05-02-1872: St Mary of the Angels Basilica, Geelong, Victoria.

The foundation stone of St Mary’s was laid in 1854 but work ceased in 1856 and the partial construction remained an eyesore in Yarra Street Geelong for seventeen years before the newly appointed Archdeacon Slattery resurrected the plan to have the new church built.  In January 1870 Archdeacon Matthew Downing commissioned T.A. Kelly to prepare plans for completion of the church .

Known as St Mary of the Angels Basilica, it was eventually opened by Bishop James Alipius Goold on the 4th of February 1872. 

The large rose or wheel window in the liturgical west end facing Yarra Street is the work of Ferguson & Urie of North Melbourne. The window measures more than three and a half meters in diameter and cost in excess of £300. The Virgin Mary, St. Joseph, St. Patrick, St. Bridget, St. Augustine, and St. Francis Xavier are the six prominent subjects in the window and they are surrounded by angels, crowns and floral emblems. The Agnus Dei, or Paschal Lamb, is carrying the victory banner which takes place in the centre of the whole arrangement.

Geelong Advertiser, Vic, Thursday 14th December 1871, page 2.

“The new cathedral in Yarra-street is rapidly approaching completion, and the workmen for some time past have been busily engaged with the decorative works of the interior. The side and upper roofs of Ceylon pine, have been stained and varnished, and the timber looks very handsome. Above the pillared arches, the blaster work has been very neatly and artistically executed. Instead of £200, as originally contemplated, the memorial window in front is now to cost about £300. The stained glass is being prepared by Messrs Fergus[sic] and Urie, of Melbourne.”

The Argus, Melbourne, Monday 5th February 1872, Page 5.

“The Church of St. Mary, Geelong, the solemn ceremony in connexion with the opening of which was performed yesterday, stands at the upper end of Yarra-street, Geelong, on an eminence which renders it the most conspicuous object in the town…”

 “… a beautiful and elaborate wheel window, 12ft in diameter, considered the most beautiful in the colony, filled in with stained glass, illustrative of the patrol saints of the church with their appropriate devices…”

Photos taken 18th December 2010. (Updated photos from Nov 2013 can be see on Flickr)

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In 1855, one of the original architects, Richard Dowden, exhibited some proposed designs for stained glass prepared by Kearney & Co of Glasgow and intended for the church:

Geelong Advertiser and Intelligencer, Vic, Saturday 9th June 1855, page 2.

“…Mr. Dowden also exhibited two very beautiful designs for stained glass windows, sent from home by Messrs Kearney & Co, of Glasgow; one was intended for the front window between the towers in the Yarra-street elevation, and the other for one of the transepts; the first contains the Life of the Redeemer, pourtrayed in 12 elegant medallions; the other had four magnificently colored representations of the Virgin Martyr. He stated that they would cost on average, 500 each, which does not seem at all exorbitant, when we consider the elaborate beauty of the designs. We sincerely hope these designs or similar ones will be adopted, as it is of vast importance to cultivate a true taste for the higher classes of art in this country…”

None of the original 1855 designs for the stained glass windows by Kearney & Co were ever adopted. The west oriel or wheel window was eventually made by the Ferguson & Urie stained glass company of North Melbourne circa 1871 and was dedicated to Rev. Dean Hayes;

James Francis Hogan, “The Irish in Australia” (1887), Project Gutenberg transcription.

“…In after years the original design of the church was considerably modified to suit the altered circumstances, and a portion of the nave was com­pleted, sufficiently large to answer the requirements of the reduced population. Even in this incomplete condition, the building is the most conspicuous, commodious and elegant ecclesiastical edifice in the town. Its facade contains a beautiful circular stained glass window in memory of a popular pastor of the place for many years, the Very Rev. Dean Hayes, who was on a visit to his native Ireland when he died, after having just been designated as the first Bishop of Armidale in New South Wales…”

This article from April 1871 gives insight as to how the window came about!

Geelong Advertiser, Vic, Saturday 15th April 1871, page 2.

“A meeting of the friends and subscribers to the late Very Rev. Dean Hayes’ memorial fund, was held at the Town-hall, on Saturday. The attendance consisted of Mr Johnstone, M.L.A., and Messrs Noonan, Davoren, Mansfield, O’Brien, Kelly, and McGonigal. Mr R. de B. Johnstone was voted to the chair. It was announced that £117 was now lodged to the credit of the memorial fund at the Commercial Bank. The chairman stated that the object of the meeting was to decide in what manner the amount collected should be expended, with the view of perpetuating the memory of a great and good citizen. He referred at considerable length to the career of the late Dean, and the claim his good deeds had established. As the founder of the Catholic orphanages at a time when there were no other institutions in existence for the relief of destitute children, he had proved himself entitled to the gratitude of those who came after him. In a matter of this kind he left religious considerations entirely out of the question, and he was indifferent regarding the form the memorial might take, so long as a fitting tribute of respect was paid the the memory of a great and good townsman. It was then decided on the motion of Mr. Noonan, seconded by Mr Davoren, that the memorial should take the form of a stained window, to be erected in the new Roman Catholic Church, Yarra-street. A plan of the proposed window was exhibited, and certainly if the design is carried out it will be not only an embellishment to the sacred edifice, but a suitable monument to the deceased Dean. Archdeacon Slattery, and Messrs Johnstone and Nonan were appointed a sub-committee to carry out the erection f the memorial window which is to be inserted in the building over the main entrance. Some remarks were made about the erection of a marble tablet at the Catholic Orphanage, after which the meeting closed.”

At this point the actual window has yet to arrive and be installed in the tracery!

Geelong Advertiser, Vic, Monday 17th April 1871, page 3

“While St. Mary’s Roman Catholic Church is rapidly undergoing demolition a large wooden structure at the rear is to escape destruction for the present, having been converted into a temporary place of worship. The altar belonging to the old building has been transferred thither, so that, instead of the schoolhouse, the members of the congregation who are unable to attend the Ashby Church will be able to celebrate early mass in a place set specially apart for the purpose. The construction of the new church is rapidly progressing, and some idea of its architectural beauty may now be formed. The design of the front entrance is elaborate, and the carved stonework has been executed with great care and accuracy. Above the doorway in the centre frame of the memorial window to be erected to the memory of the late Dean Hayes has been so far completed that only the stained glass is wanting to complete the design. The window is circular, and the stonework about it is carved in such a manner as to produce a striking and elegant effect.”

Geelong Advertiser, Vic, Wednesday 30th August 1871, page 2.

“Great progress is being made with the building of St. Mary’s. Nearly all the stonework of the windows has been completed, and sandstone ornamental work is now being placed on the walls. The designs of the windows are a fitting match for the Very Rev. Dean Hayes memorial window, and are very chaste.”

Geelong Advertiser, Vic, Monday 20th November 1871, page 2.

“It will be remembered that some time ago a meeting of the subscribers to the memorial intended to be raised in honour of the late Very Rev. Dean Hayes, was held at the Town Hall. It was then re solved that the money collected for the purpose by Messrs Johnstone and Noonan, amounting to £130, should be applied towards the erection of a memorial window in St. Mary’s Church, and the Rev. Archdeacon Slattery, Messrs R. de B. John stone and W. P. Noonan were appointed trustees of the fund. The whole of the ornamental stonework of the window has been completed, and is ready for the reception of the stained glass, but some additional funds are required to meet the expense. £230 is the estimate for the window, so that £100 has yet to be raised. Under the circumstances Messrs Johnstone and Noonan intend to resume their canvass, and it will be observed that subscriptions are invited.”

St Mary’s was opened on Sunday February 4th 1872 by Bishop Goold and the following article gave a bit of history, the ceremony, and a lengthy description of the church and the memorial window facing Yarra Street. The detail in the article also indicates that the memorial window of stained glass was the only figurative window erected in the church at that time and all other windows contained amber tinted cathedral glass. Today most of the windows are all filled with stained glass by many other stained glass studios but the two large windows in the north and south transepts are still original. The Rev Dean Hayes memorial window by Ferguson & Urie is the oldest stained glass window in the Church.

Geelong Advertiser, Vic, Monday 5th February 1872, page 3.

“…its magnificent wheel window, 12 feet in diameter. This window is filled with flowing tracery, slightly French in its idea, and glazed with stained glass, intended as a memorial to the late Ven Dean Hayes, the subjects represented being the Blessed Virgin, St. Joseph, St. Patrick, St. Bridget, St. Augustine, and St. Francis Xavier, with their corresponding symbols…”


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01-01-1872: Welsh Church, Latrobe street, Melbourne, Victoria.

The Argus, Melbourne, Monday 1st January 1872, page 5.

A new Welsh Presbyterian or Calvanistic Methodist Church was opened for Divine worship on Saturday, in Latrobe-street. The congregation first met in a common school in Collins street in 1853, but in a year or two became sufficiently numerous to remove to a larger building in Latrobe-street. This, in time, failed to afford sufficient accommodation, and the present structure has been erected in its place. It was designed by Messrs. Crouch and Wilson, and was erected by Mr. Ireland, the total cost being about £1,800. Its style is what is known as the early decorated. It is built of brick, on stone foundations, and measures over all 65ft. 6in. by 42ft. It is intended to stucco the whole exterior of the church, but at present only the front elevation has been so treated. This facade stands upon a fine axed bluestone base, and is 50ft. high to the top of the finial on the gable. The principal entrance is in the centre, and above it is a large triple-light window, with geometrical tracery filled with stained glass, from the manufactory of Messrs. Ferguson, Urie and Lyon.

The Gothic Revival Church in Latrobe street was opened on 30th December 1871.

The text in the ribbon in the centre of the triple light window facing Latrobe street is written in Welsh which translates as follows:

Welsh: –  “ANNWYL CARWN EIN GILYDD OBLEGID CARIAD O DDUW Y MAE”
English: –  “BELOVED LET US LOVE ONE ANOTHER FOR LOVE IS OF GOD”

The text comes from the King James Bible, 1 John 4.7 – “Beloved, let us love one another: for love is of God; and every one that loveth is born of God, and knoweth God”

Photos taken 16th July 2011.

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08-12-1871: Christ Church, Hawthorn, Melbourne, Victoria.

 

The Argus, Melbourne, Friday 8th December 1871, page 5.

 “A very handsome memorial window has recently been placed in the north transept of Christ Church, Hawthorn, by Lady Palmer, in commemoration of her husband, Sir James F. Palmer, the late president of the Legislative Council. It is the work of Messrs. Ferguson, Urie and Lyon, of Curzon-street, North Melbourne, stained glass manufacturers, and is an exceedingly creditable production. The design, which is typical of the three Christian virtues, Faith, Hope, and Charity, is identical with that of the west window of New College Chapel, Oxford, which was painted by Jervais, from cartoons furnished by Sir Joshua Reynolds. The colours are very rich, and harmonise well together. The whole treatment of he subject is good, the drapery of he figures, in particular, being admirably managed. Mr.Wyatt, architect, supervised the execution of the work.”

Photos taken 14th November 2010.

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Geelong Advertiser, Vic, Thursday 7th December 1871, page 3.

 “A very handsome memorial window has jnst been placed in Christ Church, Hotham, at the expense of Lady Palmer, in commemoration of the death of her husband, the late President of the Legislative Council. As a specimen of colonial art, the work is probably in its way the finest production in Victoria. The window consists of three compartments, containing allegorical representations of the three Christian virtues, Faith, Hope, and Charity, respectively. The last named of these personifications is represented on the centre compartment, which is 9 feet 8 inches in height and 2 feet broad; the two others being 7 feet high by 2 feet wide. The colours are extremely rich, and the execution compares very favourably with that of two other painted memorial windows of English manufacture in the same church. The work was executed by Messrs Ferguson, Urie, and Lyon, of this city, under the direction of Mr F. Wyatt, architect, the design, so far as the forms are concerned, being copied from a portion of the Hew College Chapel window, which latter was the work of Jervaise, from paintings by Sir Joshua Reynolds. Running along the lower portion of the new window is the following inscription in old English letters:—”To the memory of James Frederick Palmer, Knt., who died April 23rd, 1871.” I understand that the total cost of the work was a little over £100”.

The first parts of Christ Church Hawthorn were constructed in 1853-54 of bluestone in the Gothic design of Charles Vickers. The chancel and temporary organ chamber were added in 1873 and extensions to the nave and north transept in 1886. The church has many historic stained glass windows by craftmen such as Ferguson & Urie, Brooks Robinson & Co, William Montgomery, William Wailes and Hardman of Birmingham.

In late 1871 Lady Isabella Palmer had a memorial stained glass window erected in the South Transept of Christ Church, Hawthorn in honour of her husband Sir James Frederick Palmer (1803-1871)There is always the question of how or why particular subjects are selected for memorial windows, but in the case of Sir James’ memorial window it was made a little easier for Lady Isabella. She would have been acutely aware of her husbands taste in art. At the Art Treasures Exhibition in Melbourne in April 1869, “…Sir James Palmer contributes two relics of his illustrious kinsman, Sir Joshua Reynolds…” All Lady Isabella had to do now was pick something by Sir Joshua Reynolds with a religious theme that Sir James’ would have loved.

The resulting stained glass window she comissioned was to be made by local stained glass craftsmen “Ferguson, Urie & Lyon” of Curzon St North Melbourne and depicts the three Christian virtues, Faith, Hope, and Charity. The window uses quite large pieces of glass with very few lead lines and although quite spectacular to see is considered technically inferior to their earlier work. The depictions of Faith, Hope and Charity are copied from a stained glass window, located in New College Chapel, Oxford that was created by Jervais and based on the designs by Sir Joshua Reynolds. Ferguson and Urie also copied some elements of the same for the Foster memorial window erected in All Saints Church in South Hobart in 1868.

There is another Ferguson & Urie window in this church not mentioned in any other article found to date. The Henry Nathaniel Ray memorial window is by Ferguson & Urie circa 1879 and depicts Christ carrying the Cross. Henry Ray was the son of Henry Gibbons Ray & Mary Singer and husband of Maria Josephine Ray.  Ray was a Broker, formerly of Middlesex, and died at his home “Maida Estate” at Weinberg Rd Hawthorn on on the 6th of Aug 1879 aged 59 after only a few hours of illness (as reported in the Argus, 7th of August 1879). (Vic BDM: 8008/1879). His family home “Maida Estate”, situated at Glenferrie and Riversdale Roads at Hawthorn, went up for public auction on the 26th of February 1880.

External links:

Sir James Frederick Palmer (1803-1871)


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21-06-1871: Roman Catholic Mortuary Chapel at the Melbourne General Cemetery.

The Argus, Melbourne, Wednesday 21st June 1871, page 5.

 “The Melbourne Cemetery has received another adornment, now that the new mortuary chapel in the Roman Catholic portion of the ground has been completed. This elegant structure, of which the sanctuary only is wanting, is of bluestone, with windows and exterior ornaments of Tasmanian freestone, from Kangaroo Point. It consists of a pointed porch, enriched with carved finials, which leads into a lofty open-roofed chapel, lighted by four trefoil-pattern windows, and paved with encaustic tiles, and two crypts beneath. The style is Gothic, and the dimensions are – length 60ft.,width 22ft., while the slated roof reaches a height of 50ft from the ground. The Belfry is not yet finished. The crypts are solidly floored with concrete, and are provided with sufficient means of ventilation. They are intended as a final receptacle for the remains of deceased priests, which are to be placed there in leaden coffins. The bodies of about 10 deceased clergymen await their transit to this repository, which will take place contemporaneously with the solemn dedication of the building to the Blessed Virgin and St. Joseph by the bishop. This will be celebrated in a few weeks, and the Rev. G. V. Barry will preach a special sermon on the occasion. This mortuary chapel is, we believe, the only one worthy the name in Australia; at least such was the opinion of Archbishop Polding, who visited it the other day, and whose knowledge on the subject is doubtless considerable. The entire edifice, which has cost over £1,000 is due to the Rev. W. M. Finn, who, with the permission of the bishop, initiated the movement which has resulted so successfully at the time that he was appointed to his present cure at Heidelberg. Since then the rev, gentleman has been unremitting in his exertions to obtain subscription, and when the money was forthcoming extended his careful supervision to every detail of the construction. The architect of the chapel is Mr. J. B. Denney, and the work was done in two contracts, the superstructure being erected by Messrs. J. Young and Co.”

The dedication ceremony of the chapel was to have taken place on Sunday 20th August 1871 but was postponed due to heavy rain. The service finally took place in the presence of a crowd of 10 to 15 thousand people on Sunday 10th September 1871.

Geoffrey Wallace Stained Glass Studio at Caulfield restored the windows after they were vandalised in 2008.

Four saints are depicted in individual lancets being:

  1. Saint Brigitta of Sweden, holding a candle,
  2. Saint Patrick of Ireland holding the staff with the snake at his feet,
  3. Saint Joseph holding a stalk of Lily flowers,
  4. Saint Maria with her hands folded in prayer.

Each window has the Latin Motto “ORA PRO NOBIS” (Pray for us) at the bottom.

All the photos of the windows have been kindly contributed by Geoffrey Wallace . The images show the remarkable transformation before and after the restoration by Geoff’s Studio.

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22-03-1871: St Patrick’s Catholic Church, Lilydale, Victoria.

The dedication ceremony for St Patrick’s Catholic Church at Lilydale in the Dandenong Ranges supposedly took place on Sunday the 19th of September 1870 as indicated in the article below but St Patrick’s Day was Friday the 17th which is correctly indicated on the memorial stone dated 1997. Although it was mentioned in 1871 that Ferguson & Urie had decorated the high altar, there is no longer any evidence of any artwork or stained glass by Ferguson & Urie in St Patrick’s at all.

The Argus, Melbourne, Wednesday 22nd March 1871, page 5.

The ceremony of solemnly blessing the now church of St. Patrick’s, Lilydale, took place last Sunday. The Right Rev. Dr. Goold was the officiating prelate. After a procession had marched around the exterior of the church, the bishop commenced the mass of the Patronage of St. Joseph. At the last gospel, the Very Rev. J. Dalton, superior of the Jesuits, preached a sermon suitable to the occasion. At the conclusion of the dedication ceremonial, the bishop addressed the congregation, and concluded by congratulating them and their pastor, Father Finn, of Heidelberg, in having brought their labour of love to so prosperous a termination. The church is built of a species of granite, from plans given gratuitously by Mr. A. Martelli. The style is German Gothic. Mr. David Mitchell, of Richmond, was the contractor; Messrs. Ferguson and Urie, of Melbourne, decorated’ the high altar; and Mr. Gaunt, of Bourke-street supplied the sanctuary fittings. It is only just to state that the above gentlemen have given tho fullest satisfaction. To honour the auspicious event of Sunday lost it has been arranged on an early day to give the children of Lilydale an al fresco entertainment on one of the numerous hills that are in the vicinity.”

Photos taken 13th September 2014.

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A full cycle of photos of all the windows at St Patrick’s can be seen on my Flickr photo stream here:
https://www.flickr.com/photos/stainedglassaustralia/sets/72157647535174611/

21-03-1871: Struan House, Launceston, Tasmania, Australia.

In Cameron-street in Launceston, Tasmania, stands the historical Supreme Court Building originally built in 1870-71 as “Struan House”[1] for the wealthy Scottish Colonist James Robertson. It was designed by architect Peter Mills[2] and constructed by building contractor Edward Ford.

In 1893 the building was used as a private maternity hospital and in 1929 was acquired by the Tasmanian Government for use by the Launceston Supreme Court.

During the construction of Struan House in early 1871 the Launceston Examiner tabloid reported;

“…We must not omit to mention that the side and fan lights of the entrance door, and of the doors leading out on to the verandah and balcony are glazed with rich designs in stained glass, manufactured by the well known firm of Ferguson, Urie, and Lyon, of Melbourne…”[3]

In 2011, enquiries revealed that there is still an original piece of Ferguson & Urie stained glass above a doorway in the building having the year 1870 emblazoned on it!

On the 18th April 2011 Mr Chris Nason, wrote:

“Dear Ray, Thankyou for your email. I confirm that Struan House does still exist and has been maintained as part of the Supreme Court since 1929. In terms of stained glass the only item that remains is above a door that opens onto the north facing balcony. I have taken a couple of shots of the window and attached for you. Unfortunately the shot from outside is not great. I hope this is of some use to you. Regards Chris Nason, District Registrar, Supreme Court of Tasmania…“

Photos kindly provided by Mr Chris Nason, 18th April 2011.

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James Robertson (1800- 18741800- 1874).

James Robertson was a native of Alvey, Inverness-shire, Scotland and arrived in Van Diemen’s Land in the early 1820’s where he joined his brothers John, William and Daniel, breeding sheep and cattle in the Campbelltown district.

Later they diversified to form Robertson Brothers Mercantile Importers in Elizabeth Street Hobart in 1829[4], run by John & William, and in Brisbane-street Launceston in 1831[5], headed by James and Daniel.

On the 18th of November 1833, at St David’s Church in Hobart, James married Mary McDonald, daughter of Roderick McDonald of Glengarry[6].

James had been a Justice of the Peace in Launceston since September of 1843 and was a supporter of the anti-transportation of convicts to the colony. In 1853 he declined requests to stand for the election of the first Mayor of Launceston[7] which was subsequently won, under much controversy, by William Stammers Button.

He was a local director of the Union bank of Australia and had been Captain and Paymaster of the Volunteer Artillery[8] and for many years was the treasurer[9] of the Launceston branch of the ‘St Andrew’s Society’ [10]

In January 1841 his brother Daniel had decided to dissolve his partnership leaving James as sole proprietor of the Launceston Mercantile business[11]. Just over twelve months later, on the 12th March 1842, Daniel drowned in the Esk River whilst on a fishing trip with friends[12]. In 1848 unknown persons referred to as “miscreants” attempted to rob Daniel’s grave![13].

In February 1850 James’ wife Mary died at the age of 35 [14] and on the 28th of May 1851 he married Mary’s younger sister Margaret, the eighth daughter of Roderick McDonald of Glengarry[15].

James Robertson died on the 1st of April 1874[16] and was interred in the Robertson family vault at the Scotch Cemetery in Launceston[17]. His wife Margaret died on the 3rd of September 1891[18].

His former residence ‘Struan House’ now forms part of the Launceston Supreme Court. Only the top portion of a fan light window above a doorway in the building exists of the original Ferguson & Urie stained glass created in 1871.

Of coincidental interest, James Robertson’s elder brother William went on to become one of the largest landholders in the western district of Victoria and in 1877 the Ferguson & Urie Company created a large ‘Rose’ stained glass window which was erected to his memory in St Andrew’s Presbyterian Church at Colac, Victoria.

Significant transcriptions:

Launceston Examiner, Tas, 15th January 1853, page 4.

“MR. JAMES ROBERTSON. FEW inhabitants better deserve the tribute of respect about to be paid to him on his departure for Britain, than Mr Robertson. In his sphere of public usefulness, none have been more energetic and successful; and he has often taken the most arduous part, when a benevolent or popular object was in view. There can be no question that if he had assented to the request recently addressed to, him, he would have been the first Mayor of Launceston. But business arrangements prevented compliance, and the St. Andrew’s Society, of which he is a” pillar,” have gracefully come forward to recognise his claims to general esteem. In his commercial career he has been successful, and as a staunch anti-transportationist, he will doubtless exert his influence at home, in favor of the land of his adoption; and the birth-place of his children. The invitations to gentlemen, not members of the St. Andrew’s Club, ought to be very extensive, or they should be permitted, at their own cost, to be present on the occasion. We heartily wish him a pleasant voyage home, success in his mission, and a safe and speedy return.”

The Launceston Examiner, Tuesday 21st March 1871, page 2.

 “MR. ROBERTSON’S NEW RESIDENCE. The new residence of James Robertson, Esq., situate in Cameron-street near the old Military Barracks, and now rapidly approaching completion, is a building that deserves something more than a mere passing notice, for it is one of the best finished, and certainly the most commodious of private dwellings on this side of the island. Erected on the summit of a gentle slope which extends down to the bank of the River Tamar, it commands a fine view of the windings of that stream, and a still finer view of the Cataract on the South Esk, with its bold romantic scenery, and the pretty light looking iron bridge which spans the entrance to what may fairly be termed on of the lions of Launceston. Turning his back on these, a considerable portion of the town is presented to the gaze of the spectator. But the building itself is an ornament to the town, and forms a prominent object that that is sure to attract the attention of visitors or others sailing up the river. The main building is in style Italian, and two storeys high. The walls are constructed of brick, the dressings to the windows, string courses, quoins, cornices, chimneys, and the enrichments generally being executed in Portland cement. The brickwork is uniform in color, and neatly finished with a white joint. The roofs are of slate, and the roof of the main building overhangs the wall about three feet, the projection being supported by ornamental cantalivers [sic]. The front of the building faces the north, but there is an entrance on the east, by means of a massive looking porch and steps. On the ground floor are the large entrance hall, staircase hall, dining, drawing, breakfast and ball rooms, also a business room. The entrance hall is divided from the staircase hall by fluted Corinthian columns and pilasters, supporting a decorated cornice of the same order. The dining and drawing rooms which are well proportioned, open into the entrance hall. The breakfast and ball rooms are entered from a wide corridor leading from the staircase hall to the kitchen, the former room being well lighted by a large bay window of clear plate-glass, from which an excellent view of the Cataract and Tamar can be obtained. The whole of the fittings are of bright cedar French polished, and the finishing’s round the hall side of the doors are ornamented and carved very handsomely. The principal rooms also have elaborately wrought marble mantle-pieces, and are enriched with light and elegant moulded cornices. A verandah, accessible from the staircase hall, runs round the front and a portion of the two sides of the building, terminating on one side against the kitchen wing, and on the other against the entrance porch; and above the verandah is a balcony accessible from the first landing of the staircase. The roof of this is curved and covered with corrugated iron, the railings, trellis work, and brackets being of cast iron, and in appearance very ornamental. The verandah and balcony are wide, and furnish a very agreeable promenade, in which the eye can not fail to be delighted with the surrounding scenery. We must not omit to mention that the side and fan lights of the entrance door, and of the doors leading out on to the verandah and balcony are glazed with rich designs in stained glass, manufactured by the well known firm of Ferguson, Urie, and Lyon, of Melbourne. The kitchen wing contains a large kitchen, scullery, washhouse, stores, pantries, and servants’ staircase. A first-class cooking range manufactured by Mr William Peter, Wellington-street, is fitted up in the kitchen, and from this, by means of pipes, the bedrooms on the upper floor are supplied with hot water for baths, &c. Underneath the building are dry cellars floored with cement. The upper or chamber floor is reached by a handsome staircase, having a continuous ornamental iron railing, and here we find a number of lofty, well-ventilated bedrooms with dressing and bathrooms attached. The nursery and servants’ bedrooms are placed over the kitchen, &c. The baths are fitted up so that hot or cold water can be turned on at pleasure. The whole of the fittings in the rooms, except the mantle pieces, are of French polished cedar. The court yard is enclosed by out-offices – including accommodation for men servants, a coach house, stables, harness room, cow house, hay loft – and by entrance gates, provision been made to get a carriage drive through this court yard round to the river frontage. The Cameron-street frontage is enclosed by an ornamental iron palisading of cast iron with gates, &c., to correspond.
The total cost of erecting these fine premises will be about ₤6000. Mr E. Ford is the contractor, and appears to have executed his work very faithfully. The buildings were designed by Mr Peter Mills, and have been erected under his vigilant superintendence, and we must say that the manner in which everything has been carried out reflects the greatest credit on him.”

Launceston Examiner, Tas, Thursday 2nd April 1874, page 2.

“OBITUARY
Another old colonist has gone from our midst: JAMES ROBERTSON, so long connected with various interests of Launceston, died last evening, in his 75th year, having completed his 74th on the 23rd of March.
After a few years’ occupation as sheep farmer in the Campbell Town district, in this colony, Mr Robertson came into Launceston in 1830, to enter into commercial business with his younger brother, Daniel, unfortunately drowned in the South Esk, in 1841 [sic], which business he carried on very successfully, first on premises now occupied by Messrs. Smith and Poole, and subsequently in the large premises built by the firm for the purpose now known as the International Hotel, until a comparatively recent period, when he retired from more active pursuits to the handsome residence he erected in Cameron-street, known as Struan House, and in which he died.

           Through a long mercantile career Mr Robertson maintained the character of a strictly honourable merchant, and sincere friend. Amongst his mercantile connections he numbered most of the older colonists; and he enjoyed the immediate friendship of an unusually large circle.
            There are some incidents of his “settler life” which possess unusual interest, at once characteristic of his personal courage and of the peculiar difficulties of early settlement in these colonies. On one occasion when sitting reading at the fire in his hut, his back to the door, he was surprised by the entrance of a notorious bushranger, with two equally notorious companions. They had previously secured his shepherd servant, and came so sudden upon him that resistance was useless. After helping themselves to provisions, they set off for a distant rendezvous, marching Mr Robertson and his servant before them, still tied, until they arrived at midnight, on the banks of the South Esk, at a crossing place where they expected to find a boat; which, however was on the opposite shore. One of the bushrangers crossed the river to fetch the boat for the conveyance of the party and their plunder; when the subject of our memoir, seeing an opportunity, succeeded in getting one of his arms sufficiently at liberty to get his hand into his pocket and secure a penknife. The robbers were so intently engaged in watching the progress of their companion that they gave to Mr Robertson the opportunity of communicating by signs, in the light of partial moonlight, with his servant; and after cutting the cord which confined his own arms, he cut that of his servant. They both remained in a position of apparent confinement until they could hear the splash of oars of the returning bushranger, when they each closed upon one of the confederates, and with the handkerchief torn from their own necks tied the hands of each. The man in the boat hearing the conflict turned for the other shore, but was promptly fired on with the arms now in the possession of Mr Robertson and his servant. The two prisoners were soon handed over to the police, and were conveyed to Launceston gaol; and on further enquiry the boat was found riddled with ball but abandoned by the robber, who was afterwards found wounded and captured. On another occasion the self-possession and courage of Mr Robertson were even more conspicuously displayed. A bushranger, who had become the terror of the district, occupied a mi-mi in the depths of the forest. Mr Robertson discovered it, or was informed of the locality – no matter which. Having obtained the co-operation of a neighboring settler he determined to effect capture. Keeping their secret they set out together for the place, but when they arrived found the fellow that occupied it away. They laid their plans accordingly – crouching themselves in the scrub until the evening, when they saw their man return, watched him dismantle himself of his fire-arms with the exception of pistols in his belt, cook his evening meal, and creep into his mi-mi. Mr Robertson immediately rushed in the aperture requiring almost a crawling posture whilst his settler friend made loud demonstrations of directing a body of men outside. He threatened to shoot the robber and disarm him, tied him securely, and led him out to show him (as Mr Robertson often told with considerable humour), to his great disgust, that he had been captured  by two nearly unarmed men!
            Mr Robertson’s genial countenance and bustling habits will long be missed in the streets of Launceston. He leaves an estimable widow, his second wife, and a large family, comfortably provide for. Mr Robertson has been in the Commission of the Peace since the 20th September, 1843. It will be remembered that his eldest brother William died in Victoria on 18th January last.”

Launceston Examiner, Tas, 9th April 1874, page 3.

“THE LATE MR  JAMES  ROBERTSON.

The funeral of the late Mr James Robertson took place on Tuesday afternoon, and was attended by a very large number of personal friends and others from various parts of the colony anxious to pay the last tribute of respect to the memory of one who had maintained business and social relations with the colonists, especially of the Northern districts, for so lengthened a period. By request of Mr Robertson communicated shortly before his decease, the funeral obsequies were superintended by his old friend, Mr Alderman Tyson, Messrs Richards and Son being the undertakers. The remains had been enclosed in a leaden coffin which was encased in a shell, neatly covered with black cloth, and suitably furnished. Shortly after 3 o’clock the coffin was   deposited in a plain hearse drawn by a pair of horses, and the mournful cortege left Struan House, deceased’s late residence in Cameron-street: the following gentlemen acting as pall-bearers, viz., the hon. James Aikenhead, M.L.C., a local Director of the Commercial Bank ; J. T. Sale, Esq., J.P., Manager of the Union Bank of Australia, of which deceased had been for many years a local director; C. J. Weedon, Esq., J.P., one of the Directors of the Bank of Tasmania; Thomas Corbett, Esq., J.P., a director of the Bank of Van Diemen’s Land; John Fawns, Esq., J.P., one of the Executive Committee of the Savings Bank; and Dr. Miller, J.P. The pall-bearers were flanked on either side by members of the Volunteer Artillery Corps, of which deceased had been Captain and Paymaster. The sons of deceased, Messrs. Hector and Angus Robertson were chief mourners with other relatives following; and in addition there were from 140 to 150 townsmen and colonists. There were also a number of private carriages behind. The route of the cortege was Cameron-street, Charles-street, Brisbane-street, and High-street to the Scotch Cemetery, where the family vault is situated; and the esteem in which deceased had been held by his fellow townsmen was evinced by the closing of the shops and other places of business along the line of route. The Revs. J. Gardner, W. Law, J. Lindsay, and R. M’Clean were among the ministers who attended. At the grave the Rev. R. McClean, of Hobart Town, read a portion of Scripture, and delivered an appropriate address. The Rev. J. Lindsay offered prayer. The coffin was borne to the hearse, and to the vault by the Volunteer Artillerymen.”

Footnotes:

[1] The Launceston Examiner, Tuesday 21st March 1871, page 2.

[2] Peter Mills also designed the Launceston Town Hall in 1864 and several other historical buildings in Launceston.

[10] Formed in 1841 to not only entice skilled labourers from Scotland to the Colony, but to provide friendship and assistance to them and their families and benevolent acts to their widows and orphans in times of need.

[17] The Scotch Cemetery opened in 1835 and closed in 1928. It was re-developed as “St. Andrew’s Gardens” from c.1951 with some of the grave stones transferred to the Carr Villa Cemetery.

1871: St Patrick’s Catholic Church, Wangaratta, Victoria, Australia.

St Patrick’s Catholic Church, Wangaratta, Victoria.

The triple light stained glass windows behind the altar were the work of  Ferguson, Urie & Lyon  of North Melbourne. There is also a single light in the north transept (very hard to photograph due to obscured light in lower half)  and there is also the Lamb of God (aka Agnus Dei) located above two art deco lights that are not by Ferguson & Urie. Whether there were any original Ferguson & Urie windows below the Lamb of God medallion is not known but it looks highly likely that this window has come from another position in the church prior to modern extensions.

The Argus, Melbourne, Saturday 11th March 1871, page 7.

 “The new Roman Catholic church at Wangaratta, dedicated to St. Patrick, was solemnly opened and consecrated by the Right Rev. Dr. Goold, on Sunday last. High mass was performed, the bishop being assisted by the Re. Dr. Fitzpatrick, vicar-general, and Fathers Hogan and Egan. The church was crowded with people, collected from almost every place within 30 miles of Wangaratta”.

Advocate, Melbourne, Vic, Saturday 18th March 1871, page 6.

“DEDICATION OF ST. PATRICK’S CHURCH, Wangaratta…”

“…The stained glass windows are admirable illustrations of the proficiency of the colonial manufacturers, Messrs. Fergusson,[sic] Urie, and Lyon – the central figure of the Saviour on the cross, with the Blessed Virgin kneeling at the foot, being represented with special correctness of drawing and colouring…”

 

Photos taken 19th December 2011.

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27-02-1871: Shipping Intelligence notices.

The Argus and other local newspapers of the time included hundreds of shipping notices detailing cargo notices for the colony’s businesses.

The Argus, Melbourne, Monday 27th February 1871, page 4.

“SHIPPING INTELLIGENCE. HOBSON’S BAY”

“Dilharce, from London – 28 cases, Ferguson, Urie, and Lyon;”

22-09-1870: The 1870 Sydney Intercolonial Exhibition.

At the 1870 Sydney Intercolonial Exhibition, Ferguson & Urie were recommended for a bronze medal for their samples of stained glass, but the judges inquire as to some authenticity that the work was actually crafted in the Victorian Colony.

The Argus, Melbourne, Thursday 22 September 1870, page 6.

 “… Messrs. Ferguson, Urie, and Lyon have been recommended for a bronze medal for their very beautiful samples of stained glass. But there are two Sydney competitors in the same line, and the judges have intimated a wish that some sort of certificate had been forwarded guaranteeing that the alleged Victorian work was really done in Victoria. They have instituted a very close inquiry to ascertain whether the Sydney exhibits were really produced in New South Wales, but they have no means of prosecuting similar inquiries about the exhibits from other colonies…”

Evening News, Sydney, NSW, Tuesday 27th September 1870, page 4.

Exhibit “1471 Samples stained glass, Ferguson, Urie, and Lyon, Melbourne.”

 

External links:

Example of a Bronze medal at the 1875 exhibition presented to Lyon & Cottier.

10-09-1870: All Saints Church Wickham Terrace, Brisbane, Queensland.

The Brisbane Courier, QLD, Monday 3rd October 1870, page 3.
(repeated in  The Brisbane Courier, QLD, Saturday 10th September 1870, page 5.)

 “A VERY handsome stained-glass east window has been presented to All Saints’ Church, Wickham-terrace, by Sir R. R. Mackenzie and other members of his family. The window is intended to commemorate the decease of the late Mr. Richard Jones, Mrs. Mary O’Connell, and Mr. John Stephen Ferriter. The work has been executed by Messrs. Ferguson, Urie, and Lyon, of Melbourne. The window consists of what is technically termed seven lights, representing the Crucifixion, the Ascension, the Virgin, and Mary Magdalene. The work is beautifully executed, both as regards the excellence of the design and the richness of the colouring, and reflects great credit on all concerned in its manufacture. The window greatly adds to the beauty of the building, and is a gift well worthy of the donors, whose munificence will no doubt be appreciated by the congregation”

Photos taken 1st March 2011.

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The Darling Downs Gazette and General Advertiser, QLD, Wednesday 14th Sep1870, page 3.

“A HANDSOME stained glass window has been presented to All Saints’ Church, Brisbane, by Sir R. R. Mackenzie, and other members of his family. The window is intended as a memorial of the late Mr Richard Jones, Mrs Mary O’Connell, and Mr John Stephen Ferriter. The work has been executed by Messrs Ferguson, Urie, and Lyons [sic], of Melbourne”.

All Saints’ Church Brisbane 1862-1937 by D. L. Kissick B.A., page 30.

“The first anniversary of the dedication of the new church was kept on September 18th,the Bishop and the Rev. T. Jones being the preachers and the offertories being devoted to the building fund. At about this time the, beautiful east windows were put in place, for they were described in the “Courier” of October 3rd, 1870. They ‘were the gift of Sir Robert R Mackenzie, the Rev. T. Jones and. other members of the family of Mr. Richard Jones (father-in-law of the Rev. T. Jones), in memory of him, his daughter, Mrs. Mary O’Connell and Mr. John Stephen Ferriter. In. that famous Queensland poem by W. Wilks, “The Raid of the Aborigines,” Mr. John Stephen Ferriter is described under the name of “Justice Fairit of Tenthill,” a station originally owned by Mr. Richard Jones (“Merchant” Jones)”.

“The work was executed by Messrs. Ferguson, Uril [sic] and Lyons [sic] of Melbourne, the design and the richness of the colouring being excellent. The windows represents the Crucifixion with Mary Magdalene at the foot of the Cross, the Blessed Virgin Mary, St. John, the Ascension and the Holy Spirit. On October 11th the congregation passed a vote of thanks to the Rev. T. Jones and his family for this munificent gift and each generation of worshippers has had cause to bless the generosity of the donors as it has drawn inspiration from this work of art. These windows are probably the oldest stained glass in Queensland”.

There is also a mention of this window in the book “Australia’s Historic Stained Glass” by Beverley Sherry, page 98, which states .”This Crucifixion, rejected by a low church in Melbourne, was installed in 1870 at All Saints” but no evidence has been found to date to indicate which church in Melbourne rejected it.

External Links:

Biography: Sir Robert Ramsay Mackenzie 1811-1873.


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