26-07-1878: Reward for Lost Deeds and Plan.

The Argus, Melbourne, Friday 26th July 1878, page 1.

“TEN SHILLINGS REWARD – LOST, DEEDS and Plan, Elizabeth and Victoria streets. Apply Ferguson and Urie, 10 Collins-street east”.

I have no idea what relevance this is or whether it was actually anything to do with Ferguson & Urie or an employee who may have lost the “deeds”. The address “10 Collins-street east” is six years before the Ferguson & Urie seven storey building was erected on the site in 1884.

Related posts:

22-08-1884: The Ferguson & Urie New Premises at 281-283 Collins Street.

13-12-1877: McNeill’s Art-Union.

The Argus, Melbourne, Thursday 13the December 1877, page 8.

An advertisement appeared in the Argus for “McNeill’s Art-Union”. Signatures of the Committee of Drawing include a “Mr. J. Ross” from “Ferguson & Urie”.

I don’t have any recorded information about an employee named J. Ross who may have worked for the company. His photo doesn’t appear anywhere in the 1887 employee dinner poster so the assumption is that he has left the company sometime between 1877-1887.

18-11-1876: St. Stephen’s Anglican Church, Richmond, Melbourne, Victoria.


The foundation stone of St Stephen’s Church was laid in June 1850 and the incomplete church opened in November 1851. In 1863 the north aisle, designed by Nathaniel Billing, was erected and the west wall rebuilt. The south aisle and chancel were erected in 1876 and the choir vestry in 1923.

The Argus, Melbourne, Saturday 18th November 1876, page 7.

“The Church of England in Richmond celebrated its 25th anniversary on Wednesday evening by a festive gathering in the local hall […]”.

 “….The following list of special gifts was also read:- Chancel and stone work of east window at two friends’ joint cost; chancel window, Mr. George Coppin, M.L.A…”

 “… The Rev. C. T. Perks, the incumbent, in his address, said that an old friend had, unsolicited, offered to give a handsome memorial window to commemorate the 25th anniversary. The work was entrusted to Messrs. Fergusson (sic) and Urie.…”

There are four instances of Ferguson & Urie windows in St Stephens church:

1. The west 25th Anniversary window (1851-1876) is a three light window with the outer lancets having geometric designs with the year 1851 in the left window and 1876 in the right. The centre light depicts the Ascension in the top half with the words “HE ASCENDED INTO HEAVEN” below it and the letters “IHS” in the lower half.  The text at the bottom of the windows reads:  ”GIFT OF JOHN AND MARY J PATERSON LONDON, MARRIED JULY 26th 1859″.

The Argus, Melbourne, Vic, Thursday 28th July 1859, page 4.

“On the 26th inst., at St. Stephen’s, Richmond, by the Rev. C. Perks, John Paterson, Esq., merchant, Melbourne, to Mary Jane, eldest daughter of the late William Mungo Glaister. Esq., London.”

2. The east five light window in the chancel  was donated by entertainer and politician George Selth Coppin. It depicts a full length figure of St. Stephen, the patron saint of the church, in the centre light. The outer lights, of geometric designs, have in each a medallion of the four evangelists, St Matthew as the winged man, St Mark as a winged Lion, St Luke as the winged Bull and St John as an Eagle. Above the five lights is a roundel depicting the Agnes Dei or Paschal lamb carrying the flag of St George and is surrounded by six round lobes of flora with the heavenly Dove in the top lobe.

3. On the South side of the church there is also a quatrefoil window that depicts the holy dove within a Hexagram, or Star of David, and surrounded by floral designs.

4. On the North side there is a quatrefoil that depicts the gold crown in the centre of floral designs.

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12-07-1862: The Shakespeare window at the Haymarket Theatre, Melbourne (also commissioned by Coppin).

External links:

Biography: George Selth Coppin (1819-1906)

Obituary : Coppin, George Selth (1819–1906) (I submitted this transcription to Obituaries Australia on 13-03-2012).


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22-05-1874: Holy Trinity Catholic Church, Westbury, Tasmania

The Mercury, Hobart, Tasmania, Friday 22nd May 1874, page 2.

“OPENING CEREMONIES AT THE CHURCH OF HOLY TRINITY, WESTBURY”

“The Nave is lighted by a magnificent Oriel window in the centre which is a representation of the Divine Lord, surrounded by a representation of the Pelican in the wilderness, the cross and Heart, the cross with the hammer and nails, the cross with the circle of thorns, with I.N.R.I; a representation of the undivided garment of Christ, the lamp of faith, and the lamb. This window was executed by Messrs Ferguson & Urie. It was the gift of Daniel Burke Esq the Warden of Westbury […]”.

“[…] Two stained glass windows with two lights being St Patrick and St Bridget and the other, The Annunciation – a gift from Mrs William Smith of Westbury and the Rev W.J Dunn vicar general. These windows were executed by Ferguson & Urie.[…]”

Photos taken 11th October 2010.

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See post 21-05-1874 for additional article about the Westbury windows.

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21-05-1874 > 22-05-1874


21-05-1874: Holy Trinity Catholic Church, Westbury, Tasmania.

Launceston Examiner, Tasmania, Thursday 21st May 1874, page 3.

 “CHURCH OF THE HOLY TRINITY, WESTBURY”.

 “OPENING CEREMONIES. WEDNESDAY, MAY 20”.

 “…The east end window is the gift of Mr John barber and family; it represents the nativity, the Crucifixion, and the Resurrection, with artistically enriched borders; the colors are exquisitely beautiful. This presentation window came from the establishment of Messrs Couttes and Sons, London, and is an admirable work of art. Another window is of stained glass in two lights each, one representing St. Patrick and St. Bridget, the patron saints of Ireland, the gift of Mr William Smith; and the other “The Annunciation,” the gift of the Very Rev. Vicar-General Dunne. A third window, also of stained glass, is the gift of Mr Dignam, formerly of Westbury, and represents “father, Son, and Holy Ghost,” the church being dedicated to the Holy Trinity. There are also presentation windows by Mr D. Burke, Churchwarden of the church and Warden of the Municipality of Westbury, emblematic of the Crucifixion; and another from funds collected by Mrs Steward, representing Faith, Hope, and Charity. All the stained glass windows, with the exception of the barber presentation at the east end, are the artistic work of Messrs Ure [sic] and Ferguson, Melbourne, and are well worth inspection and study. All the lead lights were made by Howard Bros., Launceston…”

Photos taken 11th October 2010.

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There are a significant number of errors in the article about the windows. According to the actual text on some windows, the Ferguson & Urie windows were donated by the following:

1. Nave – “St Patrick” and “St Bridget” – “The gift of Mrs Thomas Field”.

2. Nave – The Annunciation –“Ave Maria” and “Gratia Plena” – (Hail Mary Full of Grace), “The gift of Mrs William Smith” and “The gift of the Very Rev Dr Dunne V. G”

3. Transept – The only text on the window reads – “Sancta Trinitas Unus Deus” – (The Trinity – The Father, Son & the Holy Ghost) – written in the article as the gift of Mr Dignam.

4. Transept – The only text on the window reads “Fides Spes Caritas” (Faith, Hope & Charity) and written in the article as from funds collected by Mrs Steward.

The window not mentioned in the article is the oriel shaped west window. It was specifically mentioned in an article published the following day but has been included it in this slideshow to complete the full cycle of the Ferguson & Urie windows at Holy Trinity Westbury.

See related posts: 22-05-1874

The east window described as being made by “Couttes and Sons, London” can be see on my alternate site: http://stainedglassaustralia.wordpress.com

1874: The German Lutheran Church, Parliament Place, Melbourne, Victoria.

The German Lutheran Church was built in Parliament Place in 1874 and all the glazing was executed by Ferguson & Urie. The three windows in the apse are the centre piece of the church. All the windows in the Clerestory, and a number of windows in the nave with the red, blue and yellow borders are original Ferguson & Urie glass.

Photos taken 26 September 2010.

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The German Lutheran Church, Parliament place Melbourne.

The first German Lutheran church was built on the current site in 1854 by William Hellings to the designs of Bellairs, Kürsteiner & Co and was replaced in 1874 by the existing Gothic style bluestone church designed by Charles Blachmann and built by Henry Goedeke. All the original stained glass windows in the church were supplied by local stained glass company Ferguson & Urie in 1874 including the simple nave windows with plain glass diamond quarries and red and blue borders (I refer to these as their ‘stock’ windows). Some of these ‘stock’ windows were later replaced by memorial windows made by other stained glass artists. The three apse windows are all the same size with the centre one containing a different design which includes the Hexagram symbol, which is frequently seen as a symbol of the Freemasons (AKA ‘Seal of Solomon’ or’ Shield of David’), and the depiction of the Lamb of god with the victory flag and text below “Ecce Agnus Dei” which refers to John 1:29, “Behold the lamb of god, which taketh away the sin of the world”. The outer two apse windows are of identical design with an eight petal flower inside an eight pointed star which were medieval symbols of resurrection and eternal life. According to the church archives, the centre apse window was invoiced from Ferguson & Urie at £96, 12s on the 16th September 1874. At the top of the western three light window above the main entrance is a sexfoil rose design with red Y‐shaped decorations being symbols of the Trinity. The centre glass window below it was replaced in 1932 with stained glass designed by East Melbourne artist Ola Cohn.

Illustrated Sydney News, NSW, Saturday 16th January 1875, page 3.

“NEW LUTHERAN CHURCH, MELBOURNE.

In February, 1849, the first ship with German immigrants   arrived in Port Phillip; others soon followed, and formed a “Lutheran congregation, holding their services in a building in Collins-street, then the Rev. Mr. Morrison’s church, and now used as a State school. The services were conducted by laymen, a sermon being read by one of them. Mr. Matthias Goethe, one of the professors at Dr. Lang’s college in Sydney, accepted the charge, and, on Good Friday, 1853, was inducted pastor of the Lutheran congregation in Melbourne. Money was then collected, and the erection of a   Lutheran church commenced on the Eastern-hill, on ground granted for that purpose. The cost was £6000, and it was opened in 1854. In 1867 the Rev. Mr. Goethe left for California, and the Rev. Herman Herlitz, from German town, near Geelong, succeeded him as pastor; and the old church being too small, it was resolved to erect a larger and more handsome building. In August, 1872, the plans of Mr. C. H. E. Blachmann were accepted, and the foundation stone of the new building was laid on the 17th of March last. The church when finished will seat about 330 persons, and will cost nearly £4000; the building is of bluestone, with cement dressing. The length, including chancel, is 85 feet; breadth of nave, 23 feet; with aisles each side 7 feet   wide. The height inside to apex of ceiling is 36 feet. The windows to aisles and nave are filled with cathedral glass, having ornamented stained glass borders; but the apse windows are of a more costly description, all made by Messrs. Fergusson [sic] and Urie. The caps of columns carrying nave walls are beautifully foliated. All the fittings including a very handsome pulpit and reading desk, are of polished cedar and blackwood. A handsome organ presented by the Misses Moeglin, at a cost of about £400, will be put up in the gallery. The opening will take place next month”.

♦ Other References: ‘A German Church in the Garden of God’ – Melbourne’s Trinity Lutheran Church 1853-2003. Herbert D Mees General Editor.


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21-11-1873: St. Peter’s Anglican Church, Robe, South Australia.

South Australia Register, Adelaide, Friday 21st November 1873, page 6.

“ROBE, November 18. A movement is on foot in this district for placing a window in St. Peter’s Church in memory of the late George Ormerod. About £100 will be required for the purpose.”

This stained glass window was eventually created. The two light window dedicated to the memory of George Ormerod was created by the Ferguson & Urie stained glass company of Melbourne circa 1874 and depicts the Nativity, Baptism, Resurrection and Ascension.

The Robe church history book supposedly has reference to this window being made by “Ferguson Will and Nyon” which is incorrect from two facets. It obviously should read “Ferguson, Urie and Lyon” but this would also be technically incorrect as the partner in the firm, John Lamb Lyon, officially dissolved his interest in the business with James Ferguson & James Urie on the 29th August 1873 and left for Sydney shortly afterwards. The date of the article above, 21 Nov 1873, is nearly three months after Lyon left the business so the window that was eventually made for Ormerod would have technically been “Ferguson & Urie” and the artist being David Relph Drape.

The former business partner John Lamb Lyon went to Sydney to take up partnership with Daniel Cottier to become Sydney’s premier stained glass studio “Lyon & Cottier”.

Photos kindly contributed by Liz Harfull 19/02/2012.

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The Overland Telegraph, South Australia, 20th April 1872, page 5.

THE LATE MR. ORMEROD.- Our Guichen Bay correspondent writes:- “As announced previously by telegram, Mr. George Ormerod, of Ormerod & Co., died at his Robe residence on the 10th inst. The death of one so long and intimately connected with this district could not but cause the most painful sensation. For some years past Mr. Ormerod has suffered from general debility and mental malady, the result of an overwrought brain. Frequent rallies had given hope that he might yet live many years; but during the last fortnight alarming symptoms showed themselves. Many far and near have watched anxiously the fluctuations of this last attack, still hoping his great vitality would carry him through; but he expired on the evening of the 10th. Mr Ormerod was a member of a very old Lancashire family, and was born at Rochdale in 1822. He came out to Victoria in 1842, and amongst the pioneer squatters settled at Naracoorte, about 1845 to 1846, on the station known as the Naracoorte Station. About 18 years ago he settled at Guichen Bay, opening up a large business there, which has aided greatly in the development of the South East. Mr. Ormerod shrunk from a public career, and the only public positions he held were those of J.P. and Chairman of the Local Road Board. These were retained as long as health permitted. The funeral took place on Friday afternoon, the body being interred in the Robe Cemetery. The procession was largely attended, some coming over 50 miles to be present. Many residents from Kingston testified their regard by following the remains to the grave. The Rev. H. Howitt, of St. Peter’s, preached a funeral sermon last Sunday, in which Mr. Ormerod’s many good qualities were appropriately alluded to. Mr. Ormerod has made a will, and it is understood that the business will be continued as heretofore for the benefit of his widow and family.”


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24-10-1873: The Turkish Baths, Bourke Street, Melbourne, Victoria.

A building occupied by the Levy Brothers in Bourke street Melbourne was converted to Turkish baths by a Mr. S. J. Hosie.

The Argus, Melbourne, Friday 24th October 1873, page 5.

“… The stained glass windows are from the works of Messrs. Ferguson and Urie and the paintings on glass were done by Mr. Moore…”

Thomas Hosie’s Turkish Bathing Palace and Bar was opened by Governor Sir George Bowen on the 23rd of October 1873. The baths were located at Bourke Street East and no longer exists. Nothing is know what happened to the stained glass windows.

HOSIES Turkish Bathing Palace 01


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10-07-1873: St. David’s Cathedral, Hobart, Tasmania.

St David’s Church Hobart Town is being built with the nave, aisles and transepts completed.

The Illustrated Sydney News, 10th June 1873 and  Illustrated Australian News for Home Readers, Melbourne, Friday 10th October 1873, page 170.

“NEW CATHEDRAL OF ST. DAVID, HOBART TOWN”

 “[…] The west elevation consists, in its lower stage, of a porch of no great projection, the front of which exhibits three arched openings. Above this is a noble Gothic window of five lights with decorated tracery in the head. This is filled with plain “cathedral glass” imported from Ferguson, Urie and Co., of Melbourne, as are the windows of the clerestory. Several of the windows of the aisles are filled with stained glass of English manufacture, presented in memoriam by friends of deceased persons.[…]”

The original plain five light west window has been replaced by a modern stained glass window by Joseph Stansfield (date unknown). The plain clerestory windows by Ferguson & Urie are all still original.

Photos taken: 7th Oct 2010 & 12th Aug 2012.

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01-11-1921: The Lady Edith Fergusson memorial window at St. Andrew’s Church, Walkerville, South Australia.

The Register, Adelaide, Tuesday 1st November 1921, page 4.

“Fifty years ago, on October 28, 1871, there passed away the saintly and beautiful spirit of Lady Edith Fergusson, wife of the Governor of that name. She died at Glanville Hall, Semaphore, whither she had been taken for sea air. It was then owned and occupied by Capt. The Hon. John Hart, C.M.G., and now belongs to Mr. Magnus Waid. Lady Edith rests in the North Road Cemetery. The earliest painted window in St. Andrew’s, Walkerville, was raised to her memory in 1873. Mr. and Mrs. H. Kent Hughes presented the glass which was the work of Messrs. Urie & Ferguson, Melbourne. The woodwork was the gift of the congregation, and was designed by Mr. Woods, at that time architect of St. Peter’s Cathedral. A memorial window to Lady Edith is in the Cathedral itself. Lady Edith’s maiden name was Ramsay. Her father, the Marquis of Dalhousie, was Viceroy of India […]”

The remainder of the article is quite lengthy and describes many other historical events and information but not relevant to Ferguson & Urie.

Related posts: 22-10-1872 > 02-11-1872 > 08-01-1873 > 01-11-1921