ of specially selected brick, with Portland cement facings. The foundation stone was laid on Nov 30th, 1913 in the presence of a very large gathering by Mr. E. Plummer J.P., the sermon for the occasion being also preached by the Bishop of Wangaratta. An account of the ceremony on parchment, mentioning the bishop, rector, church wardens and vestry men, was enclosed in a canister and placed under the stone. The eastern stained glass windows and the gable cross were transferred from the old church, which was built over 40 years ago. The lamps in the church were given by the vestry of St. Johnโ€™s Church, Nagambie. The interior of the building is very handsome without being ornate. The chancel is wide and deep, and is spanned by a magnificent arch. The ventilation of the building has received special attention, there being an open ridge the full length of the building and while the walls are hollow to secure circulation of air and coolness they are fitted with the latest ventilators, which can be closed or shut as desired. The windows are of the very latest cathedral glass of a delicate green tint, and are made to open the full length of the window if necessaryโ€ฆโ€

Memories of Avenel by Amelia Jane Burgoyne 1958, page 48.

“In 1872, Lloyd Jones gave four acres of land, part of his property, to build an Anglican Church. On that site, in the old town, a pretty little church, St Paulโ€™s was built, and was later beautified with stained-glass windows and some fine pieces of furniture presented by pioneer families in memory of their dear ones. The church was removed, about 1912, to the new town, somewhat to the regret of the older people, who had worshipped at the old site for forty years; but it is still the same pretty little church, though now on a site more convenient for the majority of residents. A recent addition to the interior fittings is the panelling of beautiful wood in the sanctuary, given by Mrs E. J. Shelton in memory of her husband, Captain John Shelton, who made the supreme sacrifice in the First World War”.


Short link to this page: https://wp.me/p28nLD-Qy

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31-10-1878: Mandeville Hall, Toorak, Victoria.

Mandeville Hall was originally a sixteen room mansion built for Alfred Watson of the colonial trading firm William Watson & Sons. It was designed by architect Joseph Reed and originally named St Georges. A later owner, Joseph Clarke, commissioned architect Charles Webb to enlarge the house in 1877 and it was then re-named Mandeville Hall. After Clarkes’ death in 1895, Mandeville Hall had a number of transformations, including being an exclusive guest house, before eventually being purchased by the Loreto Sisters in 1924 as an Independent Catholic girls school, which it still is today.

The slideshow of photos depicts all the Stained Glass and Etched Glass windows at Mandeville Hall in detail.ย  The main Stairwell window, depicting the Four Seasons with Hunting and Angling scenesย  was designed by Ferguson & Urie’s senior stained glass artist, David Relph Drape and it has the year “1878” shown at the apex of the window and Joseph Clarke’s initials “J.C” at the bottom. The hallway window depicts country scenes which were also designed and painted by Drape and his signature appears at the base of the log in the central garden scene. The stained glass in the grand front entry doors depict the mythological fertility deities, “Flora” and “Pomona”, and they are again depicted in the doors to the conservatory but in this instance they are in acid etched glass.

Photos taken 6th December 2010.

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Beneath the stairwell are three small single light windows depicting Australian native birds, the Kookaburra, Cockatoo and a Magpie. The roundel depicting the Magpie is not original and is thought to have been a replacement or reproduction circa 1970, but it is still set within the original Ferguson & Urie outer parts of the window.

There are also some figures depicted in the stairwell window that have been positively matched to some of David Relph Drapes original pencil stained glass designs which are preserved in the State Library of Victoria’s manuscripts collection. The sketches that match those in the window are also shown as side by side comparisons in the slideshow.

The photos (other than the first image from the 1878 newspaper engraving) were taken on the 6th of December 2010.
Special thanks to Mr Steve Stefanopoulos, the Heritage Collection and Records manager at Loretto, who took myself and Mrs Val Goller on a fantastic tour of the mansion.

Illustrated Australian News, Melbourne, 31st October 1878, page 186

“The suburbs to the south of the River Yarra have for many years been famous for the number and beauty of their semi- rural residences, which, while, being within an easy distance of the city, are sufficiently removed from the influences of its dust and smoke to enable their owners to enjoy most of, if not all, the luxuries of a country, life. Toorak and its immediate neighborhood is undeniably the most fashionable suburb, and many of the villas belonging to our successful professional men, wealthy merchants and opulent land owners, would not do discredit to the most aristocratic neighborhood in the mother country. Mandeville Hall, the subject of our engraving, is situate in the Orrong road, Toorak, and has been recently erected by Mr. Joseph Clarke, a gentleman of large fortune, and the proprietor of large landed estates in several of the colonies. The house stands a considerable distance off the road, and is surrounded by grounds about thirteen acres in extent, the greater part of which are planted and tastefully laid out. It is a commodious house, containing in all about twenty-five rooms, and carries all the outward appearance of an English, gentleman’s residence. It has been built in the modern Italian style of architecture, from designs made by Mr. Charles Webb, architect, of Melbourne, the same order being observable in the columns on the lower story, and the Corinthian in those on the upper. A great feature in the exterior is a handsome colonnade and balcony, about twelve feet wide, extending round the west and south sides of the building, while in front is a terraced balustrading with steps leading; to a grassy lawn, between which and the house is a broad carriage drive. The building has been substantially constructed with blue stone foundations, the superstructure being of brick finished with Portland cement. Internally the rooms are spacious and convenient, all modern improvements in the way of ventilation and other necessary matters having been adopted. The decorations and furnishing are more than usually elaborate, Mr. Clarke having gone to the trouble, and. expense of commissioning Messrs. Gillow and Co., of London, to send out artists and workmen specially for the purpose of rendering his new home beautiful to the eye. The interior is decorated and fitted in the early English mediaeval and Oriental styles, and the whole richly ornamented. The cost of the building was about ยฃ30,000, and it forms, a handsome addition to the numerous private residences in the neighborhood”.

Related posts: 30-03-1882: David Relph Drape (1821-1882)

External links:

Biography: Joseph Clarke (1834-1895)
Loreto Web Site: Loreto Mandeville Hall Catholic Girls School


Short link to this page: https://wp.me/p28nLD-PP

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18-01-1873: Wyselaskieโ€™s โ€˜Narrapumelapโ€™ Homestead at Wickliffe.

The French Gothic mansion ‘Narrapumelap’ was built at Wickliffe in western Victoria in 1873 for the wealthy squatter John Dixon Wyselaskie (1818-1883)

Wyselaskie engaged the Ferguson & Urie stained glass company of North Melbourne to decorate various parts of his modest country mansion with stained glass. The window in the vestibule is personalised specifically to contain Wyselaskie’s initials “J.D.W” flanked by the year “18-73” on either side.

After Wyselaskie’s death in 1883 the property was then owned by Gerald Neville Buckley (1855-1935), the son of Mars Buckley and Elizabeth Marion Neville. After the death of Gerald in 1935 the property was owned by his brother Charles and after his death it was acquired for Soldier Settlement purposes.ย 

The McIntyre family brought the dilapidated property at auction in 1951 but the homestead was considered uneconomical to live in and the McIntyreโ€™s resided in a modest wooden home about 300 meters down the hill. Over the years the original mansion was vandalised with many of the original fittings stolen or broken.

The owner of Narrapumelap, Kevin McIntyre, is restoring the homestead to its former glory which has been a childhood passion since he was a boy.

We stayed the night at the mansion in January 2011 which was a fascinating experience. On arrival Kevin gave us a tour of the mansion, which he is still restoring, and the fantastic B&B residence we were to stay in at the rear of the mansion. We were then left to our own to roam the mansion and magnificent gardens. By torchlight at night it’s an amazing experience roaming the mostly empty rooms of the mansion, and seeing the shadows on the wall cast by the antlers of the stags head in the breakfast room is very spooky. The most remarkable view of the property is from the lookout at the top of the tower above the vestibule. Aย  door to the side of the vestibule reveals a tiny winding staircase all the way up the tower that leads to a small doorway out on to a lookout platform where you can view the entire grounds and watch the sun set.

Kevin told us that when he was a boy, vandals were stealing and vandalising the original fittings in the mansion, such as marble fireplaces and tiles, and when he was about twelve years old he decided to climb the roof and cover up the historic old stained glass windows with boards and iron sheeting to hide them from visibility and damage. His tactic worked well and the historic windows survived and can now be seen in all their glory to this day.

Kevin’s restoration work on the mansion is nothing short of remarkable and he hopes to make it his own home one day.

Photos were taken 9th January 2011.

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This is a rudimentary YouTube clip taken with my iPhone 3GS on the 9th January 2011 from the top of the tower at sunset.

Another iPhone clip showing a tour through the mansions empty rooms just before sunset, which includes the stained glass windows and the B&B rooms at the back of the mansion.

The History of Narrapumelap.

John Dixon Wyselaskie (1818-1883)

John Dixon Wyselaskie was the son of army officer Louis Wyselaskie and Elizabeth Kerr[1] and was born in Sanquhar, Dumfriesshire, Scotland, on the 25th June 1818.

His official biography on-line at the National Library outlines the significant events in his life but itโ€™s the events after his death that provide some interesting additional detail.

Wyselaskie arrived in Tasmania in 1837 to join an uncle, Robert Kerr, of the firm Kerr & Bogle in Hobart. In 1840 he obtained the Narrapumelap run at Wickliffe in Victoria for the firm and in the 1850โ€™s bought out 24,000 acres of the estate from Kerr & Bogle to start his own sheep run[2].

In 1862 he married Mary Jane Austin Farrell (1838-1895) of Wickliffe, Victoria, at St Jamesโ€™s Church in Melbourne[3] and in 1873 he had a magnificent French Gothic mansion built of bluestone on the Narrapumelap estate at Wickliffe in western Victoria.

โ€œA Victorian squatter named Wyselaskie is about to build a costly mansion on his property at Wickliffe. In the centre of the building will be a tower seventy or eighty feet high, from which every portion of the estate will be visibleโ€.[4]

In 1878 Wyselaskie moved to St. Kilda at Melbourne where he built a two storey mansion named โ€œWickliffe Houseโ€ on the St. Kilda Esplanade which had unimpeded views of the bay and the historic St. Kilda pier. He died there of a stroke on the 4th of May 1883 aged 65[5].

On the 7th May 1883[6] he was interred in the Boroondarra cemetery at Kew and three years later, on the 3rd of July 1886, one of the most extravagant and expensive marble monuments ever seen in the Colony was erected over his grave site which included a life size statue of him. The local press reported;

โ€œOne of the finest pieces of monumental statuary in the colony was unveiled on Saturday last at the Boorondara [sic] cemetery. It has been erected by the executors in the estate, and in memory of the late Mr. Wyselaskie, one of the earliest settlers of the Western district. The deceased in his will made bequests to the extent of about ยฃ40,000 to various charities, and educational establishments, by which he will long be remembered. The monument is of Italian design, and excellently executed, standing about 20ft. high. The base is square with angles so splayed off as to present an octagonal appearance. The moulded panels of the base are beautifully carved with flowers and emblems of sepulture, and on the top at each corner are four chaste figures of angels. Rising from the base is the main pedestal, embellished with sculptured festoons of flowers, and on it stands a life size figure of Mr. Wyselaskie, executed in Carara marble. This is a work of art, and coupled with the angels on the base, stamps Signor G. Fredani, of Naples, whose work it is as a sculptor in the truest sense of the word. The whole marble work stands on a bluestone base 8ft. square, the massive foundations of the same material going right down to the bottom of the grave. It is enclosed with moulded Malmsbury bluestone kerb and heavy cast-iron railing with gilded points. The erection of the monument and everything with the exception of the marble work, was entrusted to Messrs Clark and Henderson, the well known monumental masons, of Gisborne-street, E Melbourne, and they are to be complimented on the excellent general effect.โ€[7]

Wyselaskie’s estate was bequeathed to many significant Melbourne institutions, including the Presbyterian Church and Melbourne University.

โ€œTHE WYSELASKI BEQUELTS [sic].- Fridayโ€™s Telegraph states that owing to excessive valuation in the estate of the late J. D. Wyselaskie of Wickliffe, it is feared the amounts specified in the will to fall to the various legatees will not be realised in full. It has been stated that unless ยฃ4 per acre be received, the bequests โ€“ at least those that are contingent โ€“ cannot be met. Recently the estate, when put up for sale, had only one bid made for it at ยฃ3, 1s., owing to the rabbit pest having become so prevalent, and done so much damage. The following is the value and allocation of the estate, with the various amounts bequeathed to each legatee: – The estate was valued at ยฃ72,337 reality, and ยฃ28,000 personality. To his widow the deceased left his house at St. Kilda, with the furniture, &c., and ยฃ5,000. He also directed that the trustees should invest ยฃ25,000, the interest of which was to be for her benefit during life. He bequeathed likewise a number of private legacies, also ยฃ5,000 to the Church of Scotland at Farquhar, of which the Rev. T. Sellar was minister; ยฃ2,000 to the Presbyterian Church, Wickliffe; ยฃ20,000 to the endowment fund for the salaries of professors and teachers for training young men for the Presbyterian ministry; ยฃ5,000 for the Presbyterian Ladiesโ€™ College; ยฃ10,000 for the Presbyterian Theological-hall; and ยฃ12,000 to be invested for the endowment of six scholarships at the Melbourne University, to be called the Wyselaskie Scholarships. The residuary estate was to be invested for the benefit of the children; and in the event of there being no children alive at the death of his widow, the property was to be divided between the Melbourne Hospital, Alfred Hospital, Melbourne Blind Asylum, Deaf and Dumb Asylum, and the Benevolent Asylum.โ€ [8]

The University ended up receiving the sum of ยฃ8,400 from the Wyselaskie executors and as at 2002, (more than a century later) the combined capital for the six Wyselaskie Scholarships was stated at over half a million dollars ($530,561.75)[9]

His widow, Mary Jane Austin (nee Farrell) became the gossip of society in 1884 when she married Alfred James Horner who was more than twenty years her junior and of questionable moral character. Horner, an accountant, had previously been sued by a widow named Catherine โ€œKittyโ€™ Edgin[10] for ยฃ1,000 damages in a breach of promise case. Previous to this, Alfredโ€™s father James had tried to intervene by visiting Catherine on the 1st of May 1883;

โ€œโ€ฆThe young manโ€™s family then got wind of the affair, and his father appeared on the scene. He visited the plaintiff. She showed him the children, and the old man said that his son ought to marry the mother of the children. The old man died on the following day, broken heartedโ€ฆโ€[11]ย 

James Hassler Horner, accountant of Acland Street St Kilda, was reported as having died suddenly on the 2nd of May 1883[12].

The jilted Catherine Edgin was awarded ยฃ600 by the court and Alfred Horner was then free to marry the widow Wyselaskie, who seemed oblivious to his appalling moral character;

โ€œโ€ฆAfterwards he said he was not going to marry a poor woman, and he could only allow her ยฃ2 per week. He only paid one instalment, and then said it would be better to drown herself and poison the children. After this he said that he was going to marry the richest widow on St. Kilda. On the 30th April he married Mrs Wyselaskie, the rich widow referred toโ€ฆ.โ€[13]

Alfred Horner married Mary Jane Austin Wyselaskie in St Jamesโ€™ Church in Melbourne and although it was stated that the โ€œsocietyโ€ papers had chronicled the lavish event only one detailed account of it has been found in, of all places, a ladies gossip column in a New Zealand tabloid![14]

In October 1887 the now, Mrs. A. J. Horner, presented a large oil painting of her former husband, John Dixon Wyselakie, to the โ€œWyselaskie-Hall Ladies College.โ€ [15] The College had been built with funds from the Wyselaskie bequest and was opened by Francis Ormond in March that same year[16].

On the 31st of July 1895 Mary Jane Austin Horner died at Bendigo[17] aged 57 and on the 3rd August 1895 was interred with her first husband, J. D. Wyselaskie, at the Kew Boroondarra cemetery[18].

When Maryโ€™s will was executed and probate was proven, her Farrell relatives and her daughter and adopted daughter were the beneficiaries and Alfred James Horner was excluded[19]

Alfred James Horner left Melbourne after Mary died and headed for Perth in Western Australia, where he joined his brother, Ernest E. Horner in the firm of Horner & Horner, Fire and Insurance Assessors. Alfred died in Sydney on the 23rd of November 1918 after a โ€œpainful illnessโ€[20]

Gerald Neville Buckley (1855-1935)

The second owner of Narrapumelap was Gerald Neville Buckley. He was the son of Elizabeth Marion Neville (1826-1920)[21] and Mars Buckley (1825-1905), proprietor of Buckley & Nunn haberdashery of Bourke Street Melbourne[22].

Gerald brought the Narrapumelap station from the estate of J. D. Wyselaskie in June 1884[23] and, apart from his international travels, lived there for the rest of his life. His exploits at big game hunting in Africa were well known and his animal trophies were on display in the homestead.

Gerald died unmarried aged 78 on the 19th February 1935 at Narrapumelap and was reported to have a combined estate of ยฃ140,262.[24]

“OBITUARY, Mr. G. N. Buckley

The death occurred on Tuesday night at his home, Narrapumelap, Wickliffe, of Mr. Gerald Neville Buckley, whose father, the late Mr. Mars Buckley, was a founder of Buckley and Nunn Ltd and donor of the Mars Buckley Cup for tennis for annual competition between Victoria and New South Wales. Mr. Buckley, who was aged 78 years, was unmarried. He was one of the leading pastoralists and horse breeders in Victoria. At the Rock House Stud, on the Campaspe River, near Kyneton, he bred many fine horses. The sires, The Night Patrol, for which Mr. Buckley paid the Earl of Stradbroke 10,000 guineas, and Woorak were both kept at Rock House. Cape Sky and Greenstead were also in Mr. Buckley’s stud, and Halbadier, Linker Up, Woorgun, and Sergeant Major raced under his colours. Halbadier and Gamekeeper are in training at present. As a young man Mr. Buckley was a member of several big game hunting expeditions to South Africaโ€. [25]

Narrapumelap was then in the hands of Geraldโ€™s brother Charles Mars Buckley until his death in 1946[26]. The Soldier Settlement Commission purchased the property which was then occupied by Peter C. Jensen[27] and then R. A. S. Hayes[28].

On Monday 30th July 1951 a public auction for the estate was held at Scottโ€™s Hotel in Melbourne[29] and the 1400 acres of property and buildings passed into the hands of Alistair McIntyre who ran sheep on the property which produced some of the finest wool at record prices in Victoria[30].

The McIntyreโ€™s never lived in the old mansion because of its dilapidated condition but their son Kevin had loved the old bluestone building since he was a boy and has now been restoring it to its former glory for more than twenty years.

โ€œHistoric homestead restoration a labour of loveโ€

BY ALEXANDRA WEAVER 22 Oct, 2011 03:00 AM

โ€œRESTORING a historic south-west property has been a labour of love for Kevin McIntyre. For the past 18 years he has spent weekends working on Wickliffeโ€™s Narrapumelap homestead, which was built in 1873 and is considered one of rural Victoriaโ€™s finest examples of French gothic revival architecture. Its original owner, John Dixon Wyselaskie (1818-1883), was a successful pastoralist and philanthropist. Mr McIntyreโ€™s parents bought Narrapumelap at a Melbourne auction in 1951 and today live in a more modest residence nearby. The homestead was badly damaged in the 1980s when vandals broke in and smashed its ornate fireplaces. โ€œTwenty years ago it was really quite ruinous,โ€ Mr McIntyre said. โ€œWhen I first started there was no garden, a devastated interior now itโ€™s really quite nearing completion inside. โ€œItโ€™s quite a popular tour destination now. It is totally unique.โ€ Mr McIntyre recently added a kitchen in a style sympathetic to the homeโ€™s design and removed a dining room added to the central courtyard in about 1900. โ€œPeople have been following this project with quite a bit of interest,โ€ he said. โ€œI do most of the work myself I do all the design work. I actually make a lot of the things. โ€œItโ€™s very comprehensive because I really believe in the idea of one hand controlling all details: garden, design, garden structures, interior.โ€ Narrapumelap will be open during the Melbourne Cup and Easter weekends and can be seen at other times by appointment.โ€[31]

Kevin also has B&B accommodation available in a beautifully restored section at the rear of the mansion.

See: http://www.narrapumelap.com.au/

Footnotes:

[1] Vic BDM: 6826/1883

[2] J. Ann Hone, ‘Wyselaskie, John Dickson (1818โ€“1883)’, Australian Dictionary of Biography, National Centre of Biography, Australian National University, http://adb.anu.edu.au/biography/wyselaskie-john-dickson-4896/text8193, accessed 1 September 2013.

External links:

Obituary: John Dixon Wyselaskie (1818-1883)
Biography: John Dickson Wyselaskie (1818-1883)
State Library Vic: Photos of Narrapumelap from 1967
Web Site: Narrapumelap


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19-11-1886: Auction of the Curzon Street Cottages.

By the mid 1880’s James Ferguson & James Urie had built their substantial new homes in Parkville and Flemington and their humble cottages in Curzon street near their workshop were obviously no longer required.ย  James Urieโ€™s cottage was at 28 Curzon Street andย  James Ferguson’s at No 24 Curzon street. The companyโ€™s first business premises was situated in very close proximity to the two cottages and was diagonally opposite the Union Memorial Presbyterian Church in Curzon Street.

In todays terms (2018) the address is 42 Curzon Street and the majority of the facade of the original building still exists.

In November 1886 they placed their cottages in the hands of Barrett & Co Auctioneers.

The Argus, Melbourne, Friday 19th November 1886, page 3.In

“SATURDAY, NOVEMBER 20. At Three Oโ€™Clock.

On the Premises, Little Curzon-street, Hotham. 2 BRICK COTTAGES. By Order of Messrs. Ferguson and Urie.

BARRETT and Co. will SELL by AUCTION, on the premises, as above, land having frontage of 55ft. to Little Curzon-street by a good depth, on which is erected two brick cottages, containing six rooms, outhouses, &c. Terms at sale.

The auctioneers would call special attention to this sale the property being well-built, near the omnibus and cab route, and within a few minutesโ€™ walk of the city. Barrett and Co., auctioneers, corner of Queensberry and Abbotsford street, Hotham, and Racecourse-road, Newmarketโ€.

The partial municipal map below from 1878 shows the three key addresses in Curzon & Little Curzon street in North Melbourne.

Curzon St map [1878] [c1]

Curzon Street Municipal plans 1878


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1993: St Matthewโ€™s Anglican Church, Albury, New South Wales.

St Matthewโ€™s Anglican Church in Albury originally contained many Ferguson & Urie stained glass windows as well as a five-light east window by Lyon & Cottier of Sydney.

The church was destroyed by fire on Saturday 14th September 1991 and it was resolved, where possible, to re-create the east window by Lyon & Cottier by Philip Handel based on photographs. The only remnant of a Ferguson & Urie window was incorporated into a new design depicting the Phoenix rising from the ashes.

Ausglass Magazine, Dr Bronwyn Hughes, Editor, Monday 30th August 1993, page 5.

โ€œโ€ฆ A total of ten windows, mainly in the transepts, were the work of Ferguson & Urie of Melbourne and were installed from about 1876. Mainly grisaille work with inset medallions and small scenes, as well as two nativity windows, they epitomise the Ferguson & Urie style which used strong blues and reds in borders, brown paint and silver stain in the vignettes. Most of these windows will not be replaced to resemble the originals as the photographic evidence is simply not good enough to allow satisfactory reproduction. New transept windows, which recreate the spirit of the former windows through grisaille and monograms, are being made by Mr Philip Handel who also has family connections with the firm Lyon & Cottier through his father, Alfred Handelโ€.

The Albury Banner & Wodonga Express, NSW, Saturday 15th January 1876, page 6.
“OPENING OF THE NEW CHURCH OF ST. MATTHEW”
[Excerpt about the stained-glass windows]

“…The stained glass windows are in every instance choice specimens of one of the most beautiful of the decorative arts, and the largest of them – east window in the chancel – is one of the best in the Australian colonies. This window, the cost of which was kindly guaranteed by a member of another denomination – Mr. G. Day, M.P. for the district – 22ft. high and 10ft. in width at the base. It was made by Messrs. Lyon, Cottier and Co., of Sydney, the principal subject being the calling of St Matthew, while the side lights represent full-length figures of the four Evangelists. The principal point of excellence in this window is the design, which is particularly bold and well-conceived; the coloring, however, is also rich and harmonious, and, taken as a whole, the windows is probably surpassed by few in the colony, and certainly is not equalled by any outside Sydney or Melbourne. The two centre figures are especially good. The other windows, ten in number, have been made by Messrs. Ferguson and Urie, of Melbourne, and though smaller than the east window are equally distinguished by beauty of design, and harmony of color. Two of the largest are situated at the end of the south transept, and are the gift of the Sunday School pupils and Dr. R. N. Cobbett, respectively. Both are specimens of the modern style of art. The former contains two large full-length figures illustrative of the text “Suffer little children to come unto me;” the first figure representing the Saviour in the act of teaching little children, the second being an illustration of Christ as the Good Shepherd. The window given by Dr. Cobbett contains three figures personifying the cardinal virtues – Faith and Hope on the lower and larger lights, surmounted by Charity above; this window bears the legend “In Deo est nostra apes.” [in God is our hope] On the east side of the South transept are two windows ornamented with geometrical designs; these are presented by the masons and carpenters engaged upon the building. On the west side of the north transept, have been purchased with funds gathered for the purpose by Mrs. Husing and Mrs. Wilcox respectively. The second window on the east side of the north transept is the gift of Mr. W. N. M. Edmondson. This is a very chastely designed and tasteful memorial window, representing the Saviour conversing with children. The principal subject is surmounted by an angel, and a scroll at the bottom of the window bears the text “Suffer little children to come unto me.” Though last not least, comes the window presented through Mr. Crommelin, by Mr. Dufaure, of Sydney. This is placed on the north side of the nave, immediately below the north transept, and is the only window in the building of English manufacture. The subject of this window, two texts have been chosen, in the illustration of which the Saviour is represented first as fainting beneath the weight of the cross. The conception of this picture is remarkably good, every line in the face and figure being suggestive of meekness and long suffering in the Redeemer. In excellent contrast with this is the subject of the second picture, Christ in glory, all memory of the agony suffered during the Incarnation banished for ever from that celestial countenance. The text chosen here is “In my Father’s home are many mansions,” For brilliancy and purity of color this window is unsurpassed by any in the building; if it has any fault it is that of being too bright, and of almost requiring to be toned down by a background of some kind which wouldย  render the gorgeous tints somewhat less dazzling to the eye in the glare of an Australian Summer…”

Photos taken 9th March 2014.

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05-03-1949: Charles William Hardess (1858-1949)

Charles William Hardess (1858-1949) was the son of George Mathew Hardess (1827-1909) and Mary Ann McCarthy (1834-1889). He began his career at the Ferguson and Urie stained glass company as an apprentice stained glass artist circa 1873 at the age of fourteen. As part of his apprenticeship, he attended the Hotham School of Art which was formed in 1873 by prominent members of the Ferguson & Urie company. His father, George, was an Honorary Superintendent of the school in 1877 as well as a reader of the Legislative Assembly.

C. W. Hardess married Janet ‘Jessie’ Gilchrist Pie on the 28th of October 1886 and they had three known children. William, Hilda, and Elsie.

After the Ferguson & Urie company closed in 1899, the stained glass firm of E. L. Yencken purchased the vast majority of  the equipment and stock in trade from their Franklin Street warehouse. My fair assumption at this point in time is that C. W. Hardess was enticed to join the Yencken firm as their stained glass artist. On Good Friday in 1900 a stained glass window was unveiled in the Buninyong Presbyterian Church to the memory of the Rev Thomas Hastie and notes of this event recorded in the  Buninyong Historical Society’s June 2014 newsletter wrote that the window was made by โ€˜Zenken & Co Melbโ€™ and the artist was a โ€˜Mr. Hardnessโ€™. That clue was too coincidental to ignore and so Iโ€™m absolutely sure that this was supposed to refer to the company as
โ€˜E. L. Yencken & Co, Melbโ€™ and the artist was none other than โ€˜Charles William Hardess)โ€™. 

In later years Hardess teamed up with another former employee of Ferguson & Urie named Frank Clifford Lording, and they became a partnership as โ€˜Hardess & Lordingโ€™. They are known to have done the lead-lighting for the homestead โ€˜Warraโ€™ in Wangaratta (sometime after 1908). C. W. Hardess was buried in the Burwood cemetery 1st March 1949.[1]

The Argus, Melbourne, Vic Saturday 13th November 1886, page 1.

“HARDESS-PIE.- On the 28th ult., at the residence of the bride’s parents, Ravenscraig, Flemington-road, Hotham, by the Rev. R. Short, Charles W., second son of George K, Hardess, Royal-park, to Jessie G., eldest daughter of Captain W. Pie, Hotham.”

The Argus, Melbourne, Saturday 5th March 1949, page 15.

โ€œHARDESS.- On February 28 at the residence of his daughter, 8 Martin Crescent, Glen Iris, Charles William, loved husband of the late Jessie G., and loving father of William G., Hilda (Mrs. Ellis), and the late Elsie Vera (Mrs. Clark), aged 90 yearsโ€.

Charles William Hardess. Photo was taken for the June 1887 North Melbourne company dinner


This article was updated 20190706 to reflect the connection with the Yencken company at para 3.

Related posts:

27-07-1945: James Ferguson Jnr (1861-1945)

James Ferguson Jnr (1861-1945), was the only son of James Ferguson Snr (1818-1894), who was a principal partner in the firm โ€˜Ferguson & Urieโ€™.  James Jnr was also a member of the firm until its closure in 1899. He never married and nothing significant is known of his life between 1899 and 1945. Numerous electoral rolls after 1899 simply listed him as a labourer and he resided in a small two storey terrace house at 22 Capel street North Melbourne (one street back from the Victoria Markets) prior to his death in 1945. Family lore has it that he was spoilt as a result of being the only son (amongst his seven elder sisters) and never had any of the business acumen and determination to succeed like his pioneering father. This would seem to be a contributing factor in the firmโ€™s demise after his fatherโ€™s death in 1894. Most noticeable was the absence of regular company advertising in the leading Melbourne newspapers after the death of James Ferguson Snr on the 18th April 1894. After September 1894 all traces of advertising for the company ceased to exist.

Only three photos of James Jnr are known to exist, being: the employee poster created for the June 1887 company dinner, the Ferguson Clan photo at โ€˜Ayr Cottageโ€™ on 1st January 1888 and a photo with his father and some employees at the back of one of the stained glass workshops (at either Curzon or Franklin street) thought to be circa 1892-94.

James Ferguson Jnr is buried with his parents, James and Jane Ferguson, and sibling Margaret in the Ferguson family grave at the Melbourne General cemetery but he and Margaret are not listed on the headstone.

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The Argus, Melbourne, Friday 27th July 1945, page 2.

โ€œFERGUSON.- On July 26, at Parkville, James, loving son of the late James and Jane Ferguson, and loving brother of Margaret Ferguson (deceased), Mrs. Koop (sic) (deceased), Mrs. Auld (deceased), Mrs. Williams (deceased), Mrs. Gordon (deceased), Mrs. Kier (deceased), Mrs. Gentles (deceased). โ€“ At rest.โ€

The Argus, Melbourne, Vic, Friday 27th July 1945, page 14.

โ€œFERGUSON.- The funeral of the late JAMES FERGUSON will arrive at the Melbourne General Cemetery, Carlton, THIS DAY, at 3.30 p.m. RONALD MAY, St. Kilda LA4406.โ€

Related posts:

18-04-1894: James Ferguson (1818-1894)

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14-10-1944: Frank Clifford Lording (1860-1944)

Frank Clifford Lording (1860-1944), was born in Melbourne on the 10th of October 1860 to architect and builder, Frederick Henry “Harry” Lording and Marianne Coulsell.

Frank became an apprentice glass stainer and embosser with the Ferguson & Urie stained glass company in his early teens. In 1879 was awarded a prize at the Hotham School of Art as a senior student in the category of “Ornamental Shaded” under the tutelage of Ferguson & Urie’s stained glass artist David Relph Drape (1821-1882).

His name is mentioned a number of times in the press articles about the company dinners of 1886, 1887, and 1888.  At the 1886 company dinner, he sang โ€˜The Old Brigadeโ€™, and at the 1887 dinner sang, โ€˜Romany Lassโ€™. After the firm closed in 1899 he went into partnership with Charles William Hardess (1859-1849), another employee of the firm, to become โ€˜Hardess & Lordingโ€™. Lording was also a capable footballer and was selected for the Victorian team in the first Inter-colonial football match against South Australia on Tuesday 1st July 1879 [1] which the Victorian team won. The Hotham Football club later became the North Melbourne Football Club and he was selected as a state representative in 1879 and 1881.

Frank married Mary Ann Christie in 1884 and had three sons, Frank Clifford ‘Cliff’ Jnr, Frederick ‘Fred’ Alexander, and Walter Leonard ‘Len’.

Frank died at his home at 18 McDonald Street, Mordialloc on the 7th October 1944 aged 84, and was interred at the Cheltenham New Cemetery.

Frank Clifford Lording. A subset photo from the Ferguson & Urie company dinner portraits in June 1887, North Melbourne.
Frank Clifford Lording in the Hotham (North Melbourne) Football Club uniform in 1879 (Museum Victoria)

Coincidentally Frank’s father ‘Harry’ was the architect and builder of James Ferguson‘s house in Leonard Street Parkville in 1887

In April 1937 Frank’s brother Frederick ‘Harry’ Lording (1855 – 1939) wrote to the Melbourne Age about his brother’s football history.

The Argus, Melbourne, 14th October 1944, page 15.

โ€œLORDING.- On October 7, at his residence, 18 McDonald street, Mordialloc, Frank Clifford, beloved father of Cliff, Fred, and Len, aged 84 years.โ€

Related Posts:

Footnotes:

[1] The Argus, Melbourne, Wednesday 2nd July 1979, page 5.


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27-04-1935: St. Andrewโ€™s, Box Hill, Melbourne, Victoria, Australia.

St Andrews church at Box Hill had its origins as the West Melbourne Presbyterian Church which was demolished in 1935 and rebuilt at Box Hill as St Andrewโ€™s using the same bluestone blocks.

Amongst the money raising ventures to pay for the new Box Hill church were the sale of tiny pieces of stone from the original building and the re-dedication of the original Ferguson & Urie stained glass windows for ยฃ50 each. The appearance of the new memorial dates below the windows gives the impression that the windows are of more recent origin than their original date of manufacture.

The foundation stone of the new church at Box Hill was laid on the 27th of April 1935 and was opened on the 14th December 1935. When the new church was built, its original West Melbourne character was retained but it was shortened by 10ft which was one complete window bay (each side).

St Andrews is a rarity as every stained glass window in the building was produced by Ferguson & Urie of Melbourne (another is St Georgeโ€™s Churchย  Queenscliff). According to the St Andrews church history booklet produced in 1985, eleven of the original Ferguson & Urie windows from the nave were reinstalled in the nave at Box Hill, one went to Trinity church in Camberwell (confirmed as extant), and the remaining windows were refashioned to make the windows in the foyer, tower room, vestries and porches. The main Apostle window was placed in the West Melbourne church in 1876 when the tower was built which faced William Street in Melbourne. The window originally showed two rows of four full length figures of apostles with the head of another apostle above each figure. When it was installed in St Andrews it was remodeled to show the upper four Apostles in one window and the lower four apostles divided into two windows which now flank the one on either side in the tower.

The original Ferguson & Urie stained glass now appears as twenty one sets of windows in the Box Hill church.

The photos were taken 29th October 2010. Every window in the church is represented in this slideshow.

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Related posts: 29-04-1867 > 02-05-1867>ย  27-04-1935 > 09-09-1935 > 16-12-1935 > 01-02-1936


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09-09-1935: Trinity Church, Camberwell, Victoria, Australia.

In 1935 the West Melbourne Presbyterian Church was dismantled and re-erected as St Andrew’s at Box Hill. St Andrew’s was meant to be a faithful replica of the old West Melbourne Church and so the stained glass windows were included in the reconstruction.

Except for one, which found its new home at Trinity Church, Camberwell.

The Argus, Melbourne, Monday 9th September 1935, page 5.

ย โ€œJUBILEE SERVICEโ€

โ€œTrinity Church, Camberwellโ€.

ย “…During the service Mr. Macaulay announced that in honour of the Rev. P. J. Murdoch’s long ministry in the church Sir Keith and lady Murdoch had decided to provide a stained glass window, of three lights, for the church….”

Albury Banner and Wodonga Express, NSW, Friday 7th February 1936, page 15.

“On Sunday Rev. R. W. Macaulay dedicated a renovated stained glass window at Trinity Presbyterian Church, Camberwell. The window was originally erected in the West Melbourne Presbyterian Church to commemorate the ministry there of Rev. P. J. Murdock, who was also minister at Camberwell from 1887 till his retirement.”

The window mentioned here has been confirmed to be the one the fourteen three-light nave windows that came from the old West Melbourne Church that was dismantled in 1935. It would appear this window was obtained by Sir Keith Murdoch for Trinity Church Camberwell and erected in the name of his fatherโ€™s long standing ministry in the Church. It was unveiled on Sunday 2nd February 1936. (see post 01-02-1936)

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The window contains a piece of scripture in the centre of each of the three lights with the relevant bible reference:

“I AM THE WAY AND THE TRUTH AND THE LIFE” “JOHN: 14-6”

“SHEW ME THY WAY O LORD” “PS: 25-4” (Psalms 25-4)

“SEEK YE THE LORD WHILE HE MAY BE FOUND” “IS: 55-6” (Isaiah 55-6)

 

Biography: Rev Patrick John Murdoch (1850-1940)

Biography: Sir Keith Arthur Murdoch (1885-1952).

Related posts: 29-04-1867 > 02-05-1867>ย  27-04-1935 > 09-09-1935 > 16-12-1935 > 01-02-1936

To see a slideshow of the entire cycle of windows at St Andrews Box Hill, see post:ย  27-04-1935

01-02-1936: Trinity Presbyterian Church, Camberwell, Melbourne, Victoria.

The Argus, Melbourne, Saturday 1st February 1936, page 10.

“At Trinity Presbyterian Church Camberwell, to-morrow morning, the Rev. R. Wilson Macaulay will dedicate a large English[sic] stained glass window removed from the old West Melbourne Presbyterian Church. The window is to commemorate the ministry of the Rev. P. J. Murdoch, who was minister at West Melbourne from 1884 to 1887, when he was called to Camberwell, where he occupied the pulpit for many years”.

The article incorrectly reports the window as “English” when it was in fact made by the Ferguson & Urie stained glass company in North Melbourne. All of the stained glass windows in the old West Melbourne church were made by this firm and when it was dismantled in 1935, it was reconstructed as St. Andrew’s at Box Hill and thirteen of the original fourteen nave windows were reinstalled in the Box Hill church. The the other window (mentioned in the above article) went to the Trinity Church in Camberwell. This window was donated by Sir Keith & Lady Murdoch in the name of Sir Keithโ€™s father the, Rev. Patrick John Murdoch, as indicated during the church jubilee service on the 8th September 1935. (see post 09-09-1935).

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Biography: Rev Patrick John Murdoch (1850-1940)

Biography: Sir Keith Arthur Murdoch (1885-1952).

Related posts: 29-04-1867 > 02-05-1867>ย  27-04-1935 > 09-09-1935 > 16-12-1935 > 01-02-1936

To see a slideshow of the entire cycle of windows at St Andrews Box Hill, see post:ย  27-04-1935


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16-12-1935: St. Andrewโ€™s, Box Hill, Melbourne, Victoria, Australia.

The Argus, Melbourne, Monday 16th December 1935, page 4.

โ€œThe Pulpit โ€“ ST. ANDREWโ€™S CHURCH TRANSFERRED. Opened on New Site at Box Hillโ€.

โ€œWith the original key which opened the old Gothic doors of St. Andrewโ€™s Presbyterian Church at West Melbourne, the same doors were reopened on Saturday, when the church, which has been re-erected at White Horse road, Box Hill, was dedicated on its new site in the presence of nearly 1,000 peopleโ€ฆโ€

โ€œโ€ฆThe Apostle window, valued at ยฃ1,500, has been placed in the lower portion of the tower, visible within the church above a gallery. Flood-lighting will make it visible at night from the roadโ€ฆโ€

The Apostle window and all other windows in the Box Hill Church came from the former West Melbourne Church, all of which were made by Ferguson & Urie. The final service in the old West Melbourne Church was held on Sunday 3rd February 1935.

Note: Only images of the Apostle window are shown in this slide show. The photos were taken on the 28th November 2010. There was no access to the gallery for closeup shots and only portions of the windows could be taken from varying angles with a zoom lens.

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To see a slideshow of the entire cycle of windows at St Andrews Box Hill, see post:ย  27-04-1935

Related posts: 29-04-1867 > 02-05-1867>ย  27-04-1935 > 09-09-1935 > 16-12-1935 > 01-02-1936


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27-07-1930: George James Coates (1869-1930)

George James Coates was born at Emerald Hill (South Melbourne) on the 9th August 1869, the son of John Robert Coates (1842-1877) and Elizabeth Mina Irwin (1847-1902).

His father died when he was eight years old and his mother allowed him to be apprenticed to the Ferguson & Urie stained glass company at age fifteen, circa 1884.

George studied at the North Melbourne School of Design and Hotham School of Art and attended classes under Frederick McCubbin. He won a scholarship in 1896 that enabled him to travel to London then Paris and in 1903 he married artist Dora Meeson (they had no issue). He was also the Australian Governments unofficial war artist during WW1.

In 1937 his wife Dora wrote his biography; George Coates, ‘His Art and His Life’, in which she makes minor mention of his time with the Ferguson & Urie stained glass company and that he had a distaste for the coarse jokes from the other employees.

In all of the Ferguson & Urie windows found to-date,ย  it is impossible to know which of them, within George’s era at the company, may contain examples of his artwork. The exception to this may be in the house of his employer, James Ferguson, whose house ‘Ayr Cottage,’ in Parkville has a stairwell window containing a detailed portrait of the Scottish bard ‘Robbie Burns‘ which I reasonably suspect may have been done by a young 17 year old George Coates in 1886.

The photo below is of a young George, age 17, as he appeared in the Ferguson & Urie employee poster created for the 1887 company dinner, held at the North Melbourne Mechanics Institute hall on the 22nd June 1887.

George James Coates. Photo taken for Ferguson & Urie company dinner June 1887.

The Register, Adelaide, 23rd September 1921, page 7.

Transcription of article “NOTABLE ARTISTS’ RETURN”

“In the realm of the arts, Australia is proving herself a keen contestant for honours, and during the past few years many Australian painters have obtained public recognition. Mr. and Mrs. George J. Coates (nee Miss Dora Meeson), of Melbourne, went abroad to study, and now have returned to their native land covered with honours. They arrived in Adelaide by the Melbourne express on Wednesday, having reached their own city some months ago. It is 24 years since Mr. Coates set out for the great adventure, and, like many other Australians, he found it a stressful road, full of obstacles, and necessitating the most frugal mode of living. But the painter felt that he had something to impart to lovers of beauty, and so he persevered in London, and then migrated to Paris with such success that to-day he can boast of more significant letters after his name than any other Australian artist.

Among his distinctions may be mentioned:- Member of the International Society of painters, Sculptors, and Gravers, London; Member of the National Portrait Society, London; On the Council of the Royal Portrait Society, London; Member of the Royal Society of Oil Painters, London; Associate of the Nationale des Beaux Arts (New Salon), Paris; Hon. Member Royal Society of Arts, Sydney; and also of he Victorian Artists of Australia. Asked about his first works, Mr. Coates said that as he evinced a leaning towards art at the age of 11 years it was definitely decided that he should be given his chance. That this decision was justified was revealed when the youthful painter won the Victorian Travelling Scholarship, and set out for London.

– The Road to Fame โ€“

After hard work he went on to Paris and studied under Jeans Paul Laurens, Constant, and others. From 1897 to 1900 he exhibited in the salon des Artistes Fracaise (old Salon), and then returned to London, where he and his wife engaged upon some illustrations for the Encyclopedia Brittanica [sic] and the Historianโ€™s History of the World (an American publication). They also contributed to the Royal Academy and the Paris Salon. In 1910 the well-known โ€œWalker Brothers,โ€ a group, was accepted by the Royal Academy of London, and in 1912 by the Associate de Nationale de Beaux Arts (new salon). By some mistake it was sent to the new Salon in stead of the Champ Elysees, as first intended, and was accepted and brought an Associate ship in its ?rain. โ€œSo much for a happy accident,โ€ as the creator of the picture modestly remarked. A portrait of Miss Strubelle, an American singer, also won recognition in the old Salon of Paris. At the Grand International Exhibition, Pittsberg, a Diploma of Honour was conferred upon Mr. Coatesโ€™s work; and he had the honour to

be specialty incited to again contribute last year and this year too. The Carnegie Institute exhibits only 300 works, and these come from brushes of artists selected by a jury from England, Europe, and America. In reply to a request for further details, Mr. Coates said, โ€œI have painted for the Australian Commonwealth a portrait of Gen. Sir Neville Smythe, V.C., and with natural pride I heard this usually reserved and cold type of man break out into eulogy of the gallantry of the Australians in the war; and, during the sittings he told me that he considered their deeds were equal to those heroic achievements of the Greeks at Salamis and Marathon. I also painted Capt. Jacka, the first Australian V.C; Gen Griffiths, C.O, Australian headquarters in London; Gen. Tivey, Gen. Foott, and other notabilities of the war. These were commissions by the Australian Commonwealth for the War Museum. During the war I spent four years in the R.A.M.C., and so came into personal contacts with realities. I was official war artist to the Canadian Government and to the Australian Commonwealth. It is pleasant to return to our homeland and feel that appreciation awaits my wife and me. When I return to Melbourne various commissions will occupy me, including a group of generals who went to Gallipoli. We have had exhibitions of our work in Melbourne, Sydney, and Brisbane, and in each capital some of our works have been purchased by the national Galleries. Next week we intend to hold an exhibition in Adelaide.โ€ Mrs. Coates (Miss Dora Meeson) has no love for the limelight either; but she had to confess to membership of the Royal Institute of Oil Paintings, London, and also membership of the Mural Decoration and Tempera Society.

– Australia Revisited –

In reply to a query, Mr. Coates said that, of course, he observed a great advance all over Australia, and whether for good or for evil, he was struck with the gradual assertion of independent characteristics in the race as a whole, that seemed to be crowding out English characteristics. Asked about impressionism in art, Mr. Coates said he did not consider that belonged to any particular age or craze, but should be regarded merely as the ordinary impressions of an artistโ€™s mind. The works of men like Manet, Monet, and Pissaro, of the so-called impressionistic school, would live forever. These men gave exquisite beauty through their brushes, and sincerity too. The futurists and cubists were all dead.ย  It was wisdom, indeed, that made people judge a nation by its art, for literature had no eyes. The Elgin marbles of ancient Greece showed the visitor to the British Museum what a vision that nation had held. Australia was young and immature, but in her natural talent was ahead of the other dominions; and her representatives were in all the big โ€œshowsโ€ in England. The Australian climate was so much like that of Italy or Greece, which were the home of fresco, that Mrs. Coates was sure that fresco painting would be a happy style of decoration here. It was an art entirely suited to the dry climate, and Mrs. Coates gave a demonstration in Melbourne with a lecture at the Victorian Artistsโ€™ Galleries. Mrs. Coates painted a picture at Southampton of the last Australian wounded to leave England, which has been purchased by the Sydney Gallery. In Australia this gifted couple are represented in the galleries of Adelaide, Melbourne, Sydney, Brisbane, and Bendigo. They look forward to viewing Adelaide from the hills, of which they have heard much. Among many interesting incidents that have occurred in Mr. Coatesโ€™s career, none was more remarkable than that associated with a portrait of George Claridge, who sat as a โ€œwounded Tommy,โ€ and then went back to the trenches, won his commission, and was killed. His fiancรฉ in Adelaide recognised his portrait in a catalogue, and sent home to purchase it. It was being exhibited in the Royal Academy. The portrait โ€œKing and Empire,โ€ a lovely piece of work, is on loan in our own gallery”.

George Coates, ‘His Art and His Life’, Dora Meeson Coates, Dent & Sons Ltd, London, 1937:

“Lionel Lindsay, in an article on George Coates in Art in Australia, mentions his prowess with the gloves and how a trainer had begged him to give up art and take up a ‘mans’ work, i.e. boxing,’ instead, and become a professional…” [p3]

“He was twelve when he first went to North Melbourne Art School, and at the age of fifteen was apprenticed by his mother to the leading firm of glass-stainers in Melbourne, Messrs. Ferguson & Urie, and he worked there for seven years…” [p5]

“The years in the glass-staining workshop were a great ordeal. Though the work was congenial enough, as good models were set up to be carried out in glass, he hated the coarse jokes of the men, for he had a woman’s sensitive refinement along with his masculine strength.” [p5]

Related posts:

19-02-1874: The Hotham (North Melbourne) School of Art.

External links:

Obituary: George James Coates.

Biography: George James Coates.


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19-06-1923: Christ Church Yankalilla, South Australia.

Place holder for new article:

The only thing of relevance here is the current three light chancel window by Ferguson & Urie which was installed in 1879 and donated by William Gilbert Snr when the new chancel was built.

The Register, Adelaide, Tuesday 19 June 1923, page 12.

โ€œChrist Church, Yankalilla, has now four stained glass windows, counting the Hudson Beare two lights as one. The last mentioned was the first placed in the church, and served as the east window for many years. It was given by Mrs. Brooks in memory of her father, Mr. Thomas Hudson Beare who came out in the Duke of York in 1836 as a second in command of the S.A. Company. In later life Hudson Beare took up land at Myponga, and died there on November ?, 1861, and was buried in the Methodist Chapel yard there, according to the rites of the Church of England. The service was read by the Rev. Astley Cooper. The window is in the Norman style, with geometrical tracing. The present east window was the work of Ferguson and Urie, of Melbourne, and was given by William Gilbert, sen., as a thank offering for his recovery from illness when the chancel was built in 1879. The Archdeacon’s window was placed in the chancel in 1909. It is by Powell, of London, and depicts, St. Luke, the Beloved Physician. The subject was chosen because the Archdeacon studied medicine as well as theology at Cambridge, and when there was no doctor nearer than Victor Harbour saved many lives by his medical skill and knowledgeโ€.

Also see: http://christchurchyankalilla.org/st_james.html


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1915: John Scott (1850-1915)

 

John Scott (1850-1915)

Cameo portrait of John Scott for the 1887 Ferguson & Urie Company Dinner
Cameo portrait of John Scott for the 1887 Ferguson & Urie Company Dinner


John Scott was born in Paisley, Scotland circa 1850 and apprenticed to the Ferguson & Urie stained glass company circa 1866 at the age of 16.

At the company dinner held on the 9th of April 1886[1], he was presented with a handsome diamond locket in appreciation of his twenty years of faithful service to the company and as a farewell gift before his impending holiday to Europe.

โ€œIn making the presentation Mr. Young addressed a few words of good advice to the recipient, whom he strongly recommended to become a Benedict so that he could hand down the locket to his family as an heirloomโ€.

John Scott did eventually marry, but no marriage record has been found in Australia. I suspect that he may have married his wife Agnes in Scotland on his journey back to the old country in 1886. On their return to Australia, they lived at Haines Street in North Melbourne. They never had children.

In James Urieโ€™s speech at the dinner, he stated: โ€œMr. Scott had come to them when a boy as an apprentice and had gradually worked himself up to be the right-hand man in his departmentโ€. His department was where the pieces for the stained glass windows were selected and cut to the exact dimensions according to the glass paintersโ€™ designs.

At the dinner John Scott sang โ€œRemember me Mr. George Drury, when Jeff comes home todayโ€™ and โ€œBonnie Hills of Scotlandโ€. At the company dinner the following year, held on the 22nd of June 1887, he again gave a rendition of โ€œBonnie Hills of Scotlandโ€ [2]. His name is not mentioned in the tabloid report of the 1888 company dinner [3].

John Scott died at Ballarat on the 1st June 1915 at the age of 65.

“SCOTT. – On the 1st June (suddenly), at 506 Doveton Street, Ballarat, John Scott, husband of Agnes Scott, and for many years of the firm of Ferguson and Urie, glass merchants, North Melbourne. A native of Paisley, Scotland.” [4]

His remains were conveyed to the Ballarat West station on the 3rd of June for Melbourne and subsequently buried in the Presbyterian section of the Melbourne General Cemetery.[5] (MGC-PRE-Comp-F-No-132)

His Last Will & Testament was dated 3rd September 1892. His occupation was specified as Plumber & Glass Cutter and he appointed his wife Agnes as sole beneficiary and executrix. His probate documents specified his address as “formerly of Haines Street North Melbourne by late of Doveton Street North Ballarat”.

Johnsโ€™ meager inventory included a vacant piece of land in Ormond Street Kensington in the Parish of Doutta Galla worth ยฃ300, watches, trinkets, Jewellery, an old silver watch, and a gold chain valued at ยฃ5, and 242 shares in the Northcote Brick Co. Ltd worth ยฃ169.

Footnotes:

[1] Ferguson & Urie Company Dinner, Fri 9th Apr 1886.

[2] Ferguson & Urie Company Dinner, Wed 22nd Jun 1887.

[3] Ferguson & Urie Company Dinner, Thu 15th Mar 1888.

[4] The Argus, Melbourne, Vic, Thursday 3rd June 1915, page 1

[5] The Evening Echo, Ballarat, Vic, Wednesday 2nd Jun 1915, page 4.

Related posts:

The 1886 Employee Dinner
The 1887 Employee Dinner
The 1888 Employee Dinner


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21-02-1901: Citizens’ Life Assurance Company purchase the Ferguson & Urie building.

The Argus, Melbourne, Thursday 21st February 1901, page 4.

โ€œWe are informed by the Citizens’ Life Assurance Company Limited that they have purchased the property adjoining that which they occupy in Collins-street, known as Ferguson and Urie’s Buildings. The price paid is not stated.”

The West Australian, Perth, WA, Wednesday 27th February 1901, page 5.

“The price paid by the Citizens’ Life Assurance Company for Messrs. Ferguson and Urie’s buildings in Collins-street is understood to be something between ยฃ600 and ยฃ620 per foot frontage.”

The Ferguson & Urie building is shown in the centre of the photo below. The National Bank is on the left and the Citizens Life Assurance Company is seen on the right as the Planet Building Society[1] which was brought by the Citizens Life Assurance Company in 1901.

The photo below is considered to be circa 1885. The Ferguson & Urie and Planet building are believed to have been demolished circa 1915 to make way for the Bank of Queensland (also demolished 1970).

The Ferguson & Urie Building at 10 Collins Street East.

The Ferguson & Urie Building at 10 (later 281-283) Collins Street East, Melbourne

Related posts:

30-09-1873: For sale, 10 Collins Street.

20-03-1884: Ferguson & Urie building facade approved to be made of Hydraulic Freestone.

22-08-1884: Ferguson & Urie New Premises at 281-283 Collins Street

14-11-1899: The Auction of 283 Collins Street.

Footnotes:

[1]ย  The Advertiser, Adelaide, SA, Wednesday 8th March 1899, page 7. ย  The Citizens Life Assurance Company: “…During the year the directors purchased the freehold premises of the late Planet Building Society, Collins Street, Melbourne. The premises are centrally situated, and the business of our Melbourne branch is now being conducted therein...”

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24-11-1899: Dividends for Ferguson & Urie declared.

Victorian Govt Gazette 98, Friday 24th November 1899, page 4333.

โ€œThe Insolvency Acts.- In the Court of Insolvency, Melbourne District [โ€ฆ]โ€.

โ€œA DIVIDEND is intended to be declared in the matter of Ferguson and Urie, of 100 Franklin-street, Melbourne, in the colony of Victoria, glass stainers, whose estate was assigned on the 22nd day of June, 1899. Creditors who have not proved their debts by the 12th day of December, 1899, will be excluded. Dated this 24th day of November, 1899. J. DRYSDALE PURVES, Trustee. Australian Buildings, 49 Elizabeth-street, Melbourne.โ€

This nears the final stages of the Ferguson & Urie companies forty six year history as the first commercial stained glass company to have been established in the Australian colonies.

Victorian Govt Gazette 98, Date: Friday, November 24th 1899, page 4333

Related posts: 06-09-1899

06-09-1899: 100 Franklin Street warehouse To Let.

The Argus, Melbourne, Wednesday 6th September 1899, page 3.

โ€œMAGNIFICENT WAREHOUSE, 100 Franklin-street, Lately Occupied by Ferguson and Urie, Suitable for factory or any class of trade, TO LET. TO LET. TO LET. Rent Moderate. Apply to DRYSDALE PURVES, Trustee, Australian-buildings, 49 Elizabeth-street.โ€

On the 17th October 1899, The Argus reported that Edward Keep and Co were going out of business because of a fire, (which had occurred at their Lonsdale premises) and โ€œMessrs. Fras and Albert Keep, in conjunction with the departmental manager, Mr H. S. Wood, propose to continue the carriage ironmongery and agricultural implement business at 100 Franklin-streetโ€.

Later the business would be known as โ€œKeep Bros & Wood. Saddlers and Ironmongersโ€. On the 30th September 1899, the Argus reported that a number of buildings were being sold by the trustees of the estate of the late โ€œAlfred Josephโ€ and the 100 Franklin street building was included for sale โ€œsubject to existing tenanciesโ€.

In 1913, Keep Bros & Wood still advertised the business at 100 Franklin Street but have now advertised as โ€œKeep Bros & Wood Wheel Factory, Franklin Streetโ€ producing wooden coach wheels. By 1916 they have diversified and are selling agents for the โ€œTrumbull Carโ€.

In 1945, Keep Bros & Wood purchased several old properties in Elizabeth street for re-development as the new company premises and in the 1960โ€™s started producing the โ€œHallmarkโ€ Bicycle.

Related posts: (about Franklin Street)

16-04-1891 > 10-07-1891 > 01-08-1891 >ย  29-07-1899 > 10-08-1899 > 06-09-1899

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10-08-1899: The auction of the Ferguson & Urie stock at the Franklin Street premises.

The Argus, Melbourne, Thursday 10th August 1899, page 2.

A similar notice appeared in the Argus on the 10th of August 1899 with the only difference being the addition of office furniture and:

โ€œTERMS โ€“ UNDER 100, NET CASH; ABOVE THAT SUM, CASH, LESS 2 ยฝ PERCENT DISCOUNTโ€

This is a continuation notice regards the sale of the firms stock.

Related posts: (about Franklin Street)

16-04-1891 > 10-07-1891 > 01-08-1891 > 29-07-1899 > 10-08-1899 > 06-09-1899

29-07-1899: The auction of the Ferguson & Urie stock at the Franklin Street premises.

The Sydney Morning Herald, NSW, Saturday 29th July 1899, page 11.

โ€œMessrs. Fraser and Co., of Melbourne, advertise elsewhere and unreserved sale of the stock-in-trade in the assigned estate of Messrs. Ferguson and Urie, glass stainers and merchants.”

Related posts: (about Franklin Street)

16-04-1891 > 10-07-1891 > 01-08-1891 >ย  29-07-1899 > 10-08-1899 > 06-09-1899

26-10-1895: โ€˜Waterdaleโ€™, 56 Chapman Street, North Melbourne.

The house known as โ€˜Waterdaleโ€™ in Chapman Street North Melbourne was built for prominent colonial Cobbler and footwear salesman William Leeming in 1895. The house was purchased around 1970 by a branch of the Royal Childrenโ€™s Hospital and is now known as Uncle Bob’s Child Development Centre. The building was classified by the National Trust in 1993 ( Place ID: 15743 File: 2/11/033/0369). There are Ferguson & Urie stained glass windows in many of the rooms as well as frosted/etched windows depicting bird life in the bathroom and walls at the rear of the house. Based on subsequent research of the 1895 period and the figurative painting style, the artist responsible for some of the windows depicting women, birds, and fruit in golden hues would have been Herbert Moesbury Smyrk who was prolific in painting with silver nitrate stain.

The photos were taken on 14th July 2011.

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The Building and Engineering Journal and Australasian Builder and Contractor News, Saturday, 26th October 1895.

โ€œ[โ€ฆ] the stained glass, which has been executed by Messrs. Ferguson and Urie. The sash frames are all fitted with transom lights, filled in with stained glass designed to suit the various apartments. The hall door leading to corridor is filled with an artistic panel representing night and morning. The front door panels and upper lights are treated in a conventional style introducing Australian bird and flower subjects. The doors and windows of the back corridors and bathroom, etc, are treated in floral and marine subjects, specially designed in embossed glass[โ€ฆ]โ€

The Age, Friday, December 8, 1972.

LIVING WITH HISTORY โ€“ Alex Macdonald.

“Cobbler prospered at last.

The Advertising industry might well consider establishing an archive to preserve the memories of some of its notable 19th century practitioners, such as North Melbourneโ€™s William Leeming. Born in Castlemaine in 1859, Leeming started in the footwear business a few years after leaving school, and by 1885 was able to open the Colonnade Boot Bazaar at 1 Errol Street, North Melbourne. Other shops followed, and some time before 1900 he was wealthy enough to build a fine house, Waterdale, in Chapman Street, North Melbourne. The one-storey house, of rendered brick, commands a sloping site. Outside it has in good measure the fashionable ornaments of its age โ€“ stone urns, cast iron fence, verandah and roof finials. Inside, itโ€™s decorated to a degree rarely excelled. The house is now Uncle Bobsโ€™ Club Rehabilitation Centre, a branch of the nearby Royal Childrenโ€™s Hospital. It is a temporary home for 12 children, mainly asthma sufferers, who receive medical care, schooling, physical and occupational therapy, and other help needed to restore them to normal home life. Two house mothers, Miss Nan Smith and Miss Val Sullivan, look after them. According to his daughter-in-law, Mrs. Jessie Leeming, of Brighton, William Leeming also had shoe shops at various times in Swanston Street (on the capitol Theatre site), and nearby in Bourke Street. In the Cyclopaedia of Victoria (1903), he is further credited with a business in Prahran. The Cyclopaedia devotes considerable space, and a photograph, to Leeming and mentions what must have been one of the most daring advertising gimmicks. A keen racing man, he entered a horse called Leemingโ€™s Boots in the 1900 Melbourne Cup. It failed to prosper, but another Leeming horse, Patronus, won a Williamstown Cup. Mrs. Leeming recalls that a photograph of Patronus used to hang in Waterdaleโ€™s billiard room, where Leeming was in the habit of retiring with his men friends.

Mythical beast.

Another ploy Leeming used was to give away attractive little gifts. The china shoes, plates and toys bore his trademark, a mythical beast known as the โ€œgazekaโ€. He must have distributed many of these, for when one of his descendants talked out โ€œgazekasโ€ on radio, the station was inundated with calls from people who owned them, but refused to part with them. Although the Leeming family left Waterdale some time after World War 1, it was still a private house when the hospital, with the help of money raised by the Uncle Bobโ€™s Club, bought it two and a half years ago.ย ย ย ย ย  It was then much as the Leemingโ€™s must have known it, and although the kitchen and bathrooms have now been modernised, the hospital has managed to retain and restore most of William Leemingโ€™s decorative features. The drawing room, now the childrenโ€™s school room, is notable for its gilded, moulded ceiling; Deep curving cornices have friezes of classical figures entwined in foliage. The archway on the inside of the bay window is heavily moulded, too, and even the ceiling of the bay is decorated. The door panels are painted with delicate 18th century figures and jewel motifs in pastel colors. Over this, and other important doorways throughout the house, are pediments of wood carved with flowers in high relief. The door fittings themselves are ornately chased and ornamented brass. Elsewhere in the house they are mostly crystal or china. In the dining room, the ceiling and cornices are not only covered with moulded details, but colored in shades of pink, green and gold. Still in its place is the fluted, curving brass gas chandelier. The former study, now the doctorโ€™s room, is fitted with glass and mahogany bookcases on either side of the fireplace, and the billiard room too has a moulded ceiling icicle-like bosses hanging from it. This is now the childrenโ€™s recreation room, and the raised seats around the edge, from which gentleman onlookers watched others at play have gone, and the marble floored lavatory attached is now a cloak room. Yet more color at Waterdale comes from the glass panels of the front door, dining room to verandah door, and hall door. Set in stained glass are paintings of birds and female figures, and more birds perch in small colored panels above each of he windows in the three main rooms.

Happy Memories.

ย ย ย ย ย ย ย ย ย ย ย  For Mrs. Leeming, Waterdale holds many happy memories, for as a child she used to play there with the four children of he house, one of whom, Leslie, she eventually married. As far as she recalls, the Lemmingsโ€™ entertain extensively in their grand house until World War 1, when they threw it open each week for soldiers from the big army camp in Royal Park. โ€œThey would have the blinds right down over the front verandah, and weโ€™d dance there,โ€ Mrs. Leeming said.ย ย ย ย ย  The estate included land right up to Flemington Road, and each of the four children had a horse. Mrs. Leeming remembers there was a live-in staff of groom, cook and maid. Those wee the days of late shopping. According to Mrs. Leeming, William Leeming used to bring home the takings from his shop, and hide them overnight in a secret panel next to the bedroom mantel. โ€œI wonder if it is still there?โ€ she said.”

The Argus, Melbourne, Wednesday 27th July 1932, page 8.

Mr. and Mrs. William Leeming, of Echo, Burke road, Upper Hawthorn, will celebrate their golden wedding to-day. They were both born in Victoria. Mr Leeming commenced business in 1884 when he opened a boot shop in North Melbourne, and later extended his operations to the city, Prahran, and South Melbourne. The โ€œGazekaโ€ sign adopted as an advertisement for his wares was the striking pioneer of that form of publicity. The name is still registered. Mr. Leeming at different times owned Patronus, Charmans, Pendil, Zephe?, Periloous, and Decollette, with which he won several important races including two St. Kilda Cups and a Moonee Valley Cup. In 1899 he entered a horse which did not exist for the Melbourne Cup under the name of โ€œLeemingโ€™s Bootsโ€. This is no longer possible under the amended racing rules. Mr. and Mrs. Leemingโ€™s two sons and daughter are ???? (unreadable word)


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19-04-1894: The funeral of James Ferguson Snr.

The Argus, Melbourne, Wednesday 19th April 1894, page 1.

โ€œTHE Friends of the late Mr. JAMES FERGUSON (of Ferguson and Urie, glass stainers) are respectfully invited to follow his remains to the place of interment in the Melbourne General Cemetery. The funeral will leave his late residence, Leonard street, Royal-park. Tomorrow (Thursday, 19th inst.), at 3 o’clock. ALFRED ALLISON, Undertaker, 221 Victoria street west, Melbourne; Mount Alexander road; Moonee Ponds; and Racecourse road, Newmarket. Telephone 980.โ€

Ayr Cottage, Leonard street Parkville (Royal Park), 1st January 1888

Ayr Cottage 2009

 

Related posts: 18-04-1894 >ย 20-04-1894

18-04-1894: James Ferguson (1818-1894)

From a family history perspective there is quite a lot known about James Ferguson, his family, and his colonial colonial stained glass company from North Melbourne.

I have many historical artifacts which include photographs, pieces of furniture, documents, and many other interesting items which make up a magnificent collection of colonial history as well as my own family history.

James Ferguson was born in Ayr, Scotland circa 1818. His parents were Janet Kay (1791-1860) and Master Slater & Glazier, James Ferguson Snr (1777-1886).

On the 13th of June 1841 he married Jane Williamson Lawson (1820-1886), the daughter of Gavin Lawson and Margaret Williamson and between 1842 and 1852 five girls and a boy were born in Wallacetown;
Margaret (1842-1913) who was mentally disabled from birth, Janet Kay (1844-1925), Jane Williamson (1846-1875), Marion (1848-1927) and Antonia Wallace (1852-1926). A son named James was born in 1851 but died as an infant in the same year.

On the night of the 1851 Scottish Census (30/31 March) his future business partner, James Urie, was recorded as a visitor at his cottage in John Street Wallacetown. Whether this was one of many meetings the two men would have to discuss their bold plans for the future can only be speculation but only nine months later their plans would come to fruition.

In early December 1852 James Ferguson was given a farewell party at the Robert Burns Arms Inn at Wallacetown prior to his departure for Australia.

“…After the usual preliminaries, Mr John Templeton, watchmaker, in neat and appropriate terms, proposed the health of Mr Ferguson and, in name of many friends, present and absent, presented him with a splendid purse containing 25 sovereigns…”

James and his younger brother David departed Greenock on the 12th of December 1852 aboard the ‘Tamerlane’ and after more than four an a half months at sea they arrived in Port Philip on the 29th of April 1853.ย  James’s wife Jane would remain in Wallacetown for two years with the children whilst James established the business in North Melbourne. She arrivedย  aboard the ‘Emma’ with the five girls in November 1855.

In August 1853 the first business advertisements for the company, “Ferguson & Urie”, began in the Melbourne Argus Newspaper. The rest of the Ferguson & Urie history forms the basis of this entire web site.

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The Argus, Melbourne, Wednesday 18th April 1894, page 5.

โ€œThe death is announced of Mr. James Ferguson, the surviving partner of the well known firm of Messrs. Ferguson and Urie. Mr. Ferguson was a colonist of about 40 yearsโ€™ standing, and for many years carried on business with his partner in Collins-street near the National Bank. Mr. Ferguson died at his residence, Parkville, early yesterday morning, at the advanced age of 84 [sic].โ€

(James Ferguson was 74 years of age at death).

The North Melbourne Advertiser, Friday 20th April 1894, page 2.

โ€œDEATH OF MR. J. FERGUSONโ€

โ€œWe regret to have to record the death of Mr. James Ferguson, the surviving partner of the well known glass staining firm of Ferguson and Urie. Mr. Ferguson was a colonist of about forty yearsโ€™ standing, and for many years carried on business with his partner, Mr. Urie (deceased about six years ago) [sic: 1890], in Collins Street, near the National Bank. Mr. Ferguson passed away at his residence, Parkville, early on Tuesday morning, his death being simply a decay of nature, as he was in his seventy-first year [sic: 74]. For the past four years the business of the firm has been carried on in Franklin Street and Curzon Street, North Melbourne. Mr. Ferguson was a member of the Presbyterian Church, and was much respected as a private citizen, but never aspired to enter public life. He died a widower, and leaves a grown up family. The funeral took place yesterday afternoon, deceased being interred in the Melbourne general cemetery and the cortege was followed by a large number of mourners. The body was conveyed to the grave in a panelled hearse, and enclosed in a plain coffin. There were three mourning coaches. Mr. Ferguson was buried in the Presbyterian compartment, the arrangements being carried out by Alfred Allison, of 221 Victoria Street, West Melbourne.โ€

Related posts:

19-04-1886: Jane Ferguson (nee Lawson) (1820-1886)

19-04-1894: The funeral of James Ferguson Snr.

1886: The History of โ€˜Ayrโ€™ Cottage, 1 Leonard St. Parkville, Melbourne, Victoria.

08-10-1887: โ€˜Ayr Cottageโ€™, 1 Leonard Street, Parkville, Melbourne, Victoria.

01-01-1888: The Ferguson Clan at Ayr Cottage, Parkville.

04-07-1901: The sale of Ayr Cottage, Parkville, Melbourne.

19-02-1874: The Hotham (North Melbourne) School of Art.


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10-07-1891: The Ferguson & Urie warehouse, Franklin Street, Melbourne.

In 1891 the Ferguson & Urie stained glass company were either consolidating or downsizing their operations. The earlier stock market crash of the 1890s must have wreaked havoc on many market-dependent businesses but this following information gives the impression that the company was having one last act of defiance as it consolidated all its business into one huge four story warehouse in Franklin Street Melbourne. By this time senior partner and founder James Urie had died a year earlier and in another three years James Ferguson would also meet ‘the man with the keys’ (St Peter) who had been depicted in so many of the company’s works of art in stained glass.

The Franklin Street warehouse building still exists but has been substantially modified. As at 2012 it’s known as ‘Burbank House’ and a tribute plaque affixed to the front of the building gives more recognition to the site as being the location of the first Victorian Ice-works and the inventor of the refrigeration process, James Harrison. There is no mention of the actual building as being the location of the historic Ferguson & Urie stained glass establishment whose works of art can still be found all over the eastern states of Australia.

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The North Melbourne Advertiser, Friday 10th July 1891, page 2.

โ€œMESSRS. FERGUSON AND URIEโ€™S ESTABLISHMENTโ€

โ€œThe above firm is one which is known throughout the Australian colonies as the designers and manufacturers of many a handsome chancel window, radiant with the forms of saints and apostles, clad in those rich garments, which the artistic piety of the middle ages loved to clothe the Founder of the Christian Church and His disciples, while the secular side of the art of glass staining is exemplified by specimens of the firmโ€™s work in the colored crests and historical pictures on hall windows in the homes of the wealthy colonist. The new premises are in Franklin-street, and are four stories high, being commodious and comfortable throughout. The top flat contains large quantities of ornamental glass and samples of work, indeed these latter abound throughout the building, and greatly enhances the general effect. The name of the firm is shortly to be fixed on the summit of the roof, with the letters delineated on variegated glass, which will be a novel and striking announcement. Beneath the top story is a department where sheet glass is stored and descending to the next flat more of this article is discovered, but the sides of the store are covered with some beautiful specimens of the glass stainerโ€™s art. One of the most striking of these is a pair of windows representing โ€œTragedyโ€ and โ€œComedyโ€. The colouring is faultless, and the drapery most effectively arranged. These windows would show to great advantage in the main hall or conservatory of a mansion, or in the dress circle corridor of an elegantly appointed theatre. Representations of Lord Nelson and Bacon are here displayed, and would greatly adorn a library or some educational institute. Those who have a weakness for seeing the crest of their ancestors emblazoned in rich and varied hues in their homes, Messrs Ferguson and Urie can accommodate to a nicety, as their heraldic designs in colored glass are most effective. The most interesting part of he building is undoubtedly the artistโ€™s room, where Mr Jackson plans and paints amid representations of angels, cherubim, Madonnas, scenes from Christโ€™s Passion, and various other representations that give his chamber the appearance of the scriptorium of some wealthy monastery in which Art is wedded to Religion. Here all designs are drawn, and the firmโ€™s clients exercise their choice and are informed as to estimates. The paintings are executed in water colours, and the stock of samples extensive and original. On the ground floor is the general office and private apartment for the principals. Round these are specimens and examples of what the firm can turn out, including embossed margins for door side lights and slides for large hall lamps. Plate glass is kept on the ground floor in large quantities, some of the sheets being of great superficial measurement. At the rear of the building is a bending kiln, used as its name denotes, for bending the glass. This is one of the largest structures of its kind in Melbourne, and is substantially put together. The works of the firm are in Curzon Street, North Melbourne, but it is at the Franklin-street depot that the beautiful results are to be viewed. Ferguson and Urie are household words among those possessing artistic tastes, and have been so for many years, and not withstanding the importation of several specimens of ecclesiastical stained glass from Belgium and Germany, still continue to take the lead in beautifying the churches and public buildings of Australia.โ€

Some of the information quoted below about the building and its history was obtained from The Melbourne City Council Heritage review document, and I have made my comments where I have doubts as to the validity of the information stated.

Melbourne Council, Central City Heritage Review 2011, page 61 to 67 (accessed 4 Apr 2012).

โ€œHISTORIC & DESCRIPTION
96-102 Franklin Street, was constructed c.1867 as a five storey warehouse. The designer and builder are not known although it appears to have been built for Ferguson & Urie, Glass Merchants and McEwan & Co ironmongers 2. It is an early example of Italianate design within Melbourne. The building has been stripped of many of its decorative elements and now retains the form but almost none of the detail of the original design. The building is in good but considerably altered conditionโ€

The heritage review document makes reference to the building as also being built for ‘McEwan & Co,’ but I have found no evidence of this company as ever been at Franklin street. The reference to โ€œKeep Bros, and Wood, saddlers and Ironmongersโ€ is correct, but this company only tenanted the premises in October 1899 after their Lonsdale street warehouse had burnt down, and most likely only in response to advertisements in October 1899 for the Ferguson & Urie Franklin Street warehouse being for rent. “Keep Bros, and Wood” remained tenants possibly until 1945 when they purchased another site in Elizabeth street.

The earliest known reference to the Franklin street site is to a โ€œJames Harrison (1816?-1893)โ€ who pioneered the revolutionary design of a refrigerator: โ€œIn 1873 he won a gold medal at the Melbourne Exhibition by proving that meat kept frozen for months remained perfectly edible โ€ฆโ€. A brass plaque affixed to the front of the 100 Franklin street building (currently known as Burbank House) reads:

โ€œA TRIBUTE TO AN EARLY PIONEER
THIS PLAQUE COMMEMORATES JAMES HARRISON INVENTOR OF THE REFRIDGERATION PROCESS AND FOUNDER OF THE VICTORIA ICE WORKS ON THIS SITE 1859.
DONATED BY THE AUSTRALIAN INSTITUTE OF REFRIDGERATION, AIRCONDITIONING AND HEATING. APRIL 1985.โ€

Whether the existing Franklin street building was originally built as the James Harrisonโ€™s ice works is extremely doubtful, but the Argus newspaper article from 1891 about Ferguson & Urieโ€™s new premises says: โ€œThe new premises are in Franklin-street, and are four stories high, being commodious and comfortable throughout โ€ฆโ€

This gives the impression that the Franklin street building was only built circa 1891.The article goes on to give the impression that the building was solely occupied by Ferguson & Urie who occupied every floor of the building with no mention at all of any business or the company name of โ€œMcEwan & Coโ€. Ferguson & Urie had also affixed their company name to the top of the building:
โ€œ…The name of the firm is shortly to be fixed on the summit of the roof, with the letters delineated on variegated glass…โ€

Additional weight is added to this theory from an article published in July 1899 during the final phases of the closure of the company. A sale notice published the following line; “..The above affords an unusually favourable opportunity of acquiring one of the oldest-established businesses in the colony. The stock is large and varied, and the premises were specially erected for the trade…”

Regardless of the Franklin street buildings history, before and after Ferguson and Urie had occupied it, there is undoubtedly a more significant historical meaning to the history of the building as being one of the cities greatest artistic establishments that created many of Australiaโ€™s oldest and most historical stained glass windows which can still be seen throughout Melbourne, regional Victoria, the eastern sates, and rare instances in New Zealand.

Ferguson & Urieโ€™s very first workshop building was in Curzon Street North Melbourne where they first advertised as being located at the north east corner of the Benevolent Asylum ย in Curzon street (the Asylum was demolished late 1911) [1]. The original workshop building still exists at No: 42 Curzon Street opposite the Union Memorial Church. Advertisements for the company first appeared in August 1853 but itโ€™s likely that the workshop/warehouse wasnโ€™t built until after 1858 (based on information in the Drape diaries). The companyโ€™s other warehouse at โ€œYarra Bank Southโ€ (Normanby Road South Melbourne) was a wooden structure and was destroyed by fire on the 31st January 1888.

Related posts: (about Franklin Street)

16-04-1891 > 10-07-1891 > 01-08-1891 > 29-07-1899 > 10-08-1899 > 06-09-1899

Footnotes:

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01-08-1891: Visitors to Melbourne call at Ferguson & Urie, Franklin Street.

Oakleigh Leader, North Brighton, Saturday 1st August 1891, page 4s.

โ€œVISITORS TO MELBOURNE Should call at the following placeโ€ฆโ€

โ€œโ€ฆ FERGUSON and URIE, Glass Stainers, Importers of Sheet and Plate Glass, Manufacturers of Church Windows And Lead Lights for dwellings. Franklin street, West Melbourne โ€ฆโ€

Related posts: (about Franklin Street)

16-04-1891 > 10-07-1891 > 01-08-1891 >ย  29-07-1899 > 10-08-1899 > 06-09-1899

16-04-1891: Ferguson & Urie move to Franklin Street, Melbourne, Victoria.

The Argus, Melbourne, Thursday 16th April 1891, page 3.

โ€œNOTICE OF REMOVAL. FERGUSON and URIE, GLASS STAINERS and IMPORTERS of WINDOW GLASS, Have REMOVED to NEW PREMISES, FRANKLIN-STREET, Three Doors West of ELIZABETH-STREETโ€.

Ferguson & Urie are now feeling the pinch of the financial turmoil and have moved to the Franklin street warehouse.

Related posts: (about the Franklin Street building)

16-04-1891 > 10-07-1891 > 01-08-1891 >ย  29-07-1899 > 10-08-1899 > 06-09-1899

23-07-1890: James Urie (1828-1890)

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Undoubtedly the Colonist who was the driving force behind the success of the Ferguson & Urie stained glass company was James Urie.

His business acumen and enthusiasm made Ferguson & Urie the most successful commercial stained glass company in Australian Colonial history.

The Argus, Melbourne, 23rd July 1890, page 1.

โ€œURIE โ€“ On the 21st inst, at his late residence, Wellington-street, Flemington, James, the beloved husband of Grace Urie (and of the firm Ferguson and Urie, Collins-street), aged 62.โ€

The memorial photos were taken at the Melbourne General Cemetery, 27th Dec 2009.

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James Urie (1828-1890) was born in Kilmarnock, Ayrshire, Scotland on the 14th May 1828, to William Urie and Jane Ferguson.

On the night of the Scottish census record of March 1851, James Urie (age 22), was indicated as being a visitor to James Fergusonโ€™s (age 33) home at John Street Wallacetown in Ayr. Their professions were listed as Slater and Glaziers. As James Ferguson was 11 years older than Urie, the age difference leads me to believe that he may have formerly been an apprentice of James Ferguson or James Ferguson Snr.

Was the night of the census a meeting to discuss their bold plans to emigrate to Australia? Who knows! What we do know is that that their decision would cement them firmly in history as the founders of Australiaโ€™s most prolific and talented stained glass studio.

By late 1852 their decision had been made and they would set sail for Australia.  James Urie departed first and was followed a day later by James & David Ferguson. Which ship James Urie departed on  has not been established but James & David Ferguson departed Greenock on the 12th Dec 1852 aboard the ‘Tamerlane’. In a speech at the Company dinner held in North Melbourne in 1886, James Urie stated: โ€œ..it was just 34 years since he left the old country for the colony and Mr. Ferguson left a day after himโ€.

On arrival in Melbourne the men set about establishing their business as Plumbers, Slaters and Glaziers from premises in Curzon street North Melbourne. For a short time James Urie took up residence at the Tam Oโ€™Shanter Hotel in North Melbourne, whilst James Ferguson and his brother David found cottage accommodation in Little Curzon street.

On the 31st August 1855 James Urie married ‘Grace Hardie Young’ at the first Curzon Street Presbyterian church in North Melbourne and they took up residence in a small cottage at 28 Curzon Street North Melbourne, only a short distance from the Ferguson brothers and the businessโ€™s workshop. Between 1856 and 1882 James and Grace had fourteen children, five of whom unfortunately died as infants.

After the initial pioneering hard work of establishing the business and transforming the business to stained glass production in 1861, James took the lead as the enterprising salesman of the business and traveled far and wide to the eastern states as far north as Queensland, west to South Australia and as far south as Tasmania and possibly New Zealand to establish the company name โ€œFerguson & Urieโ€ as Australiaโ€™s premier colonial stained glass firm. James was an an astute business man and had an inventive streak as well. On the 24th of October 1865 he registered a patent for โ€œAn invention of an improved and cheap method of converting Basaltic Rock into Street Flagging and other pavementโ€. By 1888 he had established a substantial two storey family home in Wellington Street Flemington named “Glencairn” after the name of “Glencairn Square” near his family home back in Kilmarnock, Scotland.

Outside of the business James actively participated in public life. He was a Justice of the Peace as well as a Councillor of Flemington and Kensington from August 1886 to August 1888, and Mayor of the Borough from August 1887 to August 1888.

On the afternoon of Monday 25th June 1888 he laid the foundation stone of the Presbyterian Church in Norwood Street Flemington.

On the 21st of July 1890, after a brief illness, James Urie died at the age of 62.

On Thursday the 28th August 1890 the Mayor and members of the Flemington council visited his wife Grace at their house “Glencairn” in Wellington Street and presented Grace Urie with an illuminated letter of condolence.

James Urie’s funeral was one of the largest ever seen in Flemington:

โ€œโ€ฆthe procession being the most imposing seen in the borough. The employฤ—s of Messrs Ferguson & Urie marched in front of the hearse, then came four mourning coaches and upward of fifty vehicles. Immediately following the mourning coaches came a hansom, in which the Hon Alfred Deakin was seated, then next in order a buggy containing the deceased gentlemanโ€™s council colleaguesโ€ฆโ€.

The Honorable Alfred Deakin (later to be the second, fifth and seventh Prime Minister of Australia) played the part as a pall bearer at the grave site.

James Urie was buried at the Melbourne General Cemetery with the five children who died as infants, and his wife Grace who died in 1899.

Table Talk, Melbourne, Vic, Friday 12th September 1890, page 8.

“James Urie, formerly of Curzon-street, North Melbourne, but latterly of Wellington-street, Flemington, one of the partners of the firm of Messrs. Fergusson [sic] and Urie glass importers, Collins-street East, Melbourne, by his will dated, November 24, 1870, and presented for probate by, Messrs. Madden and Butler, solicitors, appointed his wife, Grace Hardie, executrix. He gave her a life interest in his estate as long as she remains his widow; on her death or re-marriage the estate passes to his children in equal shares. ‘The testator died July 21, 1890, and his will was sworn at 34,808 real and ยฃ12,798 personal. Total, ยฃ47,606.”

In 2013, more than 120 years after his death, a lane-way between 17 and 19 Waltham Street in Flemington was  named in honor of James Urie [See: Photo | Map]. The lane-way is less than one hundred meters down Waltham street from James Urie’s home ‘Glencairn‘ (now St Brendan’s Presbytery) on the corner of Waltham and Wellington Street.

Related posts: 21-11-1865 >19-02-1874 > 18-09-1885  > 25-07-1890 > 29-08-1890 > 20-07-1899


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25-07-1890: The late Councillor Urie, Flemington, Victoria.


The North Melbourne Advertiser, Friday 25th July 1890, page 2

โ€œTHE LATE COUNCILLOR URIEโ€

โ€œCouncillor James Urie died at his residence, Wellington Street, Flemington, on Monday evening, after an illness which barely extended over a week and which, in its first appearance, gave no indication or warning of fatal termination. The family of the deceased gentleman โ€“ and never was there a family more united or more affectionate โ€“ were led to expect the worst only a day or so before the end came, but it needed the exercise of true Christian resignation to enable them to bear up under the dreadful visitation. The people of Flemington and Kensington received the announcement of Cr Urieโ€™s death with unfeigned sorrow. Outside the municipality the sad item of intelligence was discussed in terms that gave indubitable evidence of the general esteem in which the deceased was held. By the removal of a prominent public man such as Cr Urie the borough and district have sustained a grievous loss. Relatives, friends, and acquaintances have just cause to deplore the demise of one endeared to them by reason of innumerable good qualities, kindly disposition, and upright character. In commercial circles too, where his unswerving rectitude and sterling honesty in all matters of business were well known, the deceased merchant will be greatly missed.

ย ย ย ย ย ย ย ย ย ย ย  Mr Urie came to the colony from Scotland (his native land) early in the fifties and, after โ€˜roughing itโ€™ in the usual pioneer fashion, started in trade in Curzon street, North Melbourne, and, by dint of genuine hard work, laid the foundation of the flourishingย  Collins street firm of Ferguson and Urie. Some 17 years ago Mr Urie purchased the land in Wellington Street, on which his late residence now stands, and erected thereon a house for his mother. On the death of the old lady he enlarged the house, removed there with his family, and continued to reside there for the remainder of his days. The deceased took deep interest in the progress of the borough, and when the agitation for the removal of the cattle yards was begun he joined in the crusade with all the ardour of an enthusiast. For six years he occupied a seat in the Borough Council, and once held the position of Mayor. As a councillor he performed his duties without fear or favour, bringing with him to the Council table the same honesty of mind and singleness of purpose which characterised all his actions outside, His return at the head of the poll at the last municipal election may be taken as evidence of the popularity of the deceased gentlemen. CR Urie was a staunch supporter of the present member for the district, Mr Deakin, and at the general elections last year acted as chairman of the committee for the Flemington district. The deceased was a leading member of the Presbyterian Church and chiefly to his exertions and assistance is due the presence of โ€˜the Kirkโ€™ in Norwood Street. In private life Mr Urie was distinguished for his imperturbable good humour, his lack of ostentation, and for general all-round โ€˜goodnessโ€™.

ย ย ย ย ย ย ย ย ย ย ย  The funeral left Wellington Street about half-past three on Wednesday afternoon, the procession being the most imposing seen in the borough. The employฤ—s of Messrs Ferguson & Urie marched in front of the hearse, then came four mourning coaches and upward of fifty vehicles. Immediately following the mourning coaches came a hansom, in which the Hon Alfred Deakin was seated, then next in order a buggy containing the deceased gentlemanโ€™s council colleagues. Crs Millar (mayor) and Barrett. The other members of the council, Mr Cattanach (town clerk), Mr McIver (surveyor), Mr Elmslie (valuer), Mr Glyn (foreman of works), Mr Ryan (borough inspector), were also in attendance. Essendon Council was represented by the Mayor and Cr Hanna, and North Melbourne Council by Cr Fogarty. Rev J. Thomson, minister, and the adherents of the Presbyterian Church, the president and leading members of the Australian Natives Association, the business people of the borough, and a number of private citizens also followed the remains to the cemetery. The funeral arrangements were conducted by Mr A. Allison, of Victoria street, in his usual efficient manner.

ย ย ย ย ย ย ย ย ย ย ย  Deceased was interred in the Presbyterian section of the Melbourne Cemetery, the pall bearers being Messrs James and William Urie, Ferguson, Yeaman, G. Young, Cr Millar, and the Hon A. Deakin. Rev J. Thompson delivered a brief address at the grave.โ€

This photo is a portion of the Ferguson & Urie employee poster kindly provided by Mrs Noelle Nathan via Mrs Valma Jean McPhail, April 2011.

James Urie, June 1887

The photo below is from my family history collection and shows James Ferguson and James Urie in a portrait taken specifically for the occasion of the company dinner held at the North Melbourne Mechanic’s Institute on the evening of the 22nd June 1887.

James Ferguson & James Urie 1887

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Related posts:

31-08-1855: James Urie marries Grace Hardie Young.

23-07-1890: James Urie, principal partner in the firm Ferguson & Urie dies.

29-08-1890: Letter of Condolence from the Borough Council to Grace Urie.

External links:

‘Urie, James (1828โ€“1890)’, Obituaries Australia, National Centre of Biography, Australian National University, http://oa.anu.edu.au/obituary/urie-james-14449/text2553.
(Transcription originally submitted by Ray Brown โ€“ Feb 2012)

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03-09-1889: St. Paulโ€™s Church, Warragul, Victoria.

St Paul’s Anglican Church at Warragul is the home to two historic stained glass windows that were formerly in the old St Paul’s church in Melbourne.

The old St Paul’s, known as the Pro-Cathedral, was located on the corner of Flinders and Swanston Streets and was demolished in 1885 to make way for the new St. Paulโ€™s Cathedral. Two single light stained glass windows, depicting St Peter and St Paul, were removed in mid 1885 just prior to its demolition. The whereabouts of the windows remained a mystery for the next four years.

Both windows were made by Ferguson & Urie ofย  North Melbourne and they resurfaced again in 1889 when the Gippsland tabloids wrote that Mr.ย James Burston had purchased them from the cathedral authorities and subsequently gifted them to the Warragul Church .

The windows were unveiled in St Paul’s church at Warragul on Sunday 6th October 1889, but again this would not be their last move. The Warragul church was originally a small timber building dating from circa 1881 and was replaced by the current brick building, the foundation stone having been laid by the Hon. William Pearson M.L.C. on the 29th July 1908.

The two windows were again saved and were re-erected in the new church either side of the chancel where they reside to this day.

Photos taken 4th December 2011.

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Warragul Guardian and Buln Buln and Narracan Shire Advocate, Friday 13th September 1889, p3.

โ€œA very valuable gift has been made to St. Paulโ€™s church, Warragul during the past week by James Burston Esq., of Melbourne, of two handsome stained glass windows representing St. Peter and St. Paul.ย  They were formerly in St. Paulโ€™s Pro-Cathedral, Melbourne and were purchased by the donor from the Cathedral authorities.ย  It is expected that the ceremony of unveiling them will shortly be performed by one of the prominent Melbourne clergy, when special services will be held.ย  A useful addition has also recently been made of a beautifully worked blackwood pulpit, the handiwork of Mr. J. K.. Keen, now of Mildura.ย  The workmanship is remarkably good, and it would be a difficult matter, even in the city, to surpass it.โ€

Warragul Guardian and Buln Buln and Narracan Shire Advocate, Friday 4th October 1889, p2.

โ€œThe stained glass windows recently donated to St. Paulโ€™s Church, Warragul, of which we gave a description, will be unveiled on Sunday nextโ€

Warragul Guardian and Buln Buln and Narracan Shire Advocate, Tuesday 8th October 1889, p3.

โ€œThe stained glass windows which we recently noticed as having been presented to St. Paulโ€™s Church, Warragul, by Mr. James Burston, of Melbourne, were unveiled on Sunday morning by the Rev. F. W. Willcox. As the coverings were removed their remarkable beauty was revealed to the public for the first time. St. Peter is represented with the usual key in his hands and St. Paul with the sword and the mellow and harmonious colorings were the subject of much comment at the conclusion of the service. The church committee may be congratulated upon the acquisition of what are really works of art, and it is hoped that before long some of the generously-minded will further beautify the church by adding stained glass to the centre window of the chancelโ€.

There were a number of other Ferguson & Urie windows in the old St Paul’s church in Flinders St, one of which was the three light chancel window dedicated toย  the โ€œPrince Consortโ€, which found its home in St. Johnโ€™s at Sorrento.

Related posts:

27-07-1885: St Paulโ€™s Pro Cathedral, Flinders St, Melbourne, Victoria.


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05-01-1889: St Johnโ€™s Anglican Church, Port Fairy, Victoria, Australia.

St Johnโ€™s Anglican Church in Port Fairy was designed by Nathaniel Billing and was built of bluestone between 1854โ€1856. It was supposedly the first church in Victoria with a full chancel. The two largest stained glass windows were made by Ferguson & Urie of North Melbourne.

Photos were taken 7th Jan 2011.

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Australian Town and Country Journal, NSW, Saturday 5th January 1889, page 26.

“… the Anglican Church, with its ivy-clad walls, presents a picturesque appearance. The interior is beautified by a splendid stained glass memorial window, representing Faith, Hope, and Charity. This was presented by Mr. A. H. Knight, of Koorongah, in memory of his wife, who died in England in 1886. The chancel window displays most artistic workmanship, and was the gift of Mr. Lydiard. The church is substantially constructed of bluestone, and was erected as a cost of ยฃ14,000…”

The Lydiard memorial window:

The three light chancel window is a memorial to Cecilia Lydiard (nee Wooldridge 1848-1871). She was the daughter of Henry Wooldridge and Sarah Anne Buckland and died at the age of 31 in Belfast (Port Fairy) in 1871. The centre light of the stained glass chancel window has the memorial text:  โ€œIN MEMORY OF CECILIA WIFE OF G. LYDIARDโ€.

George Fletcher Lydiard (1833-1925) was the son of Admiral George William Charles Lydiard (R.N) and Mary Sturt. After Ceciliaโ€™s death George married Adelaide Frances Campbell (1856-1901) on the 2nd August 1877[1]. In 1877 George Lydiard was unanimously elected as president of the shire of Belfast (Port Fairy)[2] and re-elected in 1878[3]. He was also appointed Vice President of Belfast Farmers Union 11th October 1879[4]. Lydiard was also a long-time friend and business partner of Andrew Halley Knight (see below) in the Koorongah Estate sheep station and in 1881 it was Knight, whilst in England, who relayed to Lydiard his findings, for a cure of Lungworm in Sheep and subsequently the estate was one of the first in Victoria to install a Carbolic acid fumigating room for the treatment[5]. G. F. Lydiard died at Euroa in 1925[6] aged 93.

The Knight Memorial window: c.1887.

The three light stained glass window of Faith Hope & Charity is a memorial to Elizabeth Hawkins Knight (nee Grylls, 1827-1886) and possibly made c. 1887.

The lower edge of the window canโ€™t be seen to ascertain if there is any text but the subject of the memorial was Elizabeth Hawkins Knight (nee Grylls, 1827-1886) who was the daughter of the Rev John Crouch Grylls of Sydney and Sarah Richards. She married Andrew Halley Knight at St James Cathedral in Melbourne on 22 Aug 1848[7]. Her husband, Andrew Halley Knight (1813-1904), had arrived in Port Phillip from Edinburgh in 1838 and started business as ‘Alison & Knight’ merchants in Collins Street Melbourne. He owned extensive sheep runs around Kalkallo and Koorongah Estate near Port Fairly. After Elizabeth died in England in December 1886 he then married Ada Jane Atwood (1847-1941)[8] in Sussex in 1888.  A. H. Knight died at Croydon on the 6th July 1904.

Footnotes:

[6] Victorian Births, Deaths & Marriages (Vic BDM): 5153/1925

[7] The Maitland Mercury & Hunter River General Advertiser, NSW, Saturday 9 September 1848, page3.

[8] Vic BDM: 8703/1941, Ada Jane Halley Knight, died Toorak, age 94 in 1941.


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10-03-1888: The 1888 Ferguson & Urie Employee Dinner.

North Melbourne Advertiser, Saturday 10th March 1888, page 2

โ€œMessrs. Ferguson and Urie gave their Annual Dinner to their employฤ—s in the North Melbourne Town Hall, last evening, when a most enjoyable time was spent, and a number of songs and recitations were indulged in. One of he principal toasts was the health of Mr. William Urie, who with his uncle, Mr, John Yeaman, leaves by the R.M.S. Victoria to-day, on a nine months trip to the old country. A full report will appear in our next issue.โ€

ย 

Related pages: (Full transcriptions of the dinners).

The 1886 Employee Dinner
The 1887 Employee Dinner
The 1888 Employee Dinner

31-01-1888: The fire at the Ferguson & Urie Yarra Bank workshops.

In the early hours of the 31st of January 1888 a fire broke out at the rear of Glover & Co’s foundry in Normanby-road, Yarra Bank (now South Melbourne) which in turn destroyed the adjoining Ferguson & Urie glass store. Reports of the fire were published in the Brisbane Courier, Sydney Morning Herald and Hobart Mercury tabloids. Despite the building being insured the company decided not to re-build the workshop and no longer had any presence in South Melbourne.

The Argus, Melbourne, Tuesday 31st January 1888, page 7.

โ€œFIRE AT YARRA BANK SOUTHโ€.

โ€œA destructive fire broke out early this morning in the factory of Messrs. Ferguson and Urie, glass stainers and importers of plate and sheet window-glass, Normanby-road, Yarra-bank south, which resulted in the destruction of the greater part of the premises. The flames also extended to the premises of Messrs. Wm. Glover and Co, iron-founders, where a considerable amount of damage was caused. The boats were removed from the yard of Mr. James Cowan, shipwright, but no damage was done to the buildings. At two oโ€™clock the fire had got a firm hold of Ferguson and Urieโ€™s, and the rear portion of the premises was completely gutted. Several fire brigades had arrived on the scene, and were playing freely on the burning buildings. It is not at present known how the fire began. Shortly after half-past 2 oโ€™clock a second fire engine was brought to the scene, and the fire, although still burning, was thought to be in no danger of spreading furtherโ€.

The image of the Yarra Bank workshop below is a subset taken from the June 1887 company dinner photos.

Ferguson & Urie Yarra Bank Store 1887

Ferguson & Urie Yarra Bank Store, June 1887

The Argus, Melbourne, 1st February 1888, page 8 & The Mercury, Hobart, Friday 3rd February 1888.

โ€œSERIOUS FIRE ON YARRA BANK SOUTH, DAMAGE ESTIMATED AT ยฃ8,500.

โ€œNo explanation has yet been found for the origin of the fire which occurred early on Tuesday morning at the store of Messrs. Ferguson and Urie, Normanby-road, on Yarra bank, and a report of which appeared in a late edition of The Argus yesterday. It is believed by some persons, including members of the fire brigade, that it originated in the rear corner of Messrs. Glover and Co.โ€™s foundry adjoining the glass store. But, on the other hand, Messrs. Glover and Co. state that a watchman was on their premises who declares that the fire was burning in Messrs. Ferguson and Urieโ€™s store.โ€


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01-01-1888: The Ferguson Clan at Ayr Cottage, Parkville.

On the new years day in 1888 the Ferguson family clan assembled at James Ferguson’s ‘Ayr Cottage’ in Leonard street Royal Park (now Parkville) for festivities and a family photo.

The first photo shows the front of the house from Leonard street with eight of the family members out front and the second photos is of of the entire family on the east side of the house with James Ferguson in the centre with grey hair and bow tie.

The family photo was kindly contributed by Errol Vincent from New Zealand and he and his wife Ann also assisted with the extensive identification of all the family members in the photo.

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Related posts:

1886: The History of โ€˜Ayrโ€™ Cottage, 1 Leonard St. Parkville, Melbourne, Victoria.

08-10-1887: โ€˜Ayr Cottageโ€™, 1 Leonard Street, Parkville, Melbourne, Victoria.

18-04-1894: James Ferguson (1818-1894)

04-07-1901: The sale of Ayr Cottage, Parkville, Melbourne.


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08-10-1887: โ€˜Ayr Cottageโ€™, 1 Leonard Street, Parkville, Melbourne, Victoria.

The North Melbourne Advertiser, Saturday 8th October 1887, page 2.

โ€œMr. Harry Lording the well known local architect and builder, announces in our advertising columns that he has removed to a more central office at 18 Errol street near Victoria street. Mr. Lordingโ€™s works are characterized by good taste and boldness of design, one of his best efforts being the residence of Mr. James Ferguson at Royal Park. The Pavilion at the Recreation Reserve is another construction that will bear inspection, and proves the architect possesses considerable ability as a good designer and economical arranger.โ€

James Fergusonโ€™s home โ€œAyr Cottageโ€ at 1 Leonard Street Parkville (formerly Royal Park) still exists to this day. In 1901 it was purchased by the Victorian Childrenโ€™s Aid Society and in 1966 changed into the hands of International House, the University of Melbourne, who still own it as at 2014.

Coincidentally, the architect/builder of ‘Ayr Cottage’, Harry Lording, had a son named Frank Clifford Lording (1860-1944) who was an apprentice of the Ferguson & Urie stained glass company.

Significant research detail on the history of Ayr Cottage can be seen via the links at the bottom of this page.

Ayr Cottage, 1st January 1888, Royal Park, Melbourne.

Ayr Cottage 2009

Related posts:

1886: The History of โ€˜Ayrโ€™ Cottage, 1 Leonard St. Parkville, Melbourne, Victoria.

01-01-1888: The Ferguson Clan at Ayr Cottage, Parkville.

20-04-1894: James Ferguson (1818-1894)

 


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25-06-1887: The 1887 Ferguson & Urie Employee Dinner.

The North Melbourne Advertiser, Saturday 25th June 1887, Page 3

โ€œMESSRS FERGUSON AND URIEโ€™S DINNER TO THEIR EMPLOYEES.โ€

The 1887 Employee dinner was probably one of the most significant occasions in the company history as there is some magnificent pictorial evidence. Two significant historical photos were discussed at the beginning of the dinner and copies of both still exist.

The first photo mentioned was the portrait of James Ferguson and James Urie together and the second one was a large poster collage of James Ferguson & James Urie in the centre surrounded by 29 photos of the employees of the time and the three business premises at Collins Street Melbourne, Curzon Street North Melbourne and Yarra Bank South (which burnt down on the 31st Jan 1888).

The full transcription of the evenings proceeds can be seen here: The 1887 Employee Dinner

The magnificent 1887 employee poster was kindly provided via Mrs. Noelle Nathan from the James Urie family line, 17th Apr 2011 and the James Ferguson & James Urie portrait is from my family history collections.

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Related pages:

1886: The 1886 Employee Dinner
1887: The 1887 Employee Dinner
1888: The 1888 Employee Dinner

19-04-1886: Jane Ferguson (nee Lawson) (1820-1886)

Jane Williamson Lawson (1820-1886) was the eldest daughter of Gavin Lawson and Margaret Williamson of Ayrshire Scotland. At the age of 21 Jane married Master Slater and Glazier James Ferguson (1818-1894) on the 13th June 1841 in St Quivox, Ayrshire, Scotland.

Between 1842 and 1852 James and Jane had five children; Margaret (mentally disabled from birth) born 1842, Janet Kay 1844, Jane Williamson 1846, Marion 1948, James 1851 (died as an infant) and Antonia Wallace in 1852.

On the 12th December 1852, her husband James and his younger brother David departed Greenock, Scotland,ย  aboard the “Tamerlane” bound for Melbourne, Australia. A very patient Jane would wait in the “old country” for three years with the children whilst James established the business in Melbourne with his business partner James Urie.

In November 1855 Jane and the five girls arrived in Port Melbourne aboard the โ€œEmmaโ€. A further three children were born in Melbourne; Barbara in 1856, Sarah Campbell in 1859 and James Jnr in 1861.

In 1886 James had his two storey gothic design house builtย  in Leonard street Parkville by local architect Harry Lording, but Jane would never step foot in.

Jane died on the 17th of April 1886 andย  James would eventually move into the Parkville mansion as a widower, accompanied by his bachelor son James Jnr, and eldest mentally disabled daughter, Margaret.

Photos from the family history collection.

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The Argus, Melbourne, Monday 19th April 1886, page 1.

โ€œFERGUSON โ€“ On the 17th inst, at her residence, 24 Little Curzon-street, Hotham, Jane, the dearly beloved wife of Mr. James Ferguson, aged 66 yearsโ€.

โ€œTHE Friends of Mr. JAMES FERGUSON, of Ferguson and Urie, are respectfully invited to follow the remains of his late beloved wife, Jane, to the place of interment in the Melbourne General Cemetery. The funeral will leave his residence, 24 Curzon street, Hotham, at half-past 4 oโ€™clock, THIS DAY. ALFRED ALLISON, undertaker, 40 Victoria-street west, Melbourneโ€.

1886: The History of Ayr Cottage, Leonard Street, Parkville, Melbourne, Victoria.

In 1886 James Ferguson decided to build his family home, ‘Ayr Cottage’, on a block of land that he purchased some sixteen years earlier, on the 28th of June 1870, from a Mr Morton Moss.

James’s intention was to have the house built with the front facing Leonard Street, but this was objected to;

The Australasian, Melbourne, Vic, Saturday 13th February 1886, page 27.

“Inquiries were recently made by the Minister of lands with regard to an alleged violation of the conditions under which the Royal-park frontages to the Sydney-road were sold by the department for building purposes. When the fee-simple of the land was parted with, it was stipulated that he allotments should not be subdivided, and that all buildings should be erected fronting the Sydney-road. It was reported to the Minister that Mr. Jas. Ferguson, of Messrs. Ferguson and Urie, was building a house on the back portion of one of the allotments, with the front to a side street leading from Sydney-road to the park. Mr. Tucker, on inspecting the plans, formed the opinion that the conditions of sale were being violated, and the Inspector-General of Public Works, to whom the matter was referred, endorsed this view. Mr. Ferguson has expressed his willingness to alter the plans so as to comply with the conditions, which he states, however, were not mentioned on the certificate of title received by him from the original purchaser of the allotment.โ€

Despite the objections by the Minister of Lands, Ayr Cottage was still built facing Leonard Street.

The construction of Ayr Cottage began in the latter half of 1886 and was completed in early 1887 by architect and builder Harry Lording. (Lordingโ€™s son, Frank Clifford, was also employed as a glass stainer with Ferguson & Urie).

The stained glass windows in Ayr Cottage reflect the personal preference of James Ferguson asย  well as elements of his Scottish heritage. His obvious deep affection for the Scottish bard, Robbie Burns, is immortalised by a detailed depiction of his bust in the stairwell window.

Photos have been updated 19th June 2013. The older historical photos are from family history collections.

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[View larger images]

Unfortunately James Ferguson’s wife, Jane (nee Lawson), never got to see the magnificent home. She died on the 19th of April 1886 at the former family home at 24 Little Curzon Street North Melbourne which James had purchased in 1853.

As far as I can gather, only James Ferguson Snr and his bachelor son James Jnr, and mentally disabled daughter Margaret had moved into Ayr Cottage when it was completed in early 1887. I suspect there was possibly a house-keeper but this is unconfirmed. At some point later, James’ sister in-law, Barbara Kennedy (nee Lawson 1821-1902), moved in after her husband had died circa 1890.

After James Fergusonโ€™s death in 1894, Ayr Cottage was sold to the Lockington family who retained it for seven years. In 1901 the Victorian Neglected Childrenโ€™s Aid Society purchased it and they retained it for the next 65 years.

In 1966 the Victorian Neglected Childrenโ€™s Aid Society had considered the building no longer economical to continue repairs and tabled the options of either demolishing the house and rebuilding, or selling and buying elsewhere. Fortunately they opted to sell and it was subsequently purchased by the adjoining “International House”, the University of Melbourne, who still own it as at 2012. It is now known as Hilda Stevenson House.

Ayr Cottage still contains many original stained glass windows by Ferguson & Urie that were obviously of James Ferguson’s personal preference with the feature stairwell window containing a medallion of the Scottish poet, Robbie Burns which I suspect may have been the work of apprentice George James Coates. The fanlight window above the main Leonard street entrance, and the eastern entrance doorway, contain a depiction of the Scottish Thistle with a Bee hovering above which is the Ferguson Clan motto; “Dulcius Ex Asperisโ€ (Sweeter after difficulties).

The whole house contains an eclectic collection of stained glass which doesn’t seem to fit a particular theme in general. Some elements, such as the Robbie Burns window, and the bee hovering above the thistle have a right of way, but everything else appears random. Close inspection of various elements of the glass leads you to believe that James Ferguson’s windows comprise bits and pieces or leftovers from the workshops. There is practically every element of the company’s style depicted. Like the modern day Plumber who has his own house full of leaky pipes, the same principal seems to apply to the stained glass craftsman!

One of the photos in the slideshow of the stained glass windows depicts what appears to be a native bird, the ‘blue wren’. The background through my photo shows a modern 2013 city landscape and modern vehicles. What was the scene through that same window nearly 130 years ago?

Special thanks to Peter Cole, Deputy Head of College, International House, Parkville and Laurel Clark, Librarian/Archivist, International House, Parkville for the wealth of information and assistance they provided regards Ayr Cottage and it’s history.


ย 

Related posts:

08-10-1887: โ€˜Ayr Cottageโ€™, 1 Leonard Street, Parkville, Melbourne, Victoria.

01-01-1888: The Ferguson Clan at Ayr Cottage, Parkville.

20-04-1894: James Ferguson (1818-1894)

04-07-1901: The sale of Ayr Cottage, Parkville, Melbourne.


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16-04-1886: The 1886 Ferguson & Urie Employee Dinner.

There was a consecutive three year period where the Ferguson & Urie company held annual dinners for their employees, between 1886 and 1888. Each occasion was extremely well documented in the North Melbourne Advertiser which wrote in extraordinary detail of the evenings festivities. Each of these historic events is a truly remarkable account of the Ferguson & Urie company history.

Each dinner was held in the “Hotham Mechanics Institute” which was part of the North Melbourne Town Hall. When North Melbourne merged with the Melbourne City Councilย  in 1905, it was no longer officially the Town Hall and the building now hosts the North Melbourne Post Office, the Arts House, Conference and Events, and a number of small businesses at the street level.

The first Ferguson & Urie company dinner was heldย  on the 9th of April 1886, and the evenings festivities were documented in, “The North Melbourne Advertiser, Friday 16th April 1886″, which published an article titledย  โ€œA PLEASANT GATHERINGโ€.

To read the full transcript of the dinner see: The 1886 Employee Dinner

Photos of the North Melbourne Town Hall dated 13th Nov 2011.

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For a full transcription of the other dinners see:

The 1887 Employee Dinner
The 1888 Employee Dinner


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09-01-1886: Advertisement, 10 Collins Street.

The Argus, Melbourne, Saturday 9th Jan 1886, page 8.

An advertisement appeared in the Argus for about two weeks on January 1886:

โ€œTO LET, for one or four years, from the 1st February next, MUNRO and BAILLIEUโ€™S PREMISES, 10 Collins-street east. Part of Ferguson and Urieโ€™s buildings, and next to the National Bank. Full particulars upon application.โ€

This particular family line of “Baillieu” has a long Victorian historical history and to the Victorian Parliamentary Premier, Ted Baillieu (as at 2011).

14-11-1885: Wesleyan Methodist Church, Ross, Tasmania.

The Mercury, Hobart, TAS, Saturday 14th November 1885, page 1s.

โ€œERECTIONS.- A church at Ross, in the Campbell Town circuit, which has been in process of erection for some time, has been finished, and may now be reported. It is a substantial structure of freestone, built in Gothic style of architecture, cruciform in shape, with gable spire. Two of the gables will contain handsome memorial windows of stained glass, one presented by Messrs. Geo. And Thos Parramore, and the other by Horton College. It occupies a commanding site, and is an ornament o the neighbourhood. The architect is Mr Percy Oakden…โ€

Launceston Examiner, Tasmania, Friday 1st January 1886, page 2.

“On Nov. 23 a new Wesleyan Church was opened at Ross. It is built of freestone, and cost ยฃ4241, and contains two stained glass windows, one presented by the old students of Horton College, and the other by the family of the late Mr. and Mrs. Thos. Parramore.”

Both triple light windows were created by Ferguson & Urie of Melbourne.

Photos taken 6th of October 2010.

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The text and definitions of the Horton College window are as follows:

Cinqfoil light (above the three lancets):

PERSEVERANTA PALMAM OBTINE BIT

Corrected to: “Perseverantia Palman Obtinebit”. This translates to“Perseverance yields the prize.”

For many years prior to this the school motto was “Nil sine magno labore” (Nothing without great labour)

Left light:

SAMUEL PROPHETTA

PUER SAMUEL MINISTRABAT DOMINO CORAM HELI. 1.SAM.3.
(1 Samuel 3-1, “puer autem Samuhel ministrabat Domino coram Heli et sermo Domini erat pretiosus in diebus illis non erat visio manifesta” – “And the child Samuel ministered unto the LORD before Eli. And the word of the LORD was precious in those days; there was no open vision”)

Centre light:

INVENERUNT ILLUM IN TEMPLO LUCII46
(Luke 2-46 “et factum est post triduum invenerunt illum in templo sedentem in medio doctorum audientem illos et interrogantem” – “And it came to pass, that after three days they found him in the temple, sitting in the midst of the doctors, both hearing them, and asking them questions”.)

THIS WINDOW WAS PLACED HERE BY A NUMBER OF OLD STUDENTS OF HORTON COLLEGE AS A MEMORIAL OF THEIR CONNEXION WITH THAT SCHOOL

MDCCCLXXXIV (1884)

Right light:

TIMOTHEUS EPISCOPUS

AB INFANTIA NOSTI SACRAS LITTERAS II. TIMOTH
(2 Timothy 3-15 “et quia ab infantia sacras litteras nosti quae te possint instruere ad salutem per fidem quae est in Christo Iesu” – “And that from a child thou hast known the holy scriptures, which are able to make thee wise unto salvation through faith which is in Christ Jesus”.)

A collection of articles and history can be found here on my Evernote account about the historical Horton College (1852-1920)

The three light Parramore window text:

Left light:

BLESSED IS THE MAN THAT FEARETH THE LORD. PS EX??
(Psalm 112-1:ย ย Praise ye the LORD. Blessed is the man that feareth the LORD, that delighteth greatly in his commandments).

Centre light:

IN LOVING MEMORY OF THOMAS & FRANCES PARRAMORE BY THEIR THREE CHILDREN

Text in the scroll:ย  I AM HE THAT LIVETH – I WAS DEAD & BEHOLD I AM – ALIVE FOR EVER MORE
(Revelation 1-18: ย Iย  am he that liveth, and was dead; and, behold, I am alive for evermore, Amen; and have the keys of hell and of death).

Right Light:

A WOMAN THAT FEARETH THE LORD SHE SHALL BE PRAISED PROV? XXXI
(Proverbs ย 31-30: Favour is deceitful, and beauty is vain: but a woman that feareth the LORD, she shall be praised)

External links:

Obituary: Thomas Parramore (1840-1913)


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07-12-1885: St. Stephens Roman Catholic Church, Brisbane, Queensland.

The Brisbane Courier, Queensland, Monday 7th December 1885, page 4
also, The Queenslander, Brisbane, Saturday 12th December 1885, page 943.

โ€œThe Murphy memorial window in St Stephenโ€™s Roman Catholic Cathedral, Elizabeth-street, has just been completed, and enhances the interior beauty of the building to a degree that should be highly gratifying to those who subscribed so liberally for the work. The Gothic window is 35ft high by 14ft in width, whilst the long lights which form the lower square are about 18ft in length and seven in number. The stained glass work has been most artistically executed. The centre light bears a representation of St Stephen, whilst at the feet of he patron saint is a representation of his martyrdom. The other lights bear representations of Saints Matthew, Peter, Mark, Paul, and Luke, whilst the glass below their feet is decorated with evangelistic emblems โ€“ the representations of โ€œThe Keysโ€ (St. Peter), โ€œThe Eagleโ€ (St. John), โ€œThe Winged Lionโ€ (St. Mark), โ€œThe Swordโ€ (St. Paul), The Winged Bullโ€ (St. Luke), and โ€œThe Angelโ€ (St. Matthew) โ€“ all being separate studies. The chief feature of the graceful tracery is a beautifully stained representation of โ€œThe Ascensionโ€, and on either side are medallions of Mary and Joseph. The other and smaller spaces in the tracery are suitably decorated with representations of Cherubim. The shading and wise combination of colour throughout the window produce a splendid effect, more especially when viewed from the body of the church. The decoration of the window is the design of Messrs. Ferguson and Urie, Collins-street, Melbourne. The artistic portion of the work was done in that city, whilst the fitting up, which has been well and carefully executed, was intrusted to Messrs. Alexander Young and W. Urie, jun, representatives of the contracting firm. The cost of the decoration of the window, which is the largest but one of its class in the colonies, was something like ยฃ1000โ€.

BRISB St Stephen's 01a

At thirty five feet in entire height, the Murphy Memorial window in Brisbane is undoubtedly the largest window ever created by Ferguson & Urie and also the most expensive. This must have also been considered one of the companies most important works as it’s also the only article mentioned to-date where representatives from the company travelled such a long distance to Queensland to supervise the installation of the window.

Alexander Young and William Urie were employees of the Melbourne firm Ferguson & Urie. William was the son of principal partner James Urie, and Alexander Young was James Urieโ€™s brother in law.

Alexander Young & William Urie, from Ferguson & Urie. June 1887

St Stephens Cathedral also included a copy of my Ferguson & Urie company history in their newsletter of August 2011.St Stephen’s Brisbane [Newsletter August 2011]

The Cathedral “Guide News August 2011, page 1.

“[…] I am also very grateful to Ray Brown who is a descendant of James Ferguson of Ferguson & Urie fame. He provided the Ferguson & Urie story which features on pages 6 to 11 […]”

The photos were taken on the 1st of March 2011.

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20-10-1885: Christ Church, Frederick St, Launceston, Tasmania.

The Launceston City Baptist Church (former Princeโ€™s Square Congregational and Christ Church Congregational Church) 11 Frederick Street, Launceston.

Launceston Examiner, Tasmania, Tuesday 20th October 1885, page 3.

โ€œOPENING OF CHRIST CHURCH.โ€

โ€œA handsome stained glass memorial window has been placed on the eastern side of the church near the north end, by Mr. C. S. Button, of Scottsdale, Mrs. Calvert, of Hobart, and Miss Helen Button, the present organist, in memory of their father, Mr. W. S. Button (first Mayor of Launceston), and their mother. The window was obtained from the firm of Messrs. Ferguson and Urie, Collins-street, Melbourne.”

Photos by Gavin Merrington taken 23rd June 2012.

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William Stammers Button (1795-1876) was born in Nayland, Suffolk, England. He arrived in Van Diemens Land (Tasmania) with his brother Thomas and other family members in 1833 aboard the ship โ€œForth,โ€[1] and initially starting business as a brewer in partnership with his brother-in-law, Jonathan Stammers Waddell, at Norfolk Plains (later known as Longford), and then at Launceston as โ€œButton & Waddellโ€[2].

On New Years day in 1853, under much controversy and accusations of collusive fraud, the first elections for Aldermen for the town of Launceston were conducted[3]. Seven men were elected, one of whom was William Stammers Button (as well as his brother Thomas). Prior to the Aldermen retiring to elect the position of Mayor, each took the stand to address the crowd;

โ€œWilliam Williams, alias William Stammers Button advanced amidst a tornado of yells, groans, and hisses, and from what we could hear, we understood him to say โ€“ Gentlemen, I shall attend to my duties as well as I can. The public good I shall always endeavour to keep in view, and I will maintain it. The interests of the working man shall occupy my especial attention, and I will do all in my power to find employment โ€“ remunerative employment โ€“ for the free poor of this town. Gentlemen, I heartily thank you for the honor you have done me. (A voice โ€“ โ€˜much obliged to you โ€“ well done ali-ass Mr. Williams,โ€™)โ€ followed by groans and hisses.โ€

โ€œโ€ฆThe successful candidates then retired to one of the apartments at the back of the court house to elect the mayor, when after the absence of about half an hour, the Sheriff, to the astonishment of every one present, declared William Williams, alias WILLIAM STAMMERS BUTTON, (brewer) first mayor of Launceston.โ€[4]

The reference to William Stammers Button as being William Williams is shrouded in controversy. Ten years earlier, in 1843, Button successfully won a law suit against a William Lushington Goodwin for โ€œprinting and publishing a malicious libelโ€ against him in the Cornwall Chronicle[5], to which Goodwin was convicted and fined. After the election in 1853, further publications appeared to cast aspersions as his origins as the unknown William Williams[6].

William Stammers Button held the position of the Mayor of Launceston for four consecutive years and was universally admired for his efforts in the advancement of Launceston. He held many other public and private positions and in 1856 was elected to represent the Tamar district in the Legislative Council[7]. He was a liberal donor to all deserving institutions, and a served as a deacon of the Congregational church for over 40 years[8].

William Stammers Button died on the 17th September 1876 and was buried in the Mulgrave Square Cemetery in Charles street Launceston. The cemetery was closed for further interments in 1925[9].

In October 1885[10], the surviving children of William Stammers Button erected a stained glass window to his and his wife Marianneโ€™s memory, in the City Baptist Church (former Christ Church Congregational) in Frederick Street, Launceston.

The window was crafted by the Colonial Victorian stained glass firm Ferguson & Urie of Melbourne.

The Mercury, Hobart, Tasmania, Wednesday 21st October 1885, page 3

โ€œโ€ฆOn each side of the organ alcove there are round openings in the end wall, filled with geometrical designs on stained glass. There is also a stained glass window with a tablet, marked, โ€œIn loving memory of William Stammers Button, M.L.C, for nearly 40 years deacon of this church, also the first Mayor of Launceston, and Marianne, his wife, this window is dedicated.โ€ The window, which bears the inscriptions on stained glass, โ€œBlessed are the dead who die in the Lord,โ€ and โ€œHonour thy father and thy mother,โ€ has been erected by Mr. C. S. Button, of Scottsdale, Mrs. Calvert, of Hobart, and Miss Helen Button, the organist of the church, the children of the deceased deacon.โ€ฆโ€

The Mercury, Hobart, Saturday 26th January 1907, page 8.

โ€œโ€ฆThere are some interesting, and indeed historic, memorials in Christ Church. A marble tablet perpetuates the memory of Mr. West, the historian of Tasmania, and a stained-glass window is a memorial of Mr. William Stammers Button, the first Mayor of Launcestonโ€ฆโ€

โ€œโ€ฆThe window to the memory of the first Mayor bears this inscription:- โ€œIn loving memory of William Stammers Button, M.L.C., for nearly 40 years deacon of this church, also the first mayor of Launceston, and Marianne, his wife, this window is dedicated.โ€ There is also a stained-glass window to the memory of another mayor of Launceston, Mr. Landon Fairthorne, who died in 1890โ€ฆโ€

The Mercury, Hobart, TAS, Saturday 7th March 1953, page 20.

โ€œMR. WILLIAM STAMMERS BUTTON, who was Launcestonโ€™s first mayor, and held office from 1853 to 1856. Mr. Button was associated with the beginnings of the Princes Square Independent Church, now Christ Church, where a memorial window honours his name.โ€

The Mercury, Hobart, TAS, Saturday 7th March 1953, page 20.

The Mercury, Hobart, TAS, Saturday 7th March 1953, page 20.

Launceston Examiner, Tasmania, Tuesday 19th September 1876, page 2.

โ€œTHE LATE MR W.S. BUTTON. (1876, September 19). Launceston

One more old colonist has finished his course. Mr. W. Button died peacefully at his residence, St. John-street, at a quarter-past eight on Sunday morning, aged 80 years, having lived in Tasmania 43 years. He was born at Nayland, in Suffolk, in the year 1795, where his early boyhood was spent, removing to Sudbury, in the same county, while yet young, in which place he was associated in business with his uncle, in whose service he frequently travelled to various parts of England, visiting also France and Flanders, when travelling by land and sea was attended by numerous perils. He was wont to recount to some of his friends the incidents of his wintry voyages and long journeys by coach, contrasting them with modern methods of conveyance. From his retentive memory he would sometimes recall the state of England in his youthful days during the awful struggles of the Peninsular war, and describe with the graphic power of a keen observer those days of dear bread, iron rule, and wearing anxiety. On his marriage he removed to Long Melford, a place historically famous like the other towns where he had lived. While there, he took an active part in politics, working hard on the liberal side, and especially seeking with others the repeal of “The Test and Corporation Acts,” which was happily accomplished in the year 1828. In 1833 he came to this colony in the ship Forth, bound to Circular Head and Launceston. He was accompanied by his brother Mr Thomas Button, Mr J. S. Waddell, and other members of his family. He first took up his residence at Norfolk Plains, removing to Launceston for business purposes. During his 40 years residence in Launceston he has been one of our most prominent and useful citizens. He was from the beginning one of the chief members of the Anti-Transportation League, giving cheerfully of his time and money. He was among the earliest promoters of the Cornwall Insurance Company in 1842, one of its first Directors, for many years Chairman of the Company, and to the last was warmly devoted to its interests. When Launceston was declared a municipality he was elected a member of the first Council and its first Mayor on January 1st, 1853. He filled the office by successive elections for four years, and during his mayoralty the chief portion of the work was done in supplying the town with water – a work that took up much of his time, yet by some strange oversight no notice is taken of his efforts on the commemorative fountain in Prince’s Square or on the pillar at St. Patrick’s River. Mr Button was appointed a justice of the peace in 1855, and has rendered good service in that capacity, his clear judicial mind eminently fitting him for the post. In October, 1856, he was elected a member of the Legislative Council for Tamar, and served in that capacity for six years. In the Council he was looked upon as a valuable member. His unobtrusive manners, wide experience, and extensive knowledge made him a man of power; he was firm and fearless – an independent member, one courteous and true. With the Launceston and Western Railway Mr Button was connected from the very beginning. Anxious to see the colony advance he gave labour and money to aid in improving our means of transit. For a while he was chairman of the Railway Company, till increasing years compelled him to retire. As one of the early shareholders of the Gas Company and a Director from its formation until his death, he took great interest in its working, and read carefully to qualify himself for his duties. Mr Button was also one of the chief agents in establishing the Launceston Examiner, though he never took an active part in the management; and was also one of the founders of the Launceston Mechanics’ Institute, of which he was subsequently President. It may be safely said that few men have ever striven more zealously and unselfishly than Mr Button did to advance the interests of our town, district, and colony. It cannot be expected that all his public actions will have secured the approval of all men, but there are none who will not admit that his integrity of purpose, his resolute method of work, his general wisdom, and his hearty sympathy with all onwards movements, were beyond question. Those who knew Mr Button best were most aware that he was distinguished for his religious zeal: he was a man who feared God, and sought to serve his day and generation as one who must give account at last. No notice of his life amongst us, even in a public newspaper like this, would be complete that passed over this aspect of his life. As a friend and fellow-worker of the late Rev. J. West, he greatly aided in the building and support of the Prince’s Square Independent Church. From the formation of the congregation until within a recent period he had served the church faithfully as Treasurer, for a short time was Superintendent of the Sunday school, and at his death was senior deacon. He also for many years acted as Treasurer of the Northern Branch of the Congregational Home Mission, and had taken an active interest in the working of the mission on the N.W. Coast. In his death the Bible Society loses an attached friend. As a working member of it’s local committee, and subsequently President for years, until failing health compelled him to resign, he gave one of the many proofs of the catholic nature of his religious principles and life. We have been given to understand that not withstanding the conservatism natural to old age, Mr Button had very considerable acquaintance and sympathy with many liberal forms of modern thought on religious matters. Mr Button’s family life is not a theme to dwell upon in a newspaper, but it may be mentioned that a few months ago his golden wedding was appropriately honored by a few friends, on which occasion he ascribed much of his public usefulness to his happy home life. He has left many sincere friends, who will cherish his memory to the very last. His interest in al things relating to colonial life was as fresh and strong as in his days of robust strength and willing work.

Though old, he still retained
His manly sense and energy of mind;
Virtuous and wise he was, but not severe,
He still remembered that once he was young.

Most of places of business wee partially closed yesterday as a mark of respect for the deceased gentleman, and the Municipal Council adjourned immediately after meeting for the same reason. The funeral will take place this afternoon, friends assembling at Prince’s Square Congregational Church at half-past threeโ€.

The Mercury, Hobart, TAS, Tuesday 19th September 1876, page 3.

โ€œOUR LAUNCESTON LETTER.
[From our own correspondent.]
LAUNCESTON, Monday morning.

โ€œI regret to have to record the death, at about a quarter past eight oโ€™clock on Sunday morning, at his residence St. John-street, of Mr. William Stammers Button, at the ripe age of 81 years. Mr. Button is a very old colonist, having arrived in the colony in 1832. He first settled in Longford, where he entered into partnership with a brother-in=law, the late Mr. William Waddell, in the establishment of a brewery on that township. After carrying on the business for some three years at Longford the firm removed to Launceston, taking the premises then known as Barnesโ€™ brewery, opposite the gaol, and in this business Mr. Button continued til 1853. Up to this time he had been very active in taking part in all matters calculated to promote the advancement of the town, and initiating schemes of public utility. When municipal institutions were established in 1853, Mr. Button was one of the first members, and the first mayor elected. The election of mayor at that time was for two years, and Mr. Button was elected twice in succession, holding the office for four years. He then retired from the municipal council. In Oct., 1856 he was elected a representative of the Tamar in the Legislative Council, and filled that position til 1862. He had always been considered an industrious and energetic patron of Agricultural and Horticultural pursuits, and a liberal contributor to any institution calculated to improve the condition of his fellow townspeople. In public life he has taken a very active part. He was one of the founders of the Cornwall Insurance Company established in 1842, and has been connected with it ever since having occupied the position of chairman of directors till within a short time of his death. He was also one of the founders of the Mechanicsโ€™ Institute, established in the same year, and has ever since evinced a lively interest in its rise and progress. In the initiatory stages of the agitation for a water supply to the town he took a prominent part, and it was mainly through his instrumentality that the great boon of a waterworks was obtained. In the establishment of the Launceston Steam Navigation Company, which is now incorporated in the Tasmanian Steam Navigation Company, and in the support given to the Launceston Gas Company, of which he was for many years a director, he contributed greatly to their success. In all religious and philanthropic efforts Mr. Button was always to the fore, and amongst other positions he held for some time was that of the President of the Bible Society. He was connected with the Congregational denomination, and attended the Princeโ€™s Square Church, of which the Rev. Wm. Law is the pastor. To the erection of this handsome and commodious edifice the deceased gentleman contributed largely, and continued his liberality up to the time of his death. He was generally esteemed by the townspeople as an honourable and upright man, and a steadfast friend, and his decease is universally regretted. Although the deceased gentlemanโ€™s health and strength had been visibly declining some time, it was not till a few days ago that any serious consequences were anticipated by his friends. He attended divine service on Sunday the 10th inst., and was working in his garden on Thursday last. On Thursday night, however, serious symptoms manifested themselves, and he then sank rapidly up to the time of his death, which took place on Sunday morning. The pastor of Princeโ€™s Square Church, the Rev. Wm. Law, in his morning service, both in his prayer and sermon, alluded in feeling terms to the long connection of Mr. Button with the church, and his many excellent qualities, and then announced that the funeral service would take place on Tuesday afternoon, at three oโ€™clock, at the church; and that on the following Sunday evening he should preach a memorial sermon.โ€

The Mercury, Hobart, TAS, Thursday 21st September 1876, page 3.

โ€œThe funeral of Mr. William Stammers Button left his late residence, St. John-street, at 25 minutes past 3 this afternoon, arriving at the Princeโ€™s Square Congregational Church about half-past 3. During the passing of the funeral cortege to the church, the bell of St. Andrewโ€™s Church was tolled. The funeral service was conducted by the Rev. J. Lindsay and the Rev. C. Price, after which the Rev. W. Law delivered a funeral oration in which he commented at length on the many estimable qualities of the deceased, and his long and useful career. The funeral was largely attended, and after leaving the church the procession was formed in the following order:- The Revs. W. Law, J. Lindsay, and C. Price; next Drs. Miller and Hardy; then the hearse with the following gentlemen acting as pall bearers:- Messrs. E. L. Diteham, H. Dowling, E. Dickens, J. Kemp, F.L. Fyah and J. Steer, senr. Alderman C. S. Button, son of the deceased gentleman, followed, and with him the other near relations and connections of the deceased. The Mayor, the Town Clerk, the members of the corporation and those of eh Maritime board cam next, and then followed a long procession, there being some 200 persons present. The remains were conveyed to their last resting place the cemetery in Mulgrave Square.โ€

The Cornwall Chronicle, Launceston, TAS, Monday 2nd October 1876, page 4.

โ€œTHE LATE MR. W. S. BUTTON

ย Mr. William Stammers Button died at his residence, St. John street, Launceston, on the morning of Sunday, 17th September, a little after eight oโ€™clock. His illness had been a very short one. He was about as usual on the 13th September, was taken unwell in the course of the evening, gradually sank into a comatose state, and passed quietly away. Mr. Button came to the colony 43 years ago, and after a short residence at Norfolk Plains came to Launceston, where he won for himself a large measure of general respect and confidence. His active public life has brought him into connection with most local objects. As the first mayor of Launceston from 1st January, 1853, to 31st December, 1857, Mr Button had a great amount of work to perform, and during his mayoralty the chief difficulties connected with the water supply of Launceston overcome. He was for some years a member of the Legislative Council of this Colony, in which capacity his services were highly valued. Mr Button was one of the promoters of the Launceston and Western Railway, for a long time chairman of the company, and was ever ready to aid in all public works. His devotion to the interests of the Cornwall Insurance Company was well known; as its chairman for many years, he was one of he most trusted counsellors. He was a director of the Launceston gas Company. We believe that few men amongst us were more zealous and useful in public life than the subject of our notice. All our local societies of a philanthropic and religious kind shared in his gifts and labors [sic]. Mr Button was also well known in association with Princeโ€™s Square Independent Church, of which he had been a member and officer from its formation til the time of his death, and was always a liberal supporter of its funds. He was a man who early in life had received a good education, was gifted with considerable natural powers, and had always been a great reader. Mixed up as Mr Button had been in many questions in which considerable diversity of opinion prevailed, it cannot be expected that he always in his public life pleased everyone; but he was recognised throughout his long career as a man whose wish was to do good, and one who had fully identified himself with the land of his adoption. In private life Mr Button was an intelligent companion โ€“ a kind and faithful friend. He lived to reach the age of eighty years.โ€

The Mercury, Hobart, TAS, Tuesday 26th September 1876, page 3.

โ€œAt the Princeโ€™s Square Congregational Church on Sunday evening, the Rev. Wm. Law delivered a memorial sermon on the death of the late Mr. William Stammers Button, choosing his text from Acts, xiii., 36. โ€œFor David after he had served his own generation by the will of God fell on sleep.โ€ Both the body of the church and the galleries were filled. The rev. gentleman made the text the basis of an appropriate and impressive sermon, and concluded with an enumeration of the many acts of philanthropic and Christian usefulness, which had marked the long and honoured life of their departed townsman.โ€

Launceston Examiner, TAS, Saturday 14th January 1843, page 7.

โ€œSUPREME COURT, CRIMINAL SITTINGS.
THURSDAY, JANUARY 12.
The Queen, at the instance of W. S. Button, v. W. L. Goodwin, for printing and publishing a malicious libelโ€ฆโ€

On the 16th of April, William Lushington Goodwin published in the Cornwall Chronicle the following malicious libel against William Stammers Button:-

โ€œIn all transactions let us honest be,
And honour give to strict integrity,
Let bolters by their creditors be scouted,
And their professions afterwards be doubted;
In whatsoever clime they take their fight
Let them be doomed to everlasting night,
And honest men with them all business shun,
Fearful they might again up stick and run!
For Button may once more design,
For the same reason choose to cross the line,
Which once he crossed. God knows the reason โ€“
Whether for highway robbery or treason.
But true it is, as Williams he did fly
Heโ€™s Button now โ€“ though folks say โ€˜tis a lieโ€™;
Some day the truth will out, if not too late.
And that the bolter will not โ€˜scape his fateโ€™;
Perhaps the hulks โ€“ perhaps a halter โ€“
Exhibited to public gaze โ€“ this malster,
Newspaper-man, hypocrite and bolter.โ€

Goodwin was found guilty of the libelous slander against Button and ordered to pay a fine to the Queen of ยฃ30 and be imprisoned until it was paid. He paid it immediately!

Footnotes:

14-08-1885: St. Andrewโ€™s Presbyterian Church, Sydney Rd, Brunswick, Melbourne, Victoria.

North Melbourne Advertiser, Friday 14th August 1885, page 3.

“BRUNSWICK PRESBYTERIAN CHURCH.”

“The new church erected by the Presbyterian congregation of Brunswick was opened on the 2nd inst.โ€ฆ”

โ€œโ€ฆThe gable in the faรงade that faces Sydney road has a large and finely proportioned tracery window, filled in with a design in stained glass to the memory of the late Mrs. M. L. Hutchinsonโ€ฆโ€

St. Andrewโ€™s Presbyterian Church was built by Evander McIver. All the stained glass in the church was created by Ferguson & Urie which also includes a memorial window to McIverโ€™s wife in the chancel.

Photos taken 14th Nov 2010 on the church re-opening day.

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Conservation & restoration work on the windows was conducted by the Wesley Vine studio c.2010.

Related posts: 03-03-1888: St Andrewโ€™s Church, Sydney Road, Brunswick, Melbourne, Victoria.


Short link to this page: https://wp.me/p28nLD-BV

ยฉ Copyright

1885: The Linay Pavilion, Alfred Hospital, Melbourne.

The Alfred Hospital was the second public hospital to be built in Melbourne. It was designed by Charles Webb and opened in 1871 and named in honor of Queen Victoriaโ€™s son, Prince Alfred who had been the subject of an assassination attempt whilst visiting Sydney in 1869.

A generous benefactor to the Alfred Hospital was John Linay, an accountant/clerk with the Victorian Assurance Company from the time of his arrival in the Colony in 1853 until his retirement in 1875. Linay was a frugal bachelor described as being โ€œabstemious in his habitsโ€ and lived in a modest four-roomed cottage in Fitzroy with his cousin James Firth. He seemed to have made most of his money by living a Spartan life and investing his money wisely in bank shares and minor interests in property. He died on the 1st of March 1883 whilst in Hobart and was buried in the Queensborough Sandy Bay cemetery in Hobart. In his will, he bequeathed an extraordinarily charitable amount of ยฃ11,000 each to the North Melbourne Benevolent Asylum (who erected their ‘Linay Wing’), the Alfred Hospital (who also erected a ‘Linnay Wing’), and the Melbourne Hospital in Swanston Street. The money bequeathed to the Alfred Hospital was used to build the ‘Linay Pavilion’ which opened on 6th April 1885. Only a portion of the Pavilion still exists (2012) which includes the two-story stairwell containing the huge Ferguson & Urie stained glass windows. Other nearby passageways, the chaplainโ€™s room, and the chapel room also include stained glass windows by Ferguson & Urie.

Photos dated 14th January 2012.

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The first two historical old photos are from the State Library Collections and show the triple light window of the Linay Pavilion on the far right. The remaining colour photos were taken 14th Jan 2012 and 2nd April 2012. With the exception of the stairwell window and the bird scene in the door of the chaplains’ office, all other windows are artificially lighted from behind.

As you enter the chapel room, there is a brass plaque on the wall with the following text:

CHAPEL WINDOWS
COME, O BLESSED OF MY FATHER, INHERIT THE KINGDOM PREPARED FOR YOU FROM THE FOUNDATION OF THE WORLD; FOR I WAS HUNGRY AND YOU GAVE ME FOOD, I WAS THIRSTY AND YOU GAVE ME DRINK, I WAS A STRANGER AND YOU WELCOMED ME, I WAS NAKED AND YOU CLOTHED ME, I WAS SICK AND YOU VISITED ME, I WAS IN PRISON AND YOU CAME TO ME” MATTHEW 25:34-36.
THESE WINDOWS ARE FROM THE ORIGINAL ALFRED HOSPITAL BUILDING WHICH WAS COMPLETED IN 1870.”

In the chapel room there are five windows in a row suspended in wire frames with fluorescent back-lighting and a roll up blind in front to cover them (supposedly to caterย  non christian religions) . Each of the windows represents one of the five biblical scenes as depicted on the brass plaque. Only three of the chapel windows could be correctly photographed as the last two in front of the Muslim prayer mats have unfortunately had the fluorescent lighting removed. The order of the windows doesn’t reflect the order mentioned on the plaque.

John Linay:

According to the probate documents for John Linay, his total estate was valued at ยฃ35,499 and 16s.9p, after expenses. Of that amount, ยฃ19487 consisted of Bank Shares, ยฃ13,000 in bank deposits, ยฃ2,231 in real state and the remainder in rents, interest, dividends and incidentals.

Apart from the bequests to the three institutions, his cousin James Firth, who he had been living with at his Princeโ€™s Street Fitzroy cottage, was left a mere ยฃ188. Other legatees, mostly his cousins, and the Hobart hospital, were left varying individual amounts under ยฃ100 each. His sole executor, the Rev Charles Strong received an amount under ยฃ100 plus additional expenses as the executor. The only personal item specified in his will was a silver watch he bequeathed to a Hannah Jamison.

John Linay was buried in the Queensborough Sandy Bay Cemetery at Hobart (which no longer exists). It served as the southern suburbs cemetery in Hobart, opening in 1873 and closed for burials in 1923. The area was cleared between 1960-63 to allow for the extension of Churchill Ave and development of Hutchins School. Headstones and human remains were re-located to the Cornelian Bay cemetery and re-erected in a special section. John Linay’s name and initial appears on one of the stainless steel plaques commemorating those whose graves were moved. Some headstones still remain at Sandy Bay and form a small memorial park. John Linayโ€™s will included an amount of ยฃ71 for his cemetery monument but itโ€™s not known whether this was relocated or even still exists.

The Australasian Sketcher, Melbourne, Monday 4th June 1883, page 111.

LINAY.- On the 13th inst.[sic: 1 May 1883], at Hobart, John Linay, of 4 Princeโ€™s-street, Fitzroy, formerly accountant of Victoria Insurance Company, Melbourne, aged 62 years.

The Mercury, Hobart, Tasmania, Saturday 5th May 1883, page 4.

LINAY.- On May 1, at No.111, Collins-street [Note: Hobart], John Linay, of Fitzroy, Melbourne, formerly accountant of the Victoria Insurance Company, Melbourne, aged 62 years

The Argus, Melbourne, Wednesday 27th June 1883, page 5

โ€œA very liberal bequest to Melbourne charities has been made by a Mr. John Linay, who recently died suddenly at Hobart, while on a short visit to Tasmania for the benefit of his health. It has been ascertained that the value of his estate amounted to no less a sum than ยฃ34,000. With the exception of about ยฃ1,000, bequeathed to his relatives in Scotland, the whole of his estate has been left to charitable institutions. The deceased arrived in Victoria in 1853, and was from that time until 1875 employed as a clerk in the Victoria Insurance Company’s office. He was unmarried, and of abstemious habits, but the very large amount of his bequest was quite a surprise. He has appointed the Rev. Charles Strong as his sole executor. The late Mr. Linay retired from Victoria Company’s office in 1875, and has since then lived a retired life in Melbourne, except during a short visit to London in the year 1876โ€.

South Australian Register, Adelaide, SA, Thursday 28th June 1883, page 6.

โ€œA MUNIFICENT BEQUEST

[By Telegraph] Melbourne, June 27.

โ€œVery substantial bequests have been made to several Melbourne charities by John Linay, who recently died at Hobart, whilst visiting Tasmania for the benefit of his health. The extent of his wealth has proved to be a great surprise even to his relatives. The value of his property is sworn under ยฃ35,499. By his will he directs that ยฃ100 should be given to the Rev. Charles Strong, his sole executor, and ยฃ50 to a charitable institution at Hobart. He leaves ยฃ100 each to six cousins in Scotland and ยฃ200 to a cousin in Fitzroy, with whom he lived during the past twenty-three years. The remainder of the money โ€“ ยฃ34,499 โ€“ he wishes to be divided equally between the Melbourne Hospital, the Alfred Hospital, and the Benevolent Asylum. Linay, who was very abstemious in his habits, arrived in Melbourne in 1853, and from that time until 1875 was employed as a clerk in the Victorian Insurance Companyโ€™s officeโ€.

The Argus, Melbourne, Tuesday 3rd July 1883, page 10.

โ€œTHE LINAY BEQUEST AND THE MELBOURNE HOSPITAL.

TO THE EDITOR OF THE ARGUS.

Sir, – A few days ago it was announced in your columns that Mr. John Linay, who died recently in Hobart, had bequeathed nearly ยฃ34,500 to the Melbourne charities, this sum being divided equally between the Melbourne Hospital, Alfred Hospital, and the Benevolent Asylum. Each institution will therefore receive ยฃ11,500, and the question at once arises whether this sum should be converted into a permanent endowment of be devoted to the building funds. In the case of the Melbourne Hospital no doubt should exist; the agitation in favour of entire removal of the institution from the centre of the city has apparently been abandoned, but the necessity for partial reconstruction and general improvement becomes therefore undeniable. The central block of buildings has been unanimously condemned as radically and unalterably bad; the wards within it cannot be effectively ventilated; some of them are almost if not altogether untouched by the sun from yearโ€™s end to yearโ€™s end; they are approached only by winding staircases, and they communicate in most cases directly with closets whose defects are even more glaring than their own. The central block, therefore, should certainly come down, and its place should be taken by new pavilions, built with proper regard to sanitary requirements; the recognised faults in the existing pavilions should be corrected; the present wretched mortuary should give way to something a little less grossly defective; and detached quarters should be provided for the resident medical staff and for the whole administrative department. The present committee of management appears to be sweetness and light compared with that of time gone by, yet no watchfulness on its part, no precautions about cleanliness, no vigorous use of antiseptics, can atone for radical faults in the buildings themselves. Therefore I would urge that the present opportunity should not be passed by. Permanent endowment must yield to present needs. Let this 11,500, supplemented by Government aid and public liberality, be devoted to the reorganisation of the hospital on a sound sanitary basis, and then assuredly a charity so noble will not lack the funds necessary for its support.
– Yours, &c., MEDICUS, June 30โ€.

The Argus, Melbourne, Friday 11th May 1883, page 8.

โ€œIN the SUPREME COURT of the COLONY of VICTORIA: In its Probate Jurisdiction.- In the will of JOHN LINAY, FORMERLY OF Fitzroy, near the City of Melbourne, in the Colony of Victoria, but late of Hobart, in the Colony of Tasmania, Gentleman, Deceased.- Notice is hereby given, that after the expiration of fourteen days from the publication hereof application will be made to the Supreme Court of the colony of Victoria, in its Probate jurisdiction, that PROBATE of the LAST WILL and TESTAMENT of the above named John Linay, deceased, may be granted to the Reverend Charles Strong, of Number 91 Collins street east, in the city of Melbourne, in the said colony of Victoria, Presbyterian minister, the sole executor named in and appointed by the said will.
Dated this eleventh day of May, A.D. 1883.
THOMAS JAMES WYBURN, 45 Elizabeth-street, Melbourne, proctor for the said Reverend Charles Strongโ€.

Note:

Probate for John Linay was granted on the 28th June 1883.

There were a number of articles written that refer to the benefactor of the Linay wing as the timber merchant named John Linay. These are all incorrect and there is no known direct relationship to the real benefactor, John Linay,ย  the “abstemious” accountant, to the Timber Merchant John Hay Linay who died in 1906.

Documents from the Heritage Council Registration Committee Hearing held on 9 March 2012 incorrectly states (at para 57) that “John Linay, a Prahran timber merchant who made a bequest in 1883 that funded the construction of the building…” Attachment 2 of the document also repeats the same incorrect information.

The North Melbourne Benevolent Asylum also used their portion of the Linay bequest to build the “Linay Wing” of the Asylum. The Asylum was eventually demolished by Whelan the Wrecker in 1911. Although the Ferguson & Urie stained glass workshops in Curzon Street were diagonally opposite the location of the Asylum, there has been no evidence found to date that any of their stained glass windows were installed there.


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1872: The ‘Glenferrie’ window at the Melbourne Museum

Web Site, Museum Victoria, Window – Stained Glass, Ferguson & Urie, circa 1872, Reg. No: HT 521, accessed 1st Apr 2012.

“Stained glass window made for ‘Glenferrie’, Malvern, the residence of James Fergusson, a Melbourne manufacturing stationer and member of the Legislative Assembly, and Shire President 1871-72.’Glenferrie’ was a two-storey mansion with fourteen rooms and extensive grounds. Its land extended from Glenferrie Rd and Toorak Rds to the far side of the railway line. In 1903 the estate was subdivided, and the house was called Zeerust by a subsequent owner. The style of the window strongly indicates it was locally made by Ferguson & Urie, the main stained-glass manufacturers in Melbourne from the early 1860s to the 1890s. Following the demolition of Glenferrie in 1954, the window was purchased by a local resident, and subsequently installed in a modern home in the 1970s in Mernda Road, Kooyong”.

“A large leaded and stained glass window, 3.5 metres by 2 metres, attributed to Melbourne stained glass manufacturers Ferguson and Urie; dated c. 1872. Three tall panels, with three small panels above, which show a kangaroo and emu on either side of an early Australian coat of arms. Pride of place in the liddle [sic] window is given to the Fergusson Blazon of Arms, with three boars heads and a buckle. There are six hand-painted vignettes showing aspects of Victorian industry: shipping, farming, pastoral, printing, mining and railways. There are two female figures representing Agriculture and Commerce. Images of thistles, roses and the shamrock represent respectively Scotland, England and Ireland. All panels are bordered by a climbing floral pattern which is entwined around a gold covered rod”. –ย  MUSEUM VICTORIA STAFF WRITER

Dr. Richard Gillespie, curator of theย  Melbourne Museum, talks about the ‘Glenferrie’ stained glass window.

(in-line link to Youtube video posted by the Melbourne Museum)

Photos taken 10 May 2011: (The window was extremely hard to photograph as it’s mounted in its own protective glass frame which causes a lot of reflection).

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Related posts: 18-08-1951: Zeerust/Glenferrie Mansion, Malvern, Victoria.


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20-03-1884: Ferguson & Urie building facade approved to be made of Hydraulic Freestone.

The facade of the Ferguson & Urie building in Collins street was approved to be made of the โ€˜Patent Hydraulic Freestoneโ€™. In March 1884, Thomas Crouch (of Crouch & Wilson fame), architect for Ferguson & Urie’s new building, successfully appealed against the bylaws, and the city Surveyor, whom objected against the use of the new building product named “Hydraulic Freestone” for use in external walls.

The Argus, Melbourne, Thursday 20th March 1884, page 5.

ย A decision of some interest has just been arrived at respecting the freestone made by the Patent Victoria Hydraulic Freestone Company Limited. On the city surveyor objecting to its use for external walls to buildings in the city, as not being either of the materials allowed in schedule C, part 2, of Bye-law 69, Mr. Crouch, the architect for Messrs. Ferguson and Urie’s new premises in Collins-street, appealed to the official referees, who gave the following award:- “Having carefully considered the matter, and having had the result of experiments specially instituted by us for the purpose of testing the tension of the stone reported to us, we do hereby, acting under the powers vested in us by Section 74 of the Building Act, certify and award that the material in question is a stone within the meaning of the above mentioned schedule C. part 2. Signed, JAMES BLACKBURN, CHARLES BARRET, Official Referees; E. G. FITZGIBBON, TOWN CLERK.”

The Mercury, Hobart, Tasmania, Thursday 28th August 1884, page 2.

โ€œTHE PATENT VICTORIA HYDRAULIC FREE-STONE. – The recognition this manufacture is obtaining among the building trade in Melbourne as a valuable and reliable material for house structure is shown in the following extract from the Argus of 23rd inst.: “amongst the new buildings approaching completion in Collins street is one conspicuous for its bright and cheerful facade, situated near the site of the old Clarence Hotel, and soon to be occupied by Messrs. Ferguson and Urie as a glass warehouse and offices. The attractive appearance of this building is mainly due to the novel material of which it is composed, viz., the hydraulic freestone manufactured at Port Melbourne, where the Patent Victoria Hydraulic Freestone Co., Limited, has erected extensive works on a five-acre block of purchased land, and obtained all the necessary machinery for a large output of stone. No chemicals are used in the manufacture of the stone, the component parts being 80 percent of clean sand, 10 percent of lime, and 10 percent of amorphous silicates. The only chemical action employed is the application of a moist heat, forming a cementing matrix of silicate of lime. When the manager of the company first proposed contracting for a building in the city, objections were raised on the ground that hydraulic freestone was not included under the heading of a building material. But on being subjected to a very severe test at Langlands’ Foundry by the city architect and building surveyor, with satisfactory results, all objections were removed, and the stone is now officially recognised as a material sanctioned by the Building Act. Messrs. Ferguson and Urie’s building is seven stories in height, including the basement. It has a front elevation of 80ft. to Collins-street, and the bright aspect of the manufactured freestone presents an agreeable contrast to the darker hues of the adjacent buildings. Continental Gothic is the style of architecture adopted. A good deal of elaborate carving has been introduced, the hydraulic freestone having been found to lend itself readily to this description of ornamental work. The process of moulding was partially adopted, but the tracery and stencilling were performed with the mason’s chisel. The last stone of the frontage was placed in position yesterday afternoon, and the building will be ready for occupation in about a month.” Mr. Holroyd, who holds the patent, has attempted, but as yet unsuccessfully, to introduce the base of this material by the building trade in Hobart. If positive proof of its utility is needed, the present instance should satisfy even the most sceptical.”

This photo below was found in a box of family history memorabilia in 2010. The State Library of Victoria also has another similar image (obviously taken at the same session by unknown photographer) in their records except the ‘ghosting’ of the people walking past the building shows them in different positions as they walk past it.

The Ferguson & Urie Building at 10 Collins Street East.

The Ferguson & Urie Building at 10 (later 283-285) Collins Street East.

Related posts:

30-09-1873: For sale, 10 Collins Street.

22-08-1884: The Ferguson & Urie Building, 281-283 Collins Street, Melbourne, Victoria

14-11-1899: The Auction of 283 Collins Street.

21-02-1901: The Citizens Life Life Assurance Company purchases the building.

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22-08-1884: The Ferguson & Urie Building, 281-283 Collins Street, Melbourne, Victoria.

Ferguson & Urie began in 1853 as plumbers, slaters, and glaziers, in Curzon Street North Melbourne. In 1854 they had realised an emerging potential in stained glass in the colony and had successful experimented and exhibited stained glass in the exhibition of 1854. By 1861 they had completely transformed the plumbing business to become extremely successful as (arguably) the colonies first commercial stained glass craftsmen. With the gold rush flooding the colony with wealth, and the extraordinary rate that churches and mansions were being erected, the company was expanding so much that by 1884 they had decided to erect a magnificent headquarters building as a testament to their wealth and success. The Ferguson & Urie building was erected in Collins street in late 1884, but less than six years later the land boom had collapsed, the stock market had crashed, and the wealth of the colony was flattened.ย  The company attempted to sell the building in 1889 without success and it eventually fell into the hands of the mortgagees. It was eventually advertised for auction ten years later, in November 1899, but did not sell and was eventually sold to the adjoining Citizensโ€™ Lifeย  Assurance Company (shown as the Planet Buildingย  Society on the right of photo) in February 1901 for an “undisclosed sum”.

The Ferguson & Urie building was eventually to succumb to the wreckers ball and was demolished by Melbourne’s infamous “Whelan the Wrecker” circa 1915.

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The Argus, Melbourne, Friday 22 August 1884, page 7.
The Mercury, Hobart, Tasmania, Thursday 28th August 1884, page 2.

โ€œMESSRS. FERGUSON AND URIEโ€™S NEW PREMISESโ€

โ€œAmongst the new buildings approaching completion in Collins-street is one conspicuous for its bright and cheerful faรงade, situated near the site of the old Clarence Hotel, and soon to be occupied by Messrs. Ferguson and Urie as a glass warehouse and offices. The attractive appearance of the building is mainly due to the novel materiel of which it is composed, viz, the hydraulic freestone manufactured at Port Melbourne, where the Patent Victoria Hydraulic Freestone Company Limited has erected extensive works on a five-acre block of purchased land, and obtained all the necessary machinery for a large output of stone. No chemicals are used in the manufacture of the stone, the component parts being 80 per cent of clean sand, 10 percent of lime, and 10 of amorphous silicates. The only chemical action employed is the application of a moist heat, forming a cementing matrix of silicate of lime. When the manager of the company first proposed contracting for a building in the city, objections were raised on the ground that hydraulic freestone was not included under the heading of building material. But on being subjected to a very severe test at Langlandโ€™sโ€™ Foundry by the city architect and building surveyor, with satisfactory results, all objections were removed, and the stone is now officially recognised as a material sanctioned by the building act. Messrs. Ferguson and Urieโ€™s building is seven stories in height, including the basement. It has a front elevation of 80ft to Collins-street, and the bright aspect of the manufactured freestone presents and agreeable contrast to the darker hues of the adjacent buildings. Continental Gothic is the style of architecture adopted. A good deal of elaborate carving has been introduced, the hydraulic freestone having been found to lend itself readily to this description of ornamental work. The process of moulding was partially adopted, but the tracery and stencilling were performed with the masonโ€™s chisel. The last stone of the frontage was placed in position yesterday afternoon, and the building will be ready for occupation in about a month. Messrs. Ferguson and Urie will utilise the ground floor for their glass warehouse and the upper stories will be let as offices. Mr. T. J. Crouch was the architect of the building and Mr. W. Ireland the contractor.โ€

The Argus, Melbourne, Monday 24th November 1884, page 3

โ€œT. J. CROUCH, architect and licensed surveyor, invites TENDERS for EXCAVATION and other works in extending cellar accommodation, for Messrs. Ferguson and Urie. Drawings and specifications may be seen at his offices, 46 Elizabeth-street.โ€

Related posts:

30-09-1873: For sale, 10 Collins Street.

20-03-1884: Ferguson & Urie building facade approved to be made of Hydraulic Freestone.

14-11-1899: The Auction of 283 Collins Street.

21-02-1901: The Citizens Life Life Assurance Company purchases the building.


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26-08-1882: “Sylliot Hill”, “Ontario”, “Labassa”, Caulfield Nth, Victoria.

The first building of Sylliot Hill began in 1862-3 by Judge Richard Annesley Billing and was extended in 1873 into a twenty room mansion by Crouch and Wilson. After Billingโ€™s death it was leased to Alexander William Robertson who eventually purchased it in 1887 and renamed it โ€œOntarioโ€ and extended further into a thirty-five room mansion circa 1890. In 1904 it was sold to mining magnate John Boyd Watson who restored it and renamed the property โ€œLabassaโ€. In 1980 the national Trust purchased the mansion and the immediate adjoining blocks and demolished the houses that surrounded it to reveal the mansion at 2 Manor Grove, Caulfield as it is seen today.

The Argus, Melbourne, 26th August 1882.

โ€œFOR SALE or TO LETโ€. โ€œFAMILY MANSION known as SYLLIOT HILL, BALACLAVA and ORRONG ROADS, EAST ST. KILDA โ€ฆโ€

โ€œโ€ฆ The Residence of the Late Judge Billing, Q.C. The house is most substantially built, and elegantly furnished โ€ฆโ€

โ€œโ€ฆ spacious hall, leading to a very handsome staircase with elegantly stained glass windows by Ferguson and Urie โ€ฆโ€

The magnificent three light stained glass window appears above the landing of the first flight of stairs and has four roundels in the centre light that represent the four seasons. These were likely to be the work of Ferguson & Urieโ€™s senior stained glass artist, David Relph Drape in 1873 during the Crouch & Wilson extensions to the building.

Photos taken 16th February 2013.

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The Argus, Melbourne, Thursday 22nd June 1882, page 8.

“DEATH OF JUDGE BILLING

Mr. Richard Annesley Billing, the recently appointed County Court judge, expired at his residence, Balaclava-road, at 25 minutes past 10 last night, after a short but severe illness. ย Mr. Billing returned from the Western district circuit on Thursday, and though somewhat exhausted by lengthened sittings and continuous traveling, was in his usual health up to Friday. On that evening, while at dinner, he was seized with a fit of serous [sic] apoplexy, and though his medical attendants, Dr. Embling and Lampriere, were in constant attendance, he grew rapidly worse. The attack was followed by paralysis of the right side, which gradually extended to the left, and at the hour named he passed away very quietly. The deceased leaves a widow and one son. Mr. Richard Annesley Billing was born in the year 1814. He was called to the Irish bar in 1839, and practiced in Dublin for some years. In consequence of ill-health he left Ireland in the year 1856, and came to this country. In October of that year he was admitted as a member of the Victorian bar. He was appointed one of the lecturers in law at the Melbourne University, the subjects on which he treated being the law relating to real property and that relating to procedure. A few years ago there was an alteration in the course of law lectures at the university, and four lecturers were appointed instead of two, and Mr. Billing had therefore to deal with only one branch of the law. Mr. Billing’s classes at the University were always well attended, and he had an aptitude for imparting information to the students. For a number of years he gave a gold medal prize to the student who obtained the highest distinction in his classes. Mr. Billing took no part in the political world. He was asked several times to come forward as a candidate for Parliamentary honours, but always refused the proposals made to him. He had at one time a leading practice at the bar, and was usually retained in cases in which the Crown or the Board of land and Works was a party. As a barrister he showed that he could easily master the details of complicated transactions, although he was not one of those who could make an impassioned appeal to a jury. For the last three years Mr. Billing had retired from general practice. In 1878 he was appointed a Queen’s Counsel for Victoria. In April last he was appointed a judge of the County Court, and the western circuit was allotted to him. During his short career on the bench Mr. Billing displayed a courteous demeanor to the practitioners and suitors who frequented his court, and paid the greatest attention to every case that came before him”.

The Argus, Melbourne, Vic, Saturday 24th June 1882, page 12.

“THE Funeral of the late His Honour Judge BILLING, QC., is appointed to leave his late residence, Sylliott-hill, Balaclava road, this day, at 2.30, and will proceed to St. Mary’s Church, Caulfield, where a portion of the service for the burial of the dead will be read, after which the remains will be conducted to the place of interment in the St. Kilda Cemetery.
ALF. AUG. SLEIGHT. undertaker, 53 Collins=street east, and High-street, St. Kilda.”

Richard Annesley Billing was buried in the St. Kilda Cemetery, Church of England, Compartment C, Grave 363.

External links:

National Trust web site: Labassa

YouTube media about Labassa – February 2010.

Acknowledgements:

Thanks to Andrew Dixon and Bronwyn Worrall for their assistance regards photos at Labassa.


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30-03-1882: David Relph Drape, Stained Glass Artist, (1821-1882)

In the nineteen year period between 1863 and 1882, an English artist by the name of David Relph Drape can lay claim to being one of the Ferguson & Urie stained glass companies most talented in the field of glass painting and staining.

Drape was born at Greenrow, Cumberland, England in 1821, the son of Quaker parents, Isaac Drape and Catherine Relph.

David Relph Drape c1880

David Relph Drape c1880

Little is known of his early life or what steered his artistic talents. His father Isaac (1790-1822) died when he was only one year old but his family would assure his education. Many members of his fatherโ€™s family were from a long line of educators with interests in mathematics and navigational astronomy. A number of them had close ties to the Greenrow Academy which was founded in 1780 by his grandfather John Drape (1751-1793) who was a principal of the establishment until his death. It was then followed by John’s brother-in-law, Joseph Saul (1769-1842),ย  then Saulโ€™s son John (1804-1853). Isaac Drape (1813-1870), a grandson of the academyโ€™s founder, (Davidโ€™s first cousin) took over as headmaster of the Academy in 1853 and it eventually closed after his death 1871.

It hasn’t been proven as to whether David was a student at the academy, but it would certainly seem highly likely during the period when his motherโ€™s brother, Joseph Saul, was headmaster of the school until 1842.

Drapeโ€™s early thirties start to reveal his business exploits and talents. He was in the employ of a local Carlisle painter named William Atkinson from circa 1845 and in February 1854, Mrs Mary Atkinson, the widow of the late William Atkinson, decorative painter of 5 Abbey Street Carlisle, placed an advert in the Carlisle Patriot tabloid stating that she had engaged “Mr. David R. Drape, who was for a number of years Foreman for her late husband…” [1] Drapes association with William Atkinson may be the clue as to where he gained his first apprenticeship as a decorative artist, but his continuation as a foreman for the widow Mary Atkinson was very short. By early 1855 he had formed a partnership with another Carlisle tradesman named John Scott whose father, John Scott Snr, had retired and passed the business to his son. A dual advertisement for John Scott Snr’s retirement and the new Scott & Drape business appeared in the Carlisle Patriot, 3rd March 1855.

The Scott & Drape’s business advertisements began to appear in the Carlisle Patriot as:-

โ€œSCOTT & DRAPE – PLAIN AND DECORATIVE HOUSE PAINTERS, ECCLESIASTICAL AND HERALDIC DECORATORS, ILLUMINISTS, GLASS STAINERS, CARVERS, GILDERS, GLAZIERS, &c., &c.โ€ [2]

In November 1855 Scott & Drape created a stained glass window to the memory of Drapeโ€™s cousin, John Saul[3] who was principal of the Green Row Academy from 1842-1853. The window was to be erected in the west end of St Paulโ€™s Church, Holme Cultram (now known as St Paulโ€™s Causwayhead):

โ€œST. PAULโ€™S CHURCH, HOLME CULTRAM.- A very beautiful window of stained glass has just been inserted in the west end of this church, as a memorial to the late Mr. John Saul [4], of Green Row. The background is a rich mosaic of azure and ruby, upon which two large medallions are placed, representing the Adoration of the Shepherds, and the Presentation in the Temple; in the upper part of the window is a cross of a golden hue in the midst of a floriated ruby background, surrounded by the motto Hoc Signo Vinces[5]. A Latin inscription at the base states that the window has been placed there by the friends and pupils of Mr. Saul. The grouping, drapery, and expression of the various figures are remarkably fine, and reflect great credit upon the artists, Messrs. Scott and Drape, of this city.”[6]
[My research to-date indicates that this window no longer exists.]

A significant clue as to the style of glass painting Scott & Drape adopted is revealed in their advertisements; โ€œS. and D., respectfully invite an inspection of their unique Specimens of Glass painting, in the style as now practiced by the Bavarian Artists at Munich.โ€ This was undoubtedly in response to the debacle at Glasgow Cathedral in 1856 where the Cathedral authorities had awarded a large contract to the Royal Bavarian Glassworks to provide 60 or more stained glass windows for the Cathedral. English and Scottish stained glass craftsmen and artists were enraged with the decision and considered it as robbing them of their birth right. The Master Glazier to the Cathedral, David Kier, who installed the Bavarian windows, even felt compelled to adopt the same style of glass painting in his own windows and this seemed to force varying degrees of adaption to the Munich style that spread amongst the English and Scottish stained glass establishments until late into the 19th century.

Over the next four years Scott & Drape expanded their business and employed a number of tradesmen and apprentices. Their workshops at 23 Rickersgate, Carlisle, became well known and it was frequented numerous times by the local tabloids who were eager to report on their ecclesiastical decorations.

In 1855 Carlisle Cathedral was undergoing significant renovations but there was considerable debate amongst the authorities as to the proposed โ€œhighly ornamentalโ€ decorations which were opposed by the Bishop who had a preference for a more subdued tone. After a number of months had elapsed without a decision, the famous architect and designer Owen Jones was consulted to break the impasse; โ€œAccordingly that gentleman visited Carlisle, examined the respective specimens and has just sent in his recommendation, which have been adopted, and are to be carried out forthwith by Messrs. Scott & Drape, carvers, gilders, and decorators, of this city.โ€ [7] One of the major tasks to be undertaken for these renovations included the decoration of the Cathedral ceiling which Jones recommended to be in a blue azure dusted with gold stars and gilded angels;

“The panels are to have a ground work of bright azure, powdered with gold stars (that is the technical phrase); the ribs and bosses are to be painted various colours, red, blue, &c., and the coats of arms and other armorial bearings are to be restored after the most accurate heraldic designs; the angels which surround the cornices are to be gilded and coloured, and the large angels on the hammer beams are to be treated in a similar manner…” [8]

At the same time Scott & Drape were working on the Carlisle Cathedral renovations, they had completed a stained glass window for St Paul’s Anglican Cathedral, Dundee in April 1856 and they were permitted to display it in the north transept of the Carlisle Cathedral;

โ€œA beautiful stained glass window, executed by Messrs. Scott & Drape, of this city, for the New Church, at Dundee, has been exhibited in the north transept of our [Carlisle] Cathedral during the past weekโ€ฆโ€[9]

The window was described as 18ft high, excluding tracery windows, and consisted of two lights. In the left light depicted the Good Shepherd with Christ’s Charge to Peter below and in the right light, the Saviour as the Sower with the Sermon on the Mount below.[10] As at August 2015, this window has been identified as extant in St Paulโ€™s Cathedral at Dundee.

In July 1856 Scott & Drape completed a single light memorial window for a church at Brough, Westmorland. “The subject is a panel formed by the interlacing branches of the vine, and represents the resurrection of our Lord…” [11] Evidence as to the existence of this window has not yet been ascertained.

In January 1857 a letter was penned to the editor of the Carlisle Patriot by “A.B”. The writer was specifically making a point about “Powell’s Glass” being the most successful imitation of ancient glass and that the firm of Scott & Drape were “in the habit of using it for some considerable time…” The author mentions that Scott & Drape; “directed my attention to a Rose window in the north transept, and one in the clere-storey of our Cathedral, both executed by them with Powell’s Glass.โ€ [12] This indicates that the Rose window in the north transept of Carlisle Cathedral and clerestory window(s) were also the work of Scott & Drape, but these windows were not of coloured or stained glass. A window of plain (Powell’s) glass, with lead lines forming the shape of the hexagram, recently removed (c.2011) from the clerestory of Carlisle Cathedral for restoration, revealed the following text scratched into the surface of the glass; “Scott & Drape decorated & glazed this Cathedral AD 1856.” Another window from the clerestory also included the surname of an apprentice named “Johnstone.”

In June of 1857 Scott & Drape completed a further three stained glass windows for St Paulโ€™s Church, Holme Cultram;

“The three side windows in the chancel of St. Paul’s Church have, this week, been filled with stained glass by Messrs Scott and Drape of this city. The general design is a cross with crosslets, in a style which accords well with the architecture of the church and prevailed in the thirteenth century. The border is of azure, emerald, and ruby, and the colours are particularly brilliant. The east window also was inserted by the same artists some time ago, and is a work highly creditable to them.” [13]

In October 1857 Scott & Drape were paid a visit to their Rickersgate workshops by a reporter from the โ€œCarlisle Journal.โ€ The subject of their visit was to inspect a stained glass window that was nearing completion for the Cheltenham Proprietary College. The window was to be of seven lights, 25 feet high and 14 feet wide;

“The design comprises fourteen figures, representing our Saviour, the apostles, and evangelists, each about four feet high. The figures are arranged in two rows one above the other, and are surrounded by perpendicular canopies…” [14]

The tracery windows were to comprise monograms and sprigs of Ivy with the central light in the tracery to contain the armorial bearings of the principal of the College, the Rev William Dobson who had commissioned and paid for the window.

On the 24th February 1858 the Cheltenham โ€œProprietary College Chapelโ€ was formally opened and their window was further described in the tabloids which also indicated that two other windows on the east side were the work of Scott & Drape, being commemorative of officers who were former pupils of the College and who had lost their lives in the Crimea and India.[15] The Cheltenham College Register of 1890 further described the window;

“The window above the altar is a large transomed composition of seven lights, and has a double row of figures. In the upper tier are St. John the Baptist and six of the Apostles in the lower, our Saviour and the other Apostles. Inscription on Brass beneath:- ‘The window over the Communion table was presented by Rev. W. Dobson, M.A., Principal of Cheltenham College. A.D. 1858.” [16]

Sadly there is no longer any trace of Rev Dobson memorial window today. The Cheltenham College Archivist provided the following correspondence in August 2015;

โ€œA new chapel was consecrated in 1896 and the old building became the College library. The stained glass from the window above the altar was removed and replaced with plain glass to allow more light in. What happened to the original glass remains, Iโ€™m afraid, a mystery. The old chapel is now the College dining hall and retains all its stained glass except for the window you describeโ€ฆโ€ [17]

In January 1858, David Relph Drape, Painter and Glazier of Carlisle, placed an advertisement in the Carlisle Patriot giving notice that he will no longer be liable for any debts that his wife “AMELIA ARMSTRONG DRAPE” incurs. [18] Extracts from Drapeโ€™s diaries penned by his granddaughter Elizabeth Bradshaw in 1970, indicate that “Amelia” was his first wife who had suffered a mental breakdown after the birth of their son. Amelia supposedly never recovered and was eventually admitted to a Lunatic Asylum. Their son was brought up by Ameliaโ€™s parents and on completing his education, is supposed to have taken up a career in the Navy. [19]

By March1858, Drape had received a life changing letter from the Antipodes. His diary extracts record that he received a tempting offer of employment in the Colony of Victoria, Australia, from a businessman named James Ferguson from the plumbing and glazing firm Ferguson & Urie of North Melbourne. This firm was transforming their business to become the first commercial stained glass company in the Colony, and arguably the whole of Australia, and they offered Drape a contract to join the firm as a senior stained-glass artist. Ferguson & Urie promised him, that on his arrival in the colony, there would be a brand new building erected and fitted out for the purpose of stained glass production. This, in conjunction with the knowledge that they would have a local monopoly in the stained glass industry was undoubtedly tempting. His mother Catherine had died[20] the previous year, his wife was in a Lunatic Asylum and his son was in the care of his in-laws. He accepted the offer. [21]

By early April of 1858 Drape had officially dissolved his partnership with John Scott at Carlisle[22] and he departed England aboard the ship โ€œMorning Lightโ€ on the 3rd July 1858.

The ship arrived in Hobsonโ€™s Bay, Victoria, on the 20th of September 1858, and Drapeโ€™s greeting by James Ferguson and James Urie was undoubtedly less promising than he had anticipated. The stained glass workshops had not been built and there was no work for him. The gold rush had caused a massive downturn in building and construction in Melbourne. Every able-bodied tradesman had left the city high on the prospects of making their fortune on the gold fields. Drape is supposed to have torn up his contract with Ferguson & Urie, but, resigned to the fact that the economic circumstances and the gold rush was the root cause of the situation, he decided to set out for the gold fields himself. [23]

Drape remained in the vicinity of the central Victorian town of Maldon for the next four years making a meager living as an Architect, during which time he designed many buildings, including the historical Beehive Mine Chimney, the Holy Trinity Church, and the Maldon Hospital, all of which still exist today.

In 1860 and 1861 he was appointed secretary of the Concord Quartz Mining Association in Maldon.[24] Other minor pursuits included writing poems for the Tarrangower Times, sketching, painting, illuminated testimonials and parchments, and even an occurrence of designing the gravestone of Maldon resident John Bentley in 1864.

By 1860-62, thousands of tradesmen and failed gold miners had flocked back to the city eager to find employment. This meant that Ferguson & Urie could resurrect their plans for the stained glass workshop in Curzon Street, North Melbourne and in 1863 they enticed Drape back to Melbourne where he took position as one of the firmโ€™s senior stained glass artists alongside John Lamb Lyon. Drape’s diary extracts record: โ€œCom. work at Messrs Ferguson & Uries Nov. 8th/63โ€ฆโ€ [25]

By this time Drape had received correspondence from England that his mentally ill wife Amelia had died. This undoubtedly released a huge burden from him and his vision for the future with Ferguson & Urie in North Melbourne became much clearer.

One of the earliest stained glass windows that Drape is likely to have been involved with before starting with Ferguson & Urie in late 1863, was for the Holy Trinity Church at Maldon which he had designed and supervised the construction of in 1861. Coincidentally, when Drape had been living in Maldon from late 1858, a Scottish stained glass artist named John Lamb Lyon was also in the area of Tarrengower and Maldon and itโ€™s highly likely that they may have collaborated together on the design of the window, which Lyon is likely to have executed at the Ferguson & Urie glass workshop in Curzon Street North Melbourne. This window is extant in the west wall above the entrance to Holy Trinity.[26] Lyon had joined the firm in late 1861 and Drape had commenced with the firm on the precise date of 8th November 1863.

On the 27th of August 1864, Drape married Jane Selby, whose family he had known back in Carlisle. Jane had emigrated to Australia earlier to care for her younger brother Joseph who had emigrated for the sake of his health.

David designed his modest cottage to be built in Chapman Street, North Melbourne, within walking distance of the stained glass workshops at Curzon Street. Between 1866 and 1873 they had four sons, Isaac Selby, John Campbell, David Saul, and Horace. [27]

When Lyon departed Ferguson & Urie in 1873 the firm decided that they needed to foster and encourage the young men of Melbourne to attain the skills required for the stained glass business. They established the Hotham School of Art expressly for the purpose and Drape played a part as a teacher in the field of Ornamental shading and Landscape. Drape was also one of the founding members of the Victorian Academy of Arts and an active committee member of the Hotham School of Art from 1873 [28].

During Drape’s nineteen years with the firm, he painted many landscape and portrait scenes in ecclesiastical and secular windows. Many of the scenes depicted in the roundels and other intricate parts of secular stained glass windows have his name almost invisibly hidden within the pictures, such as the hunting scenes in the extant windows of Rupertswood Mansion in Sunbury and the garden with creek scene at Mandeville Hall in Toorak.

The Maldon Museum in Victoria also has a number of paintings and pencil drawings by Drape and the State Library at Melbourne has a folio in their manuscripts collection that contain some of his original pencil sketches and designs for ecclesiastical and secular windows. Of his sketches and fragments of drawings held at the library, a number have now been positively identified and matched to extant stained glass windows in Victoria and New Zealand. There is also a complete design of the window for the chapel of Sacred Heart Girls School in Newtown, Geelong, the James Maitland memorial window at St Matthews Anglican Church in Dunedin, New Zealand, and numerous partial sketches for elements of the โ€œSeasonโ€™sโ€ window located in the stairwell and hallway of Mandeville Hall in Toorak.

David Relph Drape died at his Chapman Street cottage on the 30thย March 1882 [29] and was buried in the Melbourne General Cemetery the following day[30]. His wife Jane died at her son Davidโ€™s residence at Neerim Junction on the 8thย of November 1920, aged 92.

The slide show images below depict a number of Drapeโ€™s original drawings that have been matched to existing stained glass windows known of to date. There are many other sketches that have not been identified and these obviously leave scope for continued research. Other photos show examples of his initials deliberately hidden within some of the secular stained glass windows.

The photo of David Relph Drape was kindly contributed byย Drape’s descendant, Mrs Val Goller (nee Woolstencroft) in 2010. Other images from the State Library of Victoria and personal research data & photos.

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Related posts:

1875: Rupertswood Mansion, Sunbury, Victoria.

19-02-1874: The Hotham (North Melbourne) School of Art.

Footnotes:

[1] Carlisle Patriot, Cumbria, England, Saturday 25th February 1854, page 1.
[2] Carlisle Patriot, Cumbria, England, Saturday 16th May 1857, page 4.
[3] John Saul (1804-1853), Davids’s 1st cousin 1x removed.
[4] John Saul (1804-1853), Headmaster of Greenrow Academy 1842-1853)
[5] Latin: โ€œIn this sign shalt thou conquerโ€.
[6] Carlisle Patriot, Cumbria, England, Saturday 10th November 1855, page 5.
[7] Chronicle, London, England, Monday 21st January 1856, page 3.
[8] Chronicle, London, England, Monday 21st January 1856, page 3.
[9] Carlisle Journal, Cumbria, England, Friday 25th April 1856, page 4.
[10] Carlisle Patriot, Cumbria, England, Friday 26th April 1856, page 5.
[11] Carlisle Patriot, Cumbria, England, Saturday 12th July 1856, page 5.
[12] Carlisle Patriot, Cumbria, England, Saturday 31st January 1857, page 7.
[13] Carlisle Patriot, Cumbria, England, Saturday 20th June 1857, p5.
[14] Carlisle Journal, Cumbria, England, Friday 23rd October 1857, page 5.
[15] Cheltenham Chronicle, Gloucestershire, England, Tuesday 23rd February 1858, p 5.
[16] The Cheltenham College Register, 1841-1889, Bell & Sons, Covent Garden, London 1890, page 15.
[17] Jill Barlow, Cheltenham College Archives, Gloucestershire, England 25 Aug 2015.
[18] Carlisle Patriot, Cumbria, England, Saturday 16th January 1858, page 4.
[19] David Relph Drape, Architect and Glass Stainer; E.M. Bradshaw 1970; Unpublished Manuscript, State Library of Victoria.
[20] Catherine Drape (nee Relph) died 2 Sep 1857, aged 67. She had re-married to Edward Richard in 1828.
[21] David Relph Drape, Architect and Glass Stainer; E.M. Bradshaw 1970; Unpublished Manuscript, State Library of Victoria.
[22] Carlisle Patriot, Cumbria, England, 3rd April 1858, page 4
[23] David Relph Drape, Architect and Glass Stainer; E.M. Bradshaw 1970; Unpublished Manuscript, State Library of Victoria.
[24] The Argus, Melbourne, Vic, Tuesday 9th October 1860, page 8.
[25] David Relph Drape, Architect and Glass Stainer; E.M. Bradshaw 1970; Unpublished Manuscript, State Library of Victoria.
[26] The Holy Trinity window includes the date 1863 on it: โ€œPRESENTED A.D MDCCCLXIII BY W.S.Tโ€
[27] Ferguson & Urie Employees; Family Tree research; Ancestry.com.au, Ray Brown 2015.
[28] The Argus, Melbourne, Vic, Tuesday 2nd May 1882, page 9.
[29] The Australasian Sketcher with Pen and Pencil, Melbourne, Saturday 22 April 1882, page 126.
[30] The Argus, Melbourne, Friday 31stย March 1882, page 8.


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Last edited: 02 Sept 2015 – This is a complete re-write from new research.

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05-03-1882: Presbyterian (Uniting) Church, 603 Toorak Rd. Toorak, Victoria.

Mary Ormond (nee Greeves), the wife of the Hon Francis Ormond, died at โ€œOgnezโ€, Toorak, on the 6th of July 1881 and she was buried at the Geelong Eastern cemetery. In early 1882 Francis commissioned the Ferguson & Urie stained glass company of North Melbourne to create her memorial stained glass window to be erected in the liturgical west wall of the Toorak Presbyterian Church.

The Australasian Sketcher with Pen and Pencil, Melbourne. Saturday 25th March 1882, page 91.

“A VERY handsome memorial window has just been placed in the Toorak Presbyterian Church. The donor is the Hon. Francis Ormond, and it has been erected in memory of his late wife. Occupying as it does the gable of the church, it enhances the appearance of the whole interior. The whole work has been carried out with great taste by Messrs. Ferguson and Urie, of Collins-street.”

Photos taken 1st November 2010.

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The window depicts the following biblical representations and text:

First light:
Pictorial representation: “HE HAD COMPASSION ON HIM” (Luke 10:33)
Quatrefoil with text: “I AM THE LIGHT OF THE WORLD” (John 8:12)
Pictoral representation of Jairu’s daughter being raised from the dead with text: “DAMSEL I SAY UNTO THEE RISE” (Mark 5: 41)

Centre Light:
Depiction of the Good Shepherd with text: “I AM THE GOOD SHEPHERD” (John 10:11)
Quatrefoil with Text: “THE GOOD SHEPHERD GIVETH HIS LIFE FOR THE SHEEP” (John 10:11)

Third Light:
Pictorial representation with text “I WAS SICK & YE VISITED ME” (Matthew 25:36)
Quatrefoil with text: “I AM THE WAY THE TRUTH AND THE LIFE” (John 14:6)
Pictorial representation: “MARY HATH CHOSEN THAT GOOD PART” (Luke 10:42)

The memorial text across the bottom of all three lights reads:
“IN LOVING MEMORY OF | MARY WIFE OF FRANCIS ORMOND | OF BORRINALLOAK DIED 6th JULY 1881”

External Links:

Biography: Francis Ormond (1829-1889) ( Includes some detail about his first wife Mary).

This window was restored by Geoffrey Wallace Stained Glass Studio of Caulfield North in 2000.

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04-03-1882: St Matthew’s Church, New Norfolk, Tasmania.

The Anglican Church of St Matthew is in Bathurst Street New Norfolk, opposite Arthur Square. It was built in 1823 and is the oldest church in Tasmania. The church was consecrated in 1828 by Archdeacon Scott from Sydney and has been altered a number of times since. In 1833 extensive additions transformed it significantly. The tower was added in 1870 (no longer exists) and in 1894,the chancel was added and the windows, roof and transepts also altered. All that remains of the original church are the walls, floor of the nave, and part of the western transept.

The church contains many historical stained glass windows, among which are the ‘Moore’ and ‘Sharland’ stained glass windows crafted by Ferguson & Urie of North Melbourne.

Photos taken 7th October 2010:

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The Mercury Hobart, Tasmania, Saturday 4th March 1882, page 3.

“โ€ฆ The church is without pretentions to good looks – it is neither imposing nor elegant. Yet with all its plainness it is a building endeared to many by sacred associations; and also contains features of interest to the visitor. Over the communion table is a stained glass window, representing our lord’s interview with the two disciples at Emmaus, and erected by Mr. W. S. Sharland, in memory of his first wife. Another stained glass window, placed at the back of the font, and representing the baptism of Christ in the River Jordan, was presented by the late Dr. Moore and his son, to commemorate their escape from shipwreck on the occasion of the loss of the s.s. City of Launceston in Hobson’s Bayโ€ฆ”

The Dr. Moore window:

On the evening of 20th November 1865 the ‘SS City of Launceston’ departed Launceston and within two hours of departure it had collided with the SS Penola from Adelaide in Hobsonโ€™s Bay. All passengers and crew were rescued by the severely damaged Penola before the Launceston sank.

โ€œ…One cabin passenger, Dr. Moore, got his portmanteau, containing ยฃ100 in money, into the boat, but it fell overboard [1] …โ€

It was thought that the SS City of Launceston could be raised and tenders were called for the work however this never eventuated. Although there were many newspaper reports in 1865 that appeared to describe the exact location of where the ship sank, the Maritime Archaeologists Association of Victoria only found the intact wreck in 1980.

Dr. John Anthony Moore died on the 6th of July 1878 at New Norfolk aged 62[2].

The text on the Moore memorial window reads:

“S. Mark 1:9” “ERECTED BY J. A. MOORE, SENr & JUNr, TO COMMEMORATE A DELIVERANCE FROM SHIPWRECK, NOVr 19th, 1865”.

The window depicts St. John the Baptist, Babtising Christ in the river Jordan.

The Sharland window:

The text on the Sharland memorial window reads:

“TO THE GLORY OF GOD  AND IN MEMORY OF FRANCES SARAH WIFE OF WILLIAM STANLEY SHARLAND WHO DIED ON THE VIIIth DAY OF MARCH IN THE YEAR OF OUR LORD MDCCLIX” (8th March 1859).

Although the biblical scene the window represents is not written anywhere on the window, Janice Ball, from New Zealand, has identified it (07 Apr 2012) as “Emmaus” (Luke 25: 13-37) where Christ is seen breaking bread with two disciples who were walking from Jerusalem to Emmaus .

Wikipedia – “The two disciples have heard the tomb of Jesus was found empty earlier that day. They are discussing the events of the past few days when a stranger asks them what they are discussing. “Their eyes were kept from recognizing him.” He soon rebukes them for their unbelief and gives them a Bible study on prophecies about the Messiah. On reaching Emmaus, they ask the stranger to join them for the evening meal. When he breaks the bread “their eyes were opened” and they recognize him as the resurrected Jesus. Jesus immediately vanishes”.

The top third of the window has the symbol letters “IHS”. The centre depicts three men with Christ in the middle with a disciple on either side and Christ is breaking bread. The lower has a rather unusual depiction of the Hexagram or Star of David.

Related posts: 07-08-1867 > 13-08-1867

External Links:

Web Site: Diving the City of Launceston Shipwreck

Obit: Dr Moore (no mention of his past shipwreck though!)

Bio: William Stanley Sharland (1803-1877)

Obit: William Stanley Sharland (1801-1877)

Footnotes:

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30-12-1893: St Georges Church Queenscliff, Victoria, Australia.

Charles Cheney Simpson (1835-1892) was born in Derbyshire in 1835, the son of Edward Lloyd Simpson and Maria Cade.

He arrived in Melbourne on the Angelsey in December 1856 at the age of 20. He came to Queenscliff in 1859 and in 1861 married Rebecca Jane Vary (1844-1929) at St Paul’s church in Geelong.

He established himself in Queenscliff as a Chemist opposite the current Queenscliff museum in 1862 and was an avid diarist, photographer, Mason, and treasurer of St George’s Anglican Church. He was elected Mayor of Queenscliff for the period 1882-83.

He died at Queenscliff on the 23rd of December 1892 aged 57 and was buried in the Queenscliff cemetery. In late 1893 a stained glass window to his memory was created by Ferguson & Urie Company of North Melbourne and unveiled in the St George the Martyr church in Queenscliff on Sunday 24th December 1893. Their only child Charles Edward died in September 1879 at the age of 17. His wife Rebecca died in July 1929 aged 85.

Photos were taken 25 September 2010.

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Queenscliff Sentinel, Drysdale, Portarlington & Sorrento Advertiser, Saturday 30th December 1893, page 1.

“The window representing St. John the Baptist made by Ferguson and Urie appeared in St. George’s Church on Sunday last and was much admired. Many of Mr C C Simpson’s old friends, and some of the Masonic brethren,

(un-readable line here)

preached by the Rev J H Gregory, which alluded to Mr Simpson in the following terms – “The effigy which represents the Herald of Christ appears for the first time in the window of this church today. It is put up in memory of an esteemed member of this community and of this congregation, Charles Simpson, whom I knew well. I may be permitted to say that our excellent friend resembled the Baptist in one particular, in constantly speaking the truth, and, without which speaking the truth is valueless, in doing the truth. He was for many years manager and treasurer of church affairs. In this capacity he displayed untiring industry, and he also manifested an extreme conscientiousness which would not suffer him to let the church promises and engagements remain for a single day unfulfilled. Requiescat in peace.”

ย Queenscliff Sentinel, Drysdale, Portarlington & Sorrento Advertiser, Victoria, Saturday 24th December 1892, page 1.

ย โ€œDeath of Mr Charles C. Simpson.

ย It is with deep regret we record the death of Mr. C. C. Simpson. Although he had been ailing for some time, a fatal termination to his illness was not feared, as he had purchased tickets for trip to New Zealand. But within the past few days serious symptoms set in, and yesterday afternoon he closed a life of usefulness in connection with local affairs which will scarcely be replaced. Born in 1835, Mr Simpson was a native of Derby in England. In 1859 he came to Queenscliff, and started in business as a druggist. His ability was soon appreciated, for shortly after his arrival here he was elected a councillor of the borough, which position he held for 20 years. During that time he was made mayor, and interested himself strenuously in the improvement of the Public Reserves. Appointed Justice of the Peace, he unremittingly fulfilled his duty with care and marked intelligence. But Mr. Simpson, whose death we deplore, was an all round man. Whether as a councillor or in any other capacity, Queenscliff was his home and heart. He lived in and for Queenscliff. Whatever he undertook seemed to prosper in his hands – Library, Church, Bowling Green, and anything else, all were successful, if he gave it his attention. Whether on the magisterial bench or at local meetings, in his own business or anything which had for its end the advancement of the town, his energy was never failing. We must make special mention of the unceasing interest he took in the Public Library. In this respect we scarcely know where to look for his successor. But all the public institutions of the borough will miss his intelligent mind and marked business capacity, especially in the matters of finance. In the death of Mr. Charles C. Simpson, Queenscliff has lost an able man, and we trust that his worth may not be wanting in the younger generationโ€.

The Sentinel, Queenscliff, Saturday, December 31, 1892, page 1.

โ€œThe funeral of Mr C. C. Simpson took place on Sunday and was largely attended. A Masonic service was held in the Lodge room, and then the brethren adjourned to St. George’s, where the coffin was laid in the chancel. Here and at the grave the Rev. H. J. Wilkinson conducted the services. As the procession left the church the sight was a very impressive one, the Masons heading the cortege. A large number of Freemasons belonging to Geelong Lodges were present. The funeral procession was one of the largest ever seen on Queenscliffโ€.

Related posts:
22-02-1864 >ย 29-01-1866 >ย 13-08-1867 >ย 12-02-1881 >ย 07-04-1882 >18-10-1884


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1881: St. Saviourโ€™s Church, Templeton, New Zealand.

St Saviourโ€™s was built by a Mr Dethier of Christchurch to the designs of Speechly and Crisp on land donated by E. M. Templar for just over โ‚ค400.

In 1867 the New Zealand press wrote the following of the windows:

โ€œโ€ฆIt is well lighted, the east window being a rose over five lancets, and a large circular window at the west endโ€ฆโ€[1]

St Saviourโ€™s opening service occurred on Sunday the 3rd of November 1867[2] and it consecrated on Thursday 17th December 1868[3] by the Bishop of the Diocese.

A page from St Saviourโ€™s history book includes the following entry:

โ€œ1881: Stained glass for east window arrives from Melbourne.โ€[4]

This entry gives the impression that the windows that were in place in 1867 may have only been plain or cathedral glass and the stained glass that exists today were erected circa 1881.

In 1998 the New Zealand Stained Historian, Fiona Ciaran, attributes these windows to Ferguson & Urie in her book Stained Glass Windows of Canterbury, New Zealand [5].

Photos taken 03/10/2010, courtesy of Errol Vincent, New Zealand.

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[1] Press, Volume XII, Issue 1560, 6 November 1867, Page 2

[4] St Saviourโ€™s Church, Templeton, New Zealand, church history book page 31.

[5] Stained Glass Windows of Canterbury, New Zealand. Fiona Ciaran, University of Otago Press, 1998. page 175.

Acknowledgements:

Special thanks to Errol & Ann Vincent for their enthusiasm for this family history and for undertaking the 1500 round trip to Templeton for the photos. Errol is a 2xGreat Grandson of James Ferguson of the Ferguson & Urie stained glass company.


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07-05-1880: St. George’s Presbyterian Church, St. Kilda East, Victoria.

St Georgeโ€™s Presbyterian East St Kilda opened for divine service on Sunday 3rd October. This was the second opening of the church after extensions. It includes the burning bush window in the north transept. All other windows were also made by Ferguson & Urie.

The Argus, Melbourne, Friday 7th May 1880, page 5.

“The foundation-stone of the enlargement of St. George’s Presbyterian Church, St Kilda East, will be laid at 4 o’clock this afternoon by Sir James McCulloch, in presence of the moderator and other leading clergy of the General Assembly. This church is little more than three years old. Since the arrival from England of its first clergyman, the Rev. J.L. Rentoul, M.A., in June of last year, the building has become overcrowded, and it is now to be enlarged to twice its present size. The nave is to be extended, and chancel and transepts added. The organ chamber will be at the end of the south transept. The chancel will have a beautiful stained-glass memorial window, the gift of lady McCulloch.”

The Australasian Sketcher with Pen and Pencil, Melbourne, Saturday 23 October 1880, page 278.

โ€œโ€ฆ All the windows are filled with stained glass by Ferguson & Urie, the principal windows being gifts from friends of the churchโ€ฆโ€
โ€œโ€ฆThis church was commenced in 1877, the memorial stone being laid by Sir James McCulloch on 21st April in that yearโ€ฆโ€

A considerable number of the original Ferguson & Urie windows still exist in St George’s and these are all included in the slideshow.

Photos taken: 6th March 2011.

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An interesting coincidental note:

The son of the Rev John Laurence Rentoul, John Noel Rentoul, married James Fergusonโ€™s granddaughter, Elsie May Auld, in 1911. Elsie was my Great Grandmothers sister.

RENTOUL Elsie May Auld - John Noel Rentoul 01a

RENTOUL:ย  Elsie May Auld &ย  John Noel Rentoul, married Melbourne 1911

External links:

Biography: Sir James McCulloch (1819-1893)

Biography: Rev John Laurence Rentoul (1846-1926)


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26-04-1879: St Paul’s Presbyterian Church, Creek Street, Brisbane, Queensland.

In April 1879ย  Ferguson & Urie stained glass was represented in the Creek Street Presbyterian Church in Brisbane and was the gift of the Premier of Queensland, Sir Thomas McIllwraith (1835-1900).

In 1885 the Creek Street Presbyterian congregation were persuaded to sell their land to the Queensland National Bank for the sum of โ‚ค18,750. As a result, the congregation acquired the Spring Hill property, which had been the site of the first Childrenโ€™s Hospital. Much of the stonework from the demolished Creek Street Church was used in the new building as well as iron railings and gates, and the stained glass windows.

The foundation stone of the new church was laid at Spring Hill on the 8th of October 1887 and was dedicated in May 1889. The church is now known as St Paulโ€™s, Spring Hill and still contains the original historic Ferguson & Urie windows which are now installed in pairs high up on the right and left above the chancel. The windows are arranged in pairs with the old testament characters ‘Isaiah’ & ‘Jeremiah’ on the left and ‘Ezekiel’ & ‘Daniel’ on the right.

Photos taken 01/03/2011.

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The Brisbane Courier, Queensland, Saturday 26th April 1879, page 5.

ย “A HANDSOM donation in the shape of four stained glass windows, has recently been made by a member of he congregation of the Creek-street Presbyterian Church. The windows which have been placed in the southern end of the building over the pulpit contain representations of the four Major Prophets โ€“ Isaiah, Jeremiah, Ezekiel, and Daniel โ€“ the distinctive characteristics of each being beautifully illustrated, while the colors in each instance are so arranged as to have a very pleasing effect. The space in each window surrounding the design itself is filled in with an elegant geometric pattern, the whole being edged with a chaste bordering. In size the windows are each 12ft by 2ft, and are certainly on the whole the finest specimens of this branch of he art as yet to be seen in this city. The manufacturers are Messrs. Ferguson and Urie, of Melbourne, and their style in which they have turned out their work will compare favourably with that shown by the best English makersโ€.

Western Star and Roma Advertiser, Toowoomba, QLD, Monday 21st April 1879, page 2.

“Brisbane. [from our own correspondent] April 20.
VALUABLE PRESENTATION BY THE PREMIER
The hon T. McIllwraith, Premier and Colonial Treasurer, has just presented a stained glass window to the Creek-street Presbyterian Church.”

External links:

Biography: Sir Thomas McIllwraith (1835-1900)


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03-09-1879: Presbyterian Union Memorial Church, Curzon Street, North Melbourne.

The North Melbourne Presbyterian Church was initially founded in 1854 and the congregation used a temporary iron building until a new bluestone church was erected, the foundation of which was laid by Sir Henry Barkly on Friday the 8th of April 1859[1].

In less than twenty years the church was deemed too small for the growing congregation and plans were afoot to build a new one. The local Brunswick architect Evander McIver was selected as the preferred designer and it was officially opened on Sunday 31st August 1879[2]

Diagonally opposite the church was the Ferguson & Urie stained glass workshops, and it was this firm that the architect Evander McIver chose to create the entire cycle of stained glass windows for the church. As at 2012 the original stained glass workshops building still exists as number 42 Curzon Street but only the facade of the workshop is recogniseable.

Above the Apse of the Union Memorial church is a stained glass wheel window with an outer border of red and blue with a flower separating the alternating colours . The central roundel depicts the motto of the church of Scotland, the “Burning Bush” with the text “nec tamen consumebatur” (‘Yet it was not consumed’). The outer eight lobes surrounding the Burning Bush depict the four reformers and founders of the Presbyterian Church, Martin Luther, John Calvin, John Knox and Alexander Henderson. Each is separated by a roundel with the a geometric trefoil design in the centre. Flanking the wheel window are two single light lancet shaped windows depicting on the leftย  “The Good Shepperd” and on the right, “Suffer Little Children”.

The Church is closed for renovation as at 2012 and the windows are in storage. The Elm street Hall, located at the rear of the church, is the original church and was removed and re-erected a short distance to the rear to make way for the new 1879 church.

Chancel window Photographs by Adam Cawood (2004) with permission from the Congregation of Mark the Evangelist. Taken for the Sesquicentenary in 2004.

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As early as 1871 the old Presbyterian Church was the target of vandals and the article below provides an account of the damage to its stained glass windows. Whether the windows in this original church were made by Ferguson & Urie is not known but the Ferguson & Urie stained glass workshop was only across the street facing the church from circa 1860.

The Queenslander, Brisbane, QLD, Saturday 16th September 1871, page 9.

“THE MELBOURNE Age, in a recent issue, reports the following monstrous outrage:โ€””Last evening, whilst Divine service was being conducted in the Presbyterian Union Church, Hotham, a stone was launched with considerable violence through one of the large stained glass windows in the midst of the congregation. The Rev. A. D. Kinninmont, who was at the time delivering his discourse, remarked that during his thirty years’ experience as a minister of the gospel he never before witnessed an act like this in a civilised community. The church officer and one of the managers immediately made their exit, where they beheld about a dozen half grown men, who scampered away in every direction.”

In 1879 the new Church has been erected and, as expected, the Ferguson & Urie company provided all the glazing for the church.

The Argus, Melbourne, Wednesday 3rd September 1879, page 3.

โ€œNEW PRESBYTERIAN CHURCH, HOTHAM.โ€

โ€œThe new Union Presbyterian Church at Hotham, which was opened for public worship for the first time on Sunday last, forms a prominent and handsome feature in architecture of the townโ€ฆโ€.

ย “โ€ฆ The church is well lighted from sides and front, with large windows filled with cathedral glass and stained margins, while there are three very handsome memorial windows at the rear end of the church, which are perhaps the most striking features of the edifice. The centre one is a large circular window, alternately filled with floras, and containing the medallions of the reformers, Martin Luther, John Knox, John Calvin, and Alexander Henderson. Another of the stained glass windows has representation of “Christ blessing little children,” with the companion text, “He carrieth His lambs in His arms, and folds them in His bosom โ€ฆ”.

ย “…Messrs. Ferguson and Urie executed all the glazingโ€ฆ”

The Argus, Melbourne, Wednesday 15th January 1879, page 6

“UNION MEMORIAL CHURCH, NORTH MELBOURNE.

The congregation attending the Presbyterian Church in Curzon street, Hotham, the foundation stone of which was laid by Sir Henry Barkly in April, 1859 having for some time past felt the need of a larger and more commodious building, determined upon raising the necessary funds for the erection of a new church. Their efforts happily proved successful, and the memorial stone of the new church was laid yesterday afternoon by Mr. James MacBain, M.L.A, in the presence of a large number of spectators. The proceedings were commenced by the suiting of five verses of a metrical version of the 102nd Psalm. The Rev John Clark of Williamstown, then read a chapter from the Book of Kings, descriptive of the manner in which the Temple of Solomon was built. Prayer was offered by the Rev John Cooper of Coburg, and a hymn was sung, after which Dr Gilchrist presented Mr MacBain with an elegantly chased silver trowel, bearing the usual inscription, and a mallet similarly inscribed, and formally requested him to lay the stone. The stone having been declared to be well and truly laid, Mr. MacBain delivered an address congratulating the congregation on the courage they bad displayed in undertaking to build such a large church, which would, when erected, be at the same time an ornament to the town of Hotham, and a credit to the denomination. He was entitled to say that the Presbyterian Church of Victoria had always been a missionary church, and he hoped and believed that the pastor of the church the, the Rev. Dr. Gilchrist, would always be inspired by a missionary spirit. The Presbyterian Church had further claims on public support inasmuch as it had always been identified with educational progress, and had taken a foremost place in the struggle for civil and religious freedom. In the building of this church there would be some difficulties to be met with but he could not doubt that they would be overcome when he saw the crowd that had assembled to witness this ceremony and remembered what had been done towards establishing a college for theological students affiliated to the University. At the conclusion of his address another hymn was sung and a collection vas made in aid of the building fund.
The new church will occupy the same site as the old one which has been pulled down, viz., at the corner of Curzon and Elm streets with frontage to both. ย The Early English style of architecture, has been adopted and when finished it will present an elegant and imposing appearance. The principal front of the building is towards Curzon street with a tower and spire at the angle 150ft high. The gable is in height 63ft,, having for its principal feature a large four light traceried window filled with cathedral glass and stained margins, with the main entrance door underneath and a lancet on each side of the door for lighting the main vestibule or corridor. In addition to the main entrance two separate exit doors are to be provided for the galleries, one in the tower, which contains a staircase at the end of the corridor, and the other in a porch, which also contains a staircase at the other end of the corridor. Two exit doors are also provided at the rear of the building, The interior of the church is divided widthways in three parts by columns of iron, which run up to carry the roof, and also support the side and end galleries. The roof over the side galleries and also centre roof are to be boarded and panelled, with deal, varnished. The front of the galleries, choir, stair and platform are to be of light ironwork on a deal base. The church will be 70ft long in the clear by 49ft. wide (exclusive of the area of gallery allotted for the choir and which is placed on the plan immediately behind the platform with, with a stair leading to one of the exit doors at the rear of the church), well lighted with windows in both sides and front filled with cathedral glass and stained margins and at the rear with a large circular window, filled with stained glass. A vestry is also provided contiguous to the platform. The height of the ceiling in the centre is 42ft., and to the side compartments 30ft. The sittings in area will accommodate 560, and in the galleries 350, making a total of 910. The materials for construction are of the best Brunswick bricks faced with the best black and white dressings on a concrete and bluestone foundations. Mr. J. Thurgood, of Hotham is the contractor for the building at the sum of ยฃ5,819, and Mr. Evander McIver of Brunswick is the architect. The new church will bear the same name as the old one, viz., the Union Memorial Church, which was built to commemorate the union of the different branches of the Presbyterian Church in the colony. The materials of the old buildings are being utilised in the erection of a commodious schoolhouse at the rear of the church. In the evening a tea meeting was held in the Hotham town hall which was largely attended. General satisfaction was expressed at the excellent manner in which purveying arrangements were carried out by Mr. Thurgood of Swanston-street. The tables being cleared, a public meeting was held at winch the Rev Dr Gilchrist presided and delivered an address Addresses were also delivered by Mr. James MacBain, Mr. Laurens, Mr. Cook, Rev. Duncan Fraser, Mr. Hutchison (mayor of Hotham), and the Rev. J. M. Abernethy. Some choice selections of music were rendered by the church choir”.

The Argus, Melbourne, Vic, Monday 27th September 1954, page 13.

โ€œThis was born in a hotelโ€
By Jim Usher

NORTH MELBOURNE Presbyterian Union Memorial Church, 100 years old yesterday, was born in an hotel. It followed a meeting of 29 Scotsmen in the old Ayrshire Hotel in Chetwynd st. Two publicans, seven stonemasons and a waiter were among the founders. And yesterday more than 700 people attended the 11 a.m. centenary service. There were few seats left in the huge stately church. Worshippers heard Sir Dallas Brooks, Governor, and Mr. Shepherd, Education Minister, read the lessons. The Right Rev. F. W. Rolland, Moderator General of the Presbyterian Church of Australia, said in his sermon that people should never forget the church was a vital part of their daily life. The present church, built in 1879 in a gothic style, has a spire 135 ft. high. An upstair balcony inside the church โ€“ and unusual feature of the building โ€“ held more than a quarter of yesterdayโ€™s congregation. The original church โ€“ a sturdy brick building โ€“ still stands and is used as a Sunday school. The present church is a memorial to the uniting of the Presbyterian Church in Victoria. It was the first act of โ€œThe United Presbyterian Church of Victoria,โ€ which was formed from three sections of the Church โ€“ The Church of Scotland, The Free Church and the united Presbyterian Church.โ€

Related posts:

03-03-1888: St Andrew’s, Brunswick, (F&U window to the memory of Evander McIvor’s wife, Mary)

Foot Notes:

[1] The Argus, Melbourne, Vic, Saturday 9th April 1859, page 5.

[2] The Argus, Melbourne, Wednesday 3rd September 1879, page 3.


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26-07-1878: Reward for Lost Deeds and Plan.

The Argus, Melbourne, Friday 26th July 1878, page 1.

โ€œTEN SHILLINGS REWARD โ€“ LOST, DEEDS and Plan, Elizabeth and Victoria streets. Apply Ferguson and Urie, 10 Collins-street eastโ€.

I have no idea what relevance this is or whether it was actually anything to do with Ferguson & Urie or an employee who may have lost the “deeds”. The address โ€œ10 Collins-street eastโ€ is six years before the Ferguson & Urie seven storey building was erected on the site in 1884.

Related posts:

22-08-1884:ย The Ferguson & Urie New Premises at 281-283 Collins Street.

13-12-1877: McNeillโ€™s Art-Union.

The Argus, Melbourne, Thursday 13the December 1877, page 8.

An advertisement appeared in the Argus for “McNeillโ€™s Art-Union”. Signatures of the Committee of Drawing include a โ€œMr. J. Rossโ€ from โ€œFerguson & Urieโ€.

I donโ€™t have any recorded information about an employee named J. Ross who may have worked for the company. His photo doesnโ€™t appear anywhere in the 1887 employee dinner poster so the assumption is that he has left the company sometime between 1877-1887.

18-11-1876: St. Stephenโ€™s Anglican Church, Richmond, Melbourne, Victoria.


The foundation stone of St Stephenโ€™s Church was laid in June 1850 and the incomplete church opened in November 1851. In 1863 the north aisle, designed by Nathaniel Billing, was erected and the west wall rebuilt. The south aisle and chancel were erected in 1876 and the choir vestry in 1923.

The Argus, Melbourne, Saturday 18th November 1876, page 7.

โ€œThe Church of England in Richmond celebrated its 25th anniversary on Wednesday evening by a festive gathering in the local hall [โ€ฆ]โ€.

ย โ€œโ€ฆ.The following list of special gifts was also read:- Chancel and stone work of east window at two friendsโ€™ joint cost; chancel window, Mr. George Coppin, M.L.Aโ€ฆโ€

ย โ€œโ€ฆ The Rev. C. T. Perks, the incumbent, in his address, said that an old friend had, unsolicited, offered to give a handsome memorial window to commemorate the 25th anniversary. The work was entrusted to Messrs. Fergusson (sic) and Urie.โ€ฆโ€

There are four instances of Ferguson & Urie windows in St Stephens church:

1. The west 25th Anniversary window (1851-1876) is a three light window with the outer lancets having geometric designs with the year 1851 in the left window and 1876 in the right. The centre light depicts the Ascension in the top half with the words “HE ASCENDED INTO HEAVEN” below it and the letters “IHS” in the lower half.ย  The text at the bottom of the windows reads:ย  ”GIFT OF JOHN AND MARY J PATERSON LONDON, MARRIED JULY 26th 1859″.

The Argus, Melbourne, Vic, Thursday 28th July 1859, page 4.

“On the 26th inst., at St. Stephen’s, Richmond, by the Rev. C. Perks, John Paterson, Esq., merchant, Melbourne, to Mary Jane, eldest daughter of the late William Mungo Glaister. Esq., London.”

2. The east five light window in the chancelย  was donated by entertainer and politician George Selth Coppin. It depicts a full length figure of St. Stephen, the patron saint of the church, in the centre light. The outer lights, of geometric designs, have in each a medallion of the four evangelists, St Matthew as the winged man, St Mark as a winged Lion, St Luke as the winged Bull and St John as an Eagle. Above the five lights is a roundel depicting the Agnes Dei or Paschal lamb carrying the flag of St George and is surrounded by six round lobes of flora with the heavenly Dove in the top lobe.

3. On the South side of the church there is also a quatrefoil window that depicts the holy dove within a Hexagram, or Star of David, and surrounded by floral designs.

4. On the North side there is a quatrefoil that depicts the gold crown in the centre of floral designs.

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Related posts:

12-07-1862: The Shakespeare window at the Haymarket Theatre, Melbourne (also commissioned by Coppin).

External links:

Biography: George Selth Coppin (1819-1906)

Obituary : Coppin, George Selth (1819โ€“1906) (I submitted this transcription to Obituaries Australia on 13-03-2012).


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22-05-1874: Holy Trinity Catholic Church, Westbury, Tasmania

The Mercury, Hobart, Tasmania, Friday 22nd May 1874, page 2.

โ€œOPENING CEREMONIES AT THE CHURCH OF HOLY TRINITY, WESTBURYโ€

โ€œThe Nave is lighted by a magnificent Oriel window in the centre which is a representation of the Divine Lord, surrounded by a representation of the Pelican in the wilderness, the cross and Heart, the cross with the hammer and nails, the cross with the circle of thorns, with I.N.R.I; a representation of the undivided garment of Christ, the lamp of faith, and the lamb. This window was executed by Messrs Ferguson & Urie. It was the gift of Daniel Burke Esq the Warden of Westbury [โ€ฆ]โ€.

โ€œ[โ€ฆ] Two stained glass windows with two lights being St Patrick and St Bridget and the other, The Annunciation – a gift from Mrs William Smith of Westbury and the Rev W.J Dunn vicar general. These windows were executed by Ferguson & Urie.[โ€ฆ]โ€

Photos taken 11th October 2010.

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See post 21-05-1874 for additional article about the Westbury windows.

Related posts:

21-05-1874 > 22-05-1874


21-05-1874: Holy Trinity Catholic Church, Westbury, Tasmania.

Launceston Examiner, Tasmania, Thursday 21st May 1874, page 3.

ย โ€œCHURCH OF THE HOLY TRINITY, WESTBURYโ€.

ย โ€œOPENING CEREMONIES. WEDNESDAY, MAY 20โ€.

ย โ€œโ€ฆThe east end window is the gift of Mr John barber and family; it represents the nativity, the Crucifixion, and the Resurrection, with artistically enriched borders; the colors are exquisitely beautiful. This presentation window came from the establishment of Messrs Couttes and Sons, London, and is an admirable work of art. Another window is of stained glass in two lights each, one representing St. Patrick and St. Bridget, the patron saints of Ireland, the gift of Mr William Smith; and the other “The Annunciation,” the gift of the Very Rev. Vicar-General Dunne. A third window, also of stained glass, is the gift of Mr Dignam, formerly of Westbury, and represents “father, Son, and Holy Ghost,” the church being dedicated to the Holy Trinity. There are also presentation windows by Mr D. Burke, Churchwarden of the church and Warden of the Municipality of Westbury, emblematic of the Crucifixion; and another from funds collected by Mrs Steward, representing Faith, Hope, and Charity. All the stained glass windows, with the exception of the barber presentation at the east end, are the artistic work of Messrs Ure [sic] and Ferguson, Melbourne, and are well worth inspection and study. All the lead lights were made by Howard Bros., Launcestonโ€ฆโ€

Photos taken 11th October 2010.

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There are a significant number of errors in the article about the windows. According to the actual text on some windows, the Ferguson & Urie windows were donated by the following:

1. Nave – โ€œSt Patrickโ€ and โ€œSt Bridgetโ€ โ€“ โ€œThe gift of Mrs Thomas Fieldโ€.

2. Nave – The Annunciation โ€“โ€œAve Mariaโ€ and โ€œGratia Plenaโ€ – (Hail Mary Full of Grace), โ€œThe gift of Mrs William Smithโ€ and โ€œThe gift of the Very Rev Dr Dunne V. Gโ€

3. Transept โ€“ The only text on the window reads โ€“ โ€œSancta Trinitas Unus Deusโ€ – (The Trinity – The Father, Son & the Holy Ghost) – written in the article as the gift of Mr Dignam.

4. Transept โ€“ The only text on the window readsย โ€œFides Spes Caritasโ€ย (Faith, Hope & Charity) and written in the article as from funds collected by Mrs Steward.

The window not mentioned in the article is the oriel shaped west window. It was specifically mentioned in an article published the following day but has been included it in this slideshow to complete the full cycle of the Ferguson & Urie windows at Holy Trinity Westbury.

See related posts: 22-05-1874

The east window described as being made by “Couttes and Sons, London” can be see on my alternate site: http://stainedglassaustralia.wordpress.com

1874: The German Lutheran Church, Parliament Place, Melbourne, Victoria.

The German Lutheran Church was built in Parliament Place in 1874 and all the glazing was executed by Ferguson & Urie. The three windows in the apse are the centre piece of the church. All the windows in the Clerestory, and a number of windows in the nave with the red, blue and yellow borders are original Ferguson & Urie glass.

Photos taken 26 September 2010.

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The German Lutheran Church, Parliament place Melbourne.

The first German Lutheran church was built on the current site in 1854 by William Hellings to the designs of Bellairs, Kรผrsteiner & Co and was replaced in 1874 by the existing Gothic style bluestone church designed by Charles Blachmann and built by Henry Goedeke. All the original stained glass windows in the church were supplied by local stained glass company Ferguson & Urie in 1874 including the simple nave windows with plain glass diamond quarries and red and blue borders (I refer to these as their โ€˜stockโ€™ windows). Some of these โ€˜stockโ€™ windows were later replaced by memorial windows made by other stained glass artists. The three apse windows are all the same size with the centre one containing a different design which includes the Hexagram symbol, which is frequently seen as a symbol of the Freemasons (AKA โ€˜Seal of Solomonโ€™ orโ€™ Shield of Davidโ€™), and the depiction of the Lamb of god with the victory flag and text below โ€œEcce Agnus Deiโ€ which refers to John 1:29, โ€œBehold the lamb of god, which taketh away the sin of the worldโ€. The outer two apse windows are of identical design with an eight petal flower inside an eight pointed star which were medieval symbols of resurrection and eternal life. According to the church archives, the centre apse window was invoiced from Ferguson & Urie at ยฃ96, 12s on the 16th September 1874. At the top of the western three light window above the main entrance is a sexfoil rose design with red Yโ€shaped decorations being symbols of the Trinity. The centre glass window below it was replaced in 1932 with stained glass designed by East Melbourne artist Ola Cohn.

Illustrated Sydney News, NSW, Saturday 16th January 1875, page 3.

“NEW LUTHERAN CHURCH, MELBOURNE.

In February, 1849, the first ship with German immigrants ย  arrived in Port Phillip; others soon followed, and formed a “Lutheran congregation, holding their services in a building in Collins-street, then the Rev. Mr. Morrison’s church, and now used as a State school. The services were conducted by laymen, a sermon being read by one of them. Mr. Matthias Goethe, one of the professors at Dr. Lang’s college in Sydney, accepted the charge, and, on Good Friday, 1853, was inducted pastor of the Lutheran congregation in Melbourne. Money was then collected, and the erection of a ย  Lutheran church commenced on the Eastern-hill, on ground granted for that purpose. The cost was ยฃ6000, and it was opened in 1854. In 1867 the Rev. Mr. Goethe left for California, and the Rev. Herman Herlitz, from German town, near Geelong, succeeded him as pastor; and the old church being too small, it was resolved to erect a larger and more handsome building. In August, 1872, the plans of Mr. C. H. E. Blachmann were accepted, and the foundation stone of the new building was laid on the 17th of March last. The church when finished will seat about 330 persons, and will cost nearly ยฃ4000; the building is of bluestone, with cement dressing. The length, including chancel, is 85 feet; breadth of nave, 23 feet; with aisles each side 7 feet ย  wide. The height inside to apex of ceiling is 36 feet. The windows to aisles and nave are filled with cathedral glass, having ornamented stained glass borders; but the apse windows are of a more costly description, all made by Messrs. Fergusson [sic] and Urie. The caps of columns carrying nave walls are beautifully foliated. All the fittings including a very handsome pulpit and reading desk, are of polished cedar and blackwood. A handsome organ presented by the Misses Moeglin, at a cost of about ยฃ400, will be put up in the gallery. The opening will take place next month”.

โ™ฆ Other References: ‘A German Church in the Garden of God’ – Melbourne’s Trinity Lutheran Church 1853-2003. Herbert D Mees General Editor.


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21-11-1873: St. Peterโ€™s Anglican Church, Robe, South Australia.

South Australia Register, Adelaide, Friday 21st November 1873, page 6.

“ROBE, November 18. A movement is on foot in this district for placing a window in St. Peter’s Church in memory of the late George Ormerod. About ยฃ100 will be required for the purpose.”

This stained glass window was eventually created. The two light window dedicated to the memory of George Ormerod was created by the Ferguson & Urie stained glass company of Melbourne circa 1874 and depicts the Nativity, Baptism, Resurrection and Ascension.

The Robe church history book supposedly has reference to this window being made by โ€œFerguson Will and Nyonโ€ which is incorrect from two facets. It obviously should read โ€œFerguson, Urie and Lyonโ€ but this would also be technically incorrect as the partner in the firm, John Lamb Lyon, officially dissolved his interest in the business with James Ferguson & James Urie on the 29th August 1873 and left for Sydney shortly afterwards. The date of the article above, 21 Nov 1873, is nearly three months after Lyon left the business so the window that was eventually made for Ormerod would have technically been โ€œFerguson & Urieโ€ and the artist being David Relph Drape.

The former business partner John Lamb Lyon went to Sydney to take up partnership with Daniel Cottier to become Sydneyโ€™s premier stained glass studio โ€œLyon & Cottierโ€.

Photos kindly contributed by Liz Harfull 19/02/2012.

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The Overland Telegraph, South Australia, 20th April 1872, page 5.

“THE LATE MR. ORMEROD.- Our Guichen Bay correspondent writes:- “As announced previously by telegram, Mr. George Ormerod, of Ormerod & Co., died at his Robe residence on the 10th inst. The death of one so long and intimately connected with this district could not but cause the most painful sensation. For some years past Mr. Ormerod has suffered from general debility and mental malady, the result of an overwrought brain. Frequent rallies had given hope that he might yet live many years; but during the last fortnight alarming symptoms showed themselves. Many far and near have watched anxiously the fluctuations of this last attack, still hoping his great vitality would carry him through; but he expired on the evening of the 10th. Mr Ormerod was a member of a very old Lancashire family, and was born at Rochdale in 1822. He came out to Victoria in 1842, and amongst the pioneer squatters settled at Naracoorte, about 1845 to 1846, on the station known as the Naracoorte Station. About 18 years ago he settled at Guichen Bay, opening up a large business there, which has aided greatly in the development of the South East. Mr. Ormerod shrunk from a public career, and the only public positions he held were those of J.P. and Chairman of the Local Road Board. These were retained as long as health permitted. The funeral took place on Friday afternoon, the body being interred in the Robe Cemetery. The procession was largely attended, some coming over 50 miles to be present. Many residents from Kingston testified their regard by following the remains to the grave. The Rev. H. Howitt, of St. Peter’s, preached a funeral sermon last Sunday, in which Mr. Ormerod’s many good qualities were appropriately alluded to. Mr. Ormerod has made a will, and it is understood that the business will be continued as heretofore for the benefit of his widow and family.”


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24-10-1873: The Turkish Baths, Bourke Street, Melbourne, Victoria.

A building occupied by the Levy Brothers in Bourke street Melbourne was converted to Turkish baths by a Mr. S. J. Hosie.

The Argus, Melbourne, Friday 24th October 1873, page 5.

โ€œโ€ฆ The stained glass windows are from the works of Messrs. Ferguson and Urie and the paintings on glass were done by Mr. Mooreโ€ฆโ€

Thomas Hosieโ€™s Turkish Bathing Palace and Bar was opened by Governor Sir George Bowen on the 23rd of October 1873. The baths were located at Bourke Street East and no longer exists. Nothing is know what happened to the stained glass windows.

HOSIES Turkish Bathing Palace 01


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10-07-1873: St. Davidโ€™s Cathedral, Hobart, Tasmania.

St Davidโ€™s Church Hobart Town is being built with the nave, aisles and transepts completed.

The Illustrated Sydney News, 10th June 1873 andย  Illustrated Australian News for Home Readers, Melbourne, Friday 10th October 1873, page 170.

โ€œNEW CATHEDRAL OF ST. DAVID, HOBART TOWNโ€

ย โ€œ[…] The west elevation consists, in its lower stage, of a porch of no great projection, the front of which exhibits three arched openings. Above this is a noble Gothic window of five lights with decorated tracery in the head. This is filled with plain โ€œcathedral glassโ€ imported from Ferguson, Urie and Co., of Melbourne, as are the windows of the clerestory. Several of the windows of the aisles are filled with stained glass of English manufacture, presented in memoriam by friends of deceased persons.[…]โ€

The original plain five light west window has been replaced by a modern stained glass window by Joseph Stansfield (date unknown). The plain clerestory windows by Ferguson & Urie are all still original.

Photos taken: 7th Oct 2010 & 12th Aug 2012.

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19-06-1873: St. Andrewโ€™s Church of England Cathedral, Sydney, New South Wales.

On the 12th and 19th of June 1873, the Sydney tabloids reported that a Ferguson & Urie window had been made for the Sydney Cathedral. The window depicted ‘Faith, Hope & Charity’ and was to be placed in the clerestory of St Andrew’s Church of England Cathedral in Sydney. The window was erected to the memory of Mary Ann Stephen (nee Pasmore), the widow of Judge John Stephen, the first puisne Judge appointed to the Supreme Court in the Colony of New South Wales. The window was subscribed for by her surviving children and was erected in the clerestory of St Andrew’s in 1873, ten years after her death in 1863 at the age of 89.

The memorial text on the window reads: “In memory of Mary Ann Stephen, The widow of John Stephen Esq., First Puisne Judge of this colony, Died in Sydney 1st January 1863, Aged 89 years”.

Photos of St Andrews Church were taken 8th May 2011. Photos of the stained glass window were taken by Ken Burke (via historian Karla Whitmore, 6th May 2013).

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The Argus, Melbourne, Vic, Saturday 7th June 1873, page 5.ย 

“A stained glass window, which has many elegant features, has been made by Messrs Ferguson and Urie, of Hotham for the Church of England Cathedral of Sydney. The window is to be placed in the clerestory as a memorial of the widow of the late Mr Justice Stephen. The principal figures represented are Faith, Hope, and Charity, with the last in the middle. Hope has her hand upon the anchor, and Faith carries the Bible and the Cross. The tracery of the window shows the lamb, and the pelican feeding its young. The window is most to be admired for the harmony of the colouring and the softness of the tone. A good general effect has been produced. The drapery on the figures has been exceedingly well done, and is somewhat in advance of the expression upon the faces. The letters underneath the figures state that the window is erected in memory of Mary Ann Stephen, widow of John Stephen, puisne Judge, who died in Sydney on the 1st of January, 1863, at the age of eighty-nine years. It is erected by her children. The height of it is 12 feet.”

The Sydney Morning Herald, NSW, Friday 2nd January 1863, page 1.

โ€œOn 1st January, at Eveleigh House, the residence of her son-in-law, Mary Anne Stephen, widow of John Stephen Esquire, first judge of this colony, and mother of Sir Alfred Stephen, in her eighty-ninth year.โ€

Judge John Stephen died on Saturday, 21st December 1833, his wife Mary Ann (nee Pasmore), survived him by a further thirty years.

The Sydney Gazette & New South Wales Advertiser, Tuesday 24th December 1833, page 3.

DIED, At Clairville, on Saturday last, JOHN STEPHEN, Esq., late Judge of the Supreme Court of New South Wales. The funeral of this respected gentleman is intended to be public, and will take place on Thursday next.โ€

The SydneyMonitor, NSW, Wednesday 25th December 1833, page 2.

THE LATE JUDGE STEPHEN.

Mr Justice Stephen endeared himself to the people of New South Wales, by his unflinching consistent integrity, in irving times.When the public press was assailed, he ever stood up for its independence. His views of the law were in its favour, and he did not shrink from expressing his views, in the worst of times; and when his office depended, in a measure, on his silence. When the Editors were under prosecution, and demanded a common Jury, according to the common law, under the plea, that the Act of Parliament could not set aside the common Law and natural justice, by its not permitting the prosecutor (Darling) to appoint the Jury. Judge Stephen was the only Judge who maintained the inviolability of this axiom of common sense and common justice.โ€

The Australian, Sydney, NSW, Friday 27th December 1833, page 2.

โ€œFuneral of John Stephen, Esq. Late Judge of the Supreme Court.

The body of the above respected individual was brought ito town, from his country house at Clareville, accompanied by some members of his family, at 1 oโ€™clock yesterday morning, and deposited in St. Jamesโ€™ Church, preparatory to its being interred in the new burying ground. About half past seven oโ€™clock the gentlemen who attended the funderal having previously assembled in the Court House were summoned by the tolling of the bell into St. Jamesโ€™s Church, where the Rev. Mr. Hill read the first portion of the funderal service:- Precisely at eight oโ€™clock the procession began to move in the following order. The Band of the 4th regiment, playing the Masonic March of Burnโ€™s Fare-well. Members of the bar, two and two. A number of Civil Officers, Magistrates, Merchants, and private friends of the deceased followed. The procession was closed by about twenty carriages. The procession moved along George street, followed by a very considerable crowd, the band playing until they reached the burying ground.- On arriving there the Body was taken from the Hearse and carried to the grave by six of the Masonic Brethren, who were desirious of performing this last sad ceremony themselves. The funeral service having been read and the body lowered into the grave, the members of the Masonic Lodges proceeded to perform the ceremonies of their order, in compliance with a wish, expressed by the deceased a short time before his death, of being buried with the honours bestowed upon its members, by an institution to which he had in earlier life been attached. From the church to the grave, the procession was accompanied by a numerous concourse of spectators, who thus testified the respect with which the character of the deceased was held in the public estimation.โ€

Two and a half months after the reports of this windows creation, Ferguson & Urie stained glass artist and partner, John Lamb Lyon, prepared the final stages for his move to Sydney to start the Lyon & Cottier stained glass firm. On the 27th August 1873 advertisements appear in the Melbourne tabloids for the sale of his Dudley Street cottage and furnishings. On the 29th of August 1873 the Govt Gazette published the official dissolution of his partnership with Ferguson & Urie.

Biography:

John Stephen (1771-1833). (first puisne judge of the Supreme Court of New South Wales).

Sir Alfred Stephen (1802-1894). (son of Judge John Stephen)

Other references:

The Sydney Morning Herald, NSW, Thursday 12th June 1873, page 5.
Queanbeyan Age, NSW, Thursday 19th June 1873, page 4.
The Maitland Mercury & Hunter River General Advertiser, NSW, Thursday 12th June 1873, page 3.
The Sydney Mail and New South Wales Advertiser, Saturday 14th June 1873, page 753.


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01-11-1921: The Lady Edith Fergusson memorial window at St. Andrewโ€™s Church, Walkerville, South Australia.

The Register, Adelaide, Tuesday 1st November 1921, page 4.

โ€œFifty years ago, on October 28, 1871, there passed away the saintly and beautiful spirit of Lady Edith Fergusson, wife of the Governor of that name. She died at Glanville Hall, Semaphore, whither she had been taken for sea air. It was then owned and occupied by Capt. The Hon. John Hart, C.M.G., and now belongs to Mr. Magnus Waid. Lady Edith rests in the North Road Cemetery. The earliest painted window in St. Andrewโ€™s, Walkerville, was raised to her memory in 1873. Mr. and Mrs. H. Kent Hughes presented the glass which was the work of Messrs. Urie & Ferguson, Melbourne. The woodwork was the gift of the congregation, and was designed by Mr. Woods, at that time architect of St. Peterโ€™s Cathedral. A memorial window to Lady Edith is in the Cathedral itself. Lady Edithโ€™s maiden name was Ramsay. Her father, the Marquis of Dalhousie, was Viceroy of India [โ€ฆ]โ€

The remainder of the article is quite lengthy and describes many other historical events and information but not relevant to Ferguson & Urie.

Related posts: 22-10-1872 > 02-11-1872 > 08-01-1873 > 01-11-1921

26-07-1872: Memorial Congregational, Elizabeth and Brisbane streets, Hobart, Tasmania.

The foundation stone of the Memorial Independent Church was laid on the corner of Elizabeth and Brisbane streets in Hobart by Henry Hopkins (1787-1870) on the 16th August 1870 [1] and was formally opened on Thursday 7th November 1872 [2].

In late July 1872 the stained glass windows for the church had arrived from the Ferguson, Urie, and Lyon stained glass company of Melbourne[3] and were promptly erected. A further two โ€œvariegated patternโ€ windows were expected to arrive by the Southern Cross from Victoria on the 4th of August 1872[4].

Photos taken 8th October 2010.

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The Memorial Independent church was built in the decorated gothic style to the designs of the architect Francis Butler (1823-1916) and erected by the contractors โ€˜R & R Shieldโ€™ who tendered for the construction at a cost of ยฃ6,835.

The laying of the foundation stone by Henry Hopkins was one of his last public events. The 16th of August 1870 also marked his 83rd birthday and he died five weeks later on the 27th September 1870 [5].

Preceding his laying of the foundation stone of the church the usual affair of placing a time capsule beneath the stone occurred and;

“…A zinc box containing copies of The Mercury, Tasmanian Times, Tasmanian Independent, Friend, and other journals, various coins of the realm, photographs of the old and proposed new church, and cartes de viste of the Rev. F. Miller, H. Hopkins, Esq., the late Mrs. Hopkins, and the Rev. W. C. Robinson. The zinc box was hermetically sealed, and laid in the cist beneath the memorial stone…” [6]

Also included in the box was the speech read by the Rev. W. C. Robinson, after which the elderly Henry Hopkins was assisted to the platform from his nearby carriage and seated on a chair where he was then presented with;

“…A beautiful box made of Tasmanian light wood, by Mr. Wooley, of Macquarie-street, containing a handsome silver trowel, manufactured and presented by Mr. C. Gaylor, of Liverpool-street, and a mallet, made of coloured myrtle wood, with ivory handle, the work of Mr. Haywood, of Goulburn-street, was then presented to Mr. Hopkins. The silver trowel bore the following inscription: “Presented by Charles Gaylor to the congregation of the Memorial Church, Hobart Town, on the occasion of laying the foundation stone, by Henry Hopkins, August 16th, 1870.” On the lid of the box was a photograph of the proposed edifice. Mr. Shields, the contractor, having had the memorial stone raised about three feet, the mortar was spread, the box containing the records, deeds, &c., placed in the cist, and the stone was slowly lowered to its permanent position. Mr. Hopkins, after giving the stone two or three knocks with the trowel, said: “I declare this foundation stone laid in the name of the Father, Son, and Holy Ghost; and may the blessing of God attend the labours of all concerned in it. Forty years ago I had the privilege of introducing the first Independent minister to this colony, and thirty years since I was the means of the introduction of the first Independent minister into Victoria. Two months ago I had the privilege of laying the foundation stone of the new Wesleyan Church in Davey-street, and now I am called upon to lay the foundation stone of the Memorial Church, which stone bears the name of the Rev Frederick Miller, who arrived in this place forty years ago. He was a man of piety and energy and he felt a great love for the people, and for every cause that had for its object the glory of god and the good of his fellow man. I rejoice in having the opportunity of laying this stone; and may the blessing of God attend the labours of all those who shall be engaged in this building.โ€ The following is the inscription engraved on the brass plate which is let into the stone:- โ€œMemorial Congregational Church, the first Christian Church formed in the Australias upon Independent principles; the Rev. F. Miller, pastor, A.D. 1830 to the year 1862. This stone was laid by Henry Hopkins, Esq., 16th August 1870.โ€ [7]

The church was to be known as the โ€˜Memorial Congregational Churchโ€™ in memory of the first Independent or Congregational minister, the Reverend Frederick Miller (1806-1862), who arrived in Van Diemenโ€™s Land in 1830 and commenced his ministry on the 17th of October in the same year. The very first chapel on the site was funded solely by him at a cost of ยฃ500 and opened on the 20th April 1832[8]. He died on the 13th in October 1862 aged 56 [9].

Since 2006 the Memorial Congregational church has been the Seventh Day Adventist & Multicultural Church.

Significant tabloid transcriptions about the windows:

The Mercury, Hobart, Tasmania, Friday 26th July 1872, page 2,

ย โ€œTHE MEMORIAL CHURCH โ€“ The whole of the windows for the Memorial Church having arrived from Melbourne, with the exception of the transept windows, the contractors are busy fitting them in, so that the internal work of the building may be proceeded with as soon as possible. The large front window is completed. It is of stained glass, beautifully designed and ornamented, bearing the inscription in the lower panes, โ€œChrist Jesus came into the world to save sinners.โ€ There will be four windows on each side, some of them with a quarter-foil over the two side lights, and others with cinque-foil and six-foil, while the borders will be of different colours, blue, yellow, purple, or green. There will be two vestry windows with blue borders, three apse windows with yellow borders, and a large number of small windows, the colours of the borders in each instance being varied. The whole of the windows, except the front and transept, which are stained, are of cathedral glass; and the makers, Messrs. Fergusson[sic], Urie, and Lyon, of Melbourne, have eminently sustained the name which they have already obtained in these colonies as stained glass manufacturers. The large window in the gable is a piece of work which shows the remarkable progress which has been made in this art during the last few years in Victoria.โ€

The Launceston Examiner, Saturday 3rd August 1872, page 5.

โ€œโ€ฆThe stained glass windows, so far as they go, give the building a picturesque appearance; two more windows have to be supplied, and they are expected to arrive by the Southern Cross tomorrow, from the establishment of Messrs. Ferguson, Urie, and Lyon, Curzon-street, Melbourne. The pattern, variegated and blending colors of the glass are of an artistic description, and in due proportion with the general coup dโ€™oeil of the interior of the building…โ€

The Mercury, Hobart, Tasmania, Saturday 10th August 1872, page 3.

ย โ€œThe Memorial Church, at the corner of Elizabeth and Brisbane-streets, is in an advanced state toward completion, and some idea can now be realised of the very elegant appearance the church will present when it is entirely finished. While externally it will have the semblance of a magnificent building, internally its appearance will be fully compatible with the outside. The embellishments are of a rich chaste character, consistent with the beautiful design of the building. The roof and the gallery are finished. The windows are also in. The front and transept windows are of stained glass, beautifully designed and ornamented, while the remainder of the windows, which are of cathedral glass, are improved by borders of various colours. The makers, Messrs. Ferguson, Urie, and Lyon, of Melbourne, have eminently sustained the name which they have already obtained in these colonies as stained glass manufacturers. The church, it is anticipated, will be opened as soon after its completion as possible.โ€

External links:

Biography: Henry Hopkins (1787-1870)

State Library Vic: A Sermon occasioned by the death of Mr. Henry Hopkins, Rev George Clarke, 9 Oct 1870.

Biography: Rev Frederick Miller (1806-1862)

Biography: Rev George Clarke (1823-1913)

Footnotes:

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05-02-1872: St Mary of the Angels Basilica, Geelong, Victoria.

The foundation stone of St Mary’s was laid in 1854 but work ceased in 1856 and the partial construction remained an eyesore in Yarra Street Geelong for seventeen years before the newly appointed Archdeacon Slattery resurrected the plan to have the new church built.ย  In January 1870 Archdeacon Matthew Downing commissioned T.A. Kelly to prepare plans for completion of the church .

Known as St Mary of the Angels Basilica, it was eventually opened by Bishop James Alipius Goold on the 4th of February 1872.ย 

The large rose or wheel window in the liturgical west end facing Yarra Street is the work of Ferguson & Urie of North Melbourne. The window measures more than three and a half meters in diameter and cost in excess of ยฃ300. The Virgin Mary, St. Joseph, St. Patrick, St. Bridget, St. Augustine, and St. Francis Xavier are the six prominent subjects in the window and they are surrounded by angels, crowns and floral emblems. The Agnus Dei, or Paschal Lamb, is carrying the victory banner which takes place in the centre of the whole arrangement.

Geelong Advertiser, Vic, Thursday 14th December 1871, page 2.

“The new cathedral in Yarra-street is rapidly approaching completion, and the workmen for some time past have been busily engaged with the decorative works of the interior. The side and upper roofs of Ceylon pine, have been stained and varnished, and the timber looks very handsome. Above the pillared arches, the blaster work has been very neatly and artistically executed. Instead of ยฃ200, as originally contemplated, the memorial window in front is now to cost about ยฃ300. The stained glass is being prepared by Messrs Fergus[sic] and Urie, of Melbourne.”

The Argus, Melbourne, Monday 5th February 1872, Page 5.

“The Church of St. Mary, Geelong, the solemn ceremony in connexion with the opening of which was performed yesterday, stands at the upper end of Yarra-street, Geelong, on an eminence which renders it the most conspicuous object in the townโ€ฆ”

ย “โ€ฆ a beautiful and elaborate wheel window, 12ft in diameter, considered the most beautiful in the colony, filled in with stained glass, illustrative of the patrol saints of the church with their appropriate devicesโ€ฆ”

Photos taken 18th December 2010. (Updated photos from Nov 2013 can be see on Flickr)

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In 1855, one of the original architects, Richard Dowden, exhibited some proposed designs for stained glass prepared by Kearney & Co of Glasgow and intended for the church:

Geelong Advertiser and Intelligencer, Vic, Saturday 9th June 1855, page 2.

โ€œโ€ฆMr. Dowden also exhibited two very beautiful designs for stained glass windows, sent from home by Messrs Kearney & Co, of Glasgow; one was intended for the front window between the towers in the Yarra-street elevation, and the other for one of the transepts; the first contains the Life of the Redeemer, pourtrayed in 12 elegant medallions; the other had four magnificently colored representations of the Virgin Martyr. He stated that they would cost on average, 500 each, which does not seem at all exorbitant, when we consider the elaborate beauty of the designs. We sincerely hope these designs or similar ones will be adopted, as it is of vast importance to cultivate a true taste for the higher classes of art in this countryโ€ฆโ€

None of the original 1855 designs for the stained glass windows by Kearney & Co were ever adopted. The west oriel or wheel window was eventually made by the Ferguson & Urie stained glass company of North Melbourne circa 1871 and was dedicated to Rev. Dean Hayes;

James Francis Hogan, “The Irish in Australia” (1887), Project Gutenberg transcription.

“…In after years the original design of the church was considerably modified to suit the altered circumstances, and a portion of the nave was comยญpleted, sufficiently large to answer the requirements of the reduced population. Even in this incomplete condition, the building is the most conspicuous, commodious and elegant ecclesiastical edifice in the town. Its facade contains a beautiful circular stained glass window in memory of a popular pastor of the place for many years, the Very Rev. Dean Hayes, who was on a visit to his native Ireland when he died, after having just been designated as the first Bishop of Armidale in New South Wales…”

This article from April 1871 gives insight as to how the window came about!

Geelong Advertiser, Vic, Saturday 15th April 1871, page 2.

“A meeting of the friends and subscribers to the late Very Rev. Dean Hayes’ memorial fund, was held at the Town-hall, on Saturday. The attendance consisted of Mr Johnstone, M.L.A., and Messrs Noonan, Davoren, Mansfield, O’Brien, Kelly, and McGonigal. Mr R. de B. Johnstone was voted to the chair. It was announced that ยฃ117 was now lodged to the credit of the memorial fund at the Commercial Bank. The chairman stated that the object of the meeting was to decide in what manner the amount collected should be expended, with the view of perpetuating the memory of a great and good citizen. He referred at considerable length to the career of the late Dean, and the claim his good deeds had established. As the founder of the Catholic orphanages at a time when there were no other institutions in existence for the relief of destitute children, he had proved himself entitled to the gratitude of those who came after him. In a matter of this kind he left religious considerations entirely out of the question, and he was indifferent regarding the form the memorial might take, so long as a fitting tribute of respect was paid the the memory of a great and good townsman. It was then decided on the motion of Mr. Noonan, seconded by Mr Davoren, that the memorial should take the form of a stained window, to be erected in the new Roman Catholic Church, Yarra-street. A plan of the proposed window was exhibited, and certainly if the design is carried out it will be not only an embellishment to the sacred edifice, but a suitable monument to the deceased Dean. Archdeacon Slattery, and Messrs Johnstone and Nonan were appointed a sub-committee to carry out the erection f the memorial window which is to be inserted in the building over the main entrance. Some remarks were made about the erection of a marble tablet at the Catholic Orphanage, after which the meeting closed.”

At this point the actual window has yet to arrive and be installed in the tracery!

Geelong Advertiser, Vic, Monday 17th April 1871, page 3

“While St. Mary’s Roman Catholic Church is rapidly undergoing demolition a large wooden structure at the rear is to escape destruction for the present, having been converted into a temporary place of worship. The altar belonging to the old building has been transferred thither, so that, instead of the schoolhouse, the members of the congregation who are unable to attend the Ashby Church will be able to celebrate early mass in a place set specially apart for the purpose. The construction of the new church is rapidly progressing, and some idea of its architectural beauty may now be formed. The design of the front entrance is elaborate, and the carved stonework has been executed with great care and accuracy. Above the doorway in the centre frame of the memorial window to be erected to the memory of the late Dean Hayes has been so far completed that only the stained glass is wanting to complete the design. The window is circular, and the stonework about it is carved in such a manner as to produce a striking and elegant effect.”

Geelong Advertiser, Vic, Wednesday 30th August 1871, page 2.

โ€œGreat progress is being made with the building of St. Mary’s. Nearly all the stonework of the windows has been completed, and sandstone ornamental work is now being placed on the walls. The designs of the windows are a fitting match for the Very Rev. Dean Hayes memorial window, and are very chaste.โ€

Geelong Advertiser, Vic, Monday 20th November 1871, page 2.

“It will be remembered that some time ago a meeting of the subscribers to the memorial intended to be raised in honour of the late Very Rev. Dean Hayes, was held at the Town Hall. It was then re solved that the money collected for the purpose by Messrs Johnstone and Noonan, amounting to ยฃ130, should be applied towards the erection of a memorial window in St. Mary’s Church, and the Rev. Archdeacon Slattery, Messrs R. de B. John stone and W. P. Noonan were appointed trustees of the fund. The whole of the ornamental stonework of the window has been completed, and is ready for the reception of the stained glass, but some additional funds are required to meet the expense. ยฃ230 is the estimate for the window, so that ยฃ100 has yet to be raised. Under the circumstances Messrs Johnstone and Noonan intend to resume their canvass, and it will be observed that subscriptions are invited.”

St Maryโ€™s was opened on Sunday February 4th 1872 by Bishop Goold and the following article gave a bit of history, the ceremony, and a lengthy description of the church and the memorial window facing Yarra Street. The detail in the article also indicates that the memorial window of stained glass was the only figurative window erected in the church at that time and all other windows contained amber tinted cathedral glass. Today most of the windows are all filled with stained glass by many other stained glass studios but the two large windows in the north and south transepts are still original. The Rev Dean Hayes memorial window by Ferguson & Urie is the oldest stained glass window in the Church.

Geelong Advertiser, Vic, Monday 5th February 1872, page 3.

“…its magnificent wheel window, 12 feet in diameter. This window is filled with flowing tracery, slightly French in its idea, and glazed with stained glass, intended as a memorial to the late Ven Dean Hayes, the subjects represented being the Blessed Virgin, St. Joseph, St. Patrick, St. Bridget, St. Augustine, and St. Francis Xavier, with their corresponding symbols…”


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01-01-1872: Welsh Church, Latrobe street, Melbourne, Victoria.

The Argus, Melbourne, Monday 1st January 1872, page 5.

A new Welsh Presbyterian or Calvanistic Methodist Church was opened for Divine worship on Saturday, in Latrobe-street. The congregation first met in a common school in Collins street in 1853, but in a year or two became sufficiently numerous to remove to a larger building in Latrobe-street. This, in time, failed to afford sufficient accommodation, and the present structure has been erected in its place. It was designed by Messrs. Crouch and Wilson, and was erected by Mr. Ireland, the total cost being about ยฃ1,800. Its style is what is known as the early decorated. It is built of brick, on stone foundations, and measures over all 65ft. 6in. by 42ft. It is intended to stucco the whole exterior of the church, but at present only the front elevation has been so treated. This facade stands upon a fine axed bluestone base, and is 50ft. high to the top of the finial on the gable. The principal entrance is in the centre, and above it is a large triple-light window, with geometrical tracery filled with stained glass, from the manufactory of Messrs. Ferguson, Urie and Lyon.

The Gothic Revival Church in Latrobe street was opened on 30th December 1871.

The text in the ribbon in the centre of the triple light window facing Latrobe street is written in Welsh which translates as follows:

Welsh: –ย  “ANNWYL CARWN EIN GILYDD OBLEGID CARIAD O DDUW Y MAE”
English: –ย  “BELOVED LET US LOVE ONE ANOTHER FOR LOVE IS OF GOD”

The text comes from the King James Bible, 1 John 4.7 – “Beloved, let us love one another: for love is of God; and every one that loveth is born of God, and knoweth God”

Photos taken 16th July 2011.

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08-12-1871: Christ Church, Hawthorn, Melbourne, Victoria.

 

The Argus, Melbourne, Friday 8th December 1871, page 5.

ย โ€œA very handsome memorial window has recently been placed in the north transept of Christ Church, Hawthorn, by Lady Palmer, in commemoration of her husband, Sir James F. Palmer, the late president of the Legislative Council. It is the work of Messrs. Ferguson, Urie and Lyon, of Curzon-street, North Melbourne, stained glass manufacturers, and is an exceedingly creditable production. The design, which is typical of the three Christian virtues, Faith, Hope, and Charity, is identical with that of the west window of New College Chapel, Oxford, which was painted by Jervais, from cartoons furnished by Sir Joshua Reynolds. The colours are very rich, and harmonise well together. The whole treatment of he subject is good, the drapery of he figures, in particular, being admirably managed. Mr.Wyatt, architect, supervised the execution of the work.โ€

Photos taken 14th November 2010.

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Geelong Advertiser, Vic, Thursday 7th December 1871, page 3.

ย โ€œA very handsome memorial window has jnst been placed in Christ Church, Hotham, at the expense of Lady Palmer, in commemoration of the death of her husband, the late President of the Legislative Council. As a specimen of colonial art, the work is probably in its way the finest production in Victoria. The window consists of three compartments, containing allegorical representations of the three Christian virtues, Faith, Hope, and Charity, respectively. The last named of these personifications is represented on the centre compartment, which is 9 feet 8 inches in height and 2 feet broad; the two others being 7 feet high by 2 feet wide. The colours are extremely rich, and the execution compares very favourably with that of two other painted memorial windows of English manufacture in the same church. The work was executed by Messrs Ferguson, Urie, and Lyon, of this city, under the direction of Mr F. Wyatt, architect, the design, so far as the forms are concerned, being copied from a portion of the Hew College Chapel window, which latter was the work of Jervaise, from paintings by Sir Joshua Reynolds. Running along the lower portion of the new window is the following inscription in old English letters:โ€””To the memory of James Frederick Palmer, Knt., who died April 23rd, 1871.” I understand that the total cost of the work was a little over ยฃ100โ€.

The first parts of Christ Church Hawthorn were constructed in 1853-54 of bluestone in the Gothic design of Charles Vickers. The chancel and temporary organ chamber were added in 1873 and extensions to the nave and north transept in 1886. The church has many historic stained glass windows by craftmen such as Ferguson & Urie, Brooks Robinson & Co, William Montgomery, William Wailes and Hardman of Birmingham.

In late 1871 Lady Isabella Palmer had a memorial stained glass window erected in the South Transept of Christ Church, Hawthorn in honour of her husband Sir James Frederick Palmer (1803-1871).ย  There is always the question of how or why particular subjects are selected for memorial windows, but in the case of Sir James’ memorial window it was made a little easier for Lady Isabella. She would have been acutely aware of her husbands taste in art. At the Art Treasures Exhibition in Melbourne in April 1869, “…Sir James Palmer contributes two relics of his illustrious kinsman, Sir Joshua Reynolds…” All Lady Isabella had to do now was pick something by Sir Joshua Reynolds with a religious theme that Sir James’ would have loved.

The resulting stained glass window she comissioned was to be made by local stained glass craftsmen โ€œFerguson, Urie & Lyonโ€ of Curzon St North Melbourne and depicts the three Christian virtues, Faith, Hope, and Charity. The window uses quite large pieces of glass with very few lead lines and although quite spectacular to see is considered technically inferior to their earlier work. The depictions of Faith, Hope and Charity are copied from a stained glass window, located in New College Chapel, Oxford that was created by Jervais and based on the designs by Sir Joshua Reynolds. Ferguson and Urie also copied some elements of the same for the Foster memorial window erected in All Saints Church in South Hobart in 1868.

There is another Ferguson & Urie window in this church not mentioned in any other article found to date. The Henry Nathaniel Ray memorial window is by Ferguson & Urie circa 1879 and depicts Christ carrying the Cross. Henry Ray was the son of Henry Gibbons Ray & Mary Singer and husband of Maria Josephine Ray.ย  Ray was a Broker, formerly of Middlesex, and died at his home “Maida Estate” at Weinberg Rd Hawthorn on on the 6th of Aug 1879 aged 59 after only a few hours of illness (as reported in the Argus, 7th of August 1879). (Vic BDM: 8008/1879). His family home “Maida Estate”, situated at Glenferrie and Riversdale Roads at Hawthorn, went up for public auction on the 26th of February 1880.

External links:

Sir James Frederick Palmer (1803-1871)


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21-06-1871: Roman Catholic Mortuary Chapel at the Melbourne General Cemetery.

The Argus, Melbourne, Wednesday 21st June 1871, page 5.

ย โ€œThe Melbourne Cemetery has received another adornment, now that the new mortuary chapel in the Roman Catholic portion of the ground has been completed. This elegant structure, of which the sanctuary only is wanting, is of bluestone, with windows and exterior ornaments of Tasmanian freestone, from Kangaroo Point. It consists of a pointed porch, enriched with carved finials, which leads into a lofty open-roofed chapel, lighted by four trefoil-pattern windows, and paved with encaustic tiles, and two crypts beneath. The style is Gothic, and the dimensions are – length 60ft.,width 22ft., while the slated roof reaches a height of 50ft from the ground. The Belfry is not yet finished. The crypts are solidly floored with concrete, and are provided with sufficient means of ventilation. They are intended as a final receptacle for the remains of deceased priests, which are to be placed there in leaden coffins. The bodies of about 10 deceased clergymen await their transit to this repository, which will take place contemporaneously with the solemn dedication of the building to the Blessed Virgin and St. Joseph by the bishop. This will be celebrated in a few weeks, and the Rev. G. V. Barry will preach a special sermon on the occasion. This mortuary chapel is, we believe, the only one worthy the name in Australia; at least such was the opinion of Archbishop Polding, who visited it the other day, and whose knowledge on the subject is doubtless considerable. The entire edifice, which has cost over ยฃ1,000 is due to the Rev. W. M. Finn, who, with the permission of the bishop, initiated the movement which has resulted so successfully at the time that he was appointed to his present cure at Heidelberg. Since then the rev, gentleman has been unremitting in his exertions to obtain subscription, and when the money was forthcoming extended his careful supervision to every detail of the construction. The architect of the chapel is Mr. J. B. Denney, and the work was done in two contracts, the superstructure being erected by Messrs. J. Young and Co.”

The dedication ceremony of the chapel was to have taken place on Sunday 20th August 1871 but was postponed due to heavy rain. The service finally took place in the presence of a crowd of 10 to 15 thousand people on Sunday 10th September 1871.

Geoffrey Wallace Stained Glass Studio at Caulfield restored the windows after they were vandalised in 2008.

Four saints are depicted in individual lancets being:

  1. Saint Brigitta of Sweden, holding a candle,
  2. Saint Patrick of Ireland holding the staff with the snake at his feet,
  3. Saint Joseph holding a stalk of Lily flowers,
  4. Saint Maria with her hands folded in prayer.

Each window has the Latin Motto โ€œORA PRO NOBISโ€ (Pray for us) at the bottom.

All the photos of the windows have been kindly contributed by Geoffrey Wallace . The images show the remarkable transformation before and after the restoration by Geoff’s Studio.

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22-03-1871: St Patrickโ€™s Catholic Church, Lilydale, Victoria.

The dedication ceremony for St Patrickโ€™s Catholic Church at Lilydale in the Dandenong Ranges supposedly took place on Sunday the 19th of September 1870 as indicated in the article below but St Patrick’s Day was Friday the 17th which is correctly indicated on the memorial stone dated 1997. Although it was mentioned in 1871 that Ferguson & Urie had decorated the high altar, there is no longer any evidence of any artwork or stained glass by Ferguson & Urie in St Patrick’s at all.

The Argus, Melbourne, Wednesday 22nd March 1871, page 5.

“The ceremony of solemnly blessing the now church of St. Patrick’s, Lilydale, took place last Sunday. The Right Rev. Dr. Goold was the officiating prelate. After a procession had marched around the exterior of the church, the bishop commenced the mass of the Patronage of St. Joseph. At the last gospel, the Very Rev. J. Dalton, superior of the Jesuits, preached a sermon suitable to the occasion. At the conclusion of the dedication ceremonial, the bishop addressed the congregation, and concluded by congratulating them and their pastor, Father Finn, of Heidelberg, in having brought their labour of love to so prosperous a termination. The church is built of a species of granite, from plans given gratuitously by Mr. A. Martelli. The style is German Gothic. Mr. David Mitchell, of Richmond, was the contractor; Messrs. Ferguson and Urie, of Melbourne, decorated’ the high altar; and Mr. Gaunt, of Bourke-street supplied the sanctuary fittings. It is only just to state that the above gentlemen have given tho fullest satisfaction. To honour the auspicious event of Sunday lost it has been arranged on an early day to give the children of Lilydale an al fresco entertainment on one of the numerous hills that are in the vicinity.”

Photos taken 13th September 2014.

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A full cycle of photos of all the windows at St Patrick’s can be seen on my Flickr photo stream here:
https://www.flickr.com/photos/stainedglassaustralia/sets/72157647535174611/

21-03-1871: Struan House, Launceston, Tasmania, Australia.

In Cameron-street in Launceston, Tasmania, stands the historical Supreme Court Building originally built in 1870-71 as โ€œStruan Houseโ€[1] for the wealthy Scottish Colonist James Robertson. It was designed by architect Peter Mills[2] and constructed by building contractor Edward Ford.

In 1893 the building was used as a private maternity hospital and in 1929 was acquired by the Tasmanian Government for use by the Launceston Supreme Court.

During the construction of Struan House in early 1871 the Launceston Examiner tabloid reported;

โ€œโ€ฆWe must not omit to mention that the side and fan lights of the entrance door, and of the doors leading out on to the verandah and balcony are glazed with rich designs in stained glass, manufactured by the well known firm of Ferguson, Urie, and Lyon, of Melbourne…โ€[3]

In 2011, enquiries revealed that there is still an original piece of Ferguson & Urie stained glass above a doorway in the building having the year 1870 emblazoned on it!

On the 18th April 2011 Mr Chris Nason, wrote:

โ€œDear Ray, Thankyou for your email. I confirm that Struan House does still exist and has been maintained as part of the Supreme Court since 1929. In terms of stained glass the only item that remains is above a door that opens onto the north facing balcony. I have taken a couple of shots of the window and attached for you. Unfortunately the shot from outside is not great. I hope this is of some use to you. Regards Chris Nason,ย District Registrar, Supreme Court of Tasmania…โ€œ

Photos kindly provided by Mr Chris Nason, 18th April 2011.

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James Robertson (1800- 18741800- 1874).

James Robertson was a native of Alvey, Inverness-shire, Scotland and arrived in Van Diemenโ€™s Land in the early 1820โ€™s where he joined his brothers John, William and Daniel, breeding sheep and cattle in the Campbelltown district.

Later they diversified to form Robertson Brothers Mercantile Importers in Elizabeth Street Hobart in 1829[4], run by John & William, and in Brisbane-street Launceston in 1831[5], headed by James and Daniel.

On the 18th of November 1833, at St Davidโ€™s Church in Hobart, James married Mary McDonald, daughter of Roderick McDonald of Glengarry[6].

James had been a Justice of the Peace in Launceston since September of 1843 and was a supporter of the anti-transportation of convicts to the colony. In 1853 he declined requests to stand for the election of the first Mayor of Launceston[7] which was subsequently won, under much controversy, by William Stammers Button.

He was a local director of the Union bank of Australia and had been Captain and Paymaster of the Volunteer Artillery[8] and for many years was the treasurer[9] of the Launceston branch of the โ€˜St Andrewโ€™s Societyโ€™ [10]

In January 1841 his brother Daniel had decided to dissolve his partnership leaving James as sole proprietor of the Launceston Mercantile business[11]. Just over twelve months later, on the 12th March 1842, Daniel drowned in the Esk River whilst on a fishing trip with friends[12]. In 1848 unknown persons referred to as โ€œmiscreantsโ€ attempted to rob Danielโ€™s grave![13].

In February 1850 Jamesโ€™ wife Mary died at the age of 35 [14] and on the 28th of May 1851 he married Maryโ€™s younger sister Margaret, the eighth daughter of Roderick McDonald of Glengarry[15].

James Robertson died on the 1st of April 1874[16] and was interred in the Robertson family vault at the Scotch Cemetery in Launceston[17]. His wife Margaret died on the 3rd of September 1891[18].

His former residence โ€˜Struan Houseโ€™ now forms part of the Launceston Supreme Court. Only the top portion of a fan light window above a doorway in the building exists of the original Ferguson & Urie stained glass created in 1871.

Of coincidental interest, James Robertsonโ€™s elder brother William went on to become one of the largest landholders in the western district of Victoria and in 1877 the Ferguson & Urie Company created a large โ€˜Roseโ€™ stained glass window which was erected to his memory in St Andrewโ€™s Presbyterian Church at Colac, Victoria.

Significant transcriptions:

Launceston Examiner, Tas, 15th January 1853, page 4.

โ€œMR. JAMES ROBERTSON. FEW inhabitants better deserve the tribute of respect about to be paid to him on his departure for Britain, than Mr Robertson. In his sphere of public usefulness, none have been more energetic and successful; and he has often taken the most arduous part, when a benevolent or popular object was in view. There can be no question that if he had assented to the request recently addressed to, him, he would have been the first Mayor of Launceston. But business arrangements prevented compliance, and the St. Andrew’s Society, of which he is a” pillar,” have gracefully come forward to recognise his claims to general esteem. In his commercial career he has been successful, and as a staunch anti-transportationist, he will doubtless exert his influence at home, in favor of the land of his adoption; and the birth-place of his children. The invitations to gentlemen, not members of the St. Andrew’s Club, ought to be very extensive, or they should be permitted, at their own cost, to be present on the occasion. We heartily wish him a pleasant voyage home, success in his mission, and a safe and speedy return.โ€

The Launceston Examiner, Tuesday 21st March 1871, page 2.

ย โ€œMR. ROBERTSONโ€™S NEW RESIDENCE. The new residence of James Robertson, Esq., situate in Cameron-street near the old Military Barracks, and now rapidly approaching completion, is a building that deserves something more than a mere passing notice, for it is one of the best finished, and certainly the most commodious of private dwellings on this side of the island. Erected on the summit of a gentle slope which extends down to the bank of the River Tamar, it commands a fine view of the windings of that stream, and a still finer view of the Cataract on the South Esk, with its bold romantic scenery, and the pretty light looking iron bridge which spans the entrance to what may fairly be termed on of the lions of Launceston. Turning his back on these, a considerable portion of the town is presented to the gaze of the spectator. But the building itself is an ornament to the town, and forms a prominent object that that is sure to attract the attention of visitors or others sailing up the river. The main building is in style Italian, and two storeys high. The walls are constructed of brick, the dressings to the windows, string courses, quoins, cornices, chimneys, and the enrichments generally being executed in Portland cement. The brickwork is uniform in color, and neatly finished with a white joint. The roofs are of slate, and the roof of the main building overhangs the wall about three feet, the projection being supported by ornamental cantalivers [sic]. The front of the building faces the north, but there is an entrance on the east, by means of a massive looking porch and steps. On the ground floor are the large entrance hall, staircase hall, dining, drawing, breakfast and ball rooms, also a business room. The entrance hall is divided from the staircase hall by fluted Corinthian columns and pilasters, supporting a decorated cornice of the same order. The dining and drawing rooms which are well proportioned, open into the entrance hall. The breakfast and ball rooms are entered from a wide corridor leading from the staircase hall to the kitchen, the former room being well lighted by a large bay window of clear plate-glass, from which an excellent view of the Cataract and Tamar can be obtained. The whole of the fittings are of bright cedar French polished, and the finishingโ€™s round the hall side of the doors are ornamented and carved very handsomely. The principal rooms also have elaborately wrought marble mantle-pieces, and are enriched with light and elegant moulded cornices. A verandah, accessible from the staircase hall, runs round the front and a portion of the two sides of the building, terminating on one side against the kitchen wing, and on the other against the entrance porch; and above the verandah is a balcony accessible from the first landing of the staircase. The roof of this is curved and covered with corrugated iron, the railings, trellis work, and brackets being of cast iron, and in appearance very ornamental. The verandah and balcony are wide, and furnish a very agreeable promenade, in which the eye can not fail to be delighted with the surrounding scenery. We must not omit to mention that the side and fan lights of the entrance door, and of the doors leading out on to the verandah and balcony are glazed with rich designs in stained glass, manufactured by the well known firm of Ferguson, Urie, and Lyon, of Melbourne. The kitchen wing contains a large kitchen, scullery, washhouse, stores, pantries, and servantsโ€™ staircase. A first-class cooking range manufactured by Mr William Peter, Wellington-street, is fitted up in the kitchen, and from this, by means of pipes, the bedrooms on the upper floor are supplied with hot water for baths, &c. Underneath the building are dry cellars floored with cement. The upper or chamber floor is reached by a handsome staircase, having a continuous ornamental iron railing, and here we find a number of lofty, well-ventilated bedrooms with dressing and bathrooms attached. The nursery and servantsโ€™ bedrooms are placed over the kitchen, &c. The baths are fitted up so that hot or cold water can be turned on at pleasure. The whole of the fittings in the rooms, except the mantle pieces, are of French polished cedar. The court yard is enclosed by out-offices โ€“ including accommodation for men servants, a coach house, stables, harness room, cow house, hay loft โ€“ and by entrance gates, provision been made to get a carriage drive through this court yard round to the river frontage. The Cameron-street frontage is enclosed by an ornamental iron palisading of cast iron with gates, &c., to correspond.
The total cost of erecting these fine premises will be about โ‚ค6000. Mr E. Ford is the contractor, and appears to have executed his work very faithfully. The buildings were designed by Mr Peter Mills, and have been erected under his vigilant superintendence, and we must say that the manner in which everything has been carried out reflects the greatest credit on him.โ€

Launceston Examiner, Tas, Thursday 2nd April 1874, page 2.

โ€œOBITUARY
Another old colonist has gone from our midst: JAMES ROBERTSON, so long connected with various interests of Launceston, died last evening, in his 75th year, having completed his 74th on the 23rd of March.
After a few yearsโ€™ occupation as sheep farmer in the Campbell Town district, in this colony, Mr Robertson came into Launceston in 1830, to enter into commercial business with his younger brother, Daniel, unfortunately drowned in the South Esk, in 1841 [sic], which business he carried on very successfully, first on premises now occupied by Messrs. Smith and Poole, and subsequently in the large premises built by the firm for the purpose now known as the International Hotel, until a comparatively recent period, when he retired from more active pursuits to the handsome residence he erected in Cameron-street, known as Struan House, and in which he died.

ย ย ย ย ย ย ย ย ย ย  Through a long mercantile career Mr Robertson maintained the character of a strictly honourable merchant, and sincere friend. Amongst his mercantile connections he numbered most of the older colonists; and he enjoyed the immediate friendship of an unusually large circle.
ย ย ย ย ย ย ย ย ย ย ย  There are some incidents of his โ€œsettler lifeโ€ which possess unusual interest, at once characteristic of his personal courage and of the peculiar difficulties of early settlement in these colonies. On one occasion when sitting reading at the fire in his hut, his back to the door, he was surprised by the entrance of a notorious bushranger, with two equally notorious companions. They had previously secured his shepherd servant, and came so sudden upon him that resistance was useless. After helping themselves to provisions, they set off for a distant rendezvous, marching Mr Robertson and his servant before them, still tied, until they arrived at midnight, on the banks of the South Esk, at a crossing place where they expected to find a boat; which, however was on the opposite shore. One of the bushrangers crossed the river to fetch the boat for the conveyance of the party and their plunder; when the subject of our memoir, seeing an opportunity, succeeded in getting one of his arms sufficiently at liberty to get his hand into his pocket and secure a penknife. The robbers were so intently engaged in watching the progress of their companion that they gave to Mr Robertson the opportunity of communicating by signs, in the light of partial moonlight, with his servant; and after cutting the cord which confined his own arms, he cut that of his servant. They both remained in a position of apparent confinement until they could hear the splash of oars of the returning bushranger, when they each closed upon one of the confederates, and with the handkerchief torn from their own necks tied the hands of each. The man in the boat hearing the conflict turned for the other shore, but was promptly fired on with the arms now in the possession of Mr Robertson and his servant. The two prisoners were soon handed over to the police, and were conveyed to Launceston gaol; and on further enquiry the boat was found riddled with ball but abandoned by the robber, who was afterwards found wounded and captured. On another occasion the self-possession and courage of Mr Robertson were even more conspicuously displayed. A bushranger, who had become the terror of the district, occupied a mi-mi in the depths of the forest. Mr Robertson discovered it, or was informed of the locality โ€“ no matter which. Having obtained the co-operation of a neighboring settler he determined to effect capture. Keeping their secret they set out together for the place, but when they arrived found the fellow that occupied it away. They laid their plans accordingly โ€“ crouching themselves in the scrub until the evening, when they saw their man return, watched him dismantle himself of his fire-arms with the exception of pistols in his belt, cook his evening meal, and creep into his mi-mi. Mr Robertson immediately rushed in the aperture requiring almost a crawling posture whilst his settler friend made loud demonstrations of directing a body of men outside. He threatened to shoot the robber and disarm him, tied him securely, and led him out to show him (as Mr Robertson often told with considerable humour), to his great disgust, that he had been capturedย  by two nearly unarmed men!
ย ย ย ย ย ย ย ย ย ย ย  Mr Robertsonโ€™s genial countenance and bustling habits will long be missed in the streets of Launceston. He leaves an estimable widow, his second wife, and a large family, comfortably provide for. Mr Robertson has been in the Commission of the Peace since the 20th September, 1843. It will be remembered that his eldest brother William died in Victoria on 18th January last.โ€

Launceston Examiner, Tas, 9th April 1874, page 3.

“THE LATE MRย  JAMESย  ROBERTSON.

The funeral of the late Mrย James Robertson took place on Tuesday afternoon, and was attended by a very large number of personal friends and others from various parts of the colony anxious to pay the last tribute of respect to the memory of one who had maintained business and social relations with the colonists, especially of the Northern districts, for soย lengthened a period. By request of Mr Robertson communicated shortly before his decease, the funeral obsequies were superintended by his old friend, Mr Alderman Tyson, Messrs Richards and Son being the undertakers. The remains had been enclosed in a leaden coffin which was encased in a shell, neatly covered with black cloth, and suitably furnished.ย Shortly after 3 o’clock the coffin wasย ย  deposited in a plain hearse drawn by a pair of horses, and the mournful cortege left Struan House, deceased’s late residence in Cameron-street: the followingย gentlemen acting as pall-bearers, viz., theย hon.ย James Aikenhead, M.L.C., a local Director of the Commercial Bank ; J. T. Sale, Esq., J.P., Manager of the Union Bank of Australia, of which deceased hadย been for many years a local director; C. J. Weedon, Esq., J.P., one of the Directors of the Bank of Tasmania; Thomas Corbett, Esq., J.P., a director of the Bank of Van Diemen’s Land; John Fawns, Esq., J.P., one of the Executive Committee of theย Savings Bank; and Dr. Miller, J.P. The pall-bearers were flanked on either side by members of the Volunteer Artillery Corps, of which deceased had been Captain and Paymaster. The sons of deceased, Messrs. Hector and Angusย Robertson were chief mourners with other relatives following; and in addition there were from 140 to 150 townsmen and colonists. There were also a number of private carriages behind. The route of the cortege was Cameron-street, Charles-street, Brisbane-street, and High-street to the Scotch Cemetery, where the family vault is situated; and the esteem in which deceased had been held by his fellow townsmen was evinced by the closing of the shops and other places of business along the line of route. The Revs. J. Gardner, W. Law, J. Lindsay, and R. M’Clean were among the ministers who attended. At the grave the Rev. R. McClean, of Hobart Town, read a portion of Scripture, and delivered an appropriate address. The Rev. J. Lindsay offered prayer. The coffin was borne to the hearse, and to the vault by the Volunteer Artillerymen.”

Footnotes:

[1] The Launceston Examiner, Tuesday 21st March 1871, page 2.

[2] Peter Mills also designed the Launceston Town Hall in 1864 and several other historical buildings in Launceston.

[10] Formed in 1841 to not only entice skilled labourers from Scotland to the Colony, but to provide friendship and assistance to them and their families and benevolent acts to their widows and orphans in times of need.

[17] The Scotch Cemetery opened in 1835 and closed in 1928. It was re-developed as “St. Andrew’s Gardens” from c.1951 with some of the grave stones transferred to the Carr Villa Cemetery.

1871: St Patrickโ€™s Catholic Church, Wangaratta, Victoria, Australia.

St Patrick’s Catholic Church, Wangaratta, Victoria.

The triple light stained glass windows behind the altar were the work ofย  Ferguson, Urie & Lyonย  of North Melbourne. There is also a single light in the north transept (very hard to photograph due to obscured light in lower half)ย  and there is also the Lamb of God (aka Agnus Dei) located above two art deco lights that are not by Ferguson & Urie. Whether there were any original Ferguson & Urie windows below the Lamb of God medallion is not known but it looks highly likely that this window has come from another position in the church prior to modern extensions.

The Argus, Melbourne, Saturday 11th March 1871, page 7.

ย “The new Roman Catholic church at Wangaratta, dedicated to St. Patrick, was solemnly opened and consecrated by the Right Rev. Dr. Goold, on Sunday last. High mass was performed, the bishop being assisted by the Re. Dr. Fitzpatrick, vicar-general, and Fathers Hogan and Egan. The church was crowded with people, collected from almost every place within 30 miles of Wangaratta”.

Advocate, Melbourne, Vic, Saturday 18th March 1871, page 6.

“DEDICATION OF ST. PATRICK’S CHURCH, Wangaratta…”

“…The stained glass windows are admirable illustrations of the proficiency of the colonial manufacturers, Messrs. Fergusson,[sic] Urie, and Lyon – the central figure of the Saviour on the cross, with the Blessed Virgin kneeling at the foot, being represented with special correctness of drawing and colouring…”

ย 

Photos taken 19th December 2011.

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Updated: 13th Feb 2015.

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27-02-1871: Shipping Intelligence notices.

The Argus and other local newspapers of the time included hundreds of shipping notices detailing cargo notices for the colony’s businesses.

The Argus, Melbourne, Monday 27th February 1871, page 4.

“SHIPPING INTELLIGENCE. HOBSON’S BAY”

โ€œDilharce, from London – 28 cases, Ferguson, Urie, and Lyon;”

22-09-1870: The 1870 Sydney Intercolonial Exhibition.

At the 1870 Sydney Intercolonial Exhibition, Ferguson & Urie were recommended for a bronze medal for their samples of stained glass, but the judges inquire as to some authenticity that the work was actually crafted in the Victorian Colony.

The Argus, Melbourne, Thursday 22 September 1870, page 6.

ย “โ€ฆ Messrs. Ferguson, Urie, and Lyon have been recommended for a bronze medal for their very beautiful samples of stained glass. But there are two Sydney competitors in the same line, and the judges have intimated a wish that some sort of certificate had been forwarded guaranteeing that the alleged Victorian work was really done in Victoria. They have instituted a very close inquiry to ascertain whether the Sydney exhibits were really produced in New South Wales, but they have no means of prosecuting similar inquiries about the exhibits from other coloniesโ€ฆ”

Evening News, Sydney, NSW, Tuesday 27th September 1870, page 4.

Exhibit “1471 Samples stained glass, Ferguson, Urie, and Lyon, Melbourne.”

 

External links:

Example of a Bronze medal at the 1875 exhibition presented to Lyon & Cottier.

10-09-1870: All Saints Church Wickham Terrace, Brisbane, Queensland.

The Brisbane Courier, QLD, Monday 3rd October 1870, page 3.
(repeated inย  The Brisbane Courier, QLD, Saturday 10th September 1870, page 5.)

ย โ€œA VERY handsome stained-glass east window has been presented to All Saintsโ€™ Church, Wickham-terrace, by Sir R. R. Mackenzie and other members of his family. The window is intended to commemorate the decease of the late Mr. Richard Jones, Mrs. Mary Oโ€™Connell, and Mr. John Stephen Ferriter. The work has been executed by Messrs. Ferguson, Urie, and Lyon, of Melbourne. The window consists of what is technically termed seven lights, representing the Crucifixion, the Ascension, the Virgin, and Mary Magdalene. The work is beautifully executed, both as regards the excellence of the design and the richness of the colouring, and reflects great credit on all concerned in its manufacture. The window greatly adds to the beauty of the building, and is a gift well worthy of the donors, whose munificence will no doubt be appreciated by the congregationโ€

Photos taken 1st March 2011.

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The Darling Downs Gazette and General Advertiser, QLD, Wednesday 14th Sep1870, page 3.

โ€œA HANDSOME stained glass window has been presented to All Saints’ Church, Brisbane, by Sir R. R. Mackenzie, and other members of his family. The window is intended as a memorial of the late Mr Richard Jones, Mrs Mary O’Connell, and Mr John Stephen Ferriter. The work has been executed by Messrs Ferguson, Urie, and Lyons [sic], of Melbourneโ€.

All Saints’ Church Brisbane 1862-1937 by D. L. Kissick B.A., page 30.

“The first anniversary of the dedication of the new church was kept on September 18th,the Bishop and the Rev. T. Jones being the preachers and the offertories being devoted to the building fund. At about this time the, beautiful east windows were put in place, for they were described in the “Courier” of October 3rd, 1870. They ‘were the gift of Sir Robert R Mackenzie, the Rev. T. Jones and. other members of the family of Mr. Richard Jones (father-in-law of the Rev. T. Jones), in memory of him, his daughter, Mrs. Mary O’Connell and Mr. John Stephen Ferriter. In. that famous Queensland poem by W. Wilks, “The Raid of the Aborigines,” Mr. John Stephen Ferriter is described under the name of “Justice Fairit of Tenthill,” a station originally owned by Mr. Richard Jones (“Merchant” Jones)”.

“The work was executed by Messrs. Ferguson, Uril [sic] and Lyons [sic] of Melbourne, the design and the richness of the colouring being excellent. The windows represents the Crucifixion with Mary Magdalene at the foot of the Cross, the Blessed Virgin Mary, St. John, the Ascension and the Holy Spirit. On October 11th the congregation passed a vote of thanks to the Rev. T. Jones and his family for this munificent gift and each generation of worshippers has had cause to bless the generosity of the donors as it has drawn inspiration from this work of art. These windows are probably the oldest stained glass in Queensland”.

There is also a mention of this window in the book “Australiaโ€™s Historic Stained Glass” by Beverley Sherry, page 98, which states .โ€This Crucifixion, rejected by a low church in Melbourne, was installed in 1870 at All Saintsโ€ but no evidence has been found to date to indicate which church in Melbourne rejected it.

External Links:

Biography: Sir Robert Ramsay Mackenzie 1811-1873.


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12-08-1870: Sydney Intercolonial Exhibition 1870.

The Argus, Melbourne, Friday 12th August 1870, page 4.

โ€œThe Dandenong, which sailed yesterday for Sydney, conveyed 60 packages for the Intercolonial Exhibition. The exhibits included specimens of auriferous quartz from Messrs. Latham and Watson; Pianos of local manufacture from Messrs. Wilkie, Kilner, and Co; an interesting mineralogical collection from Professor Abel, of Ballarat; stained glass from Messrs. Fergusson,[sic] Urie, and Lyon; and a large quantity of agricultural implements, beer, spirits, oatmeal, and biscuits. The Victorian commissioners intend to make their last shipment by the City of Adelaide, as they have already exceeded the time allowed them by the Sydney authorities.โ€

11-05-1870: Charitable Donations.

Over a forty year period the company name and many of the employees names were mentioned in numerous columns as having been donors to many institutions.

The Argus, Melbourne, Wednesday 11th may 1870, page 5.

โ€œThe secretary for the Victorian Asylum and School for the Blind acknowledges the receipt of the following sums in aid of that institution:-[โ€ฆ]โ€œ

โ€œ[โ€ฆ].Ferguson, Urie, and Lyon, ยฃ1,1s [โ€ฆ].โ€


19-08-1870: Immaculate Conception Church, Hawthorn, Melbourne, Victoria.

South Bourke Standard, Friday 19th August 1870. page 2.

“A meeting of the Catholics of Hawthorn was held in the church of the Immaculate Conception on Sunday last, for the purpose of alloting the eight stained glass windows to those parishioners who had volunteered subscriptions for their purchase. The Rev. Edward Nolan, S. J., occupied the chair, and the windows were alotted as follows:-1. “The Annunciation”, Hon. J. O’Shanassy, M.L.C.; 2. Marriage of the Blessed Virgin Mary and St. Joseph, Robert Hepburn, Esq.; 3. Nativity, and Adoration of the Magi, Hon. M. O’Grady, M.L.A.; 4. The visitation, John McDonald, Esq.; 5. The flight into Egypt, Michael Lynch, Esq.; 6. The Carrying of the Cross, Mrs. Walsh and Mrs. Norton; 7. Crucifixion, Wm. Henry Archer, Esq.; 8. Entombment and Taking Down from the Cross, Mrs. Conran, and Mrs. E. J. Prevot, per Hon . M. O’Grady. The reverend chairman received warm congratulations from his flock on his return from New Zealand invigorated with renewed health”.

The slideshow of the windows has been arranged in order as per below:

1.”The Annunciation“, Hon. J. O’Shannassy, M.L.C.
2.”The Marriage of the Blessed Virgin Mary and St. Joseph“, Robert Hepburn, Esq.
3.”Nativity and Adoration of the Magi“, Hon. M. O’Grady, M.L.A.
4.”The Visitation“, John McDonald, Esq.
5. “The Flight into Egypt“, Michael Lynch, Esq. [1]
6. “The Carrying of the Cross“, Mrs Walsh and Mrs Nortonย  [2]
7. “Crucifixion“, Wm. Henry Archer, Esq
8. “Entombment and Taking Down from the Cross“, Mrs. Conran and Mrs. E.J. Prevot,, per Hon. M. O’Grady.

All eight windows were created by Ferguson & Urie. There are 42 photos in this slideshow showing various detailed close-ups. The links above (1 to 8) will display the main window image on it’s own.

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Related posts: 11-10-1869

[1] Michael Lynch was the builder of Grace Park House in Hawthorn. In the 1860s he donated the land on the corner of Burwood road and Glenferrie road to the Catholic Church for the purpose of constructing the Immaculate Conception church. Inside the church are two memorials to the family, a small plaque the front of the church and the stained glass window “The Flight into Egypt” on the left as you go in the main entrance.

[2] The window โ€œThe Carrying of the Crossโ€, actually has the names Scott & Norton on it and not Walsh and Norton.

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11-10-1869: Immaculate Conception, Grace-Park, Hawthorn, Melbourne, Victoria.j

The Argus, Melbourne, Monday 11th October 1869, page 5.

โ€œThe Opening of the Church of he Immaculate Conception, Grace-park, Hawthorn, took place yesterday forenoon. โ€ฆโ€

 โ€œโ€ฆ With the view of having the church ready for the ceremony of yesterday, some work had to be left undone. For instance, only the windows in the clerestory have been permanently filled in. They are filled in with stained glass having various emblems of the Virgin Mary, St Joseph and the Apostles. This is the work of Messrs Ferguson and Urie. The stained glass for the lower windows has yet to be filled in. It will be of a larger and more handsome pattern, and will represent different incidents in the life of Jesusโ€ฆโ€

Photos taken 13th March 2011.

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Note: There is some confusion about this window. The window described as being by Ferguson & Urie above contains the Virgin Mary, St Joseph and the Apostles but it is obviously not installed as a clerestory window. The church has this great west window recorded as being by Mayer of Munich, which is correct and was not installed in readiness for the church opening in October 1869. No ‘clerestory’ windows were identified with similar depictions. The liturgical west window was erected in 1875 and most likely only installed by Ferguson & Urie.

The noticeboard just inside the church records the following information:

Immaculate Conception Church, Hawthorn, Noticeboard historical articles, 13th March 2011.

“THE ASCENSION WINDOW”

The large window at the back of the ICC is called the Ascension Window since it depicts this event. Mary and the eleven apostles are shown in the lower part of the window.(Mathias has not yet been been chosen to replace Judas). In the upper part of the window, angels welcome and escort the ascended Christ into heaven. It was made by Mayer of Munich (Germany). It represents the Ascension of Our Lord copied from a celebrated painting by the artist Raphael. The window was installed in the church in readiness for the opening in October 1869 [sic]”.

Related Posts:

19-08-1870 (The eight Ferguson & Urie windows in the nave)

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03-07-1869: St. Johnโ€™s Anglican Church, Ross, Tasmania.

St John’s Anglican Church in Ross, Tasmania, was erected to the designs of architect Henry Hunter using some of the sandstone from the original church built in 1835.ย  The building was completed in 1868 and consecrated the following year on the 14th of May 1869ย  by the Bishop of Tasmania, Charles Henry Bromby (1814-1907).

Launceston Examiner, Tasmania, Saturday 3rd July 1869, page 4.

“THE NEW CHURCH AT ROSS.- From the Church News..”

ย โ€œโ€ฆ The nave is lighted on each side by cusped lancet windows, placed in couplets. The west end has three plain lancets, over which is a circular window filled with geometrical tracery; and a small circular window is placed in the gable of the transept. The east window is of three lights, the head being filled with rich tracery. The masonry throughout is of fine Ross free-stone. The roofs are of high pitch, finished internally with pine boarding, panelled and moulded. All the windows are filled with stained pattern-glass, manufactured by Ferguson & Urie, of Melbourne…”

ย “โ€ฆ Everything was done by workmen employed by the chief benefactor of the church, Mr. Kermode, under the general direction of its designer and architect. Mr. Hunter…”

Photos: (updated) taken 12th August 2012. There are also some photos of restoration work, by Gavin Merrington. between June 2006 and Jan 2007. The August 2012 photos were taken during an awesome historical stained glass road trip with Gavin on the 12th Aug 2012.

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Note: Robert Quayle Kermode (1812-1870) also owned the mansion “Mona Vale” near the town of Ross in Tasmania, and it also contains stained glass windows made by Ferguson & Urie.

The Mercury. Hobart, Tas, Wednesday 12th May 1869, page 2.

“CONSECRATION OF ROSS’ CHURCH.- The Lord Bishop of Tasmania is to consecrate the new church at Ross on Friday, 14th inst., when divine service will be held at 11 o’clock. The clergy are invited to meet in the vestry at half-past ten and to bring their surplices”.


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1869: St Peterโ€™s Pebble Church, Carapooee, Victoria.

St Peterโ€™s Anglican Church Carapooee.

St Peterโ€™s Church at Carapooee, known as the “Pebble Church”, is about thirteen kilometers south of St Arnaud in western Victoria.

Originally the area was called ‘St Peter’s Diggings’ but known by the local Aborigines as ‘The Carapooee’, (โ€œan earthly paradiseโ€). The church was designed by architect Leonard Terry and Mr. Valentine Nott Mogg of ‘Swanwater Station’ laid its foundation stone in May 1869. The church is constructed of white quartz pebbles in varying sizes which are set in pinkish colored mortar. The pebbles were collected by locals from miners’ claims in the nearby hills. Valentine Mogg’s ‘Swanwater Station’ was also constructed of quartz pebbles in the same manner but there is supposedly no other church in Victoria constructed this like this.

The first service was held in St Peter’s in July 1870 with a formal opening taking place in October 1874.

The simple stained glass windows are of plain diamond quarries with red and blue stained glass borders and were supplied by the Colonial Victorian Stained Glass firm Ferguson & Urie of Melbourne.

Photos taken 11th June 2011.

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The last service and deconsecration of the Carapooee “Pebble Church” occurred on the 2nd of June 2019.


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17-04-1869: An Art Treasures Exhibition is held at the hall of the Public Library Melbourne.

The South Australian Register, Saturday 17th April 1869, page 3.

ย โ€œ[โ€ฆ] Several additions have been made to the Exhibition, and among the most remarkable is a painted window, illustrative of the seasons, the work of Messrs. Ferguson, Urie & Lyon, glass-stainers of Hotham[โ€ฆ].โ€

ย Note: This refers to the window for John Wilsonโ€™s mansion โ€œWoodlandsโ€ near Ararat in western Victoria.

Related posts: 13-04-1869 > 1868

16-07-1868: Cook’s Tailoring Establishment, Elizabeth Street, Hobart, Tasmania.

Henry Cookโ€™s new Tailoring establishment in Elizabeth Street Hobart, near โ€œLordโ€™s Buildingsโ€, was opened 1868 and contained a Ferguson & Urie stained glass window in the show room.

The Mercury Hobart, Tasmania, Thursday 16th July 1868, page 3.

โ€œโ€ฆ Mr Cookโ€™s new tailoring establishment in Elizabeth-street, near Lordโ€™s Buildings, has also been opened; two large houses and shops are converted into one place of business, and a pile of buildings at the rear has been razed, and a mansion erected on the site. Mr. Wiggins was the contractor for the new building, and Messrs. Jackson, Nicol, Martin, and Roberts were employed for the joinering work, cabinet making, and embellishment of the new business premises. A stained glass window in the show room is from the warehouse of Messrs. Ferguson, Urie, and Co, Melbourne. The premises are lighted with forty gas burnersโ€

Henry Cook was elected as Mayor of Hobart in 1860-61. In 1868 he was appointed as Tailor[1] to H.R.H. the Duke of Edinburgh. On the 13th August 1869 he was in the position of acting Mayor of Hobart and was on that day elected as Mayor[2] until the end of the year. He was as also a Justice of the Peace, Churchwarden of St Davidโ€™s, and the first president of The Benevolent Society of Hobart. There is also a monument dedicated to him at the Fern Tree Pipeline development.

Henry Cooks Tailoring shop was advertised as at 45 Elizabeth Street Hobart in the late 1850โ€™s. The Hobart Post office is now on the site formerly known as โ€œLordโ€™s Buildingsโ€.

Nothing further is known about what was depicted in the stained glass window or whether it still exists anywhere.

The Mercury, Hobart, TAS, Monday 26th May 1890, page 3.

โ€œDEATH OF MR. HY. COOK, J.Pโ€

โ€œโ€ฆA few years after his arrival in Hobart, he commenced business as a tailor and woollen merchant, which line he has since followed with marked success. His first premises were at the corner of Collins and Elizabeth streets, the spot now occupied by the A.M.P. Societyโ€™s offices. Afterwards he removed higher up Elizabeth-street, between Liverpool and Bathurst streets, returning some 20 years ago to the premises in Elizabeth-street, now occupied by his firm.โ€

Henry Cook died on the 25th May 1890. His son, Henry Jnr, carried on the business โ€œโ€ฆin a shop which at one time stood on the present site of the Commonwealth Bank, and in 1912 the business was removed to 136 Collins-street, where it is presently conducted.โ€ Henry Cook Jnr died aged 70 on the 17th July 1925.

External links:

Recollections of Old Hobart โ€“ The Post Office Block (The Mercury 28th July 1910)

Footnotes:


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26-06-1868: St. Johnโ€™s Anglican Church, Toorak, Melbourne, Victoria.

The liturgical east window of St John’s in Toorak is a memorial to William Crocker Cornish who died in 1859 and his wife Jane (nรฉe Rowell), who died in 1867.

The four light window represents the Nativity, Baptism, Crucifixion and Resurrection and was made by Ferguson & Urie of North Melbourne in 1868.

In 2010, the Verger of St. John’s church told me that the window was restored sometime c.1960’s and when it was reinstalled the lower panels of two windows were installed out of sequence. The verse, “John, Chapter, 19, Verse 16” (The Crucifixion) is installed beneath the scene of the Baptism and the verse “Mark, Chapter 1, Verse 10” (The Baptism) is installed beneath the Crucifixion scene.

In 1984 Australia Post issued a prepaid Aerogram envelope for Christmas that depicted the Nativity scene from this window at St. Johnโ€™s. I obtained a mint specimen of it from a collector in 2010 and a copy is shown in the slide show of photos. In Feb 2013 one of Ferguson & Urie’s original designs was found for this window amongst the State Libraries Collections and a copy of the design is also included along with its comparison to the window as seen in 2010.

Photos – 31st October 2010.

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The Cornish family are buried at the Melbourne General Cemetery. Their monument is amongst the more elaborate gravestones in the cemetery and as can be expected it has degraded significantly over nearly a century and a half. Photos of the monument were taken 19th October 2014 and these maybe the last images of it before the spire topples and the memorial text can no longer be read. Hopefully their memorial stained glass window at St John’s in Toorak will be looked after better and last for many more centuries.

Significant transcriptions:

The Argus, Melbourne, Friday 26th June 1868, page 5.

ย โ€œMEMORIAL WINDOWSโ€

ย โ€œโ€ฆThe window in the church at Toorak has been raised to the memory of the late Mr. Cornish, by Mr. and Miss Cornish. It is the work of Messrs. Ferguson, Urie, and Lyon, of this city, and does high honour to their skill and art. The architecture of the window, being of the decorated Gothic style, is eminently favourable to the development of a rich and harmonious style of colouring. The design of the stained glass is to illustrate the principal events in our Saviourโ€™s life โ€“ the nativity, baptism, crucifixion, and resurrection. In the first, we have the Virgin with the child in her arms, Joseph hanging over her, and the shepherds looking intently at the babe. The second represents the baptism at the Jordan, and the third the crucifixion. The latter is peculiarly well treated, and the figures of St. John at the one side, the Virgin at the other, and Mary Magdalene at the foot of the cross, are full of mingled sorrow and affection. In the last, the resurrection, the Saviour is represented emerging from the tomb, while an astonished soldier falls down before him. The figure is full of majestic dignity, and the folds of the mantle in which he is enveloped hang about him with natural grace. In the top tracery is the ascension witnessed by St. John and the Virgin. The last two are in medallion form, and are exceedingly well executed; the softness and heavenliness of expression in the Virginโ€™s face almost approaching that of some of the pictures of the Madonna. In the trefoil pieces are signs of the four evangelists, and in other parts of the tracery the โ€œAgnus Dei,โ€ and certain scripture texts. The colours of the picture are exceedingly well chosen; brilliant and effective, as all glass painting ought to be, but at the same time harmoniously and tastefully blended. A process of colouring has been adopted more suitable to the clear light of our atmosphere, and the consequence is that the window possesses a richness of tone, which agrees well with the style of art to which it belongs. We may add, that the chancel of the church in which this window is placed promises to be one of the most richly-decorated in the colony. At each side of the central window are two tablets of the law, in a highly illuminated style of writing; underneath are to be three tablets โ€“ one with a Calvary cross, and the other two with texts in scroll work; and the remainder of the space is being covered with an ornamental design in stencilling โ€“ the last work being performed by the ladies of the congregation. The side windows are also to be filled with stained glass representations of Faith, Hope, and Charity. A very fine altar-cloth has been recently received, as a present, from Mr. John King. It is made of rich Utrecht velvet, and has a large cross, studded with precious stones, in the centre.โ€

Illustrated Australian News for Home Readers, Melbourne, Friday 10th October 1873, page 170.

โ€œThe Church of St. John the Evangelist, Toorak, is erected on a site given by Mr. Alfred Ross, forming part of the Orrong estate, at the angle formed by the Gardinerโ€™s Creek and Clendon roads. The foundation-stone was laid by Sir Henry Barkly in April, 1860. The designs were made by Mr. W. W. Wardell, architect, presented to Mr. Henry Dauglish, one of the trustees, and carried out by Mr. F. M. White, architect. Messrs. Gosling Brothers were the contractors. The opening services were celebrated on Sunday, 13th July, 1862, by the Rev. Dr. Bromby, who continued as officiating minister during a period fifteen months, until the arrival from England of the Rev. Walter Fellows, B.A., of Christ Church, Oxford, since which time the congregation has steadily increasedโ€ฆโ€

โ€œโ€ฆThe chancel is 20 feet deep, having a four-light window, enriched with tracery and filled with stained glass representing the Nativity, Baptism, Crucifixion and Resurection of our Lord; also on the north side is a smaller two-light windowโ€ฆโ€ย 

The Argus, Melbourne, Vic, Friday 1st April 1859, page 4.

“DEATH of MR. CORNISH. – We announce with great regret the death of Mr. Cornish, of the firm of Cornish and Bruce, the contractors for the Melbourne and Murray River Railway. Mr. Cornish expired yesterday afternoon at his residence, at Brighton, after a lengthened illness, at the age of 44 years. The medical gentlemen in attendance upon him (Drs. Motherwell, Ford, and Brownless) ascribe his death to a complication of maladies, arising from disorganisation of the heart, the liver, and the lungs, and there is no doubt that these have been aggravated to a very considerable extent by the mental harassment and anxiety which are inseparable from the important business responsibilities in which he has been involved. The immediate cause of death, however, is said to be effusion into the pericardium – water on the chest – from which complaint he has for several months been a sufferer. The death of Mr. Cornish, in the midst of the vast undertaking in which he has been actively and successfully engaged, must be regarded as a great calamity, and will excite feelings of deep regret throughout the community. We believe that the funeral will take place on Monday.”

The Argus, Melbourne, Vic, Saturday 2nd April 1859, page 8.

“THE Friends of the Late WILLIAM CROCKER CORNISH, Esq. (of the firm of Cornish and Bruce, railway contractors), are respectfully invited to follow his remains to the place of interment, in the Melbourne General Cemetery. The funeral procession is appointed to move from his late residence, Myrtle Grove (opposite the residence of J. Bignell, Esq.) Brighton, at 1. and pass the Prince’s Bridge about 3 o’clock, on Monday, April 4. JOHN SLEIGHT, undertaker, 71 Collins-street east.”

The Argus, Melbourne, Vic, Tuesday 5th April 1859, page 4.

“FUNERAL OF THE LATE MR. CORNISH. – The remains of this gentleman were yesterday consigned to their resting-place in the New Cemetery, Melbourne. The cortรฉge left the residence of the deceased, at Brighton, at 1 p.m., arriving at Prince’s Bridge shortly after 3 o’clock. At this portion of the route the procession was joined by a large number of friends of the late Mr. Cornish in vehicles and on horseback, also by a party of work- men employed by Messrs. Cornish and Bruce, on foot. The religious services at the place of burial were performed by the Rev. S. L. Chase, the principal mourners being the three sons of the deceased and his late partner, Mr. Bruce.”

The Sydney Morning Herald, NSW, Wednesday 8th May 1867, page 1.

“On the 7th instant, at Petty’s Hotel, of paralysis, JANE, widow of the late W. C. CORNISH, of Melbourne, aged 44 years.”

St Johnโ€™s โ€“ its story for seventy years, 1860-1930, page 23.

โ€œTHE EAST WINDOW is an old Melbourne work by Fergusson and Ure [sic], and was erected in memory of William and Jane Cornish, who died in 1859 and 1867 respectively. It represents the leading incidents in the Life of Christ. Like the West Window, it has latterly been โ€œgradedโ€ with a tinted glass outside to protect it, and also to lower the primary colouring.โ€


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20-01-1868: Mona Vale Mansion, Ross, Tasmania, Australia.

Mona Vale mansion, at Ross in Tasmania, was built in 1867 for the wealthy land owner and Tasmanian Parliamentarian Robert Quayle Kermode and he entertained the Duke of Edinburgh there shortly after it was completed. The stained glass windows were created by the Ferguson & Urie stained glass company of North Melbourne and were selected by the architect of Mona Vale, Henry Hunter, during a visit to Victoria in 1867.

The Mercury, Hobart, Monday 20th January 1868, page 3.

โ€œTHE JOURNEY TO THE NORTH. (From our Special Reporter)

ย MONA VALE โ€“ RESIDENCE OF THE HON. R. Q. KERMODE, ESQ., M.L.C.

ย โ€œIn my last article I concluded my description of the trip of H.R.H. the Duke of Edinburgh to the northern side of the island, and landed him safely once again at the threshold of Government House. The narrative would, however, be very incomplete unless accompanied by some kind of description of the mansion at Mona Vale, where His Royal Highness stayed on his upward and downward journey, and where every provision was made for his comfort, which the real genuine hospitality of an English gentleman could devise, or Princely munificence accomplish. The mansion of Mona Vale is, I have no hesitation in saying, one of the most splendid and magnificently furnished residences in the whole of the Australian colonies, and it is replete with every comfort and conveniences that modern art has yet suggested.โ€ฆโ€

ย โ€œโ€ฆ Retreating to the main corridor we arrive at its junction with the main hall, and here for the first time I observed the beautiful windows of stained glass, which surround the front door. The fanlight is especially worth mention, having in the centre Mr. Kermodeโ€™s crest, an arm and dagger surrounded by a handsome design. The side lights have a stained glass bordering, with centre pieces in frosted glass of floral design. Arrived at the foot of the grand staircase, I observed that the whole of the windows by which it is lighted were also of stained glass, showing groups of flowers most tastefully arranged. The whole of these windows are in the style known as enamel painting, and were executed by Messrs. Ferguson and Urie, of Melbourne, some of them being selected for Mr. Kermode by Mr. Henry Hunter, during a late visit to Victoriaโ€ฆโ€.

Unfortunately, I don’t have any photos of the stained glass windows. Only copyright images exist in a handful of publications. The property is now owned by the Cameron family.

Robert Quayle Kermode was also a substantial benefactor and instrumental in the erection of St John’s Church in Ross which also has a complete cycle of Ferguson & Urie stained glass windows.

Related posts:

1869: St John’s Anglican Church, Ross, Tasmania.

External Links:

Biography – Robert Quayle Kermode (1812-1870)

Obituary – Robert Quayle Kermode (19 May 1870)

Article – ‘Fine Old Country Residence is Landmark in Northern Tasmania’

Obituary – Robert Crelin Kermode (1847-1927) [son of R. Q. Kermode]


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21-09-1867: St Paulโ€™s Cathedral, Sale, Gippsland, Victoria, Australia.

The Dr. Floyd Minter Peck memorial stained glass window was created by the Ferguson & Urie stained glass company of North Melbourne and was erected in St Paul’s Anglican Cathedral, Sale, Victoria, in September 1867.

Gippsland Times, Saturday September 21st 1867, page 2.

โ€œDuring the past week the central lights of the east window in the chancel of St. Paulโ€™s has been filled with stained glass. The window, which is sixteen feet high and three feet wide, has been erected by a few friends as a memorial to Dr. Peck, one of the earliest trustees and an earnest supporter and benefactor of the church. The painful circumstances of his death, in the prime of his manhood, are still fresh in the recollections of the inhabitants of the district. His death was caused by disease in conducting a post-mortem examination, and was justly regarded as a public misfortune. A subscription was initiated to erect a tablet to his memory, but it was afterwards resolved that a testimonial to his worth would be most appropriately placed in the new church, for which he had worked so long and zealously in raising funds; the present form of memorial was then wisely determined on. The general effect is extremely pleasing; the hues are clear, brilliant, and admirably arranged, and give to the church the colour so much needed. It is lancet shaped; the border is of green leaves; the lancet contains a fine scroll, with the words โ€œBlessed are the dead which die in the Lord.โ€ The centre is filled with a large figure of Christ as the Saviour of the world, with a nimbus round the head, and holding and orb typical of sovereignty; underneath are the words โ€œSalvator mundi;โ€ the lower part is filled with grisaille, enclosing a shield with the following inscriptions, in early English characters:- โ€œErected by subscription, in pious memory of Floyd Minter Peck, surgeon of this town, who died January 17 [sic], 1864.โ€ A bright monogram of the Alpha and Omega shine at the apex of the window. The diapering and tracery generally are, very light and effective, and reflect great credit on the artists who executed them. It is a further subject of congratulation that this splendid window has been designed and chiefly manufactured in the colony by Messrs. Ferguson, Urie, and Lyon, of North Melbourne, who have been for some time past actively engaged on the work, which they have now brought to such a creditable conclusion.โ€

The centre light of the three windows in the chancel is the Dr. Floyd Minter Peck memorial window by Ferguson & Urie. It originally came from the first church built in Raymond Street Sale. The article above has the date he died incorrect and so does the memorial text on the window. He actually died on the 7th of January 1863. The left light is also by Ferguson & Urie and is a memorial to Edward Crooke, but was created nearly two decades later and erected in September 1886. In 1887 Melbourne stained glass craftsman William Montgomery created the right light depicting the Good Shepherd and is a memorial to Menie Peck, the second wife of Dr. Ffloyd Minter Peck.

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Geelong Advertiser, Vic, Thursday 26th September 1867, page 2.

“During the past week the central light of the east window in the chancel of St. Paul’s Church, Sale, has been filled with stained glass. A local contemporary explains that the window, which is nineteen feet high and and three feet wide, has been erected by a few friends as a memorial to Dr Peck, one of the earliest trustees and earnest supporter and benefactor of the church, and whose death was caused by disease incurred by conducting a post mortem examination, and was justly regarded as a public misfortune. The general effect of the work is said to be extremely pleasing; the hues are clear, brilliant, and admirably arranged, and give to the church the colour so much needed. It is lancet shaped; the border is of green leaves; the lancet contains a fine scroll, with the words, “Blessed are the dead which die in the Lord.” The centre is filled with a large picture of Christ as the Saviour of the world, with a nimbus round the head, and holding an orb typical of sovereignty; underneath are the words “Salvator maudi;” [sic] the lower part is filled with grisaille, enclosing a shield with the following inscription in early English characters:- “Erected by subscription, in pious memory of Floyd Minter Peck, surgeon, of this town, who died January 17, 1864.” It is a subject of congratulation, as our contemporary remarks, that this splendid window has been designed and chiefly manufactured in the colony by Messrs Ferguson, Urie and Lyon, of North Melbourne.”

Monumental memories : Sale Cemetery / by Glenys Wain, Kylie Rhodes, Linda Barraclough:

"Dr. Floyd Minter Peck (c1818-1861) was the son of a doctor from Newmarket, England. He came to Australia with his brother in law Dr. Hedley, Dr. Reeve of Snakes Ridge and his brother James Peck. Dr. Peck married Anna Maria Robertson (1823-1859) who died in Sale soon after her arrival there, following the birth of her sixth child. Dr. Peck then married Menie Campbell (1820-1884), a sister in law of Robert Thomson. However shortly after their wedding Dr. Peck contacted an infection while performing an autopsy, and died five days later. Dr. Hedley took over his practice afte his sudden death. James Peck (c. 1833-1884) was the younger brother of Dr. Floyd Minter Peck, and lived at "Bowerette" near "Grassdale". He married Ada Minter (C.1846-1918), the daughter of a doctor from Mount Moriac, and became a successful stock agent. Near these two family plots are family plots for the Smith and Minters, who are related. All plots have similar fences, with gateways."

Related posts:

The 1885 Edward Crooke memorial window at St. Paulโ€™s Cathedral, Sale by Ferguson & Urie.

External links:

Paul Saban: “The Medical History of Newmarket”, Ffloyd Minter Peck (1820-1867)

The 1887 Menie Peck memorial window at St Paul’s Cathedral, Sale, by William Montgomery.

Homestead: Grassdale. Home of Floyd Minter Peck


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13-08-1867: James Urie visits Tasmania on Ferguson and Urie business.

In August 1867, James Urie of the Melbourne stained glass firm ‘Ferguson & Urie’, traveled to Tasmania with a portfolio of the companies designs for ecclesiastical and secular stained glass. As of May 2013, over twenty-five Tasmanian buildings have been identified as having one or more extant stained glass windows by the firm. The newspaper article below contains a gold mine of clues for Ferguson & Urie windows erected in Tasmania and in Victoria and I have included my comments as to what have found on each clue.

The Mercury, Hobart Tasmania, Tuesday 13th August 1867, page 5.

ย โ€œSTAINED WINDOWS โ€“ A few days since we stated that Mr. Urie of the firm of Ferguson, Urie, and Lyon, glass stainers, &c, Melbourne, was on a professional visit to Hobart Town. This gentleman is now in Launceston, and we were much gratified yesterday by inspecting a large portfolio of designs for church and other windows which his firm has executed or has in hand. Amongst the most elegant we may mention the chancel window of St. Georgeโ€™s Church, Queenscliff, the subject being taken from the Litany, whilst the side lights represent the twelve Apostles and the west window other emblems; chancel window of St. Peterโ€™s, Wooloomooloo (Sydney), embracing nine events in the life of St. Peter; Roman Catholic Church of St. Peter and St. Paul, Geelong; St Josephโ€™s Roman Catholic Church, Collingwood; St. Patrickโ€™s Church, Duneed; the Melbourne Convent; the Presbyterian Churches at West Melbourne and Ballan; the Wesleyan Churches at Daylesford and Kent Town (S. Australia). They have also erected some very elegant memorial windows including one for the late Prince Consort at Kew; Rev. R. W. Needham, at Mount Gambier; Dr. Peck, at Sale; Judge Pohlmanโ€™s wife, and wife of Mr Stoddart both in Melbourne. We have already referred to Dr. Mooreโ€™s at New Norfolk, and the two windows in St. Johnโ€™s, Launceston. One of the most elegant windows is in the house of Mr. George Stevenson, at Toorak; it represents the four seasons with figures of Art, Science, Agriculture, and Commerce, with Faith and Hope, coat of arms, and crest. This window cost ยฃ250. This firm also supplied a staircase window for the new mansion of the Hon. R. Q. Kermode at Mona Vale, but it has been decided to substitute one much more elaborate. They are also to fit up two windows for the new Wesleyan Church of this town โ€“ one at either end, which will be very handsome. Several private homes in this town, and a large number in Victoria, have been ornamented in this way, and no doubt the practice will extend when it is known how skilfully the art is carried out by Messrs. Ferguson & Co.โ€

Notes:

1. Queenscliff, Victoria, St Georges, All windows extant.
Related posts: 22-02-1864 >ย 29-01-1866 > 12-02-1881 >ย 07-04-1882 >ย 30-12-1893

2. Wooloomooloo, Sydney, NSW, St Peterโ€™s (Darlinghurst), now part of Sydney Church of England Girls Grammar School.
Related posts: 1867: St Peterโ€™s Anglican Church, Woolloomooloo, Sydney, New South Wales.

3. Geelong, Victoria, St Peter & Paul Catholic. Three light principal east window.
Related post: 13-08-1867: St Peter & St Paul, Geelong, Victoria.

4. Collingwood, Melbourne, Roman Catholic (St Josephโ€™s) destroyed by fire in 2007.
See: 1863: St Josephโ€™s Catholic Church, Collingwood, Victoria.

5. Duneed, Victoria, St Patrickโ€™s (Mt Moriac) foundation laid in 1858. Ferguson & Urie east window erected in 1866 but was destroyed my a massive hail storm in 1887. The church was rebuilt in 1950โ€™s and sold at auction in February 2017..

6. Melbourne, Victoria, the “Melbourne Convent”. This is likely to be the “Convent of Our Immaculate Lady of Mercy” in Nicholson street Fitzroy. My correspondence with the Convent has revealed nothing.

7. West Melbourne, Presbyterian. Dismantled in 1935 and re-erected as St Andrews at Box Hill in 1936. It contains the original F&U windows except for one which went to the Camberwell Church on Riversdale Road.
Related posts: 27-04-1935

8. Ballan, Victoria, Presbyterian (St Paulโ€™s). All windows are extant.
Related posts: > 22-07-1866 > 28-07-1866 > 13-08-1867

9. Daylesford, Victoria, Wesleyan. Only small โ€˜stockโ€™ windows in the porch exist in poor condition. See photos <here>

10. Kent Town, South Australia, Wesleyan. Nothing further known.
Related posts: 26-10-1864

11. Kew, Melbourne. The Prince Consort window at Holy Trinity is extant and recently restored.
Related posts: 08-06-1881

12. Mount Gambier, Christ Church, Rev Needham memorial window and others are extant.
Related posts: 02-11-1867

13. Sale, Victoria, St Paulโ€™s Anglican Cathedral. Dr. Peck memorial window is extant.
Related post: 29-01-1867

14. Melbourne, Pohlman and Stoddart memorial windows.
Nothing found in regards to the Pohlman window but the Stoddart window exists.
Related post: South Yarra Presbyterian 1867

Pohlman:

Judge Robert Williams Pohlman (1811-1877): Biography | Obit 1877 | Funeral | Obit 1878 His funeral was in St Stephenโ€™s in Richmond and he was buried in the Melbourne General Cemetery on the 8th Dec 1877. He was married twice. His second wife, Mercy Clifton Bachelor died of an embolism at age 26 on the 21st January 1876 only a couple of weeks after giving birth to a stillborn daughter on the 5th of January 1876. He only had one daughter to his second wife named Annie who married Navy Commander Frederick Owen Pike at St Johnโ€™s in Toorak on the 27th December 1893.

This would mean that the stained glass window would have been a memorial to his first wife โ€œElizaโ€ who died at Richmond on the 11th Feb 1856.

Stoddart/Stodart:

This is James Dickson Stodart (c1825-1867), Mayor of Prahran 1864/65 and councilor 1858/59-1859/60, 1863/64-1864/65.

Arrived from Edinburgh in 1853. Was later a financial agent for Cornish & Bruce railway contractors. See: Yarra Presbyterian 1867

An active member of the Scotch Presbyterian Church in Punt Road South Yarra, where his memorial stained glass window resides.

He died on Wednesday 12th June 1867. The window has been found at the South Yarra Presbyterian Church See: http://wp.me/p28nLD-2I3.

15. New Norfolk, Tasmania, St Matthewโ€™s, Dr. Moore memorial window is extant.
Related posts: 04-03-1882

16. Launceston, St Johnโ€™s: The window is extant but no longer in its original position. The canopy glass above the main three lights no longer exists but an original design for the window shows that it contained the descending Dove and the symbols for Alpha and Omega.
Full details seeย  post: 25-09-1866

17. George Stevensonโ€™s house at Toorak was named โ€œTrawallaโ€ and is located at 22 Lascelles Avenue Toorak. Window is extant.

18. Ross, Tasmania, Kermodeโ€™s Mona Vale Mansion. This window still exists. Images are shown in various historical books written in the last 30 years.

19. Launceston, Wesleyan, (Pilgrims Uniting), window facing Patterson street is extant but nothing seen in the opposite end. Gavin Merrington from Hobart has confirmed that a wheel window exists above the organ loft.

Also see: 07-08-1867: Decorative Art. James Urie sojourning in Tasmania.

Other related posts: 03-03-1868 , 29-01-1866, 20-06-1867, 29-04-1864,


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07-08-1867: Decorative Art. James Urie sojourning in Tasmania.

The following historical tabloid transcriptions contain a wealth of clues for my research on Ferguson & Urie stained glass.

In 1867 James Urie has traveled to Tasmania on the quest to further the company’s interests. By all accounts it would seem that his business acumen was extremely successful and there have been quite a few tabloid articles written which trace his movements. For many years after his venture to Tasmania the company would receive commissions from all over the state.

Each of the obscure clues in the following articles has been researched in great depth and links to other detailed posts on the windows mentioned have been included.

The Mercury, Hobart Tasmania, Wednesday 7th August 1867, page 2.

โ€œDECORATIVE ART โ€“ The admirers of art workmanship will be glad to hear that there has for the last couple of weeks been sojourning in Tasmania, a partner of the Victorian firm of Ferguson, Urie, and Lyon, to whom many ecclesiastical and private edifices in this and the neighboring colonies are indebted for some of the finest specimens of pictorial decoration on glass, of which they have yet become the possessors. The objects of the visit have been to fulfil some orders previously given and to obtain others, and it is satisfactory to know that in the latter design the gentleman referred to, Mr. Urie, has not been unsuccessful. The name of the firm of which Mr. Urie is a member will be familiar to all visitors to the late Intercolonial Exhibition in Melbourne, in which a court furnished by them to illustrate the ornamentation of churches constituted a very interesting and pleasing feature. Mr. Urie has brought with him a portfolio of designs prepared in his establishment for the embellishment of ecclesiastical windows, and inspection of which is quite sufficient to establish the claim of the house he represents to consideration at the hands of all persons of cultivated taste, who may have made this branch of the art a subject of special study. The appropriateness with which the conventional religious symbols of the ancient church are introduced, the fidelity with which scriptural incidents are treated, and the beauty of the drawing and colouring combine to render the collection at once suggestive to the mind, and pleasing to the eye; and a familiarity with it, on the part of the rising generation of Tasmanians, would do much towards engendering and fostering a healthy appreciation of one of the highest forms of art workmanship amongst the community. The decorations already supplied by Messrs. Ferguson, Urie, and Lyon to churches in Tasmania, include a stained window erected in St Lukeโ€™s Church, Launceston, and another which has been placed in the Episcopalian Church, New Norfolk. The former contains a representation of the โ€œAscension,โ€ supplemented by groups of the apostles, the entire constituting a most ornate adjunct of the building, and being completed at a cost of ยฃ130. The latter has been contributed by Dr. Moor as a memorial of gratitude for his preservation from shipwreck in the City of Launceston, steamer. The central group of figures in the latter represents the baptism of Christ. In addition to these the firm are in receipt of commissions from John Foster, Esq, for a memorial window to be placed in All Saintsโ€™ church, Hobart Town, remembrance of the donorโ€™s deceased son, and from A. Kennerley Esq, for other decorated windows for the same church. They have also executed commissions for hall and staircase windows, some of them of highly artistic design, for R. Q. Kermode Esq, of Mona Vale, which afford evidence of the attention paid by them to the profane as well as to the religious style of decoration in the branch of pictorial art to which they devote themselves.โ€

Geelong Advertiser, Vic, Thursday 15th August 1867, page 3.

“A Tasmanian paper thus refers to the success of an enterprising Melbourne firm: -โ€œMr Urie, of the firm of Ferguson, Urie and Lyon, of Melbourne, who, it will be remembered, designed and executed one of the stained-glass decorations in St. John’s Church, is now visiting Hobart Town, having fitted up a window in the Episcopalian Church, New Norfolk, which has been contributed by Dr Moore as a memorial of gratitude for his preservation from shipwreck in the City of Launceston steamer. The central group of figures represents the baptism of Christ. In addition to these the firm are in receipt of commissions from John Foster, Esq., for a memorial window to be placed in All Saints’ Church, Hobart Town, in remembrance of the donor’s deceased son, and from. A. Kennerley, Esq., for other decorated windows for the same church. They have also executed commissions for hall and staircase windows, some of them of highly artistic design, for R. Q. Kermode, Esq, of Mona Vale.”

All the windows mentioned in the historical articles are extant:

1.ย St John’s window Launceston (incorrectly mentioned as St Luke’s in the first article).

2. The Episcopalian Church, New Norfolk, is St Matthews and has the Moore window.

3. The Foster memorial window at All Saints Anglican Hobart.

4. The A. Kennerley windows are in the ‘Kennerley’ aisle in All Saints.

5. The Kermode window at Mona Vale is extant but only copyright photos exist.

Also see: 13-08-1867: James Urie visits Tasmania on Ferguson and Urie business.


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20-07-1867: St Judeโ€™s Church, Carlton, Melbourne, Victoria, Australia.

The foundation stone of St Jude’s Anglican Church at Carlton was laid on the 18th October 1866 by Bishop Charles Perry.

The church was designed by architects Reed & Barnes and built by John Pigdon and it was officially opened on the 3rd March 1867.

Amongst the many historical artifacts in the church are the original liturgical east and west stained glass windows by the Ferguson & Urie stained glass company of North Melbourne.

Illustrated Australian News for Home Readers, Saturday 20th July 1867, page 4.
(Repeated , Saturday 27th July 1867, page 4).

ย โ€œST. JUDES CHURCH, CARLTONโ€

ย “The foundation stone of St. Jude’s Church was laid by the Lord Bishop of Melbourne, on the 18th of October, 1866; and that portion of the building now erected was opened for public worship on the 3rd of March, 1867 โ€ฆ”

ย “โ€ฆ The windows are glazed with Cathedral glass, and neatly bordered with stained glass. The chancel window, which is of beautiful proportions, is further ornamented with the emblems of Faith, Hope and Charity, chaste in design, brilliant in coloring, and effective in execution. The artists were Messrs Ferguson, Urie and Lyon, who obtained great credit at the recent Intercolonial Exhibition …”

Photos taken: 26th September 2010.

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The historic “Faith, Hope and Charity” window was restored in February 2009 by Geoffrey Wallace Stained glass at Caulfield.

In the early hours of Saturday 18th October 2014 a suspicious fire broke out at the liturgical east end of the church and a large portion of the historical 147 year old Ferguson & Urie “Faith, Hope and Charity” stained glass window was destroyed.

See Sky News report about the fire:

I went to Carlton on Sunday 19th for a look and it appears to me that something flammable has been thrown through the window or a heavy object first and then something flammable. As recently as 20th July 2014 I took a photo of the outside of the window which surprisingly did not have any external wire or perspex protection at all. If it did have protection then the vandals would probably have failed or not even attempted this mindless destruction in the first place.

A Chanel 7 news report on Sunday 19th indicated that two men had been questioned over the fire but have been released without charge.

Related posts:

10-06-1867 – The 1867 Melbourne Intercolonial Exhibition.

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10-06-1867: The late 1866 Melbourne Intercolonial Exhibition.

The 1867 Melbourne Intercolonial Exhibition.

Results of the late Intercolonial Exhibition โ€“ Special Awards made on behalf of the commissioners by the council of chairman or jurors.

The Argus, Melbourne, Monday 10th June 1867, page 7.

In Class V: โ€œ[โ€ฆ] Ferguson, Urie & Lyon. โ€“ For enterprise and skill in the production of stained glass for ecclesiastical purposes, and for their liberal contributions to the Medieval Court [โ€ฆ]โ€.

20-12-1866: The Medieval Court at the 1866 Melbourne Exhibition

The Chancel windows of Christ Church Anglican at Casterton in Western Victoria were displayed at the 1866 Melbourne Exhibition.

The Ferguson & Urie stained glass company created and decorated an entire chancel for the Exhibitions ‘Medieval Court’ display and the stained glass windows were the central exhibit before being installed in the Casterton Church. Who was actually contracted to install them is still a mystery as the first two windows were installed out of sequence with the ‘Passion’ preceding the ‘Nativity’. Also of note is that Joseph does not appear in the Nativity scene.

The coloured photos were taken 8th January 2011.

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The Australian News for Home Readers, Vic, Thursday 20th December 1866, page 8.

“MEDIEVAL COURT”

โ€œOne would scarcely expect to find a Medieval Court in an exhibition of the products, of a new colony; but such a court there is, intended to illustrate portions of ecclesiastical architecture; and it constitutes, perhaps, the most pictorially effective part of the whole building. Messrs Ferguson, Urie and Lyon, glass stainers, Curzon-street, North Melbourne, exhibit a decorated chancel, the ceiling of which has for a centrepiece the Agnus Dei, surrounded with scriptural texts and gothic clouds. The other portion of the ceiling is divided into twelve compartments, having the emblems of the twelve Apostles. The walls are diapered with simple but chaste pattern. It is lighted with five stained glass windows, the subjects of which are the Nativity, Passion, Crucifixion, Resurrection and Ascension. These windows are made for the chancel of the church at Casterton, and are exhibited by permission of the Rev. Dr. Russell. At the altar are two richly illuminated tablets of the commandment, Lords prayer and creed; also an illuminated painting of the Last Supper. A considerable quantity of stained glass is exhibited, consisting of ecclesiastical and domestic styles; also, numerous samples of stained and embossed borders and small subjects. On the right hand side of the court is a carved baptismal font in Caen stone, designed and executed by Mr John Young, contractor, Melbourne. It is all colonial workmanship. The upper portion is octagonal, representing the four Evangelists. At the top of the shaft are masses of carved foliage with heads interspersed, while at each angle of the shaft, which is double, are buttresses wreathed and moulded. The outer one has got headed open panels cut entirely through showing the centre shaft of the interior. In the splays of he base are clusters of foliage carved from real flowers and leaves, but Gothicised after the decorated period. The base represents evil spirits in the form of dragons, emblematical of the Sacrament of baptism casting them down. The lid of the font is of carved colonial blackwood, polished, ornamented with wrought iron to suit the general workmanship of the whole. In this department are also some highly ornate water fonts, sculptured by Mr. F. Utyco; a number of figures carved in wood for the internal decoration of St. Patrickโ€™s cathedral, an altar and fittings, some hand rails, and several statues of saints.โ€

The 1866 Melbourne Intercolonial Exhibition was held in a specially built โ€˜Great Hallโ€™ on a site behind the State Libraryโ€™s Queens Hall in Swanston Street Melbourne.

Casterton Christ Church 99A


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03-11-1866: The 1866 Intercolonial Exhibition.

The Brisbane Courier, QLD, Saturday 3rd November 1866, page 6.

“VICTORIA”

“Our files from Melbourne are October 25. The Age of that date contains the following description of the Intercolonial Exhibition opened on that date:- […]”

“[…] In class 4- the manufacturers and the useful arts- special and deserved mention must be made of the exhibits of Messrs. Ferguson, Urie, and Lyon, glass-stainers, North Melbourne. This firm were exhibitors in 1854, but have evidently made great strides during the last twelve years. Their display is unique, and will form one of the attractions of the Exhibition, particularly during the evening, when the illuminated paintings and stained glass windows have their effects brought into prominence by a profuse display of gas light. […]”

25-10-1865: The 1866 Melbourne Exhibition.

ย The Argus, Melbourne, Thursday 25th October 1866, page 5,
The Argus, Melbourne, Saturday 27th October 1866, page 2s.
The Launceston Examiner, Monday 29th October 1866, page 3,
The Goulburn Herald and Chronicle, NSW, Saturday 3rd November 1866, page 2.

โ€œOPENING OF THE EXHIBITIONโ€.

โ€œThe third Melbourne Exhibition of natural products and works of art was formally opened by His Excellency the Governor at noon yesterday, in the presence of a large concourse of ladies and gentlemen. [โ€ฆ]โ€

โ€œTHE VICTORIAN COURTS MAIN HALLโ€.

“The centre and left side of the main hall are occupied entirely by Victorian products. The display in these courts is extensive and varied. It is natural that the wealthiest and most populous of the colonies should be the largest contributor to the exhibition;…”

โ€œโ€ฆ At the interior side of the mediaeval department, Messrs. Ferguson, Urie, and Lyon, glass stainers, North Melbourne, exhibit and early English chancel, decorated in a highly artistic style. In the centre of the ceiling is the Agnus Dei, surrounded with inscription and Gothic clouds. Radiating from this are twelve panels each containing an emblem of the twelve apostles. The walls are neatly diapered. Over the altar table is an illuminated oil painting of the โ€œLast Supper,โ€ on each side of which are illuminated tablets of the Commandments, creed, and Lordโ€™s Prayer. The windows, five in number, are of stained glass and illustrate the Nativity, Passion, Crucifixion, Resurrection, and Ascension, intended for the Episcopalian Church at Casterton. Over the windows is the scripture text, โ€œBlessed be the Lord God of Israel, for he hath visited and redeemed his people. In the medieval court, the same firm exhibit a variety of stained glass windows, the principal of which are a Salvator Mundi, a memorial , and a heraldic device, besides numerous samples of stained and embossed glass. In embossed plate, they exhibit two samples- one with stained borders, and suited for a hall window; the other a large plate, nine feet by four, for the staircase of Mr. W. J. Greig, of Toorak. In the fine-arts court, they exhibit numerous coloured designs of windows they have executed during the past five years. The whole of the articles shown by this firm are made on their own premises, and show a very satisfactory state of art in this department…”

Nothing further is known about the staircase window mentioned for W. J. Greig of Toorak.

27-10-1866: The Victorian Deaf & Dumb Institution, Melbourne, Victoria.

The foundation stone of the Victorian Deaf and Dumb Institution St Kilda was laid by the Governor of Victoria Sir Charles Henry Darling (1809-1870) on the 6th March 1866 and was formally opened ten months later by his successor, His Excellency Sir Henry Manners Sutton (1814-1877) on Saturday the 13th October 1866. The building still contains a stained glass window created by the Ferguson & Urie company of North Melbourne.

Photo of window courtesy of Mrs Noelle Nathan April 2011.

The general theme of the window is Faith, Hope, and Charity with appropriate scriptural texts from the King James Bible associated with those afflicted by speech and hearing impairments.

1. The left light depicts the Scotch Thistle at the top and below is a cherub holding a scroll with the text: “And in that day shall the deaf hear the words of the book“.
[From the King James Bible Isaiah 29:18 “And in that day shall the deaf hear the words of the book, and the eyes of the blind shall see out of obscurity, and out of darkness.”]
A roundel beneath depicts a crimson cross with a gold crown in the centre and the words ‘FAITH’ below.

2. The apex of the centre light depicts the English Rose. An Angel below it holds a scroll which reads: “The tongue of the dumb shall sing.”
[From King James Bible, Isaiah 35:6, “Then the lame man leap as an hart, and tongue of the dumb sing: for in the wilderness shall waters break out, and streams in the desert”].
Below is the stylised interwoven letters “IHS”, an abbreviation for โ€œIHESUS,โ€ the way Christโ€™s Name was spelled in the Middle Ages. The text in the outer ring of the roundel surrounding it “CHARITY”.

3. In the right light the Irish Shamrock appears at the top and central below it a cherub hold scrolls with the text: “He maketh both the deaf to hear, and the dumb to speak.“
[From the King James Bible Mark 7:37 – “And were beyond measure astonished, saying, He hath done all things well: he maketh both the deaf to hear, and the dumb to speak”]
The roundel below depicts the ships anchor with the word “Hope”.

The Telegraph, St Kilda, Prahran and South Yarra Guardian, Vic, Saturday 3rd March 1866, page 2.

“The memorial stone of the new Victorian Deaf and Dumb Institution will be laid by His Excellency Sir Charles H. Darling on Tuesday next, on the site recently granted by the Government at the junction of the St. Kilda-road and High-street, Prahran. A large number of ministers and other gentlemen have signified their intention of being present, some of whom will take part in the proceedings.”

The Argus, Melbourne, Monday 15th October 1866, page 5.

โ€œโ€ฆOne of the staircase windows is of stained glass, by Ferguson and Urie. The central square is ten or eleven feet high and there is a figure on it and angel on a sphere proclaiming โ€œThe deaf shall hearโ€ฆโ€

The Age, Monday 15th October 1866, page 11.

“…A very fine stained glass stair-case window has been erected by Ferguson and Urie, the central square of which is nearly eleven feet high, showing the figure of an angel on a sphere, proclaiming “?the deaf shall hear,” with other scriptural texts of an appropriate character in the other squares,,”

The Australian News for Home Readers, Vic, Saturday 27th October 1866, page 6.

ย “OPENING OF THE VICTORIAN DEAF AND DUMB INSTITUTION”

ย “The Victorian Deaf and Dumb Institution, the memorial stone of which was laid in March last by his Excellency Sir Charles Darling, was formally opened on the afternoon, of Saturday the 13th inst, by his Excellency Sir J. H. T. Manners-Sutton, in the presence of a numerous assemblage of ladies and gentlemen….”

ย “…A very fine stained glass stair-case window has been erected by Ferguson and Urie, the central square of which is nearly eleven feet high, showing the figure of an angel on a sphere, proclaiming “The deaf shall hear.” with other scriptural texts of an appropriate character in the other squares…”

The Australian New for Home Readers, VIC, Saturday 27th October 1866, page 6

“OPENING OF THE VICTORIAN DEAF AND DUMB INSTITUTION.

The Victorian Deaf and Dumb Institution, the memorial stone of which was laid in March last by his Excellency Sir Charles darling, was formally opened on the afternoon, of Saturday the 13th inst., by his Excellency Sir J. H. T. Manners-Sutton, in the presence of a numerous assemblage of ladies and gentlemen. The building is situate adjacent to the St. Kilda road, having a large frontage to High-street, and contiguous to the Wesleyan College, which was also opened during the present year. Its handsome and somewhat elaborate external appearance, surmounted by a lofty tower, entitles the building to rank as another ornament to the colony, and reflects honor upon its promoters; the Government and Parliament, who afforded them such substantial assistance, and the charitably disposed in our community, who have liberally aided the institution. The opening ceremonial was fixed to take place at two p.m., and to be followed by a banquet. His Excellency, Lady Manners-Sutton, together with the private secretary and aide-de-camp, were received at the entrance by the committee of management and the secretary, Mr Moss, and escorted to the dining room, which was temporarily decorated for the ceremonial and banquet. Amongst those present were Bishop Perry and Mrs Perry, his Honor Mr Justice Pohlman, the hon. The Minister of Mines, the hon. Mr Fellows, the Rev. Dr. Cairns, the Rev. J. S. Waugh, the Rev. Mr Macdonald, the Rev. Mr Dare, his Worship the Mayor of Melbourne, Messrs McBain, Balfour, Henty and Langton, M.L.Aโ€™s; the mayor of Emerald-hill, the mayor of Williamstown, and numerous other gentlemen connected with the municipal institutions of the suburbs, and many ladies and gentlemen well known for their philanthropic and charitable disposition. The proceedings were opened by his Honor Mr Justice Pohlman taking the chair.

ย ย ย ย ย ย ย ย ย ย ย  The Rev. Mr MACDONALD invited all present to join in singing the 355th hymn in the Church psalter, commencing โ€œBefore Jehovahโ€™s awful throne.โ€

ย ย ย ย ย ย ย ย ย ย ย  Bishop PERRY delivered and extempore prayer, invoking the blessing of God upon the labors of those who had been instrumental in raising such an institution for the unfortunate children confided to their care.

ย ย ย ย ย ย ย ย ย ย ย  Rev. Mr Moss, secretary to the institution, gave a brief report of its rise and progress. Six years ago, he said, Mr Rose went to England in order to ascertain the working of the deaf and dumb institutions in England and on his return to the colony submitted a project for the establishment of such an institution in Victoria, to the present secretary, (the Rev. Mr Moss) who advised him to prosecute it, and after some delay and difficulty a small cottage was obtained about a stoneโ€™s throw distant from the present building. The experience then derived established the painful fact that there was a large number of deaf and dumb children residing in the neighbourhood whose parents were unable to pay for their education. It was therefore deemed advisable to extend some assistance to such children, and a meeting was held at the Scotsโ€™ Church, at which a provisional committee was appointed for the purpose of establishing a deaf and dumb institution on a scale commensurate with the wants of the colony. Two gentlemen who attended that meeting, viz., the Rev. Mr Macdonald and himself, were now present rejoicing in the success which had attended their efforts. (Applause.) Many difficulties, at the outset, beset them. It was not supposed by many that any necessity existed for such an institution, but when sufficient information had been afforded the public, their sympathies were aroused, and in August, 1862, a public meeting was convened, over which his Excellency Sir Henry Barkly presided, when the project was fairly launched. Since then the efforts of he committee had prospered. They had received general support from the Government, the Parliament, the board of education and the charitable. At the beginning of last year arrangements were made for the erection of a permanent building. An application was made to the Government for a grant of land, and the present site, consisting of six acres, was given. Plans of a suitable building were prepared by Messrs Crouch and Wilson, architects; and Mr Ireland undertook the erection of the building, which had been completed to the satisfaction of the committee. The cost of the present building, including the fencing and outbuildings, was ยฃ6800. Towards the liquidation of that amount, the Parliament had voted ยฃ4000; a sum of ยฃ1800 had been received from private subscriptions; leaving ยฃ1000 still to be provided. Of this amount, ยฃ500 had been asked of the Government for next year, and the balance it was proposed to raise by private subscriptions. The number of children who had been under the institution since it was first initiated was 58. At present there were 46 children under training, and the number would shortly be increased to 50. It was hoped that the present building would be adequate to the requirements of the colony for many years. The committee, at one time, had hoped to be able to open the building free of debt; but this would have necessitated so serious a delay and it was thought advisable to forego that determination, and trust to the generosity of the public to liquidate the present liabilities. The institution was undenominational in its character and was intended to receive and educate the deaf and dumb without respect to creed. There were three classes of children under tuition: those whose parents only bore a portion of the expense, and those who were wholly educated and supported by the institution. The latter class had been the largest, and had perhaps the strongest claim upon the sympathies of a generous people. There were no means provided for their education apart from the institution, and he felt confident no appeal to the generosity of the public on their behalf would be made in vain. (Applause.)

ย ย ย ย ย ย ย ย ย ย ย  The Rev. Dr. CAIRNS offered up a prayer.

ย At the request of the chairman his Excellency declared the building open with the following prefatory observations:- Mr Chairman, ladies and gentlemen, in performing the duty which it is my privilege now to perform, it is not my intention to detain you long. Even if I had a desire to enter at greater length than it is my intention to do into the history of the institution, I should feel that I was only weakening the force of that simple and most admirable statement which the secretary has just made. (Applause.) You will bear in mind that that statement, short as it was, gave you a full history of the progress of the institution hitherto, and closed with a most eloquent appeal to your sympathies. (Applause.) It informed you from what a small beginning the present noble institution has sprung, and the energy, perseverance and spirit which those interested in the development of the institution have shown. I avail myself of the privilege to express the sympathy which, individually, I feel with those who have aided in this benevolent object; and I think, ladies and gentlemen, by your presence to day, you have also shown your participation in that sympathy, and before I declare this building open, I hope you will authorise me, as your spokes-man, to carry to the committee your, as they have my warmest congratulations at the success which, by the blessingย  of God, has attended their efforts, and your continued support. (Loud applause.) Mr Chairman, ladies and gentlemen, I declare this building open. (Applause.)

ย ย ย ย ย ย ย ย ย ย ย  An interval of a quarter of an hour followed, during which his Excellency and family, and the ladies and gentlemen present proceeded to examine the internal arrangements of the building. The present structure comprises the centre and the whole of the southern wing, and has a frontage of 200 feet to the St. Kilda-road. The southern wing, fronting High-street, is 94 feet in extent. The centre building consists of three stories surmounted by a tower and spire 100 feet high. The principal entrance is under the tower, ascended by a flight of stone steps. On the left of the doorway a memorial stone of grey granite, bearing the inscription of the institution, is sunk. The remaining portion of the building is only of two stories. On the basement are the kitchen, pantries, and store rooms. The ground floor is occupied by the rooms of the committee of management, the mastersโ€™ dining and sitting rooms, girlsโ€™ workrooms, measuring 18 feet and 20 feet by 16 feet each. The boysโ€™ and girlsโ€™ school rooms are each 66 feet long by 22 feet wide, with lavatory and clothes rooms at the south-east angle. On the first floor above the school rooms will be the dormitories, &c., and in the masterโ€™s division, drawing room, bedroom, bath, &c. The girlsโ€™ lavatory and bath room is on the second floor, or third story, and over the grand stair-case. Great attention has been paid to the ventilation. A very fine stained glass stair-case window has been erected by Ferguson and Urie, the central square of which is nearly eleven feet high, showing the figure of an angel on a sphere, proclaiming โ€œThe deaf shall hear.โ€ With other scriptural texts of an appropriate character in the other squares. Throughout the building gas and water has been laid on. The visitors were much pleased with their inspection and on returning to the schoolrooms, in which the banquet was laid out, the chair was resumed by his Honor Mr Justice Pohlman, and after grace by the Bishop, the substantial repast was partaken of by 200 ladies and gentlemen. The tables were profusely supplied with good things by the committee, under the superintendence of Mr Bauer, formerly cook to his Excellency Sir Henry Barkly. The head-quarters band played selections of music during the repast. The inner man being comforted, a few toasts were given.

ย ย ย ย ย ย ย ย ย ย ย  His Excellency, family, and suite, were accompanied to the board by the officers of the institution, and on his departure the head-quarters band, which was in attendance, played the national Anthem”.

About some of the names mentioned in the above article:

Justice Pohlman:

Ferguson & Urie were commissioned to create a stained glass memorial window to Judge Pohlman circa 1867. This window has not been located to-date. It’s believed that it may have been erected in either the former St Paul’s Church (prior to the erection of the Cathedral in 1888) or in St Enoch’s, Collins Street (demolished on unknown date). Some other Ferguson & Urie windows that were in the St Paulโ€™s Church prior to 1888 have been located in St Johnโ€™s, Sorrento and St Paulโ€™s at Warragul.

Mr. Fellows:

The Hon Thomas Howard Fellows MLC was a liberal benefactor of St George’s Church at Queesnscliff. He donated the three light chancel window of the church in 1866 and the twelve Apostle windows later. Christ Church in South Yarra has a memorial stained glass window to Thomas Howard Fellows who died 8th April 1878.

Scots’ Church:

The two largest windows in Scot’s Church, Collins Street, were created by Ferguson & Urie. The “Eight Episodes from the Gospels” window was installed in the west end in 1876 and was gifted by Sir Samuel Wilson. The “Last Supper” window was gifted by John Wilson. Esq, J. P of Woodlands (brother of Samuel) and was installed in the South Transept in 1879.

Crouch & Wilson:

A considerable number of buildings designed by Crouch & Wilson contain Secular & Ecclesiastical stained glass windows by Ferguson & Urie. Whether there was any formal agreement between the two companies is not known but similar agreements like this did exist between architects and stained glass companies in England. T. J. Crouch of the architectural firm had also designed Ferguson & Urieโ€™s Collins street premises in 1884.

The Argus, Melbourne, Vic, Wednesday 7th March 1866, page 5.

“LAYING OF THE MEMORIAL STONE OF THE VICTORIAN DEAF AND DUMB INSTITUTION.

Among the many charitable institutions which do honour to the Victorian metropolis there are few more deserving of support than the Institution for the Deaf and Dumb. Its history, from the first attempt to set up a private school, at Windsor, a few years ago to the present time, is a very interesting one, and its career has been marked by great usefulness and success. For a long time past, the building has been found too small and incommodious for the increased number of inmates, and various efforts have been made to enlist private sympathy and secure Government aid, with the view of raising a more suitable structure. The result of the movement has been very satisfactory. Government granted a site of six acres for the erection of a new building, very prettily situated, at the junction of the St. Kilda-road and High-street, Prahran, besides a sum of ยฃ3,000. A sum of ยฃ1,300 has been raised by private subscription, and, as the estimated cost is ยฃ6,500, there remains a balance to meet of only ยฃ1,200. A considerable number of spectators assembled yesterday afternoon upon the site of the new building, to witness the laying of the memorial-stone by His Excellency Sir Charles darling. At three oโ€™clock, His Excellency, accompanied only by his aide-de-camp, Captain Tyler, arrived. There were present the Rev. Messrs. J. S. Waugh, D. Macdonald, S. L. Chase, J. Eggleston, and M. H. Becher; Messrs. J. Balfour, M.L.A., H. Henty, M.L.A, and a large number of others gentlemen interested in the institution. The children of the institution were also on the ground.

ย ย ย ย ย ย ย ย ย ย ย  The Rev. S. L. CHASE opened the proceedings with prayer.

The Rev. J. DARE having read a passage of Scripture suitable to the occasion.

The Rev. W M. MOSS delivered a long address, in which the early fortunes of the institution and its humble beginning of the year 1864. The number admitted into the institution since that time was fifty-two; the number at present residing in the institution was forty-two. The branches taught to the children were reading, writing, and arithmetic, with the rudiments of drawing, and the other elements of an English education suited to their condition. The rev. gentleman then gave a history of the rise and progress of the movement for procuring the erection of a new building. In concluding his remarks, he said that the institution was not organised to meet imaginary wants. From a calculation based on the returns for the mother country, there must be at least 200 persons among us who could neither hear nor speak. It must be borne in mind that a number of these unfortunates must annually increase, not only by the increase of the population, but through the agency of those diseases to which infancy in this colony is peculiarly subject. The majority of the children upon the platform were not born deaf and dumb, but became so either by disease of by accident.

ย ย ย ย ย ย ย ย ย ย ย  Mr. H. HENTY, M.L.A., having, after a few brief remarks, presented the trowel. His EXCELLENCY said it gave him great pleasure to listen to the narrative of Mr. Moss. Mr. Henty only estimated his feelings aright in supposing that he had taken a great interest in the progress of the institution. He accepted the trowel, and would always retain it as a memento of that interesting occasion. (Cheers.) The memorial-stone, with an inscription commemorative of the occasion cut upon it, was then lowered, the whole audience joining, with heads uncovered, in singing the โ€œnational Anthem.โ€ The stone having been lowered, a leaden box containing the following documents was placed within it:- Copies The Argus, Age, and Herald, 6th March, 1866; the Telegraph, 3rd march, 1866; Supplement Bendigo Advertiser, 28th January, 1865; annual reports of the institution for the years 1863, 1864, and 1865; and scroll containing and account of the ceremonial, and the names of the office-bearers of the institution. His Excellency then, with the usual ceremonies, declared the memorial-stone to be well and truly laid. He could not permit this ceremony to be performed altogether in silence. Not only as patron of the institution, and Governor of he colony, but as a Christian man desirous of promoting all true works of benevolence he rejoiced in the progress made by the institution, and which was indicated by the ceremony just concluded. It could not be laid to the charge of this colony that it was indifferent to the wants of suffering humanity. Already no less than twenty-four public hospitals, six benevolent asylums, four orphan asylums, and one lunatic asylum โ€“ intended very shortly to be supplemented by a second โ€“ attested the sense which had pervaded the Government of this colony of their great obligation to relieve the poor and afflicted. (Cheers.) These institutions gave relief to 17,000 people within their walls, and extended assistance to 30,000 or 40,000 people out of doors. The amount which the public contributed to the support of these and kindred objects could not be estimated at less than an annual sum of 100,000. He trusted that this institution would successfully accomplish the great object of encircling within its four walls all persons afflicted with the infirmities it was intended to relieve. Till it was established, one link was wanting in the series of necessary charitable institutions. There was no form in which human distress presented itself in a more pitiable aspect than in the case of the deaf mutes, for whose education this institution was intended. (Cheers.) Having expressed these sentiments, it only remained for him to hope that Almighty Providence would in all time come dispose the hearts of the people of this colony to the recognition of the duties incumbent upon them, in the way of charity. They had hitherto responded nobly to the calls of benevolence, and in the bosom of the community there had sprung up a large number of noble men, both clergy and laity, who devoted their best energies to the doing of good, and the promotion of works of a character kindred with the Deaf and Dumb Institution. (Loud applause.)

ย ย ย ย ย ย ย ย ย ย ย  On the conclusion of His Excellencyโ€™s address, the Rev. Mr. MACKIE, of South Yarra, called for three cheers for the representative of Her Majesty, which were given with great good-will by those present.

ย ย ย ย ย ย ย ย ย ย ย  The rev. Mr. MACDONALD having thanked His Excellency for his attendance, a verse of the hymn โ€œPraise God from whom all blessings flowโ€ was sung, and the proceedings were brought to a close by a short prayer by the rev. M. H. BECHER.

__________

ย ย ย ย ย ย ย ย ย ย ย  As an account of the new building may not be without interest, the following sketch is appended:-

ย ย ย ย ย ย ย ย ย ย ย  The building is in an advanced stage of progress, and is being erected from the designs prepared by Messrs. Crouch and Wilson, architects, I the style known as Early English. The portion already in hand comprises the centre and the whole of the southern wing, being fully two-thirds of the completed design. When finished, the edifice will present a faรงade of 200 feet in length to the St. Kilda-road. The southern wing, now to be erected, will have a frontage to High-street, Prahran, of ninety-four feet. The centre portion is three stories high, exclusive of rooms in the basement, and is surmounted by a tower and spire, rising to the height of 106 feet. Beneath the tower is the principal entrance, where also the memorial-stone is laid. The rest of the structure is only two stories high, exclusive of rooms in the basement.

ย ย ย ย ย ย ย ย ย ย ย  The basement is devoted to stores, pantries, kitchen, and play-room. On the ground floor are the committee-room, masterโ€™s dining and sitting room, and girlsโ€™ workroom, measuring eighteen feet and twenty feet by sixteen feet each. In the wing now going up will be boyโ€™s and girlsโ€™ school-rooms, each sixty-six feet long by twenty-two wide, with lavatory and clothes rooms at the south-east angle.

ย ย ย ย ย ย ย ย ย ย ย  On the first floor above the school-rooms will be the dormitories, &c.; and in the masterโ€™s division, drawing room, bedroom, bath, &c. The girlsโ€™ lavatory and bath-room is on the second floor, or third storey, and over the grand staircase. Great attention has been given to the ventilation, and there is no lack of stairs to the several floors. The walls are being carried up with blue-stone, in a most substantial manner, in what is technically termed โ€œsnecked work,โ€ with pressed brick and cement dressings; and judging from the present appearance, will present, when completed, a very bold and handsome exterior.

ย ย ย ย ย ย ย ย ย ย ย  The trowel used on the occasion was made by Messrs. Brush and Macdonnell, of Collins-street. The blade is of silver, and is chased with a rich border encircling the following inscription:- โ€œPresented to His Excellency Sir Charles Henry Darling, K.C.B, on the occasion of his laying the memorial-stone of the Victorian Deaf and Dumb Institution, on the 6th March, 1866.โ€


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29-01-1866: St Georgeโ€™s Anglican Church, Queenscliff, Victoria. Australia.

The Anglican Church of St George at Queenscliff contains a magnificent chancel window made by Ferguson & Urie that was installed in early 1866. The original design for this window was also found amongst the State Library collections and images of it are included in this article.

The Australasian, Melbourne, Vic, Saturday 3rd February 1866, page 6.

“A stained-glass window, admittedly the handsomest ever manufactured in the colony, has just been placed in the Anglican church of St. George, at Queenscliff. It is a three-light window, and contains illustrations of some fifteen different subjects, all memorable passages in the life of Christ, arranged in the order in which they are mentioned in the Litany of the Church of England; the sentences from which, together with the prayer, “Good Lord deliver us.” being included in the design. It is the work of Messrs. Urie and Co., of North Melbourne. The window cost about 300, and was presented to the church by the Hon. T. H. Fellows, M.L.C.”

This is undoubtedly my favorite window of all Ferguson & Urie windows. It’s also the only stained glass window I have seen, so far, that depicts the ‘Devil’ in a modern recognizable form in fiery red with wings resembling the prehistoric Pterodactyl.ย  The window has fifteen scenes from the litany starting from the immaculate conception to the Holy Ghost coming down.

The entire window is displayed in the slideshow below with detailed photos of each element of the fifteen scenes from the litany displayed in order as they appear in the window. The order of each appears to be correct but there are doubts about the ‘Bloody Sweat” being after the “Agony in the garden” scene.

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The newspaper article was also published in;

The Argus, Melbourne, Monday 29th January 1866, page 4.
The Sydney Morning Herald, Friday 2nd February 1866, page 2.

Related posts about the Ferguson & Urie windows at St George’s:
22-02-1864 >ย 29-01-1866 >ย 13-08-1867 >ย 12-02-1881 >ย 07-04-1882 >18-10-1884 > 30-12-1893


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19-12-1864: St. John’s Anglican Church, Digby, Victoria.

The Foundation Stone of St John’s was laid by the Rev. Francis Thomas Cusack Russell on the 19th April 1861 and was consecrated on the 21st January 1888.

Amongst the many historic artifacts in the church is the the three light Gothic stained glass window by Ferguson & Urie erected in 1864.

The Portland Guardian, Monday 19th December 1864, page 2.

โ€œI am able to congratulate the township of Digby upon the possession of three very handsome stained windows in St. John’s church The design is very neat and the appearance is peculiarly rich; the centre compartment contains a full length figure of St John and he side windows have the emblems of the Evangelists and also the โ€œAgnus Dei;โ€ the whole is in rich antique glass and was supplied by Messrs. Ferguson and Urie of Melbourne.โ€

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[Show larger images]

Portland Guardian and Normanby General Advertiser, Vic, Monday 6th May 1867, page 2.

ย โ€œDIGBYโ€

ย โ€œThe most prominent feature in the township of Digby is the English Church, St. Johnโ€™s, and the common school on the same reserve. The church is built of brick and is a remarkably chaste gothic. The interior is beautifully fitted up, and the east window of stained glass, is perhaps the most beautiful in design and execution of any in the Western district. The window is in three compartments, the centre with a well executed figure of the saint in flowing eastern drapery, with a book in one hand and candle-stick and candle in the other, with an eagle at his feetโ€œ

Related posts:
1877: Holy Trinity Anglican Church, Coleraine, Victoria.
1867: St Peter’s Anglican Church, Merino, Victoria


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29-04-1864: Holy Trinity Church, Kew, Melbourne, Victoria, Australia.

South Bourke Standard, Vic, Friday 29th April 1864, page 2.

ย 1864 ‘NOTES AND NEWS.’, South Bourke Standard (Vic. : 1861 – 1873), 29 April, p. 2, viewed 13 February, 2012, http://nla.gov.au/nla.news-article66905452

ย โ€œA memorial window for H.R.H. the late Prince Consort has been erected in Trinity Church, Kew. It is a four-light window with tracery. The main lights contain figures of the four Evangelists, each surmounted with his emblem and a richly-foliated canopy. Under the figures are four subjects illustrating the birth, baptism, crucifixion and resurrection of our saviour. The principal compartment of the tracery is filled with a representation of our Saviour on a throne surrounded by seven cherubims. The other compartments are filled in with emblems, consisting of the Pelican feeding its young with its own blood, the Lamb and Banner, and the Alpha and Omega. At one end of the inscription at the bottom are the arms of Prince Albert, and at the other end the same, quartered with the Royal arms. The inscription runs thus:- “To the glory of the Most Holy Trinity, and in memory of his Royal Highness Prince Albert, Consort of Queen Victoria, who died A.D. 1861, this window was erected A.D. 1864.” Antique glass has been the material used, the richness of tone and color of which adds to the beauty of the design and workmanship. It has been produced at the works of Messrs. Ferguson and Urie, glass-stainers, Curzon street, North Melbourne, and the finished and superior style of workmanship reflects great credit on the firmโ€.

Window Text:

MATTHEW, MARK, LUKE, JOHN.

TO THE GLORY OF THE MOST HOLY TRINITY AND IN MEMORY OF HIS ROYAL HIGHNESS PRINCE ALBERT CONSORT OF QUEEN VICTORIA.

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24-03-1864: Holy Trinity Church, Kew, Victoria, Australia.

The Australian News for Home Readers, Vic, Thursday 24th March 1864, page 3.

ย โ€œRELIGIOUS INTELLIGENCEโ€

ย โ€œThe ceremony of opening the additional part of Holy Trinity Church, at Kew, took place on the 5th instant, just twelve months after the first part of the building was opened [โ€ฆ]โ€

โ€œ[..]A magnificent stained-glass window, to cost about ยฃ230, has been ordered for one end of the building. The window will contain figures of the four Evangelists, surmounted with a representation of our saviour [โ€ฆ]”

Note: This is in reference to the Prince Consort window by Ferguson & Urie.

Prince Consort Memorial window at Holy Trinity Kew

The Prince Consort Memorial window at Holy Trinity Kew

Related posts: 03-04-1863 >ย 29-04-1864 > 13-08-1867

19-09-1863: Norman Lodge AKA Manyung, Mornington Peninsula, Victoria.

In 1863 Richard Grice of the firm โ€œGrice, Sumner & Coโ€ had his mansion named โ€œManyungโ€ built at Mornington Peninsula on coastal land then locally known variably as โ€œSchnapper Pointโ€ or “Snapper Point”. The most striking decoration to the mansion was a three light secular stained glass window of Gothic design crafted by the North Melbourne stained glass firm Ferguson & Urie circa September 1863[1].

Photos: Attribution to contributors are shown on each of the images. Acknowledgements appear at the bottom of the article.

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The three light Gothic design window depicts Grice’s family crest in the centre light, showing a row of three wild boars on the background of a white shield. This shield is further surrounded by depictions of the Passion Flower on a deep purple background. The outer lights depict further floral emblems and the Passion Flower with predominant background colours of crimson and purple and intricate borders. At the apex is the Lion with the numeral years 18 and 63 flanking it in gold lettering on a crimson background. The base of the right light includes the rare occurrence of the company name “FERGUSON & URIE Nth MELBne” in yellow lettering on a red background.

Richard Grice was also a liberal benefactor to the building of St Markโ€™s Church at Collingwood (now zoned in Fitzroy), having contributed nearly ยฃ13000 towards itโ€™s erection[2] as well as ยฃ1000 annually[3]. In 1863 it was contemplated to have a stained glass window erected in St Markโ€™s โ€œโ€ฆto perpetuate the recollection of his munificenceโ€ฆโ€[4] ย The designs for the window were prepared[5] by Ferguson & Urie but it was never created despite being mentioned again some fifteen years later, in 1878[6].

Richard Grice died of a stroke on the 4th of November 1882 and was buried in the Melbourne General Cemetery on the 6th[7]. After his death โ€˜Manyungโ€™ changed hands a number of times and in 1947 was purchased by Norman Myer (1897-1956), of the now Coles Myer conglomerate. Myer renamed โ€˜Manyungโ€™ to โ€˜Norman Lodgeโ€™ and made considerable changes as well as the addition of outbuildings. The property was primarily used for his staff as a holiday house and convalescence home.

As at 2013 Norman Lodge is owned by developer Chas Jacobsen who purchased the property in 2006.

The Argus, Melbourne, Saturday 19th September 1863, page 5.

โ€œThe staining of glass may now be included in our list of colonial industries. A specimen of this art, in the shape of a large window intended for the staircase of Mr. R. Griceโ€™s mansion, at Schnapper Point, has just been completed by Messrs. Ferguson and Urie, of Curzon-street, North Melbourne. It is a three light window of Gothic design and it will occupy a space of something like eighty-four square feet. The centre light contains Mr. Griceโ€™s armorial bearings, and the foliage of the passion flower; the outer lights have each a Gothic rose, with the foliage of the oak; while in the upper portion of the window is the figure of a lion surrounded by rose blossoms. The leading colours are ruby and blue, and in working out the details, these tints are so modified as to create a most harmonious whole. The articifers are entitled to great credit for the skilful way in which they have executed their commission. We understand that a colonial stained glass window can be supplied at thirty-three percent less than the market price of such an article imported from England. This intelligence will no doubt be received with satisfaction by churchwardens and others who take a delight in the decoration of ecclesiastical edifices. For some years past, in the mother country, the memorial window has been deemed a more becoming memento mori than the mural monument; and there is no reason why a similar taste should not be created and fostered in Victoria.โ€

The Argus, Melbourne, Vic Monday 6th November 1882, page 8.

โ€œDEATH OF MR. RICHARD GRICE.

We regret to record the death of Mr. Richard Grice, senior partner in the well known firm of Messrs. Grice, Sumner, and Co., which took place at his town residence, Victoria-parade, Fitzroy, at an early hour on Saturday morning, from paralysis. About three months ago Mr. Grice had a slight attack of paralysis, but he had partly recovered from it, when six weeks ago he was again stricken down. This second attack was a very severe one, and from the first his medical attendants, Drs. Howitt and Williams, had no hope of his recovery. Mr. Grice was born at Bootle, Cumberland, England, England, on the 30th of October, 1813, and was consequently just turned 69 years of age. He was a colonist of 44 years standing, having arrived in Melbourne in 1838 in company with the late Mr. Benjamin Heape, a partnership having been entered into between them in England. They at once commenced business as merchants in Flinders-lane, under the title of Heape and Grice, and they were also interested in squatting properties at Mount Alexander. In 1847 Mr. Grice paid a visit to Europe, and was absent from the colony for about 12 months, when he returned, and he has resided there ever since. The partnership with Mr. Heape was dissolved in 1854, and Mr. T. J. Sumner joined the firm, the title being altered to that of Grice, Sumner, and Co. In 1856 Mr. John Benn was admitted as a partner, and the business of the firm as general merchants and free and bonded store proprietors was principally carried on by the junior partners, Mr. Grice not having taken an active part in the business for many years. The deceased gentleman had for a long period occupied a seat on the board of directors of the Union bank, and that was the only public position he ever accepted. He never took an active part in either politics or municipal affairs. He evinced great interest in our charitable and religious institutions, and was for some years one of the vice-presidents of the Melbourne Hospital. He however, took no active part in management, but contented himself by subscribing liberally. He also materially assisted, by his handsome contributions, in the completion of St. Markโ€™s Church of England, Fitzroy. Some years ago he purchased an estate at Mornington, and latterly he spent a good deal of his time there. The firm of Grice, Sumner, and Co. is one of the oldest, and ranks amongst the foremost, mercantile houses in the Australian colonies. The deceased leaves a widow, three sons, and four daughters, two of the former and one of the latter being married. The funeral will leave his late residence at 1 oโ€™clock this afternoon for the Melbourne Cemetery. The Very Rev. the Dean of Melbourne will conduct the burial serviceโ€.

External links:

Biography โ€“ Richard Grice (1813-1882)

Biography – Norman Myer (1897-1956)

Footnotes:

[7] The Argus, Melbourne, Vic Monday 6th November 1882, page 8.

Thanks to:

Michael Galimany of Lovell Chen Architects & Heritage Consultants for the correspondence, and photographs with the permission of Mr Chas Jacobsen, 28 May 2013.

Michael Pater of Pater Leadlights, Beaconsfield, Vic for the detailed photos of his restoration work pieces. The artist who performed the glass painting was Robyn Lingard of โ€œRobyn Lingard Glassworksโ€.


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07-07-1863: The Ebenezer St Johnโ€™s Church Armstrong Street Ballarat.

The Star Ballarat, Tuesday 7th July 1863, page 2.

โ€œMessrs Urie and Ferguson, of Melbourne, have just completed two stained glass windows at the west end of the newly erected United Presbyterian Church in Armstrong street. These lights are very handsome, and were designed by Messrs Urie and Ferguson, the pattern exhibiting the trefoil with circles and diamonds, scrolls and foliage making up the margins. The coloring is rich but mellow, and the windows are certainly a great ornament to the church. We believe there is some intention of having colored glass put in the triplet of the large east window. The western lights we have mentioned have been supplied for ยฃ80โ€.

Photos taken 6th November 2011.

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The โ€œEbenezerโ€ United Presbyterian Church in Armstrong street was opened on the 23rd June 1863 [1] It was designed in the Anglo-Norman style by local architect Henry Richards Caselli (c1816-1885). The two stained glass windows by Ferguson & Urie were provided by the ladies of the congregation with the initial suggestion coming from Georgiana Caselli who also provided ยฃ5 as a subscription towards the windows[2].

The church is now known as the โ€œEbenezer St Johnโ€™sโ€ church, at 212 Armstrong street. The stained glass for the triplet window mentioned never eventuated.

Footnotes:

25-05-1863: Post Office buildings, Bourke Street, Melbourne.

The Argus, Melbourne, 25th May 1863, page 4.

โ€œThe large transparency exhibited on the rejoicings day, at the New Post-office-buildings, by the contractors, Messrs. T. Glaster and Co., was lit up again on Saturday evening. This transparency was not noticed in our columns on Wednesday, and we may, therefore, now mention that it is constructed of glass, and measures twelve feet by seven. In the centre are full-length portraits of the Prince and Princess, and at the base are the Royal arms. The figures are surrounded by an elaborate border of flowers, and surmounted with the Prince of Walesโ€™s feather, and two flying cupids, bearing the motto, โ€œIch Dienโ€. The transparency is the work of Messrs. Ferguson and Urie, glass stainers, North Melbourne. At the Protestant Hall, transparencies were exhibited in which the arms of England and Denmark appeared, together with loyal mottoes. At Mr. R. D. Harteโ€™s, Queen-street, there was an illumination with variegated lamps in oil, displaying the Prince and Princess of Wales and a loyal mottoโ€.

The post office was completed in 1867 and gutted by fire 12th September 2001. Nothing further known about the window.

Historical images of the Melbourne Post Office, Bourke street, c.1890, from State Library Collections, others from my recent expeditions to the city.

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03-04-1863: Holy Trinity Church, Kew, Melbourne, Victoria.

Only five extant windows by the historic Ferguson & Urie stained glass company of North Melbourne have the company name on them. This one at Holy Trinity Church at Kew was installed in the chancel in 1863 but later extensions to the church saw the window relegated to the liturgical north transept where it still is today. The signature mark can’t be seen with the naked eye unless you have a scissor lift or a very tall ladder, which is not advisable. Image-stabilized binoculars will work, but the best bet is a good-quality digital camera with a decent zoom lens and viewing the images on a good-quality computer screen.

The South Bourke Standard, Friday 3rd April 1863, page 2

ย โ€œMessrs. Ferguson and Urie, glass stainers, North Melbourne, have just completed the stained glass windows for the chancel of Trinity Church, Kew. The centre light contains an elaborately executed emblem of the Trinity, in which the three primary colours only are used. In the top of the same light is the word โ€œJehovaโ€ inscribed in Hebrew characters. The principal medallion in the dexter light has the โ€œAgnus deiโ€ โ€“ that sinister light the โ€œDoveโ€, each surmounted by an appropriate monogram. The ground work is of cathedral tints, enriched with early English ornament, all the details of which is emblematic of the Trinity. โ€“ Heraldโ€

Photos were taken 2nd January 2011.

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24-12-1862: The Geelong Exhibition.

The Mercury, Hobart, Saturday 27th December 1862, page 3.

โ€œGEELONG INDUSTRIAL EXHIBITION (From the Herald Correspondent). Friday, 19th Decemberโ€.

โ€œThe fact that the Industrial Exhibition in Geelong is to be opened to-morrow afternoon by his Excellency the Governor does not appear to create much stir or excitement in this usually dull town. The idea of an exhibition of colonial, and more especially local products, was first conceived by some gentlemen shortly after the Industrial Exhibition was held in Melbourne, and since then it has been steadfastly kept in view. In answer to the invitation requesting persons to send articles in for show, some five hundred applications were made for room, and, with so many entries, the committee felt themselves warranted in proceeding with the exhibition. The Mechanics Institute being the largest building in Geelong in which such an exhibition could take place, it was accordingly selected…”

โ€œโ€ฆ.Messrs. Ferguson and Urie, of Curzon street, North Melbourne have sent in a good collection of colonial stained glassโ€.

12-07-1862: The Shakespeare window at the Haymarket Theatre, Melbourne.

The history of one of Ferguson & Urie’s most famous stained glass windows can only be surmised by the following article:

The Portland Guardian and Normanby General Advertiser, Saturday 12th July 1862, page 2.

โ€œI have just received per mail, a photograph of a splendid piece of work โ€“ in the shape of a magnificent stained glass window, it is equal to anything of the kind produced in the old country, and is a credit to the colony. This splendid piece of work has just been completed for the new theatre now about opening in Melbourne, and has been manufactured at the works of Messrs. Ferguson and Urie, of Curzon-street, Melbourne, its designers and the artists to whom it will testify for years to come; they have successfully carried out a specimen of the fine arts, such as could not be excelled in any part of the Queenโ€™s dominions. It consists of three separate parts a central and two wings โ€“ the central part has a fine life sized portrait of the immortal Will. Shakespeare, surrounded by a border of scroll and arabesque work, with flowers intermixed of the richest colours; over the poets head is a coat of arms, in a kind of oriel โ€“ under his feet is a device, emblematic of the profession โ€“ a lyre, masque, &c, &c, this as well as the oriel is likewise surrounded by borderings of quaint and original design and the whole window had a border edged each side with a narrower one โ€“ of the most chaste and beautiful description. The Poet stands in a leaning attitude, pen in hand dressed in the handsome costume of Queen Elizabethโ€™s time. The two side departments each contain two full length portraits of the most prominent characters, such as the Jolly Old Knight, โ€œSir John Falstaff,โ€ Macbethโ€™s guilty Queen and other two. The whole of this beautiful work is formed of Stained Glass of the richest transparent colours and is the first thing of the kind on so large a scale, executed in Victoria.โ€

The Shakespeare window is now on display at the top of the dome in the La Trobe reading room. It was restored by Geoffrey Wallace stained glass studio in 2005. Originally it included two narrow side windows devoted to the Shakespearean characters, Hamlet and Lady Macbeth and Beatrice but what became of those is unknown.

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05-07-1862 > 06-08-1862

18-11-1876: St. Stephenโ€™s Anglican Church, Richmond, Melbourne, Victoria.


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05-07-1862: Coppin’s Apollo Music Hall Opening Night.

The Argus, Melbourne, Friday 4th July 1862, page 8.

โ€œCOPPINโ€™S APOLLO MUSIC HALL OPENING NIGHT, SATURDAY, JULY 5, 1862.โ€

ย โ€œThe opening of the first music hall erected in the metropolis of Australia supplies a vacuity prejudicial to the musical tastes of the city. The present magnificent Building, erected by Mr. G. Conwell, under the supervision of P. Conlon, Esq, occupies 5,000 feet, is 22 feet high, and has been constructed with scientific regard to acoustics โ€ฆ”

“…The Chaste Parisian Decorations are by Mr. J. Hennings and assistants. The Three Principal Chandeliers Are constructed with upwards of 3,600 pieces of crystal. The Splendid Mirrors contain upwards of 600 feet of plate glass. The Stained Glass Windows, By Messrs. Ferguson and Urie, are excellent specimens of colonial manufacture.โ€

Related Posts:

06-08-1862 > 12-07-1862ย  (photos)

External links:

Biography: George Selth Coppin 1819-1906


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24-06-1862: St. Paul’s Anglican Church, Humfray St, Bakery Hill, Ballarat.

The Star, Ballarat, Tuesday 24th June 1862, page 2.

โ€œOur churches naturally attract attention, less from an architectural point of view than from their social importance. The congregation of St. Paul’s Anglican Church has lately completed very considerable enlargements of that building, and mainly through the liberality of some of the wealthier members, furnished it with a square tower, which, though it does not itself command any very extensive view, forms a conspicuous and picturesque relief to the uniform want of elevation in the surrounding buildings. The building is of brick after a design by Mr Terry, in the latest period of pointed architecture. The decorations within have mostly been executed by Mr St.Quentin, and stained glass in the principal window has been presented by Mr. T. Robson, of Sturt street, and Messrs Ferguson and Urie, of Melbourne [โ€ฆ].”

St Pauls Bakery Hill Ballarat

The Ferguson & Urie chancel window at St. Paul’s Anglican Church, Humfray Street Ballarat. Photo: Ray Brown 17 Mar 2011.

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04-06-1862:St. Paul’s Anglican Church, Humfray St, Bakery Hill, Ballarat.

The Star, Ballarat, Vic, Wednesday 4th June 1862, page 1s.

โ€œST. PAUL’S CHURCH SOIREEโ€.

ย โ€œA soiree in aid of the enlargement fund of St. Paul’s was held on Tuesday evening, in the hall of the Mechanics’ Institute, when that large place was crowded in every part [โ€ฆ].”

ย “[…] The thanks of the Church were due also to Messrs Robson, and Ferguson and Urie, for their gifts of the beautiful triplet window, and tracery. (cheers.)โ€

St Pauls Bakery Hill Ballarat

The Ferguson & Urie chancel window at St. Paul’s Anglican Church, Humfray Street Ballarat. Photo: Ray Brown 17 Mar 2011.

Related posts: 29-03-1862 > 14-04-1862 > 19-05-1862 > 04-06-1862 > 24-06-1862 > 15-07-1862 > 01-03-1863 > 07-08-1863

19-05-1862: St. Paul’s Anglican Church, Humfray St, Bakery Hill, Ballarat.

The Star, Ballarat, Monday 19th May 1862, page 2.

โ€œAt a meeting of St. Paulโ€™s Church Committee held on Friday evening a vote of thanks was unanimously accorded to Messrs Seeley and Bradbury, the contractors for the enlargement of the building, for the very satisfactory manner in which they have executed the work; also, to Mr Thomas Robson, of Sturt street, for his handsome gift of the centre part of the chancel window, and to Messrs Ferguson and Urie, of Melbourne, for presenting the church with the beautiful portions inserted in the tracery of the window. We understand that the decorations of the chancel have not yet been completed.โ€

St Pauls Bakery Hill Ballarat

The Ferguson & Urie chancel window at St. Paul’s Anglican Church, Humfray Street Ballarat. Photo: Ray Brown 17 Mar 2011.

Related posts: 29-03-1862 > 14-04-1862 > 19-05-1862 > 04-06-1862 > 24-06-1862 > 15-07-1862 > 01-03-1863 > 07-08-1863

14-04-1862: St Paulโ€™s Church, Humfray St, Bakery Hill, Ballarat, Victoria.

The Star, Ballarat, Monday 14th April 1862, page 2.

โ€œโ€ฆ The window consists of three lights, with top tracery, all produced in the colony, save the clear light portions. The two side lights were presented by the committee of the church, and the centre one by Mr Robson, of Sturt-street, agent for Messrs Ferguson & Urie, glass stainers, of Melbourne, which later firm gave the tracery at the top…โ€

 

St Pauls Bakery Hill Ballarat

The Ferguson & Urie chancel window at St. Paul’s Anglican Church, Humfray Street Ballarat. Photo: Ray Brown 17 Mar 2011.

 

Related posts: 29-03-1862 > 14-04-1862 > 19-05-1862 > 04-06-1862 > 24-06-1862 > 15-07-1862 > 01-03-1863 > 07-08-1863


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08-04-1862: St Paul’s, Bakery Hill, Ballarat, Victoria.

In early April 1862, two stained glass windows were on display at the Ferguson & Urie workshops in Curzon Street North Melbourne.

The Argus, Melbourne, Tuesday 8th April 1862, page 4.

โ€œYesterday our attention was directed to two stained-glass windows, at the establishment of Messrs. Ferguson and Urie, Curzon-street, North Melbourne. They are both what are called ‘single light’ windows, and are adapted for ecclesiastical edifices. The design of one is in the early English style of architecture, and that of the other is the decorated style. The centre of the former window is occupied by a figure of the Saviour, seated upon a throne, underneath a canopy, and holding in one hand the symbols of Majesty. Above the canopy is the paschal lamb, and at the bottom of the window is the scriptural text, โ€œHe shall judge the world in righteousnessโ€. The Principal feature of the second window are a cross and crown, with the inscription, โ€œBlessed are the deadโ€. Both designs are exceedingly chaste, and the colours rich and harmonious. As specimens of painted glass, the windows are alike creditable to Messrs. Ferguson and Urie, by whom they were made, and to Mr. Lyons[sic], by whom they were designed. A beautiful triple light window, executed by the same gentlemen, has recently been placed in St. Paul’s Church, Ballarat. The two already referred to, remain on view at Messrs. Ferguson and Urie’s, and are well worthy of inspection, both for their intrinsic merits and as specimens of a new branch of the Victorian industry”.

The location or existence of the two windows described are not known.
The triple light ‘decorated’ window for St. Paul’s Church at Ballarat is extant.

St Pauls Bakery Hill Ballarat

The Ferguson & Urie chancel window at St. Paul’s Anglican Church, Humfray Street Ballarat. Photo: Ray Brown 17 Mar 2011.

St Pauls Bakery Hill Ballarat

The Ferguson & Urie chancel window at St. Paul’s Anglican Church, Humfray Street Ballarat. Photo: Ray Brown 17 Mar 2011.

St. Paul's, Bakery Hill, Ballarat, Victoria

St. Paulโ€™s Anglican Church, Humfray Street Ballarat. Photo: Ray Brown 17 Mar 2011

29-03-1862: St. Paul’s Church, Humfray St, Bakery Hill, Ballarat.

The Star, Ballarat, Saturday 29th March 1862, page 2.

“The congregation attending St. Paul’s Church will re-assemble on Sunday next in their own church …”

ย “โ€ฆThe stained glass window now being placed in the chancel by Mr Robson will be a very handsome addition to the church, and has been executed in first rate style โ€ฆ”

Thomas Robson was the designated Ballarat agent for Ferguson & Urie. See: https://wp.me/p28nLD-1hK

Photo taken 17th March 2011.

St Pauls Bakery Hill Ballarat

The Ferguson & Urie chancel window at St. Paul’s Anglican Church, Humfray Street, Bakery Hill, Ballarat. Photo: Ray Brown 17 Mar 2011.

Related posts: 29-03-1862 > 14-04-1862 > 19-05-1862 > 04-06-1862 > 24-06-1862 > 15-07-1862 > 01-03-1863 > 07-08-1863


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26-03-1862: A NEW BRANCH OF THE ART. John Lamb Lyon joins Ferguson & Urie.

The Mercury, Hobart, Wednesday 26th March 1862, page 3.

โ€œA NEW BRANCH OF THE ART.- As we are always ready to notice the development of colonial industry, we have much pleasure in calling attention to a new branch of art which has been commenced in Melbourne, vis., that of glass staining. Messrs Ferguson and Urie, of Curzon-street, North Melbourne, have the credit of initiating it, and we had the opportunity yesterday of seeing on the premises some beautiful specimens of the art. The expence[sic] of importing stained glass windows, which is augmented by the risk of breakage, may account for the absence, generally speaking, of this kind of decoration in our churches, but this difficulty is obviated by the fact that Messrs. Ferguson and Co, have engaged the services of a competent artist in this difficult and useful art. Mr Lyon, to whom we refer, has not long been in the colony, and has had a lengthened experience in his profession at home and judging from the specimens of his talent now to be seen at Messrs. Ferguson and Urie’s, we should suppose that those who require this description of decoration will find no difficulty in future in carrying out their designs. – Herald.”.

Lyon hadย  joined Ferguson & Urie in late 1861 or very early 1862 after spending some time in the gold fields near Maldon in central Victoria. By 1866 he was advertised as a partner and the company name began appearing as “Ferguson, Urie, and Lyon”. In 1873 Lyon left the partnership and headed for Sydney where he entered into partnership with Daniel Cottier as “Lyon & Cottier”, Sydney.

Related Posts:

1916: John Lamb Lyon, Stained Glass Artist,ย (1835-1916)


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01-03-1862: St Paul’s Church, Bakery Hill, Ballarat.

The Star, Ballarat, Vic, Saturday 1st March 1862, page 2.

โ€œWe are informed that a very handsome stained glass window is about to be placed in the chancel of St. Paul’s Church. The centre light is the gift of Mr Thos. Robson, of Sturt street; the side ones have been provided for by private contributions, and those enclosed by the tracery have been presented to the church by the Melbourne Stained Glass Company. When completed the window will have a very rich and elegant appearance. We understand that Mr St. Quentin, of Dawson street, has undertaken to execute the decorations of the chancel, and other parts of the building. Divine service, as will be seen by an advertisement in another portion of the paper, is held at present, and will be held until further notice, in the new Town Hall, Barkly streetโ€.

The Melbourne Stained Glass company mentioned was ‘Ferguson & Urie’ and Thomas Robson was the Ballarat agent for the company.

St Pauls Bakery Hill Ballarat

Detail: ‘Blessed are they that dwell in the house they will be still praising thee. Psalms 84 Verse 4’.

St Pauls Bakery Hill Ballarat

Chancel window at St. Paul’s Anglican Church, Humfray Street Ballarat.

Related posts: 29-03-1862 > 14-04-1862 > 19-05-1862 > 04-06-1862 > 24-06-1862 > 15-07-1862 > 01-03-1863 > 07-08-1863


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07-12-1861: The 1861 Melbourne Industrial Exhibition.

The 1861 Melbourne Industrial Exhibition is recognised as the event that changed the course of the Ferguson & Urie Company history. This exhibition is where the Scottish Stained Glass Artist, John Lamb Lyon would have undoubtedly been convinced to join the firm in late 1861.

Ferguson & Urie received an honorable mention for ornamental glazing, and John Lamb Lyon, for a design for stained glass. Lyon joined the firm a short time after this exhibition and between 1866-1873 was installed as a partner in the firm.

The 1861 Exhibition was almost exclusively Victorian. The poorly constructed exhibition building was erected in William Street and was prone to leaking. The glass roof, supposedy copied from the London’s Crystal Palace, was painted white during 1857โ€“58. The Exhibition Building was the main concert venue for the Melbourne Philharmonic Society from 1854 to 1866 and also served as an interim lecture theatre for the university (1855) and as the venue for Temperance League rallies in 1857. The last function to be held there was Governor Darling’s Vice-Regal Ball of 1864 and it was demolished in the late 1860s, and the existing Mint building erected on the site during 1871โ€“72. [1]

The Argus, Melbourne, Saturday 7th December 1861, page 7.

โ€œTHE EXHIBITION. LIST OF AWARDSโ€.

โ€œThe following completes the list of awards in connexion with the Industrial Exhibition …โ€.

โ€œHONOURABLE MENTION …โ€

โ€œFergusson [sic] and Urie – Ornamental glazingโ€

โ€œLyon, J.N [sic] – Design for stained glass …โ€

Exhibition building 1861 latrobe-56-009a

Melbourne’s first exhibition building photographed during the
1861 Melbourne Exhibition (Source SLV I.TAF 451)

The 1872 Mint Building which now stands on the site of the first Exhibition Building

The Mint Building built in 1872 in William Street, which now stands on the site of the first Exhibition Building

Foot notes:

[1] The Latrobe Journal, No 56, Spring 1995.

22-11-1861: St Margaretโ€™s Eltham, Church Archives

St Margaretโ€™s Eltham, Church Archives, 22nd November 1861.

St Margaretโ€™s Church at Eltham has a letter in their archives from the Ferguson and Urie stained glass company dated the 22 November 1861, addressed to the Church Committee on the progress of the window. It mentions specifically the production of imitation ancient glass for the small end window as beingย the first in the colony. The window was reported to have cost ยฃ1 (one pound). This is the oldest extant stained glass window by the firm and whilst there were reports that this may have been done by James Urie and James Ferguson, this is highly unlikely. The artist John Lamb Lyon (1835-1916) joined the firm officially in late 1861 as a result of his encounter with Ferguson & Urie at the . This is definitely his work and would be amongst the earliest windows made at the Ferguson & Urie workshops in Curzon Street North Melbourne.ย  The Artist David Relph Drape (1821-1882) officially joined the firm on the 8th November 1863.

Advertiser, Hurstbridge, Friday 22 July 1932, page 2.

โ€˜Early History of the Church of St. Margaretโ€™.

St Margaretโ€™s Church Eltham awarded contracts for building the church and Ferguson & Urie were awarded the contract for windows and varnishing seats at ยฃ41.

( The reference to varnishing seats I believe to be incorrect).

ABOUT ST MARGARET’S:

The foundation stone for St Margaret’s was laid on the 4th of April 1861 and was built by George Stebbings to the designs of architect Nathaniel Billing. The Church was opened and dedicated on the 12 December 1861 and consecrated by the Rt.Rev. Bishop Thornton of Ballarat on the 16th of May 1876.

In 2000, St Margaretโ€™s received a grant of $12,000 from Heritage Victoriaย  to restore all the windows in the church and during the renovations, a Dossal erected behind the altar in 1935, was removed to reveal the historic Ferguson & Urie stained glass window which no one had seen for over 65 years.

As at 2012, the Ferguson & Urie window at St Mararet’s, Eltham, is the earliest known extant stained glass window by the company.

Photos taken 2nd January 2011.

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St Margaret’s Eltham [summary 20110117]


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22-09-1860: Taranaki Relief Fund

When the Native Insurrection occurred in New Plymouth, New Zealand, the inhabitants of Melbourne subscribed liberally to Taranaki Relief Fund for the benefit of the suffering settlers.The sum collected, amounting to nearly ยฃ3,000, was placed in the hands of the committee formed of the most influental citizens of Melbourne. Amongst the extensive list of prominent North Melbourne identities was included “Ferguson,Urie” as well as other names closely associated with the firm Ferguson & Urie.

The Argus, Melbourne, Saturday 22nd September 1860, page 5.

โ€œTARANAKI RELIEF FUND.โ€

ย โ€œA meeting of the inhabitants of Hotham was held last evening, at the Iron Store, Errol-street, for the purpose of organising a committee to collect subscriptions in aid of the sufferers through the rebellion of the natives of New Zealand […]โ€

ย โ€œ[…] Councillor King moved the first resolution, as follows:-

‘That, in the opinion of this meeting, the privations now being endured by the volunteers, militia, and their families, and the destitution of other colonists in New Plymouth, caused by the rebellion of the Maoris in that province, loudly call for prompt sympathy and aid from the inhabitants of Hotham […]”

ย โ€œCouncillor Cook moved the next resolution, as follows:-

‘That a committee be appointed for the purpose of collecting from the inhabitants of the district, contributions, either of money or suitable goods, in aid of the sufferers by the rebellion in New Plymouth; such committee to consists of […]โ€

The Argus, Melbourne, Saturday 22nd September 1860, page 5.

30-01-1857: David Ferguson returns to Scotland.

In April 1853 James and David Ferguson arrived in Australia aboard the “Tamerlane” from Greenock, Scoland, and immediately began establishing the Ferguson & Urie plumbing, slating, and glazing business with their partner James Urie from premises in Curzon street, North Melbourne.

Davids involvement in the business was short and in 1857 he decided to return to Scotland.

In late October 1856, he and his brother James had received ‘word from home.’ What that information was has never been ascertained. An advertisement was placed in the Victorian Government Gazette on Friday 30th of January 1857 indicating his partnership is โ€œdissolved by mutual consentโ€ and the partnership would continue under the same name of โ€œFerguson & Urieโ€ between James Ferguson and James Urie. Witness to the document was James Urieโ€™s brother in law Alexander Young.

David returned to Scotland and re-joined his father (James Ferguson Snr, 1777-1866) in the Plumbing, Slating and Glazing Business in River Street Wallacetown. In 1859 James Ferguson Snr was declared bankrupt, but this was not the demise of his business. When James Snr died in 1866 it would appear that David carried on the business as sole proprietor.

In 1871 or earlier David contracted โ€œphthisis abdominalisโ€ (An archaic medical term for a form of Tuberculosis) and so began his slow and painful demise. Probably fully aware of his imminent death, he sold the company to long time employee, John Meikle, on the 20th January 1872.

Nine weeks later David died a bachelor on the 26th March 1872, aged 48.

Some of the most important clues in the family history can be found in David’s last will & testament and his probate documents from 1872. He had left his two unmarried sisters Antonia & Margaret the contents of his house. He had two historic fob watches, the watch he had inherited from his father, James Ferguson Snr (1877-1866), was willed to his brother Robert who was living in Manchester. To his nephew, James Ferguson Jnr (1861-1945), the son of his elder brother James Ferguson (1818-1894) who he had come out to Australia with in 1853 to start the “Ferguson & Urie” business, he left his own fob watch with gold chain and gold nugget attached to the chain.

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It should be noted, from a family history perspective, that Davids father, James Ferguson Snr’s age 89 at the time of death, was an extraordinary feat at that time in history. In the end he actually did not succumb to ‘old age’, he died of Typhoid fever. How much longer he may have lived if it were not for Typhoid will be a mystery forever. There are other recorded instances of different generations of his descendants in Australia living to an extraordinary age.


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23-10-1856: The Ferguson brothers receive word from home.

The Argus, Melbourne, 23rd October 1856, page 1.

โ€œMR. JAMES or DAVID FERGUSON, of Ayr, will receive word from home by calling on Thomas Cairns on board the ship Antarctic, as soon as possibleโ€.

The Argus, Melbourne, 23rd October 1856, page 1.

What the ‘word from home’ was has never been ascertained but three months later David Ferguson would dissolve his partnership with his brother and James Urie and he return to Scotland.

See: 30-01-1857: David Ferguson returns to Scotland.

Or, had David had enough of the lawlessness and stench of Melbourne’s Streets? His elder brother James almost met his maker a year earlier when he was held up at gun point and robbed of a significant amount of money, so was this his David’s response to colonial Australia?

 

30-10-1855: Advertisement, Wanted, 5000 Duchess Slates.

In late 1855 Ferguson & Urie are still concentrating on the plumbing, slating and glazing trade, despite their minor dabble in stained glass, and they advertise locally for roofing slates. A considerable amount of these products arrived on ships as ballast.

The Argus, Melbourne, Tuesday 30 October 1855, page 7.

โ€œWANTED 5000 Duchess Slates, in the Bay. Ferguson and Urie, plumbers, Curzon-street, North Melbourne.โ€

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29-09-1855: The ‘Sticking up’ – James Ferguson is held up at gunpoint.

On Thursday evening, 27th September 1855, James Ferguson was held up at gun point in the vicinity of the Exhibition Building in Melbourne. The thieves threatened to shoot him if he resisted and stoleย  ยฃ50 pounds from him, a letter addressed to his business partner James Urie and some contracts for work. This event could have changed the course of history in many ways. If he had been shot I might not be here writing this history at all! The other thing that begs an answer is ‘what was he doing with five ten pound notes’? That was close to carrying around about $10,000 AU in your wallet [amount updated based on some great comments to this post].

 

The Argus, Melbourne, Saturday 29th September 1855, page 6.

โ€œSTICKING UP โ€“ On Thursday evening, between ten and eleven oโ€™clock, Mr. James Ferguson was attacked by two men, -one of whom was armed with a pistol, and threatened to shoot him if he made resistance, -between Queen and King streets, near the Exhibition Building, and robbed of a pocket-book, containing five ยฃ10 notes and several memorandums of contracts for work. The men also took from him a letter addressed to James Urie.โ€

No further information is known subsequent to this regarding the offence or perpetrators.

1855 The Sticking up 001a

Melbourne Exhibition Building in 1855

Melbourne Exhibition Building in 1855

 

 

 

 

 

 

 

 

 


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28-02-1855: The 1855 Victorian Exhibition, Melbourne.

At the Victorian Exhibition in Melbourne in late 1854, the Ferguson & Urie company were awarded certificates for exhibit 69, Plumberโ€™s work, and exhibit 455, for stained windows. This appears to be the earliest indication of the companies foray into the art of stained glass windows. The extraordinary rate of the erection of churches in the colony, and the Gothic revival in art and architecture, now becomes the driving force in the companies future direction and its part in the formation and history of the colony.

Unfortunately no further articles of significance appear in relation to the company dabbling in stained glass between 1855 and 1860. The gold rush was well under way and practically every able bodied builder and craftsman had left for the central Victorian Goldfields with a shovel over his shoulder.

The company’s next significant breakthrough and change of direction would begin in late 1861.

The Argus, Melbourne, Wednesday 28th February 1855, page 8.

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04-10-1853: The first triple advertisement, Melbourne.

The Ferguson & Urie, Slating, Glazing, and Plumbing company placed a triple advertisement in the Melbourne Argus advertising Lattice Glazing, Lead windows for churches, zinc spouting, piping and revolving cowls for chimneys and tin roofing tiles from their Curzon street premises near the north east corner of the Benevolent Asylum.

The Argus, Melbourne, Tuesday 4th October 1853, page 8.

 

 

 

 

 

 


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