Tag Archives: 1870

Jul 29 2013

1870: St John’s Anglican Church, Diamond Creek, Victoria.

St John’s Anglican Church at Diamond Creek was built to the designs of Charles Maplestone (1809-1878). His wife, Isabella Margaret Maplestone (nee Beale) (1822-1888) laid the foundation stone of St John’s on the 11th of November 1867[1].

A balance sheet from St John’s parish archives, dated 3rd May 1870 contains reference to stained glass windows with costs. One for £18-10s, and second for a side window for £5-5s to Ferguson, Urie, and Lyon[2].

Photos taken: 26th May 2013.

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Charles Maplestone (1809-1878):

Charles Maplestone was a well-known Victorian Public Works architect and avid Vintner in the Heidelberg area. He was born in 1809 at Beccles, Suffolk, England, and married Sarah Elizabeth Mash (1816-1856)[3] in Suffolk, England in 1837. In early 1853, 16 members of three generations of the Maplestone family departed England aboard the “Strathfieldsaye” and arrived in Victoria in April of 1853[4]. After his wife Sarah died in 1856 he then married Isabella Margaret Nodin (nee Beale) at St Helena, Victoria, on the 15th July 1857[5]. He died at “Ivanhoe Lodge”, Ivanhoe on the 25th May 1878 in his 70th year[6].

Isabella Margaret Maplestone (nee Beale) (1822-1888):

Isabella was a daughter of retired Pay Master, Major Anthony Beale, of the East India Corps and was born on the island of St Helena in 1822. She arrived in Van Diemens Land with her parents and siblings aboard the ‘Cecilia’ on the 29th July 1839[7] and then later to Melbourne in November 1839[8]. She first married Francis Nodin (1805-1856)[9] in Melbourne on the 12th December 1840[10] and after his death in 1856 she married Charles Maplestone on the 15th July 1857 at her father’s property at St Helena, Victoria. She died at Kew, Victoria, on the 15th May 1888 aged 65 [11].

There is also an association to other Ferguson & Urie stained glass windows that were erected in the Beale family chapel at St Katherine’s, St Helena. A single light stained glass window in the south wall of the nave was erected to the memory of Charles Maplestone’s son, Luther Maplestone (his son by his first marriage) who died in 1869. The east window of St Katherine’s, also originally by Ferguson & Urie, was erected to the memory of the pioneers Katherine and Anthony Beale. All the original stained glass windows in St Katherine’s were destroyed in a fire in 1957 and were re-created as replicas by the Melbourne stained glass firm Brooks, Robinson & Co.

On the 8th of August 1897 a memorial window, by stained glass artist William Montgomery was dedicated in St John’s Anglican Church Heidelberg, to the memory of Charles and Isabella Margaret Maplestone[12].

The Argus, Melbourne, Vic, Wednesday 13th November 1867, page 5.

“On Monday the foundation-stone of an Anglican church was laid in the new township of Diamond Creek, by Mrs. Charles Maplestone, the wife of the honorary architect. The Rev. J. Hullis (parochial minister), the Rev. B. S. Walker, and Mr. Watkins, M.L.A., took part in the ceremony…”

The Argus, Melbourne, Vic, Monday 5th October 1868, page 3.

“TENDERS for QUARRYING, Excavating, and Building a portion of the Foundation (labour only) of St. John’s Church, Diamond Creek. Plans and specifications to be seen at the Carlton Club Hotel, Gertrude-street.”

The Argus, Melbourne, Vic, Friday 4th November 1870, page 5.

“On Tuesday last the ceremony of opening St. John’s Church, on the Diamond Creek, in the parish of Millumbik, was performed by the bishop of Melbourne, assisted by the Very Rev. the Dean and the Rev. A. Brown. Service was held in the building, which was crowded to excess. At the conclusion of the address delivered by the Bishop, a collection was made, which realised upwards of 20. In the evening a tea meeting was held, in aid of the building fund, to which some 300 sat down, and an adjournment then took place to the church where, the Dean presiding, addresses were delivered by the Rev. Mr. Walton, a minister of the Primitive Methodist Church; Mr. A. Ross, of the Presbyterian; Mr. Rodda of Queenstown; and Messrs. Billing, Johnson, Maplestone, Bell, Beale, and others. Mr. Christian, to whose exertions is mainly to be attributed the erection of the building, brought up a report, which is a handsome specimen of the Early English style of Gothic architecture, is capable of holding some 200 persons, and will be an ornament and a credit to the district.”

The Argus, Melbourne, Vic, Monday 27th May 1878, page 1.

“MAPLESTONE.- On the 25th inst., at Ivanhoe-lodge, Ivanhoe, Charles Maplestone, in his 70th year.”

The Argus, Melbourne, Vic, Thursday 17th May 1888, page 1.

“MAPLESTONE.- On the 15th inst., at her residence, Kew, Isabella Margaret, widow of the late Charles Maplestone, of Ivanhoe Lodge, Ivanhoe, aged 65 years.”

Advertiser, Hurstbridge, Vic, Friday 3rd December 1937, page 1.

“…The foundation stone was laid on November 11, 1867, in the twenty-first year of the Episcopate of Charles Perry, D.D., Bishop of Melbourne, by Mrs. Charles Maplestone, the wife of the honorary architect. It is curious that the foundation stone cannot be identified as there is no sign or mark to tell which is the stone that was laid by Mrs. Maplestone. Although there are a few residents of the district who were present at the laying of the stone, they are not agreed as to the exact location, or where the ceremony took place. Some say at the east end, others at the north end of the building. Some believe that the historic stone has been hidden by the porch, when the church was renovated in 1927. It is known, however, that the stone is a massive one and is hollowed out for the reception of a hermetically sealed bottle containing an interesting account of church life at that time and the daily papers including “The Advertiser,” and every coin of the realm…”

Rev Jock Ryan & Henry Huggins; email from Mrs Bev Ward, 15th June 2013.

“…the Revd. Jock Ryan has let me know that he and Henry Huggins (a parishioner involved with previous extensions at St. John’s) have searched the parish archives and have found a balance sheet dated 3rd May 1870 which contains reference to a stained glass windows. One window for 18 pounds 10 shillings and second one for a side window for 5 pounds, 5 shillings to Ferguson, Urie, and Lyon. This would confirm the names of the makers of the original windows.”

Footnotes:

[2] Rev Jock Ryan & Henry Huggins; email from Mrs Bev Ward, 15th June 2013.

[4] Index to Unassisted Inward Passenger Lists to Victoria 1852-1923, Fiche 036, Pages 001 & 015.

[5] Vic BDM: 2754/1857.

Feb 14 2013

01-01-1867: The Infant Jesus Catholic Church, Koroit, Victoria.

The township of Koroit lies 275 kilometres west of Melbourne and is located on the northern slopes of the dormant Tower Hill Volcano.

The Catholic Church of the Infant Jesus was built in two stages; the first stage was erected in the Gothic style by architect William Wardell, between 1867-70. In 1914 the second stage began and the architect Augustus Andrew Fritsch (1864-1933) advertised for tenders for the extensions and the erection of a tower[1].

The church contains many stained glass windows by the North Melbourne firm Ferguson & Urie. The triple light chancel window is the largest window in the church. It is at the east end behind the altar and the designs for the figurative emblems in each compartment were from the ideas of the Rev James Parle, who instigated the erection of the church in 1867:

“…the subject for each compartment for the glass-stainers was the conception of his fertile brain…”[2]

Photos taken 7th January 2011.

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The Rev James Parle (1811-1870) arrived in Victoria aboard the “Avalanche”[3] from Liverpool on the 13th June 1862[4], under recommendation from the Rev Thomas Furlong, Bishop of Fern, County Wexford, Ireland[5].

Empire Sydney, NSW, Saturday 9th July 1864, page 2.

“LETTERS OF THE RIGHT REV. DR. FURLONG, ROMAN CATHOLIC BISHOP OF FERN, COUNTY WEXFORD, IRELAND.
To all whom it may concern, we testify and declare that JAMES PARLE, a secular priest of this diocese, who is about to proceed to foreign countries, for religious and laudable purpose, approved of by us, is in the highest sense to be commended for his zeal and piety and unwearied labour in the Church of God. Hence, we recommend him with all our soul, in God to all ecclesiastical superiors, earnestly requesting that they receive him kindly and hospitably, and that they permit him to celebrate the Divine Sacrifice of the Mass. Given at Wexford, Ireland, on the second of February, 1862. ┼ THOMAS FURLONG”.

The Rev Parle immediately began his campaign of collecting funds for his home diocese of Ferns in Ireland, much to the annoyance of the Bishop Goold of Victoria. In 1863 in the face of increasing criticism Parle decided to try his efforts in New Zealand but within six months he had returned to Australia and went to New South Wales where he clashed with Archbishop Polding and the church authorities. On his return to Victoria he again clashed with Bishop Goold for the same reasons. The Sydney ‘Empire’ tabloid wrote:

“The Rev. James Parle, a Catholic priest, who has come to Australia to raise funds for industrial schools in the diocese of Ferns, Ireland, and is aserecied [?] by the Right Reverend Dr. Furlong Bishop of Ferns, is now at Goulburn. The ecclesiastical authorities of Victoria and New South Wales have opposed his mission.” [6]

As tensions cooled in the following years, Bishop Goold appointed the Rev Parle to the parish of Richmond in Melbourne and shortly after in 1866, to Port Fairy (then known as Belfast). It’s here that Parle began to exert his efforts for the completion of St Patricks Church in Port Fairy. Another church was also needed at nearby Koroit and with the approval of the church authorities he put his collecting skills to work by establishing fund raising committees for the construction of the Koroit Catholic Church which was estimated to cost £12,000.

The Argus, Melbourne, Vic, Saturday 30th March 1867, page 5.

“According to the local paper, the township of Koroit is making rapid progress, the fertility of the soil having stimulated settlement, and produced general prosperity. Buildings of a substantial character are being erected, and changes in the aspect of the place are continually noticeable. The Roman Catholic Church, of which the foundation-stone was laid on New Year’s Day, will be a large, handsome building, the estimated cost of its completion being £12,000. The town is also beautifully situated and surrounded – the scenery is romantic and picturesque; and with its lake, its botanic gardens, the remarkable old crater of Tower-hill, and the view thence obtained across the bay of Belfast to Moon-light Heads, and even to Cape Otway, when the weather is clear, forms a landscape which, for interest and loveliness, is unsurpassed.”

The foundation stone of the “Infant Jesus” Catholic Church at Koroit was laid on New Years Day 1867[7] by the Bishop of Victoria, the Rev James Alipius Goold, assisted by the Rev’s Hayes, Slattery, and Parle[8].

The Rev Parle was said to have “very high standards” when it came to church building and in the following two and a half years he meticulously oversaw the construction of his Koroit church to ensure that it was to going to be the most admired in the district. In August 1869 Parle became seriously ill and never truly recovered and eight months before his church was to be consecrated he died at the Belfast (Port Fairy) presbytery on the 29th March 1870 aged 58.

The Argus, Melbourne, Vic, Thursday 31st March 1870, page 5.

“BELFAST, Wednesday.
The Rev. Father Parle, who has been long seriously ill, died last night. His remains will be interred on Friday in the Tower-hill cemetery”.

Shortly after his death the ‘Banner of Belfast’ reported:

“…From the greatest architectural outline to the minutest detail everything was conceived and arranged by him; not only the sculpture of the chancel windows but the subject for each compartment for the glass-stainers was the conception of his fertile brain”.[9]

On Sunday the 13th of November 1870 the Koroit Church was officially opened and consecrated by the Vicar-General, James Fitzpatrick (1810-1890), assisted by the Rev George Vincent Barry.

The Argus, Melbourne, Vic, Thursday 17th November 1870, page 1s.

“A fine new Roman Catholic Church at Koroit was opened on Sunday last by Dr. Fitzpatrick, vicar-general, assisted by the Rev. G. V. Barry.”

During the opening and consecration ceremony it was suggested that the remains of Rev Parle should be interred inside the Koroit church. This never occurred and he and his monument remain at the Tower Hill Cemetery, but the church did act upon erecting a befitting memorial to him and commissioned Ferguson & Urie to create a set of three stained glass windows in his memory which were erected in the nave.

On the 15th of November 1870, The Warrnambool Examiner mentioned the chancel window:

“…The large stained glass triple lancet window above its altar, furnished by Fergusson [sic] and Urie of Melbourne, is harmonious in colour…”[10]

Apart from the chancel window, and the memorial windows to Rev Parle, there is another set of Ferguson & Urie windows in the nave as well as a remarkable cycle of twelve pairs of small windows high up in the clerestory. The detail in these windows is difficult to see with the naked eye, but high quality digital images reveal the consistent attention to detail employed by the company which aptly earned them the title of being known as “…famous throughout the colonies for skill and designs in this particular art…”[11]

 The three light chancel window: [View]

The three light chancel window is the centrepiece of the church and is possibly more than twenty feet in height. The left lancet contains images of the Tabernacle, the Crucifixion, and the Pelican feeding its blood to its young. The centre light depicts the Holly Dove, the Magi and the Lamb sleeping upon the Book of the Seven Seals. The right window depicts an angel offering communion, the Ascension of Christ, and the Phoenix in flames.

Reverend James Parle memorial windows: [View]

There are three single light windows together in the nave that were erected in memory of the Reverend James Parle. The windows each depict St. Patrick, St. Mary Magdalene and St. Mary. The memorial text across the foot of the windows reads:

“IN MEMORIAM REV J. PARLE – WHO COMMENCED THIS CHURCH – OBIT 1870”

Tabernacle window: [View]

Behind the tabernacle is a two light window with round window above. The round window contains a crimson cross with purple background of oak leaves and is surrounded by a crimson border with eight blue stars. The two windows below depict the Mother and Child and the other is possible St Anthony? (Holding a Lily).

Clerestory windows:

Each window in the clerestory has the names of sixteen saints and Latin terms related to the Seven Gifts of the Holy Spirit.

1. “SEPTIFORMIS” – “MUNERE” [View]
2. “SPIRITUS SAPIENTIAE” – “INTELLECTUS” [View]
3. “S. PHILLIP” – “S. PETER” [View]
4. “S. JAMES YE GREAT” – “S. JOHN” [View]
5. “S. JUDE” – “St. ANDREW” [View]
6. “St. PATRICK” – “St. BRENDAN” [View]
7. “St. MALACHY” – “St. COLUMBANUS” [View]
8. “St. BARTHOLOMEW” – “St. THOMAS” [View]
9. “St. MATTHEW” – “S. JAMES YE LESS” [View]
10. “S. SIMON” – “S. PAUL” [View]
11. “ET FORTITUDINIS” – “SPIRITUS CENSILIO” [View]
12. “SPIRITUS DOMINI” – “REQUIESCIT SUPER EUM” [View]

Some very detailed history of the stained glass at the church was written in 1991 by the Rev. Michael Linehan; “Stories in Glass, The Stained Glass Windows in the Church of the Infant Jesus Koroit, M. J. Linehan, 1991.”

In the Rev Linehan’s accounts of all the historic windows there is some very detailed information about the history of the Ferguson & Urie glass;

“…the Clerestory windows. There are 24 of them, arranged in pairs, 6 pairs in each wall…”
“…In the 1990 storm, 10 of the 12 western clerestory  windows were damaged. One had been damaged before. The only original one is the window which displays the word “Intellectus” (understanding) which is one of the gifts of the Holy Spirit. The central circular panes in all the others were made in Koroit in December 1990 or January-February 1991. They are copies of the panes that were originally placed in the church, except for the window of St Jude which was both designed and manufactured following the storm of November 1990. Some years before that, the original pane had been replaced with a piece of red fibreglass and there is no record of what the original looked like. Of the eastern clerestory windows, the only new one is the one commemorating St Paul. In all the “new” clerestory windows, it is the central circular pane that really is new as well as some 30% to 60% of the other pieces of glass. All the lead which holds the pieces of glass together is also new…”

“…The artists responsible for the restoration work that was necessary after the 1990 hailstorm are Ruth Ball and Jill Edwards of Ti Glynna the leadlight and stained glass studio at Koroit…”

Footnotes:

[1] The Argus, Melbourne, Vic, Wednesday 4th March 1914, page 3.

[3] Index to Unassisted Inward Passenger Lists to Victoria: Parle, Jas Rev, age 50, Jun 1862, “Avalanche”, Fiche 203, page 001.

[8] Warrnambool Examiner, Vic, Tuesday 4th January 1867.

[10] Warrnambool Examiner, Vic, Tuesday 15th November 1870.

Oct 17 2012

1870: St Paul’s Anglican Church, Koroit, Victoria.

The foundation stone of St Paul’s Anglican Church at Koroit was laid on the 8th of March 1870 and it contains a Ferguson & Urie three light memorial window in the chancel erected to the memory of Mary, the wife of the first minister of the church, the Rev. Louis A. Baker.

Photos taken: 7th January 2011.

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The Bacchus Marsh Express, Vic, Saturday 20th April 1889, page 7.

(on the minister, Rev. Louis A. Baker).

“…For many years he officiated in the district surrounding Koroit, between Belfast and Warnambool, where he was much beloved  and valued, his name being a household word in that locality to the present day. A stained chancel window in the church, put up to the memory of his first wife, is a lasting memento of the kindly feelings of the people towards himself.”

The three light chancel window was created by Ferguson & Urie of Melbourne, possibly about the time of the churches erection in 1870. The borders of the windows are made up of alternating pieces of stained glass in the primary colours of red and blue with a yellow flower. which are unique to early Ferguson & Urie stained glass windows. In the centre light is a ruby red cross and a gold crown which are entwined by a ribbon that has the text: “I KNOW THAT MY REDEEMER LIVETH” (Job 19-25).

The remainder of the windows are made up of plain diamond quarries and nine groups of four diamond quarries depicting elements of the passion flower in grey and yellow with a surrounding red or pink border.

The memorial text across the bottom of the three lights reads:

“IN MEMORY OF MARY, WIFE OF THE REVD. LOUIS A. BAKER FIRST MINISTER OF THIS CHURCH. DIED 8th APRIL 1865”

The Rev Louis A. Baker, died at the age of 76 on the 13th of April 1889 of Typhoid.

About fifty years after the erection of the window it was subject to vandalism by known delinquents. The extent of the damage at the time is not known, nor who may have made the necessary repairs circa 1914.

Warrnambool Standard, Vic, Thursday, 2nd April 1914, page 2.

“VANDELISM AT KOROIT”.

“There is a set of three beautiful memorial windows at the east end of St. Paul’s Church, Koroit, which were erected to the memory of Mrs. Baker, the wife of the Rev. L. Baker, who was a former incumbent of the church (writes our Koroit correspondent). Last Sunday week the Vicar’s attention was drawn to the fact that four holes had been made in these windows by stone throwing, and last Sunday a number of holes were discovered in the west windows, which consist of small diamond shaped leaded panes. The matter has been placed in the hands of the police, and as it is stated the delinquents are known, a prosecution will shortly follow.”

The Argus, Melbourne, Vic, Wednesday 9th March 1870, page 5.

“WARRNAMBOOL, Tuesday.

The Bishop of Melbourne laid the foundation stone of St. Paul’s Church, Koroit, today, assisted by the Rev’s. Messrs. Baker and Beamish. There was a good attendance of spectators, many of whom came from a considerable distance. The contributions were liberal, and the ceremony was completely successful. It will be a stone building, in the early English style of Gothic architecture, after designs drawn by Mr. Rawlinson, the architect.”

Bendigo Advertiser, Vic, Friday 25th March 1870, page 2.

“A SACRILEGIOUS THIEF.- Some mischievous fellow has had the audacity to remove the foundation stone of St. Paul’s Church, Koroit, recently laid by the Bishop of Melbourne. This occurred on the morning of Friday last, when it was discovered that the stone had been removed, the cavity opened, the bottle extracted, and the contents, namely, the scroll and newspapers, cast on one side. These are now in the possession of the trustees. It was thought by some (states the Warrnambool Advertiser) to be either a malicious act, or one committed during a drunken bout; but the officers of the church believe that it was done by a loafing scoundrel who hoped to find some coins deposited in the bottle under the stone, but who had his trouble for nothing.”

Kilmore Free Press, Vic, Thursday 29th December 1870, page 2.

“A DISGRCEFUL SCENE IN A CHURCH;

[From the Banner of Belfast.]

On Tuesday last the building committee of the Presbyterian Church at Koroit held a meeting to consider tenders for the erection of a new church, there being present amongst others the Rev Mr. Adams, Mr Officer (mayor), and a Mr. Wilson. Mr Officer, in a fiery oration, objected to the acceptance of tenders, reviewing the impecunious condition of the district, and considering that the necessary funds could not be raised. The Rev Mr Adams, in reply to the mayor, said that some of his (the mayor’s) statements were true, and some were not true. This brought the mayor to his legs. He demanded of the Rev Mr Adams to know which of his statements were untrue; he would not submit to be called a liar, and in a very intemperate speech, in which he was frequently called to order, assailed the Rev Mr Adams, Mr Wilson, and by implication other members of the congregation. Mr Wilson, with some warmth, defended the Rev Mr Adams. He repelled the mayor’s assertions generally, and retorted with some effect on his exaggerated notions of his own importance. On this the mayor dashed his hat aside, and jumping over the seats laid violent hold of Mr Wilson by the neck with both hands, Mr Wilson making such effective resistance as he was able, and using such force and violence as he was justified in using under the circumstances. The mayor’s object was apparently to have the fight outside the church, but it was precipitated by his violence, and his mayoral dignity, unrespected by himself, was not sufficient to protect him from the hands of Wilson, or from a severe hauling from other members of committee who naturally felt indignant at the desecration of the church, and endeavored to separate the combatants before much damage was done to either, or many blows exchanged. The committee of course adjourned, and the Rev Mr Adams intimated his intention of resigning, and bringing under notice of the congregation from the pulpit the indignity to which he and the other members of the committee were subjected by the ruffianly conduct of he mayor. The feeling in Koroit, and especially among the Presbyterian body, is, as may be determined, one of a mitigated disgust at the conduct of one who has brought so much disgrace on them. Mr Wilson intends to take out a summons for assault against the Mayor”.

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Feb 26 2012

07-10-1870: The 1870 Sydney Intercolonial Exhibition.

The Ferguson & Urie Stained Glass company actively participated in exhibitions from as early as 1854. There was minor mention of the company exhibiting stained glass samples at the Sydney Intercolonial Exhibition in 1870.

The Sydney Morning Herald, NSW, Friday 7th October 1870, page 8.

 “THE EXHIBITION IN PRINCE ALFRED PARK, SYDNEY.

 THE summary of news by the Avoca contained an account of the ceremony observed on the occasion of the opening of the Metropolitan Intercolonial Exhibition on the 3oth August. This exhibition was called into existence under the auspices of the Agricultural Society of New South Wales, and it has proved a splendid success. It has been to this colony what the Great Exhibition of 1851 was to England – what the Exposition Universelle of Paris was to France in 1862. It has attracted large numbers of people from all parts of New South Wales, and also from other colonies of Australasia…”

 “HIGHLY COMMENDED …”

 “…1471 Samples stained glass, Ferguson, Urie, and Lyon, Melbourne…”

Illustrated Australian News for Home Readers, Melbourne, Monday 10th October 1870, page 174.

“THE INTERCOLONIAL EXHIBITION. No. 1.Last month we announced the opening of the Intercolonial Exhibition at Sydney; we are now able to give full particulars with regard to the character of he various exhibits, especially those sent from Victoria…”

“… Some of the handsomest features of this portion of the building are the stained glass windows of Ferguson, Urie and Lyon, of Curzon-street, of which there are seven, representing Christ’s Charge to Peter, Salvator Mundi, Charge to Peter, Immaculate Conception, and some others filled with heraldic designs…”

As at June 2012, no match or further detail has been found regarding the windows described.

External links:

Sydney Intercolonial Exhibition 1870

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Feb 26 2012

22-09-1870: The 1870 Sydney Intercolonial Exhibition.

At the 1870 Sydney Intercolonial Exhibition, Ferguson & Urie were recommended for a bronze medal for their samples of stained glass, but the judges inquire as to some authenticity that the work was actually crafted in the Victorian Colony.

The Argus, Melbourne, Thursday 22 September 1870, page 6.

 “… Messrs. Ferguson, Urie, and Lyon have been recommended for a bronze medal for their very beautiful samples of stained glass. But there are two Sydney competitors in the same line, and the judges have intimated a wish that some sort of certificate had been forwarded guaranteeing that the alleged Victorian work was really done in Victoria. They have instituted a very close inquiry to ascertain whether the Sydney exhibits were really produced in New South Wales, but they have no means of prosecuting similar inquiries about the exhibits from other colonies…”

Evening News, Sydney, NSW, Tuesday 27th September 1870, page 4.

Exhibit “1471 Samples stained glass, Ferguson, Urie, and Lyon, Melbourne.”

 

External links:

Example of a Bronze medal at the 1875 exhibition presented to Lyon & Cottier.

Feb 26 2012

10-09-1870: All Saints Church Wickham Terrace, Brisbane, Queensland.

The Brisbane Courier, QLD, Monday 3rd October 1870, page 3.
(repeated in  The Brisbane Courier, QLD, Saturday 10th September 1870, page 5.)

 “A VERY handsome stained-glass east window has been presented to All Saints’ Church, Wickham-terrace, by Sir R. R. Mackenzie and other members of his family. The window is intended to commemorate the decease of the late Mr. Richard Jones, Mrs. Mary O’Connell, and Mr. John Stephen Ferriter. The work has been executed by Messrs. Ferguson, Urie, and Lyon, of Melbourne. The window consists of what is technically termed seven lights, representing the Crucifixion, the Ascension, the Virgin, and Mary Magdalene. The work is beautifully executed, both as regards the excellence of the design and the richness of the colouring, and reflects great credit on all concerned in its manufacture. The window greatly adds to the beauty of the building, and is a gift well worthy of the donors, whose munificence will no doubt be appreciated by the congregation”

Photos taken 1st March 2011.

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The Darling Downs Gazette and General Advertiser, QLD, Wednesday 14th Sep1870, page 3.

“A HANDSOME stained glass window has been presented to All Saints’ Church, Brisbane, by Sir R. R. Mackenzie, and other members of his family. The window is intended as a memorial of the late Mr Richard Jones, Mrs Mary O’Connell, and Mr John Stephen Ferriter. The work has been executed by Messrs Ferguson, Urie, and Lyons [sic], of Melbourne”.

All Saints’ Church Brisbane 1862-1937 by D. L. Kissick B.A., page 30.

“The first anniversary of the dedication of the new church was kept on September 18th,the Bishop and the Rev. T. Jones being the preachers and the offertories being devoted to the building fund. At about this time the, beautiful east windows were put in place, for they were described in the “Courier” of October 3rd, 1870. They ‘were the gift of Sir Robert R Mackenzie, the Rev. T. Jones and. other members of the family of Mr. Richard Jones (father-in-law of the Rev. T. Jones), in memory of him, his daughter, Mrs. Mary O’Connell and Mr. John Stephen Ferriter. In. that famous Queensland poem by W. Wilks, “The Raid of the Aborigines,” Mr. John Stephen Ferriter is described under the name of “Justice Fairit of Tenthill,” a station originally owned by Mr. Richard Jones (“Merchant” Jones)”.

“The work was executed by Messrs. Ferguson, Uril [sic] and Lyons [sic] of Melbourne, the design and the richness of the colouring being excellent. The windows represents the Crucifixion with Mary Magdalene at the foot of the Cross, the Blessed Virgin Mary, St. John, the Ascension and the Holy Spirit. On October 11th the congregation passed a vote of thanks to the Rev. T. Jones and his family for this munificent gift and each generation of worshippers has had cause to bless the generosity of the donors as it has drawn inspiration from this work of art. These windows are probably the oldest stained glass in Queensland”.

There is also a mention of this window in the book “Australia’s Historic Stained Glass” by Beverley Sherry, page 98, which states .”This Crucifixion, rejected by a low church in Melbourne, was installed in 1870 at All Saints” but no evidence has been found to date to indicate which church in Melbourne rejected it.

External Links:

Biography: Sir Robert Ramsay Mackenzie 1811-1873.

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Feb 26 2012

03-09-1870: Sydney Intercolonial Exhibition 1870.

Australian Town and Country Journal, NSW, Saturday 3 September 1870, page 11.

 “NON-AGRICULTURAL. SECTION 1 – THE FINE ARTS”.

 “..On the other side, near the principal front, are several painted windows, from Ferguson, Urie, and Lyon, of Melbourne. The first is a coat of arms, the crest being boars’ heads, with the motto “Dulcius ex asperis;” on the other side of the same window is the Royal Arms of England, the lion and the unicorn in a somewhat novel attitude. Between these are small lights representing Christ giving to St. Peter charge of his sheep, and over this the virgin crowned with stars. Further on is a larger light representing the charge to Peter; in this painting the sheep are represented with much art in the foreground and all the eleven apostles appear around and behind the Saviour.”

Note: “Dulcius ex asperis” is the Latin motto for the Scottish Clan Fergusson meaning: “Sweeter after difficulties”. There is also a depiction of the coat of arms with the same motto in an element of the Glenferrie window at the Melbourne Museum.
External links:
Feb 26 2012

12-08-1870: Sydney Intercolonial Exhibition 1870.

The Argus, Melbourne, Friday 12th August 1870, page 4.

“The Dandenong, which sailed yesterday for Sydney, conveyed 60 packages for the Intercolonial Exhibition. The exhibits included specimens of auriferous quartz from Messrs. Latham and Watson; Pianos of local manufacture from Messrs. Wilkie, Kilner, and Co; an interesting mineralogical collection from Professor Abel, of Ballarat; stained glass from Messrs. Fergusson,[sic] Urie, and Lyon; and a large quantity of agricultural implements, beer, spirits, oatmeal, and biscuits. The Victorian commissioners intend to make their last shipment by the City of Adelaide, as they have already exceeded the time allowed them by the Sydney authorities.”

Feb 26 2012

11-05-1870: Charitable Donations.

Over a forty year period the company name and many of the employees names were mentioned in numerous columns as having been donors to many institutions.

The Argus, Melbourne, Wednesday 11th may 1870, page 5.

“The secretary for the Victorian Asylum and School for the Blind acknowledges the receipt of the following sums in aid of that institution:-[…]“

“[…].Ferguson, Urie, and Lyon, £1,1s […].”


Feb 26 2012

22-04-1870: The Haymarket Theatre Dispute. Melbourne, Victoria.

The Argus, Melbourne, Friday 22nd April 1870, page 6.

Mr P.T. Conlon, Architect, writes to the Editor of the Argus in an attempt to correct a misinformed statement made by a Mr. Sullivan at a meeting of bondholders of the Haymarket Theatre..

“THE HAYMARKET THEATRE DISPUTE”

 “Sir, – In the absence of Mr. George Coppin from the colony, will you permit me to contradict a statement made by Mr. Sullivan, at a meeting of bondholders held yesterday, at the office of Mr. Mackenzie. In your report of the meeting in this mornings issue of the Argus, it appears that Mr Sullivan made a statement to the effect that Mr. Coppin had four bonds given to him for certain articles that he provided when the theatre was built, amongst which was a stained glass window that was placed in front of the Apollo-hall. Upon this subject Mr. Sullivan must have been misinformed. The history of the stained glass window, of which so much has been said of late, is simply that in my original specification for building the Haymarket Theatre the whole of the windows in front were to be of plate glass. Messrs. Ferguson and Urie being anxious to introduce their exceedingly beautiful system of imitating stained glass, made an offer to Mr. Coppin to fill in the spaces with their workmanship, at atleast two thirds less than Its actual cost. Mr. Coppin accepted their offer and paid the difference between that and the plate-glass, and to my certain knowledge there was no source from whence Mr. Coppin could obtain the bonus (of four debentures) spoken of by Mr. Sullivan. – I am, Sire, yours, &c. P.T. CONLON, Architect. April 21, 1870.”

Note: The Shakespeare window now is on display at the State Library in Swanston St Melbourne and was restored by Geoffrey Wallace Stained Glass in 2005.

Shakespeare Window 01

Related posts:

05-07-1862, 12-07-1862 (slideshow), 06-08-1862

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