1877: St Peter’s Anglican Church, Sturt Street, Ballarat.

James Fry (1821-1903) is credited as the donor of the historic stained glass windows in the chancel of St Peters Anglican Church in Ballarat.

The windows were made by the Ferguson & Urie stained glass company of North Melbourne in 1877 at the time when extensions and renovations were being made to St Peter’s. Amongst these improvements was the addition of a new chancel complete with the stained glass windows. James Fry donated £500 towards the chancel and windows on the provision that the church raise the additional funds for a parsonage and a new organ and chamber. [1]

The Ballarat Star, Vic, Wednesday 20th June 1877, page 3.

“ADDITIONS TO ST. PETERS CHURCH.

We mentioned recently that some extensive improvements were being made at ST. Peter’s Church, and the approaching completion of the works warrants their being noticed. The church as it stands at present has in use a nave, and on the western side a transept, the original design being for another transept on the east, and an apse at the rear. As regards the apse, Mr Oakden (of Terry and Oakden), Melbourne, altered the design when he was drawing the plans for the western transept, and a chancel was projected instead of the apse. The requirements of the church have now necessitated this plan being carried out, and the work will soon be completed. Messrs James and Creber are superintending the work, and Messrs Llewellyn and Roberts are the contractors. The chancel is built of bluestone, to correspond with body of the church, and the inside measurements are:- Width, 18 feet; depth, 12 feet 6 inches; height of side walls, 20 feet 6 inches. The chancel window is a fine specimen of the stonemason’s art, the tracery being done in Waurn Ponds freestone. Stained glass is now being prepared in Melbourne to fill the window. There will be a small window on each side of the chancel, and a door on the east leads to the vestry. From the floor of the church there will be a step upwards before the chancel arch, and two others within it leading to the altar. An organ chamber is also being built, which will form part of the future eastern transept. The amount of Messrs Llewellyn and Roberts’ contract is about £480, but this amount will be considerably augmented before all the work is done in fitting up the chancel, &c. Mr Fincham, of Melbourne, is building the organ, whose largest pipe will be 16 feet, and the cost of the organ, we understand, will be about £500, so that it will be seen that the church authorities have launched into an expenditure of over £1000, towards which sum, as we mentioned a short time since, Mr. James Fry has contributed the handsome donation of £500. It is expected that all the new works will be finished, and the organ erected, in a little over a month’s time from the present.” 

In early August 1877 the three light stained glass window had arrived from the workshops of the renowned Melbourne stained glass firm of Ferguson & Urie and was erected in the chancel. The Church of England Messenger published a very detailed description of the window:

The Church of England Messenger and Ecclesiastical Gazette for the Diocese of Melbourne and Ballarat, Vic, Thursday 9th August 1877, page 14.

“The stained-glass window for the chancel of St. Peter’s Church has arrived in Ballaarat, and was placed in position. It is a very good specimen of Messrs. Ferguson and Urie’s art, and it is a matter of congratulation that such excellent workmanship can be produced in the colony. The window is divided into three lights, surmounted by tracery pierced with trefoils. These trefoils are filled with richly-coloured glass, bearing upon a starry background the three emblems of faith, hope, and charity; the heart with the sacred monogram, the cross with the crown of thorns, the anchor with the dove and olive branch. The subject of the central light is the “Ecce Homo.” The side lights, having reference to the pious and charitable lives of the ladies in whose memory the chancel was erected. are illustrations of Mark XIV, 8 (“She hath done what she could’) and Matthew XXV. 40 (“Inasmuch as ye have done it unto one of the least of these My brethren, ye have done it unto Me”). In the central light the Saviour stands forth a solemn and mournful figure. Pilate and a Roman soldier occupying the background. Underneath there is a panel with a small but exceedingly well-drawn picture of Christ’s charge to Peter – “Feed my Sheep.” In the apex of the window is the emblem of the Holy Spirit, the dove, descending with rays of light. The right hand picture of Mary wiping the Saviour’s feet with her hair is remarkable for the beauty of the Saviour’s countenance and the grace of His gesture. In the light upon the left-hand side a female figure is casting a garment around an aged man and a child at her feet. The background of both of these pictures is of a similar character – a low wall decorated with scroll-work, overtopped with trees and flowers, the sky space being filled in with ruby glass in irregular lead-work. Underneath are the old church emblems  – the Agnus Dei and the Pelican; and above are the Alpha and Omega. The side window, which can be seen only upon entering the chancel, is the more special memorial window, having the upper part a scroll with the text – “Write, Blessed are the dead which die in the Lord;” and at the bottom, a panel with the memorial inscription. The quarries of which the rest of the window is composed are ornamented with fleurs-de-lys, and the effect of the whole is highly satisfactory. The organ has been inspected on behalf of the church authorities, and is pronounced a first-class instrument. No time will now be lost in erecting it in the church.”

ballarat-st-peters-01a4

ballarat-st-peters-01a5

ballarat-st-peters-01a6

ballarat-st-peters-01a7

The new chancel of St Peter’s was consecrated on Sunday 12th August 1877 [2]

Whilst there were significant descriptions of the three light chancel window in the tabloids, there was only a minor mention of the smaller single light memorial window erected in the liturgical south wall.

“…The side window, which can be seen only upon entering the chancel, is the more special memorial window, having the upper part a scroll with the text – “Write, Blessed are the dead which die in the Lord;” and at the bottom, a panel with the memorial inscription…”[3]

The memorial text on the lower panel of the window provides the historic clues about the donor, James Fry, and his generosity to the church and the dates of death of his first two wives, Mary & Williamina.. As stated in 1877, unless you are standing in the chancel of St Peter’s you would not know the window was there. The Gothic design is recognisable as the work of Ferguson & Urie which includes a central scrolling ribbon design containing a piece of scripture from the King James Bible, Revelations Chapter 14, verse 13;

“WRITE BLESSED ARE THE DEAD WHICH DIE IN THE LORD”

Unfortunately, the memorial text at the bottom of the window no longer has back lighting from outside so it can only be read when artificially illuminated from behind. I managed to do that via the simple trick of utilising the smart-phone flashlight function and dangling it down the back of the vent which was sufficient to highlight the text enough to be read. There are many unfortunate paint splatters on the window and the fact that the memorial text cannot be read at all unless illuminated from behind gives the impression that it probably hasn’t been seen or known for many years. Probably not known for longer than I have been alive!

“THIS CHANCEL WAS ERECTED BY
JAMES FRY
TO THE GLORY OF GOD
AND IN AFFECTIONATE REMEMBRANCE OF
MARY FRY, DIED MAY 14th 1863 &
WILLIAMINA FRY DIED APRIL 13th 1876”

ballarat-st-peters-03d

James Fry (1821-1903) was a native of Somersetshire in England and he can be credited as a colonial pioneer of Victoria’s grain growing and flour milling in western districts of Victoria.

His official biography[4] records that he came to Australia with his wife Mary in 1854 aboard the ‘Brilliant’ but there is no record of their names on the passenger list.

After successfully pioneering as a grain grower in the Wimmera region in the late 1850’s, he began his own flour milling operations and entered in partnership with Thomas Creed in the Ascot Flour Mills north of Ballarat. In May of 1857 they dissolved their partnership[5] by mutual consent and James became the sole owner. The mill was known for many years as “Fry’s Ascot Mills” and he expanded it in 1860 by erecting a massive five storey bluestone building to the designs of Ballarat architect Henry Richards Caselli.[6]

frys-mill-c1860-01a

In 1857 the first family tragedy struck when his infant daughter, Mary Grimstead Fry, died on the 2nd of July. James obtained a family grave site at the Miners Rest ‘Dowling Forrest’ cemetery, 10km North West of Ballarat, where his daughter was interred. An imposing monument was later erected on the site which would provide an historic record of the family’s tragedies and history.

By the early 1860’s James’s milling empire was expanding. In September 1864 he purchased a flour mill at Ballarat opposite Lake Wendouree from “Hassell & Monckton” for £4500 [7]. He expanded the business further via leasing or purchasing mills all over the western districts at Ararat, Donald, St. Arnaud, Horsham, Nhill, Kaniva, Dimboola, and Natimuk[8]. His favoured estate, Sutton Park, at Newlyn near the Ascot mill remained a central hub to all his operations.

Fry’s prize winning ‘Ascot Mills’ flour was exhibited at the International Exhibition in London of 1862[9] and by the 1880’s it became a household staple throughout the colony known as Fry’s “Five Stars Flour”.

On the 14th May 1863 his first wife Mary, nee Gear[10], died at his Sutton Park estate near the Ascot Mills. She was only 45 years old and was interred in the family vault at Miners Rest with their infant daughter Mary Grimstead.

Being a widower was not a part of James’s future plans and he wasted little time in finding a new companion. On the 21st April 1864, at Brompton Cottage in Brighton, Victoria, he married Williamina Smith (nee Hay), the widow of Mungo Park Smith, Engineer and city surveyor of Melbourne[11].

James’s generosity was not just confined to the church. In October 1864 he and Williamina hosted a luncheon for his employees and their families. About 60 people were transported to Lake Burrumbeet in four decorated wagons where the best part of the day was taken up by games and; “At noon, a sumptuous dinner was spread and was partaken of with the best of appetites.” Wine and Spirits were supplied in generous quantities and later in the day, as heavy rain set in, the whole party returned to the Ascot mill where singing and dancing continued to a late hour[12]. This was undoubtedly one of the many occasions that James displayed his generosity towards his employees. Some of them would later join him as partners in his milling operations for many years.

frys-flour-mill-wendouree-ballarat-01a
On the 12th of July 1869 a tragic accident occurred at the Wendouree flour mill. On the Monday at about 7:30am a massive 36ft long boiler exploded at the mill. The sound of the explosion could be heard over three miles away and a huge plume of steam and debris could be seen in the air above the mill for many miles around. James’s nephew, Albert Hill, who was acting superintendent at the time, was unfortunately standing next to the boiler when it exploded. Albert was killed instantly. His mangled near naked and disembowelled body was blown more than one hundred yards away and landed in the Swamp on the other side of Wendouree Parade.

“…The clothing was torn into shreds, while the skull was completely smashed in. Both legs were broken, and besides several other terrible wounds, the body was almost disembowelled…”

When his body was recovered it was taken to Fry’s residence near the mill. Williamina was so traumatised by the horrific scene that she became seriously ill.[13] The inquest on Albert’s body was held the following day at the Wendouree Parade Hotel, where, coincidentally, some small portions of brick had been thrown a few hundred yards from the explosion and had landed in the bar. Albert’s funeral was held on the 14th and he was interred with James’s first wife Mary and their infant daughter Mary Grimstead at the Miners Rest Cemetery.

“The procession started from Mrs Fry’s residence, Wendouree-parade, and consisted of about thirty well-filled mourning coaches, buggies, &c, and several horsemen.”[14]

James’s second wife, Williamina died at his Sutton Park estate on the 13th April 1876. Coincidentally she was also only 45 years of age. Williamina was interred with James’s first wife and his nephew Albert at Miners Rest.  Whether by coincidence or design, some scriptural text from Revelations 14:13 which appears on their memorial stained glass window at St Peter’s in Ballarat is from the same chapter and verse as that on their monument at Miners Rest:

“Blessed are the dead who die in the Lord: even you saith the Spirit that they may rest from their labours.” Rev. XIV:13″

fry-grave-miners-rest-01a
In June of 1877, the year following Williamina’s death, James Fry donated £500 to St Peter’s Church for the construction of a new chancel and the stained glass windows. Shortly after this he departed Victoria aboard the ‘Northumberland’ for London[15]. James had been back to the old country a number of times before but this venture would secure his third wife.

At St. Mary’s, Stoke Newington, London, on the 27th December 1877 he married Louisa Anne Coles[16], the widow of Edward Coles. James and Louisa returned to Melbourne aboard the ‘Chimborazo’[17] in March the following year and she would be his companion for the next twenty three years.

On the 8th November 1901 Louisa died at Sutton Park aged 75. James had now outlived three wives. Louisa was interred at the Mount Prospect cemetery north of Ballarat and a marble casket type grave-stone was erected over the grave. After more than a century most of the lead letters in the inscription have gone and it’s now almost unreadable:

“In Memory Of, LOUISA ANN, Who for 23 years was the faithful and beloved wife of, JAMES FRY of Sutton Park, who died November 8th 1901, aged 75 years. Beloved by all who knew her.”

James was now in his early eighties and had not taken an active interest in the flour milling operations since he floated the company on the stock exchange in 1884. He devoted his time to agricultural pursuits at his estate near Newlyn. On Friday the 14th August 1903 James died there at the age of 82 and was buried with his third wife Louisa at Mount Prospect.

The Ballarat Star, Vic, Monday 17th August 1903, page 1.

“DEATH OF MR. JAMES FRY.

One of the earliest pioneers of the grain trade in Victoria, Mr James Fry, died on Friday at Sutton Park, Newlyn, at the advanced age of 82. Deceased was a native of Somersetshire, and came to the colony in 1854 in the ship Brilliant, settling first at Geelong with his wife and family, where he purchased a property. After various experiences on the Ballarat goldfields, in 1856 he purchased a property at Ascot, and shortly after secured a flour mill near Geelong, which he removed to that point, as the Talbot shire was fast becoming the centre of a large agricultural district. Beginning in a small way, he built up a very extensive business among the various mining townships, and erected plant and machinery at that time considered to be as complete an establishment as then existed in Australia. In 1865 he purchased a mill near Lake Wendouree, Ballarat, from Messrs Hassell and Monkton, and went there to reside. In 1868 he acquired a freehold property in the Wimmera, situated between Glenorchy and Banyena. He was the first to grow wheat to any extent on the Wimmera Plains, and demonstrate that it could be cultivated there at a profit. From Ballarat, as his centre, he followed up the settlement of the selectors on the land, first around Ararat, and then on to Stawell, having business relations with both places. When growers commenced to select on an extensive scale in the Wimmera, he opened at Horsham, in anticipation of the railway line being continued from Stawell to that centre, and intimately to the border, and as the movement spread, extended his operations till they gradually embraced all the centres in that far-reaching territory. In addition to the large grain business, Mr Fry erected, brought or leased flour mills at Ballarat, Ararat, Donald, St. Arnaud, Horsham, Nhill, Kaniva, Dimboola, and Natimuk. In 1884 the grain and milling business having reached large dimensions, with its head office in Melbourne, and branches in all the leading grain growing districts of the Wimmera and other parts of the colony, he decided to float it into a limited company, which was successfully accomplished, and shortly afterwards retired from the active management, devoting most of his time thenceforth to grazing and agricultural pursuits.

            At St. Peter’s Church yesterday, notice was taken of the death of Mr Fry. Mr Fry gave the land on which St. Peter’s Vicarage stands; the chancel, with a stained glass window; the tower and the bells, to St. Peter’s Church. The flag was flown at half-mast throughout the day, and muffled peals were rang on the bells. Before the service in the morning, the rev. Dr Pritchard alluded to the sad event. He reminded the congregation of all the late Mr Fry’s generous gifts, and said that he was a regular and frequent worshipper at ST. Peter’s when resident in the parish. Such a good example of generous help to the house of God should cause his name to be ever held in honored remembrance at St. Peter’s and they should pray that others might emulate such generous deeds. At the evening service similar reference was made, and special music was sung at the offertory. Mr L. Richardson played Mendelssohn’s Funeral March at the close of service.”

On the opposite side of the gravestone to Louisa’s memorial words are his;

“IN LOVING REMEMBRANCE OF JAMES FRY, WHO DIED ON AUG 14th 1903, AT SUTTON PARK NEWLYN, AGED 82 YEARS AND 6ms. I HAVE GIVEN YOU AN EXAMPLE THAT YE SHOULD DO AS I HAVE DONE TO YOU. 1 JOHN 13-15”

fry-grave-mount-prospect-01a

James Fry’s total estate was valued at £128,400 and it was distributed to many family members in Australia and England. It included provisions for his daughter, step daughters, step granddaughters, the Ballarat Church of England, and his surviving son, James Rood Fry. 

The Sutton Park Estate was left to his son James but by 1918 it was under control of the government for soldier settlement purposes.[18]

Today, on a lonely dirt intersection amongst the farmland at Newlyn, you will find the original gates that once framed the entrance to Sutton Park. They now form part of an historic memorial of the district and nearby a stone cairn holds a plaque showing how the estate was divided for soldier settlement.

The gravesites at Miners rest and Mount Prospect, some of the old crumbling mill buildings around the district, the old gates to Sutton Park, and the stained glass windows at St Peter’s Church in Ballarat are the last physical reminders of a Colonial Pioneer and his family who shaped the western district of Victoria.

sutton-park-gates-01a

Footnotes:

[1] The Ballarat Star, Vic, Monday 11th June 1877, page 3

[2] The Ballarat Star, Vic, Monday 13th August 1877, page 3.

[3] The Church of England Messenger and Ecclesiastical Gazette for the Diocese of Melbourne and Ballarat, Vic, Thursday 9th August 1877, page 14.

[4] Australian Dictionary of Biography: Fry, James (1821-1903)

[5] The Star, Ballarat, Vic, Tuesday 26th May 1857, page 4.

[6] The Star, Ballarat, Vic, Tuesday 14th August 1860, page 4.

[7] The Star, Ballarat, Vic, Friday 30th September 1864, page 2.

[8] The Ballarat Star, Vic, Monday 17th August 1903, page 1.

[9] Victorian Govt Gazette, Tuesday 14th April 1863, page 842.

[10] Daughter of John Gear (or Gean) and Jane Grimstead.

[11] The Age, Melbourne, Vic, Monday 25th April 1864, page 4.

[12] The Star, Ballarat, Vic, Saturday 29th October 1864, page 2.

[13] The Ballarat Star, Vic, Tuesday 13th July 1869, page 2.

[14] The Age, Melbourne, Vic, Friday 16th July 1869, page 4.

[15] Geelong Advertiser, Vic, Tuesday 19th June 1877, page 9.

[16] The Bath Chronicle, Somerset, England, Thursday 10th Jan 1878, page 5.

[17] The Argus, Melbourne, Vic, Monday 11th March 1878, page 5.

[18] The Age, Melbourne, Vic, Saturday 24th October 1903, page 11.


Short link to this page: http://wp.me/p28nLD-2Mv

This is a new research article based on new information.
The old article can be seen at: http://wp.me/p28nLD-Uv

© Copyright

1869: Christ the King Anglican Cathedral, Ballarat, Victoria.

The Chancel of the Ballarat Anglican Cathedral contains an historic three light stained glass window created by the Ferguson & Urie stained glass company of North Melbourne. The window depicts the Nativity, Crucifixion and Resurrection and was erected in the later half of October 1869.

Photos taken between: 19th Sept 2010 and 28th Sept 2013.

This slideshow requires JavaScript.

[View larger images]

Construction of the first Anglican Church in Ballarat, known as Christ Church, commenced in 1854 in Lydiard Street, a year before Ballarat was proclaimed a Municipality and in the same year as the infamous Eureka Rebellion. The first stage of the church was completed by contractors Backhouse[1] and Reynolds in 1857 at a cost of more than £2000.[2]

In a mere ten years the congregation had outgrown the church and the plans were to enlarge it by the addition of transepts. On the 20th August 1867 the building committee of Christ Church accepted the tender of Mr Jonathon Coulson for the construction of the north and south transepts for £1655 to the plans prepared by architect Edward James.[3] The construction of these extensions began a month later.[4]

As part of the extensions and the beautification of the church was the idea of placing a locally made stained glass window in the chancel and on the 19th October 1867 it was reported;

We are informed that the stained window for the chancel at Christ Church is to be the gift of Mr. E. A. Wynne[5]. Messrs Urie and Ferguson, of Melbourne, will most likely supply the glass. The subject for the window has not yet, however, been determined on.”[6]

Edward Agar Wynne (1823-1898).

Edward Agar Wynne, was a mining pioneer in the Ballarat region. He was Chairman of Directors of the Scottish and Cornish Gold Mining Company[7], a founder and director of the Ballarat Gas Company (established in 1858), and one of the first shareholders in the Black Hill mine, of which he still held 1200 shares in at the time of his death[8]. He took a leading role in the laying out of Ballarat’s botanic gardens as well as being a member of the Acclimatisation Society[9].

He married Sarah Maria Palmer in London in c.1849 and migrated to Australia with his family c.1851-54.

In the mid 1870’s he had decided to leave Ballarat and move to the Melbourne suburb of Balaclava and his substantial home on the shores of Lake Wendouree was subsequently purchased by the ‘Loreto Sisters’ for use as part of their newly formed Convent in 1875[10].

His wife Sarah died on the 15th February 1882 at their home ‘View Hill,’ Balaclava[11], and in 1884, at the age of 60, he married 26 year old Rebecca Israel Samuel[12].

Edward died at his home ‘Montacute,’ Grey Street St Kilda, on the 9th December 1898 aged 75[13]. He was buried at the St Kilda Cemetery with his first wife Sarah and two of their children[14]. One of his sons from his first marriage, Agar Wynne (1850-1934), became a prominent Victorian politician.

Edward would not end up being the benefactor of the window and the enthusiasm for its creation lost momentum. It would be a further two years before the window would actually be created and more than a year after the 1867-68 extensions of Christ Church were completed.

By April 1868 the extensions to Christ Church were nearing completion and the local tabloid, ‘The Ballarat Star’ reported;

“The alterations at Christ Church are now nearly finished. Both transepts have been erected, and the northern one has been occupied already. The south one requires some completing touches, and the chancel is also unfinished, the window not yet being glazed. We believe the organ is to be erected in the southern transept. It seems a pity the chancel could not have been deepened and widened, so as to have made it serve as for a cathedral choir, and thus have provided room there for the singers, instead of taking space for the choir out of the too small area of the church, even with its transepts added.” [15]

The 6th of May 1868 heralded the re-opening of Christ Church and a series of celebrations were organised for the dedication of the new transepts and chancel. The services were conducted by Archdeacon Stretch[16] at the morning services and the Rev Handfield [17] at the afternoon services. The decorations in the church at this point indicated that the chancel window was still in an un-glazed state.

“The opening of Christ Church is to be celebrated this day, as the first of a series of days appropriated to the solemnities in question. Our advertising columns contain particulars as to the services, from which it will be seen that the venerable Archdeacon Stretch will officiate at the dedication of the transepts and chancel this morning, and that the Rev. H. H. P. Handfield will officiate in the afternoon. Full choral services will be sung on both occasions, and we may state apropos to this matter, that, the organ has been re-erected, and is now located in the southern transept. The church has been decorated with evergreens, wreaths depending about the transept arches and the chancel, and boughs screening the unglazed chancel window.”[18]

It wasn’t until November 1869 that the creation of a stained glass window for the chancel came to fruition, but where it had been reported earlier in 1867 that the donor of the window was to be Edward Agar Wynne, it was now reported that the benefactor was William Henry Barnard, who had made the gift of the window at a cost in the vicinity of £200.

On the 30th of October 1869 ‘The Ballarat Star’, gave an in-depth description of the window. Where it had been intimated earlier in 1867 that the Ferguson & Urie stained glass company were likely to supply the window, it was eventually created by them and depicts the Nativity, Crucifixion and Resurrection;

“A very beautiful stained glass window has this week been erected in the east or chancel end of Christ Church. Mr. W. H. Barnard has made a gift of the window to the church, and the munificent donation is a rich and very appropriate adornment of the sacred edifice. The design includes the three leading events in our Lord’s life, the middle compartment figuring the crucifixion, the two sides the nativity and resurrection respectively, each grouping, and especially that of the nativity, displaying fair accuracy in drawing, and a glorious wealth of colour. At the bottom is a half length figure of Christ giving thanks, and at the top is a dove, the symbol of the Holy Spirit. The subsidiary details, such as borderings, geometrical figures, and florials are in excellent keeping. Messrs Urie and Ferguson, of Melbourne, supplied and erected the window at a cost of some £200, and we have heard an opinion freely expressed, that though there may be larger there are no better windows than this one anywhere in the colony.”[19]

A week later it was further reported;

“A very beautiful stained glass window has been erected in the east or chancel end of Christ Church, Ballarat. Mr W. H. Barnard has made a gift of the window to the church, and the munificent donation is a rich and very appropriate adornment of the sacred edifice. Messrs Urie and Ferguson, of Melbourne, supplied and erected the window at a cost of some £200.”[20]

William Henry Barnard (1830-1900)

The donor of the stained glass window, William Henry Barnard, was born in Surrey, England 1830, the son of John Barnard and Harriet Burrows.

On the 4th February 1859 he married Caroline Lawrence at St John’s Church in Launceston, at which time he was employed by the colonial treasury as the Receiver and Paymaster at Portland in Western Victoria[21].

In February 1865 he was appointed receiver and paymaster, land officer, and gold receiver at Ballarat[22]. His wife Caroline died only a few weeks later aged 28 on the 25th February 1865[23].

On the 23rd April 1867, at Christ Church at Ballarat, he married Bessie Lynn, sixth daughter of local solicitor Adam Loftus Lynn[24]. Bessie died on the 3rd of September 1881 aged 36 at Ballarat giving birth to a daughter, the new born did not survive either[25].

He married a third time to Ellen Barnard, his first cousin and fifth daughter of his uncle George William Barnard of Landfall, Tasmania. They married at  St Peter’s Church in Sturt Street Ballarat on the 29th August 1883.

On the 28th May 1886, at St Paul’s Church Melbourne, he married a fourth time, to Flora who was again a first cousin and younger sister of his third wife Ellen [26].

Barnard resigned from the Government Treasury positions in 1878 to become Secretary-treasurer of the Ballarat Cemetery Trust and he retained that position until his death in 1900. He was also registrar of the Ballarat School of Mines[27].

He died on the 12th January 1900 at his Errard-street home at Ballarat West aged 70 and was buried in the Ballarat old cemetery[28].

An original engraving depicting the chancel of Christ Church, circa 1874, shows the three light chancel window, and in the engraving are painted the words around the chancel arch:

“HEAR THOU IN HEAVEN THY DWELLING PLACE AND WHEN THOU HEAREST FORGIVE.” (1 Kings 8:30)

Text surrounding the arch around the top of the Ferguson & Urie stained glass window reads:

“WE WORSHIP THY NAME, EVER WORLD WITHOUT END”

(From the Book of Common Prayer).

None of this original text around the arches exists anymore.

By 1886 the idea of erecting an Anglican Cathedral in Ballarat had gained momentum with the Rev Samuel Thornton[29] (the first Bishop of Ballarat) as lead instigator. On the 18th March 1886 it was resolved to erect a Cathedral to the rear of the site of the current church;

“At a meeting of the Church of England Assembly in Ballarat on Thursday, it was resolved to build a cathedral on the church site in Lydiard-street. A resolution was also carried that the building should be of stone, and the cost was limited to £35,000, exclusive of the tower and spire.”[30]

“The Right Rev. Dr. Thornton has for some time been actively promoting the erection of a cathedral in the chief town of his diocese. At the suggestion of the bishop, the vestry of Christ Church consented to unite cordially with the diocese in the erection of a cathedral upon the site of their present parish church in Lydiard-street…”[31]

The laying of the foundation stone of the new cathedral was performed on St Andrews day[32] by the Governor of Victoria, Sir Henry Brougham Loch[33]. Sir Henry and Lady Lock arrived by special train at Ballarat on Thursday 29th of November[34] and the following day, St Andrew’s Day, he laid the foundation stone of the new cathedral in the presence of the Bishops of Sydney, Melbourne, Bathurst and the Riverina[35] and a large assembly of the Ballarat Anglicans. Contributions exceeding £540 were placed on the foundation stone on the day[36].

The plan for the cathedral was that its construction would begin on the lower east side of the current church and the current church would then eventually form one of the transepts of the cathedral when completed.

By April 1890 construction of the cathedral had stalled. Unforeseen circumstances occurred with the foundations at the eastern end because of the steep slope and the lack of funds to rectify it had halted further work. In Bishop Thornton’s address to the Annual Church Assembly at the Ballarat City Hall on the 6th May 1890 he outlined his concerns and the expenditure to-date[37]

Sadly, nothing further transpired. The desire for an Anglican Cathedral in Ballarat did not gain the support it required and in 1931, forty years later, the Melbourne ‘Argus’ reported;

“…The ambition of Bishop Thornton was to see the Ballarat cathedral completed. The foundation-stone was laid by Sir Henry – afterwards Lord – Loch, when he was Governor of Victoria. It has not yet been finished, but cathedrals grow with the centuries rather than with the years. Some day it will be completed and an enthusiastic vicar may address his mind to the task of writing its history. In that history should be reserved and honoured place for the name of Dr. Thornton. He died in Lancashire, still in the service of his Church…”[38]

The cathedral would never be completed. Bishop Thornton died in England in 1917 and all that exists to recognise his efforts is a memorial brass tablet erected in the liturgical south west corner of the church which reads;

“TO THE GLORY OF GOD AND IN MEMORY OF THE RIGHT REVd SAMUEL THORNTON, D.D. FIRST BISHOP OF BALLARAT 1875-1900 WHO WAS A WISE MASTER BUILDER LAID THE FOUNDATIONS OF THIS DIOCESE AND FOR 25 YEARS LOVINGLY AND UNSPARINGLY DEVOTED TO ITS WELFARE ALL THE MANY TALENTS WHICH GOD HAD GIFTED HIM. DIED IN ENGLAND 25th. NOV 1917. THIS TABLET IS ERECTED BY THE DIOCESE.”

It is now more than 125 years since the then Governor Sir Henry Lock laid the foundation stone for the cathedral and evidence still remains of it to this day at the rear of the original bluestone church in Lydiard Street.

The lower basement of the cathedral which had been constructed before works were halted was known as the ‘Chapter House’ and was used as the Diocesan office for many years and later sold to private enterprise circa 1980’s. It was later used as a night club and is now a private residence.

The original church building facing Lydiard Street became the Anglican Cathedral of Ballarat and carries the title of the Church of ‘Christ the King’.

The historic Ferguson & Urie stained glass window still exists in the chancel of the church in the exact same position it was erected in 1869.

As at 2016 the cathedral and associated buildings have been advertised for sale by the Anglican authorities.

Footnotes:

[5] Edward Agar Wynne (1823-1898).

[8] Edgar Agar Wynne, Vic Probate record 75/159, dated 17th May 1900.

[12] Vic BDM: 284/1884.

[14] St Kilda Cemetery, CofE, Compartment A-327.


Short link to this article: http://wp.me/p28nLD-2ax

© Copyright

15-07-1862: Mr Robson’s Shop, Ballarat, Victoria.

The Star, Ballarat, VIC, Tuesday 15th July 1862, page 2.

“In the window of Mr Robson, the painter and decorator, Sturt street, is a stained glass centrepiece of a window, the subject being the Crucifixion. The picture is best seen from inside the shop, and worth looking at. The colouring is clear and brilliant, and the shading well managed. Messrs Ferguson and Co., of Melbourne, are the producers of the work.”

Nothing further is known as to where this window may have been eventually erected, if at all. Although there are other windows in the Ballarat area by Ferguson & Urie, there is not enough information to place this feeble description to any particular window known in that region for the date period.

Thomas Robson was well known as the Ballarat agent for Ferguson & Urie Stained Glass and instrumental in the commissioning of the chancel window for St Paul’s Church in Bakery Hill, Ballarat.

In January 1867 Robson was declared insolvent due to losses by fire and bad debts.

Related posts:

29-03-1862 > 14-04-1862 > 19-05-1862 > 04-06-1862 > 24-06-1862 > 15-07-1862 > 01-03-1863 > 07-08-1863


Short link to this page: https://wp.me/p28nLD-1hK

© Copyright

1864-67: St Peter’s Anglican Church, Ballarat, Victoria.

St Peters Anglican Church in Sturt Street Ballarat was designed by C. D. Cuthbert circa 1864.  The chancel was added in 1877 along with the stained glass windows in the chancel by Ferguson & Urie. The tower was added in 1891 and Soldiers memorial chapel in 1917.

Photos were taken 19th September 2010 & 17th March 2011

This slideshow requires JavaScript.

[View larger images]

Church of England Messenger, 9th August 1877, page 14.

“The stained-glass window for the chancel of St. Peter’s Church has arrived in Ballaarat, and was placed in position. It is a very good specimen of Messrs. Ferguson and Urie’s art, and it is a matter of congratulation that such excellent workmanship can be produced in the colony. The window is divided into three lights, surmounted by tracery pierced with trefoils. These trefoils are filled with richly-coloured glass, bearing upon a starry background the three emblems of faith, hope, and charity; the heart with the sacred monogram, the cross with the crown of thorns, the anchor with the dove and olive branch. The subject of the central light is the “Ecce Homo.” The side lights, having reference to the pious and charitable lives of the ladies in whose memory the chancel was erected. are illustrations of Mark XIV, 8 (“She hath done what she could’) and Matthew XXV. 40 (“Inasmuch as ye have done it unto one of the least of these My brethren, ye have done it unto Me”). In the central light the Saviour stands forth a solemn and mournful figure. Pilate and a Roman soldier occupying the background. Underneath there is a panel with a small but exceedingly well-drawn picture of Christ’s charge to Peter – “Feed my Sheep.” In the apex of the window is the emblem of the Holy Spirit, the dove, descending with rays of light. The right hand picture of Mary wiping the Saviour’s feet with her hair is remarkable for the beauty of the Saviour’s countenance and the grace of His gesture. In the light upon the left-hand side a female figure is casting a garment around an aged man and a child at her feet. The background of both of these pictures is of a similar character – a low wall decorated with scroll-work, overtopped with trees and flowers, the sky space being filled in with ruby glass in irregular lead-work. Underneath are the old church emblems – the Agnus Dei and the Pelican; and above are the Alpha and Omega. The side window, which can be seen only upon entering the chancel, is the more special memorial window, having the upper part a scroll with the text – “Write, Blessed are the dead which die in the Lord;” and at the bottom, a panel with the memorial inscription. The quarries of which the rest of the window is composed are ornamented with fleurs-de-lys, and the effect of the whole is highly satisfactory. The organ has been inspected on behalf of the church authorities, and is pronounced a first-class instrument. No time will now be lost in erecting it in the church.”

The Chancel window:

This is the main three light chancel window that depicts scenes from: MATT 25-40, JOHN 19-5 and MARK 14-8. The tracery above the three main lights shows three trefoil windows depicting the symbolism of Faith, Hope and Charity. The main lights of the window depict the following:

MATT 25-40: The King James version of Matthew 25-40 reads: “And the King shall answer and say unto them, Verily I say unto you, Inasmuch as ye have done it unto one of the least of these my brethren, ye have done it unto me.”  The figure depicted in the window is of a woman covering a beggar man and his daughter with a cloak to shield them from the cold. The most commonly recognised interpretation of Matthew 25-40 would be the old “Golden Rule”; “Do unto others as you would have them do to you” or “One should treat others as one would like others to treat oneself.” Below the scene is the Pelican feeding its young from blood from its chest, which represents sacrifice.

JOHN 19-5: The King James version of John 19-5 reads: “Then came Jesus forth, wearing the crown of thorns, and the purple robe. And Pilate saith unto them, Behold the man!” The scene depicted in the window is of Jesus wearing the crown of thorns. His hands are bound, he’s wearing the purple robe, and he is flanked by Roman guards. In the hours before Christs crucifixion, he was led through what we would call a ‘kangaroo court’ which has no sense of justice. The Roman Governor, Pontius Pilate, had him whipped and had a crown of thorns placed upon his head and clothed him in a purple robe, mocking some sort of regal adoration. Pilate paraded Jesus before the crowd and exclaimed, “Behold, the man!” Below is the scene of Christ as the Good Shepherd with a ribbon of text which reads: “PETER LOVEST THOU ME, YE LORD THOU KNOWEST THAT I LOVE THE, FEED MY SHEEP.” This refers to John 21-17; “He saith unto him the third time, Simon, son of Jonas, lovest thou me? Peter was grieved because he said unto him the third time, Lovest thou me? And he said unto him, Lord, thou knowest all things; thou knowest that I love thee. Jesus saith unto him, Feed my sheep.”

MARK 14-8: The King James version reads: “She hath done what she could: she is come aforehand to anoint my body to the burying.” The scene in the window depicts Mary Magdalene, the alleged prostitute, drying Christs feet with her hair. Nearby is a small ornate jug which is supposed to have contained an expensive aromatic ointment which was to be used to ‘anoint” him before his death. Below is the image of the Paschal Lamb carrying the St George banner.

The two light window in the nave:

The ‘John Laverick Nunn’ Memorial window is a two light window with the memorial text:

“PLACED BY ELIZA NUNN IN MEMORY OF HER HUSBAND JOHN LAVERICK NUNN DIED 1875 AGED 46. | ALSO HER DAUGHTER HANNAH MARY DIED 1883 AGED 23 AND HER SON JOHN LAVERICK DIED 1884 AGED 22”.

This window was erected in St Peters in January 1886.

The scroll text on the left lancets reads:

“THE LORD GAVE AND THE LORD HATH TAKEN AWAY BLESSED BE THE NAME OF THE LORD” (Job 1:21 – “And said, Naked came I out of my mothers womb, and naked shall I returne thither: the Lord gaue, and the Lord hath taken away, blessed be the Name of the Lord.”) “THEN ALSO WHICH SLEEP IN JESUS WILL GOD BRING WITH HIM”. (1 Thessalonians 4:14 – “For if we believe that Jesus died and rose again, even so them also which sleep in Jesus will God bring with him”.) John Laverick Nunn was born in Whitby, Yorkshire, England, in 1830. He married Eliza Newson in Victoria in 1857 and they settled in the Warrenheip area at Dunnstown, near Ballarat circa 1860 where they became store keepers. John contributed to the Buninyong Presbyterian Church building appeal.  He died on the 22nd of Feb 1875 at Dunnstown. His wife Eliza died on the 17th October 1899 at “Ebor” Hawkesburn, South Yarra.


Short link to this page: http://wp.me/p28nLD-Uv

Some of this article has now been superseded by some new research about the chancel windows and a new article was posted to this web site on 24 Sep 2016 and can be seen at: http://wp.me/p28nLD-2Mv

© Copyright

07-08-1863: The Mechanic’s Institute Hall, Ballarat, Victoria.

The Star, Ballarat, Friday 7th August 1863, page 3.

“THE MECHANICS’ INSTITUTE. RE OPENING OF THE HALL”

 “… among other things, exhibits samples of the glass patented by Hartley and Co., of Sunderland, and known as “Cathedral Glass,” some of which is now being used in St. Patrick’s church, Sturt street. Mr Robson also exhibits specimens, and very beautiful ones too, of Ferguson’s and Urie’s stained glass …”

Thomas Robson was the Ballarat agent for Ferguson & Urie stained glass and had significant involvement with the window created for St Paul’s at Bakery Hill Ballarat in early 1862.

Related posts: 29-03-1862 > 14-04-1862 > 19-05-1862 > 04-06-1862 > 24-06-1862 > 15-07-1862 > 01-03-1863 > 07-08-1863


Short link to this page: https://wp.me/p28nLD-3O

Copyright © Copyright

07-07-1863: The Ebenezer St John’s Church Armstrong Street Ballarat.

The Star Ballarat, Tuesday 7th July 1863, page 2.

Messrs Urie and Ferguson, of Melbourne, have just completed two stained glass windows at the west end of the newly erected United Presbyterian Church in Armstrong street. These lights are very handsome, and were designed by Messrs Urie and Ferguson, the pattern exhibiting the trefoil with circles and diamonds, scrolls and foliage making up the margins. The coloring is rich but mellow, and the windows are certainly a great ornament to the church. We believe there is some intention of having colored glass put in the triplet of the large east window. The western lights we have mentioned have been supplied for £80”.

Photos taken 6th November 2011.

This slideshow requires JavaScript.

The “Ebenezer” United Presbyterian Church in Armstrong street was opened on the 23rd June 1863 [1] It was designed in the Anglo-Norman style by local architect Henry Richards Caselli (c1816-1885). The two stained glass windows by Ferguson & Urie were provided by the ladies of the congregation with the initial suggestion coming from Georgiana Caselli who also provided £5 as a subscription towards the windows[2].

The church is now known as the “Ebenezer St John’s” church, at 212 Armstrong street. The stained glass for the triplet window mentioned never eventuated.

Footnotes:

31-03-1863: St Paul’s, Humfray St, Bakery Hill, Ballarat, Victoria.

Ferguson & Urie fit the western window of St Paul’s Ballarat.

The Star, Ballarat, Tuesday 31st March 1863, page 2.

“During the last week the tracery of the western window of St. Paul’s Church has been fitted with stained glass, more in harmony with that in the eastern or chancel window. This latter – the first of the kind erected in Ballarat – was executed by Messrs Ferguson and Urie, of Melbourne, who have furnished the following description:- “The triplet window in the chancel is designed in accordance with the style of the recent additions to the building, that of the latter half of the fourteenth century – a period of transition from the decorated, or middle pointed style, into the perpendicular. It is filled in with a pattern in keeping with the principals of the glass painters of that period. Their details were taken from flowers and leaves. So in this design is seen the passion flower and its leaf; the vine, maple, and thistle leaves. In the top piece of tracery is the Paschal lamb and banner, and in the largest piece of tracery are monograms of our Saviour. The label in the centre of the window – emblazoned with the text “Blessed are they that dwell in Thy House, they will be still praising The” – is twisted round a floriated cross on a rich blue background”. We observe that the decorations of the chancel are not yet completed, but hope the committee will soon be able to accomplish this remaining part of the work.”

In 1864 the first church collapsed when the ground beneath subsided due to underground mining and heavy rain. The extant brick church was then reconstructed on more stable ground only a few meters to the west of the collapsed church, with the surviving tower now at the rear. The Ferguson & Urie chancel window was re-positioned in the new church in 1864-65.

Related posts about the window: 29-03-1862 > 14-04-1862 > 19-05-1862 > 04-06-1862 > 24-06-1862 > 15-07-1862 > 01-03-1863 > 07-08-1863


Short link to this page: https://wp.me/p28nLD-3l

© Copyright

 

24-06-1862: St. Paul’s Anglican Church, Humfray St, Bakery Hill, Ballarat.

The Star, Ballarat, Tuesday 24th June 1862, page 2.

“Our churches naturally attract attention, less from an architectural point of view than from their social importance. The congregation of St. Paul’s Anglican Church has lately completed very considerable enlargements of that building, and mainly through the liberality of some of the wealthier members, furnished it with a square tower, which, though it does not itself command any very extensive view, forms a conspicuous and picturesque relief to the uniform want of elevation in the surrounding buildings. The building is of brick after a design by Mr Terry, in the latest period of pointed architecture. The decorations within have mostly been executed by Mr St.Quentin, and stained glass in the principal window has been presented by Mr. T. Robson, of Sturt street, and Messrs Ferguson and Urie, of Melbourne […].”

St Pauls Bakery Hill Ballarat

The Ferguson & Urie chancel window at St. Paul’s Anglican Church, Humfray Street Ballarat. Photo: Ray Brown 17 Mar 2011.

Related posts: 29-03-1862 > 14-04-1862 > 19-05-1862 > 04-06-1862 > 24-06-1862 > 15-07-1862 > 01-03-1863 > 07-08-1863

04-06-1862:St. Paul’s Anglican Church, Humfray St, Bakery Hill, Ballarat.

The Star, Ballarat, Vic, Wednesday 4th June 1862, page 1s.

“ST. PAUL’S CHURCH SOIREE”.

 “A soiree in aid of the enlargement fund of St. Paul’s was held on Tuesday evening, in the hall of the Mechanics’ Institute, when that large place was crowded in every part […].”

 “[…] The thanks of the Church were due also to Messrs Robson, and Ferguson and Urie, for their gifts of the beautiful triplet window, and tracery. (cheers.)”

St Pauls Bakery Hill Ballarat

The Ferguson & Urie chancel window at St. Paul’s Anglican Church, Humfray Street Ballarat. Photo: Ray Brown 17 Mar 2011.

Related posts: 29-03-1862 > 14-04-1862 > 19-05-1862 > 04-06-1862 > 24-06-1862 > 15-07-1862 > 01-03-1863 > 07-08-1863

19-05-1862: St. Paul’s Anglican Church, Humfray St, Bakery Hill, Ballarat.

The Star, Ballarat, Monday 19th May 1862, page 2.

“At a meeting of St. Paul’s Church Committee held on Friday evening a vote of thanks was unanimously accorded to Messrs Seeley and Bradbury, the contractors for the enlargement of the building, for the very satisfactory manner in which they have executed the work; also, to Mr Thomas Robson, of Sturt street, for his handsome gift of the centre part of the chancel window, and to Messrs Ferguson and Urie, of Melbourne, for presenting the church with the beautiful portions inserted in the tracery of the window. We understand that the decorations of the chancel have not yet been completed.”

St Pauls Bakery Hill Ballarat

The Ferguson & Urie chancel window at St. Paul’s Anglican Church, Humfray Street Ballarat. Photo: Ray Brown 17 Mar 2011.

Related posts: 29-03-1862 > 14-04-1862 > 19-05-1862 > 04-06-1862 > 24-06-1862 > 15-07-1862 > 01-03-1863 > 07-08-1863