21-06-1871: Roman Catholic Mortuary Chapel at the Melbourne General Cemetery.

The Argus, Melbourne, Wednesday 21st June 1871, page 5.

 “The Melbourne Cemetery has received another adornment, now that the new mortuary chapel in the Roman Catholic portion of the ground has been completed. This elegant structure, of which the sanctuary only is wanting, is of bluestone, with windows and exterior ornaments of Tasmanian freestone, from Kangaroo Point. It consists of a pointed porch, enriched with carved finials, which leads into a lofty open-roofed chapel, lighted by four trefoil-pattern windows, and paved with encaustic tiles, and two crypts beneath. The style is Gothic, and the dimensions are – length 60ft.,width 22ft., while the slated roof reaches a height of 50ft from the ground. The Belfry is not yet finished. The crypts are solidly floored with concrete, and are provided with sufficient means of ventilation. They are intended as a final receptacle for the remains of deceased priests, which are to be placed there in leaden coffins. The bodies of about 10 deceased clergymen await their transit to this repository, which will take place contemporaneously with the solemn dedication of the building to the Blessed Virgin and St. Joseph by the bishop. This will be celebrated in a few weeks, and the Rev. G. V. Barry will preach a special sermon on the occasion. This mortuary chapel is, we believe, the only one worthy the name in Australia; at least such was the opinion of Archbishop Polding, who visited it the other day, and whose knowledge on the subject is doubtless considerable. The entire edifice, which has cost over £1,000 is due to the Rev. W. M. Finn, who, with the permission of the bishop, initiated the movement which has resulted so successfully at the time that he was appointed to his present cure at Heidelberg. Since then the rev, gentleman has been unremitting in his exertions to obtain subscription, and when the money was forthcoming extended his careful supervision to every detail of the construction. The architect of the chapel is Mr. J. B. Denney, and the work was done in two contracts, the superstructure being erected by Messrs. J. Young and Co.”

The dedication ceremony of the chapel was to have taken place on Sunday 20th August 1871 but was postponed due to heavy rain. The service finally took place in the presence of a crowd of 10 to 15 thousand people on Sunday 10th September 1871.

Geoffrey Wallace Stained Glass Studio at Caulfield restored the windows after they were vandalised in 2008.

Four saints are depicted in individual lancets being:

  1. Saint Brigitta of Sweden, holding a candle,
  2. Saint Patrick of Ireland holding the staff with the snake at his feet,
  3. Saint Joseph holding a stalk of Lily flowers,
  4. Saint Maria with her hands folded in prayer.

Each window has the Latin Motto “ORA PRO NOBIS” (Pray for us) at the bottom.

All the photos of the windows have been kindly contributed by Geoffrey Wallace . The images show the remarkable transformation before and after the restoration by Geoff’s Studio.

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20-07-1867: St Jude’s Church, Carlton, Melbourne, Victoria, Australia.

The foundation stone of St Jude’s Anglican Church at Carlton was laid on the 18th October 1866 by Bishop Charles Perry.

The church was designed by architects Reed & Barnes and built by John Pigdon and it was officially opened on the 3rd March 1867.

Amongst the many historical artifacts in the church are the original liturgical east and west stained glass windows by the Ferguson & Urie stained glass company of North Melbourne.

Illustrated Australian News for Home Readers, Saturday 20th July 1867, page 4.
(Repeated , Saturday 27th July 1867, page 4).

 “ST. JUDES CHURCH, CARLTON”

 “The foundation stone of St. Jude’s Church was laid by the Lord Bishop of Melbourne, on the 18th of October, 1866; and that portion of the building now erected was opened for public worship on the 3rd of March, 1867 …”

 “… The windows are glazed with Cathedral glass, and neatly bordered with stained glass. The chancel window, which is of beautiful proportions, is further ornamented with the emblems of Faith, Hope and Charity, chaste in design, brilliant in coloring, and effective in execution. The artists were Messrs Ferguson, Urie and Lyon, who obtained great credit at the recent Intercolonial Exhibition …”

Photos taken: 26th September 2010.

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The historic “Faith, Hope and Charity” window was restored in February 2009 by Geoffrey Wallace Stained glass at Caulfield.

In the early hours of Saturday 18th October 2014 a suspicious fire broke out at the liturgical east end of the church and a large portion of the historical 147 year old Ferguson & Urie “Faith, Hope and Charity” stained glass window was destroyed.

See Sky News report about the fire:

I went to Carlton on Sunday 19th for a look and it appears to me that something flammable has been thrown through the window or a heavy object first and then something flammable. As recently as 20th July 2014 I took a photo of the outside of the window which surprisingly did not have any external wire or perspex protection at all. If it did have protection then the vandals would probably have failed or not even attempted this mindless destruction in the first place.

A Chanel 7 news report on Sunday 19th indicated that two men had been questioned over the fire but have been released without charge.

Related posts:

10-06-1867 – The 1867 Melbourne Intercolonial Exhibition.

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29-04-1864: Holy Trinity Church, Kew, Melbourne, Victoria, Australia.

South Bourke Standard, Vic, Friday 29th April 1864, page 2.

 1864 ‘NOTES AND NEWS.’, South Bourke Standard (Vic. : 1861 – 1873), 29 April, p. 2, viewed 13 February, 2012, http://nla.gov.au/nla.news-article66905452

 “A memorial window for H.R.H. the late Prince Consort has been erected in Trinity Church, Kew. It is a four-light window with tracery. The main lights contain figures of the four Evangelists, each surmounted with his emblem and a richly-foliated canopy. Under the figures are four subjects illustrating the birth, baptism, crucifixion and resurrection of our saviour. The principal compartment of the tracery is filled with a representation of our Saviour on a throne surrounded by seven cherubims. The other compartments are filled in with emblems, consisting of the Pelican feeding its young with its own blood, the Lamb and Banner, and the Alpha and Omega. At one end of the inscription at the bottom are the arms of Prince Albert, and at the other end the same, quartered with the Royal arms. The inscription runs thus:- “To the glory of the Most Holy Trinity, and in memory of his Royal Highness Prince Albert, Consort of Queen Victoria, who died A.D. 1861, this window was erected A.D. 1864.” Antique glass has been the material used, the richness of tone and color of which adds to the beauty of the design and workmanship. It has been produced at the works of Messrs. Ferguson and Urie, glass-stainers, Curzon street, North Melbourne, and the finished and superior style of workmanship reflects great credit on the firm”.

Window Text:

MATTHEW, MARK, LUKE, JOHN.

TO THE GLORY OF THE MOST HOLY TRINITY AND IN MEMORY OF HIS ROYAL HIGHNESS PRINCE ALBERT CONSORT OF QUEEN VICTORIA.

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Related posts: 03-04-1863 > 24-03-186413-08-1867

12-07-1862: The Shakespeare window at the Haymarket Theatre, Melbourne.

The history of one of Ferguson & Urie’s most famous stained glass windows can only be surmised by the following article:

The Portland Guardian and Normanby General Advertiser, Saturday 12th July 1862, page 2.

“I have just received per mail, a photograph of a splendid piece of work – in the shape of a magnificent stained glass window, it is equal to anything of the kind produced in the old country, and is a credit to the colony. This splendid piece of work has just been completed for the new theatre now about opening in Melbourne, and has been manufactured at the works of Messrs. Ferguson and Urie, of Curzon-street, Melbourne, its designers and the artists to whom it will testify for years to come; they have successfully carried out a specimen of the fine arts, such as could not be excelled in any part of the Queen’s dominions. It consists of three separate parts a central and two wings – the central part has a fine life sized portrait of the immortal Will. Shakespeare, surrounded by a border of scroll and arabesque work, with flowers intermixed of the richest colours; over the poets head is a coat of arms, in a kind of oriel – under his feet is a device, emblematic of the profession – a lyre, masque, &c, &c, this as well as the oriel is likewise surrounded by borderings of quaint and original design and the whole window had a border edged each side with a narrower one – of the most chaste and beautiful description. The Poet stands in a leaning attitude, pen in hand dressed in the handsome costume of Queen Elizabeth’s time. The two side departments each contain two full length portraits of the most prominent characters, such as the Jolly Old Knight, “Sir John Falstaff,” Macbeth’s guilty Queen and other two. The whole of this beautiful work is formed of Stained Glass of the richest transparent colours and is the first thing of the kind on so large a scale, executed in Victoria.”

The Shakespeare window is now on display at the top of the dome in the La Trobe reading room. It was restored by Geoffrey Wallace stained glass studio in 2005. Originally it included two narrow side windows devoted to the Shakespearean characters, Hamlet and Lady Macbeth and Beatrice but what became of those is unknown.

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Related Posts:

05-07-1862 > 06-08-1862

18-11-1876: St. Stephen’s Anglican Church, Richmond, Melbourne, Victoria.


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01-07-1862: The opening of Coppins Apollo Music Hall.

The Argus, Melbourne, Tuesday 1st July 1862, page 8.

Entertainer and Politician, George Coppin, opens his ‘Apollo Music Hall’ on the 5th of July 1862. The stained glass windows were crafted by Ferguson & Urie of North Melbourne. One of the windows depicting the stage image of Shakespeare was restored by Geoffrey Wallace Studios in 2005 and now appears at the top of the dome in the Latrobe Reading Room at the State Library of Victoria.

Photo taken 16th January 2011.

Related posts:

22-04-1870: The Haymarket Theatre Dispute. Melbourne, Victoria.