1867: St Patrick’s Catholic Church Port Fairy

St Patrick’s Catholic Church, Port Fairy, Victoria.

There are many mysteries to be unraveled in historic Ferguson & Urie stained glass windows. This one at Port Fairy in Western Victoria is yet another that I needed to pick to pieces.

The foundation stone of St Patrick’s Catholic Church at Port Fairy (then known as Belfast) was laid on the 30th July 1857 by Bishop James Alipius Goold. The land was donated by one of Port Fairy’s earliest settlers James Atkinson.[1]

The church was built to the designs of London architect Charles Francis Hansom[2] and officially dedicated by Bishop Goold on Thursday 17th January 1861.

In August/September 1868, some stained-glass windows for St Patrick’s were ordered by the Rev James Parle[3] from the Ferguson, Urie & Lyon [4]stained-glass company of North Melbourne. A pair of small two-light windows were the first to be completed and installed on the liturgical south side of the chancel.

The symbolism in the first pair of windows depicts the fleur-de-lis with a crown and the Chi-Rho.

The second pair contains the monogram letters “I.H.C”[5] incorporated with a gold crown and a monogram for the Virgin Mary also with a gold crown. Each of the lancets has the recognisable Ferguson & Urie border design of alternating red and blue glass separated by a flower. The diamond quarries contain repeating patterns of the fleur-de-lis. A quatrefoil in matching colours appears above each pair of windows.

In 2015 master stained-glass craftsman Geoffrey Wallace mentioned some elements in the Ferguson & Urie glass that impressed him, in particular, the ruby red sgraffito rose decoration, in the background of the window depicting the “I.H.C” monogram.

“…There are also two, 2 lancet geometric windows that have the most wonderful sgraffito decoration, particularly the roses…”[6]

The detail of the sgraffito work in the roses is extraordinary, and this level of detail is a highlight of the company’s early stained glass work. St George’s Anglican Church at Queenscliff in Victoria is another example of this detailed sgraffito work in their twelve apostle windows.

The stained glass windows for the main four lights at the liturgical east end of St Patrick’s were originally supposed to depict the Nativity, Baptism, Crucifixion, and Resurrection but these were never ordered by the Rev Parle.

In late September 1867 it was reported;

“…The chancel and spire of the Belfast [Port Fairy] church has been completed. Two very beautiful stained glass windows light the chancel from the northern side, but the great chancel window has not yet been ordered, the estimate of Messrs Ferguson and Co, for which is £250…” [7] – The Age 30th Sept 1867

Almost a year had passed before Rev Parle placed the order for the chancel windows but on the 29th of March 1870 he died, and this would likely be the reason why further progress on the windows was put on hold.

In August 1868 the Melbourne Age reported on the stained-glass for the tracery windows and that temporary windows would be inserted in the lower portions:

“A MAGNIFICENT STAINED GLASS WINDOW has been ordered by the Rev. Mr Parle, for the chancel of St. Patrick’s R.C. Church, Belfast, from Messrs Ferguson, Urie and Lyon, of Melbourne. The design for the four lower or principal openings consists of the nativity, baptism, death and resurrection of our Saviour. In the large circular opening in the upper portion of the tracery the Ascension is the subject, and in the intermediate openings, other scenes in the life of our Saviour are represented. The upper portion is complete, but temporary windows of plain cathedral glass will be inserted in the lower portions. The cost when completed will be £280.” [8] – The Age, Victoria 15th Aug 1868

On the 5th of September further information was reported with a detailed description of the figures that appear in the upper tracery windows:

“ST. PATRICK’S CHURCH, BELFAST.- A new stained glass window has been erected in this church. The lower compartments have been temporarily glazed with plain cathedral glass, but hereafter will be filled in with designs of the Nativity, Baptism, Death, and Resurrection of our Saviour. The tracery about these portions is completed; and in the four trefoils immediately above them are representations of the four Evangelists. In the central and uppermost opening is the Ascension, and in those on either side the Annunciation, and the descent of the Holy Ghost on the Apostles; the various interstices being filled with appropriate emblems. The coloring is very beautiful, and, both in design and execution, this window is a very creditable production of colonial art. It is, we believe, from the establishment of Messrs. Ferguson, Urie, and Lyon, Curzon street, North Melbourne.”[9] – Advocate, Victoria 5th Sep 1868

Starting from the top of the arrangement in the tracery windows is the Ascension. Directly below this is the Paschal Lamb or Lamb of God with Victory Banner. On the left is the Annunciation of Mary and on the right is the Descent of the Holy Ghost. The lower row of four windows depicts the four evangelists as their alter egos, St Mathew as the Winged Man, St Mark as the Winged Lion, St Luke as the Winged Bull, and St John as the Eagle.

Reports of the stained glass windows for St Patrick’s even made it across the globe to Ireland.

“The Builder informs us that “a stained-glass window has been ordered by the Rev. Mr. Parle, for the chancel of St. Patricks (R. C.) Church, Belfast, from Messrs. Ferguson, Urie, and Lyon, of Melbourne”!! Was there not a possibility of the reverend gentleman procuring a window somewhat nearer home?”[10]

The writer from the ‘Dublin Builder’ of November 1868 has me perplexed with this quip. I’m not sure if it was meant to be a joke or whether he was truly oblivious to the ‘Belfast’ he refers to being in Australia and not Ireland.

The temporary cathedral glass that was installed in the four lancets below the Ferguson, Urie and Lyon tracery windows remained an uninspiring bland feature of the chancel of St Patrick’s for more than half a century. They were eventually completed by the Melbourne stained glass of firm Brooks, Robinson & Co circa 1920, but they didn’t depict the scenes originally intended. The scenes in each of the four lights now depict the Agony in the Garden, Christ bearing the Cross, Crucifixion, and the Ascension. 

The depiction of Christ in the window at the top of the tracery had at some point in time been removed for repair or conservation and unfortunately, it was re-installed back to front, which means the delicately painted side was outside and exposed to the weather, which significantly damaged that window. In May 2015, Geoffrey Wallace indicated:

“…The East window has the tracery section done by F&U while the lancets below are by Brooks Robinson.  At the top is an image of God the Father…Unfortunately, someone has installed this panel back to front and most of the paint has washed off…”[11]

A historic black and white photo of the chancel of St Patrick’s dated circa 1920 reveals that the image of Christ in the tracery window is facing to the right which means that it had been installed back to front before 1920. The Lamb carrying the banner below was also facing the wrong way.

In 2017 stained glass craftsman Robert Rusev[12] from Melbourne was commissioned to do some conservation work on the four lancets made by Brooks, Robinson & Co. In addition to that, Rob indicated the following:

“I rectified that situation of the Ascension window being installed painted side out, but I’m afraid I was too late. Almost all of the painted detail has been lost.” [13]

Robert also rectified the reverse installation of the Lamb with Banner window below Christ. 

Rob also wrote:

“… You may have also noticed that the St. Mark roundel is not original. Whilst working I bumped into the old fellow that broke it and all those years later he was still very upset on out it…” [14]

The History of Port Fairy:

Circa 1828, Captain Henry Wishart steered his cutter, the “Fairy,” to shelter from a storm in a little bay off the southwest coast of Victoria. He named the inlet “Port Fairy” after his vessel and it later became the site of a busy whaling station. In less than twelve years unsustainable fishing practices had decimated the whale population in that area and by1840 it was closed as a whaling station. After more than 175 years the fragile whale population is still recovering.

In 1843 the Government wanted a township established in the area and began selling significant parcels of land at very cheap prices. These land sales had a special condition attached to encourage settlers to establish a township. James Atkinson[15], in partnership with William Rutledge and others, purchased 5120 acres from the Crown and Atkinson named the area “Belfast” after his birthplace. The sale to Atkinson was published in the Government Gazette on the 19th Sep 1843[16] but the concept was flawed. Atkinson’s sizeable land holding was considered more of a threat and eventually meant the establishment of the town would stall.

In 1887 the residents of Belfast petitioned the Victorian Government to rename the township back to its original name “Port Fairy” and in May 1887 the Governor of Victoria, Sir Henry Brougham Loch, officially proclaimed the name change[17].

In 2012, nearly 185 years after the inlet had been discovered; Port Fairy was bestowed with the honor of being the world’s most liveable town.[18].

Another church at Port Fairy that has extant stained glass windows by Ferguson & Urie is St John’s Anglican Church.

Acknowledgements:

My thanks to Geoffrey Wallace and Robert Rusev for their contribution of photographs and quotes for this article, and for all the fantastic conservation and replica work they have done and continue to do on the historic Ferguson & Urie and other historic stained glass windows.

Foot notes:


[1] James Atkinson 1804-1864, proprietor of the “Special Survey” for land at Port Fairy in 1843.

[2] Charles Francis Hansom (1817 – 1888)

[3] The Rev James Parle (1811-1870) also instigated the Ferguson & Urie windows for the Infant Jesus Catholic Church at Koroit, Victoria, in November 1870.

[4] John Lamb Lyon became a partner with Ferguson & Urie between 1866 and 1873 at which time the company name was known as Ferguson, Urie and Lyon.

[5] IHC or IHS is a monogram contraction of the Greek word for Jesus.

[6] Geoffrey Wallace email to Ray Brown 14th May 2015.

[7] The Age, Melbourne, Vic, Monday 30th September 1867, page 6.

[8] The Age, Melbourne, Vic, Saturday 15th August 1868, page 3.

[9] Advocate, Melbourne, Vic, Saturday 5th September 1868, page 11.

[10] The Dublin Builder, Ireland, Sunday 1st November 1868, page 9.

[11] Geoffrey Wallace, May 2015.

[12] Robert Rusev was formerly an apprentice to Master Glass Craftsman Geoffrey Wallace.

[13] Robert Rusev email 12th June 2022.

[14]  Robert Rusev email 14th June 2022.

[15]  James Atkinson died in Sydney on the 17th of December 1864.

[16] Victorian Govt Gazette, No.78, Tuesday 19th September 1843, page 1209

[17] Victorian Govt Gazette, No.46, Friday 27th May 1887, page 1388.

[18] The Standard, Vic, 28th November 2012.  (on-line accessed 18 Oct 2020)


Short link to this page: https://wp.me/p28nLD-3af

© Copyright

1873: Christ Church Anglican, Geelong, Victoria.

The John Rendall Morris (1820-1872) Memorial Window.

In October 1872 the committee of Christ Church in Moorabool Street, Geelong, requested the Ferguson & Urie stained glass company of North Melbourne to provide some designs for a memorial window to be erected in the liturgical north transept.

“Members of almost every denomination have contributed to the memorial window which it is proposed to place in Christ Church to the memory of the late Mr. J. R. Morris, the total amount received to date being about £112. About £40 more will be required, but, as several friends of the deceased have not sent in their subscription, and as others have intimated their willingness to increase their subscriptions, if found necessary to do so, the committee have requested Messrs Urie and Ferguson to furnish two designs, which are expected to arrive shortly.”[1]

The window was to be a memorial the memory of their much respected Church Warden and Trustee, John Rendall Morris who died aged 53 on the 15th September 1872.

An extraordinary list of prominent citizens of Geelong, including the Mayor, Sir Charles Sladen, was formed as the committee for the erection of the window[2].

By the end of November 1872 a total of £145 had been subscribed for the window of its reported total cost of £160[3] and by early December a design by the Ferguson & Urie stained glass company was on public display at the establishment of Henry Franks, stationer and book seller, of Malop Street in Geelong:

“The coloured design for the stained glass window to be placed in the north transept of Christ Church as a memorial of the late Mr J. R. Morris is now being exhibited at Mr Franks’s. In the centre of the design there is a representation of the Transfiguration of our Saviour, Moses and Elias being on either side, and Peter, James, and John underneath as witnesses. In the tracery there are figures of Abraham, Joshua, and David – representative characters of the patriarchs, judges, and kings of Israel. Next are busts of the twelve minor prophets, and on the outer side lights there are figures of the four greater prophets – Isaiah, Jeremiah, Ezekiel, and Daniel.”[4]

On the 23rd of December 1872 a meeting of the subscribers was held at the Market-Square offices of Geelong accountant, George Bowes Fraser (1810-1881)[5] , for the purpose of approving Ferguson & Urie’s proposed design[6].

The extremely ambitious and complex design contains the figures of twenty six prophets and saints and has the memorial text at the base;

“TO THE GLORY OF GOD – AND IN MEMORY OF – JOHN RENDALL MORRIS – CHURCHWARDEN & TRUSTEE – WHO DIED SEPTR 15 1872”

Exactly when the window was erected or dedicated in early 1873 has not yet been determined but 140 years later, in November 2013, mindless vandals managed to smash the lower centre area of this window and many others with bricks.

The Caulfield stained glass studio of Geoffrey Wallace is undertaking the repair and conservation work.

Photos taken between 2010 and 2013.

This slideshow requires JavaScript.

[View larger images]

The twenty six saints and prophets depicted in the window with Christ are:

Top Row:

ABRAM, ISAAC, JACOB, JOSHUA, SAMUEL, DAVID

2nd Row:

JOEL, AMOS, OBADIAH, JONAH, MICAH, NAHUM, ZEPHANIAH, HABAKKUK, HAGGAI, ZECHARIAH

3rd Row:

ISAIAH, MOSES, (CHRIST) IMMANUEL, ELIJAH, EZEKIEL,

4th (bottom) Row:

JEREMIAH, ST JAMES, ST PETER, ST JOHN, DANIEL


John Rendall Morris (1820-1872).

John Rendall Morris was born 23rd January 1820, Islington, Middlesex, England, the son of John Morris and Jane Frances Watkins[7].

As a young man in his early 20’s he immigrated to Australia where, on the 6th of April 1843, he married Annie Wesley Morris nee Howe (c.1824-1866), daughter of a founder of the Sydney Gazette, Robert Howe, at St Lawrence Church, in Sydney[8].

Circa 1852 they moved to Geelong where he was appointed manager of the Bank of Australasia[9]. He was very active in community and church circles and in 1860[10], 1862[11] and 1869[12] he held appointments as Territorial Magistrate for Geelong. In 1861 he was a member of the Committee of Management for the Geelong Infirmary and Benevolent Asylum[13] but known to be involved in some capacity with that institution as early as 1858. He was also a well-respected member of the Anglican Church community and held the position of Trustee and Warden of Christ Church Geelong where his memorial window is located.

On the 5th June 1866 his wife Annie died at the age of 42[14] and two years later he married Priscilla Emily Ryland at Christ Church Geelong, on the 12th November 1868[15].

John Rendall Morris died on the 15th September 1872 aged 53[16]. He was buried at the Geelong Eastern cemetery on the 17th with his first wife Annie, who died in 1866 and second wife Priscilla, who died in 1891[17]. He is not known to have had any children by either marriage.


Significant transcriptions:

Geelong Advertiser, Vic, Tuesday 24th September 1872, page 2.

“It is proposed to place a large stained glass window in the north transept of Christ Church, in memory of the late Mr J. R. Morris, who was a constant attendant at the church, and an indefatigable office-bearer. That the window will be a valuable one may be judged from the fact that the following influential committee has been formed to carry out the object in view, and will receive subscriptions in its aid, viz:- The Hon. C. Sladen, the mayor of Geelong, and Messrs D. C. Macarthur, J. Bell, M. Elliott, E. Morrah, F. G. Smith, J. Galletly, J. Simpson, A. Buchanan, S. V. Buckland, S. A. Bryant, F. Shaw, M.D., J. B. Wilson, M.A., G. F. Belcher, T. C. Harwood, A. Douglass, C. Ibbotson, T. Roadnight, H. Franks, and G. A. Stephen. Mr A. S. Park, of the Colonial Bank, has been appointed treasurer, and Mr. G. Fraser, hon. secretary of the committee.”

Geelong Advertiser, Vic, Friday 18th October 1872, page 2.

“Members of almost every denomination have contributed to the memorial window which it is proposed to place in Christ Church to the memory of the late Mr. J. R. Morris, the total amount received to date being about £112. About £40 more will be required, but, as several friends of the deceased have not sent in their subscription, and as others have intimated their willingness to increase their subscriptions, if found necessary to do so, the committee have requested Messrs Urie and Ferguson to furnish two designs, which are expected to arrive shortly.”

Geelong Advertiser, Vic, Thursday 19th December 1872, page 3.

“A MEETING of Subscribers to the Memorial Window to be placed in Christ Church, in memory of the late Mr. J. R. Morris, will be held at the office of Mr. G. B. Fraser, Market-Square, on Monday, 23rd instant, at 4 o’clock, to approve of the design. A. STEELE PARK, Hon. Treasurer.”

Other historic Ferguson & Urie windows in Christ Church:

1869: The Chancel window.

1872: The Anglican Diocese 25th Anniversary window.

Footnotes:

[1] Geelong Advertiser, Vic, Friday 18th October 1872, page 2.

[2] Geelong Advertiser, Vic, Tuesday 24th September 1872, page 2.

[3] Geelong Advertiser, Vic, Saturday 30th November 1872, page 2.

[4] Geelong Advertiser, Vic, Monday 9th December 1872, page 2.

[5] Vic BDM: 4555/1881, age 71. Geelong Eastern Cemetery EAS-COE-OLD-A-807-355.

[6] Geelong Advertiser, Vic, Thursday 19th December 1872, page 3.

[7] Vic BDM: 6921/1872.

[8] The Sydney Morning Herald, NSW, Friday 7th April 1843, page 3.

[9] The Argus, Melbourne, Vic, Monday 16th September 1872, page 5.

[10] Victorian Govt Gazette 58, Friday 11th May 1860, page 881.

[11] Victorian Govt Gazette 140, Tuesday 9th December 1862, page 2507.

[12] Victorian Govt Gazette 1, Tuesday 5th January 1869, page 4

[13] Ninth Annual Report of the Committee of Management, Geelong, 1861.

[14] The Argus, Melbourne, Vic, Wednesday 6th June 1866, page 4.

[15] The Argus, Melbourne, Vic, Monday 7th December 1868, page 4.

[16] The Argus, Melbourne, Vic, Tuesday 17th September 1872, page 4.

[17] The Argus, Melbourne, Vic, Friday 16th October 1891, page 1.

 

1888: Presbyterian Church, Toorak, Victoria.

In the liturgical south transept of the Toorak Presbyterian Church (Uniting) at Toorak is a two-light Ferguson & Urie stained glass window erected to the memory of Mary Buist Bayles (1856-1888).

Photos taken 21st August 2010.
(Unfortunately these are poor quality with an early Pentax Optio S10 pocket camera).

This slideshow requires JavaScript.

[View all photos]

In the tracery above the two lights is a round window with five lobes (a cinqfoil or pentafoil). The centre of the window depicts the descending dove with the outer ring and scrolls within, containing the scriptural words;

“THE ETERNAL GOD IS THY REFUGE & UNDERNEATH ARE THE EVERLASTING ARMS” (Deuteronomy 33:27)

The outer five lobes of the window contain floral designs with a dotted white border and the two lights below contain biblical scenes with scriptural text below:

“I AM THE RESURRECTION AND THE LIFE, JOHN XI.25” (John 11:25)

The scene in this left light is Jesus meeting the grieving Martha who was the sister of Lazarus. He tells Martha that he is the resurrection and the life and that she should have faith that he will bring Lazarus back to life.

“SHE HAD WROUGHT A GOOD WORK. SHE HATH DONE WHAT SHE COULD” (Mark 14: 6-8)

The right light depicts the “Anointing at Bethany” where Jesus is seen reclining at the table of Simon the Leper and Mary of Bethany is anointing him with expensive perfume from an alabaster jar and then wiping his feet with her long hair.

Across the base of the windows is the memorial text to Mary Bayles;

“IN LOVING MEMORY OF MARY BUIST, DAUGHTER OF WILLIAM AND ISABEL BAYLES, DIED NOVEMBER 24th 1888.”

Mary Buist Bayles (1856-1888).

Mary Buist Bayles was the eldest daughter of William Bayles (1820-1903)[1] and Isabel née Buist (1830-1917)[2].

Her father William had arrived in Van Diemen’s Land (Tasmania) c.1846 and married Isabel Buist at Pituncarty, Maquarie River, on the 11th July 1854[3]. The family later moved to Melbourne where Mary was born at Regent Street, Carlton Gardens, on the 29th December 1855[4].

In 1861 her father entered public life and held many prominent council and political positions including that of Mayor of Melbourne in 1865-66, alderman in 1869 and acting Mayor in 1900[5].

Mary Buist Bayles never married and died aged 33 at her parent’s home, Yar Orrong, Toorak, on the 24th November 1888[6] and was buried in the Bayles family plot at the St Kilda cemetery[7].

The stained glass window was erected in her memory in the Toorak Presbyterian (now Uniting) church, the same church that her father had laid the foundation stone of on the 24th May 1875[8].

The window underwent restoration and conservation work in 2001 by the studio of Geoffrey Wallace at Caulfield.

 

Significant tabloid transcriptions:

The Argus, Melbourne, Vic, Friday 21st July 1854, page 4.

“On the 11th inst., at Pituncarty, Maquarie River, Van Diemen’s land, by the Rev. Dr. Lillie, William Bayles,  Esq., merchant of this city, to Miss Isabel, youngest daughter of Mrs. Buist.”

The Argus, Melbourne, Vic, Wednesday 2nd January 1856, page 4.

“On Saturday, the 29th ult., Regent-street, Carlton gardens, Mrs. William Bayles, of a daughter.”

The Argus, Melbourne, Vic, Tuesday 25th May 1875, page 7.

“NEW PRESBYTERIAN CHURCH, TOORAK.

The ceremony of laying the memorial stone of a new Presbyterian church, on the Toorak road, took place yesterday morning in the presence of about 100 persons…”

 “…Mr. T. BAILEY, on behalf of the subscribers, presented Mr. W. Bayles, M.L.A., with a silver trowel, and the stone having been lowered, Mr. Bayles declared it to have been well and truly laid…”

The Argus, Melbourne, Vic, Monday 26th November 1888, page 1.

“BAYLES.- On the 24th inst, at Yar Orrong, Toorak, Mary Buist, eldest daughter of William and Isabel Bayles.”

 The Argus, Melbourne, Vic, 26th November 1888, page 1.

 “THE Friends of Mr. WILLIAM BAYLES are informed that the remains of his late daughter, Miss Mary Buist, will be interred in the St. Kilda Cemetery. The funeral is appointed to move from his residence, Yar Orrong, Toorak, THIS DAY (Monday, 26th inst.), at 2 o’clock. ALF. AUG. SLEIGHT, undertaker.”

The Argus, Melbourne, Vic, Friday 9th October 1903, page 6.

“DEATH OF ALDERMAN BAYLES.”

 “The death of alderman Bayles, at the age of 83 years, which took place at his residence, Albany-road, Toorak, yesterday, removes a well-known figure in the commercial, political, and civic life of Melbourne during the last half-century, and a member of the community whose probity and business capacity and excellent qualities of mind and heart won the esteem of all whom he came in contact. He was born in Yorkshire on November 1, 1820, and emigrated to Tasmania in 1846. Crossing to Melbourne in 1852, he commenced business as merchant and ship-owner, first in partnership with Mr. Headlam, under the style of Headlam, Bayles, and Co., and subsequently with Mr. W. H. Melville, under the style of Bayles and Co. He relinquished this business in 1865, on taking up pastoral pursuits on large properties he acquired in the Western district of the state. He was “father of the City Council,” having been elected for Lonsdale Ward on November 4, 1861. A public-spirited man, and given to hospitality, Mr. Bayles elected Mayor for the term 1865-1866, and on July 19, 1869, he was appointed alderman for Gipps Ward. Shortly after his election to the council he was appointed a member of the finance committee, a position he held until his death. As a matter of fact, he presided at the committee meeting on September 10. As chairman of the committee, it is frankly acknowledged, his skilful and careful supervision of the city finances largely conduced to the gratifying financial position of the council on the money market. Mr. Bayles entered active political life in 1864 as a member of the Legislative Assembly for Villiers and Heytsbury, a constituency he subsequently successfully contested on eight successive occasions. He was a staunch member of the constitutional party, and became Commissioner of Trade and Customs in the Sladen Ministry, when held office from May 6 to July 11, 1868. Among the public companies with which Mr. Bayles was identified he was one of the largest shareholders in the old Launceston and Melbourne Steam Navigation Company, and in recent years he was a member of the directorate of the Union Trustees Company. He was a leading member of the Toorak Presbyterian Church, and a generous supporter of its ordinances and work. He also held office for many years on the kirk session and board of management. Mr. Bayles married Miss Buist, a sister of Mrs. James Gibson, of Belle Vue, Tasmania, who survives her husband, and he leaves a family of two daughters and three sons. Alderman Bayles retained comparatively good health until a few months ago, and his death was due to extreme age.”

Related post: 05-03-1882: Presbyterian (Uniting) Church, 603 Toorak Rd. Toorak, Victoria. (The Ormond window by Ferguson & Urie).

External links: Biography: William Bayles (1820-1903).

Footnotes:

 


Short link to this page: https://wp.me/p28nLD-2jF

© Copyright

1897: The Singleton Dispensary, Collingwood, Victoria,

In 1891 the well known and much respected philanthropist Dr. John Singleton died at his residence in East Melbourne at the age of 84.

A native of Dublin, Ireland, Dr John Singleton (1808-1891) was remembered by the poor of the Collingwood district as their Saviour in times of need. 

In February 1897 the public subscribed for a stained glass window to be erected in his memory[1]. The window was created by the Ferguson & Urie stained glass company of Franklin Street Melbourne and was unveiled on the 2nd of April 1897 by the Hon C. J. Ham[2].

The date 1897 also makes this stained glass window amongst the latest surviving windows known by the firm.

The window was originally erected in Singleton’s Medical Dispensary in Wellington-street, Collingwood in 1897 and was donated to the City of Collingwood in 1979, and subsequently installed on the staircase of the Collingwood Town Hall.[3]

As at August 2013, one end of the old dispensary building in Collingwood now hosts “Wet on Wellington“, a business advertised as “Melbourne’s Finest Gay Pool & Sauna”.

Photos of the window were taken 11th July 2012 at Geoffrey Wallace ‘s Studio at Caulfield.

This slideshow requires JavaScript.

[View larger images]

In 2011 the window underwent heritage restoration and conservation work by Geoffrey Wallace’s stained glass studio and it has remained at the studio since 2011 whilst the Collingwood Town Hall undergoes refurbishment. The window is scheduled to be re-installed in Aug/Sept 2013.

Note: The overall picture of the entire window in the slideshow is a composite image made up of the three individual sections of the window in Geoffrey Wallace’s studio in Caulfield. Geoff also advises that the image of the Singleton Armoral Bearings at the bottom right is not an original piece from Ferguson & Urie era .

The central figurative scene of the window depicts the biblical scene where the Apostles Peter and John refuse the disabled man money and command him to walk in the name of Jesus

The biblical text beneath the image reads:

“THEN PETER SAID SILVER AND GOLD HAVE I NONE BUT SUCH AS I HAVE  GIVE I THEE IN THE NAME OF JESUS CHRIST OF NAZARETH RISE UP AND WALK”.
(King James Bible – ‘Acts 3-6’ – where Peter heals the lame beggar and commands him to walk in the name of Jesus).

The memorial text to Dr John Singleton appears at the base of the window and reads:

“IN MEMORY OF JOHN SINGLETON ESQ, M.D THE FOUNDER OF THIS INSTITUTION  AND OF SEVERAL OTHER CHARITIES IN COLLINGWOOD WHO DURING A LIFE OF EIGHTY FOUR YEARS DEVOTED HIMSELF TO THE RELIEF OF HUMAN SUFFERING ESPECIALLY AMONG THE POOR MAKING ALL HIS CHARITIES THE MEANS OF DIRECTING MEN TO CHRIST FOR THE SALVATION OF GOD THROUGH THE HOLY SPIRIT. HE DIED 30th SEPT 1891, TRUSTING IN CHRIST”.

The bottom left of the window depicts an extraordinarily detailed portrait of the elderly doctor Singleton. So fine is the artistic detail, that practically every hair in his long white beard is visible in intricate detail as well as his facial signs of age. The portrait has been done in one single roundel of glass of about 15cm in diameter which makes it all the more remarkable in fine artistic stained glass talent.

At the bottom right is the heraldic symbol and motto of the Singleton family. It depicts a knight’s iron gloved arm with his hand holding an arrow with the Latin text below:

“CONSEQUITUR QUODGUMQUE PETIT” (“He attains whatever he attempts”)

Photos were taken at Geoffrey Wallace’s Stained glass studio 11th July 2013.

So who was Dr. John Singleton?

Dr John Singleton (1808-1891)

Having received a favourable report of the colonies from his brother, the Rev William Singleton (1804 – 1875) who had arrived earlier in 1849, Dr. John Singleton obtained a position as ships surgeon aboard the ‘Harpley’ and arrived in Australia with his family on the 30th January 1851[4]. He was the founder of the Free Medical Mission Dispensary, the Collingwood Temperance Home for Friendless Women, the Bread Fund, and Night Shelters at Collingwood and West Melbourne and the Widow’s Cottages at Collingwood”[5].

Having personally experienced the effects of alcohol, he deduced that liquor was nothing more than a poison which had no nutritional or medicinal properties and from this he set about to debunk the practice that for centuries saw its wide-spread prescription by the medical profession as a cure for many ailments[6]. This also lead to his successful establishment of Temperance Societies, the Society for the Promotion of Morality, a close association with the Salvation Army, and many other societies and charities associated with the well-being of the poor, destitute, and downcast members of society.

Dr John Singleton died at his residence “Ormiston House”, in Grey-street East Melbourne on the 30th September 1891 in his 84th year[7]. His funeral procession travelled the 4.5km journey via his Collingwood Dispensary in Wellington street where it stopped for a photograph[8], before continuing to the Melbourne General Cemetery where he was interred with his wife Isabella (nee Daunt) who pre-deceased him 7th December 1886[9].

Portraits of Dr John Singleton can be found in the Royal Children’s Hospital, Melbourne, and the Singleton Medical Welfare Centre (the original Heritage listed dispensary) in Wellington-street Collingwood[10]. The stained glass window created by the Ferguson & Urie company over a century ago is now located in the Collingwood Town Hall.

The Singleton family grave-site was restored in 2013-14.

Significant or notable transcriptions:

Mercury and Weekly Courier, Vic, Thursday 4th February 1897, page 3.

“NOTICE Subscriptions will be received in aid of a Memorial Window for the late Dr. Singleton to be erected in the Dispensary.”

Extract from the 28th Annual Singleton Dispensary Report, Collingwood Sept 1898[11].

“…The Committee had the pleasure, on the 2nd of April, of unveiling in the Dispensary, a memorial window, erected in honor of the late Dr. Singleton, the founder of the institution and of several other public charities in the district. In its erection they had the assistance of many gentlemen, the friends of the late doctor, and former patients at the Dispensary. It was designed by Messrs. Ferguson and Urie; was unveiled by the Hon. C. J. Ham; and represents on a scale, third of life size, the apostles Peter and John healing the sick at the Gate Beautiful, of the Temple at Jerusalem. Below the picture is a tablet in stained glass recording that Dr. John Singleton, during eighty-four years had devoted himself to the relief of human suffering, especially among the poor, making all his charities the means of directing men to Christ. A medallion portrait of Dr. Singleton is placed on one side of the inscription, and on the other is his crest and motto.”

Illustrated Australian News, Melb, Vic, Saturday 7th Nov 1891, page 17.

(the original article includes an engraving of Dr. John Singleton. The image is also displayed in the slideshow of images above)

“THE LATE DR. SINGLETON”.

“The announcement of the death of Dr. John Singleton will be received with regret, not only by the class brought immediately into contact with the deceased gentleman, the poor and the suffering, but by the public generally, to whom the figure of the veteran philanthropist was as familiar as it was respected. Dr. John Singleton was born on 2nd January, 1808. He was one of a family of nine children, six sons and three daughters, and, as he evinced at an early date a decided partiality for the medical profession, attended at the Apothecaries’ Hall, where he passed the classical examination at 14 years of age. He went through the course for matriculation at Trinity College before he was 15, and was articled for three years to a licentiate apothecary, a tenant of his father’s, in Kells, County Meath. It was while he was thus occupied that he felt a spiritual awakening, which influenced all his after life. He was married in 1834, when he was 26 years of age and in the enjoyment of a fair practice as a doctor. After his marriage he and Mrs. Singleton commenced the charitable and missionary work together, which they persistently carried on to the last. In September, 1850, Dr. Singleton accompanied by his wife and seven children left Plymouth for Australia in the ship Harpley, which arrived in Port Phillip on the 30th January, 1851, from which time this colony has been their home. Since he first set foot in this country Dr. Singletons life has been devoted to one unbroken effort to assuage the lot of the homeless, the friendless, the miserable or the vicious, and in every department of the benevolent endeavour he laboured untiringly. In the early days of the colony, when organised philanthropy had scarcely been thought of, Dr. Singleton devoted himself earnestly to his labour of love, with the result that many of the most flourishing institutions that now exist to alleviate the distress of the unfortunate classes received their first impetus. Although in his 83rd year, and with a record for sheer hard work that can be boasted by few public men, Dr. Singleton was still active in his benevolent and professional duties till the commencement of this year. Then advanced age and the calls that he had made on his constitution began to tell, and he was seized with a sharp attack of sickness. Directly he was able to, however, he resumed his efforts in the cause of philanthropy, till some four months ago he was again compelled to take to his bed. Several times he rallied, with remarkable vigour and vitality for a man of his advanced age; but a month ago he commenced to sink steadily, and it became apparent to his medical advisers that life could only be prolonged for a few hours. On the 29th Sept, he became unconscious, in which state he remained till he expired, on the morning of 1st October. The immediate cause of death was inflammation of the lungs, contributed to by a severe attack of influenza”.

The Argus, Melbourne, Vic, Friday 2nd October 1891, page 6.

“DEATH OF DR. SINGLETON”

“Dr. John Singleton, whose name has been known in Melbourne for over 40 years as that of a generous-minded philanthropist, died at half-past 11 o’clock on Wednesday night at his residence, Ormiston, Grey-street, East Melbourne. The deceased gentleman, who was 84 years of age, suffered for sometime past from cystitis, and was attended during his last illness by Dr. Macmillan, Dr. McColl, and his son, Mr. T. Singleton. He was conscious up to the last, and spoke intelligibly to his family gathered round his bedside just before he died.

Dr. Singleton was born on the 2nd January 1808, at Dublin, and received his early education at the ‘Apothecaries’-hall. He was afterwards apprenticed for three years to a licentiate apothecary in the town of Kells, County Meath, and completing his medical studies under the tuition of a retired navy surgeon, he took his degree of M.D. at the University of Glasgow. He afterwards purchased a dispensary in Dublin, and was in practice there during the ravages of the Asiatic cholera. He was very successful in his treatment of this disease, and having communicated his method to the London Board of Health it was approved by that body, and circulated far and wide in printed form. Dr. John Singleton had during the years of his apprenticeship become a total abstainer, and he remained one to the end of his life, being at all times a sturdy advocate of the principle. It was his experiences of the terrible sufferings of the poor during the cholera season which stirred his sympathetic nature, and gave to his mind that philanthropic bent, which was his distinguishing characteristic in after life. He devoted himself with ardour to the relief of the poor in their sufferings, and was a constant and welcome visitor in the crowded wards of the hospitals. He also extended his sympathy to the criminal classes, and was a regular visitor of the gaols, ardently assisting in the benevolent movements then at work for the amelioration of the condition of the criminals who were confined in them. Amongst others whom he visited in gaol was Mr. (now Sir Charles) Gavan Duffy, who was a political prisoner. Having been from his early years deeply impressed on the subject of religion, Dr. Singleton did much evangelistic work, particularly amongst young people, over whom his entire disinterestedness and manifest sincerity procured him a great influence.

In September, 1850, influenced by the favourable accounts received from a brother who had preceded him, Dr. Singleton set sail with his family for Australia. He procured a position as medical officer on board the sailing ship Harpley, and arrived in Melbourne at the end of January, 1850. [sic] The rush to the gold-fields followed, and for five or six years succeeding his arrival Dr. Singleton had a very extensive practice. He then changed his residence to Warrnambool, where he remained five of six years, but afterwards removed to Maryborough, on account of the failing health of one of his children, who required a change of climate. In the year 1868 he returned to the neighbourhood of Melbourne, taking up his residence in Hawthorn, and he has resided in Melbourne and suburbs ever since. During his residence in the country Dr. Singleton continued the active philanthropic work which he had embraced immediately upon his arrival in the colony. In those early days of the colony money was easily made and quickly spent, and, in consequence, there was a great deal of excessive drinking. Dr. Singleton succeded [sic] in forming several temperance societies, and took an active part in religious movements. The condition of the aboriginals attracted his notice, and finding that many of them were being corrupted by the drinking habits of the white population, and that their numbers were becoming rapidly decreased, he induced the Government to establish the Framlingham Station, where the blacks were cared for and protected. Whilst he resided in Maryborough a camp of Maoris settled there, who had adopted so much of civilised customs as to join in the rush to the new gold-field. One day, on visiting this camp, Dr. Singleton found it attacked by an overpowering force of Chinamen. He rushed between the combatants, and at great personal risk succeeded in separating them and protecting the Maoris. This courageous championship gained him great influence over them, and he made use of it in an endeavour to Christianise them, and succeeded in inducing them to attend classes for secular and spiritual instruction as long as they remained in the district.

In January, 1869, Dr. Singleton established in Perry-street, Collingwood, in the centre of dense population, mostly of the poorer class, a Free Medical Mission Dispensary, on the principles of the British Medical Mission Dispensary. The principal object of the Dispensary was to relieve the necessities of the sick poor of Collingwood, Fitzroy, and the adjacent districts, but Dr. Singleton also used it to bear a public testimony in support of his belief that every form of disease could be more successfully without the aid of intoxicating liquors than with them, and that the use of these stimulants was productive of evil results in fostering a love for them. Whatever may be said as to this special feature in connection with the method of treatment pursued at the Free Dispensary, there can be no two opinions regarding the immense benefits which it has conferred upon the poor of the neighbourhood. Up to the year 1888 145,000 attendants had received free medical relief. Dr. Singleton placed his medical skill and his purse freely at the disposal of the poor who sought relief there, and he always endeavoured to make the mission a means of promoting the social, moral, and religious interests of the poor. The report of the institution for the year 1888 stated that latterly the applications for aid had become much more numerous; almost every form of disease had been treated during the year, but by far the greater number were of a feverish nature, from feverish colds to cases of typhoid in an aggravated form. The results of the treatment, which was simple and non-alcoholic, were decidedly successful. On the 22nd of June, 1887, the lease of the ground on which the Medical Mission stood having expired, Dr. Singleton purchased the ground at auction, and, having collected £2,250 from the public, the erection of a new and more suitable building has been commenced. So great was the interest felt by Dr. Singleton in the project that, when prostrated by a dangerous illness, he expended what little strength remained to him in writing a letter to the Argus advocating its claims to the support of the charitable, and appealing for co-operation in a plan for raising the necessary money to complete the structure.

Dr. Singleton’s philanthropic efforts were not confined within the limits of the institution referred to. Every effort for improving the condition of the poor, no matter from whence it originated, had his hearty support. In this spirit he accepted the co-operation of the Salvation Army, and worked heartily with that organisation. So far-reaching was his charity that his name is truly a household word almost all over Victoria. Amongst other institutions which owe their origin and support in a great measure to his efforts may be mentioned the Home for Fallen Women, founded about the year 1871, in Islington-street, Collingwood. He it was who first mooted the project to the Morality Society of that day, and very soon after it was opened the management fell entirely into his hands. There is an average attendance there of between 30 and 70 persons. Nearly 3,000 unfortunate women have from time to time found a friendly welcome and shelter within its walls. To very many, indeed, it has been the starting point from which they have set out on a new career, whilst thousands more of friendless and almost hopeless women have found there an asylum from the temptation and a home until some honest employment was found. Attached to the institution a few small cottages have been erected, where from 25 to 30 aged widows are provided with a home. There is another building in connection with the home, but detached from it, where poor women and children can obtain a comfortable bed and a meal the following morning, as a measure of temporary relief. About 13 or 14 years ago Dr. Singleton established with his own funds and organised a sick children’s hospital and dispensary in Exhibition-street, and devoted a great deal of time and attention to it for about 18 months, when, finding that there were others willing to undertake the work, and having many calls upon his time, he resigned his connection with it. A mission to the blind was another agency established by the subject of this sketch. A gentleman is employed who goes all over the colony teaching the blind to read the Bible. The Government now endows this mission with £150 a year, and the teacher is allowed a free pass on the railways. Formerly he was supported by Dr. Singleton and a few benevolent friends whose aid he enlisted. For many years Dr. Singleton was a regular visitor at Pentridge, and he was an active member of a vigilance committee which was appointed to make enquiry into the condition of the prisoners, and through its exertions many forms were instituted in a system which up to that time retained far too much of the barbarity of the old convict days”. Dr. Singleton was married in the year 1834. He had a family of 10 children, of whom six survive – three sons and three daughters. His wife died in the year 1887 [sic].”

The Mercury, Hobart, Tas, Friday 2nd October 1891, page 3.

“Dr. Singleton, the well-known philanthropist, died at his residence, East Melbourne, last night, after a long illness, aged 83. He arrived in the colony in 1851, and for many years had been a prominent figure in charitable institutions. He leaves several sons and daughters, and thousands of poor people to whom he had been as a father and friends to deplore his death. Deceased was the founder of the Free Medical Mission Dispensary, the Collingwood Temperance Home for Friendless Women, Bread Fund, and Night Shelters at Collingwood, and West Melbourne and Widow’s Cottages at Collingwood. He was also identified with other movements for the relief of suffering, and for years devoted his time exclusively to works of charity.”

The Argus, Melbourne, Vic, Friday 2nd October 1891, page 1.

“SINGLETON.- On the 30th ult., at his residence, Ormiston, Grey-street, East Melbourne, John Singleton, M.D., in his 84th year. “In Thy presence there is fullness of joy.”

The Argus, Melbourne, Vic, Friday 2nd October 1891, page 1.

“THE Friends of the late JOHN SINGLETON, M.D., are respectfully informed that his remains will be interred in the Melbourne General Cemetery. The funeral to move from his late residence, Ormiston, Grey-street, East Melbourne, on Saturday, the 3rd inst., at 3 o’clock p.m. HERBERT KING, Undertaker, Lennox-street, Richmond; 157 Swan-street, East Richmond; Burwood-road, Hawthorn; and Hopkins-street, Footscray. Telephone 912.”

Note: “Ormiston” (129 Grey-street East Melbourne) was between 1877 and c.1900, partially used by two of Singleton’s unmarried daughters (Elizabeth 1844-1932, and Anna 1846-1934), as “Ormiston Ladies College”.  The building had many other later name changes and incarnations, including being a boarding house. It was demolished in the 1930’s.[12]

Riverine Herald, Echuca, NSW, Wednesday 7th October 1891, page 3.

“A woman 100 years of age attended Dr. Singleton’s funeral on Saturday…”

Kilmore Free Press, Vic, Thursday 8th October 1891, page 2.

“Dr. Singleton, the well-known philanthropist, died on the 30th ult in his 84th year. The gentleman named was brother to the late Rev. Wm. Singleton, at one time and for many years the incumbent of Christ Church, Kilmore. Dr. Singleton enjoyed a long life and most assuredly it was a useful one – may he have the reward of the just.”

Mercury and Weekly Courier, Vic, Thursday 8th October 1891, page 3.

“…The remains were interred on Saturday afternoon in the Church of England sections of the Melbourne General Cemetery, the coffin being placed in the same grave with that of the deceased gentleman’s late wife. Every demonstration of respect was made along the line of route taken by the funeral procession, and Wellington-street, in particular, was thronged by members of the poorer classes by whom Dr. Singleton’s many good deeds are held in grateful remembrance. The cortege left the late residence of the deceased, Ormiston, Grey-street, East Melbourne, shortly after 3 o’clock, and proceeded to the cemetery through Clarendon street, Victoria Parade, Wellington street, Collingwood, and Johnston street. A halt was made at the deceased’s dispensary in Collingwood, where a photograph was taken. The coffin, which was of plain oak, with a simple inscription, was borne to the grave by the son, nephews and brother of the deceased, while the following were the pall bearer’s, viz, the Rev. Mr. McCutcheon, Messrs. F. H. Baker, J. Bosisto, J. Gamble, W. Threlfall and Derbin Willder. The funeral service was conducted by the Rev. H. N. Wollaston, assisted by the Revs. A. Forbes and Goodwin. Amongst those present were clergyman of all denominations, leading citizens, members of the Salvation Army and numbers of poor persons. Mr. A. King, of Lennox-street, Richmond, carried out the funeral arrangements. One fact which was very noticeable in connection with the funeral was the absence of medical men, the only medical men, who were present being Dr. Singleton’s own assistants. This appears to indicate a lack of that respect which is due to an old veteran – more especially to one who had the self-denial to devote the whole of his life to the alleviation of the sufferings of the poor…”

The Argus, Melbourne, Vic, Wednesday 8th December 1886, page 1.

“SINGLETON.- On the 7th inst., Isabella, wife of Dr. Singleton, Ormiston House, Grey-street, East Melbourne, in her 79th year. “Absent from the body, present with the Lord.”

Family tree notes:

John Singleton, born 1808 in Dublin, Ireland, died 1891 in East Melbourne.

He married Isabella Daunt of Cork, Ireland,  in c.1834 (1808-1886).

Children: William Daunt (18351901); John Wesley (18381924); Mary Quinn (18401929); Robert Henry Thomas (1851-1927); Frances Matilda Victoria (18491867); Isabella (18411869); Eliza (18441932); Anna Lewis  (18461934).

External Links:

Australian Dictionary of Biography: Dr John Singleton (1808-1891)

Footnotes:

[3] Anne Holmes, Collingwood Historical Society, email – 27th June 2013.

[6] “Alcohol as a Medicine” – the “Australian Medical Journal”, Dr John Singleton, November 1874.

[11] From Anne Holmes, Collingwood Historical Society, email – 1st June 2013.

[12] http://emhs.org.au/history/buildings/east_melbourne_grey_street_129

Acknowledgements:

Thanks to Geoffrey Wallace for the invitation back to his studio to photograph the Singleton window (11th July 2013). And, many thanks for his extraordinary unexpected gift of a piece of his artwork for which I am most grateful for.

Thanks to Anne Holmes from the Collingwood Historical Society for her research that unveiled the 1898 Dispensary report mentioning Ferguson & Urie by name as the makers of the window.


Cite:
Brown, Ray 2013, ‘1897: The Singleton Dispensary, Collingwood, Victoria’, Ferguson & Urie, Colonial Victoria’s Historic Stained Glass Craftsmen 1853-1899, accessed dd/mm/yyyy, <http://wp.me/p28nLD-21i>.


Short link to this page:  https://wp.me/p28nLD-21i

© Copyright

27-07-1885: St Paul’s Pro Cathedral, Flinders St, Melbourne, Victoria.

Stained glass windows were, and still are, extremely expensive to make and in the case where an historical old building is eventually demolished, its reasonable to expect that any significant stained glass windows will most likely find a new home in a new church, mansion or museum. Following and investigating this trail of the historic stained glass over more than a century is a challenge and in this case, presents an interesting story in photographic evidence which I think is amazing.

The history of the Flinders street site of St Paul’s church in Melbourne dates back as far as 1836, but the first bluestone church was not consecrated until 1852. It remained a parish church during the time when the St James’s Church was known as the first Melbourne ‘Cathedral’. St Paul’s was later known as the Pro-Cathedral, until it was demolished in 1885 to officially make way for the construction of the present Cathedral on the corner of Flinders and Swanston streets in Melbourne. The old church was known to have contained many Ferguson & Urie stained glass windows, one of which was the ‘Prince Consort’ window described in the historical article below. The window was not donated to the “Working Mens College” as intimated in the article, but eventually found its home in St John’s Anglican Church at Sorrento in 1889. The window was restored by the Geoffrey Wallace stained glass studio in 2012. Two other single light windows from the old St. Paul’s, depicted ‘St Peter’ and ‘St Paul’, and these were donated to St Paul’s Anglican Church in Warragul, Gippsland, in September 1889 (this church was re-erected in 1908). The window indicated as being a memorial to the wife of the Rev. Canon Chase, and the other “decorative” windows described, have not yet been located.

Photos taken: 25th September 2010 to 2012.

This slideshow requires JavaScript.

The Australasian Sketcher with Pen and Pencil, Melbourne, Monday 27th July 1885, page 115.

“OLD MELBOURNE.
REMOVAL OF ST. PAUL’S PRO-CATHEDRAL”.

“ST. PAUL’S PRO-CATHEDRAL., which is being pulled down to make room for the new cathedral, has an interesting history. It was the third church built in Melbourne, St. James’s and St. Peter’s being the other two older edifices, and the date of it’s inception takes us back to the early days of the colony…”
“…The window in the chancel is a beautiful work of art, illustrative of the ancestry and life of the Prince Consort. The design has been most carefully studied, and every detail is in harmony with and descriptive of some national emblems or traits of Prince Albert, and only that the chancel is in an unsuitable place to disclose the beauties of the window, it would have been far more noted and prized than it is. The window was at first intended to be the gift of the public, and one of the lady members of St. Paul’s Church collected £50 towards paying for it, but the Rev. Canon Chase at that stage presented the window, and at his request the subscriptions were devoted to the general building fund. Now that the church is being pulled down, the Building Committee have placed the window at the disposal of the donor, as the subjects of the windows of the new cathedral have already been chosen; and the Rev. Canon Chase is willing to present his gift to the Working Men’s College, which it is thought it would most appropriately adorn, considering how actively the Prince Consort exerted himself in the cause of social progress. The other memorial window at the east end of the north aisle was erected by the Sunday School of St. Paul’s Church as a mournful token of the esteem in which the wife of the incumbent, the Rev. Canon Chase, was held. There are also decorative windows in the galleries which would have been spared if the ephemeral nature of the career of the church could have foreseen, but no doubt other parishes will be eager to acquire them and replace them in their mullions, which are to be carefully preserved…”

In September 1885 the Church of England Messenger gave the best detailed description of the window I have yet encountered!

The Church of England messenger and Ecclesiastical Gazette for the Diocese of Melbourne and Ballarat, Vic, Wednesday 9th September 1885, page 3.

“THE memorial window recently removed from St. Paul’s Church, Melbourne, and designed to have a place in the new Cathedral, may be regarded as an interesting link between the Royal family of England and one of the most distant portions of the empire. Perhaps in future ages, when Australian federation is an accomplished fact, this record of a good prince, erected sixteen years after his death, may stimulate Australian potentates to a wise and beneficial exercise of power. The incumbent (Rev. Canon Chase) had long desired to honour the memory of the late Prince Consort by such a memorial, but had not found an opportunity of carrying out his wish until the year 1877, when the church was renovated and refurnished. The design is of a chaste simplicity, elegant in itself, and harmonious to the subject. Its working out evidences not only a cultivated taste, but a loving respect which spared no pains to make the work fitting and worthy. It is significant that this loyal testimony has been borne in the most democratic city of the Southern Hemisphere. Whilst viewing the memorial of the sweet psalmist of Israel, it is not unlikely that the prince Consort’s skill as a musician will be also pleasingly called to mind, and the two kings, Hozekia and Josiah, the great reformers of Israel’s race, will set the mind on meditation on the dark ages of the Christian era and the recovery of light by the labours of reformers, among whom was found prominent the ancestors of Albert the Good. This memento of the late Prince Consort may be some day regarded as a proof of loyalty amongst us in the early days of the colony; and it is worthy of remembrance that upon the decease of Prince Leopold the Government furnished the State-schools with tablets drawing the minds of the young to the excellences of the Queen’s youngest son. The window is thus described:-
The middle portion of the window is filled by three crowned figures under canopies. The central king holds a sceptre. Above his head is an inscription, “Oh, Lord, in Thee have I trusted.” Beneath his feet, “Hezekiah Rex.” The Royal figures on his right and left hand hold respectively a harp and the book of the law. The inscriptions above them are, “Praise the Lord” and “In Thy law is my delight.” Beneath them, “David Rex,” “Josiah Rex.” The upper portion of the window is divided (in the middle) into four small compartments, containing the emblems of England (lion), Scotland (crown held by lion), Wales (three feathers), Ireland (harp). An oval on either side displays a cherub holding a scroll lettered in black on white band, “When the righteous are in authority the people rejoyce.” The lower portion beneath the kings has three large compartments. That in the centre displays the arms of the late Prince Consort resting on those of the Queen. On the right the lion of England, in gold on crimson; on the left the unicorn, in silver on crimson. At the foot of the window, lettered in White (medieval) on black ground, the following- In memory of His Royal Highness, Francis Albert Augustus Charles Emmanuel, Prince Consort. Duke of Saxe-Coburg and Gotha. Born August, 1819. Married February, 1840. Died Dec., 1861.
Beneath the window is a broad brass inscribed in old English, “Fear God; Honour the king.”

At the 1866-67 Melbourne Intercolonial Exhibition, the design for the Prince Consort window was presented by Ferguson & Urie as an exhibit. The article mentions that the window was intended for St Peters which is incorrect and should obviously have said St Paul’s.

The Ballarat Star, Vic, Thursday 10th January 1867, page 3.

“…Some beautiful patterns for stained-glass windows are exhibited by Messrs Ferguson and Urie, who have also sent in a design for a memorial to the Prince Consort, in the shape of a stained-glass window, proposed to be erected in St Peter’s [sic] Church, Melbourne…”

Related posts:

1889: St John’s Sorrento
03-09-1889: St Paul’s Warragul.
23-07-1883: St James’s Old Cathedral, Melbourne.

External Links:

History of St Paul’s Cathedral

Restoration/Conservation:

The Prince Consort window, now at Sorrento, underwent restoration and conservation work by Geoffrey Wallace stained glass studio in 2012.


Sort link to this page: http://wp.me/p28nLD-1nt

© Copyright

03-12-1869: Christ Church, Moorabool St, Geelong, Victoria.

The first Ferguson & Urie stained glass window to be erected in Christ Church at Geelong was the five light Chancel window which depicts Christ in the centre light, flanked by the four evangelists, Matthew, Mark, Luke & John with their biblical alter egos beneath their figures. This window gained quite a bit of notoriety and comment in the tabloids of the time of its erection. Despite significant vandalism in the past 145 years, the most recent attack being in November 2011, it has somehow survived the test of time and is certainly a significant artifact for Christ Church and should be considered for heritage listing.

The Church of England Messenger, 3rd December 1869, page 7

“CHRIST CHURCH, GEELONG.- A handsome chancel window has recently been put up in this church, at a cost of £120, from the workshops of Messrs. Ferguson, Urie and Lyon, of Curzon-street. The style of architecture is that known as late perpendicular, the complicated mullions and tracery admitting as many as eight-and-twenty lights. Of these, the five principal compartments are thus appropriated:- In the centre, to accord with the designation of the church, the Saviour is represented enthroned, having in his left hand the globe and cross, and elevating the right in the attitude of blessing; whilst the compartments on either hand are occupied with erect figures of the four Evangelists. Those who have examined former efforts of this enterprising firm will be struck by the improved purity and brilliancy of colour displayed. The utmost skill has been shown in the harmony of arrangement”.

Photos taken 24th Oct 2010. (Date of Historical photo unknown).

This slideshow requires JavaScript.

Geelong Advertiser, Vic, Wednesday 10th November 1869, page 2.

“A gratifying specimen of colonial art may be seen in the chancel window, recently put up in Christ Church, by Messrs Ferguson, Urie and Lyon, of Melbourne. The window, which is about fourteen feet high by ten feet wide, belongs to the order of Gothic, which architects term late perpendicular. it consists mainly of three rows of light, the lower row containing five openings eight feet and a half in height, the mullions of which rise perpendicularly to the top of the window. The second row contains a continuation of these lights, divided into twelve by narrow mullions, these openings being two feet in height; above these is a row consisting of three pairs, rather higher than the middle row. There remain seven small openings supplementary to the complete design. The great feature of a window of this style, and involving a manifest difficulty with which the glass-stainer has to grapple, is the large proportion of stone in the mullions, probably not less than a third of the entire surface. The designer has in this instance shewn his judgement in not attempting a general subject, which would have been broken by the heavy stone framing, as he has made each opening a complete picture in itself, and to a certain extent, independent of the adjoining ones. At the same time there is not wanting a unity of subject. The five principal lights are appropriated to the glorified Saviour, flanked on either side by two Evangelists. At the foot of each of these five figures, is introduced the corresponding symbol, viz., in the centre the pelican wounding her own breast to feed her young; and the evangelistic symbols, the human head, the lion, the ox, and the eagle, under Matthew, Mark, Luke, and John, respectively. The three pairs of lights at the top of the window are appropriately filled up with three cardinal graces and their emblems, viz., faith and the cross, hope and the anchor, charity and the heart. The quatrefoil at the apex of the arch is filled in with the dove. The twelve smaller windows in the middle row remained to exercise the designer’s ingenuity, their small size and large number having occasioned some apparent difficulty. On these we find national emblems, the rose, shamrock, and thistle, besides stars, which may be regarded as generally emblematic of whatsoever things are lovely and of good report. Those who have examined former efforts of this enterprising firm will be struck with the improved purity and brilliancy of colour displayed. The utmost skill has been shown in the harmony of arrangement. The draperies of all the principal figures are particularly well managed, that of the centre being a brilliant mass of ruby red, carried off to the margin in each in each direction by yellows and greens of intermediate warmth terminating at the circumference in cold blue or grey. The effect at the western entrance into the church is a rich flow of light and colour, on which the eye rests with pleasure, and has to complain of no unequal predominance of any one tint. The individual figures are alike bold and dignified in outline, but the execution of the features while in the highest degree creditable, falls short of that depth and sublimity of expression with which the old masters have familiarised us. It is indeed the merit of the whole composition that it attempts the symbolical and heraldic rather than the historical. Its excellences are such as can be best appreciated from a distant point of view. We are told that the entire cost of the window is £120, to meet which collections are to be made on Sunday next.”

Note: The head of Christ in the centre light is not original Ferguson & Urie. This is possibly the third replacement since the window was created in 1869.

Restoration/Conservation:

The east five light window underwent restoration and conservation work in 2004 by Geoffrey Wallace’s stained glass studio.

This window and many others were unfortunately vandalised in November 2013 and will again be in the hands of Geoffrey Wallace for expert repair.

For updated and detailed photos of the full cycle of Ferguson & Urie windows at Christ Church in Geelong, See: http://www.flickr.com/photos/raysalmanac/sets/72157637900257313/


Short link to this page: https://wp.me/p28nLD-1ez

© Copyright

1872: The ‘Glenferrie’ window at the Melbourne Museum

Web Site, Museum Victoria, Window – Stained Glass, Ferguson & Urie, circa 1872, Reg. No: HT 521, accessed 1st Apr 2012.

“Stained glass window made for ‘Glenferrie’, Malvern, the residence of James Fergusson, a Melbourne manufacturing stationer and member of the Legislative Assembly, and Shire President 1871-72.’Glenferrie’ was a two-storey mansion with fourteen rooms and extensive grounds. Its land extended from Glenferrie Rd and Toorak Rds to the far side of the railway line. In 1903 the estate was subdivided, and the house was called Zeerust by a subsequent owner. The style of the window strongly indicates it was locally made by Ferguson & Urie, the main stained-glass manufacturers in Melbourne from the early 1860s to the 1890s. Following the demolition of Glenferrie in 1954, the window was purchased by a local resident, and subsequently installed in a modern home in the 1970s in Mernda Road, Kooyong”.

“A large leaded and stained glass window, 3.5 metres by 2 metres, attributed to Melbourne stained glass manufacturers Ferguson and Urie; dated c. 1872. Three tall panels, with three small panels above, which show a kangaroo and emu on either side of an early Australian coat of arms. Pride of place in the liddle [sic] window is given to the Fergusson Blazon of Arms, with three boars heads and a buckle. There are six hand-painted vignettes showing aspects of Victorian industry: shipping, farming, pastoral, printing, mining and railways. There are two female figures representing Agriculture and Commerce. Images of thistles, roses and the shamrock represent respectively Scotland, England and Ireland. All panels are bordered by a climbing floral pattern which is entwined around a gold covered rod”. –  MUSEUM VICTORIA STAFF WRITER

Dr. Richard Gillespie, curator of the  Melbourne Museum, talks about the ‘Glenferrie’ stained glass window.

(in-line link to Youtube video posted by the Melbourne Museum)

Photos taken 10 May 2011: (The window was extremely hard to photograph as it’s mounted in its own protective glass frame which causes a lot of reflection).

This slideshow requires JavaScript.

Related posts: 18-08-1951: Zeerust/Glenferrie Mansion, Malvern, Victoria.


Short link to this page: https://wp.me/p28nLD-AS

© Copyright

05-03-1882: Presbyterian (Uniting) Church, 603 Toorak Rd. Toorak, Victoria.

Mary Ormond (nee Greeves), the wife of the Hon Francis Ormond, died at “Ognez”, Toorak, on the 6th of July 1881 and she was buried at the Geelong Eastern cemetery. In early 1882 Francis commissioned the Ferguson & Urie stained glass company of North Melbourne to create her memorial stained glass window to be erected in the liturgical west wall of the Toorak Presbyterian Church.

The Australasian Sketcher with Pen and Pencil, Melbourne. Saturday 25th March 1882, page 91.

“A VERY handsome memorial window has just been placed in the Toorak Presbyterian Church. The donor is the Hon. Francis Ormond, and it has been erected in memory of his late wife. Occupying as it does the gable of the church, it enhances the appearance of the whole interior. The whole work has been carried out with great taste by Messrs. Ferguson and Urie, of Collins-street.”

Photos taken 1st November 2010.

This slideshow requires JavaScript.

[View larger images]

The window depicts the following biblical representations and text:

First light:
Pictorial representation: “HE HAD COMPASSION ON HIM” (Luke 10:33)
Quatrefoil with text: “I AM THE LIGHT OF THE WORLD” (John 8:12)
Pictoral representation of Jairu’s daughter being raised from the dead with text: “DAMSEL I SAY UNTO THEE RISE” (Mark 5: 41)

Centre Light:
Depiction of the Good Shepherd with text: “I AM THE GOOD SHEPHERD” (John 10:11)
Quatrefoil with Text: “THE GOOD SHEPHERD GIVETH HIS LIFE FOR THE SHEEP” (John 10:11)

Third Light:
Pictorial representation with text “I WAS SICK & YE VISITED ME” (Matthew 25:36)
Quatrefoil with text: “I AM THE WAY THE TRUTH AND THE LIFE” (John 14:6)
Pictorial representation: “MARY HATH CHOSEN THAT GOOD PART” (Luke 10:42)

The memorial text across the bottom of all three lights reads:
“IN LOVING MEMORY OF | MARY WIFE OF FRANCIS ORMOND | OF BORRINALLOAK DIED 6th JULY 1881”

External Links:

Biography: Francis Ormond (1829-1889) ( Includes some detail about his first wife Mary).

This window was restored by Geoffrey Wallace Stained Glass Studio of Caulfield North in 2000.

© Copyright

08-06-1881: Holy Trinity Church, Kew, Victoria.

The Australasian Sketcher with Pen and Pencil, Saturday 8th June 1881, page 198.

“INTERIOR OF HOLY TRINITY CHURCH, KEW”.

“The first stone of this church was laid about 20 years ago. It was originally designed to accommodate 400 persons, and then consisted of a nave, a small apsidal chancel, a robing-room and tower (which is still uncompleted), and a south porch. The church is built of bluestone, with white stone dressings. The style selected is early English, about the turn of the 13th century. The nave is covered with a hammer-beam roof having a span of 30ft. 6in. Owing to the increase in the population of the district, and the consequent demand for additional sittings (a demand that was not foreseen when the church was originally designed) it was determined by the church committee abut eight years ago to enlarge the church so as to accommodate 200 additional persons, and after due deliberation it was decided to obtain this accommodation by taking down the old chancel and a portion of the nave, and adding two transepts, a chancel large enough to accommodate the choir and organ chamber on the south side of the chancel, and a vestry on the opposite side. The plan of the building, therefore, as now completed, is cruciform, of which the following are the principal dimensions:- Chancel, 24ft. long by 21ft. wide; nave, 91ft. 6in. long by 36ft. 6in. wide; transepts, each 22ft. long by 28ft. wide. The pulpit, reading desk, choir seats, and pews throughout are all of cedar. In the west end is a fine stained glass memorial window to the late Prince Consort, executed by Messrs. Ferguson and Urie. The internal plastering, carving of the corbels, and the erection of an additional vestry have just been completed. A new organ has also recently been erected at a cost of about £500. The altar is furnished with a handsome frontal, presented by the ladies of the congregation, embroidered in gold and coloured silks by Mrs. Samson, of East Melbourne. The belfry chamber of tower, and the spire (which would complete the church), are not to be carried out at present. The plans, &c., have been furnished by Mr. Barret, of the P.W.D., who made the original designs for the building. The incumbent of he church is the Rev. Canon Vance.”

The Prince Consort (west) window was restored in 2009. The original three light chancel window by Ferguson and Urie now resides in the south transept and has the makers name “Ferguson & Urie” in the lower right corner.

The photos were taken 02/01/2011. Included in the photos is one of the original sketch design for the chancel window circa April 1863.

This slideshow requires JavaScript.

Related posts: 03-04-1863 > 24-03-1864 > 29-04-1864 > 13-08-1867

1889: St John’s Church of England, Sorrento, Victoria.


St John’s Anglican Church at Sorrento was built of local Limestone in 1874. It was used by the Presbyterian and Anglicans for services and other community functions and later, solely by the Anglican’s. The transepts were built in 1889 by George Morse who was the original architect/builder of the church.

The “Prince Consort” stained glass window, made by the Ferguson & Urie stained glass company of North Melbourne, was installed in the South Transept at this time. The window was originally installed in St Paul’s Anglican Church on the corner of Swanston and Flinders street Melbourne which was demolished in 1889 to make way for the new St Paul’s Cathedral.  Canon Chase was the original Donor of the stained glass window for St Paul’s and when it was decided that the original stained glass was not applicable for the new Cathedral it was returned to him for his decision to donate it elsewhere as he saw fit. Despite the intimations of the tabloids that it would be installed in the “Working Men’s College”, he eventually chose St John’s Anglican Church at Sorrento where it has resided for the past 125 years.

Australian Heritage database, Place ID: 5797, File: 2/18/021/0004, Registered 21/03/1978.

 “… St John’s Church of England, Nepean Highway, Sorrento, was commenced in 1874, the transepts being added in 1889 and the chancel during 1908-11…”

 “… The transepts were built in 1889, presumably also by Morce. The stained glass windows in the easterly transept were donated by St Paul’s Anglican Church in Melbourne which was demolished in 1889.…”

Photos were taken on 25th September 2010.

This slideshow requires JavaScript.

The Australasian Sketcher with Pen and Pencil, Melbourne, Monday 27th July 1885, page 115.

“OLD MELBOURNE.
REMOVAL OF ST. PAUL’S PRO-CATHEDRAL”.

“ST. PAUL’S PRO-CATHEDRAL., which is being pulled down to make room for the new cathedral, has an interesting history. It was the third church built in Melbourne, St. James’s and St. Peter’s being the other two older edifices, and the date of it’s inception takes us back to the early days of the colony…”

“…The window in the chancel is a beautiful work of art, illustrative of the ancestry and life of the Prince Consort. The design has been most carefully studied, and every detail is in harmony with and descriptive of some national emblems or traits of Prince Albert, and only that the chancel is in an unsuitable place to disclose the beauties of the window, it would have been far more noted and prized than it is. The window was at first intended to be the gift of the public, and one of the lady members of St. Paul’s Church collected £50 towards paying for it, but the Rev. Canon Chase at that stage presented the window, and at his request the subscriptions were devoted to the general building fund. Now that the church is being pulled down, the Building Committee have placed the window at the disposal of the donor, as the subjects of the windows of the new cathedral have already been chosen; and the Rev. Canon Chase is willing to present his gift to the Working Men’s College, which it is thought it would most appropriately adorn, considering how actively the Prince Consort exerted himself in the cause of social progress. The other memorial window at the east end of the north aisle was erected by the Sunday School of St. Paul’s Church as a mournful token of the esteem in which the wife of the incumbent, the Rev. Canon Chase, was held. There are also decorative windows in the galleries which would have been spared if the ephemeral nature of the career of the church could have foreseen, but no doubt other parishes will be eager to acquire them and replace them in their mullions, which are to be carefully preserved…”

In 1984 Melbourne University Student G. Marie Moore wrote in her thesis;

One of this firm’s better known works is the three-light Albert Memorial window of 1877, now in the south transept of St. John’s church Sorrento. It was originally designed and made by the company for the chancel of the old St. Paul’s church in Swanston Street, together with two smaller windows, depicting. Peter and Paul. The Church of England Messenger described the memorial in glowing terms:

“…the middle portion of the window is filled by three crowned figures under canopies. The central king holds a sceptre. Above his head is the inscription ‘Oh Lord, in Thee have I trusted’. Beneath his feet, ‘Hezekiah Rex’. The Royal figures on his right and left hand hold respectively a harp and the book of the Law. The inscriptions above them are, ‘Praise the Lord’ and ‘In Thy Law is my delight’. Beneath them, ‘David Rex’, ‘Josiah Rex’. The upper portion of the window is divided (in the middle) into four small compartments, containing the emblems of England (lion), Scotland (crown held by a lion), Wales (three feathers), Ireland (harp). An aval on either side displays a cherub holding a scroll lettered in black on a white band, ‘When the righteous are in authority the people rejoice’. The lower portion beneath the kings has three large compartments. That in the centre displays the arms of the late Prince Consort resting on those of the Queen. On the right, the lion of England, in gold on crimson; on the left the unicorn, in silver on crimson. At the foot of the window, lettered in white (mediaeval) on black ground ‘In memory of His Royal Highness, Franc is Albert Augustus Charles Emmanuel, Prince Consort, died Dec. 1861. A brass plate under the window is inscribed in old English and carries the inscription:

Fear God, Honour the King”. It is more than likely that David Drape was the artist responsible for this spectacular piece, as Lyon had already left the partnership in 1873 and moved to Sydney. Drape as an architect, was fully aware of the differences of our climate from that of European countries, and this is readily apparent in the brilliant colouring of the glass manipulated to cope with the high lights of our country…”[1]

The Prince Consort window at Sorrento was restored by Geoffrey Wallace’s Stained Glass studios in 2011.

The most recent historical event associated with this stained glass window was celebration of the life of Geoffrey ‘John’ Nathan (1931-2013). John died on the 28th June 2103. and his service was held at  at St John’s Anglican Church at Sorrento on the 12th of July 2013. John was the grandson of ‘James Urie’ of the stained glass firm ‘Ferguson & Urie’ who had originally created the masterpiece in stained glass.

Related posts: 27-07-1885: St Paul’s Pro Cathedral, Flinders St, Melbourne, Victoria.

Footnotes:

[1] Antipodean Gothic – Melburne University Thesis 1884, G. Marie Moore.


Short link to this page: https://wp.me/p28nLD-nV

© Copyright