1877: St Peter’s Anglican Church, Sturt Street, Ballarat.

James Fry (1821-1903) is credited as the donor of the historic stained glass windows in the chancel of St Peters Anglican Church in Ballarat.

The windows were made by the Ferguson & Urie stained glass company of North Melbourne in 1877 at the time when extensions and renovations were being made to St Peter’s. Amongst these improvements was the addition of a new chancel complete with the stained glass windows. James Fry donated £500 towards the chancel and windows on the provision that the church raise the additional funds for a parsonage and a new organ and chamber. [1]

The Ballarat Star, Vic, Wednesday 20th June 1877, page 3.

“ADDITIONS TO ST. PETERS CHURCH.

We mentioned recently that some extensive improvements were being made at ST. Peter’s Church, and the approaching completion of the works warrants their being noticed. The church as it stands at present has in use a nave, and on the western side a transept, the original design being for another transept on the east, and an apse at the rear. As regards the apse, Mr Oakden (of Terry and Oakden), Melbourne, altered the design when he was drawing the plans for the western transept, and a chancel was projected instead of the apse. The requirements of the church have now necessitated this plan being carried out, and the work will soon be completed. Messrs James and Creber are superintending the work, and Messrs Llewellyn and Roberts are the contractors. The chancel is built of bluestone, to correspond with body of the church, and the inside measurements are:- Width, 18 feet; depth, 12 feet 6 inches; height of side walls, 20 feet 6 inches. The chancel window is a fine specimen of the stonemason’s art, the tracery being done in Waurn Ponds freestone. Stained glass is now being prepared in Melbourne to fill the window. There will be a small window on each side of the chancel, and a door on the east leads to the vestry. From the floor of the church there will be a step upwards before the chancel arch, and two others within it leading to the altar. An organ chamber is also being built, which will form part of the future eastern transept. The amount of Messrs Llewellyn and Roberts’ contract is about £480, but this amount will be considerably augmented before all the work is done in fitting up the chancel, &c. Mr Fincham, of Melbourne, is building the organ, whose largest pipe will be 16 feet, and the cost of the organ, we understand, will be about £500, so that it will be seen that the church authorities have launched into an expenditure of over £1000, towards which sum, as we mentioned a short time since, Mr. James Fry has contributed the handsome donation of £500. It is expected that all the new works will be finished, and the organ erected, in a little over a month’s time from the present.” 

In early August 1877 the three light stained glass window had arrived from the workshops of the renowned Melbourne stained glass firm of Ferguson & Urie and was erected in the chancel. The Church of England Messenger published a very detailed description of the window:

The Church of England Messenger and Ecclesiastical Gazette for the Diocese of Melbourne and Ballarat, Vic, Thursday 9th August 1877, page 14.

“The stained-glass window for the chancel of St. Peter’s Church has arrived in Ballaarat, and was placed in position. It is a very good specimen of Messrs. Ferguson and Urie’s art, and it is a matter of congratulation that such excellent workmanship can be produced in the colony. The window is divided into three lights, surmounted by tracery pierced with trefoils. These trefoils are filled with richly-coloured glass, bearing upon a starry background the three emblems of faith, hope, and charity; the heart with the sacred monogram, the cross with the crown of thorns, the anchor with the dove and olive branch. The subject of the central light is the “Ecce Homo.” The side lights, having reference to the pious and charitable lives of the ladies in whose memory the chancel was erected. are illustrations of Mark XIV, 8 (“She hath done what she could’) and Matthew XXV. 40 (“Inasmuch as ye have done it unto one of the least of these My brethren, ye have done it unto Me”). In the central light the Saviour stands forth a solemn and mournful figure. Pilate and a Roman soldier occupying the background. Underneath there is a panel with a small but exceedingly well-drawn picture of Christ’s charge to Peter – “Feed my Sheep.” In the apex of the window is the emblem of the Holy Spirit, the dove, descending with rays of light. The right hand picture of Mary wiping the Saviour’s feet with her hair is remarkable for the beauty of the Saviour’s countenance and the grace of His gesture. In the light upon the left-hand side a female figure is casting a garment around an aged man and a child at her feet. The background of both of these pictures is of a similar character – a low wall decorated with scroll-work, overtopped with trees and flowers, the sky space being filled in with ruby glass in irregular lead-work. Underneath are the old church emblems  – the Agnus Dei and the Pelican; and above are the Alpha and Omega. The side window, which can be seen only upon entering the chancel, is the more special memorial window, having the upper part a scroll with the text – “Write, Blessed are the dead which die in the Lord;” and at the bottom, a panel with the memorial inscription. The quarries of which the rest of the window is composed are ornamented with fleurs-de-lys, and the effect of the whole is highly satisfactory. The organ has been inspected on behalf of the church authorities, and is pronounced a first-class instrument. No time will now be lost in erecting it in the church.”

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The new chancel of St Peter’s was consecrated on Sunday 12th August 1877 [2]

Whilst there were significant descriptions of the three light chancel window in the tabloids, there was only a minor mention of the smaller single light memorial window erected in the liturgical south wall.

“…The side window, which can be seen only upon entering the chancel, is the more special memorial window, having the upper part a scroll with the text – “Write, Blessed are the dead which die in the Lord;” and at the bottom, a panel with the memorial inscription…”[3]

The memorial text on the lower panel of the window provides the historic clues about the donor, James Fry, and his generosity to the church and the dates of death of his first two wives, Mary & Williamina.. As stated in 1877, unless you are standing in the chancel of St Peter’s you would not know the window was there. The Gothic design is recognisable as the work of Ferguson & Urie which includes a central scrolling ribbon design containing a piece of scripture from the King James Bible, Revelations Chapter 14, verse 13;

“WRITE BLESSED ARE THE DEAD WHICH DIE IN THE LORD”

Unfortunately, the memorial text at the bottom of the window no longer has back lighting from outside so it can only be read when artificially illuminated from behind. I managed to do that via the simple trick of utilising the smart-phone flashlight function and dangling it down the back of the vent which was sufficient to highlight the text enough to be read. There are many unfortunate paint splatters on the window and the fact that the memorial text cannot be read at all unless illuminated from behind gives the impression that it probably hasn’t been seen or known for many years. Probably not known for longer than I have been alive!

“THIS CHANCEL WAS ERECTED BY
JAMES FRY
TO THE GLORY OF GOD
AND IN AFFECTIONATE REMEMBRANCE OF
MARY FRY, DIED MAY 14th 1863 &
WILLIAMINA FRY DIED APRIL 13th 1876”

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James Fry (1821-1903) was a native of Somersetshire in England and he can be credited as a colonial pioneer of Victoria’s grain growing and flour milling in western districts of Victoria.

His official biography[4] records that he came to Australia with his wife Mary in 1854 aboard the ‘Brilliant’ but there is no record of their names on the passenger list.

After successfully pioneering as a grain grower in the Wimmera region in the late 1850’s, he began his own flour milling operations and entered in partnership with Thomas Creed in the Ascot Flour Mills north of Ballarat. In May of 1857 they dissolved their partnership[5] by mutual consent and James became the sole owner. The mill was known for many years as “Fry’s Ascot Mills” and he expanded it in 1860 by erecting a massive five storey bluestone building to the designs of Ballarat architect Henry Richards Caselli.[6]

frys-mill-c1860-01a

In 1857 the first family tragedy struck when his infant daughter, Mary Grimstead Fry, died on the 2nd of July. James obtained a family grave site at the Miners Rest ‘Dowling Forrest’ cemetery, 10km North West of Ballarat, where his daughter was interred. An imposing monument was later erected on the site which would provide an historic record of the family’s tragedies and history.

By the early 1860’s James’s milling empire was expanding. In September 1864 he purchased a flour mill at Ballarat opposite Lake Wendouree from “Hassell & Monckton” for £4500 [7]. He expanded the business further via leasing or purchasing mills all over the western districts at Ararat, Donald, St. Arnaud, Horsham, Nhill, Kaniva, Dimboola, and Natimuk[8]. His favoured estate, Sutton Park, at Newlyn near the Ascot mill remained a central hub to all his operations.

Fry’s prize winning ‘Ascot Mills’ flour was exhibited at the International Exhibition in London of 1862[9] and by the 1880’s it became a household staple throughout the colony known as Fry’s “Five Stars Flour”.

On the 14th May 1863 his first wife Mary, nee Gear[10], died at his Sutton Park estate near the Ascot Mills. She was only 45 years old and was interred in the family vault at Miners Rest with their infant daughter Mary Grimstead.

Being a widower was not a part of James’s future plans and he wasted little time in finding a new companion. On the 21st April 1864, at Brompton Cottage in Brighton, Victoria, he married Williamina Smith (nee Hay), the widow of Mungo Park Smith, Engineer and city surveyor of Melbourne[11].

James’s generosity was not just confined to the church. In October 1864 he and Williamina hosted a luncheon for his employees and their families. About 60 people were transported to Lake Burrumbeet in four decorated wagons where the best part of the day was taken up by games and; “At noon, a sumptuous dinner was spread and was partaken of with the best of appetites.” Wine and Spirits were supplied in generous quantities and later in the day, as heavy rain set in, the whole party returned to the Ascot mill where singing and dancing continued to a late hour[12]. This was undoubtedly one of the many occasions that James displayed his generosity towards his employees. Some of them would later join him as partners in his milling operations for many years.

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On the 12th of July 1869 a tragic accident occurred at the Wendouree flour mill. On the Monday at about 7:30am a massive 36ft long boiler exploded at the mill. The sound of the explosion could be heard over three miles away and a huge plume of steam and debris could be seen in the air above the mill for many miles around. James’s nephew, Albert Hill, who was acting superintendent at the time, was unfortunately standing next to the boiler when it exploded. Albert was killed instantly. His mangled near naked and disembowelled body was blown more than one hundred yards away and landed in the Swamp on the other side of Wendouree Parade.

“…The clothing was torn into shreds, while the skull was completely smashed in. Both legs were broken, and besides several other terrible wounds, the body was almost disembowelled…”

When his body was recovered it was taken to Fry’s residence near the mill. Williamina was so traumatised by the horrific scene that she became seriously ill.[13] The inquest on Albert’s body was held the following day at the Wendouree Parade Hotel, where, coincidentally, some small portions of brick had been thrown a few hundred yards from the explosion and had landed in the bar. Albert’s funeral was held on the 14th and he was interred with James’s first wife Mary and their infant daughter Mary Grimstead at the Miners Rest Cemetery.

“The procession started from Mrs Fry’s residence, Wendouree-parade, and consisted of about thirty well-filled mourning coaches, buggies, &c, and several horsemen.”[14]

James’s second wife, Williamina died at his Sutton Park estate on the 13th April 1876. Coincidentally she was also only 45 years of age. Williamina was interred with James’s first wife and his nephew Albert at Miners Rest.  Whether by coincidence or design, some scriptural text from Revelations 14:13 which appears on their memorial stained glass window at St Peter’s in Ballarat is from the same chapter and verse as that on their monument at Miners Rest:

“Blessed are the dead who die in the Lord: even you saith the Spirit that they may rest from their labours.” Rev. XIV:13″

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In June of 1877, the year following Williamina’s death, James Fry donated £500 to St Peter’s Church for the construction of a new chancel and the stained glass windows. Shortly after this he departed Victoria aboard the ‘Northumberland’ for London[15]. James had been back to the old country a number of times before but this venture would secure his third wife.

At St. Mary’s, Stoke Newington, London, on the 27th December 1877 he married Louisa Anne Coles[16], the widow of Edward Coles. James and Louisa returned to Melbourne aboard the ‘Chimborazo’[17] in March the following year and she would be his companion for the next twenty three years.

On the 8th November 1901 Louisa died at Sutton Park aged 75. James had now outlived three wives. Louisa was interred at the Mount Prospect cemetery north of Ballarat and a marble casket type grave-stone was erected over the grave. After more than a century most of the lead letters in the inscription have gone and it’s now almost unreadable:

“In Memory Of, LOUISA ANN, Who for 23 years was the faithful and beloved wife of, JAMES FRY of Sutton Park, who died November 8th 1901, aged 75 years. Beloved by all who knew her.”

James was now in his early eighties and had not taken an active interest in the flour milling operations since he floated the company on the stock exchange in 1884. He devoted his time to agricultural pursuits at his estate near Newlyn. On Friday the 14th August 1903 James died there at the age of 82 and was buried with his third wife Louisa at Mount Prospect.

The Ballarat Star, Vic, Monday 17th August 1903, page 1.

“DEATH OF MR. JAMES FRY.

One of the earliest pioneers of the grain trade in Victoria, Mr James Fry, died on Friday at Sutton Park, Newlyn, at the advanced age of 82. Deceased was a native of Somersetshire, and came to the colony in 1854 in the ship Brilliant, settling first at Geelong with his wife and family, where he purchased a property. After various experiences on the Ballarat goldfields, in 1856 he purchased a property at Ascot, and shortly after secured a flour mill near Geelong, which he removed to that point, as the Talbot shire was fast becoming the centre of a large agricultural district. Beginning in a small way, he built up a very extensive business among the various mining townships, and erected plant and machinery at that time considered to be as complete an establishment as then existed in Australia. In 1865 he purchased a mill near Lake Wendouree, Ballarat, from Messrs Hassell and Monkton, and went there to reside. In 1868 he acquired a freehold property in the Wimmera, situated between Glenorchy and Banyena. He was the first to grow wheat to any extent on the Wimmera Plains, and demonstrate that it could be cultivated there at a profit. From Ballarat, as his centre, he followed up the settlement of the selectors on the land, first around Ararat, and then on to Stawell, having business relations with both places. When growers commenced to select on an extensive scale in the Wimmera, he opened at Horsham, in anticipation of the railway line being continued from Stawell to that centre, and intimately to the border, and as the movement spread, extended his operations till they gradually embraced all the centres in that far-reaching territory. In addition to the large grain business, Mr Fry erected, brought or leased flour mills at Ballarat, Ararat, Donald, St. Arnaud, Horsham, Nhill, Kaniva, Dimboola, and Natimuk. In 1884 the grain and milling business having reached large dimensions, with its head office in Melbourne, and branches in all the leading grain growing districts of the Wimmera and other parts of the colony, he decided to float it into a limited company, which was successfully accomplished, and shortly afterwards retired from the active management, devoting most of his time thenceforth to grazing and agricultural pursuits.

            At St. Peter’s Church yesterday, notice was taken of the death of Mr Fry. Mr Fry gave the land on which St. Peter’s Vicarage stands; the chancel, with a stained glass window; the tower and the bells, to St. Peter’s Church. The flag was flown at half-mast throughout the day, and muffled peals were rang on the bells. Before the service in the morning, the rev. Dr Pritchard alluded to the sad event. He reminded the congregation of all the late Mr Fry’s generous gifts, and said that he was a regular and frequent worshipper at ST. Peter’s when resident in the parish. Such a good example of generous help to the house of God should cause his name to be ever held in honored remembrance at St. Peter’s and they should pray that others might emulate such generous deeds. At the evening service similar reference was made, and special music was sung at the offertory. Mr L. Richardson played Mendelssohn’s Funeral March at the close of service.”

On the opposite side of the gravestone to Louisa’s memorial words are his;

“IN LOVING REMEMBRANCE OF JAMES FRY, WHO DIED ON AUG 14th 1903, AT SUTTON PARK NEWLYN, AGED 82 YEARS AND 6ms. I HAVE GIVEN YOU AN EXAMPLE THAT YE SHOULD DO AS I HAVE DONE TO YOU. 1 JOHN 13-15”

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James Fry’s total estate was valued at £128,400 and it was distributed to many family members in Australia and England. It included provisions for his daughter, step daughters, step granddaughters, the Ballarat Church of England, and his surviving son, James Rood Fry. 

The Sutton Park Estate was left to his son James but by 1918 it was under control of the government for soldier settlement purposes.[18]

Today, on a lonely dirt intersection amongst the farmland at Newlyn, you will find the original gates that once framed the entrance to Sutton Park. They now form part of an historic memorial of the district and nearby a stone cairn holds a plaque showing how the estate was divided for soldier settlement.

The gravesites at Miners rest and Mount Prospect, some of the old crumbling mill buildings around the district, the old gates to Sutton Park, and the stained glass windows at St Peter’s Church in Ballarat are the last physical reminders of a Colonial Pioneer and his family who shaped the western district of Victoria.

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Footnotes:

[1] The Ballarat Star, Vic, Monday 11th June 1877, page 3

[2] The Ballarat Star, Vic, Monday 13th August 1877, page 3.

[3] The Church of England Messenger and Ecclesiastical Gazette for the Diocese of Melbourne and Ballarat, Vic, Thursday 9th August 1877, page 14.

[4] Australian Dictionary of Biography: Fry, James (1821-1903)

[5] The Star, Ballarat, Vic, Tuesday 26th May 1857, page 4.

[6] The Star, Ballarat, Vic, Tuesday 14th August 1860, page 4.

[7] The Star, Ballarat, Vic, Friday 30th September 1864, page 2.

[8] The Ballarat Star, Vic, Monday 17th August 1903, page 1.

[9] Victorian Govt Gazette, Tuesday 14th April 1863, page 842.

[10] Daughter of John Gear (or Gean) and Jane Grimstead.

[11] The Age, Melbourne, Vic, Monday 25th April 1864, page 4.

[12] The Star, Ballarat, Vic, Saturday 29th October 1864, page 2.

[13] The Ballarat Star, Vic, Tuesday 13th July 1869, page 2.

[14] The Age, Melbourne, Vic, Friday 16th July 1869, page 4.

[15] Geelong Advertiser, Vic, Tuesday 19th June 1877, page 9.

[16] The Bath Chronicle, Somerset, England, Thursday 10th Jan 1878, page 5.

[17] The Argus, Melbourne, Vic, Monday 11th March 1878, page 5.

[18] The Age, Melbourne, Vic, Saturday 24th October 1903, page 11.


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1886: St Barnabas Anglican Church, Balwyn, Victoria.

The latest Ferguson & Urie stained glass window discovery is located at St Barnabas Anglican Church in the Melbourne suburb of Balwyn. The original part of this church was dedicated nearly a century and a half ago on the 22nd of December, 1872.

I was recently sent a small booklet about the stained glass windows of this church titled “Windows within Worship at St Barnabas” that was produced circa 1985. [1] There is barely any information about the artists or makers of the windows in the booklet, but on page five was the unmistakeable image of a Ferguson & Urie stained glass window.

Photos taken: 15th July 2015.

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The pioneer this window was dedicated to, a local Solicitor named George Henry Taylor, seemed vaguely familiar to me and further research reveals a remarkable coincidence to a tragic event that occurred 100 kilometres from Balwyn in 1866.

George Henry Taylor was a native of England and arrived in Melbourne with his wife Maria (nee O’Brien)[2] and their children aboard the “Blackwall” in September 1858. George established himself as a Solicitor in the Boroondarra area north of Melbourne and purchased land in the vicinity of Camberwell Junction. Circa 1865 he built his family home named “Mountfield” which fronted Burke and Mont Albert Road. The house still exists and has heritage listing.

In June 2012 I posted an article about a Ferguson & Urie stained glass window located at St Luke’s Anglican Church at Yea and this is the connection to the window at St Barnabas in Balwyn. The window at Yea is dedicated to an unfortunate boy named Edmund George Taylor who accidentally shot himself dead on the road to Yea in 1866. The George Henry Taylor mentioned in the window at St Barnabas at Balwyn turns out to be the boy’s father!

It’s a curious coincidence, and so is the design in the two windows. The central design in each window being a blue floriated cross on a crimson background. The Gothic geometric patterns and other design elements surrounding the cross in each window are different but there is an obvious similarity between them which makes you wonder whether it was deliberate or just purely coincidental.

The township of Yea is about 100km north of Balwyn and in 1866 the distance would probably seem like it was in another country. Finding two stained glass windows that far apart in Victoria with similar designs, one dedicated to a father and the other to his son, made twenty years apart is an unusual find.

A century and a half ago, on the 14th of December 1866, thirteen year old Edmund George Taylor accidentally shot himself whilst riding on a bullock dray near Yea. The bullock driver, John McCessey, and Edmunds older brother Charles were with him at the time but neither saw the gun go off. Unfortunately they witnessed his death almost immediately after Edmunds last words “Oh, Lord, I am shot.” The subsequent inquest returned the verdict of accidental death. Edmunds body was returned to his fathers home “Mountfield” at Upper Hawthorn and he was buried at the Kew, Boroondarra Cemetery on the 17th December.

Circa 1869, St Luke’s Anglican Church at Yea was only just being erected and presumably Edmunds father commissioned the Ferguson & Urie stained glass company of Melbourne to create his sons memorial window for St Luke’s at Yea.

Twenty years later, the Ferguson & Urie stained glass company were commissioned to create another stained glass window of similar design to be dedicated to Edmunds father, George Henry Taylor, and it would be erected at St Barnabas Anglican Church at Balwyn.

St Barnabas’ was dedicated on the 22nd of December 1872 and one of the main instigators for its erection was Herbert Edward Taylor, another son of George, who was studying for the ministry, collected £200 towards the church building fund. Herbert was later the minister of St Barnabas between 1883 and 1889.

George Henry Taylor died at his residence “Mountfield” on the 10th October 1886 aged 66 [3]. He was buried with his son Edmund and other family members at the Kew, Boroondarra Cemetery.[4] The grave stone still exists but is crumbling and barely readable.

As George’s son Herbert was the minister of St Barnabas at the time of his death, it’s probably fair to assume that Herbert would have been the instigator for the erection of the stained glass to be dedicated to his father.

On either side of the cross in the window is a piece of scripture from the King James Bible from Isaiah 26-3;

“Thou Wilt Keep Him in Perfect Peace”

At the base of the window is the memorial text;

“In Memoriam George Henry Taylor, Oct 10th 1886”.

Below the window a small brass plaque is affixed to the wall which reads; “Also in Memory of Maria, wife of the above, at rest 1912”

George’s other sons were well educated and became respected members of the community. His son Arthur Bertram Taylor 1857-1938 [5], was educated at Scotch College and founded the “Camberwell Grammar” School in February 1886, ten months before his father’s death. Charles Frederick Taylor 1849-1896 was educated at Scotch College and Melbourne University. He became a Barrister and was admitted to the Bar in 1871. He was also a prolific tabloid writer, a Captain in the militia, and represented Hawthorn in the Legislative Assembly 1889-1894.[6]

After a century and a half it’s unlikely that there would be anyone who would know of the connection between these two historic stained glass windows at Yea and Balwyn. The windows may be 100km apart in different towns but they are the last remaining historic artefacts connecting a father and his son.

Related posts:

The Edmund George Taylor window at St Lukes’ Anglican Church, Yea, Victoria.

Footnotes:

[1] Thanks to Marilyn Kenny from the Essendon Historical Society for the St Barnabas Church Booklet.
[2] Camberwell Historical Society, Newsletter 4, March 2011, P3.
[3] The Argus, Melbourne, Vic, Monday 11th Oct 1886, page 1
[4]
Kew Cemetery CofE C-1288: Edmund George Taylor, aged 14, interred 17th Dec 1866. Henry Michael Taylor, aged 35, interred 1st June 1881, George Henry Taylor, aged 65, interred 11th Oct 1886.
[5] The Argus, Melbourne Vic, Saturday 22nd October 1938, page 2
[6]
Web site; parliament.vic.gov.au, accessed 7 Jul 2015.

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1864: St Mary’s Anglican Church, Bulla, Victoria

Thirty kilometres north of Melbourne and eleven kilometres east of Sunbury is the township of Bulla which derives its name from the aboriginal word ‘Bulla-Bulla’ and means ‘two round low hills’ or ‘the two breasts.’[1] Most Victorians today probably know the name Bulla for its famous “Bulla Ice cream,” made by the Bulla Dairy Company since 1910.

In late 1842, Royal Navy Officer William Pomeroy Greene arrived in the Bulla area with his wife Anne and their seven children and a portable pre-fabricated house they brought out from England. They settled at ‘Woodlands,’ which is a few kilometres east of the town of Bulla and just north of the Tullamarine airport runway. The “Woodlands Historic Park” and restored homestead is now administered by Parks Victoria and is open to the public. It’s also home of the “Living Legends” which is the International Home of Rest for Champion Horses.

Anne Greene (nee Griffith) donated the land for St Mary’s Anglican Church at Bulla and in the presence of Bishop Charles Perry she laid its foundation stone on Friday 23rd July 1858.[2] The church was consecrated on the 2nd September 1864[3] at which time the new chancel was added and the liturgical east tripartite stained glass window by the North Melbourne firm Ferguson & Urie had been installed. This window was the gift of Anne’s sister in-law, Jane Catherine Griffith, the wife of her late brother Charles James Griffith.

St Mary’s Church was originally located on the corner of Oaklands and Bulla Roads, a few kilometres east of the town of Bulla and a short distance south of Woodlands, but more than a century later the church was in the path of the expanding Tullamarine airport runway. The introduction of the Jumbo jets, 24 hour airport operations, and the extensions to the runway was deemed a significant structural threat to the church and so it had to be moved.

On the 22nd January 1971 the final wedding ceremony was held in St Mary’s before it was dismantled and moved to its present site in the township of Bulla[4]. The church was reopened in its new location on the 24th November 1974 and was consecrated by Rev. Frank Woods in the presence of the Governor of Victoria, Sir Henry Arthur Winneke.

St Mary’s is no longer used for religious services and has been returned to the control of the Anglican Diocese property management. Its unknown what the future holds for the old church or what will become of the historic stained glass windows.

Photos taken: 17th April 2015.

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The stained glass window is an easily recognised work by the Ferguson & Urie company. The apex of the centre light depicts the descending Dove. The centre contains a crimson floriated cross with an azure blue background containing passion flowers and vine leaves. A  scrolling ribbon which flows around the cross contains the words: “I KNOW THAT MY REDEEMER LIVETH Job 19-25.” The scene in the bottom third of the window depicts the three Mary’s at the empty tomb with an angel proclaiming, as written in the text below the scene, “HE IS NOT HERE”. At the very base of this window is the dedicatory text: “Presented by Mrs Charles Griffith 1864.” The flanking side lights contain identical Gothic floral designs with diamond quarries filled with the Fleur-de-lys pattern. The centre design of these lights is the monogram “I.H.S.” in blue on a crimson background and incorporates the crown of majesty.

 

Anne Greene (nee Griffith 1795-1865).

Anne Greene laid the foundation stone of St Mary’s at Bulla in 1858 on land that she had donated for the church. Anne was born in Dublin, Ireland, in 1795, the daughter of Richard Griffith and Mary Hussey Burgh. She married former Royal Navy Officer William Pomeroy Greene (c.1797-1845) in Ireland on the 31st March 1826. For the sake of William’s health they emigrated to Australia and arrived at Port Phillip aboard the barque Sarah on the 5th December 1842 accompanied by their seven children and a prefabricated portable house which would be erected at “Woodlands” near Sunbury. William died at Woodlands on the 5th March 1845.

Anne was the sister of Sir Richard Griffith (1784-1878) and Charles James Griffith (1808-1863). Anne died aged 69, on the 13th March 1865 at ‘d’Estaville,’ the residence of Sir William Stawell, at Barry Street Kew, Victoria.

Charles James Griffith (1808-1863):

Jane Catherine Griffith (nee Magee), the wife of Charles James Griffith, was the donor of the Ferguson & Urie stained glass window for the new chancel of St Mary’s Anglican Church at Bulla in 1864[5].

Her husband Charles was born in Millicent, Kildare, Ireland, in 1808, the sixth son of Richard Griffith and Mary Hussey Burgh and was educated in the legal profession at Trinity College Dublin and was admitted to the Irish bar circa 1831. On arrival in Australia in 1840 he settled at ‘Glenmore’ near Bacchus Marsh as a sheep farmer and never practiced in the legal profession in the colony. On a return visit to Ireland in the 1840’s he married Jane Catherine Magee in Dublin on the 16th December 1846. On their return to Australia he began his political career after nominations by Charles La Trobe in the early 1850’s. In 1854 Bishop Charles Perry appointed him Chancellor of the Melbourne Diocese and until the time of his death he was an active member of the Acclimatisation Society[6].

Charles Griffith died at his home ‘Tempe,’ Dandenong Road Prahran, on the 31st July 1863 aged 55[7]. They had no children.

At 11 o’clock on the 4th August 1863 his funeral service moved from St James’s Old Cathedral[8] to his place of interment at the Melbourne General Cemetery. The portion of the Griffith and Greene family headstone at the Melbourne General Cemetery that contains his epitaph reads:

“Sacred to the memory of Charles James GRIFFITH Esq who departed this life on 31 Jul 1863 age 56 years. This headstone is erected by Jane C. GRIFFITH as a tribute of love and affection to her beloved husband for if we believe that Jesus died and rose again even so them also which sleep in Jesus will God bring with him. Thess. iv. IHS.” [9]

His will, dated 2nd Dec 1861, provided modest sums to his wife Jane and other family members as well as a sizeable sum to Bishop Perry for the Church of England;

“…To the Bishop of Melbourne for the time being, one thousand pounds to be applied according to his discretion to the general purposes of the Church of England in the diocese of Melbourne…”[10]

Significant tabloid transcriptions:

The Argus, Melbourne, Vic, Wednesday 28th July 1858, page 5.

“CHURCH OF ENGLAND, BULLA BULLA.- The foundation-stone of the new Episcopal church at Bulla Bulla was laid by Mrs. Greene (the donor of the land which the building is to be erected) on Friday last. Bishop Perry presided at the ceremony. The Church is to have a nave, transept, and chancel, in the early English period of architecture, with a tower and spire at the north-west angle, which will form the principal entrance to the building. The portions at present in course of erection are the nave, tower, and spire, and the whole is being executed in blue stone procured in the neighborhood, and carted to the site free of charge by the settlers in the district.”

The Argus, Melbourne, Vic, Monday 3rd August 1863, page 5.

“We regret to have to announce the death of Mr. C. J. Griffiths [sic], a gentleman who for many years past has taken an active part in the public affairs of the colony, and has also been connected with it in various official capacities. Mr. Griffiths had been ailing for a considerable period, and within the last ten days his complaint, which his medical advisers, Dr. Pugh and Mr. Rudall, decided to be aneurism, assumed a formidable aspect. The death took place at Mr. Griffith’s residence, Dandenong-road, on Friday evening last.”

The Argus, Melbourne, Vic, Tuesday 4th August 1863, page 5.

“MR. C. J. GRIFFITH.

Yesterday, we recorded the death of Mr. Charles James Griffith. The removal – sudden and unlooked for – of one of the first settlers of the colony, a gentleman who, privately, was widely known and highly esteemed, and whose public career was neither brief nor unimportant, demands more than passing notice.

            Mr. Griffith was the sixth son of Richard Griffith , Esq., M.P., of Millicent, Kildare, by Mary, daughter of Lord Chief Baron Hussey Burgh. He was born August, 1808; graduated as M.A. at Trinity College, Dublin; and was called to the bar about 1831. In 1840, Mr. Griffith arrived at Port Philip, and settled at Glenmore, near Bacchus Marsh as a sheep farmer. On the separation of the colony of Victoria from New South Wales, Mr. Griffith was appointed by the Superintendent (Mr. La Trobe) one of the nominee members of the Legislative Council, and afterwards he was elected to Parliament by the constituency of Dundas and Follet. In 1853 he was appointed President of the Board of Commissioners of Water Supply and Sewerage. Under his presidency the board, in the face of continued violent opposition and adverse criticism, carried out the Yan Yean scheme; but after surmounting all the difficulties of the undertaking, Mr. Griffith resigned his office. The ministry of the day conceived they had a right to command the votes of all members of Parliament who were connected with the public service, and Mr. Griffith declined to sacrifice his independence. Upon the new Constitution coming into operation, Mr. Griffith’s friends decided to propose him for the Speakership of the Legislative Assembly. The present Speaker was also nominated, and succeeded in securing the votes of a majority of the House. Continued private and public exertions weakening Mr. Griffith’s health, he paid a visit to Europe, in 1858 and did not return to Victoria until April, 1862. Lately he was a candidate for the seat in the Legislative Council for North-Western Province to which Mr. Jenner was elected, and at the time of his decease he held the appointments of Chairman of the Board of Education and Commissioner under the Real Property Act. Mr. Griffith always took a prominent part in the affairs of the Church of England. From the time of its creation, he filled the office of chancellor of the diocese, and he was an active member of the Church Assembly from the period of the formation of that body. Mr Griffith married in the colony [sic], and leaves a widow without family. Although his health has been declining for some time past, it is but the other day that he was engaged in the active discharge of his duties, and until less than a week of his decease, the fatal termination of the attack which confined him to his chamber was not anticipated.”

The Age, Vic, Wednesday 5th August 1863, page 5.

“The Council of the Acclimatisation Society met yesterday, as usual, and the following resolution was unanimously passed:- “The council of the Acclimatisation Society hereby express their deep regret at the death of C. J. Griffith, Esq., their highly valued colleague, and unanimously resolve that the council do now adjourn, in order thereby to testify their respect for the memory of the departed gentleman; and further, that the minute be entered on the records of the council.” The council adjourned accordingly.”

Bendigo Advertiser, Vic, Thursday 6th August 1863, page 3.

“MELBOURNE NEWS.

(Herald.)

The funerals of two old and highly respected colonists took place on Tuesday, and both were numerously attended. The funeral of the late Mr. C. J. Griffith, Chancellor of the Diocese, took place in the morning. A special service was performed at St. James’s Cathedral, at eleven o’clock, at which the very Rev the Dean of Melbourne officiated, assisted by the Rev S. L. Chase, and the Rev M. H. Becher, incumbent. The Rev C. T. Perks, and the Rev D. Seddon, were also present. The coffin was then borne to the hearse, the following gentlemen acting as pall-bearers:- Sir W. F. Stawell, the hon W. H. Mitchell, M.L.C.; Captain McMahon, M.L.A; hon T. T. A’Beckett, M.L.C; and Sir Redmond Barry. The cortege consisted of four mourning coaches, and about twenty private carriages, including his Excellency the Governor’s, which was closed. The funeral was attended by a large number of the members of both houses of Parliament, and many gentlemen with whom the deceased had been so long associated, and by them held in high esteem. The procession proceeded from the Cathedral along Collins and Swanston streets to the new cemetery, were [sic] the last rites were performed by the Dean.”

Portland Guardian, Vic, Monday 10th August 1863, page 3.

“THE LATE C. J. GRIFFITH, ESQ.

(From the “Herald” of 4th inst.)

Mr. Charles James Griffith, who expired suddenly, on Saturday last from aneurism of the aorta, was a very old colonist. He was a member of the bar, but never practiced his profession in the colony, but was principally engaged in pastoral pursuits; and at the time of his death held, in conjunction with Mr. Molesworth Greene, one of the largest stations in the country. Mr. Griffith has also taken a very active part in public affairs. He was a nominee member of the old Legislative Council, and took a prominent part in debates. When the new Parliament was called into existence Mr. Griffith was chosen as the representative of Dundas and Follet; and on the 21st of Nov., 1856, was nominated for the office of speaker, in opposition to Sir Francis Murphy, who was elected. At that time Mr. Griffith occupied the position of President of the Board of Sewerage and Water Supply, and he continued to fulfil the duties appertaining to the office until the completion of the Yan Yean works. Mr. Griffiths supported the Haines administration, and manifested a great interest in the various questions which came before the House in that session, including the Electoral Bill, the Land Bill, and the bill for the formation of a trunk line of railway. Mr. Griffith long held the appointment of chancellor of the diocese of Melbourne, and was for some time a Member of the Council of the University. About three years since, he visited England, and returned about nine months ago. On the composition of the new Education Board, Mr. Griffith was chosen as one of the members as representing the Church of England interest. On March last he unsuccessfully contested the South-Western Province with Mr. Jenner. Mr. Griffith has, at all times exhibited a warm interest in the cause of Education, and in all matters appertaining to the church of which he was a member. In 1845, he published a short work giving a history of the colony; and while he held the office of President of water supply, he wrote a pamphlet in answer to the many quibbles and objections that were raised at the time in reference to the scheme. Mr. Griffith was highly respected by all classes of colonists. He was connected, by marriage, with the families of Sir W. F. Stawell, the Dean of Melbourne, and Mr. R. F. Greene.

            The Argus says the deceased Mr. Griffith was the sixth son of Richard Griffith, Esq., M.P. of Millicent, Kildare, by Mary, daughter of Lord Chief Baron Hussey Burgh. He was born August, 1808; graduated as M.A. at Trinity College, Dublin; and was called to the bar abut 1831.”

The Argus, Melbourne, Tuesday 14th March 1865, page 4.

“GREENE.- On the 13th inst., at D’Eastaville, Anne Greene, widow of the late William Pomeroy Greene, Esq., R.N., of Woodlands.”

The Argus, Melbourne, Vic, Saturday 22 July 1939, page 9.

“OLD ANGLICAN CHURCH.
Bulla Anniversary

St Mary’s Church of England, Bulla, a link with the pioneers, will celebrate its 81st anniversary at a special service at 3 p.m. on Sunday, July 30. The anniversary service is invariably the occasion for a reunion among families and descendants of families who have been associated with the church. Before the church was erected services were held in the barn at Woodlands, then the property of the late Mr. Rawdon Greene. The church was founded by Mrs. Greene and was built on land which was formerly part of the Woodlands Estate, the foundation-stone being laid on Friday, July 23, 1858, by Bishop Perry. The church was officially licensed on September 2, 1864, when the beautiful east window was presented by the late Mr. Charles Griffiths [sic]. In 1922 a complete set of memorial windows for the nave of the church was given by the prominent families.
Excepting the floor, the church is in excellent condition. Since the Rev. A. G. Mee has been in charge of the parish of Broadmeadows funds have been raised for repairs to the church. The preacher on July 30 will be the Rev. C. Hedly Raymond, vicar of St. Thomas’s, Essendon, and Rural Dean of Melbourne North. The choir of St. Paul’s Church, Ascotvale, will assist.”

External Links:

http://vhd.heritage.vic.gov.au/search/nattrust_result_detail/65967

My thanks to Diedre from the Melbourne Anglican Diocese for arranging access and for her valuable time and patience.

Footnotes:

[1] Sunbury News, Vic, Saturday 4th July 1910, page 2.

[2] The Argus, Melbourne, Vic, Wednesday 28th July 1858, page 5.

[3] The Argus, Melbourne, Vic, Saturday 22 July 1939, page 9.

[4] The Canberra Times, Friday 22nd January 1971, page 3.

[5] The Argus, Melbourne, Vic, Saturday 22 July 1939, page 9.

[6] The Age, Vic, Wednesday 5th August 1863, page 5.

[7] The Argus, Melbourne, Vic, Monday 3rd August 1863, page 4.

[8] The Argus, Melbourne, Vic, Tuesday 4th August 1863, page 8.

[9] Melbourne General Cemetery [CofE, Compartment O, grave 93]

[10] Public Records Office, Vic, Probate file 4/448

 

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1873: Christ Church Anglican, Geelong, Victoria.

The John Rendall Morris (1820-1872) Memorial Window.

In October 1872 the committee of Christ Church in Moorabool Street, Geelong, requested the Ferguson & Urie stained glass company of North Melbourne to provide some designs for a memorial window to be erected in the liturgical north transept.

“Members of almost every denomination have contributed to the memorial window which it is proposed to place in Christ Church to the memory of the late Mr. J. R. Morris, the total amount received to date being about £112. About £40 more will be required, but, as several friends of the deceased have not sent in their subscription, and as others have intimated their willingness to increase their subscriptions, if found necessary to do so, the committee have requested Messrs Urie and Ferguson to furnish two designs, which are expected to arrive shortly.”[1]

The window was to be a memorial the memory of their much respected Church Warden and Trustee, John Rendall Morris who died aged 53 on the 15th September 1872.

An extraordinary list of prominent citizens of Geelong, including the Mayor, Sir Charles Sladen, was formed as the committee for the erection of the window[2].

By the end of November 1872 a total of £145 had been subscribed for the window of its reported total cost of £160[3] and by early December a design by the Ferguson & Urie stained glass company was on public display at the establishment of Henry Franks, stationer and book seller, of Malop Street in Geelong:

“The coloured design for the stained glass window to be placed in the north transept of Christ Church as a memorial of the late Mr J. R. Morris is now being exhibited at Mr Franks’s. In the centre of the design there is a representation of the Transfiguration of our Saviour, Moses and Elias being on either side, and Peter, James, and John underneath as witnesses. In the tracery there are figures of Abraham, Joshua, and David – representative characters of the patriarchs, judges, and kings of Israel. Next are busts of the twelve minor prophets, and on the outer side lights there are figures of the four greater prophets – Isaiah, Jeremiah, Ezekiel, and Daniel.”[4]

On the 23rd of December 1872 a meeting of the subscribers was held at the Market-Square offices of Geelong accountant, George Bowes Fraser (1810-1881)[5] , for the purpose of approving Ferguson & Urie’s proposed design[6].

The extremely ambitious and complex design contains the figures of twenty six prophets and saints and has the memorial text at the base;

“TO THE GLORY OF GOD – AND IN MEMORY OF – JOHN RENDALL MORRIS – CHURCHWARDEN & TRUSTEE – WHO DIED SEPTR 15 1872”

Exactly when the window was erected or dedicated in early 1873 has not yet been determined but 140 years later, in November 2013, mindless vandals managed to smash the lower centre area of this window and many others with bricks.

The Caulfield stained glass studio of Geoffrey Wallace is undertaking the repair and conservation work.

Photos taken between 2010 and 2013.

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The twenty six saints and prophets depicted in the window with Christ are:

Top Row:

ABRAM, ISAAC, JACOB, JOSHUA, SAMUEL, DAVID

2nd Row:

JOEL, AMOS, OBADIAH, JONAH, MICAH, NAHUM, ZEPHANIAH, HABAKKUK, HAGGAI, ZECHARIAH

3rd Row:

ISAIAH, MOSES, (CHRIST) IMMANUEL, ELIJAH, EZEKIEL,

4th (bottom) Row:

JEREMIAH, ST JAMES, ST PETER, ST JOHN, DANIEL


John Rendall Morris (1820-1872).

John Rendall Morris was born 23rd January 1820, Islington, Middlesex, England, the son of John Morris and Jane Frances Watkins[7].

As a young man in his early 20’s he immigrated to Australia where, on the 6th of April 1843, he married Annie Wesley Morris nee Howe (c.1824-1866), daughter of a founder of the Sydney Gazette, Robert Howe, at St Lawrence Church, in Sydney[8].

Circa 1852 they moved to Geelong where he was appointed manager of the Bank of Australasia[9]. He was very active in community and church circles and in 1860[10], 1862[11] and 1869[12] he held appointments as Territorial Magistrate for Geelong. In 1861 he was a member of the Committee of Management for the Geelong Infirmary and Benevolent Asylum[13] but known to be involved in some capacity with that institution as early as 1858. He was also a well-respected member of the Anglican Church community and held the position of Trustee and Warden of Christ Church Geelong where his memorial window is located.

On the 5th June 1866 his wife Annie died at the age of 42[14] and two years later he married Priscilla Emily Ryland at Christ Church Geelong, on the 12th November 1868[15].

John Rendall Morris died on the 15th September 1872 aged 53[16]. He was buried at the Geelong Eastern cemetery on the 17th with his first wife Annie, who died in 1866 and second wife Priscilla, who died in 1891[17]. He is not known to have had any children by either marriage.


Significant transcriptions:

Geelong Advertiser, Vic, Tuesday 24th September 1872, page 2.

“It is proposed to place a large stained glass window in the north transept of Christ Church, in memory of the late Mr J. R. Morris, who was a constant attendant at the church, and an indefatigable office-bearer. That the window will be a valuable one may be judged from the fact that the following influential committee has been formed to carry out the object in view, and will receive subscriptions in its aid, viz:- The Hon. C. Sladen, the mayor of Geelong, and Messrs D. C. Macarthur, J. Bell, M. Elliott, E. Morrah, F. G. Smith, J. Galletly, J. Simpson, A. Buchanan, S. V. Buckland, S. A. Bryant, F. Shaw, M.D., J. B. Wilson, M.A., G. F. Belcher, T. C. Harwood, A. Douglass, C. Ibbotson, T. Roadnight, H. Franks, and G. A. Stephen. Mr A. S. Park, of the Colonial Bank, has been appointed treasurer, and Mr. G. Fraser, hon. secretary of the committee.”

Geelong Advertiser, Vic, Friday 18th October 1872, page 2.

“Members of almost every denomination have contributed to the memorial window which it is proposed to place in Christ Church to the memory of the late Mr. J. R. Morris, the total amount received to date being about £112. About £40 more will be required, but, as several friends of the deceased have not sent in their subscription, and as others have intimated their willingness to increase their subscriptions, if found necessary to do so, the committee have requested Messrs Urie and Ferguson to furnish two designs, which are expected to arrive shortly.”

Geelong Advertiser, Vic, Thursday 19th December 1872, page 3.

“A MEETING of Subscribers to the Memorial Window to be placed in Christ Church, in memory of the late Mr. J. R. Morris, will be held at the office of Mr. G. B. Fraser, Market-Square, on Monday, 23rd instant, at 4 o’clock, to approve of the design. A. STEELE PARK, Hon. Treasurer.”

Other historic Ferguson & Urie windows in Christ Church:

1869: The Chancel window.

1872: The Anglican Diocese 25th Anniversary window.

Footnotes:

[1] Geelong Advertiser, Vic, Friday 18th October 1872, page 2.

[2] Geelong Advertiser, Vic, Tuesday 24th September 1872, page 2.

[3] Geelong Advertiser, Vic, Saturday 30th November 1872, page 2.

[4] Geelong Advertiser, Vic, Monday 9th December 1872, page 2.

[5] Vic BDM: 4555/1881, age 71. Geelong Eastern Cemetery EAS-COE-OLD-A-807-355.

[6] Geelong Advertiser, Vic, Thursday 19th December 1872, page 3.

[7] Vic BDM: 6921/1872.

[8] The Sydney Morning Herald, NSW, Friday 7th April 1843, page 3.

[9] The Argus, Melbourne, Vic, Monday 16th September 1872, page 5.

[10] Victorian Govt Gazette 58, Friday 11th May 1860, page 881.

[11] Victorian Govt Gazette 140, Tuesday 9th December 1862, page 2507.

[12] Victorian Govt Gazette 1, Tuesday 5th January 1869, page 4

[13] Ninth Annual Report of the Committee of Management, Geelong, 1861.

[14] The Argus, Melbourne, Vic, Wednesday 6th June 1866, page 4.

[15] The Argus, Melbourne, Vic, Monday 7th December 1868, page 4.

[16] The Argus, Melbourne, Vic, Tuesday 17th September 1872, page 4.

[17] The Argus, Melbourne, Vic, Friday 16th October 1891, page 1.

 

1872: Christ Church Anglican, Geelong, Victoria.

The 25th Anniversary Window.

The second historical Ferguson & Urie stained glass window to be erected in Christ Church at Geelong was a three light Gothic decorated design by the company’s senior stained glass artist and partner John Lamb Lyon. It was erected in the liturgical north side of the nave in Christ Church circa August 1872 which was a year before Lyon departed the firm for his own ventures in Sydney.

The instigator for the erection of this window was the Parish Incumbent, Canon George Goodman, who served as Vicar of Christ Church and other ecclesiastic appointments for 51 years from 1855 to 1906. His wife Margaret is credited with the momentum and collection of subscriptions for the window, which cost £50 with a further £5 required for its wire protection.

The three light window was erected to commemorate the twenty-fifth anniversary of the Melbourne diocese and Prelacy of Bishop Charles Perry [1]. It depicts the biblical images of the alter egos of the four evangelists, with the Agnus Dei or Paschal Lamb in the centre light carrying the victory banner.

All of the text on the window is in Latin and the text at the base loosely translates as:

“Feast of St Peter’s Day (29th of June) 1872. Episcopate of Melbourne’s 25th year”.

Photos were taken between 2010 and 2013.

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Geelong Advertiser, Vic, Friday 16th August 1872, page 2.

“A few weeks ago it was mentioned that Mrs. G. Goodman was actively bestirring herself collecting subscriptions for an ornamental window, which it was proposed should take the place of a window on the north side of Christ Church, through which the summer sun occasionally shone too powerfully. In addition to this she is desirous that a memorial window should be placed in the church to commemorate the twenty-fifth anniversary of the Right Rev. Dr. Perry’s prelacy. The sum required was £55, not much in itself, but large when the many calls that are being made upon the congregation are taken into consideration, and unassisted, Mrs Goodman accomplished her task. A window was ordered of Messrs Ferguson, Urie, and Lyon, of Melbourne. The artistic talents of Mr Lyon, who has lately returned from following medieval studies in the various cathedrals of Europe, were called into requisition, and the result was that during the past week a window has been placed in Christ Church that cannot fail to be admired. Many may consider there is a preponderance of green about it, but this colour was deemed the best for the powerful sun to shine through. The window, which is of the early decorated order, consists of three light, with two quatrefoils and a small oblong in the arch. The groundwork is a combination of faint yellow, with passion flowers outlined in black, so as to give a greenish hue, which as before hinted, subdues the glare of the northern sun. In a centre light, in a ruby ground, is the lamb and flag emblem of the Agnus Dei, within a vesica piscis. Four circular medallions with green borders are placed in the centre and side lights, so as to combine with the vesica in a cruciform arrangement, containing emblems of the four evangelists, viz.- the human face for St. Matthew, the lion for St. Mark, the ox for St. Luke, and the eagle for St. John. The wings of these emblematic creatures are of a cold blue, edged with green, to act as a foil to the bright ruby and violet distributed over the window. The inscription intimates that the window is erected in honour of the completion of the 25th year of the diocese of Melbourne, bearing date St. Peter’s Day (June 29th), 1872. The words of the inscription, like those of the evangelists’ names and of the Agnus Dei, are in Latin – “Festo S. Petri, MDCCCLXXII, Episcopatur Melbornsi, XXV annos condito.” The net cost of the window was £50, but £5 more was required for protecting it with wire.”

The instigators for the erection of the window:

Margaret Elizabeth Goodman (nee Mortlock 1821-1901) was former governess for the Marquis of Normanby and married Anglican clergyman George Goodman (1821-1908) in St. Bride’s, Fleet Street, London on the 1st July 1853. Just over three weeks later they departed Bristol for Australia aboard the ‘Corfield’ on the 23rd July 1853 and arrived in December of 1853[2].

Margaret died 26th September 1901 aged 80 and Canon George Goodman died 25th June 1908 at the age of 87. Both were interred in the Geelong Eastern Cemetery along with four of their children [3][4].

Of Christ Church itself, it is the only Church in Victoria designed by architect Edmund Blacket. It was opened and dedicated on the 27 June 1847 and consecrated on 25 October 1859.

Other references:

NLA Obituary: Geelong Advertiser, Vic, Friday 26th June 1908, page 3.

Australian Dictionary of Biography: Canon George Goodman (1821-1908).

Other Ferguson & Urie windows in Christ Church:

Other Ferguson & Urie stained glass windows in Christ Church include the Chancel window (c. Nov 1869) and the ‘John Rendall Morris’ memorial window in the liturgical north transept (c.1873).

Footnotes:

[1] Geelong Advertiser, Vic, Friday 16th August 1872, page 2.

[2] http://www.archerfamily.org.uk/family/goodman.htm (accessed 6 Jul 2014). Note: This reference can not be substantiated from any shipping registers.

[3] Geelong Cemetery Register: 5967, EAS-COE-OLD-A-807-051

[4] Geelong Cemetery Register: 4709, EAS-COE-OLD-A-807-072

 

© Copyright

1881: St Michael and All Angel’s, Porangahau, New Zealand.

The ongoing research to find extant Ferguson & Urie stained glass has revealed many of their works of art in remote locations, sometimes thousands of kilometres from the company’s workshops in North Melbourne.

The latest discovery is in the tiny township of Porangahau on the South East coast of New Zealand’s North Island. The Anglican church of St Michael and All Angels in Porangahau is now the sixth location in New Zealand found to contain an historic Ferguson & Urie stained glass window. This window is the only one known to have been created by the company as a memorial to a soldier who died in an armed conflict in the Antipodes.

Photos:  From St Michaels, Porangahau, NZ, Janice Ball, New Zealand 11th March 2014.

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The idea for a memorial stained glass window in St Michael’s was conceived as early as 1878 when the Porangahau congregation began to raise subscriptions to build the church.

On the 22nd of July 1878 it was reported that a local land owner by the name of John Davis Canning had presented £125 towards the cost of a stained glass window to be erected in memory of his brother, Davis Canning, who fell in action at Ruatikuri during the Maori Wars on the 8th August 1868[1].

Two years later, in September 1880, a tabloid correspondent described the progress of the church construction and of the stained glass window they wrote:

“…The effect, seen when sunlight falls on it, is grand, and the chiaroscuro well defined – in fact the whole would do credit to a large old world cathedral, and is, I believe, not equaled in this colony. It is grand – more cannot be said…”[2]

St Michael’s was consecrated on Friday 11th February 1881 by the Bishop of Waiapu and the following Tuesday the Hawke’s Bay Herald described the three light stained glass window in great detail. The Ferguson & Urie stained glass company of Melbourne were explicitly mentioned as the firm who made it;

“…One great feature, internally is a large stained-glass east window, containing three lights and tracery. The subjects are the baptism of our Lord, the Crucifixion, and the Resurrection. The draperies about the figures are of the richest quality of antique glass the colors being so arranged as to blend harmoniously, while all crude or harsh coloring is avoided. The background is light grisailler work, so subdued as to make the subjects stand out prominently. On the lower panels and in the tracery are suitable emblems and monograms. The general effect is exceedingly rich and handsome. Beneath it is a brass plate bearing the following inscription:- “This window is erected by the family, in memory of Davis Canning, gent., who fell in action at Ruatikuri, 8th August, 1868 whilst leading the advanced guard,” The window is from the firm of Ferguson and Urie, Melbourne…” [3]

The precise description of the window given in 1881 matches that of the east window in St Michael’s today. The photographs taken by Janice on the 11th March 2014 leave absolutely no doubt that it is the work of Ferguson & Urie, but there is a strange anomaly with this window that appears to have gone undetected for possibly fifty years or more!

Beneath each of the biblical scenes is a reference to a chapter and verse from St Mark in the King James Bible which would aptly describe the event depicted above but the chapter and verse beneath the first two are under the wrong windows!

The reference under each window is currently shown as;

“Mark c.15 v.25” – (“And it was the third hour, and they crucified him.”) This reference is located under the first window on the left which depicts Jesus being Baptised by John in the River Jordan. Below this is the Lamb of God or ‘Agnus Dei,’

“Mark c.1 v.9” – (“And it came to pass in those days, that Jesus came from Nazareth of Galilee, and was baptised of John in Jordan”). This reference is located under the centre window depicting Christ being crucified. Below this is the Pelican in the act of self-sacrifice feeding its own blood to her young.

“Mark c.16 v.6” – (“And he saith unto them, Be not affrighted: Ye seek Jesus of Nazareth, which was crucified: he is risen; he is not here: behold the place where they laid him”). This reference is, correctly, located under the right window depicting Christ emerging from the tomb in the Resurrection. Below this is the phoenix rising.

Logically, the reference “Mark c.15 v.25” should be under the centre window depicting the Crucifixion and “Mark c.1 c.9” should be under the first window depicting the Baptism.

On the 27th Feb 2014, descendant Davis Canning wrote:

“It [the window] was completely redone (removed, repaired, releaded and reinstalled, rededicated etc) in the early 1960’s I think and was in good condition even then. I was responsible for the complete restoration of the church in 1998 and the east window was in such good condition it did not need any work done on it. I think it is still sound and has an exterior cage over it so it is not damaged by bird strike…”

The 1960’s restoration would seem to be the most likely point in time that the pieces of the window with the bible verses were re-installed in the wrong order. It could be argued as to whether the lower scenes depicting the Lamb and Pelican are also under the wrong scenes, meaning that possibly the entire lower sections of the window have been swapped.

It’s not known whether there had been any other restoration work done on the window prior to the 1960s, but most historical stained glass windows usually require some significant conservation work every fifty years or so depending on their level of exposure to the weather.

There have probably been many events in the last 130 years that could have decided the fate of this historical window. Its most recent miraculous escape from disaster occurred in December 2011 when a fire broke out in the church and destroyed the altar. Fortunately, the fire was contained to the altar space only and there was no reported damage to the window[4].

Every step of the research draws you deeper into the history of the window. It’s not just a remarkable piece of work by the Ferguson & Urie stained glass company, it has a story to tell of its own, apart from the biblical one, such as who was it dedicated to and who was the donor? There is also the remarkable coincidental link to another memorial stained glass window to the Canning brothers on the other side of the world which I’ll explain further on.

John Davis Canning (1822-1883)

John Davis Canning (1822-1883) was the donor of the stained glass window at St Michael’s in Porangahau.

He was born at Ogbourne, St Andrews, Wiltshire, in 1822 and arrived at Port Cooper (Lyttelton), New Zealand aboard the “Cornwall” on the 10th December 1851with another brother, Charles[5]. He later proceeded to Hawke’s Bay circa 1852 where he took up “Oakburne” located between Waipukurau and Porangahau.

On the 1st of July 1863, he was commissioned to the rank of Ensign in the New Zealand militia[6] and on the 4th of May, the following year was promoted to Lieutenant[7].

The years 1868 and 1869 were tumultuous times for John Davis Canning. In November 1867 his mother Elizabeth (nee Tanner) died aged 74 at Weyhill near Andover[8] and in August 1868, at the height of the Maori wars, his younger brother Davis rode off to join Colonel Whitmore’s troops in the hunt for the Hauhaus and was killed at Ruakaturi on the 8th August 1868.

Just over two weeks after the death of his brother he married Elspeth McQueen (1837-1920) at Mangatarata farmstead in the central Hawke’s Bay area.[9]

Between 1869 and 1872 John and Elspeth had three children but Elspeth became ill and was invalided back to Wiltshire for the benefit of her health. In 1881 John began to make arrangements for his return to England to visit Elspeth and in mid-February of 1881, he placed advertisements in the newspapers to sell a number of his short horn cattle, draught horses, and Cotswold rams at public auction[10]. By late March he was temporarily residing at the Hawke’s Bay Club in Napier and on the 28th of March he advertised that was looking for a suitable house in Napier for short-term lease;

“WANTED, in eligible situation, with a good view and a desirable situation on the hills, a Commodious House (furnished), with good garden and grounds, for a period of at least three months. Apply, stating particulars, to John Davis Canning, Hawke’s Bay Club, Napier. 28th March, 1881”[11]

On the 24th of October 1881 he resigned his commission as a Justice of the Peace[12] and shortly after returned to England. His health declined over the following two years and he died at Marlborough on the 20th September 1883 aged 61. [13]

“News has been received by cable of the death of Mr John Davis Canning at Marlborough, England, on Thursday last. Mr Canning was one of our earliest settlers arriving about 1855 [sic]. At one time he was in partnership with Mr John Harding in the Mount Vernon run, and on dissolving the partnership Mr Canning for some time occupied part of Mr Tiffen’s Homewood run, subsequently removing to Wallingford, where he acquired a considerable tract of native land. There he resided until he left for England, about two years ago. Mr Canning was an excellent judge of stock, and his importations, especially of shorthorns and horses, did much to improve the stock of Hawke’s Bay.”[14]

John was buried in the Ogbourne, St Andrew’s Churchyard in Wiltshire. His gravestone still exists and although the memorial text is fading with time it still can be read;

“John Davis CANNING, Who died Sept 20th 1883, Aged 61 years.”

PORANGAHAU Ogbourne St Andrews 01a

(click for full image)

In 1884 his sister Elizabeth commissioned a stained glass window to be erected in St. Andrew’s in Memory of her brothers John and Davis. Legend has it that the window in St Michael’s at Porangahau was a copy of the window in St Andrew’s in Wiltshire:

“The east window at St Michael and All Angels Anglican Church in Porangahau was given by the family in his memory and is a copy of the window in the church at Ogbourne, St Andrews…”[15]

Unfortunately, this legendary tale is not true. The stained glass window at St. Andrews in Wiltshire was erected three years after the window at St Michael’s at Porangahau in New Zealand and it doesn’t follow the same biblical theme, or resemble the figurative work in any way whatsoever.

The memorial text on a brass plaque at the foot of the Canning memorial  window at St Andrew’s church in Wiltshire reads;

“TO THE GLORY OF GOD AND IN LOVING MEMORY OF JOHN DAVIS CANNING WHO DIED SEPT 20th 1883 AGED 61, ALSO DAVIS CANNING WHO DIED AUGUST 8th 1868 AGED 39. THIS WINDOW IS DEDICATED BY THEIR SISTER, ELIZABETH MARY MOORE, A.D. 1884.”

PORANGAHAU Ogbourne St Andrews 02a

(click for full image)

The upper half of the window at St Andrew’s depicts four women representing “Fortitudo” (Fortitude), “Temperantia” (Temperance), “Justitia” (Justice), and “Sapientia” (Wisdom).

The scenes in the lower half of the window depict what I believe are four of the acts from the Corporal Works of Mercy. On the other side of the world, the Ferguson & Urie window at Porangahau in New Zealand depicts Baptism, Crucifixion, and Resurrection.

John’s wife Elspeth eventually made a full recovery in England and in the early 1890s returned to New Zealand where she resided at Napier in good health into her advanced years[16].

Elspeth died in New Zealand in 1920 at the age of 86[17].

Davis Canning (1829-1868)[18]

The Ferguson & Urie stained glass window in St Michael’s is a memorial to Davis Canning, the younger brother of John Davis Canning.

When Davis actually arrived in New Zealand is not known, but can reasonably be assumed to be 1852 or later. His brothers John and Charles arrived aboard the “Cornwall” from England in December 1851 but Davis was not listed as a passenger on the same ship with them.

Davis resided at “Oakburne” near Porangahau with his brother John. At the age of 39 he was described as a “young man full of adventure.”[19] It was probably inevitable that this adventurous spirit would lead him to joining the militia. Sometime in late September or early August 1868 he rode off and joined Colonel Whitmore’s government forces to fight against the Hauhaus led by the Maori rebel “Te Kooti Arikirangi Te Tūruki.”

On the 8th August 1868, during a battle at Ruakituri, Davis Canning and a Captain Oswald Carr were shot dead[20];

“…On the 8th the force was well up the gorge-like valley of the Ruakituri, and the advance-guard led by Mr. Davis Canning, a gallant settler from Hawke’s Bay, was hot on the trail of the Hauhaus, who were heard shooting pigeons in the distance. Early in the afternoon Captain Carr (Hawke’s Bay), who had been an officer in the Royal Artillery, reconnoitered through the bush along the river-bank, and reported that the Hauhaus were halted a short distance up the river. The swift and ice-cold river was forded several times and the European and Maori force advanced to the attack. Captain (afterwards Colonel) Herrick with part of the force moved on to take the Hauhaus in flank and reverse, and when his men were in position Whitmore directed the advance-guard to push forward. It was soon driven back, leaving both Canning and Carr dead on the field. The former was shot dead while gallantly leading the men…”[21]

Ten years later, in July 1878, his older brother John Davis Canning subscribed the amount of £125 towards a stained glass window to be erected in memory of his brother in the yet to be erected St Michael’s Church at Porangahau[22]. In September of the same year the Hawke’s Bay Herald reported something similar but with a differing cost for the window;

“…J. D. Canning, Esq., of Oakbourne, has given a superb stained glass window of the value of £150…”[23]

St Michael’s was consecrated by the Bishop of Waiapu in 1881 and the Ferguson & Urie stained glass window to the memory of Davis Canning still exists to this day.

Beneath the window is a brass plaque inscribed:

“This window is erected by the family, in memory of Davis Canning, gent., who fell in action at Ruakituri, 8th August, 1868 whilst leading the advanced guard.”

Another memorial to Davis appears at Ruakituri Cemetery Reserve near Wairoa. A brass plaque is mounted on a rock cairn in memory of Davis Canning[24] and Canning family lore has it that this plaque went missing after a flood in the late 1800’s and was missing for over a century until being found in the 1980’s-90’s in a creek bed two miles away.

The plaque has the wording:

“IN MEMORY OF DAVIS CANNING, KILLED IN ACTION 8th AUGUST 1868”.
“NE CEDE MALIS SED CONTRA”
[25]

(Latin: “Yield not to misfortunes, but advance all the more boldly against them”)

Significant historical newspaper  transcriptions:

Hawke’s Bay Herald, NZ, Vol 12, Issue 969, 15 August 1868, page 3.

“IMPORTANT FROM THE FRONT. SEVERE ENGAGEMENT BETWEEN FORCES UNDER COL. WHITMORE AND EX PRISONERS…

…We deeply regret to add that among the killed were Capt. Carr of Petane and Mr. Davis Canning, two esteemed settlers of this province…”

Star, NZ, Issue 97, 4th September 1868, page 3.

“…The advance guard, comprising several of the armed constabulary, and led by Captain Carr and Mr. Canning, advanced to the front of the enemy’s lines and were on the eve of carrying the position when the hau-haus poured in a hot fire, which forced them to take cover. The action then commenced hot on both sides; and in another attempt to charge the position, Mr Canning and Captain Carr lost their lives…”

Hawke’s Bay Herald, NZ, Vol XXI, Issue 5133, Monday 22nd July 1878, page 2

“Our Porangahau correspondent writes: – The need of a church has long been felt and numerous gentlemen having promised subscription to the amount of £365, it is hoped that the good work will speedily be accomplished. It is proposed that the sum of £600 be collected for the above purpose, exclusive of the sum of £125 presented by J. D. Canning, Esq., of Oakbourne, for a stained glass window, in memory of his brother, the late Mr Davis Canning. A series of concerts are to be given for the purpose of raising funds to furnish the sum required. The following gentlemen have already subscribed:- J. Nairn, £100; George hunter, £50; J. D. Ormond, £50; Rev S. Williams, £50; A. St. Hill, £10; J. White, £50; T. Spencer, £5; Trust Fund, £50. Total £365.”

Hawkes Bay Herald, NZ, Vol XXI, Issue 5792, 13th September 1880, page 3.

“PORANGAHAU

[FROM AN OCCASSIONAL CORRESPONDENT]

WAINUI, September 10.

By favour I was permitted to see the memorial window which has just been put in at the Porangahau Episcopalian Church, now in course of erection. As I understand, it was presented by Mr John D. Canning, of Oakbourne, in memory that gentleman’s late brother, Mr Davis Canning, and as a work of art it does great credit tothe artist, and as much to the selector of the design. It is in the mediaeval style, Gothic, with teinte brilliante of the Rennaissance. The effect, seen when sunlight falls on it, is grand, and the chiaroscuro well defined – in fact the whole would do credit to a large old world cathedral, and is, I believe, not equalled in this colony. It is grand – more cannot be said.
Although the church is by no means finished, yet, as far as the work has gone, it is a great credit to the contractor, Mr Holt, of Napier, and also to his foreman of works, Mr. Wm. Smith, for, though I am no judge of builder’s work, I profess to distinguish between conscientious, well finished, straight forward labor, and work done in a slovenly style – and the former is the case with the church. As far as it is finished the work is solid, and, what is more, the acoustic properties promise to be good. To sum up, the work, when finished, will be, and ought to be, a credit to so small a place as Porangahau.”

 Hawke’s Bay Herald, Vol XXI, Issue 5906, 15th February 1881, page 3.

 “CONSECRATION OF PORANGHAU CHURCH.

 On Friday last the new church at Porangahau was consecrated by the Right Rev. the Bishop of Waiapu. The design of the building is striking. It consists of a nave, chancel, tower with spire, and a commodious vestry. It is seated for 100 persons, but there is space for additional seating accommodation when required. One great feature, internally is a large stained-glass east window, containing three lights and tracery. The subjects are the baptism of our Lord, the Crucifixion, and the Resurection. The draperies about the figures are of the richest quality of antique glass the colors being so arranged as to blend harmoniously, while all crude or harsh coloring is avoided. The background is light grisailler work, so subdued as to make the subjects stand out prominently. On the lower panels, and in the tracery are suitable emblems and monograms. The general effect is exceedingly rich and handsome. Beneath it is a brass plate bearing the following inscription:- “This window is erected by the family, in memory of Davis Canning, gent., who fell in action at Ruatikuri, 8th August, 1868 whilst leading the advanced guard,” The window is from the firm of Ferguson and Urie, Melbourne. The services on Friday were three in number, those in the morning and evening being attended by the European settlers, that in the afternoon by the Porangahau natives. The Bishop preached in the morning, and the Rev. De Berdt Hovel in the evening. The Revs’ S. Williams, J. Shearman, and F.E.T. Simcox (the incumbent of the parish) were also present and took part in the ceremonies. The offertories amounted to £31. The church, which is dedicated to St. Michael, was designed by Mr B. W. Mountfort, of Christchurch, the contractor for the work being Mr Robert Holt, and the builder Mr W. Smith, of this town. The building reflects great credit on all concerned in its arection, [sic] and is by far the prettiest ecclesiastical edifice to be seen in the country districts of Hawke’s Bay. The furniture is exceedingly good of its kind, the silver fount [sic]having been given by Mr. J. Nairn, of Pourerere, and the embroidered chancel mat by Mr C. A. M. Hirtzel. The site upon which the church stands was presented by Mrs T. Crosse, of Mangamari.”

Dominion, NZ, Vol 4, Issue 1031, 21st January 1911, page 16.

“Oakburne,” the residence of Mr. Davis Canning, is one of the prettiest homesteads on the road between Waipukurau and Porangahau. It lies a few miles past Wallingford, and on an eminence which admits of a splendid view of the surrounding country. At the back of the residence is a fine plantation of pine trees, while farther down is a big orchard of six hundred trees, some of which are over forty years old. The name of Canning is inseparably linked with the agricultural and pastoral history of Hawke’s Bay. Mr. John Davis Canning, father of Mr. Davis Canning, was one of the early stock-breeders in the district when there were few such, and it is he who gave a lead in the system of using nothing but the best stock. He was one of the exhibitors at the first agricultural and pastoral show held at Havelock North, and he specialised not only on Short-horn cattle and sheep, but also in horses, pigs, sporting dogs, and fowls. A man of very broad and enlightened views, and with an earnest sympathy, which endeared him to all who had the good fortune of his acquaintance, John Davis Canning is described by contemporaries as one of the finest types of the pioneer settlers who built their homes out in the wilderness. In his early days he was a colleague of the late John Harding, of Mount Vernon, and was employed by that equally strenuous pioneer some time in the fifties. Mr. Canning came to New Zealand in 1851, in the good ship Cornwall, and he took up “Oakburne,” about half a century ago, and held big Native leasehold sections, which aggregated 40,000 acres. He was married in 1868 to a daughter of Mr. McQueen, of Inverness. A bereavement clouded the happy memories of his first years of married life at “Oakburne,” It was in 1867 or 1868 and the Maori troubles were blazing in their insurrectionary outbursts. Davis Canning, who resided at “Oakburne” with his brother, was a young man full of adventure. He was smitten with the fever, and one evening rode away with a captain’s commission, through to Napier and on to Poverty Bay, where he was shot dead with Captain Carr at Ruakaturi. It appears that both he and Captain Carr were the victims of their own rashness, and in these days of militarism and threatened war it is interesting to record in what a simple manner two lives were thrown away.

Mr. John Davis Canning.

It is interesting to record some further particulars of Mr. John Davis Canning. He was born at “Ogbourne,” St Andrew, Marlborough, Wiltshire, England, in the year 1822, and was the son of the late M. Davis Canning. The Cannings of “Ogbourne” and of “Oakbourne,” in Hawke’s Bay, are a branch of an old English family of which Lord Canning, a former Viceroy of India, was a member. Mr. John Davis Canning was educated in his native place. He landed first at Lyttelton, and then came up to Hawke’s Bay, where he afterwards selected the present fine property. He introduced the Cotswold variety of sheep, and spent lavish sums of money on good stock. Amongst his horse importations was the draught stallion Dugdale, said to be the finest of his class. In 1883 Mr. Canning went to England to see his wife, who had been invalided there, but the trip resulted in his death. It is satisfactory to record in the face of this severe bereavement that Mrs. Canning regained her health some eight years later, that she returned to New Zealand, and that she now resides in Napier, in very good health.

Mr. Davis Canning.

Mr. Davis Canning, the present owner of “Oakburne,” was borne there, but was educated at the Marlborough Grammar School and at Clifton College, where formerly, by the way, Mr. James Allan, M.P., received some of his first instruction. Mr. Canning went to Clifton College in 1885, and left in 1891. He was an enthusiastic out-door sportsman, and got his cap both for football and cricket, and still takes a keen interest in those pastimes. After leaving England he resided for a time at Hastings, “Oakburne” having been leased, but when the lease expired he returned to his home, and took up the study of farming and agricultural matters with the same keen interest which was evidenced in such a marked degree by his father…”

Acknowledgements:

My thanks to:

My cousins Janice and Cleeve Ball for following up on the clues in New Zealand and undertaking the long trip to Porangahau to meet the Canning descendants and photograph the window.

To Davis Canning for the email correspondence and additional clues on the Canning family history in the Hawke’s Bay New Zealand.

To Duncan & Mandy Ball in England for the correspondence and photos from Ogbourne, St Andrew’s, Wiltshire.

 

Footnotes:

[1] Hawke’s Bay Herald, Vol XXI, Issue 5133, Monday 22nd July 1878, page 2.

[2] Hawkes Bay Herald, Vol XXI, Issue 5792, 13th September 1880, page 3.

[3] Hawke’s Bay Herald, Vol XXI, Issue 5906, 15th February 1881, page 3.

[4] Hawke’s Bay Today, NZ, On-line edition, Saturday 24th December 2011.

[5] Lyttelton Times, NZ, Vol 1, Issue 49, 13th December 1851, page 5.

[6] Hawke’s Bay Herald, NZ, 27th Jul 1863, page 1.

[7] Hawke’s Bay Herald, NZ, Vol 7, Issue 494, 28th May 1864, page 4.

[8] Nelson Evening Mail, Volume III, Issue 27, 1 Feb 1868, page 2.

[9] Evening Post, NZ, Vol IV, Issue 175, 5th September 1868, page 2.

[10] Daily Telegraph, Issue 3009, 16th February 1881, page 3.

[11] Hawke’s Bay Herald, Vol XXI, Issue 5933, 29th March 1881, page 1.

[12] Daily Telegraph, Issue 3219, 24th October 1881, page 2.

[13] Daily Telegraph, Issue 3804, 20th September 1883, page 2.

[14] Hawke’s Bay Herald, Vol XXI, Issue 6662, 25th September 1883, page 2.

[15] Matatoa: Fathers & Sons, Hilary Pederson, Te Hanganui Partnership 2011.

[16] Dominion, NZ, Vol 4, Issue 1031, 21st January 1911, page 16.

[17] NZ BDM record 1920/5550.

[18] Date of birth 11th July 1829: From Canning family bible. (detail from descendant Davis Canning , via email Janice Ball 26 Feb 2014)

[19] Dominion, NZ, Vol 4, Issue 1031, 21st January 1911, page 16.

[20] Hawke’s Bay Herald, Vol 12, Issue 969, 15 August 1868, page 3.

[21] The New Zealand Wars: A History of the Maori Campaigns and the pioneering Period: VoL II: The Hauhau wars, (1864-72), Chapter 25.

[22] Hawke’s Bay Herald, Vol XXI, Issue 5133, Monday 22nd July 1878, page 2.

[23] Hawke’s Bay Herald, Vol XXI, Issue 8192, 30th September 1878, page 2.

[24] http://www.mch.govt.nz/nz-identity-heritage/national-monuments-war-graves/list-historic-graves-and-monuments

[25] http://www.mch.govt.nz/nz-identity-heritage/national-monuments-war-graves/list-historic-graves-and-monuments


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1874: St John’s Anglican Church, Ballan, Victoria.

The foundation stone of St John’s Anglican Church in Ballan was laid by Juliet Vivian Lyon (nee Anderson) in 1861. Thirteen years after that historical event Juliet died and in late 1874 a stained glass window was erected in her memory in  the chancel of St John’s. The window was made by the Colonial stained glass craftsmen Ferguson & Urie of North Melbourne.

Photos taken 10th April 2011.

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Juliet was born at Norfolk Island on the 10th Feb 1839, the daughter of the decorated army officer Joseph Anderson (1790-1877) and Mary Campbell. Her father Joseph was was stationed as commandant of the Norfolk Island Penal Colony from March 1834 to February 1839. One of his first duties on Norfolk Island was to dispense the punishment for the Norfolk Island Prisoner revolt in 1834 in which thirteen of the twenty-nine convicted prisoners were executed.

Juliet married pastoralist Charles Hugh Lyon (1826-1905)[1] at St Paul’s church in Melbourne on the 30th December 1859[2] . They settled at Hughe’s ‘Ballanee’ estate at Ballan where they had five known children; Clara, Lily Mary, Violet Mary, Vivian Hugh and Charles Gordon.

In 1861 Juliet had the honour of laying the foundation stone of St John’s Anglican Church in Ballan. Very little information is known of this event other than Juliet had laid its foundation stone as mentioned on her memorial stained glass window, and the obscure mention that on the 29th January 1862 the Church was reported as being near completion[3].

Juliet died at her father’s residence ‘Fairlie-house’ in South Yarra on the 16th of March 1874, aged 35[4]. She was buried with her parents, Joseph and Mary Anderson, in the St Kilda cemetery on the 17th March 1874 and her husband Hugh was also buried them in 1905.

The Ferguson & Urie stained glass window was erected to her memory in St John’s, thirteen years after she had laid its foundation stone.

The two-light stained glass window depicts ‘Faith & Hope’;

The left lancet depicts an angel at the top carrying a banner with the words ‘HALLELUJIA’. Below is the depiction of Faith carrying a cross with her right hand held towards heaven. The text below the figure is ‘HAVE FAITH IN GOD’ and below this is another angel carrying a banner with the text; ‘BLESSED ARE THE DEAD’

The right lancet depicts an angel at the top carrying a banner with the words ‘PRAISE THE LORD’. Below is the depiction of Hope with the ships anchor and below this is another angel carrying a banner with the text; ‘WHICH DIE IN THE LORD’

Across the base of both windows is the memorial text:

‘IN MEMORY OF JULIET VIVIAN LYON WHO LAID THE FOUNDATION STONE OF THIS CHURCH IN 1861.’

The Australian News for Home Readers, Vic, Saturday 18th March 1865, page 7.

BALLAN St John's 98c

“EPISCOPAL CHAPEL AT BALLAN,

The neat little building, shown in the engraving, is the newly erected Episcopal Chapel, at Ballan, a distance of about sixty miles from Melbourne. The building has been raised solely by the exertions of the congregation, and is a pleasing instance of the progress of Christianity in the provincial districts of Victoria. The chapel belongs to the Gothic order of architecture, and is commodious enough to meet the requirements of the Episcopalians of Ballan. The nave is 57 feet by 25 feet in extent, and chancel 10 feet 3 inches by 21 feet.”

Juliets’ husband Charles died at ‘Ballanee’ estate at Ballan on the 13th February 1905 aged 79[5].

In the historical engraving depicting St John’s from 1865 it shows  a ‘Pugin’ type bell-cote at the west end and a small side building at the east end which is presumably a vestry. Neither of these exist to this day.

The left lancet of the Ferguson & Urie window which depicts ‘Faith’ is taken from a famous oil painting by Sir Joshua Reynolds (1723-1792) and replicated in a stained glass window by Thomas Jervaise at Holy Trinity, Fareham, Hampshire, England. There are three other known instances of this depiction of ‘Faith’ in Ferguson & Urie windows which are located at All Saints, South Hobart; Christ Church, Hawthorne; St Mark’s, Remuera, New Zealand.

In 1883 another Ferguson & Urie window was erected in St John’s to the memory of Rebecca Mary O’Cock. See: 10-03-1883: St John’s Church, Ballan, Victoria.

Location: Simpson Street Ballan

Footnotes:

1884: St Mary’s Anglican Church, Sunbury, Victoria.

In the west wall above the entrance to St Mary’s Anglican Church in Sunbury, is a two light stained glass window erected to the memory of politician and 9th Premier of Victoria, James Goodall Francis. The windows depict the Old Testament characters Moses and St James Major and has the memorial text at the base:

“TO THE GLORY OF GOD AND IN MEMORY OF JAMES GOODALL FRANCIS DIED 1884”

The Church of England Messenger and Ecclesiastical Gazette for the Diocese of Melbourne and Ballarat, Vic, Thursday 5th February 1885, page 3.

“THE pretty little church of St. Mary’s, Sunbury, has recently been enriched by a memorial window, and a brass eagle, to the memory of the late Hon. J. G. Francis. The window is the gift of the parishioners, and is the work of Messrs. Ferguson and Urie, and has been pronounced by competent judges to be a most creditable specimen of the stainer’s art. It is composed of two lights, each containing three-quarter figures of Moses and St. James Major. Mr. Francis’ Christian name suggested the latter, and that of Moses is obviously significant of the upright and fearless politician. The lectern is from the celebrated firm of Jones and Willis, and is of solid brass. The modelling of the eagle is extremely natural. The pedestal bears the inscription – “To the glory of God, and in memory of James Goodall Francis, who died 23rd January, 1884. Presented to St. Mary’s Church by his widow.” It is simple and handsome, and has been greatly admired by the many visitors to Sunbury during the Christmas season. A correspondent writes to us- “our departed friend is missed more and more. His ready counsel, his large heart, and open purse made him both useful and popular. He was always accessible to “all sorts and conditions of men.” He was most regular in his attendance at divine service. He gave the local clergyman a generous and unfailing support. In the parish and in the vestry he was to the fore in every good work.

            …take him for all in all,

            (We) shall not look upon his like again.”

Photos taken 6th February 2011.

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James Goodall Francis (1835-1884)

James Goodall Francis was born in London in 1819 and emigrated to Van Diemen’s Land (Tasmania) at age 15 circa 1835. He became a partner in a Campbell Town store and later joined the mercantile firm of Boys & Pointer in Hobart which he later brought and continued in partnership with Duncan Macpherson.

In 1847 he suffered an extensive head injury at the hands of a burglar named Peter Kenny[1] who was convicted and hung[2] for the offence in the same year. The injury caused Francis to suffer intermittently for the rest of his life. Three years after the hanging of Kenny it was found that he was wrongly convicted and executed after another man had confessed to the crime on his death bed[3].

In 1853 Francis moved to Melbourne and in 1855 was elected a director of the Bank of New South Wales. In 1856 he was elected as vice-president of the Chamber of Commerce and president in 1857. He also maintained financial interests in the Australian Sugar Company and Tasmanian Insurance Company.

In 1859 he was elected to the Legislative Assembly and continued an extensive political and business career. On three occasions he was considered for a Knighthood but consistently declined the honour[4].

His private interests as a vintner allowed him to establish a vineyard at Sunbury in 1863 where he no doubt became close friends with Sir William Clarke of “Rupertswood”.

In 1872 he was elected the 9th Premier of Victoria and held that position until 1874 when ill health, attributed to his assault in 1847, forced his retirement[5].

James Goodall Francis died at his home “Warringa” at Queenscliff on the 25th of January 1884 aged 65[6] and was buried in the Melbourne General Cemetery. He was survived by his wife Mary Grant (nee Ogilvie 1824-1887)[7] and fifteen children and he left a sizeable estate valued at over £178,000[8].

His significant pink granite memorial at the Melbourne General reads:

“Sacred to the Memory of James Goodall Francis born 9th January 1819, died 25th January 1884.
Also his wife, Mary Grant Francis born 6th June 1824, died 18th May 1887.
What doth the Lord require of thee but to do justly and to love mercy and to walk humbly with thy God? Micah 6:8″

The memorial stained glass window was erected in the liturgical west wall above the entrance to St Mary’s Anglican Church at Sunbury. The same church also has another Ferguson & Urie stained glass erected as the principal east window behind the chancel to the memory of Sir William Clarke’s daughter Agnes Petrea Josephine Clarke who died as an infant in early 1879.

Colonial Times, Hobart, TAS, Friday 5th March 1847, page 3.

“Peter Kenny was capitally charged with a burglary in the house of Mr. James Goodall Francis, on the night of the 11th Feb., and with cutting and wounding Mr. Francis on the left side of the head…”

Launceston Examiner, TAS, Wednesday 24th March 1847, page 4.

HOBART TOWN.- Peter Kenny, convicted of the burglary and desperate attempt at murder in the house of Mr. James Goodall Francis, in this city, and William Bennett, convicted of Murdering a fellow prisoner at Port Arthur, have suffered the extreme penalty of the law…”

The Cornwall Chronicle, Launceston, TAS, Monday 26th June 1876, page 2.

“… We well recollect one poor fellow of the name of Peter Kenny, who was hung in 1847, on the evidence of the now Hon. J. G. Francis, of Melbourne, as the man who had committed a burglary in his house and assaulted him. Yet, some three years afterwards, a man very like the poor Peter died in the hospital, and before his death, confessed that he was the man who committed the burglary for which Peter Kenny was hung…”

The Argus, Melbourne, Vic, Saturday 26th January 1884, page 1.

“FRANCIS.- On the 25th inst., at Warringa, Queenscliff, James Goodall Francis, aged 65.”

The Argus, Melbourne, Vic, Saturday 26th January 1884, page 5.

“DEATH OF MR J. G. FRANCIS

It is our painful duty to announce the death of the Hon. J. G. Francis, M.L.A., which occurred yesterday at Queenscliff, at half past 6 o’clock p.m. The event was not unexpected. Mr. Francis had been gradually failing for weeks, if not months past. He had a very trying illness in March and April. His physical sufferings passed away with the surgical operations he had then to undergo, but his system, which had been strained more than once by illness, received a shock which deprived him of much of his former mental power, and nearly all his physical activity. His wife and family were henceforth always with him, and their presence could rarely be dispensed with. About six weeks ago, by the advice of Mr. Fitzgerald, one of his regular medical attendants, Mr. Francis removed from East Melbourne to Queenscliff. His case, before then, was known by Mr. Fitzgerald to be hopeless, but it was not considered necessary to acquaint the family with the fact. On Wednesday, Mr Fitzgerald was summoned to Queenscliff. He found Mr. Francis paralysed all down the left side, and insensible, Mr. Fitzgerald, before returning to town on Thursday, told Mrs. Francis that all would be over in a few hours, but his patient lingered until the third day. The news of Mr. Francis’s death reached Melbourne between 7 and 8 o’clock yesterday evening. Its immediate cause was the paralytic seizure and disease of the vessels of the brain, as well as nervous prostration from previous overwork. Mr Francis suffered for years from abscesses and other internal complaints. These ailments were cured each time they appeared, but their tendency was to leave the nervous system weaker than before. Arrangements have been made for conveying the body of the deceased gentleman to Melbourne by special train this evening. It is the wish of the family that the funeral, the time for which has not been fixed, should be strictly private…”

The Argus, Melbourne, Vic, Monday 28th January 1884, page 5.

“The remains of the late Mr. James Goodall Francis were brought from Queenscliff to Melbourne by special train on Saturday evening, and afterwards conveyed to Albert-street, East Melbourne, where the deceased for many years resided. Yesterday afternoon the funeral took place, and, in accordance with the wishes of the family, it was made as private as possible. Had a public ceremony been consented to, the remains of the late statesman would have been followed to the grave by thousands of his fellow citizens. It was, no doubt, more agreeable to the family and the mourning friends of the deceased that there should be an absence of display and popular feeling. Although no public notice was given, a considerable number of gentlemen attended the funeral, and Albert-street, in the neighbourhood of the house, was crowded with spectators. A body of mounted and foot police, under the command of Inspector Pewtreas, took charge of the approaches to the house and regulated the street traffic. They were sent by the authorities more as a mark of respect to the memory of Mr. Francis – a former Premier of Victoria – than for the purpose of preserving order, which was maintained almost without their help. The procession left Albert-street at about half-past 3 o’clock, and its line of march was along Victoria-street and Madeline-street to the cemetery gates. It was about a quarter of a mile in Length, and consisted mainly of private carriages. The burial service at the grave was conducted by the Rev. H. H. P. Handfield, of St. Peter’s Church, East Melbourne, assisted by the Rev. T. H. Goodwin, the cemetery chaplain. His Honour Mr. Justice Higinbotham; Sir William J. Clarke, M.L.C.; the Hon. James Stewart Johnston; the Hon Walter Madden, M.L.A.; the Hon David Moore, Mr. Herbert J. Henty, Mr. William H. Miller, of the Bank of Victoria, and Dr. Shields, were the gentlemen requested to act as pall-bearers. Amongst others present were the Hon. Duncan Gillies, Minister of Railways; the Hon. Alfred Deakin, Minister of Public Works; the Hon. Charles Young’ Sir Charles MacMahon, a former Speaker of the Legislative Assembly; the Hon. H. J. Wrixon; Mr. Zox, M.L.A; Mr. F. T. Derham, M.L.A.; Mr. Charles Smith, mayor of Melbourne and M.L.A. for Richmond (the first constituency represented by Mr. Francis in the Legislative Assembly); Mr. E. G. Fitzgibbon, town clerk; Dr. Youl, Mr. Alfred Wyatt, P.M.; Councillor Wilks, Mr. James England, and Mr. J. G. Burtt. The Premier, Mr. Service, who left for Sorrento on Friday, could not attend, but sent his carriage, which was occupied by Mr. Thomas, secretary to the Premier. Mr. Berry, the Chief Secretary, was also absent from town, having gone to Geelong, and Mr. Kerferd, the Attorney-General, was not sufficiently well to be present. The Bank of New South Wales, of which Mr. Francis was a director, and the Victorian Sugar Company, with which he was long connected, were both represented in the group of gentlemen who collected round the grave while the service for the dead was read. The body, enclosed in an oak coffin, covered with wreaths of flowers, was deposited in the family vault.

When the funeral procession, following the remains of the late Mr. J. G. Francis, entered the general Cemetery yesterday, the paths were overrun by a miscellaneous crowd of persons – chiefly boys and girls – whose curiosity to see what was about to be done caused pain and annoyance to gentlemen who, in mournful silence, were endeavouring to pay due respect to the memory of the dead. The line of march was broken at almost every step by the thoughtless intruders, who thrust themselves into front places, or pressed in from the edge of the path. On the hearse being stopped it was surrounded, and the staff of attendants provided by Mr. Daley, who conducted the funeral arrangements, were hampered by the uninvited crowd, whilst the pall-bearers would with difficulty get to their places. There was further crowding round the grave. What rendered the intrusion of strangers the more conspicuous was the fact most of the girls were dressed in glaring colours, in vexing contrast with the black costumes of the mourners. If the board of trustees who have the management of the cemetery, or some other body, could provide attendants, when necessary, to make it easy for the public to observe the ordinary rules of decorum, they would earn the gratitude of all who have occasion to follow friends or relatives to their last resting-place. The special body of police present yesterday had quite enough to do to control the traffic at the gates. Within the grounds there appeared to be no means of keeping line along the main walk.”

Related posts:

1880: St Mary’s Anglican Church, Sunbury, Victoria.  (The east triple light window to the memory of Agnes Petrea Josephine Clarke)

Footnotes:

1872: St John’s Anglican Church, Raymond Terrace, New South Wales.

In late November 1872 a magnificent three-light stained-glass window was unveiled in St John’s Anglican Church at Raymond Terrace in New South Wales.

“…It is due to the firm of Messrs Furgusson [sic], Urie, and Lyon, of Melbourne, to say that the window is regarded as a beautiful specimen of Australian art, which will favourably compare with works of a similar character executed in England…” [1].

The window was crafted by the North Melbourne stained-glass firm ‘Ferguson, Urie, and Lyon’ for £80 and was erected in the chancel in memory of the district pioneer and geologist William Keene.

Photos were taken October 2013 and have been kindly contributed by Michaela Sorensen. The historic photo of the chancel and window was taken by the Rector of St John’s, the Rev Norman Alfred Pullin (1913-1983), during his incumbency of St John’s circa 1949-52 [2].

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St John’s Anglican Church is located at Raymond Terrace, 167km North of Sydney and 26km North of Newcastle in New South Wales.

The church was built on land formerly owned by the Cafferay[3] family and was constructed of locally quarried stone to the designs of architect Edmund Blacket for £1500. It was consecrated by the Bishop of Newcastle, William Tyrell, on Thursday the 25th September 1862[4] and the first incumbent was the Rev John Roe Blomfield.

After the death of William Keene in 1872 it was resolved that a memorial stained-glass window should be erected to his memory in St John’s. One of the lead organisers of the creation of the window was Henry Bayes Cotton (1820-1906)[5], a well-known and respected manager of the National Bank of New South Wales at nearby Newcastle.

The craftsmanship of the window was entrusted to the Ferguson, Urie and Lyon[6] Stained-glass Company of North Melbourne in Victoria. The biblical theme represented in the window being, in the centre light, the Nativity, Crucifixion and the Resurrection. The flanking side lights had the inscription beneath each figure being, ‘Teach the Ignorant,’ and ‘Help the Helpless.’

The window was erected in the chancel of St John’s and was unveiled in late November 1872. The ‘Maitland Mercury’ of the 3rd December 1872 provided a detailed description of the historic window;

“…Commencing at the foot of the light, there is the scene of our Saviour’s birth. In the centre of the light is represented the Crucifixion, and this is again surmounted by the Resurrection. These subjects are all taken from the old masters, and are beautifully executed. The intermediate spaces are occupied with chaste and varied medallions, and the sacred monograms, I.H.S. In the right side light there is an admirably designed and well finished group, representing a venerable teacher engaged in instructing those around him; the countenances of this group are peculiarly pleasing. In the left side light is likewise a corresponding group, consisting of a benevolent person, and a female figure of benign aspect, engaged in receiving orphan children…”
“…The inscription at the base of the memorial is, “To the Glory of God, and in memory of William Keene, 1872”
[7]

Just over a century later the chancel of St John’s had to be demolished and the window, now more than a century old, was considered to be in a fragile condition and was subsequently removed and stored in the rectory of St John’s. The repairs to the sanctuary and extensions to the chapel and vestry were completed in 1975 [8] and, later, at the instigation of William Keene’s great granddaughter, Annette Keene Holloway, funds were raised from family members and parishioners of St John’s to repair and re-erect the windows. Because there was no longer a position in the chancel for the windows to be re-erected in their original configuration, they were refashioned into five single lights and re-installed along the south wall of the nave.

“A stained glass window depicting the nativity, Life and Crucifiction [sic] was erected in St. John’s Church in memory of Great Grandfather William Keene. Later I heard it had been removed and the opening cemented up. I wrote to the Rev. Sores and he replied that the window had been in bad repair and in danger of being broken. Raymond Terrace was a poor parish without the money to restore the damage so the windows were stored in the Rectory. I wrote to my cousins who sent money. Other parishioners did too and the windows were re-installed on the side wall of the church where they can still be admired as a link with early colonial days.”[9]

Mr Don Denham, Parish Secretary of St Johns, Raymond Terrace, provides further insight as to the time line of the historical windows:

“In the late 1960’s the original sanctuary/ chancel of the church was demolished and in the 1970’s a new sanctuary/ chancel and side chapel were constructed of modern design. In the new construction there was no east window to house the windows and so they were placed in the five small lancet windows of the southern side of the nave”.

“… the complete east window fitted perfectly into the nave windows and the completed affect is quite pleasing…”

“…The windows have been recently restored and we are planning the rededication service for 20 October this year”.[10]

The most recent conservation work on the windows was carried out in 2011 by Ron Jensen, of Heritage Stained Glass at New Lambton in New South Wales. Only two of the five windows required attention, being the one at the south west corner titled “Teach the ignorant” and the centre window of the five titled “Death” which depicts the Crucifixion.

The five individual windows, from left to right along the south wall are;

“Help the Helpless”, “Birth” (Nativity), “Death” (Crucifixion), “Resurrection” and “Teach the Ignorant.”

Each of the reconstructed windows retains the original 1872 Ferguson & Urie figurative stained glass work depicting the five biblical scenes. Each scene has two of the original decorative quatrefoils below it. These quatrefoils are of varying colours with gothic floral designs of yellow and white flowers in the centre, surrounded by a stylized depiction of the passion flower with the stamen in each of the four lobes.

The background quarries of glass surrounding the figurative scenes and quatrefoils are no-longer original and are now of varying sized rectangular and diamond shapes in soft pastel colours. The monogram described as containing the letters “I.H.S” originally appeared between the nativity and Crucifixion scenes in the centre light of the window but this no longer exists. The memorial inscription at the base of the window now has the year ‘1872’ in the far left light which in its original configuration appeared immediately after William Keene’s name (To the Glory of God, and in memory of William Keene, 1872”).

There are many cases of our historic stained-glass artefacts that no longer exist after more than a century and a half. Some of the historic churches have met their demise by fire, demolition, or have been sold to private enterprise over the last 150 years and in many cases their original artefacts and stained-glass windows have been lost. St John’s church at Raymond Terrace represents a rare example of the dedication of the parishioners and Keene family descendants to save the historic windows so they still have a reminder of their pioneer heritage.

In September 2012 St John’s celebrated its 150 year anniversary and the re-dedication of the Keene memorial stained-glass windows will occur at St John’s on the 20th October 2013.

William Keene (1798 – 1872)

William Keene was born at Bath, in Somersetshire, England, c.1798. His English ancestry associates him with ‘The Bath Journal’ of London, founded in 1742. The tabloid was later known as ‘Keene’s Bath Journal’ circa 1822 which remained in the Keene family until c.1916 before being absorbed by the ‘Bath Herald’.

William Keene initially trained in the medical profession but his interests in geology were his passion and he changed his career to become a geologist and mining and civil engineer. Circa 1822 he left for France where he gained a prestigious appointment with the French government;

“…in connection with some salt mines in the Pyrenees. His services, highly esteemed by that government, brought him an order and a pecuniary grant…[11]

Keene later became a ‘Fellow of the Geological Society’ in London[12] which entitled him to the prestigious post nominal of ‘F.G.S’. On the 13th August 1822 William was married to Sarah Charles Evans (1804-1867) at the British Embassy Chapel in Paris[13] by the Chaplain Edward Forster. The Keene’s had a long association with France where many of their children were born. During their time in France William gained a passion for the French style of wine making which would become an interest for the rest of his life. At the beginning of the French Revolution in 1848 they returned to England[14].

Circa 1852 William migrated to Australia with his family and on the 12th December 1854 he was appointed as Government Examiner of Coal Fields in New South Wales[15] and in 1856 promoted to Government Geologist[16]. His geological interests allowed him to amass a significant collection of mineral specimens and fossils which he displayed in 1858[17] and in August 1859 the collection was on public display at the military barracks in Newcastle[18].

In 1861 William Keene’s extraordinary collection of geological specimens was singled out for particular attention at the Sydney Industrial and Art Exhibition;

“To the collection of Mr. W. Keene, Government examiner of coal fields and mines, it is desirable to invite particular attention. It is on the north side of the upper gallery, and consists of some valuable specimens from our gold, copper, lead, iron, and coal fields, and some remarkable fossils, the whole having been collected by himself, and chiefly in the counties of Hunter and Argyle…”[19]

Over a twenty year period William Keene wrote several papers on the subject of fossils and authored a significant number of Government reports on Colonial mineral wealth and mining.

William Keene was a staunch supporter of the Church of England and in his position as the first acting Registrar of St John’s he read the petition for the consecration of the church, which he had the honour to perform shortly after 11am on Thursday the 25th September 1862[20].

William Keene was a member of the Newcastle Church Diocese, Local School Board, and Founder and Treasurer of the Clergy Widows and Orphan’s Fund[21]. He was elected President of the Newcastle School of Arts in 1869[22] and he laid the foundation stone of that school on the 8th April 1870[23].

Aside from his geological interests he was renowned in the Hunter River area as a viticulturist and vintner, who passionately advocated the French style of vine-growing in the district. He was also an active member of the Hunter River Vineyard Association, of which he was president in 1865-66[24], and also a member of the Agricultural Association[25]. His experience in this field often saw him called upon to act as a wine-judge at the regional exhibitions[26].

William Keene died at his home, ‘Kingsmead House’, in Raymond Terrace on the 2nd February 1872[27] and was buried in the Raymond Terrace Cemetery. His wife Sarah predeceased him on the 2nd of July 1867[28].

Henry Bayes Cotton (1820-1906)

Henry Bayes Cotton is recognised as one of the principal promoters in having the Keen memorial window erected in St John’s in 1872.

“…It cannot fail to give great pleasure to H. B. Cotton, Esq., of Newcastle, who has taken a large amount of trouble and interest in accomplishing the work; and the friends of the deceased must be greatly gratified and comforted when they gaze upon this tribute of respect and affection to their departed relative…”[29]

Henry Bayes Cotton arrived in the Colony circa 1839 and was appointed as the first manager of the Bank of New South Wales at Geelong circa 1854 and in 1863-64, appointed as first manager of the Newcastle branch[30] in New South Wales where he remained until his retirement in early 1888.[31] Although retired he maintained an interest in financial affairs and in 1893 he was appointed a director of the New South Wales ‘de Piété Deposit and Investment Company.’[32]

Like William Keene, he was a staunch supporter of the Church of England and was also for many years a lay reader and active member of the Synod[33].

The association or friendship between Keene and Cotton is not specifically known but it is reasonable to assume that they knew each other well as Cotton was also involved in the establishment of the Newcastle School of Arts[34] with William Keene, who had laid the foundation stone of that school in 1862 and both were parishioners of St John’s at Raymond Terrace with Cotton actively involved in the choir of St. John’s.

Henry Bayes Cotton left Newcastle and retired to the Sydney suburb of Hunters Hill where he died aged 86 at his residence ‘Fig Tree’ on the 15th January 1906[35]. His wife Rachel predeceased him, 18th April 1903, aged 78[36].

The Maitland Mercury & Hunter River Advertiser, NSW, Tuesday 3rd December 1872, page 3.

“MEMORIAL STAINED GLASS WINDOW IN ST. JOHN’S CHURCH, RAYMOND TERRACE, TO THE LATE WILLIAM KEENE, ESQ.- This window was placed in St. John’s Church, Raymond Terrace, Raymond Terrace, last week, and as it is the admiration of all who have viewed it, a short description may be interesting to your readers, whilst it is due to those kind friends who contributed towards the window. It may be as well to state in the first place, that the Church of St. John is a Gothic edifice, pleasantly situated on a spot which affords a view of the Hunter River and of the rich alluvial farms spreading for miles on the opposite side; the churchyard is neatly kept, having been tastefully laid out and planted with choice evergreen trees about six years ago. The east window of the church consists of three lancet lights; the central light is eleven feet high, being admirably adapted for the style and subjects which have been chosen. Commencing at the foot of the light, there is the scene of our Saviour’s birth. In the centre of the light is represented the Crucifixion, and this is again surmounted by the Resurrection. These subjects are all taken from the old masters, and are beautifully executed. The intermediate spaces are occupied with chaste and varied medallions, and the sacred monograms, I.H.S. In the right side light there is an admirably designed and well finished group, representing a venerable teacher engaged in instructing those around him; the countenances of this group are peculiarly pleasing. In the left side light is likewise a corresponding group, consisting of a benevolent person, and a female figure of benign aspect, engaged in receiving orphan children. It is scarcely necessary to say that these subjects are intended to perpetuate the memory of the offices which the deceased gentleman so long and faithfully filled in the Church of the Diocese, as a member of the Local School Board, and Founder and Treasurer of the Clergy Widows’ and Orphans’ Fund. The inscription under these subjects respectively is, ‘Teach the Ignorant,’ ‘Help the Helpless.’ The window adds much to the beauty of the chancel and the church generally. It cannot fail to give great pleasure to H. B. Cotton, Esq., of Newcastle, who has taken a large amount of trouble and interest in accomplishing the work; and the friends of the deceased must be greatly gratified and comforted when they gaze upon this tribute of respect and affection to their departed relative. It is due to the firm of Messrs Furgusson [sic], Urie, and Lyon, of Melbourne, to say that the window is regarded as a beautiful specimen of Australian art, which will favourably compare with works of a similar character executed in England. The cost of the window, with transmission and erection, has been £80. The inscription at the base of the memorial is, “To the Glory of God, and in memory of William Keene, 1872,” –Newcastle Pilot, Nov. 30.”

A comprehensive eleven page document of all the significant historical newspaper transcriptions can be viewed here Raymond_Terrace_St John’s_Transcriptions This document is well worth reading as it gives a more in depth perspective to the history and has much more detail than I have attempted to sumarise in the above article.

Acknowledgements:

Thanks to Don Denham, Jock Keene and Carolyn Wulff, for their much appreciated correspondence and contributions to this article and to Michaela Sorensen for the current photos of the stained glass windows.

Foot notes:

[2] Historic photograph contributed with thanks to Rev Pullin’s daughter, Carolyn Wulff (email 28th Sept 2013)

[6] Stained Glass artist John Lamb Lyon (1835-1916) was and employee of the firm from 1862 and a partner from 1866 to 1873.

[8] newcastleanglican.org, Mission Statement, St John’s, Raymond Terrace, parish profile, page 3. (accessed 18 Sept 2013).

[9] Holloway, Annette Keene, “The Keene family of Raymond Terrace”, Raymond Terrace and District Historical Bulletin, Vol. 5, No. 3, June, 1982, p. 119-122.

[10] Mr Don Denham, Parish Secretary, St John’s Raymond Terrace NSW, email 16th Sept 2013.

[13] Marriages Solemnized in the house of his Excellency, the British Ambassador (Lord Sir Charles Stuart) at the Court of France in the year 1822.

[14] Australian Dictionary of Biography, http://adb.anu.edu.au/biography/keene-william-3931/text6183, accessed 17 September 2013.

[17] David F. Branagan, Geology and Coal Mining in the Hunter Valley, 1791-1861 (Newcastle 1972), p. 72.

[24] Australian Dictionary of Biography, http://adb.anu.edu.au/biography/keene-william-3931/text6183,, accessed 17 September 2013.

1869: Christ the King Anglican Cathedral, Ballarat, Victoria.

The Chancel of the Ballarat Anglican Cathedral contains an historic three light stained glass window created by the Ferguson & Urie stained glass company of North Melbourne. The window depicts the Nativity, Crucifixion and Resurrection and was erected in the later half of October 1869.

Photos taken between: 19th Sept 2010 and 28th Sept 2013.

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Construction of the first Anglican Church in Ballarat, known as Christ Church, commenced in 1854 in Lydiard Street, a year before Ballarat was proclaimed a Municipality and in the same year as the infamous Eureka Rebellion. The first stage of the church was completed by contractors Backhouse[1] and Reynolds in 1857 at a cost of more than £2000.[2]

In a mere ten years the congregation had outgrown the church and the plans were to enlarge it by the addition of transepts. On the 20th August 1867 the building committee of Christ Church accepted the tender of Mr Jonathon Coulson for the construction of the north and south transepts for £1655 to the plans prepared by architect Edward James.[3] The construction of these extensions began a month later.[4]

As part of the extensions and the beautification of the church was the idea of placing a locally made stained glass window in the chancel and on the 19th October 1867 it was reported;

We are informed that the stained window for the chancel at Christ Church is to be the gift of Mr. E. A. Wynne[5]. Messrs Urie and Ferguson, of Melbourne, will most likely supply the glass. The subject for the window has not yet, however, been determined on.”[6]

Edward Agar Wynne (1823-1898).

Edward Agar Wynne, was a mining pioneer in the Ballarat region. He was Chairman of Directors of the Scottish and Cornish Gold Mining Company[7], a founder and director of the Ballarat Gas Company (established in 1858), and one of the first shareholders in the Black Hill mine, of which he still held 1200 shares in at the time of his death[8]. He took a leading role in the laying out of Ballarat’s botanic gardens as well as being a member of the Acclimatisation Society[9].

He married Sarah Maria Palmer in London in c.1849 and migrated to Australia with his family c.1851-54.

In the mid 1870’s he had decided to leave Ballarat and move to the Melbourne suburb of Balaclava and his substantial home on the shores of Lake Wendouree was subsequently purchased by the ‘Loreto Sisters’ for use as part of their newly formed Convent in 1875[10].

His wife Sarah died on the 15th February 1882 at their home ‘View Hill,’ Balaclava[11], and in 1884, at the age of 60, he married 26 year old Rebecca Israel Samuel[12].

Edward died at his home ‘Montacute,’ Grey Street St Kilda, on the 9th December 1898 aged 75[13]. He was buried at the St Kilda Cemetery with his first wife Sarah and two of their children[14]. One of his sons from his first marriage, Agar Wynne (1850-1934), became a prominent Victorian politician.

Edward would not end up being the benefactor of the window and the enthusiasm for its creation lost momentum. It would be a further two years before the window would actually be created and more than a year after the 1867-68 extensions of Christ Church were completed.

By April 1868 the extensions to Christ Church were nearing completion and the local tabloid, ‘The Ballarat Star’ reported;

“The alterations at Christ Church are now nearly finished. Both transepts have been erected, and the northern one has been occupied already. The south one requires some completing touches, and the chancel is also unfinished, the window not yet being glazed. We believe the organ is to be erected in the southern transept. It seems a pity the chancel could not have been deepened and widened, so as to have made it serve as for a cathedral choir, and thus have provided room there for the singers, instead of taking space for the choir out of the too small area of the church, even with its transepts added.” [15]

The 6th of May 1868 heralded the re-opening of Christ Church and a series of celebrations were organised for the dedication of the new transepts and chancel. The services were conducted by Archdeacon Stretch[16] at the morning services and the Rev Handfield [17] at the afternoon services. The decorations in the church at this point indicated that the chancel window was still in an un-glazed state.

“The opening of Christ Church is to be celebrated this day, as the first of a series of days appropriated to the solemnities in question. Our advertising columns contain particulars as to the services, from which it will be seen that the venerable Archdeacon Stretch will officiate at the dedication of the transepts and chancel this morning, and that the Rev. H. H. P. Handfield will officiate in the afternoon. Full choral services will be sung on both occasions, and we may state apropos to this matter, that, the organ has been re-erected, and is now located in the southern transept. The church has been decorated with evergreens, wreaths depending about the transept arches and the chancel, and boughs screening the unglazed chancel window.”[18]

It wasn’t until November 1869 that the creation of a stained glass window for the chancel came to fruition, but where it had been reported earlier in 1867 that the donor of the window was to be Edward Agar Wynne, it was now reported that the benefactor was William Henry Barnard, who had made the gift of the window at a cost in the vicinity of £200.

On the 30th of October 1869 ‘The Ballarat Star’, gave an in-depth description of the window. Where it had been intimated earlier in 1867 that the Ferguson & Urie stained glass company were likely to supply the window, it was eventually created by them and depicts the Nativity, Crucifixion and Resurrection;

“A very beautiful stained glass window has this week been erected in the east or chancel end of Christ Church. Mr. W. H. Barnard has made a gift of the window to the church, and the munificent donation is a rich and very appropriate adornment of the sacred edifice. The design includes the three leading events in our Lord’s life, the middle compartment figuring the crucifixion, the two sides the nativity and resurrection respectively, each grouping, and especially that of the nativity, displaying fair accuracy in drawing, and a glorious wealth of colour. At the bottom is a half length figure of Christ giving thanks, and at the top is a dove, the symbol of the Holy Spirit. The subsidiary details, such as borderings, geometrical figures, and florials are in excellent keeping. Messrs Urie and Ferguson, of Melbourne, supplied and erected the window at a cost of some £200, and we have heard an opinion freely expressed, that though there may be larger there are no better windows than this one anywhere in the colony.”[19]

A week later it was further reported;

“A very beautiful stained glass window has been erected in the east or chancel end of Christ Church, Ballarat. Mr W. H. Barnard has made a gift of the window to the church, and the munificent donation is a rich and very appropriate adornment of the sacred edifice. Messrs Urie and Ferguson, of Melbourne, supplied and erected the window at a cost of some £200.”[20]

William Henry Barnard (1830-1900)

The donor of the stained glass window, William Henry Barnard, was born in Surrey, England 1830, the son of John Barnard and Harriet Burrows.

On the 4th February 1859 he married Caroline Lawrence at St John’s Church in Launceston, at which time he was employed by the colonial treasury as the Receiver and Paymaster at Portland in Western Victoria[21].

In February 1865 he was appointed receiver and paymaster, land officer, and gold receiver at Ballarat[22]. His wife Caroline died only a few weeks later aged 28 on the 25th February 1865[23].

On the 23rd April 1867, at Christ Church at Ballarat, he married Bessie Lynn, sixth daughter of local solicitor Adam Loftus Lynn[24]. Bessie died on the 3rd of September 1881 aged 36 at Ballarat giving birth to a daughter, the new born did not survive either[25].

He married a third time to Ellen Barnard, his first cousin and fifth daughter of his uncle George William Barnard of Landfall, Tasmania. They married at  St Peter’s Church in Sturt Street Ballarat on the 29th August 1883.

On the 28th May 1886, at St Paul’s Church Melbourne, he married a fourth time, to Flora who was again a first cousin and younger sister of his third wife Ellen [26].

Barnard resigned from the Government Treasury positions in 1878 to become Secretary-treasurer of the Ballarat Cemetery Trust and he retained that position until his death in 1900. He was also registrar of the Ballarat School of Mines[27].

He died on the 12th January 1900 at his Errard-street home at Ballarat West aged 70 and was buried in the Ballarat old cemetery[28].

An original engraving depicting the chancel of Christ Church, circa 1874, shows the three light chancel window, and in the engraving are painted the words around the chancel arch:

“HEAR THOU IN HEAVEN THY DWELLING PLACE AND WHEN THOU HEAREST FORGIVE.” (1 Kings 8:30)

Text surrounding the arch around the top of the Ferguson & Urie stained glass window reads:

“WE WORSHIP THY NAME, EVER WORLD WITHOUT END”

(From the Book of Common Prayer).

None of this original text around the arches exists anymore.

By 1886 the idea of erecting an Anglican Cathedral in Ballarat had gained momentum with the Rev Samuel Thornton[29] (the first Bishop of Ballarat) as lead instigator. On the 18th March 1886 it was resolved to erect a Cathedral to the rear of the site of the current church;

“At a meeting of the Church of England Assembly in Ballarat on Thursday, it was resolved to build a cathedral on the church site in Lydiard-street. A resolution was also carried that the building should be of stone, and the cost was limited to £35,000, exclusive of the tower and spire.”[30]

“The Right Rev. Dr. Thornton has for some time been actively promoting the erection of a cathedral in the chief town of his diocese. At the suggestion of the bishop, the vestry of Christ Church consented to unite cordially with the diocese in the erection of a cathedral upon the site of their present parish church in Lydiard-street…”[31]

The laying of the foundation stone of the new cathedral was performed on St Andrews day[32] by the Governor of Victoria, Sir Henry Brougham Loch[33]. Sir Henry and Lady Lock arrived by special train at Ballarat on Thursday 29th of November[34] and the following day, St Andrew’s Day, he laid the foundation stone of the new cathedral in the presence of the Bishops of Sydney, Melbourne, Bathurst and the Riverina[35] and a large assembly of the Ballarat Anglicans. Contributions exceeding £540 were placed on the foundation stone on the day[36].

The plan for the cathedral was that its construction would begin on the lower east side of the current church and the current church would then eventually form one of the transepts of the cathedral when completed.

By April 1890 construction of the cathedral had stalled. Unforeseen circumstances occurred with the foundations at the eastern end because of the steep slope and the lack of funds to rectify it had halted further work. In Bishop Thornton’s address to the Annual Church Assembly at the Ballarat City Hall on the 6th May 1890 he outlined his concerns and the expenditure to-date[37]

Sadly, nothing further transpired. The desire for an Anglican Cathedral in Ballarat did not gain the support it required and in 1931, forty years later, the Melbourne ‘Argus’ reported;

“…The ambition of Bishop Thornton was to see the Ballarat cathedral completed. The foundation-stone was laid by Sir Henry – afterwards Lord – Loch, when he was Governor of Victoria. It has not yet been finished, but cathedrals grow with the centuries rather than with the years. Some day it will be completed and an enthusiastic vicar may address his mind to the task of writing its history. In that history should be reserved and honoured place for the name of Dr. Thornton. He died in Lancashire, still in the service of his Church…”[38]

The cathedral would never be completed. Bishop Thornton died in England in 1917 and all that exists to recognise his efforts is a memorial brass tablet erected in the liturgical south west corner of the church which reads;

“TO THE GLORY OF GOD AND IN MEMORY OF THE RIGHT REVd SAMUEL THORNTON, D.D. FIRST BISHOP OF BALLARAT 1875-1900 WHO WAS A WISE MASTER BUILDER LAID THE FOUNDATIONS OF THIS DIOCESE AND FOR 25 YEARS LOVINGLY AND UNSPARINGLY DEVOTED TO ITS WELFARE ALL THE MANY TALENTS WHICH GOD HAD GIFTED HIM. DIED IN ENGLAND 25th. NOV 1917. THIS TABLET IS ERECTED BY THE DIOCESE.”

It is now more than 125 years since the then Governor Sir Henry Lock laid the foundation stone for the cathedral and evidence still remains of it to this day at the rear of the original bluestone church in Lydiard Street.

The lower basement of the cathedral which had been constructed before works were halted was known as the ‘Chapter House’ and was used as the Diocesan office for many years and later sold to private enterprise circa 1980’s. It was later used as a night club and is now a private residence.

The original church building facing Lydiard Street became the Anglican Cathedral of Ballarat and carries the title of the Church of ‘Christ the King’.

The historic Ferguson & Urie stained glass window still exists in the chancel of the church in the exact same position it was erected in 1869.

As at 2016 the cathedral and associated buildings have been advertised for sale by the Anglican authorities.

Footnotes:

[5] Edward Agar Wynne (1823-1898).

[8] Edgar Agar Wynne, Vic Probate record 75/159, dated 17th May 1900.

[12] Vic BDM: 284/1884.

[14] St Kilda Cemetery, CofE, Compartment A-327.


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