1873: Christ Church Anglican, Geelong, Victoria.

The John Rendall Morris (1820-1872) Memorial Window.

In October 1872 the committee of Christ Church in Moorabool Street, Geelong, requested the Ferguson & Urie stained glass company of North Melbourne to provide some designs for a memorial window to be erected in the liturgical north transept.

“Members of almost every denomination have contributed to the memorial window which it is proposed to place in Christ Church to the memory of the late Mr. J. R. Morris, the total amount received to date being about £112. About £40 more will be required, but, as several friends of the deceased have not sent in their subscription, and as others have intimated their willingness to increase their subscriptions, if found necessary to do so, the committee have requested Messrs Urie and Ferguson to furnish two designs, which are expected to arrive shortly.”[1]

The window was to be a memorial the memory of their much respected Church Warden and Trustee, John Rendall Morris who died aged 53 on the 15th September 1872.

An extraordinary list of prominent citizens of Geelong, including the Mayor, Sir Charles Sladen, was formed as the committee for the erection of the window[2].

By the end of November 1872 a total of £145 had been subscribed for the window of its reported total cost of £160[3] and by early December a design by the Ferguson & Urie stained glass company was on public display at the establishment of Henry Franks, stationer and book seller, of Malop Street in Geelong:

“The coloured design for the stained glass window to be placed in the north transept of Christ Church as a memorial of the late Mr J. R. Morris is now being exhibited at Mr Franks’s. In the centre of the design there is a representation of the Transfiguration of our Saviour, Moses and Elias being on either side, and Peter, James, and John underneath as witnesses. In the tracery there are figures of Abraham, Joshua, and David – representative characters of the patriarchs, judges, and kings of Israel. Next are busts of the twelve minor prophets, and on the outer side lights there are figures of the four greater prophets – Isaiah, Jeremiah, Ezekiel, and Daniel.”[4]

On the 23rd of December 1872 a meeting of the subscribers was held at the Market-Square offices of Geelong accountant, George Bowes Fraser (1810-1881)[5] , for the purpose of approving Ferguson & Urie’s proposed design[6].

The extremely ambitious and complex design contains the figures of twenty six prophets and saints and has the memorial text at the base;

“TO THE GLORY OF GOD – AND IN MEMORY OF – JOHN RENDALL MORRIS – CHURCHWARDEN & TRUSTEE – WHO DIED SEPTR 15 1872”

Exactly when the window was erected or dedicated in early 1873 has not yet been determined but 140 years later, in November 2013, mindless vandals managed to smash the lower centre area of this window and many others with bricks.

The Caulfield stained glass studio of Geoffrey Wallace is undertaking the repair and conservation work.

Photos taken between 2010 and 2013.

This slideshow requires JavaScript.

[View larger images]

The twenty six saints and prophets depicted in the window with Christ are:

Top Row:

ABRAM, ISAAC, JACOB, JOSHUA, SAMUEL, DAVID

2nd Row:

JOEL, AMOS, OBADIAH, JONAH, MICAH, NAHUM, ZEPHANIAH, HABAKKUK, HAGGAI, ZECHARIAH

3rd Row:

ISAIAH, MOSES, (CHRIST) IMMANUEL, ELIJAH, EZEKIEL,

4th (bottom) Row:

JEREMIAH, ST JAMES, ST PETER, ST JOHN, DANIEL


John Rendall Morris (1820-1872).

John Rendall Morris was born 23rd January 1820, Islington, Middlesex, England, the son of John Morris and Jane Frances Watkins[7].

As a young man in his early 20’s he immigrated to Australia where, on the 6th of April 1843, he married Annie Wesley Morris nee Howe (c.1824-1866), daughter of a founder of the Sydney Gazette, Robert Howe, at St Lawrence Church, in Sydney[8].

Circa 1852 they moved to Geelong where he was appointed manager of the Bank of Australasia[9]. He was very active in community and church circles and in 1860[10], 1862[11] and 1869[12] he held appointments as Territorial Magistrate for Geelong. In 1861 he was a member of the Committee of Management for the Geelong Infirmary and Benevolent Asylum[13] but known to be involved in some capacity with that institution as early as 1858. He was also a well-respected member of the Anglican Church community and held the position of Trustee and Warden of Christ Church Geelong where his memorial window is located.

On the 5th June 1866 his wife Annie died at the age of 42[14] and two years later he married Priscilla Emily Ryland at Christ Church Geelong, on the 12th November 1868[15].

John Rendall Morris died on the 15th September 1872 aged 53[16]. He was buried at the Geelong Eastern cemetery on the 17th with his first wife Annie, who died in 1866 and second wife Priscilla, who died in 1891[17]. He is not known to have had any children by either marriage.


Significant transcriptions:

Geelong Advertiser, Vic, Tuesday 24th September 1872, page 2.

“It is proposed to place a large stained glass window in the north transept of Christ Church, in memory of the late Mr J. R. Morris, who was a constant attendant at the church, and an indefatigable office-bearer. That the window will be a valuable one may be judged from the fact that the following influential committee has been formed to carry out the object in view, and will receive subscriptions in its aid, viz:- The Hon. C. Sladen, the mayor of Geelong, and Messrs D. C. Macarthur, J. Bell, M. Elliott, E. Morrah, F. G. Smith, J. Galletly, J. Simpson, A. Buchanan, S. V. Buckland, S. A. Bryant, F. Shaw, M.D., J. B. Wilson, M.A., G. F. Belcher, T. C. Harwood, A. Douglass, C. Ibbotson, T. Roadnight, H. Franks, and G. A. Stephen. Mr A. S. Park, of the Colonial Bank, has been appointed treasurer, and Mr. G. Fraser, hon. secretary of the committee.”

Geelong Advertiser, Vic, Friday 18th October 1872, page 2.

“Members of almost every denomination have contributed to the memorial window which it is proposed to place in Christ Church to the memory of the late Mr. J. R. Morris, the total amount received to date being about £112. About £40 more will be required, but, as several friends of the deceased have not sent in their subscription, and as others have intimated their willingness to increase their subscriptions, if found necessary to do so, the committee have requested Messrs Urie and Ferguson to furnish two designs, which are expected to arrive shortly.”

Geelong Advertiser, Vic, Thursday 19th December 1872, page 3.

“A MEETING of Subscribers to the Memorial Window to be placed in Christ Church, in memory of the late Mr. J. R. Morris, will be held at the office of Mr. G. B. Fraser, Market-Square, on Monday, 23rd instant, at 4 o’clock, to approve of the design. A. STEELE PARK, Hon. Treasurer.”

Other historic Ferguson & Urie windows in Christ Church:

1869: The Chancel window.

1872: The Anglican Diocese 25th Anniversary window.

Footnotes:

[1] Geelong Advertiser, Vic, Friday 18th October 1872, page 2.

[2] Geelong Advertiser, Vic, Tuesday 24th September 1872, page 2.

[3] Geelong Advertiser, Vic, Saturday 30th November 1872, page 2.

[4] Geelong Advertiser, Vic, Monday 9th December 1872, page 2.

[5] Vic BDM: 4555/1881, age 71. Geelong Eastern Cemetery EAS-COE-OLD-A-807-355.

[6] Geelong Advertiser, Vic, Thursday 19th December 1872, page 3.

[7] Vic BDM: 6921/1872.

[8] The Sydney Morning Herald, NSW, Friday 7th April 1843, page 3.

[9] The Argus, Melbourne, Vic, Monday 16th September 1872, page 5.

[10] Victorian Govt Gazette 58, Friday 11th May 1860, page 881.

[11] Victorian Govt Gazette 140, Tuesday 9th December 1862, page 2507.

[12] Victorian Govt Gazette 1, Tuesday 5th January 1869, page 4

[13] Ninth Annual Report of the Committee of Management, Geelong, 1861.

[14] The Argus, Melbourne, Vic, Wednesday 6th June 1866, page 4.

[15] The Argus, Melbourne, Vic, Monday 7th December 1868, page 4.

[16] The Argus, Melbourne, Vic, Tuesday 17th September 1872, page 4.

[17] The Argus, Melbourne, Vic, Friday 16th October 1891, page 1.

 

1872: Christ Church Anglican, Geelong, Victoria.

The 25th Anniversary Window.

The second historical Ferguson & Urie stained glass window to be erected in Christ Church at Geelong was a three light Gothic decorated design by the company’s senior stained glass artist and partner John Lamb Lyon. It was erected in the liturgical north side of the nave in Christ Church circa August 1872 which was a year before Lyon departed the firm for his own ventures in Sydney.

The instigator for the erection of this window was the Parish Incumbent, Canon George Goodman, who served as Vicar of Christ Church and other ecclesiastic appointments for 51 years from 1855 to 1906. His wife Margaret is credited with the momentum and collection of subscriptions for the window, which cost £50 with a further £5 required for its wire protection.

The three light window was erected to commemorate the twenty-fifth anniversary of the Melbourne diocese and Prelacy of Bishop Charles Perry [1]. It depicts the biblical images of the alter egos of the four evangelists, with the Agnus Dei or Paschal Lamb in the centre light carrying the victory banner.

All of the text on the window is in Latin and the text at the base loosely translates as:

“Feast of St Peter’s Day (29th of June) 1872. Episcopate of Melbourne’s 25th year”.

Photos were taken between 2010 and 2013.

This slideshow requires JavaScript.

[View larger images]

Geelong Advertiser, Vic, Friday 16th August 1872, page 2.

“A few weeks ago it was mentioned that Mrs. G. Goodman was actively bestirring herself collecting subscriptions for an ornamental window, which it was proposed should take the place of a window on the north side of Christ Church, through which the summer sun occasionally shone too powerfully. In addition to this she is desirous that a memorial window should be placed in the church to commemorate the twenty-fifth anniversary of the Right Rev. Dr. Perry’s prelacy. The sum required was £55, not much in itself, but large when the many calls that are being made upon the congregation are taken into consideration, and unassisted, Mrs Goodman accomplished her task. A window was ordered of Messrs Ferguson, Urie, and Lyon, of Melbourne. The artistic talents of Mr Lyon, who has lately returned from following medieval studies in the various cathedrals of Europe, were called into requisition, and the result was that during the past week a window has been placed in Christ Church that cannot fail to be admired. Many may consider there is a preponderance of green about it, but this colour was deemed the best for the powerful sun to shine through. The window, which is of the early decorated order, consists of three light, with two quatrefoils and a small oblong in the arch. The groundwork is a combination of faint yellow, with passion flowers outlined in black, so as to give a greenish hue, which as before hinted, subdues the glare of the northern sun. In a centre light, in a ruby ground, is the lamb and flag emblem of the Agnus Dei, within a vesica piscis. Four circular medallions with green borders are placed in the centre and side lights, so as to combine with the vesica in a cruciform arrangement, containing emblems of the four evangelists, viz.- the human face for St. Matthew, the lion for St. Mark, the ox for St. Luke, and the eagle for St. John. The wings of these emblematic creatures are of a cold blue, edged with green, to act as a foil to the bright ruby and violet distributed over the window. The inscription intimates that the window is erected in honour of the completion of the 25th year of the diocese of Melbourne, bearing date St. Peter’s Day (June 29th), 1872. The words of the inscription, like those of the evangelists’ names and of the Agnus Dei, are in Latin – “Festo S. Petri, MDCCCLXXII, Episcopatur Melbornsi, XXV annos condito.” The net cost of the window was £50, but £5 more was required for protecting it with wire.”

The instigators for the erection of the window:

Margaret Elizabeth Goodman (nee Mortlock 1821-1901) was former governess for the Marquis of Normanby and married Anglican clergyman George Goodman (1821-1908) in St. Bride’s, Fleet Street, London on the 1st July 1853. Just over three weeks later they departed Bristol for Australia aboard the ‘Corfield’ on the 23rd July 1853 and arrived in December of 1853[2].

Margaret died 26th September 1901 aged 80 and Canon George Goodman died 25th June 1908 at the age of 87. Both were interred in the Geelong Eastern Cemetery along with four of their children [3][4].

Of Christ Church itself, it is the only Church in Victoria designed by architect Edmund Blacket. It was opened and dedicated on the 27 June 1847 and consecrated on 25 October 1859.

Other references:

NLA Obituary: Geelong Advertiser, Vic, Friday 26th June 1908, page 3.

Australian Dictionary of Biography: Canon George Goodman (1821-1908).

Other Ferguson & Urie windows in Christ Church:

Other Ferguson & Urie stained glass windows in Christ Church include the Chancel window (c. Nov 1869) and the ‘John Rendall Morris’ memorial window in the liturgical north transept (c.1873).

Footnotes:

[1] Geelong Advertiser, Vic, Friday 16th August 1872, page 2.

[2] http://www.archerfamily.org.uk/family/goodman.htm (accessed 6 Jul 2014). Note: This reference can not be substantiated from any shipping registers.

[3] Geelong Cemetery Register: 5967, EAS-COE-OLD-A-807-051

[4] Geelong Cemetery Register: 4709, EAS-COE-OLD-A-807-072

 

© Copyright

03-12-1869: Christ Church, Moorabool St, Geelong, Victoria.

The first Ferguson & Urie stained glass window to be erected in Christ Church at Geelong was the five light Chancel window which depicts Christ in the centre light, flanked by the four evangelists, Matthew, Mark, Luke & John with their biblical alter egos beneath their figures. This window gained quite a bit of notoriety and comment in the tabloids of the time of its erection. Despite significant vandalism in the past 145 years, the most recent attack being in November 2011, it has somehow survived the test of time and is certainly a significant artifact for Christ Church and should be considered for heritage listing.

The Church of England Messenger, 3rd December 1869, page 7

“CHRIST CHURCH, GEELONG.- A handsome chancel window has recently been put up in this church, at a cost of £120, from the workshops of Messrs. Ferguson, Urie and Lyon, of Curzon-street. The style of architecture is that known as late perpendicular, the complicated mullions and tracery admitting as many as eight-and-twenty lights. Of these, the five principal compartments are thus appropriated:- In the centre, to accord with the designation of the church, the Saviour is represented enthroned, having in his left hand the globe and cross, and elevating the right in the attitude of blessing; whilst the compartments on either hand are occupied with erect figures of the four Evangelists. Those who have examined former efforts of this enterprising firm will be struck by the improved purity and brilliancy of colour displayed. The utmost skill has been shown in the harmony of arrangement”.

Photos taken 24th Oct 2010. (Date of Historical photo unknown).

This slideshow requires JavaScript.

Geelong Advertiser, Vic, Wednesday 10th November 1869, page 2.

“A gratifying specimen of colonial art may be seen in the chancel window, recently put up in Christ Church, by Messrs Ferguson, Urie and Lyon, of Melbourne. The window, which is about fourteen feet high by ten feet wide, belongs to the order of Gothic, which architects term late perpendicular. it consists mainly of three rows of light, the lower row containing five openings eight feet and a half in height, the mullions of which rise perpendicularly to the top of the window. The second row contains a continuation of these lights, divided into twelve by narrow mullions, these openings being two feet in height; above these is a row consisting of three pairs, rather higher than the middle row. There remain seven small openings supplementary to the complete design. The great feature of a window of this style, and involving a manifest difficulty with which the glass-stainer has to grapple, is the large proportion of stone in the mullions, probably not less than a third of the entire surface. The designer has in this instance shewn his judgement in not attempting a general subject, which would have been broken by the heavy stone framing, as he has made each opening a complete picture in itself, and to a certain extent, independent of the adjoining ones. At the same time there is not wanting a unity of subject. The five principal lights are appropriated to the glorified Saviour, flanked on either side by two Evangelists. At the foot of each of these five figures, is introduced the corresponding symbol, viz., in the centre the pelican wounding her own breast to feed her young; and the evangelistic symbols, the human head, the lion, the ox, and the eagle, under Matthew, Mark, Luke, and John, respectively. The three pairs of lights at the top of the window are appropriately filled up with three cardinal graces and their emblems, viz., faith and the cross, hope and the anchor, charity and the heart. The quatrefoil at the apex of the arch is filled in with the dove. The twelve smaller windows in the middle row remained to exercise the designer’s ingenuity, their small size and large number having occasioned some apparent difficulty. On these we find national emblems, the rose, shamrock, and thistle, besides stars, which may be regarded as generally emblematic of whatsoever things are lovely and of good report. Those who have examined former efforts of this enterprising firm will be struck with the improved purity and brilliancy of colour displayed. The utmost skill has been shown in the harmony of arrangement. The draperies of all the principal figures are particularly well managed, that of the centre being a brilliant mass of ruby red, carried off to the margin in each in each direction by yellows and greens of intermediate warmth terminating at the circumference in cold blue or grey. The effect at the western entrance into the church is a rich flow of light and colour, on which the eye rests with pleasure, and has to complain of no unequal predominance of any one tint. The individual figures are alike bold and dignified in outline, but the execution of the features while in the highest degree creditable, falls short of that depth and sublimity of expression with which the old masters have familiarised us. It is indeed the merit of the whole composition that it attempts the symbolical and heraldic rather than the historical. Its excellences are such as can be best appreciated from a distant point of view. We are told that the entire cost of the window is £120, to meet which collections are to be made on Sunday next.”

Note: The head of Christ in the centre light is not original Ferguson & Urie. This is possibly the third replacement since the window was created in 1869.

Restoration/Conservation:

The east five light window underwent restoration and conservation work in 2004 by Geoffrey Wallace’s stained glass studio.

This window and many others were unfortunately vandalised in November 2013 and will again be in the hands of Geoffrey Wallace for expert repair.

For updated and detailed photos of the full cycle of Ferguson & Urie windows at Christ Church in Geelong, See: http://www.flickr.com/photos/raysalmanac/sets/72157637900257313/


Short link to this page: https://wp.me/p28nLD-1ez

© Copyright