1891: James Ferguson Williams (1877-1959)

James Ferguson Williams (1877-1959), Stained Glass Artist and former member of the Ferguson & Urie stained glass company of North Melbourne circa 1891-1898.

James Ferguson Williams is recognised as a member of the historic Ferguson & Urie stained glass company of North Melbourne circa 1891 – 1898.

In my early research of South Australian stained glass I had seen many references to a stained-glass artist named “J. F. Williams” in relation to the H. L. Vosz and later the Clarkson Ltd stained-glass company, but it never occurred to me at the time that he was the grandson of James Ferguson (1918-1894) from the historic North Melbourne stained-glass firm Ferguson & Urie.

The key to this family history revelation was found by pure chance in the guest book of St George’s Anglican Church at Queenscliff in Victoria. I had taken an Aunt & Uncle there to see the magnificent cycle of stained glass windows by our ancestor James Ferguson of the Colonial Victorian stained glass company Ferguson & Urie 1853-1899.

I had been to St Georges many times, and also signed the guest book. On this occasion, my aunt had been looking at the names further back in the book and found a vital clue. On the 13th of March 2014 there was an entry by visitors named Marion Ferguson Cullen and Gavin MacSwiney from London:

“…we were tracing James Ferguson my great-great grandfathers’ history, knowing about his stained glass window business & were incredibly fortunate that Wendy gave us access to this magnificent church with the best exposition if his windows. Stunning beauty – & wonderful to have this link with my g-g-gfa. Marion F. Cullen”[1]

My first question was, who is this? I have been researching the family tree for more than a decade and this name hadn’t been revealed to me in any branch. Could this visitor hold some more clues to the Ferguson & Urie company?

A snail mail address was supplied in the guest book but no email and so I began the long slow process of written communication via the traditional post. By the time I had packaged up my parcel for the UK it was quite an epistle.

Nearly a year passed before I received a reply. Marion & Gavin had been traveling the world and their mail had been piling up at their home in London.

Amongst Marion’s first correspondence was this significant clue as to where James Ferguson Williams gained his experience in the stained-glass business:

“I had known about the stained-glass business from an early age as my mother had told me family stories, although some of them were a little vague or inaccurate as family memories passed on tend to be. I was unaware that there was a partner Urie[2], until some years later. Although James Ferguson was my Gt Gt Grandfather, he always seemed a familiar person to me as my maternal grandfather James Williams had moved to live with him when his father, Edward Williams, died.  Edward’s widow, Marion (nee Ferguson), who lived in Royal Parade Parkville, was left fairly destitute and the story we were told was that the lawyers handling the estate disappeared with all the money. She and all her six children moved to live with her father in “Ayr Cottage” Parkville.  I was told there were other cousins also living there but don’t know any more about this.  I am not sure how old my Grandfather was when he moved, as currently I don’t have the date of death of his father Edward, but he spoke warmly of being there, and developed a life- long interest in stained glass.  He studied at the Melbourne School of Art and specialised in design and stained glass in particular.  For most of his career he worked as a designer and then a director for Clarkson[3], a specialist leadlight company in Adelaide.” [4]

On the 20th March 1889 Edward Williams[5] died at Inglewood Victoria leaving his wife Marion with no further financial means. Marion’s six children were Edward Sydney (c.1875-1946), James Ferguson (1877-1859), Jane Grant, (1872-1908), Annie (1873-1948), Elsie Marion (1882-1966), and Percy Alexander (1883-1952). A seventh child, Francis died in infancy in 1884.

Edward was buried in the family plot at the Melbourne General Cemetery. His wife Marion and the children moved back to Melbourne to live with their grandfather James Ferguson at his home “Ayr Cottage” at Leonard Street in Parkville.

The two eldest Williams boys, Edward and James, were apprenticed to their grand-fathers stained glass firm, Ferguson & Urie. James had the artistic talent to become a stained-glass artist in the firm. His elder brother Edward’s trade in the company is not known at this stage but in later years at Adelaide, he was specified as a “Glass Estimator”.

In 1894 their grandfather James Ferguson had died and it was now increasingly obvious that the Ferguson & Urie Stained Glass company was in decline. In mid-1898 Edward and James Williams left Melbourne and headed for Adelaide in South Australia where James enrolled as a student at the Adelaide School of Design to continue his art education.

At the Students Exhibition in September 1898, attended by the Governor of South Australia, he received accolades in the Figure Detail and Anatomy section as well as the Charcoal art section. He was also mentioned alongside another, soon-to-be-famous, art student named Hans Heyson. [6]

Adelaide’s “Century Exhibition”, held in March 1899, gives the first indication that James, and presumably his brother Edward, had joined the H. L. Vosz firm in Adelaide.

“…The first two entries in the catalogue – embossed glass, and painted and fired glass, by Mr. J. F. Williams, are to be found in Mr. H. L. Vosz’s stand. From point of merit they justify the position they take in the catalogue, and they do much to make Mr. Vosz’s stand the artistic exhibit that it is. A portion of the wall has been removed to show the stained glass and lead lights off to advantage, and one cannot but notice the fine effect that has been produced. The large leadlight window that has been formed is most brilliantly coloured. The principal panel represents a figure on horseback, clad in ancient picturesque costume, leaving his home, with two hounds running alongside the horse. For a bright piece of work the colours chosen are most suitable, and these, as well as the designing and drawing, reflect great credit on the taste and ability of Mr. Williams, the firm’s artist. Below this is a picture of St. Patrick driving snakes out of Ireland, a cathedral showing in the distance. Two other excellent panels are charming landscape pictures, and show to what a high degree the art of glass-staining has been brought…” [7]

A tabloid article published in August 1915[8] indicates the year 1898 is likely to be the accurate year as to when the Williams brothers were engaged by the Vosz company. James is credited with starting up the new stained-glass department of the business where he became the chief designer and glass painter.  Given the very close timeframe from when they left Melbourne and joined H. L. Vosz, it seems likely that they may have arranged their employment via correspondence with the firm before they left Melbourne.

James was still studying art at the Adelaide School of Design whilst simultaneously running the stained-glass department for H. L. Vosz. In April 1899 one of his stained-glass window designs was selected as the best in the art section. [9]

In April 1900, James was awarded a Silver Medal for his “stained glass, painted and fired glass, and Lead Lights”. Controversially, one of the judges in this section at the exhibition was E. F. Troy, an Adelaide artist, and decorator with his own firm producing stained-glass windows in competition with H. L. Vosz. [10]

Two months later In June the H. L. Vosz company took advantage of their accolades and prizes awarded at the Century Exhibition by shining a light on the skills of the employees;

“My Employes Secured Three First and Three Second Prizes at the late Century Exhibition for LEADED LIGHTS AND STAINED GLASS, also First and Second Prize for BEVELLED GLASS…” [11]

These accolades were the kickstart the Stained-Glass department required, and the business began receiving significant commissions. The stained glass designs of J. F. Williams began appearing in Churches and private homes all over South Australia.

At the age of 28 James married Nellie Clark Burgess on the 25th of March 1905 at the Pirie-street Methodist Church in Adelaide[12]. They had three children, Jack Corbin in 1906, Jean Ferguson in 1908, and Marion Ruth in 1913. Jean was the one that had artistic talents like her father and her daughter Marion recalled:

“…She won a scholarship to the Adelaide School of Art…She did not pursue a career in art for very long, although she told me she spent some time in stained glass window design…She completed nursing training and spent 6 years abroad with the Australian nursing forces in WW2, and later in life returned to her first love of painting and drawing[13]

Nothing more is known about Jean’s return to her love of painting and drawing after WW2.

Some of the significant windows in South Australia by J. F. Williams during the H. L. Vosz period include:

1902: St Bede’s, Semaphore. H. L. Vosz Ltd. Depiction of St Bede by J. F. Williams.

1903: Good Shepherd, Bowden, Adelaide. Trooper Horsfall Boer War memorial window, H. L. Vosz Ltd by J. F. Williams.

1903: Adelaide School of Mines. Depicts the Armorial bearings of Sir Langton Bonython, the Marquis of Linlithgow (Earl of Hopetown), Lord Tennyson, and the Lieut-Governor (Sir Samuel Way). Other depict the images of Watt, Newton, Stephenson Bessemer, Lord Kelvin, Faraday and Wren. H. L. Vosz Ltd by J. F. Williams.

1906: Immaculate Conception, Port Adelaide.  H. L. Vosz Ltd, twelve windows designed & executed by J. F. Williams.

1908: St Albans, Gladstone.  H. L. Vosz Ltd, three light window executed by J. F. Williams. 

1909: St Raphael’s, Parkside. H. L. Vosz Ltd, designed by J. F. Williams (also other works at same church).

1909: Methodist ladies College, Wayville. H. L. Vosz Ltd. Four windows depicting Literature, Art, Poetry and Music under supervision of J. F. Williams.

1909: All Saint’s, Hindmarsh. H. L. Vosz Ltd under supervision J. F. Williams. Three light Window depicting the Nativity, Crucifixion and Ascension.

1910: Methodist Church, Kent Town. H. L. Vosz Ltd, under supervision of J. F. Williams. The “Lathlean” family memorial window depicting the enthroned Christ holding the Globus Cruciger.

1911: St Raphael’s, Parkside. St Patrick & St Bridgid windows by H. L. Vosz Ltd under the supervision of J. F. Williams 1911.

1912: St Laurence’s, North Adelaide. H. L. Vosz Ltd, under the supervision of J. F. Williams. The Rev Bannon & MacLean memorial windows.

1913: St Raphael’s, Parkside. Two windows depicting Archangel St Raphael and Gabriel.  St Laurence, North Adelaide. Six Sanctuary windows depicting St. Catherine of Sienna, St Catherine De Ricci, St Rose, St Vincent, St Thomas, and St Dominic.

Under increasing anti-German sentiment in the lead-up to WW1 it was decided to change the name of the Vosz company. In August 1915 an Extraordinary General Meeting was held and it was resolved to change the company name to that of the Managing Director, Mr. Alfred Ernest Clarkson, and trade under the name Clarkson Ltd.[14]

“BRITISH NAME PREFERRED. CLARKSON INSTEAD OF VOSZ… A smoke social was held at Bricknell’s Cafe on Friday night to celebrate the changing of the name of the firm to H. L. Vosz, Limited, to Clarkson, limited. There was a large gathering of shareholders and employees, and the chairman of directors (Mr Alfred Wilkinson) presided… Mr. J. F. Williams, an employee of the firm for 17 years. also spoke to the toast…” [15]

From circa September 1915, all the stained-glass windows produced by the Vosz company would then be recognised under the name of Clarkson Ltd.

Some of the stained-glass windows made under the Clarkson Ltd company name include:

1918: Adelaide Tourist Bureau Windows

1920: Malvern Methodist Church, Soldiers Memorial window.

1920: The Honour Roll at the Peace Exhibition containing flags, laurels, and wreaths.

Outside of the stained-glass business, James was a keen Lawn Bowler like his brother Edward. A few months after the company name changed to Clarkson Ltd, the Governor of South Australia and his select team played bowls at the Sturt club against a team Captained by J. F. Williams. The Governor’s crack team supposedly gave them a thorough flogging on the rink [16]

James was still the head of the stained-glass department in 1915 and in 1922 another change in the company structure occurred which meant a significant promotion for James:

“In a recent re-adjustment of the directorate of Clarkson, Limited, Mr. J. F. Williams, of the Wallpaper and leaded light departments, was appointed to the board, which now comprises Messrs, A. E. Clarkson (Chairman), W. Douglas Ure, Robert Weymiss, and J. F. Williams.” [17]

The following year, in January 1923 Clarkson Ltd celebrated the 75th Anniversary of the firm:

“The directors of Clarkson, Limited, of Adelaide, entertained employees and other guests at the Arcadia Cafe on Friday night in a celebration of the seventy-fifth anniversary of the firm…” [18]

In the first quarter of 1924 James and A. E. Clarkson did a world tour to discover the emerging trends in decoration, wallpapers, and stained glass;

Mr. A. E. Clarkson and Mr. J. F. Williams, who are on a world tour, had an exceptionally good time in America, and were overwhelmed with invitations to dinners and receptions. They are now touring England.”[19]

In September 1927 James was appointed to the Industrial Board for Glass Workers[20]. Less than a decade later, on the 26th April 1936, tragedy struck the Clarkson family and in turn everyone at Clarkson Ltd;

“Mr. A. E. Clarkson, managing director of Clarkson Ltd., disappeared from the deck of the motor ship Moonta in the early hours of yesterday morning while the vessel was at sea on its way to Port Lincoln…” [21]

Albert Clarkson’s cruise was supposed to be a convalescent holiday voyage to recover from a recent bout of double pneumonia. Two weeks earlier he had celebrated his 60th birthday. At 04:30am on April 26th, 1936, he was last seen on the deck of the ship Moonta in his dressing gown and afterward never seen again.

Two months after the tragedy the Clarkson board convened;

Sir Wallace Bruce was appointed chairman of directors of Clarkson Limited, and Mr. L. S. Clarkson has been made managing director in succession to his late father (Mr. A. E. Clarkson). Other directors are Messrs W. D. Ure, J. F. Williams, and Robert Wemyss.” [22]

On the 27th of May 1946, James’ brother Edward died. Edward had been in a car accident on the 22nd of April and suffered a significant but not life-threatening injury to his leg (at the time). His cause of death a month later was later specified as heart failure. His role in his department at Clarkson was “Glass Estimator” but his original trade when at Ferguson & Urie is not known.

In 1948 Clarkson’s celebrated their Centenary Year. In the photo below, James Ferguson Williams sits prominently in the center of the photo in the lighter grey suit.

Strangely enough the famous cricketer Sir Donald Bradman was a director of the firm in 1952.

On the 24th of July 1959, James Ferguson Williams died of a heart attack whilst visiting his daughter Jean at Glen Iris in Victoria[23]. He was 82 years old.

James was cremated, and his ashes were interred at the Adelaide Centennial Park cemetery in South Australia [24] next to his wife Nellie Clarke (nee Burgess) who pre-deceased him a year earlier in 1958.

It’s quite remarkable to think that James Ferguson Williams began his career in stained glass with his grandfather’s historical firm, Ferguson & Urie, in North Melbourne.

Ferguson & Urie was the oldest recorded commercial stained-glass company in Australia. James took his skills with him to South Australia and continued his art education and started up the Stained-Glass department of H. L. Vosz which later evolved into Clarkson Ltd where he became a director.

James was not only an enthusiastic pioneer in his stained-glass craft, but he can also rightly be attributed with paving the way for women to enter the medieval craft. A young aspiring artist named Nora Burden (1908-1992) was amongst the earliest South Australian female artists to have been accepted into the field of stained glass at Clarkson’s. In turn, Nora mentored Vanessa Rose Smith 1907-2005 (nee Lambe) as an artist at Clarkson. Another talented young lady named Nola Collins started her career at Clarkson’s and by 1929 was the principal stained glass artist for Barrenger & Lansdell at Hobart, Tasmania. This may never have occurred if not for James Ferguson Williams.

Clarkson Ltd closed in 1960.


Footnotes:

[1] Guest Book, St George’s Anglican Church, Queenscliff, Victoria, 13th March 2014

[2] In reference to James Urie of the Ferguson & Urie stained glass company of North Melbourne.

[3] The E. L. Vosz company became Clarkson’s in 1915.

[4] Marion Ferguson Cullen – via email 20170602

[5] Edward Williams (1843-1889). Came to Australia from Northern Wales circa 1854 aged 11.

[6] The Advertiser, Adelaide, SA, Thursday 8th September 1898, page 8

[7] The Advertiser, Adelaide, SA, Wednesday 21st March 1900, page 6.

[8] The Advertiser, Adelaide, SA, Saturday 14th August 1915, page 19.

[9] The Express & Telegraph, Adelaide, SA, Monday 10th April 1899, page 2.

[10] The Adelaide ‘Century Exhibition’ Chronicle, Adelaide, SA, Saturday 14th April 1900, page 19.

[11] The Advertiser, Adelaide, SA, Saturday 2nd June 1900, page 2.

[12] Chronicle, Adelaide, SA, Saturday 11th March 1905, page 50.

[13] Email from Marion Ferguson Cullen to Ray Brown 20190304

[14] The Advertiser, Adelaide, SA, Thursday 5th August 1915, page 2

[15] The Advertiser, Adelaide, SA, Saturday 14th August 1915, page 19.

[16] The Advertiser, Adelaide, SA, Wednesday 8th December 1915, page 10

[17] The Register, Adelaide, SA, Saturday 9th December 1922, page 8

[18] The Register, Adelaide, SA, Saturday 20th January 1923, page 13.

[19] Adelaide, SA, Wednesday 12th March 1924, page 16

[20] The Advertiser, Adelaide, SA, Tuesday 27th September 1927, page 21.

[21] The Advertiser, Adelaide, SA, Monday 27th April 1936, page 15.

[22] The Advertiser, Adelaide, SA, Wednesday 10th June 1936, page 20.

[23] 4 Hortense St, Glen Iris, Victoria (then listed as Burwood).

[24] Centenial Park, East Area, Rose Bed N7, Position 011. (tenure expired 31st July 2009).


Short link to this page: https://wp.me/p28nLD-3aH

© Copyright

21-03-1871: Struan House, Launceston, Tasmania, Australia.

In Cameron-street in Launceston, Tasmania, stands the historical Supreme Court Building originally built in 1870-71 as “Struan House”[1] for the wealthy Scottish Colonist James Robertson. It was designed by architect Peter Mills[2] and constructed by building contractor Edward Ford.

In 1893 the building was used as a private maternity hospital and in 1929 was acquired by the Tasmanian Government for use by the Launceston Supreme Court.

During the construction of Struan House in early 1871 the Launceston Examiner tabloid reported;

“…We must not omit to mention that the side and fan lights of the entrance door, and of the doors leading out on to the verandah and balcony are glazed with rich designs in stained glass, manufactured by the well known firm of Ferguson, Urie, and Lyon, of Melbourne…”[3]

In 2011, enquiries revealed that there is still an original piece of Ferguson & Urie stained glass above a doorway in the building having the year 1870 emblazoned on it!

On the 18th April 2011 Mr Chris Nason, wrote:

“Dear Ray, Thankyou for your email. I confirm that Struan House does still exist and has been maintained as part of the Supreme Court since 1929. In terms of stained glass the only item that remains is above a door that opens onto the north facing balcony. I have taken a couple of shots of the window and attached for you. Unfortunately the shot from outside is not great. I hope this is of some use to you. Regards Chris Nason, District Registrar, Supreme Court of Tasmania…“

Photos kindly provided by Mr Chris Nason, 18th April 2011.

This slideshow requires JavaScript.

James Robertson (1800- 18741800- 1874).

James Robertson was a native of Alvey, Inverness-shire, Scotland and arrived in Van Diemen’s Land in the early 1820’s where he joined his brothers John, William and Daniel, breeding sheep and cattle in the Campbelltown district.

Later they diversified to form Robertson Brothers Mercantile Importers in Elizabeth Street Hobart in 1829[4], run by John & William, and in Brisbane-street Launceston in 1831[5], headed by James and Daniel.

On the 18th of November 1833, at St David’s Church in Hobart, James married Mary McDonald, daughter of Roderick McDonald of Glengarry[6].

James had been a Justice of the Peace in Launceston since September of 1843 and was a supporter of the anti-transportation of convicts to the colony. In 1853 he declined requests to stand for the election of the first Mayor of Launceston[7] which was subsequently won, under much controversy, by William Stammers Button.

He was a local director of the Union bank of Australia and had been Captain and Paymaster of the Volunteer Artillery[8] and for many years was the treasurer[9] of the Launceston branch of the ‘St Andrew’s Society’ [10]

In January 1841 his brother Daniel had decided to dissolve his partnership leaving James as sole proprietor of the Launceston Mercantile business[11]. Just over twelve months later, on the 12th March 1842, Daniel drowned in the Esk River whilst on a fishing trip with friends[12]. In 1848 unknown persons referred to as “miscreants” attempted to rob Daniel’s grave![13].

In February 1850 James’ wife Mary died at the age of 35 [14] and on the 28th of May 1851 he married Mary’s younger sister Margaret, the eighth daughter of Roderick McDonald of Glengarry[15].

James Robertson died on the 1st of April 1874[16] and was interred in the Robertson family vault at the Scotch Cemetery in Launceston[17]. His wife Margaret died on the 3rd of September 1891[18].

His former residence ‘Struan House’ now forms part of the Launceston Supreme Court. Only the top portion of a fan light window above a doorway in the building exists of the original Ferguson & Urie stained glass created in 1871.

Of coincidental interest, James Robertson’s elder brother William went on to become one of the largest landholders in the western district of Victoria and in 1877 the Ferguson & Urie Company created a large ‘Rose’ stained glass window which was erected to his memory in St Andrew’s Presbyterian Church at Colac, Victoria.

Significant transcriptions:

Launceston Examiner, Tas, 15th January 1853, page 4.

“MR. JAMES ROBERTSON. FEW inhabitants better deserve the tribute of respect about to be paid to him on his departure for Britain, than Mr Robertson. In his sphere of public usefulness, none have been more energetic and successful; and he has often taken the most arduous part, when a benevolent or popular object was in view. There can be no question that if he had assented to the request recently addressed to, him, he would have been the first Mayor of Launceston. But business arrangements prevented compliance, and the St. Andrew’s Society, of which he is a” pillar,” have gracefully come forward to recognise his claims to general esteem. In his commercial career he has been successful, and as a staunch anti-transportationist, he will doubtless exert his influence at home, in favor of the land of his adoption; and the birth-place of his children. The invitations to gentlemen, not members of the St. Andrew’s Club, ought to be very extensive, or they should be permitted, at their own cost, to be present on the occasion. We heartily wish him a pleasant voyage home, success in his mission, and a safe and speedy return.”

The Launceston Examiner, Tuesday 21st March 1871, page 2.

 “MR. ROBERTSON’S NEW RESIDENCE. The new residence of James Robertson, Esq., situate in Cameron-street near the old Military Barracks, and now rapidly approaching completion, is a building that deserves something more than a mere passing notice, for it is one of the best finished, and certainly the most commodious of private dwellings on this side of the island. Erected on the summit of a gentle slope which extends down to the bank of the River Tamar, it commands a fine view of the windings of that stream, and a still finer view of the Cataract on the South Esk, with its bold romantic scenery, and the pretty light looking iron bridge which spans the entrance to what may fairly be termed on of the lions of Launceston. Turning his back on these, a considerable portion of the town is presented to the gaze of the spectator. But the building itself is an ornament to the town, and forms a prominent object that that is sure to attract the attention of visitors or others sailing up the river. The main building is in style Italian, and two storeys high. The walls are constructed of brick, the dressings to the windows, string courses, quoins, cornices, chimneys, and the enrichments generally being executed in Portland cement. The brickwork is uniform in color, and neatly finished with a white joint. The roofs are of slate, and the roof of the main building overhangs the wall about three feet, the projection being supported by ornamental cantalivers [sic]. The front of the building faces the north, but there is an entrance on the east, by means of a massive looking porch and steps. On the ground floor are the large entrance hall, staircase hall, dining, drawing, breakfast and ball rooms, also a business room. The entrance hall is divided from the staircase hall by fluted Corinthian columns and pilasters, supporting a decorated cornice of the same order. The dining and drawing rooms which are well proportioned, open into the entrance hall. The breakfast and ball rooms are entered from a wide corridor leading from the staircase hall to the kitchen, the former room being well lighted by a large bay window of clear plate-glass, from which an excellent view of the Cataract and Tamar can be obtained. The whole of the fittings are of bright cedar French polished, and the finishing’s round the hall side of the doors are ornamented and carved very handsomely. The principal rooms also have elaborately wrought marble mantle-pieces, and are enriched with light and elegant moulded cornices. A verandah, accessible from the staircase hall, runs round the front and a portion of the two sides of the building, terminating on one side against the kitchen wing, and on the other against the entrance porch; and above the verandah is a balcony accessible from the first landing of the staircase. The roof of this is curved and covered with corrugated iron, the railings, trellis work, and brackets being of cast iron, and in appearance very ornamental. The verandah and balcony are wide, and furnish a very agreeable promenade, in which the eye can not fail to be delighted with the surrounding scenery. We must not omit to mention that the side and fan lights of the entrance door, and of the doors leading out on to the verandah and balcony are glazed with rich designs in stained glass, manufactured by the well known firm of Ferguson, Urie, and Lyon, of Melbourne. The kitchen wing contains a large kitchen, scullery, washhouse, stores, pantries, and servants’ staircase. A first-class cooking range manufactured by Mr William Peter, Wellington-street, is fitted up in the kitchen, and from this, by means of pipes, the bedrooms on the upper floor are supplied with hot water for baths, &c. Underneath the building are dry cellars floored with cement. The upper or chamber floor is reached by a handsome staircase, having a continuous ornamental iron railing, and here we find a number of lofty, well-ventilated bedrooms with dressing and bathrooms attached. The nursery and servants’ bedrooms are placed over the kitchen, &c. The baths are fitted up so that hot or cold water can be turned on at pleasure. The whole of the fittings in the rooms, except the mantle pieces, are of French polished cedar. The court yard is enclosed by out-offices – including accommodation for men servants, a coach house, stables, harness room, cow house, hay loft – and by entrance gates, provision been made to get a carriage drive through this court yard round to the river frontage. The Cameron-street frontage is enclosed by an ornamental iron palisading of cast iron with gates, &c., to correspond.
The total cost of erecting these fine premises will be about ₤6000. Mr E. Ford is the contractor, and appears to have executed his work very faithfully. The buildings were designed by Mr Peter Mills, and have been erected under his vigilant superintendence, and we must say that the manner in which everything has been carried out reflects the greatest credit on him.”

Launceston Examiner, Tas, Thursday 2nd April 1874, page 2.

“OBITUARY
Another old colonist has gone from our midst: JAMES ROBERTSON, so long connected with various interests of Launceston, died last evening, in his 75th year, having completed his 74th on the 23rd of March.
After a few years’ occupation as sheep farmer in the Campbell Town district, in this colony, Mr Robertson came into Launceston in 1830, to enter into commercial business with his younger brother, Daniel, unfortunately drowned in the South Esk, in 1841 [sic], which business he carried on very successfully, first on premises now occupied by Messrs. Smith and Poole, and subsequently in the large premises built by the firm for the purpose now known as the International Hotel, until a comparatively recent period, when he retired from more active pursuits to the handsome residence he erected in Cameron-street, known as Struan House, and in which he died.

           Through a long mercantile career Mr Robertson maintained the character of a strictly honourable merchant, and sincere friend. Amongst his mercantile connections he numbered most of the older colonists; and he enjoyed the immediate friendship of an unusually large circle.
            There are some incidents of his “settler life” which possess unusual interest, at once characteristic of his personal courage and of the peculiar difficulties of early settlement in these colonies. On one occasion when sitting reading at the fire in his hut, his back to the door, he was surprised by the entrance of a notorious bushranger, with two equally notorious companions. They had previously secured his shepherd servant, and came so sudden upon him that resistance was useless. After helping themselves to provisions, they set off for a distant rendezvous, marching Mr Robertson and his servant before them, still tied, until they arrived at midnight, on the banks of the South Esk, at a crossing place where they expected to find a boat; which, however was on the opposite shore. One of the bushrangers crossed the river to fetch the boat for the conveyance of the party and their plunder; when the subject of our memoir, seeing an opportunity, succeeded in getting one of his arms sufficiently at liberty to get his hand into his pocket and secure a penknife. The robbers were so intently engaged in watching the progress of their companion that they gave to Mr Robertson the opportunity of communicating by signs, in the light of partial moonlight, with his servant; and after cutting the cord which confined his own arms, he cut that of his servant. They both remained in a position of apparent confinement until they could hear the splash of oars of the returning bushranger, when they each closed upon one of the confederates, and with the handkerchief torn from their own necks tied the hands of each. The man in the boat hearing the conflict turned for the other shore, but was promptly fired on with the arms now in the possession of Mr Robertson and his servant. The two prisoners were soon handed over to the police, and were conveyed to Launceston gaol; and on further enquiry the boat was found riddled with ball but abandoned by the robber, who was afterwards found wounded and captured. On another occasion the self-possession and courage of Mr Robertson were even more conspicuously displayed. A bushranger, who had become the terror of the district, occupied a mi-mi in the depths of the forest. Mr Robertson discovered it, or was informed of the locality – no matter which. Having obtained the co-operation of a neighboring settler he determined to effect capture. Keeping their secret they set out together for the place, but when they arrived found the fellow that occupied it away. They laid their plans accordingly – crouching themselves in the scrub until the evening, when they saw their man return, watched him dismantle himself of his fire-arms with the exception of pistols in his belt, cook his evening meal, and creep into his mi-mi. Mr Robertson immediately rushed in the aperture requiring almost a crawling posture whilst his settler friend made loud demonstrations of directing a body of men outside. He threatened to shoot the robber and disarm him, tied him securely, and led him out to show him (as Mr Robertson often told with considerable humour), to his great disgust, that he had been captured  by two nearly unarmed men!
            Mr Robertson’s genial countenance and bustling habits will long be missed in the streets of Launceston. He leaves an estimable widow, his second wife, and a large family, comfortably provide for. Mr Robertson has been in the Commission of the Peace since the 20th September, 1843. It will be remembered that his eldest brother William died in Victoria on 18th January last.”

Launceston Examiner, Tas, 9th April 1874, page 3.

“THE LATE MR  JAMES  ROBERTSON.

The funeral of the late Mr James Robertson took place on Tuesday afternoon, and was attended by a very large number of personal friends and others from various parts of the colony anxious to pay the last tribute of respect to the memory of one who had maintained business and social relations with the colonists, especially of the Northern districts, for so lengthened a period. By request of Mr Robertson communicated shortly before his decease, the funeral obsequies were superintended by his old friend, Mr Alderman Tyson, Messrs Richards and Son being the undertakers. The remains had been enclosed in a leaden coffin which was encased in a shell, neatly covered with black cloth, and suitably furnished. Shortly after 3 o’clock the coffin was   deposited in a plain hearse drawn by a pair of horses, and the mournful cortege left Struan House, deceased’s late residence in Cameron-street: the following gentlemen acting as pall-bearers, viz., the hon. James Aikenhead, M.L.C., a local Director of the Commercial Bank ; J. T. Sale, Esq., J.P., Manager of the Union Bank of Australia, of which deceased had been for many years a local director; C. J. Weedon, Esq., J.P., one of the Directors of the Bank of Tasmania; Thomas Corbett, Esq., J.P., a director of the Bank of Van Diemen’s Land; John Fawns, Esq., J.P., one of the Executive Committee of the Savings Bank; and Dr. Miller, J.P. The pall-bearers were flanked on either side by members of the Volunteer Artillery Corps, of which deceased had been Captain and Paymaster. The sons of deceased, Messrs. Hector and Angus Robertson were chief mourners with other relatives following; and in addition there were from 140 to 150 townsmen and colonists. There were also a number of private carriages behind. The route of the cortege was Cameron-street, Charles-street, Brisbane-street, and High-street to the Scotch Cemetery, where the family vault is situated; and the esteem in which deceased had been held by his fellow townsmen was evinced by the closing of the shops and other places of business along the line of route. The Revs. J. Gardner, W. Law, J. Lindsay, and R. M’Clean were among the ministers who attended. At the grave the Rev. R. McClean, of Hobart Town, read a portion of Scripture, and delivered an appropriate address. The Rev. J. Lindsay offered prayer. The coffin was borne to the hearse, and to the vault by the Volunteer Artillerymen.”

Footnotes:

[1] The Launceston Examiner, Tuesday 21st March 1871, page 2.

[2] Peter Mills also designed the Launceston Town Hall in 1864 and several other historical buildings in Launceston.

[10] Formed in 1841 to not only entice skilled labourers from Scotland to the Colony, but to provide friendship and assistance to them and their families and benevolent acts to their widows and orphans in times of need.

[17] The Scotch Cemetery opened in 1835 and closed in 1928. It was re-developed as “St. Andrew’s Gardens” from c.1951 with some of the grave stones transferred to the Carr Villa Cemetery.